Bus (imagine driving with Anxiety merely as a screechy passenger).
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Chords of unity turn screechy when election winners implement bold agendas.
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"His vocabulary took on a screechy, 4Chan-friendly slant," The Fader wrote.
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Sarah was disappointed that I was disappointed in such a screechy tone.
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Senators fan: NO SIR I CANNOT AS OTTAWA FANS ARE VERY SCREECHY RIGHT NOW.
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" She described Feeeeer as "screechy — even more than grandma's friend who wears too much makeup.
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When the violins get screechy, and you suspect the killer is about the pounce, your stomach clenches.
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When produced mainly for quantity, carignan can produce wines that are screechy, tannic and high in alcohol.
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From bogle to butterfly, screechy to gully creep—the latest dance moves proved to be Jamaica's greatest export.
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"Shame's Triple Aria Transformation," performed with dramatic conviction by Devony Smith, distorts the voice with screechy, serrated effects.
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With his tone obscenely high and gratifyingly screechy, it sounds an awful lot like his boss is still going in.
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When government is divided, these checks become a screechy affair, and it's hard to know when one side is crying wolf.
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Except doing so brings up a screechy chirp sound that startled 100 percent of passengers who took a spin in my Odyssey.
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In episode 7, Cal makes use of this death knell, calling one of Stolin's men to his death with a screechy coo.
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"I'm working on some high notes, and they are sort of screechy," said Ms. Lay, 250, a former teacher in Tacoma, Wash.
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This guy was actually a good guy, and because she didn't take my screechy advice and dump him, he became an even better one.
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The process made a screechy, crackling noise that sounded like R21-D290 if you put him in a bag and threw him in the river.
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I settle for some Kelly Clarkson, and after my screechy but enthusiastic rendition of "Since U Been Gone," five (!) different women approach me, complimenting my performance.
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Attempting to offset the excess of bass sauce, B&O Play also overheats the treble of these headphones, making it screechy and unpleasant at higher volumes.
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If you're looking for that same "screechy modem" vibe without the cost, you can get a tee depicting AOL's log-in screens for a mere $20.
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His screechy, bomb-dropping set was a little at odds with Glastonbury's innate state of perpetual chill, but felt like the jolt needed to get things going.
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Sometimes the noise is due to the construction of the restaurants themselves, with no soft walls, ceilings or floor coverings to absorb the sound of excruciating, screechy conversation.
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Closer attention reveals harpsichords, flutes (both natural and pitch-shifted into screechy loops), quotes from Blake, folk songs, and choral singing (the album cover imitates the Deutsche Grammophon label).
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But as hours and days go by, and everyone becomes increasingly confused and degraded, Leticia unravels, dispatching accusations in vocal bursts that reach screechy highs, yet somehow sound angelic.
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"We tend to tighten the vocal chords when we are tense, and the high, sometimes screechy sound does not sound powerful," says Patti Wood, a body language expert and author.
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The orchestra's music often sounds like a chorus of beep-boops, or worse: Some compositions create screechy, metallic sounds, the noise a computer overlord would make when demolishing the human race.
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I took pictures of myself in the clothes, and looked at them, letting the screechy voices in my head say all sorts of nasty things about my body: Egads, a bulge!
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The shuddering track sounds almost like the demogorgon in Season 1 – it doesn't get as screechy, but it grates at the same nerves just enough to make your hairs stand on end.
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Everyone is far too involved in each other's business, because that's how sitcoms work, but the show's screechy self-loathing makes that seem damning and toxic rather than just antic and fun.
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Rayman opens with a tribal drum beat, then the hair-raising, screechy sound of giant flowers being bent at the neck—Rayman's mischievous titter, which he lets fly every time he finishes a stage, gets right on my nerves.
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The lead single "House of Jealous Lovers" holds the distinction of being DFA's first release, and its screechy-vocals and rusted cowbell beat definitely brings us back to the glory of dance music's golden lo-fi era, that it helped inaugurate.
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But "Frequent Dreamlands," the record's single, illustrates just about everything that the record does well in microcosm, as jittery rhythmic contortions and screechy atonal electronics underpin Farman's possessed murmurs, before breaking out into a cold-sweat of an acid riff.
