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"undubbed" Definitions
  1. not provided with a soundtrack and dialogue in a different language : not dubbed

32 Sentences With "undubbed"

How to use undubbed in a sentence? Find typical usage patterns (collocations)/phrases/context for "undubbed" and check conjugation/comparative form for "undubbed". Mastering all the usages of "undubbed" from sentence examples published by news publications.

The U.S. versions of some Final Fantasy games have been undubbed, including Final Fantasy X-2, a PlayStation 2 game by Square, released in 2003 and undubbed in 2008. Other series that have been undubbed include Mega Man (Rockman in Japan), .hack, Xeno, Megami Tensei, Persona, and Tales.
The song would eventually be released in its original, undubbed form.
The series is also available on Italian VVVVID, undubbed and subtitled.
Buddy Holly's original, undubbed home recording was used as theme music in the film Peggy Sue Got Married.
The undubbed episodes were fairly dark, most of them dealing with suicide. The edits made in the Italian version carried over into the Polish and Portuguese versions, which were adapted from the Italian and not from the original Japanese.
"I'm Just a Lonely Guy," the B-side ballad credited to LaBostrie-Penniman, has rarely appeared on albums or compilations in its original, undubbed mix, as heard on the single. A remix featuring overdubbed female backing vocals appeared on Little Richard's third album, The Fabulous Little Richard.
Character Assassination is the eighth solo album by Australian guitarist and songwriter Ed Kuepper recorded in 1994 and released on the Hot label.The Kuepper Files: Discography accessed 6 July 2010 Early pressings of the album were released with an additional disc Death to the Howdy-Doody Brigade containing the undubbed master versions of all songs but one from Character Assassination and one new song.
Police & Thief (also spelled as Police and Thief) () is a 2004 Singaporean sitcom that aired on MediaCorp TV Channel 5 between 2004 and 2010. One episode was also aired in Mandarin (undubbed, with some English dialogue) on MediaCorp TV Channel 8 in 2009. Two seasons were later dubbed into Mandarin and aired on Channel 8 in 2012, becoming Channel 5's first ever sitcom to be dubbed into Mandarin.
For the First Time Anywhere is a compilation album by American rock and roll singer Buddy Holly. The album was released in February 1983 (see 1983 in music). For the First Time Anywhere features the undubbed versions of songs previously released with overdubs by the Fireballs. At the time of release this was considered an important release for Holly fans and awarded with a four star review from Rolling Stone.
Though Hal Wallis tried to get Scott's singing voice undubbed for the production, he was overruled by the studio heads, despite all of Scott's previous voice training. Production ran from late January 1957 to mid-March 1957. AFI (accessed May 23, 2014), Loving You, Catalog of Feature Films Undaunted by Paramount's refusal to let her singing be heard, Scott signed a recording contract with Vik Records (a subsidiary of RCA Victor).
A stakeholders meeting was convened in Bogotá in October 2012, consisting of interested parties from government and the private sector, and included officials from UNICEF. In 2016, episodes began to debut on HBO Latino, as part of a five year deal running from January 16, 2016 to July 11, 2020. All songs are left undubbed from English. That same year, Plaza Sésamo shortened its name to simply Sésamo.
2 Only six tracks had never been officially released in LP format prior to this release: "Let Me", "Tell Me Why", the single (studio) versions of "Patch it Up" and "I've Lost You", the undubbed version of "Lover Doll", and the title song for Wild in the Country. As a promotion, the initial release of this set included a small swath of fabric purported to come from one of Presley's outfits.
A sequel, Hellboy II: The Golden Army, was shot in Budapest by Guillermo del Toro and released in 2008, with Perlman and Blair returning. Jones also returned as Abe Sapien (undubbed this time), and also in two other roles: The Angel of Death and The Chamberlain. Revolution Studios had planned on making the film (which Columbia Pictures was to distribute), but the studio went out of business before filming. Universal Studios then picked it up.
