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"unmusical" Definitions
  1. (of a sound) unpleasant to listen to
  2. (of a person) unable to play or enjoy music opposite musical

81 Sentences With "unmusical"

How to use unmusical in a sentence? Find typical usage patterns (collocations)/phrases/context for "unmusical" and check conjugation/comparative form for "unmusical". Mastering all the usages of "unmusical" from sentence examples published by news publications.

Mr. Glass's piano études have been criticized as unmusical, or even boring.
His parents were unmusical Russian-Jewish immigrants who ran various businesses with mixed success.
Despite what many of us were unfortunately told as kids, there's no such thing as an "unmusical" person.
The composer Kate Soper has made a specialty of turning dense, thorny, seemingly unmusical sources into elegant, surprisingly poignant art.
But any originality that her version brings consists of unmusical and exaggerated overemphasis, while her most striking ideas all seem derivative.
Next give Alma a hankering for poetry and cathedrals in a town that has none, and a job teaching voice to unmusical girls.
For more than a generation, the Metropolitan Opera has presented a series of genuinely dreadful "Don Giovanni" stagings: overproduced, silly, illogical and unmusical.
I can influence the sounds with my hands, but it's neither a musical instrument, requiring skill, nor a toy, effortlessly spouting out unmusical noise.
I was exceptionally unmusical, but my brother played lead guitar for a well-loved band called the Whirlwinds which, after time, morphed into 10cc.
Underneath its modern (and fairly unmusical) surface is an outdated formula whereby the ballerina, taking advantage of a willing male partner, displays her vague moodiness.
His family, he said, was for the most part unmusical: As a boy, Gilbert endured three years of piano lessons and played the guitar a little.
On my initial foray I had to stop midway through the first disc even though I was enjoying myself—it was that hectic, that fundamentally unmusical.
Yet in real life, the shared musical gifts of mother and son appeared to unite them against the father, who for all his poetic genius was largely unmusical.
This new production has the merit of replacing Christopher Wheeldon's (20143), probably the worst and most unmusical of the more than 20 versions of "Swan Lake" I have seen.
Childbirth: Women's Rights (Suicide Squeeze) Feminist jokes over punk-rock thrash—fun though it undeniably is, it sounds suspiciously easy and unmusical until you compare the debut, which is both.
Mr. van Dantzig's choreography, imbued with oddities here and there, was repetitive and frequently unmusical; it seemed to unfold in slow motion, and the cast responded with hesitant, mannered dancing.
"The bird's call comprises a series of short, rapidly uttered, unmusical notes in one pitch, increasing in volume and ending with a short series of distinct double notes," the agency wrote.
Now past five plays on both discs, I'm still chuckling at jokes I know and catching new ones, and in some vaguely avant-garde way no longer finding the thing unmusical.
"36 Questions" was conceived by Skip Bronkie and Zack Akers of Two-Up Productions — a team whose previous podcast effort, the creepy, distinctly unmusical "Limetown," was an adrenaline cascade disguised as docudrama.
Yet in the wider spaces of "A Place Called Winter," Gale plants unmusical patches of exposition — how to install plumbing in a frontier home, for instance — that point to commendable research but don't make for great fiction.
A flock of starlings is the bane of the bird feeder — a vast, clamoring mob of unmusical birds soiling the windshields and lawn furniture, muscling one another aside so violently that no other birds dare draw near the suet.
In Act I, he brought bullish intensity to a monstrously unmusical setting of Schiller's "Freude Schöner Götterfunken," the basis of Beethoven's "Ode to Joy," which here figured as an ominous expression of the Germanophile leanings of the Victorian upper class.
Bina, a tall, talented, music-loving, guitar-playing black-haired girl of 13, has a longtime best friend, short, blond, unmusical Austin, who is off to soccer camp for a month, leaving Bina at loose ends because in past summers they always played a special game together.
If, today, you go to YouTube and listen to people who have spoken Esperanto from early childhood, you will hear something that sounds vaguely Eastern European and, though unmusical, perfectly O.K. But Zamenhof did not put together Esperanto in order to show that he could invent a language.
The calls are generally unmusical and are described as guttural, harsh and rasping.
The Damara canary is a common and gregarious seed-eater, forming flocks of up to 200 birds. Its call is a low tseett, and the male's song is a jumble of unmusical notes.