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The project's progenitor, NKSV, serves up noodly, hard-charging, 80s-flavored heavy metal mixed with power metal bombast, thrashy breakaways, and screechy, distorted, black metal-inflected yelps that somewhat unnervingly recall both vintage Children of Bodom and early Leviathan's lo-fi sickness.
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It is also at times like this that I remember my brother Farshid's battery-operated toy robot from Japan, the one that magically shuffled across the floor, moving its arms up and down, while making screechy sounds that I assumed were futuristic.
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Yet the band's screechy, danceable post-punk sound, propelled by a rowdy organ and Mr. Lupton's wails, helped plant the seed of the New York rock revival that would bring the Strokes, Yeah Yeah Yeahs, Interpol and LCD Soundsystem to global acclaim.
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Zooming through the wide, sunny streets of Los Angeles, warm wind gently ruffling my light sweater — what could be a more idyllic alternative to lurching through the bowels of New York City in a screechy, rickety subway car packed with irritable commuters?
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So here is 2019 in its last moments: The actress Sharon Stone gets kicked off a dating app for being herself, while the ever-screechy President Trump gets to stay on Twitter after retweeting fake accounts and links that appear to unmask a whistle-blower.
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Captured on camera by Nicole Lewis in near Avery Lake, which borders Ontario, Canada, and Michigan, U.S., the two lynx appear to be having a mild territorial meltdown — according to National Geographic, lynx tend to do make this weird screechy noise in confrontations, particularly if it's a first meeting.
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When I was 12, a good mate of mine stood up in class, unprompted, and burst into an extremely serious and screechy a cappella rendition of Hilary Duff's "What Dreams Are Made Of" from The Lizzie McGuire Movie, just to impress this guy who wore Colgate-colored tracksuits every single day of the week.
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From what I gleaned, Aoki bounces between two modes during his sets: half of it is comprised of, for better or worse, exactly what the popular perception of EDM is, with all the squelchy, screechy, treble-y synths one could ask for, and booming bass dropping at the exact right time to spur the maximum amount of movement from Pavlov's ravers.
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In Mexico and other Latin American countries, kids grew up watching grown-ass adults dressed as freckly children in the vein of La Chilindrina (a character who is 8 years old but played by María Antonieta de las Nieves, who is 68) or beloved host Chabelo, an 84-year-old man meant to be some sort of very wrinkly child—complete with an affected screechy kid voice and a pair of overalls.
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They were said to be displeased with the "electric shocks, digital distortion, blisteringly brutal lyrics and the screechy vocals" of vocalist MayKay.
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The black-billed amazon's call is bugling while in flight however, while perched it growls and rumbles. Often its calls tend to be sharp and screechy.
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Jackson liked the performance. Abdul stated that she loves Bennett singing songs from the past eras. Cowell found it screechy and annoying. The second theme was songs on the current Billboard charts.
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Fletcher then formed Megative with ex-Stills producer Gus Van Go, songwriting duo Like Minds (Jesse Singer and Chris Soper) and dancehall performer Screechy Dan. In 2017, the ensemble debuted with the single "More Time". On July 27th, 2018, Megative released their self-titled debut album on Last Gang Records.
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Myrna Crenshaw Brown (July 6, 1959 – April 1, 2007), best known as Screechy Peach, was an American singer and songwriter. Initially the lead singer of Whild Peach, alongside her husband, guitarist David Whild, she would acquire fame in the 1990s due to her collaboration with such artists as Outkast and Macy Gray.
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Rita Repulsa was played by Machiko Soga in Zyuranger footage, played by Carla Perez in U.S. footage, and played by Sydney native Julia Cortez in Mighty Morphin Power Rangers: The Movie (1995). All her Power Rangers appearances are voiced by Barbara Goodson, who overdubs the actresses' lip movements with the unmistakable screechy voice that is among Rita's trademark characteristics.
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The tail is deeply forked, graduated black and white. The white spotted back easily identifies this species from other similar sized forktail. Its call is a shrill, screechy KREE, mostly given in flight; it also makes some shrill, squeaky notes while perched. It breeds mostly at 1200–3600 m, and descends to about 600 m in winter.
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Common Sense Media rated Candace as the 10th worst TV role model, claiming that "her primary motivations are pleasing her boyfriend and getting her brothers in trouble" and she was "a screechy, whiny stereotype of a girl", which could reinforce gender stereotypes. As the show progressed, Candace, along with Doofenshmirtz, became a fan favorite and was considered the breakout character of the series.
