182 Sentences With "smocks" | Random Sentence Generator

There were sailor caps and smocks with twining botanical prints.

They were bedecked with smocks, boot covers, gloves and masks.

Mr. Daly provides safety goggles, hard hats, work gloves and black nylon smocks.

They wear all black: veils to cover their faces, pointed hats, and long smocks.

The collection was soon full of smocks, aprons, and long skirts layered over wide-legged pants.

Five surly youths wearing red raglan smocks and merry tasselled hats turned toward him in astonishment.

The doctors and nurses who examined me wore masks, eye goggles, smocks, gloves and a hair covering.

She favored dresses cut on the bias, tunics and slip-over smocks that stopped just below the knee.

"And the women behind" — a group of maybe six, all wearing white smocks — "are the régleuses," she said.

Only people dressed from head to toe in slippers, masks, and smocks were allowed in my hospital room.

The actors are initially dressed in contemporary clothing, which they then cover with period-style smocks denoting their religions.

Drawings by Daumier and Flaubert depict well-to-do Parisians in absurd smocks, caught up in a middle-class craze.

They're upcycled Victorian-era maid smocks (so "Downton Abbey"-meets-"It"!) in a lovely light chartreuse color called Smog Factory.

Dapper professionals strode back from lunch meetings as preschoolers in color-coded smocks clustered around teachers in the dappled green shade.

They had a corsair élan missing from the pleated babydoll tiers and off-the-shoulder smocks in '70s floral couch prints.

Her world is filled with crisp white organza smocks, baby-doll dresses and slouchy Welsh knitwear worn over quilted silk skirts.

She struggled to accept her own physical shape and often wore long, flowing caftans, which she also used as painter's smocks.

The Danish designer Cecilie Bahnsen's schoolgirl-ish shirts and smocks, with their sweet, odd overlays in netting and lace, stuck with me.

Plastic bags from local Queens businesses are fused together to form multi-patterned polypropylene smocks, which hang on steel stands like wispy scarecrows.

Since Emilie Gerrity and Unity Phelan were in parallel roles, why was Ms. Phelan the only woman not wearing one of the smocks?

Two nurses in pale blue smocks with navy pockets sit opposite each other eating chips, beans, and baked potatoes and chatting in low, confidential voices.

At first glance, the terrain may look like it's limited to shift dresses and oversized smocks, but all hope for your dream outfit isn't lost.

In one cell block a psychiatrist leads 40 women in blue jail smocks in a lively, if scripted, discussion of how to seek self-forgiveness.

Many dresses simply floated around the body, like haute peasant smocks, with drawstrings at the waist and sides so they could be shaped at will.

The designs featured straitjackets in a variety of forms, including giant coveralls and smocks covered with lace or buckles, according to The New York Times.

Pairs of youth in surgical smocks wander with sloshing buckets of yellow enzyme solution to flush blood and bits of bone from the tubes between patients.

Like a scene out of the Industrial Age, workers in factory smocks shoveled piles of coal into the furnace beneath the pot stills every few minutes.

But her top pick was an image of volunteers in Liberia during the Ebola crisis wearing blue smocks and yellow gloves, their hands locked in prayer.

If a concept or story is delicious enough, development executives everywhere race to don their butchers' smocks and carve that thing from the rooter to the tooter.

Often their clothes and bed linens are taken away, and they are issued heavy, rip- and fold-resistant smocks and blankets to reduce the risk of hanging.

More or less wrinkled, they resemble work shirts, or more precisely artist's smocks, since they are randomly daubed, stained and brushed with paint in lovely, fresh colors.

Unlike years ago, many Chinese want to exercise, and so the park is now filled with joggers in black spandex sprinting past restaurant workers in greasy smocks.

The trainees shrugged their way into the gauzy smocks, helping one another with the sticky tabs behind the neck, then unraveled the bonnets and tucked their hair inside.

As Michele so wisely points out, if you're a talented and experienced fashion designer, you don't necessarily have to settle for selling Ban-Lon smocks at Bargain Mart. 14.

The muumuus, the smocks, the striped shirts — all are uniforms that express both the artist's individuality as well as the tedious, cog-like process of producing art every day.

Painted using tempera on plywood, the scene is a simple folkloric image featuring eight Egyptian fellahin (peasants) in colored smocks and tunics closely observing John the Baptist baptize Jesus.

And when the tomato-cutting sequence is repeated, two young women dressed in white smocks and white kerchiefs walk in front of the screen, the filmed blade apparently cutting through them.

On a rotating carousel, bathrobe-clad models were quickly trussed and styled by fleets of dressers in gray Gucci smocks before taking their place along the stage's edge — a catwalk sans walking.

Waitresses in mint-green smocks with pink collars and cuffs dodged one another's elbows as they reached for classic varieties — glazed, with or without sprinkles, cream-filled or coconut — selling for $1.10 apiece.

Swiss men in white smocks marched in formation, swinging giant cowbells called Trychlers —each bell weighing more than forty pounds—with deadpan expressions, holding them at arm's length in front of their privates.

Inside the processing plant in Salinas, where the temperature hovers around 33 degrees Fahrenheit, workers don heavy coats under their work smocks and headbands under their hard hats to keep their ears warm.

Maison Margiela's show, which included both men's and women's wear, riffed on the idea of uniforms — British school blazers, nurses' smocks, military capes, sailor suits — imbuing familiar sartorial tropes with a punkish verve.

Photograph by William Mebane for The New Yorker Servers, wearing chic indigo smocks, operate as carefully as cat burglars, slipping inconspicuous timers in and out of their pockets as they glide around the room.

Details—calabashes of millet beer; medicines of ebony roots, baobab leaves, and dawadawa bark; the "square, brown leather talismans" on soldiers' smocks—immerse us in the era, and the destinies of Attah's characters express wider disruptions.

Entering such hallowed (and often sterile) turf requires the appropriate vestments, from beard nets and white smocks to safety goggles and hardhats—worn backwards not to look cool but so Wiper can see through his viewfinder.

We were greeted at a plain, white-tiled space by about a dozen women in white smocks and scarves, and Hafida El Falahi, the 2144-year-old matriarch of the group and a force of nature.

Front Burner This apron is easy to slip on over your clothes, has no ties to fuss with and comes in an array of attractive colors and patterns — details that set these loose and effective smocks apart.

The prizewinning designs included aprons and martial arts-inspired smocks with graphic lines by Ji Won Choi, delightfully clownish knits by Emma Cleveland, and light ecru jackets sprouting what appeared to be wispy strands of grass by Jacob Olmedo.

And the arty cotton smocks and silk dresses decorated in yarn and feathers at Sonia Rykiel, where Julie de Libran said she had been thinking about the artist Niki de St. Phalle, borrowed too much from the craft kit.

Even before concerns about the coronavirus began upending normal life across California, the 100 or so workers in EAT Club's San Leandro kitchen cooked while outfitted in "Intel ad bunny suits," Doug Leeds told me: Gloves, smocks, hairnets, masks, booties.

"It's about bodies — queer bodies and our relationship with our bodies," Jeffrey says of his spring 2019 collection, which featured tops and smocks with padded lumps and distensions that seemed both a comment on body dysmorphia and an appeal for self-love.

By day, a steady stream of tourists came, posing for pictures (and peeking in the windows) dressed in the free costumes provided by the visitor center — calico smocks with cameos, overalls and black jackets, even the spectacles — and wielding pitchforks of all sizes.

Cord for Life also fared poorly on an F.D.A. inspection in November, according to the letter, which listed numerous deficiencies in sanitation, like employees wearing the same non-sterile smocks for up to two weeks, not changing gloves and not cleaning equipment properly.

This season, Mr. Arbesser paid homage to the work of the Viennese painter Koloman Moser in syncopated combinations of stripes, dots and other geometrics woven into jacquard artists' smocks and free-form suiting with an interesting, if not always flattering, kraftwerk edge.

The store is a tidy bazaar stocked with kimonos and embroidered peasant smocks, jewelry, T-shirts and pastel-tone sneakers, the prices varying from about $26 for an adult-friendly toy, say, to $26,240 or more for substantial, and colorful, home furnishings.

The store is a tidy bazaar stocked with kimonos and embroidered peasant smocks, jewelry, T-shirts and pastel-tone sneakers, the prices varying from about $3 for an adult-friendly toy, say, to $3,223 or more for substantial, and colorful, home furnishings.