Reminiscing is a compilation album by American rock and roll icon Buddy Holly. The album was released as an LP record in both mono and stereo formats in February 1963 (see 1963 in music). Reminiscing was Buddy Holly's third posthumously released album and the second album to feature previously unreleased material. The original recordings were overdubbed by the Fireballs in 1962 and many of the undubbed recordings appeared on For the First Time Anywhere in 1983.
When the comic switched to the Tamers series the storylines adhered to continuity more strictly; sometimes it would expand on subject matter not covered by the original Japanese anime (such as Mitsuo Yamaki's past) or the English adaptations of the television shows and movies (such as Ryo's story or the movies that remained undubbed until 2005). In a money saving venture, the original stories were later removed from Digimon Magazine, which returned to printing translated German adaptations of Tamers episodes. Eventually, both magazines were cancelled.
Vocalist/bassist Lemmy recalled making this during the Snake Bite Love tour, having decided to include an entire show on the release, which they hadn't done before because of the limitations of vinyl.Kilmister, Ian and Garza, Janiss White Line Fever (2002) — Simon & Schuster pp. 283-284 . The title refers to a remark repeated by Ian Gillan of Deep Purple on their Made in Japan live album: Recorded at The Docks nightclub in Hamburg, Germany, on 21 May 1998, Everything Louder than Everyone Else is produced 'undubbed' in a two disc format.
Billboard named the song #26 on their list of 100 Greatest Girl Group Songs of All Time. In the early 1970s, Buddah Records released a "Radio Active Gold" oldies 45 containing an undubbed version of the demo (no echo or sound effects). This version is timed at 2:17, and the intro is the "Remember..." chorus without Mary Weiss' lead vocal. This version (the technical term for it is an underdub) first appeared on a 1969 Buddah compilation album entitled Incense and Oldies, along with an alternate version of "Give Him a Great Big Kiss".
Hepburn's singing was judged inadequate, and she was dubbed by Marni Nixon,Lawson, Kyle. "Marni Nixon in My Fair Lady", The Arizona Republic, June 10, 2008 who sang all songs except "Just You Wait", where Hepburn's voice was left undubbed during the harsh-toned chorus of the song and Nixon sang the melodic bridge section. Hepburn did sing the brief reprise of the song in tears. Some of Hepburn's original vocal performances for the film were released in the 1990s, affording audiences an opportunity to judge whether the dubbing was necessary.
The visuals are then dubbed live-to-air with commentators in the RDS studios, who (in most cases) call the game off monitors instead of being on-site. The commentary is not a translation of the English language audio, although the background audio typically remains intact, and relevant information from the English commentary (e.g. injury reports, or explanations of onscreen graphics) may or may not be relayed by the RDS announcers. Interviews aired during the broadcast are undubbed, though announcers will translate what is said after the interview ends.
Pokémon Chronicles is a label created by 4Kids which is used for a collection of several as yet undubbed specials, which were first broadcast in English between May and October 2005 in the UK, and in the US between June and November 2006. The vast majority of the episodes making up Chronicles were taken from what was known in Japan as , which aired as part of Weekly Pokémon Broadcasting Station. The remaining portions of Chronicles consisted of a TV special called The Legend of Thunder, and installments from Pikachu's Winter Vacation, originally released on video.
Opened in 1907 on the site of a gymnasium next to the Sorbonne, the Cinéma du Panthéon's single screen has been in daily service since. From 1929 to 1990 it belonged to Pierre Braunberger, the producer of François Truffaut and Alain Resnais. Jean-Paul Sartre described his visit to the cinema as a young child in Les Mots: :"We followed the usher, tripping up, I felt furtive; above our heads a beam of white light crossed the room, you could see the smoke and dust dancing." The cinema pioneered the projection of foreign films undubbed, before the existence of subtitles.
