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"unworked" Definitions
  1. not worked

102 Sentences With "unworked"

How to use unworked in a sentence? Find typical usage patterns (collocations)/phrases/context for "unworked" and check conjugation/comparative form for "unworked". Mastering all the usages of "unworked" from sentence examples published by news publications.

The implicit assumption is that trauma, unidentified and unworked, repeats itself.
The report said almost 16,000 applications could have been reviewed during the unworked hours.
It makes sense — the limit of sculpture would be an explosion, a sculpture that "unworked" itself.
I have, on occasion, alluded to the skills of NBA players are seeming Worked or Unworked.
He isn't even much of a draftsman; his drawings are mostly unworked aids for larger compositions.
More than 300 of the 415 examiners paid for unworked hours received above average performance reviews.
GBI employees chuckled, as they revealed roomfuls of hundreds of crates holding bagged drug analysis cases – unworked.
Both agreed that health care delivery needed to work better, though the devil remained in the unworked-out details.
The chairs offer little in the way of comfort, but rather infer, by their bulk and gravitas, memorials or rough unworked headstones.
The 63-year-old owner of the piece of unworked ivory has been charged with offering it for sale, the police statement added.
Look at the sheer, unworked happiness on their faces, not just as old foes and friends coming together after ten years, but at working a Royal Rumble together.
And in "Covariance (Sacred Geometry)," a lump of what looks like rough, unworked clay buzzes with life once you see the dozens of open eyes that dot its surface.
The current solidarity contracts, whose unworked hours are the equivalent of around 5,000 jobs, expired at the end of 2017 and a decision has yet to be taken on whether to extend them.
In Yakutia, a kilogram of the highest-quality mammoth ivory in unworked form will sell for around $430 and higher, depending on the size of the tusk and how well preserved it is.
He and other Unworked players—a group diverse enough to include Jamal Crawford, Hakeem Olajuwon, Kyle Korver, and JR Smith—seem so natural that their skills, effectiveness aside, play like a gift straight from nature and its Gods.
They're good, or great, or not good—Nick Young, for instance, is pretty Worked—but they always look like they're pressing against the outer limits of their abilities One notably unworked player is Steph Curry, and most notably so of late.
While many of the Telltale employees previously working on Telltale's adaptation of The Walking Dead were hired by Skybound Studios (producers of The Walking Dead comic series), the layoffs nonetheless raised some important questions Unlike some other industries, games had few to no safety nets or reliable methods of confrontation for workers unjustly laid off or abused on the job, and the possibility of striking without union protection left their jobs vulnerable to scab labor rushing in to fill the vacuum of unworked jobs.
The interior of the superstructure consists of a combination of unworked masonry blocks and large river boulders, bound with lime mortar.
In addition to the tombs cut into the walls, there are also many graves cut into the ground and covered with unworked stones of irregular sizes.
John Mawe had a museum in Matlock Bath that dealt in black marble and Ann Rayner engraved pictures, next door at another museum, on black marble using a diamond. Many fine examples of engraved and inlaid black marble exist in local collections, including those of Derby Museum, Buxton Museum, and Chatsworth House. In 2009 huge blocks of unworked Ashford Black Marble were unearthed during excavation work near to the Seven Stars public house in Derby. The plan was to auction them due to the rarity of unworked Ashford Black marble.
The ramp was wide and rose at an estimated angle of 27°. Excavations revealed that the ramp was built of compacted clay and that the pyramid was packed with unworked stones. Both were built simultaneously.Andrews 1976, 1986, pp.
The Shujing "Classic of History" (Zhoushu , Zicai "Chinese catalpa lumber" section) uses pu once in the compound pozhou (po "trim unworked wood" and zhuo "hack; chop off"): "as in working with the wood of the rottlera, when the toil of the coarser and finer operations has been completed, they have to apply the paint of red and other colours" (Legge 1899:417), "It is as when one works on catalpa wood; when he has toiled in trimming and carving it, he should take measures for making it red or green" (Karlgren 1950:48). Legge notes that pu means "the rough fashioning of the work" and zhou means "the fine finish given to it". Karlgren (1970:313) quotes the Han commentator Ma Rong that po denotes "wood that has not yet been worked into a utensil; unworked wood", and concludes po means "to treat the unworked wood (in the first rough cutting); to trim" is a variation of the same stem as pu "in a natural state; simple".
While he tended to ignore previous work and his own work on classification was of poor quality, Motschulsky made a massive contribution to entomology, exploring hitherto unworked regions, often in very difficult terrain. He described many new genera and species, a high proportion of which remain valid.
Small alfeñique skulls The paste is prepared by mixing powdered sugar with chautle, a vegetable adhesive and lemon. Egg whites are beaten separately then folded into the sugar. Vegetable dyes are added for color. The unworked portion is covered with a damp cloth to keep it from hardening.
118 3 flight feathers were worked by wrapping them with thin strips of sinew. One of the specimens had one side of the barbs uncut and the other side cut off evenly. The function of these feathers was also unknown. Finally, a total of 245 unworked feathers were recovered.