In a nocturne, Ms. Hyltin, after lying with Mr. Ramasar on the beach and rising to dance with him, journeys and swims alone amid dancers who (now in soft blue smocks) may be the ocean itself but also suggest a new bold expansiveness of emotion.

And the thing is, I have lost some fat in the process of making this mental switch, and I can't deny that this has played a role — shopping is more pleasant when you don't feel like all you can wear are smocks and elastic waistbands.

In 2015, she emerged once more, in a reintroduction of sorts: her hair was a fiery ginger, and her performance self—that is, the newly extroverted dancer slash gymnast side of the otherwise reclusive singer—traded in smocks for shorts, stripped down bands for flips and spins.

With its shelves of records, tapes, books, newspapers, dyed Easter eggs, the beeswax styluses used to give those eggs their symmetrical patterns, white smocks and blouses with red and black embroidery, and local honey, Surma Book & Music Company had operated on East Seventh Street since 1943.

The trainers distributed the basic I.P.C. tools to the trainees seated shoulder to shoulder at the tables: small bottles of alcohol-based hand sanitizer (now affordably produced in-country); folded disposable liquid-resistant long-sleeved smocks; crinkled green crepe bands that unfolded into hair covers; paper masks; latex gloves.

I was hypnotized like a cobra by the patterns in the vintage dresses purchased for the hosts; the dyed cotton smocks designed by Paul Marlow for the female servers; and Mr. Marlow's print dresses, one for each night of the week, worn by the wine director, Andrea Morris.

Among the ice cubes dripping water into rivulets on the floor (they had been created by the Japanese artist Azuma Makoto) wove women in raw linen shorts and smocks splashed with abstract geraniums; elaborate brocade poet's shirts and jet beaded trench coats; tulle-veiled pencil skirts; and sweatshirts planted with paillettes.

But it was a different scene on the evening of May 21945, when the tourists were outnumbered by Germans and Austrians — many of whom were dressed for May Day celebrations in traditional lederhosen and dirndl smocks — filling almost every seat here at the Landestheater for the German-translated production of the beloved musical.

But through judicious selection and juxtaposition, The Jubilee Show escapes that trap, and the paintings feel more open and less oppressive — a sensation signaled by another, similarly scaled canvas in the exhibition's first room, "Levitation ('The Blind,' II)" (1915), which depicts two men wearing dun-colored smocks but no pants or shoes, floating high above a hilly landscape.

Miuccia Prada acknowledged that reality in her Miu Miu show, a parade of sweater girls that had come undone, in fuzzy angora and curvy pencil skirts with kick pleats at the knees, sleeveless coats with mismatched rows of buttons (one, plain and neat; one, big and playful), and raw linen smocks sometimes covered in drips of paint from the little flowers that had been daubed on.

The abuses she discovered were graphic — detainees were denied proper medical care and attention; others were stripped bare and placed in "suicide smocks" in complete isolation, with some detainees choosing to not disclose suicidal ideation out of fear that they would be subjected to such treatment; and mentally-ill detainees were put in solitary confinement and de-scheduled from appearing before immigration judges despite having been determined to have a credible fear of returning to their home country.

Caning officers also sometimes wear protective smocks, gloves and goggles.

Pinafores are often confused with smocks. Some languages do not differentiate between these different garments. The pinafore differs from a smock in that it does not have sleeves and there is no back to the bodice. Smocks have both sleeves and a full bodice, both front and back.

He was loved by the people and affectionately called "White Smocks" for the white overcoat he often wore.

Smocks Corner or Smocks Corners is an unincorporated community located within Marlboro Township in Monmouth County, New Jersey, United States.Locality Search, State of New Jersey. Accessed March 4, 2015. Located at the intersection of Pleasant Valley Road and Conover Road, the area is mostly residences with some open space and farmland.

Maliks and the wealthy wear white cotton smocks and carry Chaddar on their shoulders. The young educated males wear modern dress as worn by people elsewhere in the country. Women wear different colored clothes as to be identified. Married women put on dark-blue or dark-red smocks of coarse cotton.

The interior is a delight, a beamed, strawed, trestle-tabled, dimly lit farmhouse attended to by waiters in sashed smocks.

Smocks were made of rectangular lengths of linen; in northern Europe the smock skimmed the body and was widened with triangular gores, while in Mediterranean countries smocks were cut fuller in the body and sleeves. High-necked smocks were worn under high-necked fashions, to protect the expensive outer garments from body oils and dirt. There is pictorial evidence that Venetian courtesans wore linen or silk drawers, but no evidence that drawers were worn in England. Stockings or hose were generally made of woven wool sewn to shape and held in place with ribbon garters.

It was called "Smocks Corner" because the Smock Family had houses in that area, both sides of the street back in the 1700s.

Windproof Smocks are clothing. They usually come with hoods and matching trousers worn as over garments to prevent cold air, and in some cases water, passing through.

The suit covers all private areas as the wearer is to be naked under the suit for their own protection. These items are formally known as Safety Smocks and were designed and developed by Lonna Speer in 1989 while she was a nurse working in the Santa Cruz, California, county jail. Safety Smocks are now standard issue throughout jails and prisons in the United States. The same material is used for the anti-suicide blanket.

Its new news director, Al Primo, decreed that all the newscast's on- camera talent would wear matching blue blazers with a "circle 7" crest displayed on their jacket pockets. When Antoine, who up to that point wore smocks on the air, protested that it would affect his image, Primo retorted (as recounted in 1974 by sportswriter Frank Deford), "Either everybody wears blazers or everybody wears smocks." Antoine would thereafter wear a blazer on the air.

Australian Paratrooper of 3RAR wearing a DPCU Para Smock. Jump Smocks are combat jackets especially made for paratroopers or any member of the military involved in parachute deployment. They usually have the wraps around the lower half or sometimes crotch flaps that prevent the smock from 'bellowing' during a parachute descent. Jump Smocks can be found worn by many militaries around the world with the most noted being the United Kingdom, Australia, Austria, Belgium, France, Mexico, Pakistan, and Iraq.

1931 Splittertarnmuster (splinter pattern) first used for tents, then parachutists' jump smocks, and finally for infantry smocks This is a list of military clothing camouflage patterns used for battledress. Military camouflage is the use of camouflage by a military force to protect personnel and equipment from observation by enemy forces. Textile patterns for uniforms have multiple functions, including camouflage, identifying friend from foe, and esprit de corps. The list is organized by pattern; only patterned textiles are shown.

Prior to use of the Safety Smock many jails and prisons stripped inmates naked and held them in a stripped down padded cell with no furniture or protrusions of any kind. Some facilities opted to use paper gowns to provide modesty. The American Correctional Association (ACA) has established use of appropriate Safety Smocks and Safety Blankets as one of the Standards used to judge jails and prisons for accreditation. Demand for Safety Smocks to meet this ACA Standard led to multiple clothing makers creating similar garments of varying strength and of various materials.

Detail from May Day by Kate Greenaway. The child in green wears a smock-frock. (Complete image here.) Liberty art fabrics advertisement showing a smocked dress, May 1888 It is uncertain whether smock-frocks are "frocks made like smocks" or "smocks made like frocks"—that is, whether the garment evolved from the smock, the shirt or underdress of the medieval period, or from the frock, an overgarment of equally ancient origin. What is certain is that the fully developed smock- frock resembles a melding of the two older garments.

Sherwood downtown from the corner of Railroad and Main looking north The name "Sherwood" arose from a declination of naming the town "Smock Ville" after its co-founders James Christopher and Mary Ellen Smock. In 1885, the Smocks gave a right-of-way on their property to the Portland and Willamette Valley Railway. The Smocks platted the town in 1889, the same year rail service began. Tradition has it that no one, not even the town's founders, liked the name "Smock Ville," and so a public meeting was held to rename the town.

It was equally useful for camouflage and as a windproof garment that provided a method of carrying ammunition or equipment. Contemporary photographs show that airborne troops preferred to wear the smocks under their webbing once they had landed.

The fibers would be combed into strands that were knotted together to form cords, which were then woven into panels. These panels were stitched together to create prayer rugs and clothing. Women and men historically wore long raffia smocks.

Saint Chély d'Apcher is a popular area for ornithologists, due to wide variety of both rural- and urban-dwelling birds that can be seen. Local dancing involves cartwheels, stamping and clapping, whilst men wear smocks and women wear traditional layered dresses.