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We kept all sampling in-house and created our own soundscape in a way." Earthling was the first Bowie album recorded entirely digitally, "entirely on hard disk." During interviews promoting the album, Bowie said, "I did nearly everything on the guitar. A lot of screechy-scrawly stuff was done on saxophone, then transferred to sampler, and then distorted and worked on the synthesizer.
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The song fuses hip- hop and dance as Minaj delivers her lyrics in a Caribbean accent. It is composed in a "futuristic" style with heavy drum beats. It carries a "chaotic" beat with "screechy Euro-club synths" compared to Timbaland. Minaj references E.T. The Extra Terrestrial, Mr. Miyagi, The Phantom of the Opera, and Simba and Mufasa of The Lion King film in her lines.
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It may open its mouth wide in a threat display. Like its congeners, it feeds on insects, catching them in flight or gleaning them from the ground or tree branches. It is sometimes mobbed at its day roost by small songbirds. It is vocal at dusk, the call of the female being a loud, screechy "shkeerauuw" which drops in volume and ends is a series of hiccups.
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Chris Mincher of The A.V. Club was critical about the track, finding fault in Nathan Willett's voice going from "a mere Jack White-style wail to screechy barking" but overall found it to be "an otherwise fine tune". The song was voted number 38 in the Triple J Hottest 100, 2008, their third song to appear on that chart since 2007's "Hang Me Up to Dry" and "Hospital Beds".
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Her performance is marred only by her screechy pop vocal production. ... Kroger has built a substantial career on his pretty-boy looks. As Maxim, they work against him: He seems too young, too fey, too lightweight for such a haunted, world-weary character. His singing, while impassioned, is merely adequate, but he rises to the challenge of confessing his hatred for Rebecca in "No Smile Was Ever as Cold".
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In 1993, Kiss did an instrumental rock version as the closing track on their album, Alive III. Roseanne Barr gave a controversial performance of the anthem at a San Diego Padres baseball game at Jack Murphy Stadium on July 25, 1990. The comedian belted out a screechy rendition of the song, and afterward, she mocked ballplayers by spitting and grabbing her crotch as if adjusting a protective cup.
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The music was described as too loud and "aggressively screechy". Reviews were also critical of the cast, with Michaelis' portrayal of Executive Editor's 15-year-old daughter widely considered inept. Simon wrote that she looks "30 and appalling". Some faint praise was given to Crivello's portrayal of Killer, with Simon writing that he "at least tries for a genuine performance", and Kuchwara calling his song "Shooting Stars" the best of the evening.
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When You Get a Little Lonely received mainly negative reviews from critics. Some commentators recommended it for fans of The Brady Bunch. Pemberton Roach described McCormick as a "competent singer" with enthusiasm but said her upper register was "a little screechy at times". Roach cited "Cloud of Dust" as a highlight but was less positive about the album as a whole and said it "sounds like a well-produced L.A. songwriter demo".
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Then in a hoarse voice, mangling the > language, she began warbling a sentimental Russian song, "Ptichka > Kanareyka", dearest little canary, about a young man who sends out a canary > with a greeting for his beloved. The old beggar woman's screechy voice and > outlandish appearance made a terrible impression on me. I gave her some > coins and tried to hurry off. But she blocked my way, taring into my eyes > and squawking her horrible song.
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Reviewing for The Village Voice in December 1983, Robert Christgau said, "More than ex-fusioneer Dr. Know on 'gits,' it's the distinctive if not exactly authoritative blackboard-screechy 'throat' of H.R. that provides the quality here, and I like it, kind of. Though this repeats five tunes from their ROIR cassette, it's definitive by virtue of its Ric Ocasek production and vinyl audio." Kurt Cobain listed Rock for Light in his top fifty albums of all time.
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In 2014, he formed the band Beat Cops with Mikey Heppner (of Priestess fame), releasing the album Mean Streets in 2015. That same year, Fletcher released the album Punks on the Moon with his project Voizes. Inspired by 1970s-era UK punk and reggae, Fletcher formed Megative with ex-Stills producer Gus Van Go, songwriting duo Like Minds (Jesse Singer and Chris Soper) and dancehall performer Screechy Dan. In 2017, the ensemble debuted with the single "More Time".