It is a type of stonework built with massive limestone boulders, roughly filled together with minimal clearance between adjacent stone and no use of mortar. The boulder typically seem unworked, but some may have worked roughly with a hammer and the gap between boulders filled in with smaller chunks of limestone.
In Bulgaria the government also took possession of Turkish land which had been vacant for three years. A number of returning Turkish refugees who demanded restitution of or compensation for their lands were denied both on the grounds that they had without duress left their property unworked for three years.Crampton 1983, pp.
At this early stage of the site's history, circular compounds or temene first appear. They range from 10 to 30 metres in diameter. Their most notable feature is the presence of T-shaped limestone pillars evenly set within thick interior walls composed of unworked stone. Four such circular structures have been unearthed so far.
Separatist authorities from Tiraspol have in the past attempted to make life more difficult for Cocieri's inhabitants. Several properties belonging to Cocieri companies were confiscated by Transnistria's authorities and 7 km² (1,700 acres) of land remains unworked because of the obstacles that the separatists put against the free movement of the people of Cocieri.
Unworked jade. Jade is a gemstone with unique symbolic energy is known for its glossy surface, hardness and translucency. The term jade is commonly used to cover the nephrite, jadeite and chloromelanite groups of minerals, all of which are hard and attractively coloured. Bowenite is called False Jade or Jade look alike and is softer than true jade.
The Indian offered the doctor a deal. In exchange for two horses, the Indian said he would show Bragg the location of the lost mine. Together they journeyed to the vicinity of the concealed workings but the Indian did not reveal the hidden entrance to the mine. Instead, he showed Bragg an unworked, gold-bearing seam nearby.
Pu is a Chinese word meaning "unworked wood; inherent quality; simple" that was an early Daoist metaphor for the natural state of humanity, and relates with the Daoist keyword ziran (literally "self so") "natural; spontaneous". The scholar Ge Hong (283-343 CE) immortalized pu in his pen name Baopuzi "Master who Embraces Simplicity" and eponymous book Baopuzi.
These houses were generally "unit-type" which has thick walls of unworked stones in mud mortar. The interiors of these houses were smooth and neatly plastered. They also contained fire pits with U-shaped deflectors that directed heat and caught ash. There was generally a ventilator shaft through the wall that followed the north-south orientation of the house.
The building is one of Stephen's city churches: large, tall, with a spire, side apses and an enlarged vestibule. The facade was of unworked stone, with buttresses that reached two-thirds of the walls' height. The exterior was decorated with two rows of recesses, as well as rows of enameled, colored terra-cotta discs representing people and animals. The apses were endowed with large arches.
The deputy barmasters were responsible for settling disputes over ownership or of arresting or suspending operation of mines pending decisions of the Barmote Court. They could withdraw title whenever a mine was left unworked. They checked the mines regularly and used their knives to nick the stows at any neglected mine. After three nicks at weekly intervals title could be transferred to another miner.
People have used resources on and around the Mono–Inyo Craters for centuries. Mono Paiutes gathered obsidian from the Mono–Inyo Craters to make sharp tools and arrow points. Unworked obsidian was carried by the Mono Paiutes over passes in the Sierra Nevada to trade with other Native American groups. Chips of Mono–Inyo obsidian can still be found at many ancient mountain campsites.
The Columbaria are two roofless funeral buildings, part of a necropolis outside the walls of the Roman city. Both are the best examples of funerary constructions in Emerita. The materials used for manufacturing of the building are unworked stone and granite for the seating. Both buildings have preserved their identifying epigraphs of the original gens (families) who owned them, the gens Voconia and the gens Iulia.
From the walls' analysis, two main construction phases can be ascertained. The first phase, a typical dry stone method, is realized with large quadrangular stone blocks, bound together without any mortar, suggesting of an earlier Illyrian castle. The other phase of the walls is done through unworked smaller stones bound with mortar and belongs to the later Roman period. The archaeological site has an overall area of .
Large areas of land were left sparsely inhabited, and in some places fields were left unworked. Wages rose as landlords sought to entice the reduced number of available workers to their fields. Further problems were lower rents and lower demand for food, both of which cut into agricultural income. Urban workers also felt that they had a right to greater earnings, and popular uprisings broke out across Europe.
Construction finally began in February 1968, and the rock- temple was completed for consecration in September 1969. The interior was excavated and built directly out of solid rock and is bathed in natural light which enters through the skylight surrounding the center copper dome. The church is used frequently as a concert venue due to its excellent acoustics. The acoustic quality is created by the rough, virtually unworked rock surfaces.
To the north of Xiangkhouang an extensive network of intentionally placed largely unworked stones marking elaborate burial pits and chambers are known as "standing stones of Huaphanh". These have been dated to the Bronze Age. The jars lie in clusters on the lower foot slopes and mountain ridges of the hills surrounding the central plateau and upland valleys. Several quarry sites have been recorded, usually close to the jar sites.
There were one-hundred and three individuals recovered from the site of Kʼaxob and seventy-two burials.Lockard, McAnany and Storey (1999) Cambridge University Press pp.129 The individuals recovered are male and female, of all ages, infant to adult.Aizpurúa and McAnany (1999)Lockard, McAnany and Storey (1999) Cambridge University Press Excavations yielded beads, pendants, including zoomorphic pendants as well as ceramics and unworked shells interned with the individuals.
