That problem extends into the film adaptation, a stripped-down, unemphatic version of the story that streamlines the book's plot and alters the ending, but nonetheless preserves many of its biggest faults.
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What is more, how was conceptual art, often so tweezeringly tiny and colorless and unemphatic, going to satisfy the needs of all those culturally sky-aspiring super-rich with their oversize super-homes?
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One subtle bit of wit is the unemphatic way she gives female Graham steps to the men in her mixed-gender cast and how that cast unostentatiously splits into gendered groups near the end.
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Instances both of the unemphatic do and of the distinct syllabication of the final ed are numerous in the present play.
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When is a copula, it tends to be unemphatic and to be placed after a stronger word, or between two strong words:D&S;, pp. 198–201. :Caesar, 1.1. :"Of all these the most warlike are the Belgae." :Caesar, 1.8.
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The best-known Maracaibo coffees, in addition to Cúcuta, are Mérida, Trujillo, and Táchira. Mérida typically displays fair to good body and an unemphatic but sweetly pleasant flavor with hints of richness. Táchira and Cúcuta resemble Colombias, with rich acidity, medium body, and occasional fruitiness.
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Demonstratives, such as ("that") and ("this"), almost always precede the noun in both in Caesar (99%) and in Cicero's speeches (95%).Walker (1918), p. 648. When it follows a noun in unemphatic position, can often mean "the aforementioned":D&S;, pp. 513–4. :.Cicero, 2.5.160.
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Pound later recalled "her delicate and unemphatic reserve". At this time Pound was developing his own musical interests, composing an opera and advancing the work of American composer George Antheil. Antheil and Rudge were to enjoy a long professional collaboration dating from this period, which also marked the beginning of her sexual relationship with Pound. Rudge was now an established and successful soloist living in a luxurious apartment on Paris's ultrarespectable "right bank".
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Perhaps this was so because he simply said and wrote what seemed to him to be exact and true, in his own unemphatic, careful prose, with all the qualifications that the truth seemed to demand. He did not modify or shape his thought to make it fit into a system. He did not exaggerate or over-schematise in order to obtain or attract attention for his ideas. He had an acute, ironical humour, was obstinate under attack, and could not be either snubbed or bullied.
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Fred (voiced by Fred Stoller) is a dimwitted squirrel that lives in Central Park and takes everything said literally and has a slow, unemphatic speech pattern. Kowalski met Fred briefly in the "Otter Gone Wild" episode, while the full penguin group met him in "Mask of the Raccoon" where he is friends with Archie despite the fact that Archie is no good. He dated Marlene in "Otter Things Have Happened", but she broke up with him because what she had thought was him being funny turned out to be just Fred’s ignorance. In "Field Tripped," Julien recruited him to be the 'smart one' of Julien's all-mammal penguin-team-equivalent.
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Plato, Hippias Major, 282e :: almost in-some-degree proi think-I [meACC more money have-earnedINF than othersACC two-togetherACC [whoever like-you] of-the sopisths]. (literal translation) :: Ii pretty well think Ii have earned more money than any other two sophists together of your choice. (idiomatic translation) Here the unemphatic dropped null-subject (if emphatic, a 1st person pronoun ἐγώi NOM should be present) of the main verb is emphatically repeated right after the verb within the infinitival clause in accusative case (ἐμέ, "I"). The meaning is ‘I believe that it is I who have made more money than any other two sophists together – you may choose whoever you like’.
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In Shahîd's judgment, the imprecision and unemphatic tone of Eusebius' passage at 6.34 is the major cause of the lack of scholarly consensus on Philip's Christianity. To Shahîd, Eusebius' wording choice is a reflection of his own lack of enthusiasm for Philip's Christianity, which is in turn a reflection of the special position Constantine held in his regards and in his written work.Shahîd, Rome and the Arabs, 68–69; 77–78. A number of scholars, following E. Schwartz, believe the later editions of Eusebius' Historia to have been extensively revised to adapt to the deterioration of Licinius in the public memory (and official damnatio memoriae) after Constantine deposed and executed him in 324–25.
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Pierre Martory (December 1, 1920 – October 5, 1998) was a French poet whose influence on New York School poets was quiet but profound. His work was admired by Frank O'Hara, James Schuyler, Harry Mathews, and others, and translated extensively by John Ashbery, with whom he shared his life in Paris for nearly a decade. His work has appeared in many books in both England and the United States, as well as in The New Yorker and Poetry. Martory’s personal “charm,” the poet Ann Lauterbach once said, “devolved back to the original meaning of ‘spell.’” However, as Ashbery has noted, “Both the humor and the sadness in his poems are always rendered with an unemphatic clarity that is certainly Mozartian.” Born in Bayonne, France, of partly Basque ancestry, Pierre Martory spent much of his early life in Morocco.
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He garnered positive reviews for Mother (1996), which starred Brooks as a middle-aged writer moving back home to resolve tensions between himself and his mother (Debbie Reynolds). 1999's The Muse featured Brooks as a Hollywood screenwriter who has "lost his edge", using the services of an authentic muse (Sharon Stone) for inspiration. In an interview with Brooks with regards to The Muse, Gavin Smith wrote, "Brooks's distinctive film making style is remarkably discreet and unemphatic; he has a light, deft touch, with a classical precision and economy, shooting and cutting his scenes in smooth, seamless successions of medium shots, with clean, high-key lighting."Film Comment, Jan/Feb 1999, All The Choices: Albert Brooks Interview Brooks has appeared as a guest voice on The Simpsons seven times during its run (always under the name A. Brooks).
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