67 Sentences With "the wee small hours" | Random Sentence Generator

It disturbs you when you're trying to watch TV. It even keeps you awake in the wee small hours.

On Fridays and Saturdays in the wee small hours she can hear the revelers, and she wishes it were otherwise.

As we sat drinking wine in the wee small hours, he veered the conversation in the dangerous territory of his love life.

Love some modern stuff — Rihanna, Kendrick Lamar — but give me "Night and Day" or "In the Wee Small Hours," and all is chill.

Frank Sinatra, In the Wee Small Hours Recorded in the midst of Sinatra's messy relationship with Ava Gardner and after two suicide attempts. Dark?

For starters, you're not the one who has to wake up in the wee small hours of the morning for feedings or diaper changes.

It closes with this rendition of "In the Wee Small Hours of the Morning," honoring the old Sinatra ballad's melancholy theme but still animated by Frisell's ebullient warmth.

And there they were, a president and his dog, wandering around in a stairwell in the wee small hours of the morning, not able to get back to bed.

And though he made many murals on my body in the wee, small hours of our stoked, gypsy mornings with our friends, for whatever reason we never got around to it.

A decade before Nick Cave would stretch Sinatra's In The Wee Small Hours into Flannery O'Connor fantasia, Scott Walker was treating every torch song like a bonfire on a blue moon.

The account of this fictional exchange — which may or may not be as one-sided as you would expect — is delivered into a speakerphone in the wee, small hours of the morning.

I cried at midnight, and again in the wee small hours of the morning while watching Donald Trump give the acceptance speech that I thought for so long would belong to someone else.

The cast had a wonderful dinner in Paris after the film was shown and we all talked and laughed into the wee small hours… I felt like I was living in a fairytale.

When I first got it, I read it into the wee small hours, mouthing "oh yes!" as another recipe (like grilled chicken with corn and avocado-za'atar green goddess dressing) struck me as a must-make dish.

A trio of soccer players for Tottenham FC clocked up 1,137 Fortnite matches while in Russia for the World Cup , while Formula 1 racer Lewis Hamilton admitted to being kept up by it into the wee small hours .

Seth Rogen logged into Twitter during the wee-small hours of the morning on Saturday for what he thought would be a typical browsing session only to learn he'd been blocked by actor Rob Schneider for no apparent reason.

She is now on a first-name basis with Ikea (supplier of the sofa, the dresser, the bed) and CB2 (the metal chairs on the deck), often blearily pointing and clicking in the wee small hours to outfit the space.

To make money to support the development of the software, Tung pinched pennies and took on a second job after dropping out of Stanford's graduate school, learning patent law and filing patents in the wee small hours of the morning to make rent money.

" This is a lesser book, but only in the sense that the best later Sinatra records were lesser than "In the Wee Small Hours," or that Neil Young could not in later decades recapture the mood of "After the Gold Rush" or "Tonight's the Night.

Thousands of costumed dancers, most wearing vintage apparel from the 1940s, make their yearly pilgrimage to the 80-year-old museum ship for the annual "Battle of the Big Bands" — in which big bands with charismatic bandleaders in top hats and tails play swing music into the wee small hours.

Then I bring the whole works back to the basement in Greenpoint, load the audio into Pro Tools, fire up the lava lamp, buy some coffee and obsessively re-arrange waveforms into the wee small hours of the night, forever grateful that I somehow found a way to leave the screaming customer service calls behind.

Answers: Endgame: "Mona Bone Jakon" by Cat Stevens; Rockaby: "Elvis Presley" by Elvis Presley; Dreams of Fair to Middling Women: "Pieces of Eight" by Styx; Waiting for Godot: "In the Wee Small Hours" by Frank Sinatra; Krapp's Last Tape: "Guardians of the Galaxy Original Soundtrack" by Various Artists; Rough for Radio: "Radio-Activity" by Kraftwerk; More Pricks Than Kicks: "Sticky Fingers" by the Rolling Stones; Ohio Impromptu: "Gene Krupa and His Orchestra" by Gene Krupa.

Since 1998, recognizing Sinatra's enduring worldwide popularity, In the Wee Small Hours has been reissued several times on vinyl, compact disc, and digital download.

Before the National Academy of Recording Arts & Sciences began awarding Grammy Awards in 1959, Palladino received a special recognition for In the Wee Small Hours.