46 thin "tabular stones" were classified, which were further divided into 5 categories according to the kind and degree of modification of the stones: bifacially worked edges, unifacially worked edges, ground on two surfaces, ground on one surface, and unworked fragments. They were made of schist, shale, and limestone.Aikens 1970, p. 72. There were 30 specimens classified as "incised stones", where designs had been incised on their surfaces.
After the Felch brothers ended their field work, the so-called Marsh-Felch quarry lay unworked for twelve years. However, in 1900 William Utterback began fieldwork in the area under John Bell Hatcher for the Carnegie Museum of Natural History. In the two ensuing years of field work Utterback found many skeletons of previously known dinosaurs, but also the new genus Haplocanthosaurus. This was the smallest known sauropod species of the Morrison Formation.
On one pole there were those like Yitshak Epstein and Rabi Binyamin, who held that Zionism should not antagonise the Arabs. Epstein advocated settlement only in areas unworked by the Arabs. Rabi Binyamin held that modern education, full equality and modernisation would bring the Arabs to accept massive Jewish immigration. On the other pole there were those who assumed that in order to reach their goal the Zionists would have to defeat violent Arab resistance.
An earthen floor An earthen floor, also called an adobe floor, is a floor made of dirt, raw earth, or other unworked ground materials. It is usually constructed, in modern times, with a mixture of sand, finely chopped straw and clay, mixed to a thickened consistency and spread with a trowel on a sub- surface such as concrete. Once dry, it is then usually saturated with several treatments of a drying oil.
Plain of Jars – Jar with lid Stone discs have also been found. The discs, which differ from the lids, have at least one flat side and are grave markers which were placed on the surface to cover or mark a burial pit. These grave markers appear more infrequently than jars, but are found in close proximity. Similar are stone grave markers; these stones are unworked, but have been placed intentionally to mark a grave.
This stone, found in 1961 is approximately 1.5 metres tall, 0.5 m wide and 0.3 m thick. It has incised symbols on an unworked stone, defining it under J Romilly Allen and Joseph Anderson's classification system as a Class I stone. There are two symbols, a horseshoe and a Pictish Beast. The anterior portion of the beast symbol (facing right) has suffered some damage due to ploughing, but is still easily visible.
The presence of cortex indicates the importation of an unworked nodule, with the first flakes both preparing the core by shaping and removing the roughened exterior of the cortex (Sheets 1978:9). The percentage frequency of cortex is an important statistic to help identify lithic production areas. A low incidence of cortex would indicate quarry preforming (cortex removed at the quarry, not at the site). One specific type of debitage analysis is mass analysis.
It covers a section of footpath which is paved in local unworked limestone slabs set in a bedding of antbed, now concrete pointed, and is retained with a low concrete retaining wall. The building has a double door entrance at front and rear. The Bond Store/Gallon Licence is clad in horizontally-running corrugated iron, and also has a simple gabled roof flanked by skillions. The building sits above the street on round timber stumps and steel posts.
It is about west of Topoxte Island. 68 structures have been identified on Paxte, mostly low rectangular platforms built from unworked limestone, presumably the remains of domestic buildings. There are two groups of larger buildings located on the highest part of the island, aligned north- south, a fact that distinguishes them from the smaller residential buildings, which are aligned according to the local topography. Excavations suggest that Paxte was occupied from the Late Postclassic into the Postclassic.
The Coromandel Gold Rushes on the Coromandel Peninsula and around the nearby towns of Thames and Waihi in New Zealand in the nineteenth century were moderately successful. Traces of gold were found about 1842. A small find was made near Coromandel in 1852; and a larger find in August 1867 when there was a modest rush. But Thames acquired a reputation for speculative holding of unworked ground despite regulations designed to check it, and some miners left for Queensland.
Other important finds include a glass seal with a depiction of Niobe, a mosaic glass bead depicting Apis, several other pieces of jewellery, and some unworked amber. The pottery found was predominantly Roman, simple handmade Germanic material made up only about 20% of the total ceramics. Apparently, different ethnic groups inhabited the site side-by-side. Coins found date activity at Waldgirmes to between 5 BC and 9 AD, the year of the Battle of Teutoburg Forest.
Some 24 centuries old, the mosaic known as The Beauty of Durrës has a surface area of about nine square metres. It is elliptical in shape, some across at the widest and some at the narrowest. The mosaic is made of unworked coloured pebbles and is still in fairly good condition. The formal expression represents a good example of the art of antiquity, in which Hellenistic art is combined with the local motifs of Illyrian art.
Accessed 2013-12-20. Unlike most other stone buildings, constructed of ashlar stone, the church in Casstown is built of rough, comparatively unworked stone. Its roof is of a rare form: the wooden beams supporting the roof form a fuller truss system than in many comparable buildings, and the complex system of pegs and mutually supporting beams enables the roof to stand without any interior load-bearing walls whatsoever. Casstown's first Lutherans organized a church around 1835,The History of Miami County, Ohio.
