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"the witching hour" Definitions
  1. the time, late at night, when it is thought that magic things can happen

108 Sentences With "the witching hour"

How to use the witching hour in a sentence? Find typical usage patterns (collocations)/phrases/context for "the witching hour" and check conjugation/comparative form for "the witching hour". Mastering all the usages of "the witching hour" from sentence examples published by news publications.

As the story quickens, we arrive at the witching hour.
Or curl up at home for the witching hour with Sabrina.
As the witching hour approached, Toubin's longtime friend Ian Svenonius, took the stage.
In a month or so, I'd see the witching hour again and again.
And then, at the witching hour on the fourth day, between two oak knees, the ping.
You often swipe through very late at night, during the witching hour, and never snap back.
To make things worse, our trek was scheduled to start during the witching hour, 5 p.m.
Netflix's Chilling Adventures Of Sabrina part 1 finale, "The Witching Hour," is 63 minutes of serious television.
It wouldn't be long after that, in 1835, that the exact term "the witching hour" was first recorded.
"That's the witching hour, when everyone is going crazy," said Kenney, a retired physician in Hillsboro, North Carolina.
You see Nikki in the full body du plus glitter, and you already know it's the witching hour.
A Reserve Bank of Australia (RBA) report noted that several flash episodes have been recorded during the witching hour.
The dog and I would wake up at the Witching Hour to hear glasses tinkling and a piano playing softly.
It's not the witching hour at night when it's time to go to bed and all the excuses come out.
She would worry well past the witching hour, and at some point drift off into her own restless half-sleep, just before dawn.
And the fact that the firing unfolded on Friday night, the witching hour Washington players choose to hide politically damaging news, exacerbated the sinister undertones.
Everything happens at the Witching Hour Studios' pace, and in their world, they put on less of an interactive cinema and more of a stage play.
I'd always thought of the deepest part of night as the witching hour, a time, my childhood books had taught me, that was not for humans.
For most parents, it's known as the witching hour, those endless minutes between dinner and bedtime when kids morph from moppets to monsters, mutating into miniature unhinged dictators.
Much of Tycho's music is best enjoyed watching the sunrise in hazy, sand-whipped climes, but it seems his new release may be inching toward the witching hour.
One night, Sophie happens to spot him though her window during the witching hour—that eerie emptiness that any child, awake and alone, feels setting in around 5003 am.
For Sabrina's narrative sake, there were thankfully two births in part 1 finale "The Witching Hour" that likely piqued these demons' interest: those of baby Judas (yet another biblical reference) and baby Leticia.
The witching hour is almost upon us — and by that we mean the weeks immediately post-Halloween where early fall suddenly gives way to the cold days and long, dark nights of winter.
When: Saturday, April 15Where: TBA If after a day of poolside drinking or Polo-field frolicking you're too riled up to call it a night, ring in the witching hour with Midnight Lovers.
Murphy characterized the next 48 hours as the "witching hour" to know if Trump and the three senators will be able to clinch an agreement on background checks in the wake of three mass shootings.
But, somehow, "Tale" comes to a fairly level-headed end: Aunt Zelda (Miranda Otto) decides to give baby Leticia, whom she kidnapped in part 1 finale "The Witching Hour," to another witch named Dezmelda (Brenda McDonald).
It was an event meant for the witching hour—moderator Lester Holt may as well have stage-whispered "something wicked this way comes" as Hillary Clinton and Donald Trump took the stage—but it ended up being a particularly banal kind of witching hour.
Until recently, for many teenagers and college students, the witching hour wasn't 2 AM—it was 10:30 AM. As they were roused from slumber, groggy-eyed, a sense of urgency took hold: Better get to the Golden Arches before the chance to grab McDonald's breakfast is lost.
It was the first international tournament I can (just about) remember, and by virtue of me being a kid and the witching hour kick-off times, I had to watch all the games in secret on a shit TV in my room, face pressed right up against the screen with the volume on 1 so I could hear if the stairs creaked.
Chris MurphyChristopher (Chris) Scott MurphyGOP signals unease with Barr's gun plan Trump administration floats background check proposal to Senate GOP Senate confirms two Treasury nominees over Democratic objections MORE (D-Conn.) characterized the next 48 hours as the "witching hour" to know if Trump and the handful of senators who have been negotiating on gun proposals will be able to strike a deal.
Chris MurphyChristopher (Chris) Scott MurphyGOP signals unease with Barr's gun plan Trump administration floats background check proposal to Senate GOP Senate confirms two Treasury nominees over Democratic objections MORE (D-Conn.) characterized the following 48 hours as the "witching hour" to know if Trump and the handful of senators who have been negotiating on gun proposals will be able to clinch an agreement.