In the Wee Small Hours is the ninth studio album by American vocalist Frank Sinatra. It was released in April 1955 by Capitol and produced by Voyle Gilmore with arrangements by Nelson Riddle. All the songs on the album deal with themes such as loneliness, introspection, lost love, failed relationships, depression and night life. In the Wee Small Hours has been called one of the first concept albums.

After recording all night, Al arrived home in the wee small hours of the morning knowing what they had done was without a doubt a truly magical, improvised album.

A number of recordings Frank Sinatra made for Columbia in the 1940s feature the instrument (for instance I'll Never Smile Again),"All Or Nothing At All: A Life of Frank Sinatra", DonaldClarkeMusicBox.com. as do many of his albums recorded for Capitol in the 1950s (In the Wee Small Hours, Close to You and Songs for Swingin' Lovers)."500 Greatest Albums of All Time, 100/500: In the Wee Small Hours – Frank Sinatra ", RollingStone.com.

"In the Wee Small Hours of the Morning" is a 1955 popular song composed by David Mann, with lyrics by Bob Hilliard. It was introduced as the title track of Frank Sinatra's 1955 album In the Wee Small Hours. Mann and Hilliard wrote it during a post-midnight session at Hilliard's New Jersey home. Mann was about to depart for New York, when Hilliard insisted he remain to try some impromptu songwriting.

The cover artwork reflects these themes, portraying Sinatra on an eerie and deserted street awash in blue- tinged street lights.Annotated liner notes, Pete Welding. In the Wee Small Hours. Capitol Records, 1998 CD release.

Fitzgerald had only recorded "Your Red Wagon" as a single and featured here are her debut recordings of "Witchcraft", "In the Wee Small Hours of the Morning" and "Across the Alley from the Alamo" among several others.

The character has appeared on the episodes "In the Wee Small Hours" (original air date November 6, 2005), "Masquerade" (original air date October 31, 2006), "Albatross" (original air date February 6, 2007), "Neighborhood Watch" (original air date August 10, 2008), and "Lady's Man" (original air date June 28, 2009).

The song was recorded in 21 takes. "When Your Lover Has Gone" had a great effect on Lester Young. Young asked record store clerk Bob Sherrick to "Let me hear something by my man, Frank." In the Wee Small Hours had been recently released, and Sherrick played this song for Young.

The title track came about by happenstance. Composers Bob Hilliard and David Mann were in New York City to visit a publisher. They spotted Sinatra and Riddle and decided to show them their new composition "In the Wee Small Hours of the Morning." Sinatra liked the song and wanted to use it immediately.

The album cover is based on In the Wee Small Hours by Frank Sinatra. It is an illustration featuring a tired Tom Waits being observed by a blonde prostitute as he exits a neon-lit cocktail lounge late at night. Cal Schenkel was the art director and the cover art was created by Lynn Lascaro.

Since its release, In the Wee Small Hours has been regarded as one of Sinatra's best, often ranked with Songs for Swingin' Lovers! (1956) and Frank Sinatra Sings for Only the Lonely (1958). It is also considered by many to be one of the best vocal jazz releases of all time. It received immediate critical acclaim on its release.

"King, B.B. and Daniel Ritz. Blue All Around Me, 1999. In Marvin Gaye's biography Divided Soul, the album is cited as a favorite and an inspiration for his posthumously released "ballad" album Vulnerable along with Billie Holiday's Lady in Satin. Claus Ogerman considered In the Wee Small Hours to be "the pinnacle of everything in pop music.

Ava Gardner, Sinatra's second wife, provided inspiration for the album By the time he recorded In the Wee Small Hours, Sinatra witnessed the end of several relationships. He and his first wife, Nancy Barbato, separated on Valentine's Day 1950. While still married, he began a relationship with Ava Gardner. After he and Barbato divorced in October 1951, he married Gardner ten days later.

They appeared in two 1996 PBS special productions "Voices In Harmony" and the Cincinnati Pops Orchestra Halloween concert. They produced two compact discs: Diamond Cuts and In The Wee Small Hours. The quartet suffered a loss with the death of Randy in 1997. Although they recruited Denny Gore as lead to fulfill remaining commitments, they disbanded after a few years.

With Suzuki and his band, they recorded the song "Suzukake No Michi", which broke sales records in Japan. Hucko led his own group at Eddie Condon's Club from 1964 to 1966. He became famous as the clarinet soloist on Cole Porter's "What Is This Thing Called Love?", which was featured on Frank Sinatra's 1955 album In the Wee Small Hours.

