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"scenarist" Definitions
  1. a writer of scenarios
"scenarist" Synonyms
playwright dramatist dramaturge dramaturgist scriptwriter tragedian writer author comedist librettist screenwriter scripter scribe novelist scribbler penman scrivener essayist wordsmith ghostwriter

198 Sentences With "scenarist"

How to use scenarist in a sentence? Find typical usage patterns (collocations)/phrases/context for "scenarist" and check conjugation/comparative form for "scenarist". Mastering all the usages of "scenarist" from sentence examples published by news publications.

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The sum effect suggests Rod Serling, the creator of the "Twilight Zone" series, unhappily moonlighting as a soap opera scenarist.
Indeed, Kennedy is a kind of film scenarist who is too literary for film but whose strongest work renders the stage more cinema-like, less intransigent, more open to different ways of moving.
"The predilection of the director, producer and scenarist for the unusual in mood, background music and characterization makes this chase more confusing than suspenseful," a film critic for The New York Times wrote in 1946.
The sweep of the top three places by Ford at the 21969 Hours of Le Mans in 240 was a considerable achievement by the manufacturer, teams and drivers, involving a multilayered web of drama that even a Hollywood scenarist might not be able to concoct.
Though a lot of the material here will be familiar to Welles buffs — the key collaboration with the cinematographer Gregg Toland, the vexed question of whether Welles or his co-scenarist, Herman J. Mankiewicz, deserves more credit for the script, and so on — it's never been presented this comprehensively.
Galina is a scenarist and director for several documentary films. Scenarist 1\. 1992 - Dreams of Israel: Film 1 "Strolling in Jerusalem" 2\. 1992 - Dreams of Israel: Film 2 "Eternal City" 3\.
André Couteaux (1925 - 1985) was a French writer and a scenarist.
He is also a member of Red Entertainment as a scenarist.
"Scenarist Found Dead" (February 9, 1928) Orange County Independent, Middletown, New York.
Aslı Özge (born 1 January 1975) is a Turkish director, scenarist and producer.
Roy Larcom McCardell (June 30, 1870 – 1961) was an American journalist, scenarist, humorist and writer.
Gülse Birsel (née Şener; born 11 March 1971) is a Turkish actress, scenarist and columnist.
Nergis Kumbasar (born 25 May 1963) is a Turkish model, actress, TV presenter and scenarist.
Valerio Mieli (born 27 January 1978, Rome, Latium) is a French-Italian writer, director and scenarist.
Richard Sadler (born March 18, 1947 in Montreal, Quebec, Canada) is a producer, scenarist and film director.
From 1914 to 1932, Chapin worked as a scenarist in Hollywood. His work included The Woman in 47.
Radoš Bajić (; born 24 September 1953) is a Serbian actor and scenarist. He appeared in more than fifty films since 1975. The scenarist is a series of Selo gori, a baba se češlja (English: The village is burning, and the grandmother is combing her hair), the most watched series in Serbian history.
He started as a writer, then became a scenarist and film director. He worked notably for the Gaumont Film Company.
Film 2. Elem Klimov and Larisa Shepit'ko Scenarist 1\. 1967 - Mayakovsky's Day (television) 2\. 1971 - First Songs - Last Songs (television) 3\.
Douwe Dabbert is a Dutch fantasy comics series by artist Piet Wijn and scenarist . It was published between 1975 and 2001.
In 2005, the series was relaunched by Pierre Aucaigne (scenarist), and Michel Rodrigue (artist) under the title Les nouvelles aventures de Cubitus.
Anna Kamieńska-Łapińska (Rowiny, Drohiczyn Poleski County, 26 July 1932 – 29 June 2007, Warsaw) was a Polish sculptor and animated-film scenarist.
Joanna Olczak-Roniker (born 12 November 1934) is a Polish writer and scenarist, co-founder of the Piwnica pod Baranami cabaret in Kraków.
He won the best scenarist with this film in the 13th Altın Koza Film Festival. Kazak is one of the founders of the Senaryo Stüdyosu.
''''' (« Frics scouile » with the French accentInterview of Florent Maudoux on Le comptoir de la BD.) is a suite of comics, whose scenarist and artist is Florent Maudoux.