The Damara canary is a common and gregarious seed-eater, forming flocks of up to 200 birds. Its call is a low tseett, and the male's song is a jumble of unmusical notes.
Leikin (1994), p. 177.Petty (1999), p. 289. The last movement of Chopin's Op. 35, a brief (75-bar) perpetuum mobile in which the hands play in unmodified octave unison throughout, was found shocking and unmusical by contemporaries, including Schumann.
She further found that nobody is absolutely unmusical, "for if you are taught to develop your sense of hearing early enough, you become musical. Unmusical persona are merely those who have not had the opportunity to develop their ability.The St. Catharine's Standard, 1969 Bradley's researchers, headed up by Grace Barnes, concluded that "When children have reached the age of two, they have learned the hardest of all: to walk and talk. In so doing, they have expended a tremendous amount of energy but after that, there is no demand upon that energy until they reach school age.
In conventional musical practices sounds that are considered unmusical tend to be treated as noise.Scholes 1970, 10, 686. Oscillations and Waves defines noise as irregular vibrations of an object, in contrast to the periodical, patterned structure of music.Reddy, Badami, Balasubramanian 1994, 206.
Pitchfork Media's Jessica Hopper wrote that "'Phresh Out the Runway' is capitalist braggadocio (nonsense grade) so static it borders on unmusical." Sarah H. Grant of Consequence of Sound called both "Right Now" and "Phresh Out the Runway" "texturally layered", but "lyrically barren".
Southern rough-winged swallows forage for insects in flight, usually flying low with a slow deliberate flight. The call is an unmusical chirrup. "Rough-winged" refers to the serrated edge of the outer primary feathers on the wing of this bird; this feature would only be apparent when holding this bird.
Haydn was of humble family, perhaps unusually so for a famous composer. His parents were working people (his mother Anna Maria was a former cook, his father Mathias a master wheelwright). They lived in an obscure rural village, and had no musical training. This is not to say they were unmusical, however.
The males song includes a series of unmusical, chattering sounds followed by a wheezing phrase and lasts roughly three seconds "cheg chig cheg cheg chega zzzzzzzzzzzzzzzz", and is similar to that of the village weaver. The females' song is similar but lacks the wheezing part at the end "cheg cheg chig chag chaaag cheg chiiig".
In the early 1990s, the rigsar industry grew considerably as Drayang repopularized the genre, adding more electronic elements. Modern rigsar recordings often use electronic approximations of drums and guitars. Suresh Moktan released an album, New Waves, in 1996 that is the highest-grossing Bhutanese album in sales. However, he has now begun criticizing rigsar as unmusical.
Sigmund Freud discussed shortly some musical phenomena in his book The Interpretation of Dreams (1900), but he was more interested in other arts, especially literature and the visual arts. Freud’s attitude toward music was ambivalent. He described himself as being "ganz unmusikalisch" (totally unmusical).Freud, S. (1936) Letter to M. Bonaparte, 06.12.36. In letters of Sigmund Freud, 1873-1939.
The most common criticism of the Hanon exercises is that having students drill on purely physical exercises results in an unmusical, mechanistic attitude toward the piano. Critics argue that practicing in an unmusical way dulls one's musical instincts, especially when forced upon children and beginners (though in the introduction Hanon does state that the book should be begun a year or so after beginning piano study), who need to cultivate their musicality rather than inure themselves to rote physicality. It is also argued that it is more efficacious to practice one's musicality as one practices one's technique; training in most art forms involves practicing technique, however repetitively, within artistic context. It is further argued that musicality drives technique; the flow of musical expression is a potent motivator to finger agility.
During this period, probably in early 1542, he made the acquaintance of Michelangelo, but his madrigalian settings of two of the artist's sonnets were received with indifference; indeed, from Michelangelo's letters on the topic, he probably considered himself unmusical and incapable of appreciating Arcadelt's work. Michelangelo paid Arcadelt with a piece of satin suitable for making into a doublet.Einstein, Vol. I pp.
The moving eyelids on a vast carved face of Poseidon reminded one of a doll's. "Rarely can so much meaningless and trivial graffiti have been scribbled over a great work of art". The casting prioritized famous names over Mozartian expertise. Ileana Cotrubaș, "inexplicably" popular on the other side of the Atlantic, had a "nondescript" voice and was "unmusical to boot".
