The sulkiness belied a fabulously sharp collection, brilliantly produced by Ms Eilish's brother, Finneas O'Connell.
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There's a head-down mulish stubbornness to Edgerton's performance, and an uneducated sulkiness to Nichols' dialogue.
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Walder's work here bruises as much as it hypnotizes, delighting in sulkiness from the first beat to the last.
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But I appreciated the way winter squash in the batter modified the sweetness of an olive oil-orange cake, and I enjoyed the moody sulkiness that amaro lent to a citrus salad served with the cake.
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The two groups joust, using as weapons great weights which they push with their chests. In the fifth circle, anger, in the swamp-like water of the river Styx, the wrathful fight each other on the surface, and the sullen lie gurgling beneath the water, withdrawn "into a black sulkiness which can find no joy in God or man or the universe." Gustave Doré's original painting of Lucifer from the Divine Comedy. The lower parts of Hell are contained within the walls of the city of Dis, which is itself surrounded by the Stygian marsh.
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The public was immediately captivated by Edna upon her debut, becoming particularly enamored with the character's combination of irreverence and sulkiness. Edna instantly established herself as a fan favorite when the film was released in 2004, which Racked's Carlye Wisel has attributed to the character's combination of wit and style. Several critics have referred to Edna as a scene-stealing character; Fashion magazine's Erin Dunlop crowned Edna "the undisputed scene-stealer of" the film. Dubbing her "One of the great scene-stealing characters in The Incredibles", HowStuffWorks contributor Vicki Arkoff called Edna "deliciously deadpan".
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Nevertheless, Sibelius also eyed Madetoja's maturation somewhat wearily. For example, when some reviews of the First Symphony discerned within Madetoja's music the influence of Sibelius, he worried his former pupil might take offence at the comparison and mistook Madetoja's characteristic "melancholia" for "sulkiness". Suddenly, Sibelius found Madetoja arrogant and watched with concern as he drew closer to Kajanus, with whom Sibelius had an on-again-off- again friendship/rivalry. "Met Madetoja, who—I'm sorry to say—has become pretty bumptious after his latest success," Sibelius fretted to his diary.
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For example, when some reviews of the First Symphony discerned within Madetoja's music the influence of Sibelius (for example, in Hufvudstadsbladet), he worried his former pupil might take offence at the comparison and mistook Madetoja's characteristic "melancholia" for "sulkiness". Suddenly, Sibelius found Madetoja arrogant and watched with concern as he drew closer to Kajanus, with whom Sibelius had an on-again-off- again friendship/rivalry. "Met Madetoja, who—I'm sorry to say—has become pretty bumptious after his latest success," Sibelius fretted to his diary. "Kajanus smothers him with flattery and he hasn't the breeding to see it for what it is".
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He wrote to his sister about Jenny in 1838: > the keeper showed her an apple, but would not give it her, whereupon she > threw herself on her back, kicked & cried, precisely like a naughty child.— > She then looked very sulky & after two or three fits of pashion, the keeper > said, "Jenny if you will stop bawling & be a good girl, I will give you the > apple."— She certainly understood every word of this, &, though like a > child, she had great work to stop whining, she at last succeeded, & then got > the apple, with which she jumped into an arm chair & began eating it, with > the most contented countenance imaginable. Jenny's reaction reminded Darwin of the behaviour of children, and he noted that she showed facial expressions of "rage, sulkiness and despair".
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Sent to the Rigsforsamling of 1848 as member for the first district of Copenhagen, a constituency he continued to represent in the Folketing till 1881, he immediately took his place in the front rank of Danish politicians. From the first he displayed rare ability as a debater, his inspiring and yet amiable personality attracted hosts of admirers, while his extraordinary tact and temper disarmed opposition and enabled him to mediate between extremes without ever sacrificing principles. Hall was not altogether satisfied with the fundamental law of June; but he considered it expedient to make the best use possible of the existing constitution and to unite the best conservative elements of the nation in its defence. The aloofness and sulkiness of the aristocrats and landed proprietors he deeply deplored.
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The argument was overtaken by disaster on the Italian front: the Battle of Caporetto began on 24 October. Robertson later wrote to Edmonds in 1932 that although he had kept the diversion of divisions to Italy to a minimum, some reinforcements had to be sent as the Italians would not have been impressed by claims that they were best helped by renewed British attacks in Flanders.Woodward, 1998, pp176 Robertson went to Italy to supervise deployment of British divisions, meeting Lloyd George, Hankey and Wilson when they arrived for the Rapallo Conference (6–7 November), which formally established the Supreme War Council. Robertson had been told by Hankey that Lloyd George had the War Cabinet's backing, and Lloyd George (Memoirs ii 440-1) later wrote of Robertson's "general sulkiness" and "sullen and unhelpful" attitude at the conference.
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The fifth circle, illustrated by Stradanus The Barque of Dante by Eugène Delacroix In the swampy, stinking waters of the river Styx – the Fifth Circle – the actively wrathful fight each other viciously on the surface of the slime, while the sullen (the passively wrathful) lie beneath the water, withdrawn, "into a black sulkiness which can find no joy in God or man or the universe".Dorothy L. Sayers, Hell, notes on Canto VII, p. 114 At the surface of the foul Stygian marsh, Dorothy L. Sayers writes, "the active hatreds rend and snarl at one another; at the bottom, the sullen hatreds lie gurgling, unable even to express themselves for the rage that chokes them". As the last circle of Incontinence, the "savage self- frustration" of the Fifth Circle marks the end of "that which had its tender and romantic beginnings in the dalliance of indulged passion".
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