The film won the Kerala State Film Awards for 2008 for best feature film, director, scenarist, second best female actor (Praveena) and sound recording (T. Krishnanunni and Harikumar).
She was employed as a scenarist at World Pictures, Goldwyn Pictures, and Fox. Before making a name for herself in Hollywood, she wrote for a number of magazines.
Bertram Bracken (August 10, 1879 – November 1, 1952) was an American silent screen actor, scenarist, and director who worked on at least sixty-five films between 1910 and 1932.
She has a sister and a daughter who are both actresses. Her former husband was a director and actor. She is married to Robert Gliński, a director and scenarist.
It was an adaptation of For the Soul of Rafael, based on 1906 novel by Marah Ellis Ryan. Soon enough, in 1927, The Los Angeles Times praised Dorothy Yost as being Hollywood’s youngest and most successful scenarist.“Scenarist Cites Most Essential Parts of Play.” Los Angeles Times (April 10, 1927) By 1927, Yost joined the writing staff of the Film Booking Offices of America Pictures, the same year she married her husband, Dwight Cummings.
InediSpirou - Morvan & Munuera arrêtent Spirou However, they were allowed to complete one last album, Aux sources du Z, which was released 5 November 2008, with the help of scenarist Yann.
Bernard Gerrit (Burny) Bos (Haarlem, 8 April 1944) is a Dutch producer, scenarist and children's book writer. He also works as an actor in children's programmes on radio and T.V.
Fred E. Wright (1868-1936) was an American producer, scenarist, silent film director. He was born in Catskill, New York and died in Los Angeles, California.Silent Film Necrology, p.577 2ndEdition c.
The entry was replaced with the names of "Willis Woods" as the author and "Fred Myton" as the scenarist. An agreement was reached and "Fred Myton" was given credit as the prologue writer.
He also produced Disney comics for Le Journal de Mickey. Taking over more work as scenarist, Corteggiani has written for several series, among others succeeding Jean-Michel Charlier as writer for Young Blueberry.
Galina Gennad'evna Aksenova (b. 17.07.1959, U.S.S.R.) is a film historian, theatre scholar, director, scenarist, professor and translator. She holds a Candidate of the Arts degree. She is married to actor and director Veniamin Smekhov.
Variety opined, "Harrison draws a complete blank as a producer-scenarist." Harrison's publication Harrison's Reports published their first review acknowledged not to have been written by Harrison. It was written by Abram F. Myers.
On 5 June 2013, ANAS Institute of Literature named after Nizami Ganjavi held academic session devoted to one of the notable figures of Azerbaijan literature, talented prosiest, scenarist and translator Anvar Mammadkhanli’s 100th jubilee.
She was a leading woman at Universal for a time in the 1910s, and later worked as a scenarist for FBO. Beatrice married writer-actor James Gruen in 1927, and later, an Australian national, Charles Collman.
In December 1928, Winifred Dunn announced her marriage to Harold Swartz, a successful sculptor."Scenarist Bride Of Sculptor." Los Angeles Times (21 Dec. 1928). The ceremony was held in San Diego, and Dunn's mother was present.
A page of a screenplay A screenplay writer (also called screenwriter for short), scriptwriter or scenarist, is a writer who practices the craft of screenwriting, writing screenplays on which mass media, such as films, television programs and video games, are based.
While still a young art student de Groot got his first comics experience as an assistant to Maurice Tillieux on Félix. He began creating shorter work for the Franco-Belgian comics magazine Pilote, with creators such as Hubuc, Reiser. With Fred as scenarist he drew the strip 4 × 8 = 32 L'Agent Caméléon in the late 60s. When the artist Turk joined to assist on the series, de Groot gradually took on increasing amounts of work as scenarist and went on to collaborate with Turk on several series, including Archimède, Robin Dubois and eventually Raymond Macherot's Clifton.
He is the co- scenarist of the films Pierre and Djemila (1987) and ' (2000), which led to controversies in the media due to his far-right involvement. In 2012–2013, Marmin was among the sponsors of TV Libertés, a far-right web TV.
Rafet El Roman aims to introduce new names to the music market with his music production company "RER" established in 2000. Also, it is among the greatest desires of Rafet El Roman to be a scenarist and director of his own film.