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Fest with bands Ion Dissonance, Dead to Fall, and Through the Eyes of the Dead. Also in 2007, the band joined Lifeforce Records and released their album Transmetropolitan in September. The band during these times gained a lot of notoriety in their home city due to their lead vocalist, Steffan Winopal's extremely screechy and "dying" sound he gave off in his screamed vocals, distinguishing the band from many others that played in a similar style. They were also one of the first groups to incorporate jazz influence into their heavy sound around their area.
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John Patterson (born February 17, 1950Classic Content: John), is a dentist, whose hobby is model railroading. Although their marriage was shown as strong, their personalities and priorities often conflict: John is prone to splurging on expensive items such as stereos and luxury automobiles while Elly endeavors to be frugal. He is based on Lynn Johnston's real-life ex-husband Rod, also a dentist and model railroader. The flip side is that often with child discipline John is the cooler head, whereupon Elly is typically screechy in most situations.
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" He added, "Together, they are a model couple. They have healthy banter, intense arguments, plenty of romance, and an easy comfort with each other." Reviewer Abbie Bernstein of the Audio Video Revolution website wrote that Tessa was "depicted not as a screechy, in-the-dark Lois Lane but rather as a woman who handles her lover’s supernatural aspects with remarkable pragmatism." Berstein added Tessa was "an unusually gutsy love interest (not to mention a refreshing sexually active heroine, as opposed to the coy 'sexual tension'-generating females who usually populate the genre).
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According to the official Jesus Christ Superstar website, in the song: The song is noted for, after a slow beginning, launching into more of a "rock and roll" feel than many other songs in the musical, and being sung by a "growling bass-voiced Caiaphas and his screechy tenor minions".Jessica Sternfeld, The Megamusical (2006), p. 48. The song has also been described as "a throwback to pre-Second World War depictions" of "threatening Jews", although "their evil is somewhat modified".Pamela Grace, The Religious Film: Christianity and the Hagiopic (2009), p. 95.
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Despite grossing $97.8 million worldwide, the movie received unfavorable reviews; Seattle Post-Intelligencer wrote: "Pfeiffer, apparently stymied by the bland clichés that prop up her screechy role, delivers her flattest, phoniest performance ever." Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material." Pfeiffer took on the role of a murderous artist, named Ingrid Magnussen, in the drama White Oleander (2002), with Alison Lohman (in her film début), Renée Zellweger and Robin Wright.
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Just under six weeks into his new ownership role, he attempted to cross-promote the team with one of his television series in between games of a twi-night doubleheader versus the Cincinnati Reds at Jack Murphy Stadium on July 25, 1990. He had invited Roseanne Barr, the eponymous star of one of his sitcoms, to perform The Star-Spangled Banner on an evening billed as Working Women's Night at the ballpark. She comically sang the national anthem with a loud, screechy voice. After finishing her rendition, she grabbed her crotch and spat at the ground in an attempt to parody baseball players.
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Time magazine has noted that Hamasaki lacked talents such as the dance moves of Namie Amuro, the "supermodel allure" of Hitomi, and the "vocal pyrotechnics" of Hikaru Utada. Her own fans even considered her high- pitched voice screechy. However, her music is sometimes considered one of the major forces in shaping Japan's current music trends; this has been attributed to her constantly changing image as well as her self-penned lyrics, though critics credit clever marketing strategies. Hamasaki is also noted for the visual aspects of her artistry: she is considered a fashion trendsetter, with her influence extending beyond Japan.
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She recalled that she often had to curl her hair in the car and put on reflective clothing inside pub toilets, and that "when the screechy guitar on 'Everything ... ' began, the crowd would roar like a football stadium." Once she had performed, she used to start dancing inside the crowd, during which she would find herself bombarded with people claiming that she had changed their lives. Looking back in 2001, Simon Cantlon of AllMusic gave the song a negative review, noting that the song "had not aged well" although conceded that the track "is considered a classic by some".