However, patterned uniforms were worn by some other units, including from 1941 the Luftwaffe, which had its own version of Splittertarnmuster, as well as the Kriegsmarine (navy), the Fallschirmjäger (paratroops), and the Waffen-SS. The 1945 Leibermuster was planned to be issued to both the SS and the Wehrmacht, but it appeared too late to be widely distributed. Production of groundsheets, helmet covers and smocks by the Warei, Forster and Joring companies began in November 1938. They were initially hand-printed, limiting deliveries by January 1939 to only 8,400 groundsheets and 6,800 helmet covers and a small number of smocks.

A WW2 Wehrmacht Oberfeldwebel wearing the standard Feldgrau uniform Nazi Germany funded a great deal of research on camouflage uniforms, investigating many patterns including NIR camouflage. After much trial the Oberkommando der Wehrmacht, in 1938, issued the basic four-colour "plane tree" pattern (Platanenmuster) of Schick and Schmid in the form of camouflage smocks to units of the Waffen SS. The three-colour disruptive Splittermuster, more commonly known in English as 'splinter pattern', was issued to the army beginning before the war, in the form of camouflaged tent quarters (zeltbahn) which was reversible, with a splinter pattern in dark colours on one side, and light coloured on the other. From 1942, a year after the Luftwaffe started producing jump smocks in this pattern, a variety of helmet covers and camouflage smocks were adopted for the army. A distinctive variant of splinter pattern camouflage was introduced midway through the war, a blurry marsh pattern (Sumpfmuster) referred to as "tan water pattern" in English by collectors.

In her husband's older years, when he was earning less money, Mrs. Crapsey augmented the family's income by forming the Adelaide T. Crapsey Company. The company began in 1881 as a Sewing-Guild in St. Andrew's Church. The company made "Dainty Smocks and Frocks," for young girls.

There was a national scandal during his tenure, the "Smock scandal" (). The state had bought 500,000 school smocks at a much higher price than usual and only delivered a tenth part, despite the payments in advance. Eduardo Bauzá was acquitted in 2005 by judge María Romilda Servini de Cubría.

Working conditions were barely tolerable at Barnbow. The workers who handled the explosives had to strip to their underwear, and wear smocks and caps. Rubber soled shoes were also provided, and cigarettes and matches were completely banned. The hours on site were long, and the staff did not receive holidays at all.

In 1907 it accepted a donation from Gertrude Jekyll, the celebrated garden designer, of her entire collection of objects relating to "Old Surrey". Much of this donation is still on display. Highlights include a napkin featuring an embroidered portrait of Queen Elizabeth I (believed to have been used by her), fragments of a Zeppelin bomb dropped on the St Catherine’s area of Guildford in World War I, and a green velvet suit purchased in Carnaby Street, London, in the 1970s. Needlework The Museum also cares for a specialist needlework collection, highlights of which include 18th and 19th century samplers, a "lending quilt" from a local parish church and a wide selection of Surrey Smocks (smocks worn by farm labourers in the 17th, 18th and 19th centuries).

It was developed from Eichenlaubmuster, the oak leaf pattern. Its style was quite unlike earlier German camouflage smocks: unlike them, it was not reversible. It was a two piece uniform and could be worn either by itself in warm weather, or over other uniform; the camouflage pattern was intended to be effective all year round.

Elizabeth Vernon at her dressing table wears an embroidered linen jacket over her rose-pink corset, 1590s. During this period, women's underwear consisted of a washable linen chemise or smock. This was the only article of clothing that was worn by every woman, regardless of class. Wealthy women's smocks were embroidered and trimmed with narrow lace.

Dresses are outer garments made up of a bodice and a skirt and can be made in one or more pieces. Dresses are generally suitable for both casual and formal wear in the West for women and girls. Historically, dresses could also include other items of clothing such as corsets, kirtles, partlets, petticoats, smocks, and stomachers.

The Laura Ashley association is commemorated by a small plaque. The shop sold locally produced honey, walking sticks as well as the couple's own products. Here Laura worked with a seamstress to introduce their first forays into fashion, producing smock like shirts and gardening smocks. The family lived above the shop until moving to Carno, Montgomeryshire.

Only a small amount of this was produced; a similar set made in mouse grey or field grey were more common. Many unofficial garments and helmet covers were produced as field expedients or were tailor-made, mostly from zeltbahn material. These included versions of the service dress uniform, parachute-jump smocks, field jackets, rucksacks and panzer jackets. Later materials included rayon.

The smock is made of hand-loomed strips popularly called Strip Cloths. They are made of a mixture of dyed and undyed cotton loom, and are originally from the northern part of Ghana and other parts of West Africa. The strips are sewn together by hand or machine giving the smock a plaid appearance. Most smocks have embroidery on the neckline.

507 In October 1565, Nichola had a new bed hung with green plaiding.James Balfour Paul, Accounts of the Lord High Treasurer, vol. 11 (Edinburgh, 1916), pp. 420-1. Mary gave her one of her old white gowns. In 1564, she was given a blue velvet bonnet, linen, and Jacqueline was given canvas to make her six smocks or chemises and coifs.

The company's inexpensive plastic masks and vinyl smocks were an iconic American symbol of Halloween from the 1950s to the 1970s,Sandstrom, "Frightfully Collectible," The Plain Dealer, October 28, 1994. and Cooper has been called the "Halston of Halloween"Shapiro, "Trick and Treat! Ben Cooper Bags Millions as the Halston of Halloween," People, October 29, 1979. and the "High Priest" of Halloween.

Partlets of the same rich fabric as the bodice of the gown give the appearance of a high-necked gown. Sheer or opaque linen partlets were worn over the chemise or smock, and high-necked smocks began to appear; toward 1550 these might have a small standing collar with a ruffle, which would become the pleated ruff of the next period.

Traditional clothing consists of old clothing, curtains, blue smocks and bandana with all kinds of accessories. This outfit can be found especially in the western part of North Brabant, but it is becoming less common in the last decade. Burgundian carnaval takes place mostly inside in pubs and feasting halls. Since it is warmer in there, the clothing is also less thick and consists of fewer layers.

Oberleutnant rank insignia When wearing uniforms without epaulettes, such as smocks, parkas and mountain windbreakers; generals, officers and NCOs instead wore sleeve rank insignia. These were made up of bars & oak leaves and were introduced by the end of 1942. The ranks were used by the army and the Waffen-SS. By 1943, the ranks were also introduced to the Wehrmachtbeamte and the Sonderführer.

Training included activities such as close weapons use, first aid, vehicle driving, parachuting, guerrilla warfare, stress and shock training, bushcraft and survival, demolitions and many other skills. Member of the group wore camouflaged uniforms which were not worn by any other South African unit with some in the style of airborne smocks with a silver scorpion insignia on a green background on their right sleeve.

Pilgrims Going to Church by George Henry Boughton (1867) Puritans advocated a conservative form of fashionable attire, characterized by sadd colors and modest cuts. Gowns with low necklines were filled in with high- necked smocks and wide collars. Married women covered their hair with a linen cap, over which they might wear a tall black hat. Men and women avoided bright colours, shiny fabrics and over-ornamentation.

The smock was most commonly associated with British and Commonwealth airborne units, and the Special Air Service Regiment, after D-Day, but its initial use was by members of the Special Operations Executive (SOE), parachuted or landed into enemy territory between 1941 and 1944. In the early smocks the colours were meant to be impermanent and wash out, leaving the garment looking like a typical French artisan or labourer’s chemise, and thus, hopefully, aiding the wearer's Escape and Evasion chances. As the newly formed Airborne Forces expanded, so the need for smocks grew, meaning that they were by now screen printed for easier production. For use by Airborne troops, the Denison was worn over the battledress and under the webbing, with a sleeveless green denim oversmock being worn over the ensemble to prevent rigging lines snagging in the webbing and causing a 'chute malfunction.

Many similar rain pattern designs inspired by splittermuster were made after the war by Warsaw Pact countries. During the war, cost-saving measures required textiles to be printed with changed colours and many of the lower-cost two-colour options were abandoned. These cost-saving measures caused significant deviations from the original colour patterns. In 1941 splitter pattern jump smocks were issued to German paratroops for the invasion of Crete.

In 1995, Watts followed his father to the World Wrestling Federation. In the WWF, Watts was renamed "Troy" and, together with Chad Fortune as "Travis", formed Tekno Team 2000. Wearing silver smocks and tight zubaz, their gimmick was that they represented the cutting edge of cyberculture. Their tag team made its debut on the May 27, 1995 episode of Superstars in a victorious effort against The Brooklyn Brawler and Barry Horowitz.