Irene Miller was a British screenwriter active during the silent era. She began her career as a journalist before getting work as a scenarist, and she eventually became chief of the department at Will Barker's studio; later on, she'd become a studio publicist.
Vhrsti (born 1 August 1975 in Rokycany, Czechoslovakia) is a Czech illustrator, writer, children's book author, comics artist and scenarist, member of the unofficial new wave of Czech and Slovak comics Generation Zero and the Czech Cartoonists' Union. He lives in Pilsen in the Czech Republic.
Philip Duffield Stong (January 27, 1899 – April 26, 1957) was an American author, journalist and Hollywood scenarist. He is best known for the 1932 novel State Fair, which was adapted as a film three times (1933, 1945 and 1962) and as a Broadway musical in 1996.
Katherine Dawn (born Katherine Virginia Madden, and sometimes credited as Susan Denis) was an American actress, screenwriter, and editor active during the 1920s through the 1940s. She was married to director Norman Dawn, who she met when she was working as a scenarist at Universal Pictures.
Homer Eon Flint (born as Homer Eon Flindt; 1888 -1924) was an American writer of pulp science fiction novels and short stories. He began working as a scenarist for silent films in 1912 (reportedly at his wife's insistence).Munn, Vella (March 19, 2001). Homer Eon Flint: A Legacy.
Avrupa Yakası ended in June 2009. Birsel's fourth book Velev ki Ciddiyim! was released in December 2009, followed by her fifth book Yazlık in June 2011. In January 2012, she began working as an actress and scenarist on Kanal D's series Yalan Dünya, which lasted for four seasons.
Pearl Doles Bell (April 2, 1883 – March 11, 1968) was an American novelist, film scenarist, radio script writer, and editor. During her career, she published eight novels and had numerous stories adapted into silent films. She was especially known for writing film stories for silent film star Shirley Mason.
Aacharya Aatreya (born Kilambi Venkata Narasimhacharyulu ) (7 May 1921 – 13 September 1989) was an Indian poet, scenarist, playwright, lyricist, and screenwriter known for his works in Telugu cinema, and Telugu theatre. He received the state Nandi Award for Best Lyricist in 1981 for "Andamaina Lokamani" from the film "Tholikoodi Koochindi".
She collected odd pieces of jewelry and had amassed a small trunkload of items by 1937. In February 1941 Martel married screenwriter Frank Fenton. Fenton was also a scenarist and magazine writer. Her first husband was Walter J. Klavun, a Yale University graduate, whom she divorced in Mexico in 1938.
In February 2004, she started working as both an actress and scenarist for ATV's series Avrupa Yakası. She shared the leading role with Gazanfer Özcan, Hümeyra and Ata Demirer. In May 2004, her second book Hâlâ Ciddiyim was published. She made her cinematic debut in 2005, with the movie Hırsız Var!.
The New York Times, July 29, 1965. Retrieved: October 10, 2013. In a similar vein, Variety noted, "Director-producer Stanley Kramer and scenarist Abby Mann have distilled the essence of Katherine Anne Porter's bulky novel in a film that appeals to the intellect and the emotions.""Review: Ship of Fools".
Patrick Senécal is a French-Canadian writer and scenarist known for his horror oriented drama novels. Senécal is well known in Québec for his unique dark genre; his work has often been compared to that of Stephen King. . Three of his novels were adapted into films in his native Québec.
Gardner hired her lover Charles L. Gaskill as a director and scenarist. Known for her portrayal of strong female characters, Gardner’s first production was Cleopatra (1912), one of the first American full-length films. The film was re-edited and re- released after Fox released the 1917 adaptation starring Theda Bara.
For example, the film Scoop (2006) has been directed by Woody Allen, he is also the scenarist and he plays the role of Sid Waterman. UML Class Diagram representation). Click to enlarge. In Figure 4, one can see in more detail the role that each person can play in a film.
Yefim Mikhailovich Galperin (Russian: Ефим Михайлович Гальперин, Ukrainian: Юхим Михайлович Гальперін) (born August 30, 1946 in Dnipropetrovsk, Ukraine) is a Russian American producer, film director, scenarist, journalist, and writer. He is known for Russian-language films and documentaries as well as his contributions to the Russian children's comedy TV show Yeralash.