It is a vocal species with a variety of sounds. It has a jingling song given in the aerial breeding display, and a number of contact calls, kee-r-r, chee-chee and similar short, unmusical sounds. Flocks call together, cheer- cheer-cheer, as they take to the air, and this martin is very vocal during migration, giving harsh gull-like calls.
A Singer's Notebook thought Streisand's vocals sounded "repressed". Scotland on Sunday, in an article about the inappropriateness and limitations of many crossover albums, described Streisand's effort as a " decidedly dangerous liaison". Classical pianist Glenn Gould wrote: "For me, the Streisand voice is one of the natural wonders of the age, an instrument of infinite diversity and timbral resource...Nothing in this album is insensitive or unmusical".
The sexes are similar, while the juvenile is more buff with some streaking on the belly. The olive sparrow looks similar to the green-tailed towhee but is smaller and lacks a rusty cap. The olive sparrow does not migrate, and is resident in thickets, chaparral, and undergrowth near forests, from sea level to . Males sing unmusical chip notes similar to the swamp sparrow.
Adults are grey-black on the upperparts with light underparts; they have a long black tail with a white end and long, pointed wings. They have a red patch on their crown, seldom seen. They are of average size for a kingbird, at , across the wings and weighing . The call is a high-pitched, buzzing and unmusical chirp, frequently compared to an electric fence.
He kept expressing his deep dislike of the French, their character, their rudeness, their being "frightfully arrogant", and he was "appalled by their general immorality". Like Jean-Jacques Rousseau, Mozart found the French language inherently unmusical and "so damned impossible where music is concerned",Mozart's letter of 9 July 1778, in . ironizing that "the devil himself must have invented the language of these people".
Jimi Hendrix revolutionised rock and jazz by incorporating noise through techniques such as feedback, distortion, wah, fuzz, dissonance, and loud volume. A Dolby 361 A-type noise reduction module. In music, noise is variously described as unpitched, indeterminate, uncontrolled, loud, unmusical, or unwanted sound. Noise is an important component of the sound of the human voice and all musical instruments, particularly in unpitched percussion instruments and electric guitars (using distortion).
At a certain point, Plato complained about the new music: > Our music was once divided into its proper forms ... It was not permitted to > exchange the melodic styles of these established forms and others. Knowledge > and informed judgment penalized disobedience. There were no whistles, > unmusical mob-noises, or clapping for applause. The rule was to listen > silently and learn; boys, teachers, and the crowd were kept in order by > threat of the stick.
The tail feathers are reddish-brown with faint transverse bars being visible in some individuals and the under- tail coverts are streaked. The slender legs and the feet are pale yellowish- brown. Dartmoor, England The song is an unmusical long, high-pitched reeling trill performed with beak held wide open and the whole body vibrating. It lasts for from a few seconds to two or three minutes with hardly a pause for breath.
" Anders Nunstedt from Expressen initially gave the album a positive review, rating it three stars out of five and praising Gessle's songwriting and Clarence Öfwerman's production. However, in recent years, he has given a more critical overview of the album. Speaking of Room Service in relation to Roxette's other studio albums, he called it "Outdated, unattractive and also relatively unmusical." He also hypothesized: "On Have a Nice Day, you heard a band that had lost its compass.
Wingspan ranges from 7.5-7.8 in (19-19.7 cm). This bird gives a sharp tup or thick call, like that of Townsend's warbler but flat and unmusical, as well as a high see flight call. The male's song is a series of buzzy notes, with the earlier notes doubled and the next to last note high. This song has three variations, including a quiet "soft song" given by the males while following females gathering material for a nest.
Although his works are considered by some, including Hamelin, to be unmusical, this view is not held by everyone. Despite his current obscurity, some of his Op. 63 études were included in piano collections edited by Isidor Philipp, and there is a street in Rouen named after him. Recently, five of his Op. 63 études have been recorded by Cyprien Katsaris. As a writer on music, he is known for his study Les Clavecinistes de 1637 à 1790, written between 1864 and 1867.