The Witching Hour title was revived for a one-shot anthology by Vertigo in 2013.
Each "Unexpected" story would always include the word "unexpected" in the last panel. After the series merger with House of Secrets and The Witching Hour, this was only true of the Unexpected section; there would then be complete, advertisement-free issues of The Witching Hour, hosted by its witches, and The House of Secrets, hosted by Abel. The Witching Hour feature was alternated with Doorway to Nightmare starring Madame Xanadu, who appeared in issues #190, 192, 194, and 195.
The Witching Hour was an American comic book horror anthology published by DC Comics from 1969 to 1978.
Vertigo published an unrelated The Witching Hour limited series by writer Jeph Loeb and artists Chris Bachalo and Art Thibert in 1999–2000.
The Witching Hour is the first novel in Rice's Lives of the Mayfair Witches trilogy. It was published by Knopf in 1990. The Mayfairs' First Street house is based on Rice's own antebellum mansion in New Orleans, with fictional events written as if taking place in specific locations in the real-world house. Rice bought the mansion with the advance for The Witching Hour.
The Witching Hour is a 1934 American pre-Code drama film directed by Henry Hathaway and starring Sir Guy Standing, John Halliday, Judith Allen and Tom Brown.
On 20 December 2011, Nettwerk released a compilation of remixes, B-sides and rarities titled Witching Hour (Remixed & Rare). The cover is the negative of the Witching Hour cover.
The series was published for 85 issues from February–March 1969 to October 1978. Its tagline was "It's 12 o'clock... The Witching Hour!" and was changed to "It's midnight..." from issue #14 onwards. The series was originally edited by Dick Giordano, who was replaced by Murray Boltinoff with issue #14. Nick Cardy was the cover artist for The Witching Hour for issues #1–6, 11–12, 15–16, 18–52, and 60.
Wonder Woman & Justice League Dark: The Witching Hour is a five–part weekly crossover storyline published in two one-shots and the main Wonder Woman and Justice League Dark series.
Morton's first released recording was the track "Deep" on Mute Records’ Pre-Set New Electronic Music in 2003. He then signed with Paris, France-based M-Tronic Records, through which he released three CDs."Displacer - The Witching Hour". Reflections of Darkness, by Sebastian Huhn, 12 October 2008 In 2008 he signed to Chicago, USA label Tympanik Audio and released three more albums; The Witching Hour, X Was Never Like This..., and the mainly instrumental Night Gallery.
Hansis appeared in the play The Laramie Project in Pittsburgh in 2002, and later worked at the Williamstown Theatre Festival in Massachusetts in productions including On the Razzle and The Witching Hour in 2005.
Rowan is the 13th such Mayfair designee, who Lasher believes will give him his chance to rejoin the living. Publishers Weekly called Lasher "both child and man at the same time", and Patrick McGrath suggested that Lasher is actually the protagonist of The Witching Hour. Lasher's plan comes to fruition at the end of The Witching Hour when he invades Rowan's unborn fetus and is reborn. The baby is genetically a non-human, ancient species called the Taltos, which is "the superhuman result of the crossbreeding of two human witches who possess an extra chromosome".
DC Comics. Later, Adeline Kane reveals to Batman, disguised as Deathstroke, that she had hired Nightshade to secure the biological weapon.Deathstroke #35 (2018). DC Comics. In "The Witching Hour" crossover story arc, she is seen during a Sisterhood of the Sleight Hand meeting at the Oblivion Bar where she rescues Traci 13 by pulling her into the shadow dimension, as Witchfire possessed by Hecate burns and thereby kills many of the people inside the bar.Wonder Woman and Justice League Dark: The Witching Hour #1 (December 2018). DC Comics.
Secrets of the Witching Hour is the second album of the British indie band, The Crimea, released on 30 April 2007 as a free download on the band's website. The song "Loop A Loop" appeared in an advertisement for Trident Gum.
Aaron Lightner is a fictional character created by Anne Rice and featured primarily in The Witching Hour, Lasher, Taltos, Merrick and Queen of the Damned. Lightner was one of the oldest and most knowledgeable members of a secret order of historians and scholars called the Talamasca Caste.
The term "triple witching" refers to the extra volatility resulting from the expiration dates of the three financing instruments, and is based on the witching hour denoting the active time for witches. It is used often and is considered industry jargon, along with the term "Freaky Friday".
Justice League Dark and Wonder Woman: The Witching Hour #1 (December 2018). DC Comics. In Doomsday Clock, she appears alongside Blue Beetle, the Question, and Captain Atom in the Bug airship as they travel to Mars. There, they and many of Earth's other superheroes confront and fight Doctor Manhattan.