Bob Hilliard (born Hilliard Goldsmith; January 28, 1918 - February 1, 1971) was an American lyricist. He wrote the words for the songs: "Alice in Wonderland", "In the Wee Small Hours of the Morning", "Any Day Now", "Dear Hearts and Gentle People", "Our Day Will Come", "My Little Corner of the World", "Tower of Strength" and "Seven Little Girls (Sitting in the Back Seat)".

Frank Sinatra Sings for Only the Lonely (1958, also known as Sings for Only the Lonely or simply Only the Lonely) is an album by Frank Sinatra. The album consists of a collection of torch songs, following a formula similar to Sinatra's previous albums In the Wee Small Hours (1955) and Where Are You? (1957).Summers, Antony, and Robbyn Swan, Sinatra: The Life. Doubleday, 2005, , p. 271.

He had been developing this idea since 1946 with his first album, The Voice. He would successfully continue this "concept" with later albums such as Songs for Swingin' Lovers! and Only the Lonely. In the Wee Small Hours was issued as two 10-inch LP discs, and also as one 12-inch record LP, making it one of the first of its kind in the pop field.

The song was released as a B-side to her 1954 non-album single "Lovin' Spree". As a B-side to "Lovin' Spree", the single charted at number 20 on the current US Billboard music chart. Later, in 2006, the song was released as a CD bonus track to her album That Bad Eartha. His most enduring composition was "In the Wee Small Hours of the Morning", written with Bob Hilliard.

Only albums consisting of original material by a particular artist are included. Compilations of various artists, and most film soundtracks, are excluded. The most recent edition consists of a list of albums released between 1955 and 2017, part of a series from Quintessence Editions Ltd. The book is arranged roughly chronologically, starting with Frank Sinatra's In the Wee Small Hours and the most recent edition concluding with Microshift by Hookworms.

He also recorded and performed with his wife, Jeanette Baker, and performed regularly at a club, the Den, in Norwalk, California. Flamingo sang rock and roll as well as ballad songs in the style of Nat King Cole. In 1959 he released an LP, Johnny Flamingo Sings in the Wee Small Hours, featuring Gaynel Hodge on piano, released on the Diadon label owned by Joe Serrano."Johnny Flamingo", Colorradio.com.

Stephen Thomas Erlewine commented in AllMusic that the album had an authentic melancholy mood, and is "one of Sinatra's most jazz-oriented performances". Another critic called the album "...perhaps the definitive musical evocation of loneliness". Writing for The New Yorker, Andy Friedman credits In the Wee Small Hours with changing the purpose of an LP from a mere collection of singles into an art form capable of high literature.

The album, named 'In the wee small hours of the morning' was well received by both critics and audiophiles. That same year the Beets Brothers released the first-ever Dutch jazz DVD, featuring Mackintosh and Hans Dulfer. A close collaboration with saxophone player Wouter Kiers led to the release of the concept album Comes love in 2005. All of the songs deal with different aspects of love and relationships.

Johnny Hartman's 1980 recording was part of the soundtrack for the 1995 film, The Bridges of Madison County. Hartman's recording accompanies a key scene where the characters Robert and Francesca dance and kiss for the first time. The song was also the first composition that Nelson Riddle wrote an arrangement for, in 1938. Riddle would later arrange "I See Your Face Before Me" for Frank Sinatra's 1955 album, In the Wee Small Hours.

David Mann (October 3, 1916 — March 1, 2002), also known as David Freedman, was an American songwriter of popular songs. His best-known songs are "There! I've Said It Again" (1945), popularized first by Vaughn Monroe and later by Bobby Vinton, "No Moon at All" (1947), recorded by Robert Goulet in (1963) and "In the Wee Small Hours of the Morning" (1955), recorded most notably by Frank Sinatra, but covered by many other artists over the decades.

My Romance is the fourteenth studio album by American singer-songwriter Carly Simon, released in 1990. It is Simon's second album devoted to standards, following Torch from nine years earlier. It peaked at No. 46 on the Billboard 200, and remained on the chart for 17 weeks. Simon's version of "In the Wee Small Hours of the Morning" from this album was featured in the hit 1993 film Sleepless in Seattle, and further included on the film's soundtrack album.

The album was designed as a concept album. Albums from the time period tended to be little more than collections of singles, but Sinatra developed a distinction between songs intended as singles for radio airplay and for jukeboxes, and those songs he intended to package together in an album. His sessions intended for album release tend to be more serious, artistically. In the Wee Small Hours was recorded before stereophonic technology, but the fidelity of this monophonic album feels "warm" to modern ears.