Between the 1959–1960 overdubs produced by Jack Hansen (with vocal backings imitating the Crickets' sound), the 1960s overdubs produced by Petty, various alternate takes, and Holly's undubbed originals, multiple versions of the same songs are available. There are also many different versions of Holly's Greatest Hits as well as covers and compilation albums of his songs performed by various artists. Many singles and albums of his material have been released posthumously, beginning with "Peggy Sue Got Married" in July 1959 and the successful 6-disc collectors box set Not Fade Away: The Complete Studio Recordings, 50 years later in 2009.
A cover version was recorded by The Fortunes and released as a single in the US, but did not chart. The book included with the 4-CD boxed set Anthology 1966–1972, released in October 2008, noted that sessions for the song began on 16 November 1967 at Olympic Studios in Barnes, London. Anthology includes both the finished version which was released as a single, as well as an early, previously unreleased version with Matthew Fisher of Procol Harum on piano. An earlier retrospective release, the 3-CD Movements: 30th Anniversary Anthology, from 1997, also has two slightly different recordings - the final version, and an undubbed one, before backing vocals, tambourine and opening 'fire engine' sound effects were added.
Some of this was done because, after listening to Gene Kelly's pre-recordings of "There But For You Go I" and "From This Day On", the makers of the film felt that the results did not show his voice to its best advantage, but some was done because producer Arthur Freed wanted to shape the two-and-a-half hour stage musical into a film that ran 108 minutes. Complete sound and picture footage of three of the deleted musical numbers has survived, and it is included in the latest DVD release of the film. The 1954 original motion picture soundtrack was originally incomplete, but was re-released with deleted songs, alternative takes, and undubbed vocals.
Although largely looked down upon for its very light-hearted approach when compared to the darker North American series, Beast Wars II proved successful enough to spawn a theatrical movie, consisting of three "acts". The first act was a recap of the original Beast Wars television show up to that point, while the second was the undubbed, English-language episode, "Bad Spark", from the show's second season, to serve as a showcase for the upcoming release of the season in Japan. The third act was Lio Convoy, Close Call!, a new, original story that saw Optimus Primal pulled forward in time to team up with Lio Convoy to stop the monstrous Majin Zarak.
Undubbing thus caters either to an audience who does not speak the original language or has not mastered it well enough to enjoy the untranslated text in an imported version of the original game, but still prefers the original audio for the reasons mentioned above, or to an audience that speaks the original language, but prefers to read in the Latin alphabet (or simply hear the original voice- actors chosen by the original studio, as it's not uncommon in Japan to create a character with a specific voice-actor in mind). Because the localized text is left in place where present, an undubbed game can usually still be fully played by those who could not play the import.
After a short test run of a few original, undubbed Sesame Street episodes from August 1972 onward, the German version of the show premiered on 8 January 1973. The first three seasons, or 250, episodes of Sesamstraße consisted of the original American episodes dubbed into German in Hamburg. Only the opening and closing songs and sequences were changed, with new lyrics written by Volker Ludwig and tunes by Ingfried Hoffmann. The title of the German theme song is Der, die, das (wer, wie, was – wieso, weshalb, warum – wer nicht fragt, bleibt dumm!), almost literally translating to "this, this and that (who, how, what – why, why and why – those who don't ask stay dumb!)".
Like Jackson's 1981 compilation One Day in Your Life, Farewell My Summer Love has not seen an official re-release and is considered to be one of Jackson's rarest albums, although the title track is available on several of Jackson's greatest hits collections. In particular, the 1995 version of Anthology features the song "Farewell My Summer Love" in its 1984 remix, as well as "Melodie", "Don't Let It Get You Down", "Call on Me" and "To Make My Father Proud" in their original 1973 versions. All nine undubbed versions, as well as the 1984 mixes, were finally released on Hello World: The Motown Solo Collection in June 2009. In 2018, Music on CD reissued the album with the nine tracks remastered.