Tala appears in DC Universe Online. She appears as an R&D; vendor in the Hall of Doom's Magic Wing. In addition, she is the final boss of the "Black Dawn" operation in DLC 5 "Hand of Fate". In the new Halloween seasonal event The Witching Hour, Tala asks for the help of villains.
The Psions are a fictional extraterrestrial species in the DC Universe. The Psions first appeared in Tales of the New Teen Titans (vol. 1) #4 (September 1982) and were created by Marv Wolfman and George Pérez. The earliest uncredited appearance of the Psions was in The Witching Hour #13 (March 1971) written by Marv Wolfman.
In 2009, Ladytron and The Faint co-headlined a North American tour. During the early part of the Witching Hour tour, the band used to name their four Korg MS-2000B synths to easily differentiate them: Cleopatra (Marnie), Babylon (Aroyo), Ulysses (Hunt), and Gloria (Wu). A staple of all Ladytron shows is Korg MS-20 played by Mira Aroyo.
Notably, Thomas was one of the first playwrights to make use of American material. Other plays along the same lines include Arizona (1900), In Mizzoura (1893), Colorado (1900) and Rio Grande (1916). Perhaps his most successful play was The Copperhead (1918) which made Lionel Barrymore a star. Thomas reached a high artistic level in Arizona and The Witching Hour.
In October 1910 Graybill performed in a play titled Miss Patsy (by Sewell Collins) at the (now demolished) Belasco Theatre in Washington, D.C. His character was named Dr. Philip Gentry.Washington Post, October 4, 1910. Page 5. In May 1908 Graybill appeared in a performance of "The Witching Hour" by Augustus Thomas at a Cedar Rapids, Iowa theater.
He came to New York in 1908. His first play in New York was Captain Brassbound's Conversion. He had been a stage director for Lily Langtry and Olga Nethersole.. His film career included appearances in a number of silent features, in The Witching Hour (1916). A Variety review noted that Sealy "brought a dignity commensurate with the role".
For example, in The Witching Hour, two of the main characters, Rowan and Michael, were married at St. Mary's Assumption. Also, in Blackwood Farm, the church is the setting of Aunt Queen's funeral. In 2005, Rice added text and pictures on her website that encouraged donations to St. Mary's Assumption to help repair the damage caused by Hurricane Katrina.
13th-century A.D. portrayal of an unclean spirit In folklore, the witching hour or devil's hour is a time of night associated with supernatural events. Witches, demons and ghosts are thought to appear and to be at their most powerful. Black magic is thought to be most effective at this time. In the Western Christian tradition, the hour between 3 and 4 a.m.
However, all its tries to stay awake after the witching hour fail. One day, after the Little Ghost gives up all its hope, it suddenly awakes at noon and not at midnight. During the discovery tour of the castle it suddenly sees a school class. While it tries to hide from them, it gets hit by a sunbeam and suddenly changes its color from white to black.
Over the 1905–06 season Troutman toured as Bessie Tanner in George Ade's comedy The Other Girl, and in 1907 she portrayed Estelle Kitteridge in a tour of the Augustus Thomas comedy The Other Girl. At the Empire Theatre on March 2, 1908, Troutman played Frances Berkeley in Ade’s comedy-drama, Father and the Boys and the following year toured in Augustus Thomas’ The Witching Hour.
Moss wrote other songs, including "Somewhere in Connemara", "Come Away Moonlight", "The Morris Dancers", "Out of the Silence", as well as a song cycle, Dreams Of Youth, whose five songs are entitled "Faery Song", "The Daisy", "Oh Sleep Little Pearl", "'Twas The Witching Hour Of Night", and "The Devon Maid". None were anywhere near as successful as "The Floral Dance". Moss died on 3 May 1947.
Bernie died a year or two later, I guess — around 1950. I moved into his desk.Kashdan interview, Alter Ego, pp. 42-43 In 1962, Kashdan and artist Nick Cardy launched the Aquaman ongoing series for DC. Kashdan primarily wrote for DC's mystery and war comics series including G.I. Combat, House of Mystery, House of Secrets, The Unexpected, Weird War Tales, and The Witching Hour.
The Crimea were dropped by Warner Bros. Records in 2006 after the band's debut album, Tragedy Rocks, sold 35,000 copies worldwide. The band decided to self-finance their second album, titled Secrets of the Witching Hour, and make it available to download for free from its website. The album was released on 30 April 2007, almost two weeks before its original projected release date.
Blanchard was born in Los Angeles, California, to Elizabeth and Mark Blanchard-Boulbol, who are yoga instructors. Her paternal grandfather was an immigrant from the Middle East, who had paternal Syrian ancestry and maternal Armenian ancestry, and her paternal grandmother's ancestors are from England, Denmark, and Sweden. Her paternal great grandparents had met in Aleppo, present-day Syria. She was named after a character in Anne Rice's The Witching Hour.