This was re-confirmed during work on the foundation. The necessary €20,000 were found from donations by the bank of Kreissparkasse Rügen and the German Foundation for Monument Conservation. Broken column drum on the storage site in Putbus in April 2006 On 2 September 2005, the original pieces were transported, unworked, from Berlin to Putbus and, since then have been displayed to the public in an open area on Alleestraße road, near the roundabout. Here, too, an accident happened for the master stonemason.
This building was found fortuitously in the early 1960s, and is located on the southern slope of Mount San Albín. Its proximity to the location of Mérida's Mithraeum led to its current name. The whole house was built in blocks of unworked stone with reinforced corners. It demonstrates the peristyle house with interior garden and a room of the famous western sector Cosmogonic Mosaic, an allegorical representation of the elements of nature (rivers, winds, etc.) overseen by the figure of Aion.
Excavations have revealed evidence of chert workshops dedicated to the production of tools, together with dumps of waste flakes. Buena Vista features an early architectural style that differs from that at Motul de San José, consisting of platforms built from unworked stone, with wide front stairways and probably without superstructures. They were built in the Middle to Late Preclassic periods and then reused in the Late Classic. The differences in style between Buena Vista and Motul probably results from differing epochs of construction.
The Old Cochrane Road Bridge is a historic bridge in rural Deuel County, South Dakota. It is a small single-span stone arch bridge, located on an old alignment of the road that circles Lake Cochrane. The bridge spans a stream that enters the lake near its southwestern corner, and is now located on a private lakefront property with a cabin. The bridge is fashioned from a variety of unworked fieldstone, and rises about above grade, with a span of about .
The basalt sculpture is 0.41 metres high, 0.73 m long and 0.23 m wide. It is in very good condition. The head and the front legs are fully carved in the round; the left side is carved in high relief upon the inscribed plaque between the feet and the body. The right side, backside, left hindquarters and the tail are unworked, probably because they were not visible in the statue's original location by a door or next to another statue.
The painting shows the Colossus of Rhodes standing on a base of unworked ashlar. The perspective is from below the statue's base, suggesting that the viewer is on a boat approaching the city, and emphasising the statue's extreme height and size. A piece of drapery wraps around the waist of Helios and hangs from his left arm, falling down to touch the ground behind him. The statue appears to be made of bronze, and has a segmented construction entirely composed of numerous individual plates.
Despite the late 19th century damage, the overall size of the tomb can be estimated at 10 by 3.2 m (outside measurements). Unusually among the Wartberg tombs, it was oriented north–south. The tomb was built of unworked limestone slabs (0.3 to 0.8 m thick) from Steeden (2 km to the south). The relatively large gaps between the slabs were filled with drystone walling (a feature well known from gallery graves elsewhere in Europe, but not familiar within the Lahn and Kassel basin groups of tombs).
The site where the line met the LNWR main line. The branch line passed through a cutting, now filled with trees, on the left, joining the main line immediately left of the visible bridge. The branch line continued on its own separate single track, parallel to the main line, to Garstang and Catterall railway station, south of this location.In the mid-nineteenth century, the tract of land to the west of Garstang, in the Fylde area of Lancashire, was an unworked expanse of moss.
Paragraph 52 dealt with "the problem of suppressed or unworked patents" and "it enjoins every defendant from applying for a patent 'with the intention of not making commercial use of the invention within four years' from issue of the patent, and makes the failure commercially to use the invention prima facie proof of the absence (sic) of such intention." The Court said: "This provision is also legislative, rather than remedial. Unless we are to overturn settled principles, the paragraph in question must be eliminated."323 U.S. at 431-32.
Caches of maize, huarango pods, as well as a small concentration of shell were all found at Cahuachi, and are, again, considered to have ritual purposes rather than agricultural significance. At one of the more well-known constructions at Cahuachi is the Room of the Posts. Here, in front of a deep niche, were two cylindrical depressions, resembling postholes, and within them were found ten unworked pieces of Spondylus, a shell sacred in the Andean region. Within a round depression excavated in the room they found a cache of huarango pods.
In his novel Redgauntlet, the Scottish author Sir Walter Scott wrote, "Your wife's a witch, man; you should nail a horse-shoe on your chamber-door." In modern fantasy, cold iron may refer to a special type of metal, such as meteoric iron or unworked metal. Weapons and implements made from cold iron are often granted special efficacy against creatures such as fairies and spirits. In the Disney film Maleficent, the title character reveals early on that iron is lethal to fairies, and that the metal burns them on contact.
Late glacial tool finds from the Upper Palaeolithic date to c. 12,000 BP: flint blades known as Cheddar points; smaller bladelets known as Cresswell points; scrapers; burins or lithic flakes; flint and bone awls; and a bone needle. Flint rarely occurs in Wales other than in drifts, or as small pebbles on beaches. Flint tools would therefore have to have been brought to Gower from other areas, such as those now known as southern or eastern England, or Antrim, either as finished tools or as incomplete, or unworked, nodules.
An early press release stated that the record "[retained] their trademark Daft Punk sound, this time with a more spontaneous and direct quality to the recording". Human After Alls brief creation and minimal production had been decided upon beforehand as a counterpoint to Discovery, which had been produced in two years. Thomas Bangalter of the duo stated that they were "definitely seduced at the time by the idea of doing the opposite of" their previous studio album. He compared the deliberately unpolished record to "a stone that's unworked".