The thick-billed weaver (Amblyospiza albifrons), or grosbeak weaver, is a distinctive and bold species of weaver bird that is native to the Afrotropics. It comprises the monotypic genus Amblyospiza and subfamily Amblyospizinae. They have particularly strong mandibles, which are employed to extricate the seeds in nutlets and drupes, and their songs are comparatively unmusical and harsh. Their colonial nests are readily distinguishable from those of other weavers, due to their form and placement, and the fine strands used in their construction.
Sixteen Stone received mostly positive feedback from music critics. Q wrote that Bush "make a carefully honed post-grunge sound that fits perfectly alongside American counterparts like Stone Temple Pilots or Live." In a four out of five star review, Stephen Thomas Erlewine of AllMusic calls their sound impressive, but states that the band sounds too much like Seattle rockers Nirvana and Pearl Jam. Robert Christgau was more critical in The Village Voice, regarding it as a "not altogether unmusical howl of male pain" that glorified "despair".
Castle Garden, New York, venue of Lind's first American concerts Barnum became aware of the popularity of Jenny Lind, the "Swedish Nightingale", during his European tour with Tom Thumb when her career was at its height in Europe. Barnum had never heard her and conceded to being unmusical himself,Rogers, Francis. "Jenny Lind", The Musical Quarterly, Vol. 32, No. 3 (July 1946), pp. 437–48 but he approached her to sing in America at $1,000 a night for 150 nights, all expenses paid by him.
His vast repertoire also includes songs from contemporary writers like Si Kahn (e.g. "Gone Gonna Rise Again", "Rubber Blubber Whale") as well as a large body of his own music. When McCutcheon became a father in the early 1980s he found most children's music "unmusical and condescending", and sought to change the situation by releasing a children's album, Howjadoo, in 1983. Originally, he had only intended to do one children's record, but the popularity of this first effort led to the production of seven additional children's albums.
According to sound engineer Owsley Stanley, "The Countryman pickup worked by an electrostatic principle similar to the way a condenser mic works. It was charged with a very high voltage, and thus was very cantankerous to set up and use. It had a way of crackling in humid conditions and making other rather unmusical sounds if not set up just right, but when it worked it was truly brilliant." The control box also enabled Godchaux to use a wah-wah pedal with the instrument.
Ludovic Halévy and Henri Meilhac, who together wrote the libretto for Carmen Meilhac and Halévy were a long-standing duo with an established division of labour: Meilhac, who was completely unmusical, wrote the dialogue and Halévy the verses.Dean 1965, pp. 112–13 There is no clear indication of when work began on Carmen. Bizet and the two librettists were all in Paris during 1873 and easily able to meet; thus there is little written record or correspondence relating to the beginning of the collaboration.
The elfin woods warbler's song and call are difficult to hear.To listen to the sound of this species click here . The species has a subtle voice and its call and song resemble those of the bananaquit, the most abundant bird in Puerto Rico. The song is a series of "short, rapidly uttered, rather unmusical notes on one pitch, swelling in volume and terminating with a short series of distinct double syllables sounding slightly lower in pitch" while the call has been described as "a single, short, metallic chip".
They have long, flattened bills (as do many flycatching birds) with serrated edges; the upper mandible is black and the lower is red with a little black. The legs, and especially the feet, are small. Todies are highly vocal, except that the Jamaican tody seldom calls in the non-breeding season (August to November); they give simple, unmusical buzzing notes, beeps, and guttural rattles, puffing their throats out with every call. Their wings produce a "strange, whirring rattle", though mostly when courting or defending territory in the Puerto Rican tody.
They have long, flattened bills (as do many flycatching birds) with serrated edges; the upper mandible is black and the lower is red with a little black. The legs, and especially the feet, are small. Todies are highly vocal, except that the Jamaican tody seldom calls in the non-breeding season (August to November); they give simple, unmusical buzzing notes, beeps, and guttural rattles, puffing their throats out with every call. Their wings produce a "strange, whirring rattle", though mostly when courting or defending territory in the Puerto Rican tody.
This martin has red eyes, a broad orange-red bill and a black, square tail. Young birds are similar in appearance to the adults, but have browner plumage. This species has a variety of unmusical calls, and displays both in flight and on the ground, although the purpose of the terrestrial display is unknown. The main breeding areas are in the Democratic Republic of the Congo (DRC) along the Congo River and its tributary, the Ubangi, in habitats characterised by a mixture of tropical forest types including swampy or seasonally flooded woodland.
