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"slatternly" Definitions
  1. dirty and untidy

30 Sentences With "slatternly"

How to use slatternly in a sentence? Find typical usage patterns (collocations)/phrases/context for "slatternly" and check conjugation/comparative form for "slatternly". Mastering all the usages of "slatternly" from sentence examples published by news publications.

An influential Peruvian industrialist named Enrique is photographed in flagrante amid a heap of slatternly prostitutes.
The model Binx Walton telegraphs more than a hint of that slatternly upmarket allure in a Tom Ford fall 2017 eyewear campaign.
Humor is never far off, either: A sequence in which three slatternly waitresses reluctantly serve a timid male diner is worthy of its own show.
The one who took best actress was Marie Mullen, who portrayed Maureen, a 40-year-old virgin shackled to her imperious, housebound mother, Mag (the splendidly slatternly Anna Manahan).
Nature was always his first resource: shadows of barns "thin with frosted straw", parrots "twinkling down", cornfields "decaying/to slatternly paper", the forest trees in spring "feathering/With gold of emergence".
Flash back to 1966, when Dolly, a slatternly go-go dancer, is living with her teenage son, Rasher (John Charles McLaughlin), who supplies perhaps the only genuine affection and intimacy Dolly has ever known.
It ended after around 230 migrants broke out of the detention center and marched in protest to the main port of this vacation destination, where many took shelter under slatternly tarps and pup tents on a vast concrete expanse.
He launched his own novel-writing career with the spoofs "Shamela," in which the virginal young maid is recast as a slatternly schemer who manipulates Squire Booby into marrying her, and "Joseph Andrews," which purported to be about Pamela's brother.
With intrusive narrators, slatternly plots, odd punctuation, and long, ambling digressions, books like "Tristram Shandy" and "Joseph Andrews" try the patience of many contemporary readers, and modern efforts to emulate them—Thomas Pynchon's " Mason & Dixon " and Neal Stephenson's Baroque Cycle spring to mind—are frequently greeted with exasperation.
James would have happily stayed on his family's farm in Connecticut, where the apple of choice was the Golden Pippin, but his kinsmen were short on land as well as patience for his slatternly wife, Sadie, and now he's desperate to meet the requirement for a settler to claim land, namely cultivating an orchard of 50 fruit trees.
And when scenes from the film of "I Shall Never Return" are projected, the cast members — including Zbigniew Bzymek as "Man in the Place of Kantor," a wonderfully lurid Ms. Valk as a slatternly barmaid, Jim Fletcher as a spidery priest and Ari Fliakos as an innkeeper and, later, Odysseus — become stylized, gesture-for-gesture facsimiles of the figures onscreen.
Being a light-complexioned woman, she wore light clothes, as most blondes will, and appeared, in preference, in draggled sea-green, or slatternly sky-blue.
A physician's death orphans his two adolescent daughters. Their older brother is able to convert some of the doctor's small estate to cash. It is late in the day, and with the banks closed he stores the money in his father's household safe. The slatternly housekeeper, aware of the money, enlists a criminal acquaintance to help crack the safe.
122: "slatternly waitress" Despite studio executives submitting to the censorship, Of Human Bondage was picketed in the major cities in the Mid-west by the Catholic National Legion of Decency. Perhaps in response to the reputation the film acquired by these demonstrations, the picture broke attendance records at Chicago's Hippodrome Theater with hundreds of moviegoers turned away.
Realizing she still loves Jerry, Lucy crashes a party at the Vance mansion the night the divorce decree is to become final. Pretending to be Jerry's sister, she undermines Jerry's character, implying that "their" father was working class rather than wealthy. Acting like a slatternly showgirl, she recreates Dixie's risqué musical number from earlier in the film. The snobbish Vances are appalled.
The transformation of her character towards the end of the novel from a joyous, spirited 'waif-like' beauty into a plump, rather slatternly woman who is only interested in her husband and children, though realistic, has been criticized. Dorothea Barrett compares this to the description of a matronly Dinah Morris at the end of Adam Bede, which she calls 'inappropriate, almost humiliating'.
Her "slatternly domestic ways" annoy him because it reminds him of his daughters. A BBC Online reporter also revealed that Essie secretly struggles to deal with Sacha's two demanding ex-wives and children. When she returns Essie reveals that she slept with another man and Sacha no longer wants to be with her. Essie decides to convince Sacha they should be together.
It was, > after all, just a huge damn swamp. But later, it became clear that the Everglades' health was linked to South Florida's drinking water, and if the Everglades died, then growth would stop dead: > This apocalyptic scenario was laid out before Florida's politicians, and in > no time at all even the most slatternly among them was extolling the > Everglades as a national treasure, that must be preserved at all costs.
Bette Davis. Lexington: University of Kentucky Press, 2003. p. 103. Davis in Of Human Bondage (1934) After more than 20 film roles, the role of the vicious and slatternly Mildred Rogers in the RKO Radio production of Of Human Bondage (1934), a film adaptation of W. Somerset Maugham's novel, earned Davis her first major critical acclaim. Many actresses feared playing unsympathetic characters, and several had refused the role, but Davis viewed it as an opportunity to show the range of her acting skills.
According to Bower, "Black wanted to appear as a billionaire, and Amiel was an eager accomplice to his desire". She "could have discovered that her husband's income was insufficient to finance their ambitions, but she preferred not to investigate". Black denounced the book in The Sunday Telegraph finding "disgusting" Bower's "key-hole, smut- mongering side-piece portrayal" of Amiel. Black filed a suit in Canada against Bower in February 2007, claiming that the biography described Amiel as "grasping, hectoring, slatternly, extravagant, shrill and a harridan".