Waffen-SS troops were pioneering among the German forces in the use of camouflage clothing and wore it extensively during the war. Usually, the camouflage patterns were worn on overall parkas, reversible smocks or helmet covers, with camouflaged tunics being introduced later during the war. Uniforms were manufactured in hundreds of licensed factories, with some workers being prisoners-of-war performing forced labor. Many were produced in Nazi concentration camps.

Street in Bolgatanga Bolgatanga is known as the crafts centre of Upper East region, with a large central market. Apart from items found elsewhere in Upper East region, the so- called "Bolga hats" are made and sold in Bolgatanga. Bolgatanga and its surrounding suburbs also comprise the largest producers of leather works, straw baskets and smocks. The artists sell their works at the Bolgatanga Market, which is open every third day.

During each round, the combatants face each other and hold on to each other's collar. Traditionally (in the Cotswold Olimpicks) they wear white coats, representing shepherds' smocks. They typically attempt to strike their opponent's shin with the inside of the foot as well as their toes. Success in the event requires both agility and the ability to endure pain, the loser crying out "Enough" when he has had enough.

Historically, the smock was rarely seen in the West. As recently as the 1990s, immigrants from Ghana were the only individuals seen wearing the smock. All of that changed as the popularity of films produced in Ghana increased among Black Americans and Caribbeans. In recent years people of African descent have started wearing smocks to churches, mosques, African festivals, and Kwanzaa celebrations in major Western cities like New York and Kingston, Jamaica.

We ran into a tight gap in the > path [and] came to an abrupt halt, as it was a dead end. Four or five bodies > lay sprawled there, close together. This time they were our own men: the > camouflaged Para smocks hit my eyes immediately. CSM [Company-Sergeant- > Major] Weeks was standing over them like a guardian, screaming at some of > his men to cover the further end of the path and a small crest.

The “Hooverette” or “Hoover apron” emerged in the 1930s, named after the man in charge of the U.S. Food Administration at the time, Herbert H. Hoover. Women working outside the home wore whatever protective garments their jobs required, including coveralls, smocks, or aprons. At home, they worked in full-length aprons with hefty pockets and a cinched waistline that were often decorated with buttons, pockets and contrasting colors. Aprons became plain during the Great Depression.

The Horse Fair is printed as Plate 18 in Greer's book The Obstacle Race, in which she writes: "There was nothing titillating about the full trousers and painters' smocks that Bonheur wore", and quotes the artist herself as saying: : "I am a painter. I have earned my living honestly. My private life is nobody's concern." Among the influences on Bonheur's work are the painters George Stubbs, Théodore Géricault, and Eugène Delacroix, and sculpture from Ancient Greece.

Borgoña's Lady with Hare wears a chemise embroidered at the neckline and on the sleeves, c. 1505, Toledo. Historically, blackwork was used on shirts and chemises or smocks in England from the time of Henry VIII. The common name "Spanish work" was based on the belief that Catherine of Aragon brought many blackwork garments with her from Spain, and portraits of the later 15th and early 16th centuries show black embroidery or other trim on Spanish chemises.

In order to make it more wind-proof, the tops of woollen socks were often sewn to the cuffs. The half-length zip fastener on this smock was made of brass. The colours of the 2nd pattern also differed from those of the earlier smocks, the base colour varying from a light to a medium olive combination, with overlying brushstrokes of reddish brown and dark olive green. These colours were thought better suited to the North Western European theatre.

16, 19. One popular Highland story connected with the washing of death shrouds regards the so-called "Mermaid of Loch Slin". A maiden from Cromarty was walking along a path by the side of this loch one Sabbath morning, and after turning a corner she saw a tall woman standing in the water "knocking claes" (clothes) on a stone with a bludgeon. On a nearby bleaching-green she observed more than thirty smocks and shirts, all smeared with blood.

At a time when food regulation was in its infancy and the pedigree of the hot dog particularly suspect, Handwerker ensured that men wearing surgeon's smocks were seen eating at his stand to reassure potential customers. The business proved immensely popular. The expansion of the chain was overseen by Nathan Handwerker's son, Murray Handwerker. A second branch on Long Beach Road in Oceanside, New York, opened in 1959, and another debuted in Yonkers, New York, in 1965.

London's behaviour, particularly towards women, caused him difficulty at different points in his career. While in Oxford, he was punished with public penance for adultery with a mother and daughter: > This Dr. London, for his incontinency, afterwards did open penance in > Oxford, having two smocks on his shoulders for Mrs. Thykked and Mrs. > Jennyngs, the mother and the daughter: with one of whom he was taken by > Henry Plankney in his gallery, being his sister's son.

Blouse is a loanword from French to English (see Wiktionary entry ). Originally referring to the blue blouse worn by French workmen, the term "blouse" began to be applied to the various smocks and tunics worn by English farm labourers. In 1870, blouse was first referenced as being "for a young lady." It is suggested that the French form of the word comes from the Latin pelusia, from the Egyptian town of Pelusium, a manufacturing center in the Middle Ages.

In the First World War, firing and observation positions were hand- painted in disruptive patterns by artists known as camoufleurs, and they sometimes varied their patterns seasonally. Uniforms were largely of a single colour, such as the British khaki; but snow camouflage clothes came into use in some armies by 1917. For example, Austro-Hungarian troops on the Italian front used skis and wore snow camouflage smocks and overtrousers over their uniforms, and improvised white cloths over their uniform caps.

The Boxer Codex, showing the attire of a Classical period Filipino, made of silk and cotton. The classical Filipino clothing varied according to cost and current fashions and so indicated social standing. The basic garments were the Bahag and the tube skirt—what the Maranao call malong—or a light blanket wrapped around instead. But more prestigious clothes, lihin-lihin, were added for public appearances and especially on formal occasions—blouses and tunics, loose smocks with sleeves, capes, or ankle-length robes.

From the earlier 18th century, the smock-frock was worn by waggoners and carters; by the end of that century, it had become the common outer garment of agricultural labourers of all sorts throughout the Midlands and Southern England. The spread of the smock-frock matches a general decrease in agricultural wages and living standards in these areas in the second half of the 18th century. The smocks were cheaper than other forms of outer garments, and were both durable and washable.Styles, p.

5/6 June 1944. Pathfinder officers synchronising their watches in front of an Armstrong Whitworth Albemarle before flying into battle in Normandy. They all wear 2nd Pattern Denison smocks The 1st Pattern smock design was replaced in 1944 by a second pattern which had buttoning tabs at the cuffs and brass snap fasteners to stow the tail flap on the back of the jacket when not needed. Other detail differences included reduced length and tube shaped rather than tapered sleeves.

OMM have also started producing their own branded outdoor clothing and equipment. Items required on the event, such as waterproof jackets and trousers, backpacks and sleeping bags, have been produced, specially adapted for the event. The Kamleika (from the Aleutian word for a long waterproof robe) range of jackets, smocks and trousers have become famous amongst mountain marathon runners and hikers alike. They are unique in that they are specially developed to be stretchy and produce minimal noise when running.

At Christmas the pair celebrated with chocolate and bread from their sledging rations. On New Year's Eve Johansen recorded that Nansen finally adopted the familiar form of address, having until then maintained formalities ("Mr Johansen", "Professor Nansen") throughout the journey. In the New Year they fashioned themselves simple outer clothing—smocks and trousers—from a discarded sleeping bag, in readiness for the resumption of their journey when the weather grew warmer. On 19 May 1896, after weeks of preparation, they were ready.

Accessed December 5, 2012.GCT-PH1 - Population, Housing Units, Area, and Density: 2010 - County -- County Subdivision and Place from the 2010 Census Summary File 1 for Monmouth County, New Jersey , United States Census Bureau. Accessed August 7, 2012. Other unincorporated communities, localities and place names located partially or completely within the township include Beacon Hill, Bradevelt, Claytons Corner, Henningers Mills, Herberts Corner, Hillsdale, Marlboro (also known as Marlboro Village), Monmouth Heights, Montrose, Mount Pleasant, Pleasant Valley, Smocks Corner, Spring Valley and Wickatunk.

Lizard camo BDU and pants. Lizard patterns have two overlapping prints, generally green and brown, printed with gaps so that a third dyed color, such as a lighter green or khaki, makes up a large part of the pattern. In this, it is printed like earlier British patterns used on that country's Paratroopers Denison smocks. Lizard patterns have narrower printed areas than the British patterns, and the original form had a strong horizontal orientation, disrupting the vertical form of the soldier's body.