The cover art is designed to set the mood for the music. The cover shows Sinatra on an eerie and deserted street awash in blue-tinged street lights, reflecting the album's themes of introspection, lost love, failed relationships, depression, and night life. It is significant that Sinatra is depicted alone, as loneliness during the "Wee Small Hours" is a theme of the album. Rather than at a rakish angle, Sinatra's snap-brim hat is pushed back, suggesting resignation and openness.

Therefore, she decided not to renew her contract. By October 1957, Holiday contacted Columbia producer Irving Townsend and expressed interest in recording with bandleader Ray Ellis after listening to his album Ellis in Wonderland. Originally, she wanted to do an album with bandleader Nelson Riddle after hearing his arrangements for Frank Sinatra's albums, particularly In the Wee Small Hours, but after hearing Ellis's version of "For All We Know", she wanted to record with him. When Holiday came to Townsend about the album, he was surprised: Townsend got in touch with Ellis about the album.

' And I said, 'I hope so.' Next thing I know, she starts crooning 'Hound Dog' like Frank Sinatra would sing 'In The Wee Small Hours of the Morning.' And I'm looking at her, and I'm a little intimidated by the razor scars on her face, and she's about 280–320 pounds, and I said, 'It don't go that way.' And she looked at me like looks could kill and said—and this was when I found out I was white—'White boy, don't you be tellin' me how to sing the blues.

In his autobiography he spoke about how he was a "Sinatra nut" and how he went to bed every night listening to Sinatra's classic album In the Wee Small Hours. During the 1960s Sinatra had arranged for King to play at the main clubs in Las Vegas. He credited Sinatra for opening doors to black entertainers who were not given the chance to play in "white-dominated" venues. On June 25, 2019, The New York Times Magazine listed B.B. King among hundreds of artists whose recordings were reportedly destroyed in the 2008 Universal fire.

The same year, she performed a duet with Plácido Domingo on the song "The Last Night of the World" (from the Miss Saigon musical) on Domingo's album The Broadway I Love. In 1992, Simon wrote the music for the Nora Ephron film This Is My Life, which included the song "Love of My Life", a No. 16 Adult Contemporary hit. In 1993, she contributed the song "In the Wee Small Hours of the Morning" to the film Sleepless in Seattle and recorded the same song in combination with "Guess I'll Hang My Tears Out to Dry" with Frank Sinatra for his album Duets.

They subsequently holdup a small city bank, "for working capital", but mostly as a training exercise. :Meanwhile, police chief Murray (Richard Meikle) is frustrated through getting no leads on suspected crime boss Michael Webster (Rhys McConnochie), suspecting a leak in his own office. He personally tasks attractive young D.I. Joan Pearson (Regina Gaigalas) to investigate Webster through his henchman, eligible bachelor Noel Jenkins (Joseph Spano), pledging her to secrecy on account of the likely informer. Taylor's men break into the Club in the "wee small hours" of the race day and camp in the fire escape.

Heylin writes, "It is the song's arrangement, and not its lyrics, that occupies the musicians through the wee small hours." On the fifth take, released in 2005 on the No Direction Home Soundtrack, midtake Dylan stumbles on the formula "Stuck inside of Mobile" on the fourth verse, and never goes back. The song contains two oft-quoted pieces of Dylan's philosophy: "Your debutante just knows what you need/ But I know what you want" and "here I sit so patiently/ Waiting to find out what price/ You have to pay to get out of/ Going through all these things twice".

In 2000, the album was inducted into the Grammy Hall of Fame, and ranked number 306 on Rolling Stone magazine's list of the 500 greatest albums of all time in 2003, and 308 in 2012 revised list. Sinatra aficionados often rank it his best or second best album (to In the Wee Small Hours) and many music critics consider it one of the greatest albums of its era. In 2000 it was voted number 100 in Colin Larkin's All Time Top 1000 Albums. The LP was the first number one album in the UK. It was knocked off the top after two weeks by Carousel (the 1956 movie's soundtrack).

Although the arrangements were Riddle's, there was no need for a conductor, so pianist Bill Miller managed from his instrument. Set against his then-current relationship troubles, Sinatra set out to record "angst-ridden" songs involving lost love. Sinatra was very tense during the recording of the album, reportedly breaking down and crying after the master take of "When Your Lover Has Gone". Rita Kirwan of Music magazine witnessed one of the sessions, and her account goes thus: Nelson Riddle commented on Sinatra's work ethic and its effect on Riddle's arrangements and the studio orchestra: Sinatra was meticulous about the quality of the sessions for In the Wee Small Hours.