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PACER used technology that was "designed in the bygone days of screechy telephone modems ... putting the nation's legal system behind a wall of cash and kludge." Malamud appealed to fellow activists, urging them to visit one of 17 libraries conducting a free trial of the PACER system, download court documents, and send them to him for public distribution. After reading Malamud's call for action, Swartz used a Perl computer script running on Amazon cloud servers to download the documents, using credentials belonging to a Sacramento library. From September 4 to 20, 2008, it accessed documents and uploaded them to a cloud computing service.
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Garrett Lambert (played by Erik Charles Nielsen) is a nerdy and out-of-shape student at Greendale with a frighteningly screechy and anxious-sounding way of speaking. He takes several classes with some of the main cast. There have been several student- led movements to "save" Garrett, despite the fact that he has no apparent illnesses, and Jeff and Annie have been left wondering if those saviour plans actually worked or not ("Digital Exploration of Interior Design"). His middle name is revealed as being Xander in the credits for Abed's documentary in the season 4 episode "Advanced Documentary Filmmaking".
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As part of his emotional and sensitive character, Steve is combined with a screechy wail. Despite his wimpy and nerdy characteristics, Steve is particularly conceited and obnoxious. He is all too often a showman, always ready to put on a performance and show off his "talents", typically singing/dance wise. Steve is usually accompanied by his equally uncool friends: "Snot", Steve's closest friend with whom he shares a bromance, the two once even having shared in a kiss together (in the episode "License to Till"); Toshi, who is an Asian American and only speaks Japanese; and Barry, who is morbidly obese with an inarticulate, strident, and sloppy vocal quality.
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On July 25, 1990, Barr performed "The Star-Spangled Banner" off-key before a baseball game between the San Diego Padres and Cincinnati Reds at Jack Murphy Stadium. She later said she was singing as loudly as possible to hear herself over the public- address system, so her rendition of the song sounded "screechy". Following her rendition, she mimicked the often-seen actions of players by spitting and grabbing her crotch as if adjusting a protective cup. Barr later said that the Padres had suggested she "bring humor to the song", but many criticized the episode, including President George H. W. Bush, who called her rendition "disgraceful".
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In 2008, Malamud announced that the federal court archive Public Access to Electronic Court Records was charging 8 cents per page for information he contended should be free, because federal documents are not covered by copyright. The fees were "plowed back to the courts to finance technology, but the system [ran] a budget surplus of some $150 million, according to court reports," reported The New York Times. PACER used technology that was "designed in the bygone days of screechy telephone modems ... put[ting] the nation's legal system behind a wall of cash and kludge." Malamud appealed to fellow activists, urging them to visit one of 17 libraries conducting a free trial of the PACER system, download court documents, and send them to him for public distribution.
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The original lineup, and that which appears on the demo, consisted of only four members; Price playing bass and Allen playing guitar. Timmy Moreno was soon added as a bassist. In a 2018 interview with Revolver the band revealed that they had plans to release a debut full-length album sometime in 2019, the group were in the writing stage as of when the interview was taken place in August. Connie Sgarbossa hinted of what is to come: "There's going to be sassing, there's going to be breakdowns … there's going to be weird, screechy shit." As of January 25, 2019 it was revealed the band had signed to Pure Noise Records, speaking about their new partnership with Pure Noise Records, the band said: “We are beyond happy to be part of the Pure Noise family.
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Thomas Smith of NME saw "Bury a Friend" as "a sizeable middle finger to anyone who expected a twinkly ballad befitting to her lone EP, 2017's Don't Smile at Me", as well as a "statement" for "vocalising the uncertainties and inquisitions of a generation ready to make their mark". DIY Lisa Wright labelled the song "intoxicating and intriguing – aka exactly what you want from a new star". Chloe Gilke of Uproxx praised the "full of bizarre, screechy flourishes and dips into the nightmarish" and claimed that "somehow the song’s lyrics are just as specific and creepy". Similarly, an editor for The Music Network commented on the song's "sinister [nature] in name and "lyric" and claimed that it is "unsettling", despite there being "something" tranquil and thoughtful about it".
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" Recognizing Denise's characterization on A Different World among 752 Things We Love to Hate (and Hate to Love) about TV, author Tara Ariano wrote that young female fans were generally unbothered by Bonet's tendency to "deliver her lines either in a monotone or screechy whine" while "looking at Denise with the eyes of love." Erin Faith Wilson of AfterEllen.com called A Different World one of her favorite shows "because of my love for Denise Huxtable", elaborating, "her clothes were amazing, she was incredibly intelligent and she didn’t put up with shit from anyone ... At the time, she seemed to scream feminism and I couldn’t get enough." Bustle's Rikki Byrd wrote, "Although it was sad to see her go, the little bit of time she was on offered up enough style inspiration to last a decade.