Both men and women act as mediums and spectators in these events. The indigenous raffia palm was the base fiber for the clothing traditionally worn by the Betsimisaraka. Leaves of the raffia were combed to separate the fibers, which were knotted end to end to form strands that could then be woven together to form cloth. Among the various peoples who united under the Betsimisaraka confederation, women wore a short wrapper (simbo), typically with a bandeau top (akanjo), while men wore smocks.

In 2011, while a student at the University of Arizona, Hernandez worked as an intern in the office of Gabby Giffords. During the first week of his internship, Hernandez helps organize a "Congress on your Corner" event, which was the site of the 2011 Tucson shooting. After Giffords was shot in the head, Hernandez held her up and stanched the bleeding with his hand until employees from the nearby grocery store brought him clean smocks. In doing so, he is credited with saving the Congresswoman's life.

A back closure is a means for fastening a garment at the rear, such as with a zipper, hooks-and-eyes or buttons. Back closures were once common on Western female clothing, but have recently become less so, especially on female casual and business attire. They continue, however, to be widely used in underwear (such as brassieres and garter belts), formal wear (such as evening gowns and wedding dresses) and specialized clothing (such as smocks). Back closures are also common in garments for infants and toddlers.

Desert combat clothing is listed as; hat, jacket and trousers DPM and were issued to soldiers and other British military personnel posted to Cyprus, the Middle East and Afghanistan. As issued in the 1991 Gulf War, this uniform was identical to the No. 9 DPM tropical uniform, except for the multi- tone desert camouflage. This was quickly replaced with a two-tone desert version of DPM camouflage (the base colour and one other). Smocks were also available in the desert DPM, including the SAS pattern windproof smock.

Four players competed in a studio which, from the opening credits sequence, appeared to be a large airplane hangar. In reality, the show was recorded in a small studio, using a blue screen backdrop on which images of the hangar were superimposed. Additionally, four more contestants played along at home against each other in a parallel game over the telephone (one of several shows on GSN that did this). Studio players wore black T-shirts under smocks in various colors, and would bow to the Inquizitor when first introduced.

Over time, Barney faded from the strip, and the title contracted to Snuffy Smith. In 1943, Mary DeBeck donated to the Ringling School of Art all of her husband's art supplies, including drawing tables, reams of drawing paper, hundreds of colored pencils, lamps, drawing boards, inks, drawing pens, artist smocks, etching plates, and an etching press. She remarried, and died February 14, 1953, aboard National Airlines Flight 470, a DC-6 that fell into the Gulf of Mexico during a thunderstorm on a flight from Tampa to New Orleans.

The most important development based on Denison pattern was the French Lizard pattern, in which the green and brown brush-strokes were more frequent, but much smaller, on a light greyish green base. Lizard evolved into two main styles: vertical, and horizontal (indicating the general direction of the brushstrokes). Other developments changed the shape of the brushstrokes, using intricate grass-like patterns in the Rhodesian pattern, or palm frond-like sprays in the Indian pattern. South African Denison Smocks (later replaced by the Slangvel) were plain sand coloured.

However, an exception is the cummerbund of the men's tuxedo. ; Wetsuits : Rear openings on wetsuits and diving suits can make it easier for a wearer to enter them. Most such suits are intended to be worn as skin-tight garments and are made of rubber or neoprene, which do not stretch easily at the thicknesses needed to insulate the wearer against cold water. ; Protective clothing : Aprons and smocks typically fasten at the rear as they have no openings at the front which could admit staining or hazardous substances.

Five men, two women. They wore flowing ties, and smocks suitable to the realm. The men wore their hair like Papa, all except Albert, he didn’t have enough hair... I know that each one of them was then making valuable contributions to the pioneering of the modern American architecture for which my father gets the full glory, headaches and recognition today!” “My Father”, John Lloyd Wright, 1995 McArthur continued his education in Austria and Italy, opening an architectural firm in Chicago with partner Arthur S. Coffin in 1912.

Specialised battledress was developed primarily during the Second World War, including the Denison smock – originally for parachutists but also adopted by snipers. Specialized jump clothing was perpetuated by the Canadian Airborne Regiment who wore distinctive disruptive-pattern jump smocks from 1975 until disbandment in 1995. Special patterns of AFV uniform were also worn beginning in the Second World War, initially black coveralls, later khaki coveralls as well as the padded "Pixie suit". Olive drab tanker's uniforms were adopted with the combat uniform in the 1960s, including a distinctive padded jacket with angled front zip.

During the war, additional SS variants including "palm", "smoke", and "oak leaf" were introduced, in spring and autumn colours. By 1944 the complex "peas" pattern (Erbsenmuster) was also used by the Waffen SS issued as standard, in tunic and trouser combinations, but never in smocks or caps. Initially, camouflage had been a sign of elite troops and the SS continued this differentiation by using its own distinctive patterns. In 1941, during the winter on the Eastern Front, German troops were at a considerable disadvantage because they lacked winter camouflage.

Its origin lies with the clothing style of the Tuaregs, Hausa, Kanuri, Toubou, Songhai, and other trans-Saharan and Sahelian trading groups who used the robe as a practical means of protection from both elements (the harsh sun of the day and sub-freezing temperatures at night) while traversing the Sahara desert. The babban- riga/boubou was often paired with a large turban that covered the entire face, save for the eyes, known as Alasho in Hausa, Tagelmust in Tuareg, or Litham in Arabic. The nobility of 12th and 13th-century Mali, the 14th century Hausa Bakwai and Songhai Empires, then adopted this dress combination as a status symbol, as opposed to the traditional sleeveless or short-sleeved smocks (nowadays known as dashiki or Ghanaian smocks) worn by ordinary people/non- royals, or the Senegalese kaftan, a variant of the Arab thawb. The use of the boubou/babban-riga as clothing became widespread among West African Muslims with the migration of Hausa, Fulani and Dyula long distance traders and Islamic preachers in and around Muslim regions of West Africa in the 1400s and even more rapidly in less Islamized areas after the Fulani Jihads of the 19th century and subsequent French and British colonization.

During World War II, military parachutists wore wind proof jump smocks primarily to cover equipment that may have caused the parachutist to be stuck in a narrow doorway. German parachutists wore the Knochensack, British parachutists wore the Denison smock whilst US Marine paramarines wore a jump smock as well. Today the name smock is still used for military combat jackets, particularly in the UK; in the Belgian army the borrowed English term has been corrupted to smoke-vest. Examples include DPM Parachute Smock, that replaced the Denison Smock, the Canadian Para Smock and Smock Windproof DPM.

Windproof smocks and trousers were worn by French paratroopers in Indochina, and to a lesser extent in Algeria. The French referred to the pattern as "sausage skin". Variations of the 'Windproof' have been the basic Special Forces smock until the present, with several alternative colours seen over the years - white (or at least natural cotton) for LRDG's desert use; olive green; black; and, in now very rare later issues of the Smock, Windproof, 1963 Pattern, the DPM introduced in the late 1960s. The current issue Smock, Windproof is in the latest variation of the DPM design.

In Nîmes, weavers tried to reproduce jean fabric but instead developed a similar twill fabric that became known as denim, from de Nîmes, meaning "from Nîmes". Genoa's jean fabric was a fustian textile of "medium quality and of reasonable cost", very similar to cotton corduroy for which Genoa was famous, and was "used for work clothes in general". The Genoese navy equipped its sailors with jeans, as they needed a fabric which could be worn wet or dry. Nîmes's "denim" was coarser, considered higher quality, and was used "for over garments such as smocks or overalls".

Camouflage smocks were designed to be reversible, providing camouflage for two seasons, whether summer and autumn, or summer and winter (snow). Distribution was limited to the Waffen-SS, ostensibly because of a patent, though variants were used by other units, including the Luftwaffe. Production was limited by shortage of materials, especially of high quality waterproof cotton duck. The Reichswehr (Army of the Weimar Republic) started experimenting with camouflage patterns for Wehrmacht uniforms before World War II and some army units used Splittertarnmuster ("splinter camouflage pattern"), first issued in 1931, and based on Zeltbahn shelter halves/groundsheets.