The album's title track contains excerpts from Johann Sebastian Bach's Mass in B Minor (1749) and Gustav Holst's The Planets (1914–16). Its lyrical theme was inspired by John Milton's Paradise Lost (1667) and Paradise Regained (1671), and also includes a reference to Dante Alighieri's 14th-century epic poem Inferno. The intro of "The Witching Hour" cites Wolfgang Amadeus Mozart's Piano Sonata No. 1 in C Major, K 279 (1774).
Amendola artwork from Detective Comics #439 (Feb.–March 1974). Inks by Dick Giordano Sal Amendola graduated from the School of Visual Arts in 1969 with the school’s then offered 3-year certificate. He eventually returned, with Robert McGinnis as his thesis adviser, to earn his MFA in illustration. Sal started his comics career in 1969, drawing stories for editor Dick Giordano's The Witching Hour, and becoming Giordano's assistant editor in 1970.
Lives of the Mayfair Witches is a trilogy of Gothic supernatural horror/fantasy novels by American novelist Anne Rice. It centers on a family of witches whose fortunes have been guided for generations by a spirit named Lasher. The series began in 1990 with The Witching Hour, which was followed by the sequels Lasher (1993) and Taltos (1994). All three novels debuted at No. 2 on The New York Times Best Seller list.
In particular, the enigmatic Bethany claims to be a witch and secretly seduces the other teens into joining her coven. Gradually, Angela realizes that her nightmares aren't dreams at all, but memories of her past life. As the true nature of the frightening nightmare unfolds, Bethany seems determined to either seduce or destroy Angela. With the witching hour ticking closer, Angela must solve the mystery of the Caribbean island and its legendary witch coven.
With issue #196 (March 1980), the series was restored to standard size, and rather than three complete issues in one, there was one story each per issue. The House of Secrets content continued through issue #208; The Witching Hour content continued to appear until issue #209 (April 1981), which incorporated the science fiction series, Time Warp. The final issue of the series was #222 (May 1982) which included early artwork by Marc Silvestri.
Sophie, a 10-year-old girl living in a London orphanage, is often awake at the "witching hour". One night, she sees an elderly giant outside her window, who captures her and takes her to his home in Giant Country. He explains that he cannot allow Sophie to return to her world and reveal the existence of giants. If she ventures out alone, she may be eaten by the nine much larger giants.
DC Comics vice president Irwin Donenfeld hired Giordano as an editor in April 1968, at the suggestion of Steve Ditko, with Giordano bringing over to DC some of the creators he had nurtured at Charlton. Giordano was given several titles such as Teen Titans, Aquaman and Young Love, but none of DC's major series. He launched the horror comics series The Witching Hour in March 1969. and the Western series All-Star Western vol.
After her first webcomic, Carroll has contributed to various print anthologies, including "Explorer: Mystery Boxes," "Fairy Tale Comics," "Creepy" and "The Witching Hour." In 2014, an anthology of her comics was published in book form as Through the Woods. In 2014, Carroll uploaded the horror comic strip The Hole the Fox Did Make to the Internet. Carroll chose for a limited format to see how she could create unease in a limited space.
The Talamasca's motto is: "We watch. And we are always there." (Queen of the Damned, Witching Hour, and The Vampire Companion) The Talamasca itself was described in Rice's novels as having "motherhouses" or bases in London, Amsterdam, Rome and other various parts of the world. The organization is said to have existed since the 1st Century (Rice states in 'The Witching Hour' that it was formally formed in the 11th Century, but existed before that).
Polly of the Circus (1917) The All-Star Feature Company was formed around 1913 to make feature films from famous plays. The playwright Augustus Thomas directed "the world's greatest plays enacted by distinguished stage celebrities." Archibald Selwyn and Philip Klein joined the company. Between 1913 and 1915 All-Star created Arizona, In Mizzoura, Colorado, Alabama and The Witching Hour, all written by Thomas, as well as Paid in Full (Eugene Walter) and Shore Acres (James A. Herne).
On October 6, 2012, descendants of the executed petitioned the Connecticut government to posthumously pardon the victims, but the motion was not passed. In 2007, Addie Avery communicated with the British government in an attempt to acquit the convicted witches. Addie Avery was the descendant of Mary Sanford, who was executed for "dancing around a tree while drinking liquor". Avery has also been involved in many theatrical performances about the Connecticut Witch trials, like The Witching Hour.
The final issue showed Cain in front of the House for sale, with his bags packed, and Gregory, his pet gargoyle, behind him. The cover of Vertigo's mostly-reprint Welcome Back to the House of Mystery showed him returning with Abel and Gregory. The House of Secrets and The Witching Hour were eventually merged with The Unexpected and canceled around the same time. Cain then became a supporting character in Blue Devil, with Abel and Gregory making occasional appearances as well.