She cites a word which may be vulgar but which she finds expressive ("knobstick") and uses a local term ("redding up" – tidying) to Boucher's small children: "redding up the slatternly room". Gaskell begins each chapter with a poetic quote to accentuate a relevant theme, such as interior conflicts ("My heart revolts within me, and two voices / Make themselves audible within my bosom"—Wallenstein, chapter XVIII), duality ("On earth is known to none / The smile that is not sister to a tear." Elliott, chapter XXI), courtship, duty, suffering, steadfast courage, honesty, time and change.
Lynn and Sherwood; Davis disliked the glamorous look Warner Bros. created for her With this film, Warner Bros. chief Jack L. Warner tried to change Bette Davis' screen persona by putting her in a platinum blonde wig and false eyelashes and dressing her in glamorous costumes. The actress, who had been trying to convince the studio head to loan her to RKO so she could portray slatternly waitress Mildred Rogers in Of Human Bondage, was appalled at the transformation, complaining they were trying to turn her into Greta Garbo.
In February 1926, E.A.T. Dutton passed through Nairobi on his way to Mount Kenya and, seeing the progress and the ambitious plans the city was making, foresaw a city of paved roads, landscaped avenues and parks, impressive cathedrals, museums, art galleries, theatres and office buildings. He predicted that Nairobi would become a city of beauty, although he noted that much needed to be accomplished before the ambitious municipal plan was completed and until then Nairobi would remain "a slatternly creature, unfit to queen it over so lovely a country".
Bette Davis, anxious to portray the slatternly waitress Mildred in the RKO Radio Pictures production Of Human Bondage, accepted the relatively small role of Arlene in the hope her cooperation would convince Jack L. Warner to lend her to the rival studio for the film. Her ploy worked, and when Warner received word about her dynamic performance in Bondage, he elevated her to top billing in Frisco.The Girl Who Walked Home Alone: Bette Davis, a Personal Biography by Charlotte Chandler, Simon and Schuster (2006), pp. 98-99 Part of the Warner Brothers release was filmed on location in San Francisco.
Ms. magazine also honoured her for this performance with a feature article in its Fall 2005 issue. On 30 September 2005, Theron received a star on the Hollywood Walk of Fame. In 2007, Theron played a police detective in the critically acclaimed crime film In the Valley of Elah, and produced and starred as a reckless, slatternly mother in the little-seen drama film Sleepwalking, alongside Nick Stahl and AnnaSophia Robb. The Christian Science Monitor praised the latter film, commenting that "Despite its deficiencies, and the inadequate screen time allotted to Theron (who's quite good), Sleepwalking has a core of feeling".
In 1932, director Michael Curtiz showed Cromwell a print of his recently completed film The Cabin in the Cotton because Cromwell was interested in casting its leading man, Richard Barthelmess, in a project he was preparing. Instead of Barthelmess, Cromwell's attention was drawn to Bette Davis, whose portrayal of a femme fatale brought to mind the slatternly waitress Mildred in W. Somerset Maugham's 1915 novel Of Human Bondage. Cromwell knew producer Pandro S. Berman had purchased the rights to Maugham's story for Leslie Howard and when he suggested Davis would be the perfect co- star, Berman agreed.Stine, Whitney, and Davis, Bette, Mother Goddam: The Story of the Career of Bette Davis.
A story by Henry Lawson, was written in 1902 and included in Triangles of Life (1913). The story records the return home to his farm on New Year's Eve of a poor carpenter, who discovers that his three children and the household chores have been neglected by his neurotic and slatternly wife; after cleaning up and attending to his family during the night, the workman returns to his trade next morning. The setting of the story (Pipeclay), the fact that the foreign father's name is Nils, and the tension between the parents, suggest that the story is autobiographical. The story begins on New Year's Eve, with a father pacing steadily and hopelessly through the smothering darkness.
Kay is called to a meeting with Flood, and at Flood's apartment, she encounters some of his other associates: Roy, Flood's gopher and a slightly perverse, self-involved fitness enthusiast; and lookout man Harry, who has brought his slatternly girl friend, Doll, with him. Although Frank warned her against it, Kay tells Flood that she intends to leave after the heist, but insists that she is not involved with anyone else, and that Frank is loyal to him. After Flood and the others show up in San Felipe, Doll demands a cut of the robbery, prompting Flood to order Roy to kill her. Flood then explains to Harry that Doll split after he gave her some money.
Blanche became a star, while Jane, whose films were failures, languished in her shadow. Blanche had a clause in her contract stipulating that Jane have a role in every film in which Blanche appeared. Years later, Jane, a slatternly alcoholic who still dresses as if she were 10 years old, and Blanche, disabled after a mysterious car accident, continue to live together in the same mansion in a declining neighborhood. Jane resents having to live in the shadow of her sister (who became more famous than she ever was, and who is now being remembered because of a revival of her films on television), and hates having to cook, clean and care for Blanche.
When Peter the Great died in 1725, he left behind him the blooming, new capital of St. Petersburg, and the city of Moscow, now unstable because he had transferred the seat of power from that city to St. Petersburg. The now-abandoned Moscow and its suburbs attracted vast numbers of serfs and army deserters, who prompted the government to instigate change by “tightening serfdom and strengthening—or even just creating—administrative and estate institutions, and knitting all three into a seamless web of social control.” The increasing population created more waste that needed to be dealt with, and no real solution for getting rid of it. There was human waste, horse waste, and waste from tanneries, slaughterhouses and other slatternly industries, all of which was piling up on each other.

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