A garment sewn to fit tightly across the abdomen creates horizontal wrinkles due to tension. # Cutting a rather narrow abdomen and lacing the sides of the garment to create tensioned horizontal wrinkling. # What is modernly termed lattice or "honeycomb" smocking, which is a form of gathered fabric manipulation executed on the underside/interior. # Narrow pleats created by the plissé technique-gathering fabric with stitches, wetting the fabric, and "setting" the pleats by allowing the wet fabric to dry under weight or tension-were found on linen chemises or smocks in the 10th century Viking graves in Birka.

219 and 244 Linen shirts and chemises or smocks had full sleeves and often full bodies, pleated or gathered closely at neck and wrist. The resulting small frill gradually became a wide ruffle, presaging the ruff of the latter half of the century. These garments were often decorated with embroidery in black or red silk, and occasionally with gold metal threads if the garment was meant to be flashier of ones wealth. The bodice was boned and stiffened to create a more structured form, and often a busk was inserted to emphasise the flattening and elongation of the torso.

Clothing such as smocks or aprons is one similarity and the mixing of textures and colors is another. The culinary subjects are all painted in a similar style which has many Impressionistic qualities in the abstraction of forms and bright bold colors used. While experimenting with texture and brushstrokes that leave visual impressions on the canvas, Christopher shows a great deal of emotion in his work. “I think that art should be an expression of personality,” Christopher M. says. “I want to create paintings that address things that are important in life, not just paint pretty pictures.

One of the most famous executions was that of four members of the Culworth Gang who operated for two decades until 1787. Two of the gang, William Pettifer (alias "Peckover") and Richard Law were caught by police at an inn in Towcester. It is reported the two had arrived with bags, which they said contained birds as they had been cockfighting, however the landlord discovered that the bags contained the notorious masks and smocks which the gang used to hide their identity. Eventually, following a robbery in Blakesley the pair were served with search warrants and police constables found stolen property.

The pupils were now divided into: 20 girls in "Training for domestic service"; 57 "Pupils in Ladies School"; 61 "Scholars in Orphanage School" aged between 3 and 16. There were also seven orphans aged 15 or 16 "Training for service". There were 42 "Sisters of Charity", four teachers and a needlewoman "in Ladies' School", two "Caretakers in Orphanage", and two "Teachers in Day School" - the Ladies' School was for boarders. Photographs show "St Margaret's Convent" at Moat Road until 1936, and the Orphanage at Moat Road until 1910 (when the photograph shows the orphans in white sleeveless smocks with hoods, worn over darker dresses).

Fortune joined the World Wrestling Federation (WWF) under the ring name Travis and teamed with college teammate Erik Watts (as Troy) as Tekno Team 2000.Online World of Wrestling Wearing silver smocks and tight zubaz, their gimmick was that they represented the cutting edge of cyberculture. Their tag team made its debut on the May 27, 1995 episode of Superstars in a victorious effort against Brooklyn Brawler and Barry Horowitz.Chad Fortune - Biography They wrestled two more matches on television the following month before disappearing from television until July 1995 for the In Your House pay-per-view acting as lumberjacks for the main event.

The inside of the collar was lined with soft khaki flannel (or in senior officer's smocks, Angora wool). A “beaver tail” fastened beneath the crotch from the back to the front of the smock - which kept it from riding up during a parachute descent. When not used, the tail would hang down behind the wearer's knees, hence the nickname "men with tails", given by the Arabs in North Africa in 1942. The smock was styled as a very loose garment, since it would be worn over Battle Dress, but it could be adjusted to some extent with tightening tabs on both sides of the lower part of the smock.

These "second pattern" straps had round rather than pointed ends, and were edged on three sides with wool (later rayon) piping in Waffenfarbe. This pattern would be used through the end of the war, although in 1940 manufacture reverted to field-grey uniform cloth, and as usual alternate versions were made to go with the Panzer uniform (black), tropical uniform (olive cotton) and HBT summer uniform (reed-green twill). Schulterklappen were not worn with the fatigue uniform, nor with camouflage smocks and parkas which used an alternate system of rank insignia. For junior enlisted men (Mannschaften), rank insignia if any was worn on the left sleeve.

By April 10th, most of the rectangular metal plates were positioned. All had small orange plastic markers sticking up two feet (around half a meter) from each end, possibly intended to help people find the base plates if they were covered with snow. A major snow storm on January 22 and extreme cold hampered progress. Hardware used to ensure that the vertical pieces were parallel, even when the base plates themselves were not level, due to uneven or sloped ground On Monday, February 7, 2005, over 100 teams of eight workers each, wearing grey uniform smocks, began erecting the gates and bolting them to the base plates.

As the attack began a bombardment was fired at the German front line for one minute and then crept forward at per minute until beyond the Butte and the quarry. After the barrage was to return to the German front line as the raiders retired. The raiders had rehearsed behind the lines and moved forward from the Scottish support line at on 29 January but needed two hours to cross of ground. The party, dressed in white smocks and white painted helmets to blend in with the snow, moved into no man's land along black tapes to a forming-up point in two waves of two platoons each.

Chiseling into of Yosemite granite, he wore goggles and a mask. The unveiling ceremony took place in the cold of New Year's Eve, with Mayor Angelo Rossi joining Stackpole, Pflueger and artisans in smocks. Stackpole took his son Peter to visit their photographer friend Edward Weston in Carmel in the early 1930s, and the two older men spent the day discussing photography, "the difference between making and taking a photograph, between the intended and the random". This conversation, and the 1932 exhibit by Group f/64, a collection of innovative photographers such as Weston and Ansel Adams, was later seen as foundational to Peter Stackpole's conception of photography.

The Walmington-on-Sea Home Guard have joined forces with Chief ARP Warden Hodges and ladies from the local WRVS to form a choir and they are practising for an upcoming Christmas concert that they intend to give to wounded troops from the Duke of Cornwall's Light Infantry. Due to the origin of their audience, they are all dressed in the costume of Cornish smocks. After "winning" a coin toss, Captain Mainwaring has naturally assumed the role of conductor, much to the annoyance of Hodges and then proclaims that they will begin with the Floral Dance. Mainwaring leads the choir with Sergeant Wilson accompanying on the piano.

Social welfare in Argentina was highly underdeveloped before Juan Perón was elected president in 1945 and his wife, who had been born into the working classes, was aware of this. Most charity work was undertaken by the Sociedad de Beneficencia, which was controlled by eighty-seven elderly women of the upper-classes. The orphans whose care the Sociedad controlled had to wear blue smocks and have their heads shaved; at Christmas they were put out onto the streets of Buenos Aires with collecting tins. Their policies are supposed to have been the inspiration behind Evita's famous declaration that, 'When the rich think about the poor, they have poor ideas.

Reportedly, it started with a cluster of Arizona prisoners transported there against their will consequent to a memorandum of understanding with the state of Arizona and GEO Group. They refused to wear state-issued smocks over T-shirts as a display of non-compliance during the midday meal. This is when Captain Deaton stepped in and tried to handcuff several offenders and was severely beaten by three inmates. These prisoners were reportedly picked for being non-violent and generally getting along with the rules; it is suggested the Arizona convicts felt they were, in effect, being punished for obeying the rules, and had they been less compliant back in Arizona, they would have remained there.

The Whiteboys () were a secret Irish agrarian organisation in 18th-century Ireland which used violent tactics to defend tenant farmer land rights for subsistence farming. Their name derives from the white smocks the members wore in their nightly raids. As they levelled the fences at night, they were usually referred to at the time as "Levellers" by the authorities, and by themselves as "Queen Sive Oultagh's children" ("Sive" or "Sieve Oultagh" being anglicised from the Irish Sadhbh Amhaltach, or Ghostly Sally),Kenny, Keven (1998) Making Sense of the Molly Maguires (New York, Oxford University Press, p.9 Chapter 1) "fairies", or as followers of "Johanna Meskill" or "Sheila Meskill", all symbolic figures supposed to lead the movement.

In 2011, the Person of the Year was Daniel Hernández Jr. Earlier in 2011, while a student at the University of Arizona, Hernandez started an internship with the office of Congresswoman Gabby Giffords. During the first week he was helping out at a "Congress on your Corner" event, which ended in an attempted assassination of her. After Giffords was shot in the head, Hernandez immediately thought that the head injury might cause her to choke on her own blood, so he held her up and stanched the bleeding with his hand until employees from inside a nearby grocery store brought him clean smocks. In doing so, he is credited with saving her life.