At the time Fairfax was one of the most accomplished playwrights in New York Theater and an author scenarist, editorial and production supervisor of film plays. Her previous experience and success as the head of Marion Fairfax Production made this transition effortless."Marion Fairfax Resigns Post." Motion Picture News [Hollywood, California] 19 Sept.
This particular film was written by F. McGrew Willis and Walter Woods. They often combined their name into "Willis Woods." i.e., the credit for the story would be given to - "Willis Wood." In the film's original copyright entry, the names of scenarist Maie B. Havey and author Willis Woods are scratched out.
Jury Chaščavacki, also spelled Yury KhashchavatskiThis is the spelling used in the English subtitles of his documentary Kalinovski Square, see google video (, ) (born October 18, 1947 in Odessa, Ukraine) is a Belarusian film director and scenarist, known for his films Kavkazkie plenniki, Bahi Siarpa i Molata, Aranzhavyja Kamizelki, Dazhyts da lubovi and Obyknovennyj prezident.
Janusz Zaorski (born 19 September 1947) is a Polish film director, scenarist and actor, representative of the cinema of moral concern (), trend in Polish cinema. Zaorski has directed mainly psychological dramas, comedies and TV series. Zaorski graduated National Film School in Łódź in 1969. He made his own individual film director debut in 1970.
Yana Botsman was born on August 7, 1973. She has a master's degree in applied mathematics and a Ph.D. in philosophy (1999, thesis on philosophy of Buddhism). She worked as an assistant professor in Kharkiv National University (Philosophical Faculty) until September 2004 when she became a full-time writer and scenarist. Yana is married.
" Los Angeles Times (6 Mar. 1927). To prepare for this assignment, she sat at a boxing ring every Friday night to gain a feel for what the production should be like. In April 1928, Dunn resigned from First National in order to pursue writing pieces with "more sentiment and less sentimentality.""Scenarist Aids Olympic Games.
In 1952, Astrid Lepa was the artistic director of the Nõmme Cultural House and briefly worked as the administrator and director of the Pioneer cinema in Tallinn.kultuur.err.ee Lahkunud on Astrid Lepa 3 December 2013. Retrieved 8 September 2018. In 1957, Lepa began working as an assistant director, scenarist, screenwriter, and director at Eesti Televisioon (ETV).
Samuel Benchetrit (born 26 June 1973) is a French writer, actor, scenarist and director. He is of Moroccan-Jewish descent. Born in Champigny-sur-Marne, Benchetrit was married to French actress Marie Trintignant from 1998 until her murder by her lover Bertrand Cantat in 2003. On 17 April 1998 the couple had a child, .
Born in Ancona, Gaglianone has lived in Turin since the age of six. From 1989 to 2000 he realized a few shorts and documentary films. In 1998 he works as scenarist for the film Così ridevano directed by Gianni Amelio. He also realized a few works for theater with, among others, the Italian company Il BuioFuori.
As Jim Bludso is presumed lost, it is uncertain what the original title card might have read in terms of directorial credit. The film was produced by the Fine Arts unit within the Triangle Film Corporation, the same studio that made the popular Douglas Fairbanks comedies for Triangle, for whom Browning had previously worked as a scenarist.
Village Tale is a 1935 American drama film directed by John Cromwell and starring Randolph Scott, Kay Johnson, Arthur Hohl, and Robert Barrat. The screenplay by Allan Scott was adapted from author and scenarist Phil Stong in his 1934 novel of the same name. Produced by RKO Radio Pictures, it was released on May 10, 1935.Canham, 1976 p.
Gajanan began his film career in 1931 as a scenarist and assistant director in Prabhat Film Company and became a full-fledged film director only two years later in 1934. His first Bollywood film was Sinhasan (1934) as a director. Gajanan Jagirdar's role of Ramshastri in the movie Ramshastri (film) won him immense appreciation and popularity.
The author was the scenarist and the director of the project. The documentary was a production completed in 2014. "Cinema Cinema "- 2014: The deep worries and promises of cinema are explained in this short film with facts including cinema history. The writer, who was the screenwriter and director of the film, also produced the short film by himself.