The inner bark of Thymelaea hirsuta yields a strong fibre, well suited to the making of ropes and paper. Bedouin cordage made from mitnan ranges from a type of simple cable, braided from the flexible branches of the shrub in an unworked state, to fully finished rope. Such rope is strong enough to support the weight of an adult human, to provide guy ropes for a tent, to tether, girth and yoke beasts of burden, such as donkeys and camels, and to lash together heavy water vessels so they may be carried by such animals.
Stirrup jars are made of clay, which in unworked form occurs in beds of particles of a certain size formed from the weathering of rock. As different rocks are composed of different minerals, clay has also a certain range of compositions, all of which contain clay minerals and sand, which is weathered quartz. Mixed with water the particles of clay cohere in a plastic mass of loosely bonded grains. When fired, or baked in an oven, the grains indurate, or form chemical bonds between them, so that they can no longer slide over each other.
Obsidian hydration dating (OHD) is a geochemical method of determining age in either absolute or relative terms of an artifact made of obsidian. Obsidian is a volcanic glass that was used by prehistoric people as a raw material in the manufacture of stone tools such as projectile points, knives, or other cutting tools through knapping, or breaking off pieces in a controlled manner, such as pressure flaking. Obsidian obeys the property of mineral hydration, and absorbs water, when exposed to air, at well defined rate. When an unworked nodule of obsidian is initially fractured, there is typically less than 1% water present.
As far as can be determined, between arches 2 to 21, the outer facing of the superstructure consists of four layers of brick, followed by layers of rough stonemasonry bound with mortar. In contrast, between arches 22 and 26, as well as in both ramps on either end, the facing consists of ashlar blocks. The two repaired arches 27a and 27b are differentiated from the earlier work through the use of smaller unworked stones and the incorporation of irregularly placed brick tiles. In arch 26, the lower side of the arch still features a projecting bearing used for the placement of the falsework.
It was described by Brian Ó Cuív as one of the "most important and most beautiful ... undoubtedly the most magnificent" of the surviving medieval Irish manuscripts.Ó Cuív, Catalogue of Irish Language Manuscripts in the Bodleian Library at Oxford and Oxford College Libraries, p. 172 Pádraig Ó Riain states ".. a rich, as yet largely unworked, source of information on the concerns of the community at Glendalough in or about the year 1131, and a magnificent witness, as yet barely interrogated, to the high standard of scholarship attained by this monastic centre."Ó Riain, "The Book of Glendalough: a continuing investigation", p. 87.
The principal shapes being produced by Cypriot glass blowers consisted predominantly of jars, beakers and unguentaria, or flasks that contained oil or perfume. Though it is often difficult to distinguish between beakers and jars, the word beaker is mostly used to describe drinking-vessels while jars are considered to be containers for salves and cosmetics. Distinguishing between the two can often be done through examination of the rim of the vessel which would often be unworked if it was not a drinking vessel. Furthermore, jars often had decorated lids that had a design enamelled on the side facing the interior.
Cult images of a deity were most often an unworked stone block. The most common name for these stone blocks was derived from the Semitic nsb ("to be stood upright"), but other names were used, such as Nabataean masgida ("place of prostration") and Arabic duwar ("object of circumambulation", this term often occurs in pre- Islamic Arabic poetry). These god-stones were usually a free-standing slab, but Nabataean god-stones are usually carved directly on the rock face. Facial features may be incised on the stone (especially in Nabataea), or astral symbols (especially in south Arabia).
World wars and the subsequent economic depressions caused a lull in this luxury commodity, but increased prosperity in the early 1970s saw a resurgence. Japan, relieved from its exchange restrictions imposed after World War II, started to buy up raw (unworked) ivory. This started to put pressure on the forest elephants of Africa and Asia, both of which were used to supply the hard ivory preferred by the Japanese for the production of , or name seals. Prior to this period, most name seals had been made from wood with an ivory tip, carved with the signature, but increased prosperity saw the formerly unseen solid ivory in mass production.
Several of the heads of the pediment figures have unworked bosses suggesting that a pointing process was used from clay or wood models, it is highly unusual to find traces of technique on work of the era. The architectural decoration of Zeus's temple is perhaps the only major monument from a significant studio of the Severe period to survive; consequently it is taken to be the summation of the Severe style from which other works in the idiom beg comparison. Several regional styles have been suggested as an origin for the artist including the Ionian, Peloponnesian and Laconian.These attributions are summarized in Dorig, Olympia Master.... pp. 6-7.
An archaeological project during 2009 funded by the Heritage Lottery Fund, revealed the site in Buck Wood of an enclosure that was in use as a settlement from Neolithic to post-Roman times. The work, undertaken by the Friends of Buck Wood led by a professional archaeologist, showed that in the past a substantial boundary wall had been built of local unworked stone, enclosing a natural terrace of level ground now surrounded by woods. This formed an oval enclosure, roughly 82 m by 78 m in size. The remains of a quern stone for grinding grain was found within this central area, as was a single cup marked carved rock.