Two months later, the band gained "national notoriosity in unmusical ways and gains lots of fans who haven't even heard the Demo and lots of enemies and death threats". In September 2002, the second demo Al Nabi Mojrem Moghtaseib Dajjal was recorded. In November 2002, Ayman left the band; Ayat became inactive until June 2003, when they were reformed with Ayman and Tenebra's drummer Commander as session members. Ayman left the band a month later "in an uncourteous way which pisses off Ayat greatly", whereas Commander stayed in the band for a few more weeks before they stopped their activities again.
" The Associated Press reported "Passion? Yes. Power. No. Bocelli's voice – though robust in spirit and precisely in tune, even in the upper register – had a thin quality that never opened up." Similarly, classical music critic Andrew Clements found Bocelli's studio opera recordings consistently disappointing in quality: "Bocelli's profoundly unmusical contribution, with its unvaryingly coarse tone, wayward intonation and never a phrase properly shaped, fatally undermines all their contributions." Anne Midgette of The New York Times agreed, noting "a thinness of voice, oddly anemic phrasing (including shortchanging upper notes of phrases in a most untenorial manner), a curious lack of expression.
The decision was up to mission inspector Johannes Spiecker, however, who had just returned from South West Africa and already decided to send Vedder to Swakopmund. To those on the committee who countered with Vedder's aptitude for China, he had a short, succinct retort: "Of all the missionary languages, Chinese is spoken in four pitches; Vedder is completely unmusical; therefore he cannot learn the language. So he can't go to China either!" After the committee meeting, Vedder was given his orders to go to Swakopmund, first living with the missionary Johannes Friedrich Albrecht Böhm in Walvis Bay.
Retrieved May 1, 2020 Sean O'Hagan says Basil Kirchin's music "felt very real, very odd and slightly dangerous," "It brought me to very odd areas - noisy experimental, totally unmusical forays but also very lyrical songs and some absolutely beautiful film music" And Bob Stanley remembers listening to a track called Mind on the Run and described it as "terrific," "possibly something from the Avengers, like a chase scene or something, there's that really frenetic drumming and organ work. It's a great piece of music."Mistry, Pritti, "Basil Kirchin: The Forgotten Genius of UK Music", BBC News.
Musical notes documenting male vocalizations, compiled by Wallace Craig, 1911 The noise produced by flocks of passenger pigeons was described as deafening, audible for miles away, and the bird's voice as loud, harsh, and unmusical. It was also described by some as clucks, twittering, and cooing, and as a series of low notes instead of actual song. The birds apparently made croaking noises when building nests, and bell-like sounds when mating. During feeding, some individuals would give alarm calls when facing a threat, and the rest of the flock would join the sound while taking off.
After remarking that Derby could no longer be called an "unmusical town", it goes on: "not only was the largest hall in the town (the Corn Exchange) crowded to excess but we are informed that scores were turned away from the doors for whom the managers were unable to find room." Within a few years some of the novelty of the Choral Union had worn off. Less than capacity audiences were reported and the reviews in the press became more critical: a good sign that for the first time musical standards were being used to judge performances.
The common starling (Sturnus vulgaris), also known as the European starling in the United States or simply the starling in the British Isles, is a medium- sized passerine bird in the starling family, Sturnidae. It is about long and has glossy black plumage with a metallic sheen, which is speckled with white at some times of year. The legs are pink and the bill is black in winter and yellow in summer; young birds have browner plumage than the adults. It is a noisy bird, especially in communal roosts and other gregarious situations, with an unmusical but varied song.
" Knight agreed, and telegraphed to the Land Office in Washington, D.C. to officially change all federal maps to now read "Lake Tahoe." Knight later explained his desire for a name change, writing, "I remarked (to many) that people had expressed dissatisfaction with the name "Bigler", bestowed in honor of a man who had not distinguished himself by any single achievement, and I thought now would be a good time to select an appropriate name and fix it forever on that beautiful sheet of water." "Lake Tahoe," also like "Lake Bigler," did not gain universal acceptance. Mark Twain, a critic of the new name, called it an "unmusical cognomen.