In an interview with the Lubbock Avalanche-Journal, Holly's eldest brother Larry Holley commented before hearing both this compilation and Down the Line: Rarities, "María [Elena Holly] told me I was definitely going to just break down and cry when I hear all these CDs, because they've cleaned them (the songs) all up and Buddy's music never has come across so pure before." The critical reception for Memorial Collection was fairly positive. The Allmusic review by Stephen Thomas Erlewine compliments the collection's progression in Holly's work, while he says that several bootleg recordings, including a ten-disc collection, have more music. Robert Christgau, writing for Blender, thinks that the album could easily have fit on to two discs and says that the most interesting songs on the collection were the "undubbed" recordings.
In 1998, Gabriele was enticed back into professional wrestling, reprising his 1980s television show Powerslam as Powerslam2000, and recruiting Big Bang Comics co-creator Chris Ecker as an announcer. Gabriele held a live event at the 1999 Novi, Michigan, Pop Culture Convention with The Iron Sheik in the main event. In 2000, Gabriele again withdrew from active involvement in the world of professional wrestling and only made a few more rare appearances at live matches. In the 2000s Gabriele has been accepting commissioned work and maintained a website promoting Powerslam Wrestling and unlicensed Space Giants memorabilia, notably a complete series DVD set made combining audio of the dub from US television airings and Japanese VHS tapes, which would often revert to Japanese during undubbed/missing scenes, with some episodes being only in Japanese.
Ed Ward, writing for Paste, complimented Erick Labson's remastering, which he thinks made the recordings clearer than he's ever heard them. He feels that Buddy's New York City recordings produced by Dick Jacobs were the low part of the collection, but that Buddy's apartment tapes were much better. Stephen M. Deusner of Pitchfork Media feels that the Memorial Collection not completely needed most of the songs were already released on From the Master Tapes and Buddy Holly Collection, but he feels that the Memorial Collection still has several interesting tracks, like those with Bob Montgomery, and feels that the "undubbed" recordings add to the collection, but he feels that several of the "finished" recordings should have been included also. The Rolling Stone review of the album by Barry Walters gave a basic description of the album and summarizes Buddy Holly's career.
On September 18, 2001, Let's Get It On was reissued by Motown as a two-disc deluxe edition release, featuring 24-bit digital remastering of the original album's recordings, previously unissued material and a 24-page booklet which contains the original LP liner notes by Marvin Gaye, as well as essays from Gaye biographers David Ritz and Ben Edmonds. ;Original album & sessions (Disc one) # "Let's Get It On" (Gaye, Townsend) – 4:51 # "Please Stay (Once You Go Away)" (Gaye, Townsend) – 3:27 # "If I Should Die Tonight" (Gaye, Townsend) – 4:01 # "Keep Getting' It On" (Gaye, Townsend) – 3:13 # "Come Get to This" (Gaye) – 2:41 # "Distant Lover" (Gaye, G. Gordy, Greene) – 4:17 # "You Sure Love to Ball" (Gaye) – 4:46 # "Just to Keep You Satisfied" (Gaye, Gordy-Gaye, Stover) – 4:27 # "Song #3" (instrumental) (Van dePitte, Gaye) – 5:28 # "My Love Is Growing" (Gaye) – 4:20 # "Cakes" (Van dePitte, Gaye) – 3:14 # "Symphony" (undubbed version) (Gaye, Robinson) – 2:51 # "I'd Give My Life for You" (alternate mix) (Gaye) – 3:29 # "I Love You Secretly" (The Miracles version) (Gaye, Gordy- Gaye, E. Stover) – 4:18 # "You're the Man" (alternate version 1) (K. Stover, Gaye) – 7:24 # "You're the Man" (alternate version 2) (K. Stover, Gaye) – 4:44 # "Symphony" (demo vocal) (Gaye, Robinson) – 2:48 ;Demos, alternate mixes & more (Disc two) # "Let's Get It On" (demo) (Gaye, Townsend) – 5:12 # "Let's Get It On, Pt. 2" (a.k.a.

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