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Critical response for Infinity on High was quite positive, with many praising Stump's vocals and the album's new musical direction. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 75, based on 23 reviews, which indicates "generally favorable reviews". Jody Rosen of Entertainment Weekly commended the band's "new sense of swing" on its R&B-influenced; songs and noted that Stump "has evolved into a superb frontman." Dave de Silva of Sputnikmusic agreed about Stump's new vocal style, saying that "his tone is smoother and more well-rounded, he’s cut out the borderline screechy high-end which made parts of the previous album unlistenable and, though occasionally still nasally, his tones are far more varied and adaptable to different styles" as well as calling Wentz' lyrics "as sharp as ever".
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Reviewing Debut, Heather Phares of AllMusic, noted that "Björk's playful energy ignites the dance-pop-like "Big Time Sensuality" and turns the genre on its head with "There's More to Life Than This." Recorded live at the Milk Bar Toilets, it captures the dancefloor's sweaty, claustrophobic groove, but her impish voice gives it an almost alien feel". The website cites the track as an All Media Network-pick, and in a track review, Stacia Proefrock defined the track as an "aggressive, screechy dance number" that "While not scraping the top of the charts[...] was part of an album unusual enough to stand out among its fellow pop releases as a quirky and complex experiment that worked most of the time". "Big Time Sensuality" was nominated in the Best Song category at the 1994 MTV Europe Music Awards, losing to "7 Seconds" by Youssou N'Dour and Neneh Cherry.
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"1+1" was lauded by music critics, who complimented the effective display of Beyoncé's emotive vocals due to the use of light instrumentation, and approved that the ballad was the opening song on 4. AOL Music's Contessa Gayles called it "an achy, screechy ballad – in the best way possible" and Nadine Cheung from AOL Radio noted that the minimal instrumentation highlights the song's lyrics, and effectively show Beyoncé's "powerful voice and impressive control", further writing, "The professions are so intense that there's no need for a complicated bridge or dramatic key change." Brandon Soderberg from Pitchfork wrote, "she really digs in and sells the song's knotty qualities, and when that over-the-top guitar break appears exactly when it should, it's cathartic. At that precise moment, this passionate pastiche of timeless pop becomes a classic all its own." Ryan Dombal, writing for the same music webzine, commented that Adele's 'Someone Like You' is the only recent pop ballad which comes close to "the power" of "1+1".
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Collins joined the cast of Mad TV at the beginning of season 4 (Fall 1998) and stayed until the end of season 9 (Spring 2004), despite appearing in only 14 episodes during the ninth season. Her popular stint on the show led her to come back to guest star in 2005 during Season 10, in 2007 during the 300th episode on season 13, final episode of season 14 in 2009 and the 20th anniversary reunion special in 2016. She was also known for trying to stifle laughter during some of her skits much like Harvey Korman on The Carol Burnett Show. Her most featured and arguably most popular characters were Doreen, the screechy-voiced mother of overgrown toddler Stuart (when Mo Collins left the show, Doreen was written off as being asleep after her latest alcoholic bender or never mentioned); the odd, annoying, confused middle-aged woman Lorraine, and the perpetually unlucky Trina.
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They're shot and performed with verve, and they put to shame those medleys contestants often perform on the Wednesday edition of American Idol", but again observed: "Whether it will work as a satirical dramedy about the cutthroat social environment of high school is another matter." Of the principal cast, Ryan said: "Casting Matthew Morrison as Will Schuester [...] was a wise move; the actor not only has a sweet voice but a hangdog hopefulness that gives a needed anchor to the show's more satirical elements. Cory Monteith gives quarterback Finn Hudson a jock-ish authority mixed with an appealingly square naivete, and Lea Michele not only has an amazing voice but manages to make her character, spoiled diva Rachel Berry, more than a humorless stereotype." She was critical, however, of Gilsig as Terri, calling her "the worst thing about Glee" and opining: "As written by Murphy and played by Gilsig, the character is screechy, unfunny and deeply unpleasant.
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