The un-flooded underground levels were then investigated, and productive rock was found. Part of the South Vein incline and its connecting tramways was restored, and a previously unworked section of the North Vein was accessed by driving a new level to it. Although there were supplies of good rock, work in Cwmorthin was hampered by the costs of transporting the finished slates, and by the lack of power. The Oakeley Quarries were powered by electricity and compressed air, and a plan to drain the flooded North Vein workings was drawn up in 1932, which would allow power supplies to be brought through from the Oakeley side.
One estimate for the number of trees is around 600 mostly large oaks, representing about 16 hectares (40 acres) of woodland. The huge trees that had been common in Europe and the British Isles in previous centuries were by the 16th century quite rare, which meant that timbers were brought in from all over southern England. The largest timbers used in the construction were of roughly the same size as those used in the roofs of the largest cathedrals in the high Middle Ages. An unworked hull plank would have weighed over 300 kg (660 lb), and one of the main deck beams would have weighed close to three-quarters of a tonne.
Many animals, including elk, mule deer, and occasional Big Horn sheep, as well as a variety of carnivores, rabbits, rodents, birds, amphibians, reptiles, and fish are found in the hogbacks and foothills.Tate and Gilmore 1999:Table 2-3; Ludlow 1997 Unworked animal, mostly mammal, bone was found in abundance in the Archaic and Early Ceramic levels (Johnson and Lyons 1997a:49, Table 6). Mule deer dominates the assemblage, followed by elk, bison, and rabbit, with little change in dietary preferences from the earlier to later time periods. Several bone tools (awls, beads, reamers, bone scrapers, and bone drills) and antler flakers were recovered from all cultural levels in the site (Johnson and Lyons 1997a) .
The main purpose of the Act was to create a Coal Commission, consisting of five people (including a chairman) appointed by the Board of Trade. The Commission was required to obey all requests of the Board of Trade that were in the "national interest", making it directly under the control of the government of the day. From 1 July 1942 all unworked coal seams and coal mines came into the control of the Commission, who were tasked with managing them in "the interests efficiency and better organisation of the Coal Mining Industry". The Commission was directly prohibited from engaging in coal mining, and as a result owned all the coal but was not allowed to deal with it.
Having lost their source of finance and project management, the Llanelly company proceeded with the Swansea and Carmarthen lines themselves, running into considerable practical and financial difficulties from landowners and otherwise in the process. The Central Wales Extension Railway was naturally keen for the lines to be completed, and it facilitated friendly contact with the London and North Western Railway and the Llanelly company; could not the LNWR finance the new railways; in fact would not full amalgamation be desirable? Proposals were worked up for a new line from Pontardulais to Swansea, taking a southern sweep through Dunvant, where there were said to be extensive unworked coal measures. There was to be a branch from that line to Penclawdd.
Terminal Railway Post Offices (Term RPO) were started in nearly 100 cities in late 1913 and 1914, primarily to help handle the increase in volume of parcel post which was overwhelming the main transportation system. These terminals also came to distribute transit parcel post, circulars, magazines, and papers - mail that was generally considered less urgent than first class letters. Letter cases were used at many terminals to take care of advance work or unworked letters from Railway Post Office (RPO) routes, while a few terminals handled parcel post almost exclusively. The largest terminal railway post office was the Penn Terminal in the G.P.O. Building in New York City, New York—in 1951, it had over 1,100 clerks.
In 1933, the Tule Springs Expedition, led by Fenley Hunter, was the first major effort to explore the archaeological importance of the area surrounding Tule Springs. Hunter and his team identified an unworked obsidian flake in apparent association with extinct Pleistocene faunal remains at Tule Springs The Nevada State Museum explored the springs area in 1962 and 1963 confirming that the area was home to Ice Age species as well as early North American Paleo-Indian peoples. Richard Shutler directed the project, and Vance Haynes studied the sedimentary layers, using radiocarbon dating to determine their ages. Animals discovered include ground sloths, mammoths, prehistoric horses, American camels and the first giant condors found in Nevada.
Flint tools would therefore have to have been brought to Gower from other areas, such as those now known as southern or eastern England, or Antrim, either as finished tools or as incomplete, or unworked, nodules. Remains of red fox, Arctic fox, brown bear, tundra vole, and possibly reindeer, were found at the same level as the Upper Palaeolithic tools, providing evidence of the climate c. 12,000 BP. Other animal remains excavated during the 19th century, which may predate the Late glacial finds, include mammoth, woolly rhinoceros, red deer and giant deer. Several finds date to the Bronze Age, including a bronze socketed axe, two human skeletons, and sherds of pottery from burial urns and other vessels.
When the new stitch is slid off the needle, the ignored, unworked stitch unfolds, creating what is sometimes called a 'shawl' or 'brioche' stitch. This is the tuck, and it drapes across the top of the old stitch which forces its legs outwards. Due to this behaviour, tuck fabric tends to work up wider than the same number of stitches in stocking stitch, whilst the same number of rows will produce a slightly shorter length of fabric than in stocking stitch. Tuck stitches are generally not worked next to each other unless there is a purl stitch between, such as on a rib pattern, otherwise the tuck loops will just create long floats.