Fred Carrillo was born in Kalibo, Aklan, Philippines. He began his career drawing propaganda material for the guerrilla movement in Panay during World War II. After the war, he began his career as a professional artist. Carrillo studied fine arts and architecture at the University of Santo Tomas. He worked for DC Comics in the 1970s and 1980s and drew mystery titles such as Ghosts, Phantom Stranger, Secrets of Haunted House, The Unexpected, Weird War Tales, and The Witching Hour.
E. R. Cruz began his career as an artist by drawing for such publications as Liwayway in the Philippines. He worked in Tony DeZuniga's studio from 1963 to 1971. His first story for the U.S. comics industry, "Let's Scare Lisa to Death", was published in DC Comics' The Unexpected #139 (Sept. 1972). From 1972 to 1987, Cruz drew stories for various DC titles such as Ghosts, G.I. Combat, House of Mystery, House of Secrets, Our Fighting Forces, The Unexpected, and The Witching Hour.
From 30 April 2007, Secrets of the Witching Hour was available for free download at The Crimea's website; the original release date was set for 13 May 2007. As of 20 February 2013, the album has been downloaded 118,450 times. At midnight on 13 May 2007 the band performed an acoustic gig at the summit of Primrose Hill to celebrate the release of the album. Several of the songs on the CD version of the album feature spoken introductions by Regina Spektor.
Gareth Hipwell of Rolling Stone Australia gave the album three out of five stars and felt "Revelator Eyes" sounded as if "The muses of the witching hour [...] have breathed some hazy Eighties nostalgia" into Bentley's songwriting. However, Hipwell criticised his often "insubstantial lyrics". The AU Review called the album a "fluid progression of sounds and ideas" as well as "[h]ypnotic, whimsical and otherworldly". Jessica Morris of the US-based website PPcorn deemed the album "[c]omplex and delicate" as well as "profound".
In October, the band also announced a tour with Pop Evil that would run November to December. Ded is set to open their 2018 touring season on In This Moment's The Witching Hour Tour with New Years Day and P.O.D.. The tour will run January 16, 2018 through February 18. Ded also performed at Shiprocked on January 21–25. In September–October 2018, the ensemble performed throughout North America with Blessthefall, The Word Alive, Thousand Below, and A War Within.
In 1993, writer Neil Gaiman selected Bachalo for the Sandman miniseries Death: The High Cost of Living, starring the Sandman's older sister. At the time, Sandman was one of the most popular and acclaimed series in the industry and the miniseries helped boost Bachalo's visibility. The creative pair also reunited for Death: The Time of Your Life in 1996. After working at Marvel (below), Bachalo briefly returned to DC in 1999 for The Witching Hour mini-series with writer Jeph Loeb for Vertigo.
His other creations include The Herculoids, Birdman and the Galaxy Trio, and Dino Boy in the Lost Valley. He worked as a storyboard and design artist until 1968 and then again in 1973 when he was assigned to Australia for five months to produce the TV series Super Friends. He continued to work in comic books, contributing to Warren Publishing's magazines Eerie, Creepy and The Rook. For DC Comics, he drew the first issue of The Witching Hour (February–March 1969) and introduced the series' three witches.
Drugs and alcohol fuel the group as they decide to wait for the witching hour, at which time they will all stab Chris in unison. While Macon leaves to pick up some pizza, Alexander has sex with Lexi and then later with Paul. Macon arrives back to see the two having sex and begins binge drinking and ends up covering himself in alcohol in the process. Paul, a photography artist, begins taking pictures of Chris and is frustrated that no one will assist him.
"Sad Hunt for Baby Actress," Accessed 15 February 2017 In October 1908, Pollard appeared with a New York company that performed musical and dramatic shows such as The Thief, The Chorus Lady, The Witching Hour, and Girls, among others. The productions were staged at the Grand Opera House. Among her fellow actors were Harry Macdonough and Charles Halton. Pollard appeared with the Ziegfeld Follies and in Winter Garden Theatre shows. In 1909, she was with a group which entertained at Keith and Proctor's Fifth Avenue Theater.
The album was released on CD, mp3 and deluxe vinyl on 30 October 2010 on their own Hateisthenemy label. The vinyl edition is gatefold 180grm vinyl with the album's lyrics etched on the D side. Reviews from Ireland and the UK were unanimously positive and praised it for its bold ambition "a debut that works from its first moment to its last...music that belongs to the witching hour" (The Irish Times Album of the Week). In January 2011 it was announced that the album had been nominated for the 2010 Choice Music Prize.