" Knight agreed, and telegraphed to the Land Office in Washington, D.C. to officially change all federal maps to now read "Lake Tahoe." Knight later explained his desire for a name change, writing, "I remarked (to many) that people had expressed dissatisfaction with the name "Bigler", bestowed in honor of a man who had not distinguished himself by any single achievement, and I thought now would be a good time to select an appropriate name and fix it forever on that beautiful sheet of water." "Lake Tahoe," also like "Lake Bigler," did not gain universal acceptance. Mark Twain, a critic of the new name, called it an "unmusical cognomen.
Whitman's poetry has been set by a variety of composers in Europe and the United States although critics have ranged from calling his writings "unmusical" to noting that his expansive, lyrical style and repetition mimics "the process of musical composition". Jack Sullivan writes that Whitman "had an early, intuitive appreciation of vocal music, one that, as he himself acknowledged, helped shape Leaves of Grass" Sullivan claims that one of the first compositions setting Whitman's poem, Charles Villiers Stanfords Elegaic Ode, Op. 21 (1884), a four-movement work scored for baritone and soprano soloists, chorus and orchestra, likely had reached a wider audience during Whitman's lifetime than his poems.
He never descends to the commonplace or writes merely for the > sake of effect. The translation of the sentiment of the poems into tonal > utterance is his aim, and his music not only substantiates this deduction, > but his interpretations are also corroborative of it. To the unmusical, to > the lover of melody, these songs offer little, but to him who possesses > sufficient perspicacity to observe substratum things, there is a wealth of > beauty and art in these songs which can hardly fail of satisfaction or > enjoyment. Haile's 1916 musical setting of the play The Happy Ending followed this more contemporary strain in his writing, combining spoken words with pitch inflections, in the manner of Sprechstimme.
In 1861 The Times described Stockley's choir as "the champion choristers of England" and in 1879 the composer Camille Saint-Saëns wrote in a French newspaper "I wish people who describe the English as unmusical could hear the Birmingham singers. This wonderful choir has everything: intonation, perfect timing and rhythm, finely shaded expression and a lovely sound. If people who sing like this are not musical, well, they certainly perform as if they were the finest musicians in the world." In 1856 he formed William Stockley's Orchestra, the first permanent professional orchestra made up of local musicians to be established in Birmingham, and an important precursor of the later City of Birmingham Symphony Orchestra.
Composer and music educator R. Murray Schafer divided noise into four categories: Unwanted noise, unmusical sound, any loud system, and a disturbance in any signaling system.Kouvaras 2013, 54. In regard to what is noise as opposed to music, Robert Fink in The Origin of Music: A Theory of the Universal Development of Music claims that while cultural theories view the difference between noise and music as purely the result of social forces, habit, and custom, "everywhere in history we see man making some selections of some sounds as noise, certain other sounds as music, and in the overall development of all cultures, this distinction is made around the same sounds."Fink 1981, 25.
The poet Pierre Perrin began thinking and writing about the possibility of French opera in 1655, more than a decade before the official founding of the Paris Opera as an institution. He believed that the prevailing opinion of the time that the French language was fundamentally unmusical was completely incorrect. Seventeenth-century France offered Perrin essentially two types of organization for realizing his vision: a royal academy or a public theater. In 1666 he proposed to the minister Colbert that "the king decree 'the establishment of an Academy of Poetry and Music' whose goal would be to synthesize the French language and French music into an entirely new lyric form."Johnson (2005) p. 15.
Hear Nothing See Nothing Say Nothing is the debut studio album by English hardcore punk band Discharge, released on 21 May 1982 by Clay Records. While some critics at the time dismissed this album as "unmusical", in retrospect, it is viewed both a classic of the era and the peak of Discharge's career. The album is characterized by a minimalistic approach of music and lyrics, a heavy, distorted, and grinding guitar-driven sound and raw, shouted vocals similar to a political speech, with lyrics on anti-war themes. AllMusic calls the band's sound a "high-speed noise overload" characterized by "ferocious noise blasts" The album is considered highly important in the evolution of extreme forms of metal and punk music, paving the way for genres such as thrash metal, black metal, crust punk and grindcore.