The only thing that can be equated in holiness with the altar for Hellenes is the sacred statue (Grk. Άγαλμα). A statue is every sculpted or other (even natural) pleasing form which is defined as the icon or symbol of the deity. Either natural, (for example, unworked stones, meteorite etc.) or worked by human hand (sculpted or casted) and of any material (marble, wood, common or precious metal, clay, etc.) for a statue to be “raised” to devotional it must first be sanctified in a special ritual. After the sanctification which is also called “opening of the eyes”, the statue is now the adobe of Divinity, like the altar, and thus it requires respectful handling.
It contains features such as ashlar blocks, poros- stone plaques and blocks, plaster, wood, stucco floor tiles, gypsum, kouskoura slabs, mud bricks, ironstone blocks, schist plaques, blue marble flooring, incurved concave altars, wooden columns and pillars, frescoes and Polytheron doorways. A variety of Porphyrite stone lamps, vases, amphorae, cooking pots, cups, lamps, tools and every-day domestic items such as tweezers have been unearthed at the site. Southwest of Tourkoyeitonia, more of the palace is found. While little remains of the architecture, the walls that are preserved are Middle Minoan III-Late Minoan IA. Linear A tablets and the model of a house were excavated at The Archive along with MMIII-LMIA pottery and several unworked pieces of rock crystal, obsidian and steatite.
Mr. He's jade or Heshibi (和氏璧) was one of the most famous jades in Chinese history. In the mid-8th century BCE, Bian He (卞和) of Chu discovered an unworked piece of valuable jade and presented it to two successive kings, each of whom judged the jade to be a worthless stone and punished his apparent deception with a foot amputation. When the jade was finally cut and polished into a ritual bi (璧, "jade-disk with a round hole in center") it was recognized as a priceless treasure. Mr. He's jade-disk became an object of contention among the Warring States, it was stolen from Chu circa the 4th century BCE, acquired by the Zhao, and temporarily traded to Qin in 283 BCE.
M. Lambraki-Plaka, El Greco—The Greek, 49 Comparative morphological analyses of the two painters works reveal common elements: the distortion of the human body, the reddish and unworked backgrounds, and the similarities in the rendering of space.E. Foundoulaki, From El Greco to Cézanne, 105–106 According to Brown, "Cézanne and El Greco are spiritual brothers despite the centuries which separate them".J. Brown, El Greco of Toledo, 28 Fry observed that Cézanne drew from "his great discovery of the permeation of every part of the design with a uniform and continuous plastic theme".M. Lambraki-Plaka, From El Greco to Cézanne, 15 In 1904 Picasso moved to Paris, where the work of post- impressionist painters Van Gogh, Cézanne, Seurat, Gauguin were exhibited at galleries and Salons.
The Visby lenses provide evidence that sophisticated lens-making techniques were being used by artisans over 1,000 years ago, at a time when researchers had only just begun to explore the laws of refraction. According to Schmidt and his co-workers, it is clear that the artisans worked by trial and error, since the mathematics to calculate the best form for a lens were not discovered until several hundred years later. It has been suggested that the knowledge required to make such lenses was restricted to only a few people, and perhaps only one. Excavations at Fröjel on Gotland in 1999 discovered evidence of local manufacture of beads and lenses from rock crystal, with unworked pieces of crystal coexisting with partially finished beads and lenses.
After a visit to Palestine in 1891, Ahad Ha'am wrote: > From abroad, we are accustomed to believe that Eretz Israel is presently > almost totally desolate, an uncultivated desert, and that anyone wishing to > buy land there can come and buy all he wants. But in truth it is not so. In > the entire land, it is hard to find tillable land that is not already > tilled; only sandy fields or stony hills, suitable at best for planting > trees or vines and, even that after considerable work and expense in > clearing and preparing them- only these remain unworked. ... Many of our > people who came to buy land have been in Eretz Israel for months, and have > toured its length and width, without finding what they seek.
Umm Al Nar tomb, Al Sufouh Al Sufouh Archaeological Site at Al Sufouh in Dubai is owned and managed by Dubai Culture & Arts Authority, and consists of extensive but scattered areas of ancient occupation by a population known as the Magan. The site is distinguished by heavy concentrations of burnt ash, shell, pottery and bones on its surface. The archaeological excavation conducted at the site between 1994 and 1995 revealed an Umm Al-Nar type circular tomb dating between 2500 and 2000 B.C. The tomb is circular, 6.5 m in diameter and constructed of unworked stone blocks faced with a single outer ring wall of well-masoned ashlars. Entry to the tomb is through two doorways on opposite points of the ring wall on a NE/SW alignment.
The construction of defensive structures was closely linked with the establishment of the palatial centers in mainland Greece. The principal Mycenaean centers were well-fortified and usually situated on an elevated terrain, such as in Athens, Tiryns and Mycenae or on coastal plains, in the case of Gla. Mycenaean Greeks appreciated the symbolism of war as expressed in defensive architecture, thus they aimed also at the visual impressiveness of their fortifications. The walls were built in Cyclopean style; consisted of walls built of large, unworked boulders more than thick and weighing several metric tonnes.. The term Cyclopean was derived by the Greeks of the classical era who believed that only the mythical giants, the Cyclops, could have constructed such megalithic structures.. On the other hand, cut stone masonry is used only in and around gateways..