The Witching Hour is a 1921 American silent drama film directed by William Desmond Taylor and written by Julia Crawford Ivers, adapting the 1907 stage play by Augustus E. Thomas. The film stars Elliott Dexter, Winter Hall, Ruth Renick, Robert Cain, A. Edward Sutherland, Mary Alden, and F. A. Turner. The film was released on April 10, 1921, by Paramount Pictures. This was one of three times that the 1907 stage play was adapted to film, and according to critic Christopher Workman, was "the least interesting of the three film adaptations".
The Unexpected was a fantasy-horror comics anthology series, a continuation of Tales of the Unexpected, published by DC Comics. The Unexpected ran 118 issues, from #105 (February–March 1968) to #222 (May 1982). As a result of the so-called DC Implosion of late 1978, beginning in 1979 The Unexpected absorbed the other DC horror titles House of Secrets, The Witching Hour, and Doorway to Nightmare into its pages. Horror hosts featured in The Unexpected included The Mad Mod Witch, Judge Gallows, Abel, and the Witches Three.
Unlike the predecessor series, The Unexpected was a fantasy anthology at first, then turned into a weird/horror anthology in the style of House of Secrets and House of Mystery. The series was published in the 100 Page Super Spectacular format from #157 (May–June 1974) to #162 (March–April 1975). The Unexpected Special was published in 1977 as an issue of DC Special Series. With issue #189 (January-February 1979), The Unexpected converted to the Dollar Comics format and incorporated the previously cancelled titles House of Secrets, The Witching Hour, and Doorway to Nightmare.
He operated the record label Level Plane, which was initially started so Saetia could release a 7-inch single to sell at shows. Other members of the band continued their musical careers in numerous outfits, some of them joining screamo bands such as Off Minor, Hot Cross and The Fiction, as well as the bands Errortype: Eleven and Instruction. The group would eventually break up in October 1999. Saetia's final, posthumous single, "Eronel" (also a title of a Thelonious Monk composition) was released under the Witching Hour label in 2000.
Originally the 2011 Halloween content was a version of the Scarecrow mission based in Gotham Sewers under the title Halloween Spook-tacular. However the player reaction to the event was largely negative due to it being seen as a rehash of an existing mission. The following year the content was replaced by a new event titled The Witching Hour. The new content featured an open world mission for all players and a 4-player Alert called The Midnight Masquerade, in which players must face off against Klarion the Witch Boy and his pet cat Teekl.
The addle-brained spirits (mentioned in The Queen of the Damned and The Witching Hour) are of two types. The first are angels who fell in love with certain parts of nature and became spirits of rocks, mountains, and trees; they did not return to Heaven. The "invisible ones" are incorporeal human souls who never interacted with the angels, forgot they were ever human, and became demons—spirits or lesser gods whom the living worship. Memnoch becomes impatient with God's constant assurances that all is well, despite the pain and suffering of life and death.
After his final issue of Justice League (#73, Aug. 1969), Greene inked one last superhero story, the lead feature in Atom and Hawkman #45 (Nov. 1969). He then both penciled and inked stories in two issues each of Our Army at War and the supernatural anthology The Unexpected, plus one story each in The Witching Hour and House of Secrets. His stories in The Unexpected #117 and House of Secrets #84 (both cover-dated March 1970, and drawn at least three months earlier) mark his final published works.
In October 1999, Montalo, Gra and Luther began to discuss the possibility of a reunion, owing to a resurgence of interest in the band after the release of the Best of Witchfynde CD in 1996, which sold well. Pete Surgey rejoined the band on bass. However, during rehearsals Luther Beltz announced that he no longer wanted to participate in the reunion; the band replaced him with vocalist Harry Harrison, a longtime fan of the band that was introduced by Pete Surgey. The band then began to work on their fifth album The Witching Hour, which they released on Edgy Records in 2001.
He has made movie posters (such as Nightmare on Elm Street and Blade Master for New Line Cinema, Warner Communications and others. He has also worked on advertisements (including theatrical billboards for the Pittsburgh Public Theatre, Lamb's Theatre), corporate identity projects, videos, magazines, and even T-shirts for rock groups (including The Who, Phil Collins, and Def Leppard). He is also a comic book writer/artist known primarily for drawing part of the "Fables & Reflections" collection of Neil Gaiman's The Sandman series. He also worked on the adaption of Anne Rice's the Witching Hour for Millennium Publications in 1992.
Trinidad began his professional career as an assistant for the "Dean of Philippine comics," Francisco Coching, and Trinidad's style bore a similarity to Choching's. Trinidad's first professional credits included illustrating novelist Marcial Buanno’s Guido Mortal and Arkong Bato in the late 1960s. Trinidad co-created the Filipino superheroes El Gato (with writer Mike Tan) and Inday sa Balitaw (with writer Pablo S. Gomez). Along with a number of other Filipino comics creators in the 1970s, Trinidad found work in the American comics industry, initially for DC Comics on such titles as The Witching Hour, House of Mystery, The Unexpected, and Weird Western Tales.