It is labelled, like the earlier plain olive green version, Smock, Combat, 1960 Pattern and Trousers, Combat, 1960 Pattern. The 1966 DPM range did not completely replace the plain olive green 1960 Pattern Smock and Trousers, which continued to be worn widely until the 1968 DPM kit was issued. Both the Royal Marines and the Parachute Regiment continued to wear the Trousers, Combat, 1960 Pattern with the Denison smock, and examples of these trousers were made even after 1968. These units eventually stopped issuing the Denison smock (in mid to late 1970s) and adopted smocks in the general-issue DPM while still for a time wearing the plain olive 1960 Pattern Trousers.

In 1970, Thomsett was cast as the 11-year-old Phyllis despite being 20 years old at the time, two years older than Jenny Agutter, who played her elder sister, Bobbie. Her contract forbade her from revealing her true age during the making of the film, and she was not allowed to be seen smoking, drinking, driving her car or in the company of her boyfriend during the shoot.The 100 Greatest Family Films, Granada Television (2005)Article on the film, The Guardian, 22 March 2010 However, she did have experience playing girls, and the Edwardian smocks disguised her bust. Even the film crew were unaware of her age, and they gave her sweets while treating Agutter as nearly an adult.

The standard ANL field dress during the Indochina War was the French all-arms M1947 drab green fatigues (French: Treillis de combat Mle 1947),Conboy and Greer, War in Laos 1954–1975 (1994), p. 6. whilst airborne battalions received in the late 1940s surplus World War II-vintage US Marines Pattern 44 'Frog Skin' reversible camouflage utilitiesConboy and McCouaig, South-East Asian Special Forces (1991), p. 6. and British M1942 windproof pattern brushstroke camouflage Denison Smocks.Conboy and Greer, War in Laos 1954–1975 (1994), p. 7. Such early camouflage fatigues were gradually phased out from the early 1950s in favour of French-designed Lizard (French: Ténue Leopard) camouflage M1947/51, M1947/52 and M1947/53-54 TAP jump-smocks and M1947/52 TTA vests with matching trousers.

Deborah Arthurs in London Lite, 3 September 2007 However, the same writer observed wryly that "quite how many French peasants hoed fields in printed smocks is undocumented" and felt that one particular shirt-dress was "a little too reminiscent of Nancy in Oliver Twist". The following year, the Sunday Times, noting that one in two Americans and one in five Britons were reportedly sporting tattoos, observed that Miller "complete[d] her luxe-layabout look with a cluster of stars on her silken shoulder";Alice Fordham in Sunday Times Style, 13 July 2008 that she had also a tattoo of a bluebird, the subject of both a poem by Charles Bukowski and a drawing by Edie Sedgwick; and that Kate Moss displayed "two swallows diving into her buttock crack".

Birds in the Bush (also known as The Virgin Fellas and Strike It Rich) is an Australian/United Kingdom situation comedy series produced in 1972.Albert Moran, Moran's Guide to Australian TV Series, AFTRS 1993 p 81 The series was set on a remote Australian property run by seven beautiful but naive young women. When the property is inherited by an English water diviner (Hugh Lloyd) he and his Australian half-brother (Ron Frazer) and an assistant (Kate Fitzpatrick) begin living on the property and attempt to teach the nubile young women the ways of the world. The series focused on the physical attractiveness of the young women, who all wore skimpy blue smocks and had names like "Abigail", "Lolita", "Tuesday", "Wednesday" and "Buster", along with Carry On-style innuendo.

Andrea Zittel is a co-organizer of High Desert Test Sites, a non-profit organization founded by Andrea Zittel, Shaun Caley Regen, Lisa Anne Auerbach, Andy Stillpass, and John Conelly. High Desert Test Sites is a series of experimental art sites located in California desert communities including Pioneertown, Twentynine Palms, Joshua Tree, and Wonder Valley. These sites support intimate and immersive experiences and exchanges between artists, critical thinkers, and general audiences, including immersive excursions, solo projects, publications, workshops, and residencies. From 2006 to 2010, Zittel co-organized the A-Z smockshop in Los Angeles, “an artist-run enterprise that generated income for artists whose work is either non-commercial, or not yet self-sustaining.” Smocks were designed by Andrea Zittel and sewn by artists who reinterpreted the original design.

27–28 Embroidery styles for smock-frocks varied by region, and a number of motifs became traditional for various occupations: wheel- shapes for carters and wagoners, sheep and crooks for shepherds, and so on. Most of this embroidery was done in heavy linen thread, often in the same color as the smock. By the mid-19th century, wearing of traditional smock- frocks by country laborers was dying out, although Gertrude Jekyll noticed them in Sussex during her youth, and smocks were still worn by some people in rural Buckinghamshire into the 1920s. As the authentic tradition was fading away, a romantic nostalgia for England's rural past, as epitomized by the illustrations of Kate Greenaway, led to a fashion for women's and children's dresses and blouses loosely styled after smock-frocks.

The Times, Tuesday, Nov 21, 1916; pg. 15; Issue 41330; col G An Englishwoman driving ambulances in Romania wrote: "We have discarded skirts and live in riding breeches, blouse, tunic, boots, and putties [sic]; no hat and short hair is so comfortable."The Times, Monday, Aug 05, 1918; pg. 10; Issue 41860; col E Article headed 'The Girl On The Farm':"The "bobbed" hair of many of the land girls and their smocks answer this description.". In 1909, Antoni Cierplikowski, called Antoine de Paris, Polish hairdresser who became the world's first celebrity hairdresser, started a fashion for a short bob cut, which was inspired by Joan of Arc. In the 1920s, he introduced the shingle cut which became popular with daring young women — the Bloomsbury set and flappers.

It is not readily agreed exactly when or where the bread originated, except it existed before 1850 in Rockport, Massachusetts. It is thought to have come from the local fishing community, but it may have come through the Finnish community of local stonecutters. Near the turn of the 20th century, it was baked by a man named Baker Knowlton on King Street in Rockport, Massachusetts, and delivered in a horse-drawn cart to households by men in blue smocks. In the 1940s, a Rockport restaurant owned by Bill and Melissa Smith called The Blacksmith Shop on Mount Pleasant Street started baking the bread for their restaurant in a small bakery on Main St. They baked about 80 loaves a day until 1956, when they built a modern $250,000 bakery on Pooles Lane.

Boubou (or Agbada), a traditional robe symbolic of West Africa In contrast to other parts of the continent south of the Sahara Desert, the concepts of hemming and embroidering clothing have been traditionally common to West Africa for centuries, demonstrated by the production of various breeches, shirts, tunics and jackets. As a result, the peoples of the region's diverse nations wear a wide variety of clothing with underlying similarities. Typical pieces of west African formal attire include the knee-to-ankle-length, flowing Boubou robe, Dashiki, and Senegalese Kaftan (also known as Agbada and Babariga), which has its origins in the clothing of nobility of various West African empires in the 12th century. Traditional half-sleeved, hip-long, woven smocks or tunics (known as fugu in Gurunsi, riga in Hausa) – worn over a pair of baggy trousers—is another popular garment.

Green shirts and lightweight combat trousers began to be supplemented by DPM tropical uniforms in the 1980s, and by the mid 1990s had been entirely replaced by them (although the green kit, like the Denison smocks, was handed down to the Regiment's Junior Leaders and to the Bermuda Cadet Corps, which continued to wear it). The tropical DPM uniform (worn in colder weather with the '68 Pattern Combat Jacket and the green pullover) was fully adopted by 1994, and continued to be issued for some time after its replacement in Britain by the Soldier 95 uniform. The beret worn is the dark blue one worn by the Royal Artillery and by various British Army units not authorised to wear distinctive colours of their own. Little use is made of Service Dress, which is only issued to a handful of permanent staff members.

Aesthetic dress encompasses a range of modes, from the Japonaise gowns and Kate Greenaway-inspired children's smocks of Liberty & Co. to the velvet jackets and knee breeches of Oscar Wilde's "aesthetic lecturing costume" for his speaking tour of America in 1882. Prominent designers and dressmakers associated with the movement include Ada Nettleship, who designed costumes for Oscar Wilde's wife Constance Lloyd, and Alice Comyns Carr, who was head costume designer for the actor Ellen Terry. Anna Muthesius was a German designer living in London who was annoyed that women were being exploited by clothing industrialists and that to avoid their pronouncements they should decide on their own fabrics and designs. Her 1903 book, Das Eigenkleid der Frau, which incorporated an Art Nouveau binding by Frances MacDonald, is considered an important contribution to the Artistic Dress movement.