Bronze Aes Rude from 5th-4th century B.C. Italy. Aes rude Pliny the Elder: Naturalis Historia, XXXIII, XIII, 43 (Latin, "rough bronze") was a nugget of bronze used as a sort of proto-currency in ancient Italy prior to the use of minted coins made from precious metals. The Italian economy of the time (late middle first millennium BC) was based on a bronze standard (unlike the silver standards in use in contemporary Greece, the Aeginetan standard and its competitor the Attic standard). Consequently, unworked lumps of bronze were used as both primitive ingots and as primitive coins, facilitating trade across the peninsula and paving the way for the first true Roman ingots, the aes signatum, which, in turn, was the precursor of the first Roman true coinage, the aes grave.
Front view of the Lenormant Athena The Lenormant Athena is the name given to a small Greek statuette which was made in the first century CE. Side view, showing the unworked reverse The Lenormant Athena was discovered in 1859 near the Pnyx hill in Athens and identified by François Lenormant a year later as a small copy of the Athena Parthenos of Phidias. The 41 cm high pentelic marble sculpture has thus come to be known by his name. The unfinished work is of great art historical significance, since it not only shows us what Phidias' statue looked like, but also the reliefs on her shield and the base on which she stood, which are otherwise only known from literary sources. Athena stands in a quiet, graceful pose, resting her weight on her right leg.
Cyclopean masonry in the southern walls of Mycenae The construction of defensive structures was closely linked to the establishment of the palaces in mainland Greece. The principal Mycenaean centers were well-fortified and usually situated on an elevated terrain, like on the acropolis of Athens, Tiryns and Mycenae or on coastal plains, in the case of Gla. Mycenaean Greeks in general appreciated the symbolism of war as expressed in defensive architecture, reflected by the visual impressiveness of their fortifications. Part of the galleries within the walls of Tiryns Cyclopean is the term normally applied to the masonry characteristics of Mycenaean fortification systems and describes walls built of large, unworked boulders more than thick and weighing several metric tonnes.. They were roughly fitted together without the use of mortar or clay to bind them, though smaller hunks of limestone fill the interstices.
Excavations at Nausharo, 6 km from Mehrgarh, revealed a dwelling-site contemporaneous and identical to Mehrgarh, It was occupied between 3000 and 2550 BCE and again between 2550 and 1900 BCE. The discovery of a pottery workshop at Nausharo revealed fired and unfired pottery pieces and unworked clay, as well as 12 flint blades or blade fragments. The blades showed use-wear traces that indicates their usage in shaving clay while shaping pottery on a potter's wheel. The excavated blades were compared to experimentally produced replica blades used for a variety of other activities such as harvesting and processing of silica-rich plants, hide processing, and hand-held use for shaping clay; however, the use-wear traces were almost identical to the excavated blades when used with a mechanical potter's wheel in the shaping of clay pots.
Ford adds that the contrast between the metals prized by men and the unworked stone implies a transition from the efforts of men to the creative work of God. The stone hitting the feet and not the head or any other body parts, indicates this is the second coming of Jesus at the end of the world. The crushing of all the parts – composed of iron, clay, brass, silver, and gold – at the same time and blowing away the dust indicates this is the final kingdom — a heavenly one — that will last forever. (, ) The political sovereignty of the world in Daniel's day of Babylon the head of Gold, was to pass to others and then to still others until at last the sovereignty of the God of heaven would replace the powers of the whole world.
Maryon described these as a crushed food vessel; "1 gold ear- ring"; "1 flint arrowhead"; "1 flint saw"; "6 worked flakes of flint" ; "2 flint cores, and a number of unworked flakes"; "1 whetstone, or hone"; "1 coarse rubber of sandstone"; "1 rough nodule of glazed ware"; "1 vase or mug handle"; and "a fragment of coarse pottery, a nodule of iron pyrites, and some pieces of charcoal." With the exception of the food vessel, found about four and a half feet from the centre, and some of the charcoal, all of the finds were in the central area about three or four feet in diameter. The crushed food vessel identified by Maryon has subsequently been termed a bell beaker, and as one of, or perhaps the, earliest type yet found in Britain. What Maryon termed an earring has also been re-identified, as a hair braid; it is one of the oldest metal objects found in the country.
Unworked copper nugget The native copper, as well as the technique of cold working it, is believed to have come from the Great Lakes area, hundreds of miles to the north of the Cahokia polity and most other Mississippian culture sites, although the copper workshops discovered near Mound 34 at Cahokia are so far the only copper workshops found at a Mississippian culture archaeological site. Researchers at Northwestern's School of Engineering and Applied Science used an electron microscope to analyze pieces of the flat copper sheets found during excavations at the Mound 34 site at Cahokia. The researchers found that the metal had been repeatedly heated and cooled and while it was softened by the heat, had been hammered, a process known as annealing, similar to how blacksmiths work iron. They were also able to determine that the Cahokian coppersmiths had heated the copper in a wood fire to produce sufficient heat for this process.

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