Later that day, while shooting a scene where he sucks the blood from his costar and girlfriend Carla (Ingrid Pitt), Paul begins genuinely trying to suck her blood even after the scene ends. A horrified Carla demands he stay away from her. At midnight, the witching hour, Paul puts in the cloak again as a test. He grows fangs and begins to fly, much to his horror. Paul reads in the newspaper that von Hartmann’s shop had burned down, and von Hartmann’s corpse had been found inside; the corpse was identified as being several years old.
One of the few films he made during this period, La Hora Bruja (The Witching Hour) (1985) is noteworthy for its strong dramatic performances by Francisco Rabal, Concha Velasco and Victoria Abril in an amorous narrative involving the activities of a lascivious traveling magician. Al otro lado del Tunel (The Other Side of the Tunnel) (1994), presents a similar story of passion and old age, this time with the amorous pair constituted by Maribel Verdu and Fernando Rey. In 2008 Armiñán returned to directing films with 14, Fabian Road, starring Argentinian actress Julieta Cardinali, Ana Torrent and Ángela Molina. Jaime de Armiñán was married to Elena Santonja, a popular TV presenter.
Heather Phares of AllMusic commented that "Witching Hour is the album that Ladytron always seemed capable of, and its dark, dreamy-yet-catchy spell makes it the band's most sophisticated, and best, work to date". The Guardian described the album as "their most humane work, with abrasive atmospherics akin to those of My Bloody Valentine". Keith Phipps of The A.V. Club felt that "The Witching Hour doesn't vary much from the pattern established by its predecessors, but it's every bit as beguiling". Adrien Begrand of PopMatters stated, "while Witching Hour has the band sounding more adventurous, there's a consistency to the tracks that holds it all together".
In the 1970s, Redondo began to do work for publishers in the United States. His earliest U.S. credit is penciling and inking the ten-page story "The King Is Dead", by writer Jack Oleck, in DC Comics' House of Mystery #194 (Sept. 1971). Through the 1970s, Redondo drew dozens of such supernatural anthology stories for DC titles including House of Secrets, The Phantom Stranger, Secrets of Sinister House, The Unexpected, Weird War Tales, and The Witching Hour. He drew six of the seven issues of Rima, the Jungle Girl (May 1974 – March 1975), based on the heroine of a Victorian novel, as well as Swamp Thing #11–23 (Aug.
Due to poor album sales Warner Bros dropped The Crimea in late 2006. The band continued to write new material and in April 2007 released Secrets of the Witching Hour as a free download from the band's website; a CD was also available, with artwork by Joe Udwin, the band's bassist, in collaboration with London-based, visual artist Tersha Willis. The band received a lot of support from Radio 1 DJ, Colin Murray, who gave the Crimea airtime on his nightly show by playing one track from the album each week and advocating downloading the album. The band hoped to tour substantially off the back of the new record.
Heavy metal band Iron Maiden use scenes from this film in the music video for their song "Bring Your Daughter... to the Slaughter". King Diamond also uses clips in his "Sleepless Nights" video as do punk band UFX in the video to "Bitch", while Rob Zombie used Christopher Lee's opening words to similarly preface his track "Dragula" from Hellbilly Deluxe. In addition, the punk band Misfits wrote a song called "Horror Hotel" (the American release title). Most recently in the summer of 2017, metal rock band In This Moment also uses the opening lines by Christopher Lee in their song "The Witching Hour" from their new album Ritual.
The Swedish General Torsten Torstenson besieged the castle and the city of Eulenberg. As the Little Ghost could not sleep during the day, due to the loud noise of the cannons, it frightened the Swedish General so badly, that he terminated the siege and left the castle and the city with his army the next day. A portrait of the Swedish General Torsten Torstenson still remains in the knight hall of the castle, as a reminder of his siege and once in a while the Little Ghost speaks to it. Furthermore, the Little Ghost tries to stay awake after the witching hour with the valuable pocket alarm clock, which the General Torsten Torstenson lost during the siege.
Being a corpse, Gunwitch can take an unspecified amount of damage with no ill effects; one of the few times we ever see him be affected by an enemy attack is when Eve is kidnapped in Nocturnals: The Witching Hour. Tiny forest sprites dust him with a magic powder that puts him to sleep, and when he is revived by Starfish and the Raccoon he appears to have taken it personally... much to the chagrin of those he discovers kidnapped Eve. He is the main character in his own miniseries called The Gunwitch: Outskirts of Doom, where he and Eve come upon a town that is torn between warring vampire gangs vying for control.