Members of Black Brigades were issued standard Italian army uniforms, and they tended to wear them with a black turtleneck sweater, or (in summer) the famous black shirt, as the symbol of loyalty to Mussolini and membership of the Republican Fascist Party. They sometimes wore this uniform with a windproof jacket in solid or camouflage colors. Members of Black Brigades tended to wear the grey-green uniform pants, but a wide array of uniforms were issued and, especially in closing stages of the war, Black Brigades members used just anything they could obtain: army camouflaged one- piece suits, smocks and pants, paratroopers' collarless jump jackets (very popular), tropical Italian army uniforms, German pants and feldjacken, and frequently local produced uniforms and gear.Guido Rosignoli, RSI - Uniformi, equipaggiamento e armi - Ed. Albertelli, Parma 1991 Soldiers in Black Brigades, holding submachine guns.

French "Lizard" (French: Ténue Leopard) camouflage M1947/51, M1947/52 and M1947/53-54 TAP jump-smocks and M1947/52 TTA vests with matching trousers were issued to ARK airborne troops since the 1950s, though later shortages in the early 1970s limited its use to officers and NCOs only. Enlisted-rank paratroopers received a locally produced spotted camouflage uniform (known as the "Spot pattern") during the 1960s, which consisted of olive green and russet blotches on a pale green background. After 1970, "Highland" (ERDL 1948 Leaf pattern or "Woodland") and Tigerstripe patterns of US, Thailand (Thai Tadpole), and South Vietnamese (Tadpole Sparse) origin were also provided to the ANK. Cambodian students that attended the Para-Commando course at the Batujajar Airborne Commando School, near Bandung in Indonesia between March–November 1972, received the Indonesian Army's "flowing blood" (Indonesian language: Loreng Darah Mangalir) camouflage fatigues.

A. J. B. Wace "debunked" the Spanish origin in the 1930s, but if the black trim on these chemises from the 1470s is embroidery that would support an early Spanish origin Black embroidery was known in England before 1500. Geoffrey Chaucer in the Canterbury Tales describes the clothing of the miller's wife, Alison: "Of white, too, was the dainty smock she wore, embroidered at the collar all about with coal-black silk, alike within and out." Blackwork in silk on linen was the most common domestic embroidery technique for clothing (shirts, smocks, sleeves, ruffs, and caps) and for household items such as cushion covers throughout the reign of Elizabeth I, but it lost its popularity by the 17th century. (See also 1550–1600 in fashion.) Historic blackwork embroidery is rare to find well-preserved, as the iron-based dye used was corrosive to the thread, and there are currently no conservation techniques that can stop the decay.

I beg you to be good lord to her and > hers, and that she may have raiment, for she has neither gown nor kirtle nor > petticoat, nor linen for smocks, nor kerchiefs, sleeves, rails, > bodystychets, handkerchiefs, mufflers, nor "begens."'Henry VIII: August > 1536, 1–5', Letters and Papers, Foreign and Domestic, Henry VIII, Volume 11: > July–December 1536 (1888), pp. 90–103. "Lady Bryan" Date accessed: 31 March > 2009. > (The more obscure items in this list are identified by the Oxford English > Dictionary (2nd edn) as: rails = nightdresses; bodystychets = corsets; > begens = nightcaps.) She also reports that: "My lady has great pain with her teeth, which come very slowly." (Elizabeth was to have serious difficulties with her teeth on and off for much of her life.) Margaret Bryan passed over responsibility for Elizabeth to Catherine Champernowne in October 1537 following the birth of Prince Edward, who became her new charge. A second letter to Cromwell, dated 11 March 1539, describes the Prince.

Richard Gale, GOC 6th Airborne Division, talking to troops of 5th Parachute Brigade before they emplane in an Albemarle at Royal Air Force Harwell on the evening of 4 or 5 June Lieutenant-General Miles Dempsey (right) wearing a modified Denison Parachute Smock - 10 June 1944 A patrol of 6 Commando, (1st Commando Brigade) wearing Denisons, set off to round up snipers in Wesel in 1945 Denisons of either pattern issued to officers had woollen collar linings. By the time of the D-Day airdrops, some officers had had their jackets modified with a full length zip by their personal tailors, since this was not available on the issue item. Wartime photographs show that some other ranks had their smocks serviced the same way by the unit tailor. The zip was most commonly removed from the 1942 Parachutist's Oversmock, a longer, sleeveless, fully zipped jump-jacket, made of a grey-green denim material that was worn under the parachute harness, but over everything else (including the Denison).

Belgian special forces units serving with the British during the Second World War included the Belgian Special Air Service (SAS). On their return to Belgium after the war, the unit (and its successors) continued to wear the Denison Smock, with the design following a separate evolutionary path there (M54 in Moon and Balls pattern, M56 in Belgian brushstroke pattern, and M58 in jigsaw pattern). The French SAS wore the Denison while fighting with Free French Forces to liberate France during WWII, and continued to wear it after the war. The Denison smock was also utilized by most of the soldiers in the French army's 8e Batallion de Parachutistes de Choc (8e BPC) in Indochina, including while the unit was at Dien Bien Phu; the majority of the smocks worn were in their original configuration, but modifications (particularly to the front and neck openings) were often made by local tailors or unit riggers.

Bermuda Militia Artillery soldiers in Denison smocks Royal Bermuda Regiment soldier wearing a Denison smock while acting as "enemy" in 1994 The British Army had officially adopted a DPM combat uniform for general use in 1972, and a Smock, combat, DPM was introduced as the general issue jacket of the range. Both the Royal Marines and the Parachute Regiment, together with Air Despatchers of 47 Air Despatch Squadron (RCT) and the 395th Air Despatch Troop (RCT) (V), continued to wear the Denison smock, (typically with olive green Trousers, combat, 1960 pattern for field use or "lightweight" trousers in barracks and walking-out) until the late 1970s. The Bermuda Militia Artillery and the Bermuda Rifles (after 1965 amalgamated into the Bermuda Regiment, now the Royal Bermuda Regiment), the territorial units of the British colony of Bermuda, wore the Denison from the 1950s 'til adopting the 1968 Pattern DPM uniform at the end of the 1970s. This presumably resulted from the many officers and other ranks who had served in the Parachute Regiment, Special Air Services and other special forces during the Second World War.

Garments issued in DPCU have included uniform jackets and trousers, Howard jumpers with DPCU components, Jump smocks (for Paratroops), A wet weather ensemble and cold weather ensemble under land 125 phase 3C, a pre-land 125 wet weather ensemble and earlier a waxed cotton (Japara) rain jacket, almost always referred to as a Japarra. Common specialist uniforms include tanker, mounted and aviation variants of the standard DPCU uniform jackets and trousers, and flight-suits made in DPCU and DPDU. Head dress has included bush hats, wide brimmed bush hats ("boonie" hats) and a peaked cap with a fold up neck flap referred to as a kepi cap (worn only by members of units which operate armoured vehicles and by Regional Force Surveillance Units). Other more niche issued garments include reversible DPCU/Desert Camouflage Uniform jackets for use by SF early in the Iraq war, extreme cold weather uniforms in DPCU (for use in Afghanistan's mountains in winter), Ghillie suit/Yowie suit jackets and field hats made with shredded DPCU material, specialist sniper trousers, as well as specialist sniper boots with DPCU material covering the body of the boot, and the NBC ensemble including jacket, trousers, and boot covers.

Monmouth County Deed Book S:446 The exact construction date of the Smock house could not be obtained through documentary research. Judging by the architectural style and existing historical information, the house can roughly be dated from between circa 1830 to before 1848. It appears to have been built by John H. Smock (1781-1865) and his son Uriah Smock (1815-1881). Given John's age (49) in 1830 it is likely that the house was redone or entirely rebuilt with Greek Revival details when the style came into vogue. The original house may have been built in the late 1700s.Monmouth County Historic Homes Inventory, 1982, Monmouth County Parks System There is also the possibility that the Smocks lived elsewhere until deciding to build a house on the farm. Sources place John H. Smock in Freehold Township during this period, including the record of him serving as deacon at the Dutch Reformed Church on and off from 1810 through 1816, and a record of the manumission of a slave, Betty Thomas, in 1825.Genealogical Society of New Jersey 1962:46-48MCHA Manuscript Collection Greek Revival style houses were popular during this period in the township.