It simply traipses down corridors, through doorways, and up a staircase.
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This new docu-series traipses across the globe to shed light on art and history.
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Quite a parade of outsiders traipses through Win's country, frequently convinced of their own good will.
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Though the remaining 20 minutes of the film traipses into beautiful, cosmic unknowns, none of it is meaningless.
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If L.A. Noire is about the inherent corruption in capitalist America, it seems fitting that Phelps traipses around the dead Intolerance set.
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At her feet is a tiny pure-white cloud of a dog, which traipses around chewing on the grass, only occasionally coughing it up.
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Throughout the performance, she continues this abstract but harrowing narration, speaking in monotone and offering the odd death metal growl as she traipses the stage.
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A daily walking tour traipses around sites in the city tenuously linked to the series, excitable drama students in pajamas—sorry, wizarding robes—leading the way.
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But you've probably never seen one quite like this—an 80-minute "mixtape" that traipses through the pulpy, dark, and psychedelic moods of 80s and 90s entertainment.
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She traipses around the city in her sweatpants and headphones, aimlessly hating everything — and then runs into Charlie (Christopher Abbott), the college boyfriend who broke her heart.
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Throughout the movies, Kevin traipses about his parents' suburban mansion, The Plaza Hotel, and a monstrous Upper West Side brownstone, concocting this series of devious devices that vary wildly in severity.
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Judging by her office, which was full of skulls and swords, she is not the kind of curator who traipses the halls of her palatial museum, glancing at her tablet every few moments.
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Directed by Caleb Hammond, "Mytho?" soon traipses through Ms. Kohler's memories of being a young nude model at an art studio in Paris and the passion she developed there for the films of Robert Bresson.
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Crawford escorts us through brush and brambles, lazily kayaks down a stream, and traipses across barricades of fallen trees, all the while pointing out a rare orchid, or mimicking the sounds of the tree frogs.
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In a video posted on Instagram, the X-Men: Apocalypse actress, who will also appear in 2018's Ocean's 8, traipses down to the ocean only to very gracefully trip over a rock, narrowly avoiding a face plant.
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The wah-wah of Isaac Hayes's classic "Theme From Shaft" can be heard in its natural habitat here, as the detective John Shaft (Richard Roundtree) traipses down the streets of New York and into the American cultural consciousness.
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" Made in close partnership with the producer Joe Henry, "Grace" traipses across a landscape of music from the last 100 years, from Thomas A. Dorsey to K. D. Lang, ending on a lone, buoyant original, "All the Way Here.
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Perhaps both sides can get what they want; perhaps the White House will sign on to aggressive reforms of the EB-5 visa in fall, while Kushner Companies traipses around China hawking visas "under the old rules" in the meantime.
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Flora had fled to, and for a time flourished in, Paris, with Versailles on its outskirts, and then wound up living in a seedy Los Angeles apartment building called The Versailles, where the camera dwells on its threadbare sign, and where David Mayo traipses down the corridor toward his mother's former door.
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The mortal-human duo traipses around fantasy Egypt, fighting giant CGI creatures (a pair of big snakes, a sandy incarnation of the Sphinx) and visiting other gods and goddesses, including Hathor the goddess of love (Elodie Yung), Thoth the god of knowledge (Chadwick Boseman), and Ra (Geoffrey Rush), the sun god who pulls the sun across the sky in a space chariot that looks like an unused spaceship design from Jupiter Ascending.
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That night, Cassie finds Dean's wedding ring amongst Aden's things. Spooked, she traipses back to Dean's unmarked grave with shovel in hand and digs up the grave only to find it empty. She contacts Cooper stating that "there's no body". The next morning Cooper and Cassie find her prized bull dead, throat slit.
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Frank traipses around for months, and meets up with Ewball Oust. They go to Mexico looking for Iceland spar. Frank does amalgamation work at a mine, then the two of them are thrown in some sort of prison, but manage to escape with an anarchist crew headed by El Nato. They want to steal silver from the Mexican Mint, but Frank talks them out of it.
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Right now, Kampanna traipses to destroy the village by slaughtering Tata when he is crushed by the villagers. Time passes, Shanta gives birth to a baby boy, presently, they celebrate a folk festival when Kampanna ploys and captures Jayanth. At that point in time, Shanta denounces Vasanth when affronted Vasanth affirms to safeguard Jayanth and proceeds towards Kampanna's fort. Meanwhile, anxious Shanta also moves in search of her husband when the baby too caught by Kampanna's men.
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Washbucket, now in Amy's body, professes 'her' love to Scruffy, and even suggests they run away together, but he sadly turns her away, reminding her that he is still a man and she is a robot. She traipses away sadly and he curls up and cries. At the circus, the Professor is having a fine time as the world's most indifferent robot daredevil, when he meets the Grande Dame, the robot cannon Big Bertha. He politely asks if he could be shot from her, but she admits that she is so old, it would end her life.
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Directed by Andy Martin, the video stars Graeme "Grassi" Hopper, a musician, artist, and DJ, as well as a friend of the Field Music bandmates. In the video, Hopper visits various places throughout Sunderland, including the Park Lane Interchange, The Bridges, Jacky White's Market, the Hot Rats record shop, and the city's seafront. Everywhere he goes, he is confronted by people lip-syncing the song to him, including David and Peter Brewis. In describing the music video, Gabriela Claymore of Stereogum wrote "a man traipses through a series of landscapes as friends, strangers, and TV personalities berate him".
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Vessel received positive reviews upon release. Jason Pettigrew, writing for Alternative Press, praised the album's multi-genre influence: "The major-label debut by Twenty One Pilots traipses across electropop, hip hop and classic pop music—and that's just the first song." In a more negative review, Rolling Stone's Dave DiMartino wrote: "The duo has somehow managed to take the most disagreeable and obnoxious aspects of the past decade's "rap-rock" legacy, throw in some of the most aggravating melodic aspects of Linkin Park and Blink-182, and put together a new album that will surely make you want to decry ever liking rock 'n' roll at least three times before a cock crows." In May 2015, it was announced the album had sold 265,000 copies in the United States.
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Born in Detroit, Michigan and raised by divorced parents mostly in the wealthy suburb of Grosse Pointe, he appeared in Ron Rice's beat classic The Flower Thief (1960), in which he "traipses with elfin glee through a lost San Francisco of smoke-stuffed North Beach cafés ..." Film critic P. Adams Sitney called The Flower Thief "the purest expression of the Beat sensibility in cinema." Village Voice film critic J. Hoberman called Mead "the first underground movie star." In 1967, Taylor Mead played a part in the surrealistic play Desire Caught by the Tail by Pablo Picasso when it was set for the first time in France at a festival in Saint-Tropez, among others with Ultra Violet. In the mid-1970s, Gary Weis made some short films of Mead talking to his cat in the kitchen of his Ludlow Street apartment on Manhattan's Lower East Side called Taylor Mead's Cat.
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