Wessler next wrote for Harvey Comics, home of Casper the Friendly Ghost and other children's characters, remaining there through the early 1970s. As well, in the 1960s, his work appears in a range of titles including Charlton Comics' Billy the Kid, DC Comics' American Revolutionary War-era adventure series Tomahawk, and Warren Publishing's black-and-white horror-comics magazines Creepy, Eerie and Vampirella. At DC Comics, Wessler wrote numerous stories for the supernatural-fantasy anthologies Ghosts, House of Mystery, The Unexpected, and The Witching Hour from 1967 to 1985. He also contributed additional stories to Eerie, and returned to his old home at the former Atlas, now Marvel Comics, with work appearing in Giant-Size Chillers vol.
Niño was among the vanguard of Philippine comics artists -- including Alfredo Alcala, Nestor Redondo, and Gerry Talaoc -- recruited for American comic books by DC Comics editor Joe Orlando and publisher Carmine Infantino in 1971, following the success of the pioneering Tony DeZuniga. Niño's earliest U.S. comics credit is penciling and inking the nine-page story "To Die for Magda" in DC Comics' House of Mystery #204 (July 1972) written by Carl Wessler. Niño was soon contributing regularly to such other DC supernatural anthologies as companion title House of Secrets and Forbidden Tales of Dark Mansion, Secrets of Sinister House, Weird War Tales, Weird Mystery Tales, and The Witching Hour. He also drew the jungle-adventure feature "Korak" in some issues of DC's Tarzan.
His work for DC Comics included stories for House of Mystery, House of Secrets, The Witching Hour and The Unexpected. In 1973, Reese illustrated Thomas Disch's "The Roaches" for the black-and-white horror-comics magazine Monsters Unleashed, published by Marvel's Curtis Magazines imprint, and the following year, he continued in a similar vein with art for Gerry Conway's story, "The Rats" in Haunt of Horror. With these two stories, featuring extreme close-up drawings of roaches and rats, Reese depicted horror lurking in real-life vermin, and both stories had several reprints. After he collaborated with Byron Preiss on the feature "One Year Affair" in the National Lampoon, the two did installments of a follow-up, "Two Year Affair". For Atlas/Seaboard Comics he drew "Midnight Muse" in Devilina #1 (January 1975).
Random House Audio originally released abridged audiobook adaptations of all three Mayfair Witches novels on audio cassette, with narrators Lindsay Crouse (The Witching Hour), Joe Morton (Lasher), and Tim Curry (Taltos). They were re-released as a three-book "Value Collection" on CD in 2005, and digitally in 2013. In 2015, new unabridged audiobook adaptations were released digitally by Random House Audio for all three novels in the trilogy, performed by Kate Reading. Development rights to The Lives of the Mayfair Witches were still held by Warner Bros in December 2019, when Rice began shopping a package combining film and TV rights to both The Vampire Chronicles and Mayfair Witches. Rice was reportedly asking around $30 to $40 million, plus a $2.5 million buyout of Warner Bros.’ rights, and the new owner would hold the rights in perpetuity, not just as an option.
This Secret Agent Corrigan panel (December 1, 1972) shows Williamson's skill with inking and contrasting techniques. Williamson worked on Secret Agent Corrigan through the 1970s until he left the strip in 1980. The first Corrigan anthology was published in France in 1975, Le FBI joue et gagne, reprinting Williamson's first episode on the feature. He returned to Warren Publishing in 1976 and again in 1979 to draw three additional stories in Creepy (#83, 86, 112). These were published in France in the collection Al Williamson: A la fin de l'envoi in 1981. He drew a few more stories for Gold Key Comics, in Grimm's Ghost Stories #5 and 8 (Aug. 1972, March 1973), and The Twilight Zone #51 (Aug. 1973), as well two mystery stories for DC Comics, in The Witching Hour #14 (May 1971), with inker Carlos Garzon, and House of Mystery #185 (April 1970), with Michael Kaluta, another artist whom he helped enter the professional field, assisting him.
The extent, however, to which his name and reputation was valued in the entertainment industry may be judged by the article which appeared in a March 1933 issue of California Eagle in conjunction with the release of MGM's Gabriel Over the White House, one of the eight features in which Larkin had parts that year. Although his role as Sebastian, the president's valet was uncredited, the Eagle ran a story, "Hollywood Respects Larkin as Real Star of the Film", alongside a photograph with a caption, "High Pay Man", stating that he was earning a greater salary that any other black performer in film. Between 1931 and his death in March 1936, Larkin appeared in at least 45 films for nearly every studio in Hollywood which, in addition to Warners and MGM, included RKO (1931's Men of Chance, 1933's The Great Jasper), Paramount (1934's The Witching Hour), Universal (1935's A Notorious Gentleman) and Republic (1936's Frankie and Johnny).

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