According to Danish noise and music theorist Torben Sangild, one single definition of noise in music is not possible. Sangild instead provides three basic definitions of noise: a musical acoustics definition, a second communicative definition based on distortion or disturbance of a communicative signal, and a third definition based in subjectivity (what is noise to one person can be meaningful to another; what was considered unpleasant sound yesterday is not today).Sangild, Torben, The Aesthetics of Noise. Copenhagen: Datanom, 2002. pp. 12–13 According to Murray Schafer there are four types of noise: unwanted noise, unmusical sound, any loud sound, and a disturbance in any signaling system (such as static on a telephone).Schafer 1994:182 Definitions regarding what is considered noise, relative to music, have changed over time.
The British Theatre Guide' described it as "a powerful piece, powerfully performed… one to be cherished," and backed up the creators' view that "it is right that opera should take on such subjects". More negative reviews came from Anna Picard in The Independent who criticised the "narrowness of its harmonic language and the robotic word-setting" and likened it to "sixth-form satire", and Veronica Lee in the London Evening Standard who described the libretto as "horribly leaden and unmusical" and the music as "uninspiring", adding, "the idea that there is anything heroic about suicide bombers is, frankly, a grievous insult."original review by Veronica Lee reproduced in Cheston, Paul, "Standard wins major court victory for the rights of critics", Evening Standard, 22 June 2007. Accessed 11 November 2009 via subscription. See also The Times, "Opera critic cleared of libel", 23 June 2007.
More than even the arm, however, Whiteside advocated the concept of a basic rhythm—a somewhat specialized term in her writings which indicated an innate sense of phrasing present in all but the most unmusical humans. This rhythm informs every action involved in producing a musical phrase, with the torso, humerus, forearm, wrist and fingers forming a single mechanism to express it. Thus, trying to create a completely independent finger technique is inhibitive to the unified expression of a musical phrase and only encourages what she called "note-wise procedure"—conceiving music as a sequence of unconnected pitches rather than as a whole. Whiteside considered the Chopin Études to be the exact point at which a finger-based technique broke down—only a technique which used the arm to direct the phrases conceived in the brain could even approach them.
His wife, Fanny Mendelssohn, and his brother- in-law, Felix Mendelssohn, were both important pianists and composers, but Hensel himself apparently was entirely unmusical: when he participated in the premiere of Felix's Son and Stranger at a private performance honoring the silver anniversary of the Mendelssohn parents in 1826, despite determined prompting he was unable to sing his part of the mayor, even though it comprised only a few bars of the single note F.Aldrich, Richard, "Of Music and Musicians: Hugo Wolff, His Songs and His Admirers—Mendelssohn's "Return of the Roamer" and Its Origin," The New York Times, November 22, 1903, accessed November 23, 2009 Hensel's sister, Luise Hensel, was a widely read religious poet. He and Fanny Mendelssohn had one child, Sebastian Ludwig Felix Hensel (1830–1898). Hensel's grandchildren include the philosopher Paul Hensel (1860–1930) and the mathematician Kurt Hensel (1861–1941).
As described by scholar William Moritz, the movie is "intricate, dynamic, fast-paced ... juxtapos[ing] similar cultural habits from countries around the world, with a superb orchestral score ... and many synchronized sound effects."Moritz (2003), p. 25. Composer Lou Lichtveld was among a number of contemporary artists struck by the film: "Melodie der Welt became the first important sound documentary, the first in which musical and unmusical sounds were composed into a single unit and in which image and sound are controlled by one and the same impulse."Quoted in Dibbets (1999), pp. 85–86. Melodie der Welt was a direct influence on the industrial film Philips Radio (1931), directed by Dutch avant-garde filmmaker Joris Ivens and scored by Lichtveld, who described its audiovisual aims: > To render the half-musical impressions of factory sounds in a complex audio > world that moved from absolute music to the purely documentary noises of > nature.
" . He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization . Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?" . The fifteenth edition of the Encyclopædia Britannica states that "while there are no sounds that can be described as inherently unmusical, musicians in each culture have tended to restrict the range of sounds they will admit." A human organizing element is often felt to be implicit in music (sounds produced by non-human agents, such as waterfalls or birds, are often described as "musical", but perhaps less often as "music"). The composer R. Murray states that the sound of classical music "has decays; it is granular; it has attacks; it fluctuates, swollen with impurities—and all this creates a musicality that comes before any 'cultural' musicality.

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