Tracks included standards "Spring Is Here" and "In the Wee Small Hours of the Morning", and "Don't Go", which was composed by DeRose. She released two more albums on Sharp Nine, I Can See Clearly Now (2000) and Love's Holiday (2002) before moving to MAXJAZZ. Her first album on MAXJAZZ, and her fifth in all, was 2005's A Walk in the Park which featured a trio... that started working together a few years before and would go on to perform together on and off for the next dozen years...with bassist Martin Wind and drummer Matt Wilson. It included versions of Duke Ellington's "The Lonely Ones", John Lennon's "Imagine" and Cole Porter's "I Concentrate on You".

While at Harvard, he was a student in the Department of Social Relations during the "Harvard revolution" in social network analysis. According to Dr. Victor Lee Burke, one of Tilly's graduate students at the University of Michigan, Tilly stated that he was a teaching assistant to Pitirim Sorokin, who along with Talcott Parsons and George C. Homans was considered by many in the profession to be among the world's leading sociologists. According to Tilly, Sorokin was known to call him up in the wee small hours of the morning and say in a distinct Russian accent, "Mr. Tilly you have to teach my class today" and then hang up, leaving Tilly in a panic.

This likely refers to the song's lethargic tone. Rock journalist Paul Du Noyer claims "Nobody Loves You (When You're Down and Out)" has a "low key, late night feel" reminiscent of such Sinatra songs as "One for My Baby (and One More for the Road)" and "In the Wee Small Hours of the Morning." The judge hearing the lawsuit that Morris Levy initiated against Lennon over the similarities between the Beatles' "Come Together" (written by Lennon) and Chuck Berry's "You Can't Catch Me" quoted lyrics from "Nobody Loves You (When You're Down and Out)," claiming that the words "everybody's hustling for a buck and a dime" were an ideal introduction to the case.

Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole".

Folk Songs of the Hills is Merle Travis's classic collection of traditional songs from his native Muhlenberg County, Kentucky, including original compositions evoking working life on the railroads and in the coal mines. Each song, accompanied by Travis on his own acoustic guitar, is introduced by a short narrative. Because of these characteristics, the album can be considered an early example of the concept album in popular music, along with Woody Guthrie's Dust Bowl Ballads and Frank Sinatra's In the Wee Small Hours. First issued as a 78 rpm box set album in 1947, this collection has remained in print in LP and CD reissues up to the present, with additional tracks from the same period added in later editions (the original album had eight songs, the most recent edition has 13).

The 100 Greatest Bands of All Time (2015) states that the Ventures "pioneered the idea of the rock concept album years before the genre is generally acknowledged to have been born" with their 1964 album The Ventures in Space. Another is the Beach Boys' Little Deuce Coupe (1963). Writing in 101 Albums That Changed Popular Music, Chris Smith commented: "Though albums such as Frank Sinatra's 1955 In the Wee Small Hours and Marty Robbins' 1959 Gunfighter Ballads and Trail Songs had already introduced concept albums, Little Deuce Coupe was the first to comprise almost all original material rather than standard covers." Writing in his Concise Dictionary of Popular Culture, Marcel Danesi identifies the Beatles' Rubber Soul (1965) and the Who's The Who Sell Out (1967) as other examples of early concept albums.

The period leading up to the recording of Lovers was not a good one for Newbury; his father had suffered a stroke, he had endured painful back surgery and had been hospitalized for pneumonia, and he was drinking heavily. AllMusic's Tom Jurek, who compares the album to Frank Sinatra's In the Wee Small Hours of the Morning, writes, "It's as if he's trying, through hard country, blues, gospel, R&B;, lounge jazz, folk balladry, and even rock, to plead, beg, borrow, and scheme his way (apparently unsuccessfully) from under the bleak cloud that surrounds him." The album was produced by Chip Young, who had helmed Newbury's previous release I Came to Hear the Music, and was recorded at Youngun Sound Studios in Murfreesboro, Tennessee. Although primarily recognized as a country singer and songwriter, Newbury stocked Lovers with a plethora of musical styles, including blues ("You've Always Got the Blues"), gospel ("Lead On") and heartfelt balladry ("Lovers", "Goodnight").