Dmitry Gordevsky was born on March 21, 1973. He has a master's degree in mathematics and a Ph.D. in philosophy (2000, thesis on philosophy of medieval heresies). He worked as an assistant professor in Kharkiv State University (Philosophical Faculty) until 2004 but in September of that year became a full-time writer and scenarist. Dmitry is unmarried.
Associated with literary journal Bharati, he edited Nachghar, one of the first performing arts journals to take film seriously, with Hemendra Kumar Roy and film- maker Pashupati Chatterjee. He founded Betar Jagat, the journal of the AIR, Calcutta (1929). He started as scenarist and actor, using the pseudonym Krishna Haldar, at Indian Kinema Arts (Punarjanma, 1927; Chasher Meye, 1931).
It was Bina Paul who noted that Malayalam would be better. Venu's plan to write the screenplay by himself did not work out. After some days, he employed author and scenarist Unni R.. Since then, Unni completed the whole screenplay with dialogues in a short span of time. Initial choice for protagonist role was either Mammootty or Sreenivasan.
Agradoot () was a group of Indian film technicians signing collectively as director, a phenomenon unique to Bengali cinema. The Agradoot core unit, formed in 1946, consisted initially of Bibhuti Laha (cameraman, 1915–1997), Jatin Datta (sound), Sailen Ghosal (lab work), Nitai Bhattacharya (scenarist) and Bimal Ghosh (production). The group was active up to the end of 1980s.
Katharine Newlin Burt (September 6, 1882 – June 1977) was an American novelist and film scenarist. She was a prolific author of Westerns and other novels, with a publishing career that spanned more than 60 years. At least seven of Burt's published works were adapted to film, and she authored the original screen stories for two more films.
Crisp (1997), p. 103. The first all-talking German feature, Atlantik, had premiered in Berlin on October 28. Yet another Elstree-made movie, it was rather less German at heart than Les Trois masques and La Route est belle were French; a BIP production with a British scenarist and German director, it was also shot in English as Atlantic.Chapman (2003), p.
Jacqueline Pierreux (15 January 1923 – 10 March 2005) was a French film and television actress.Philip Mosley p.105 From the early 1970s onwards she also enjoyed success as a producer. She was the wife of scenarist Pierre Leaud and the mother of prolific film actor Jean-Pierre Leaud who starred in Francois Truffaut's "The 400 Blows" and "Day For Night" .
The Anhalts wrote the 1952 screen version of Carson McCullers' The Member of the Wedding, which preserved the stage performances of Julie Harris, Brandon deWilde and Ethel Waters. After the couple divorced, Anhalt proved a versatile, consistently effective (and reputedly speedy) scenarist. He penned the adaptation of Irwin Shaw's World War II novel The Young Lions (1958) and Wives and Lovers (1963).
Famous scenarist Jean Van Hamme provided the storylines while Ligne claire specialist draughtsman Ted Benoit (whose style resembles the later Jacobs's) was contracted for the artwork. Purists immediately objected to the choice of Van Hamme and, upon publication, went on to discover some typical Van Hamme plot twists they disliked. Jacobs' science-fiction was noticeably absent with the story focusing on espionage.
Doris was born in Chico, California, to William Smith and Mabel Dorn; she was an only child. Her parents divorced when she was young, and she was raised by her mother. Anderson graduated from the University of Southern California, and she worked as a journalist and a publicity agent before joining Paramount as a scenarist. She wrote silent films before moving into talkies.
She was born in Chicago, Illinois, and died in Hollywood, California. Eve was an American scenarist who was known to also use the pseudonym Oliver W. Geoffreys as well as E.M. Unsell. Eve was married to a man named Lester Blankfield, but the year is disputed. Records list their marriage year as 1911, but it does not match up with other documentation.
She has been a lecturer for the Moscow Art Theatre's international graduate program and the National Theatre Institute of the United States. Galina teaches both world and Russian film history, and she is a silent cinema specialist. She is the author of academic articles published in foreign, specialized publications. She is a scenarist and director of documentary made-for-television films.
Stalin organized a military tribunal which castigated the scenarist Aleksandr Avdeenko, accusing him of inaccurate representations of Soviet reality. While nothing was said of the director, Avdeenko was jettisoned from the party. However, directors were not always spared, as in the case of Margarita Barskaia. Her film Father and Son features a factory director who prioritizes his work over educating his son, Boris.
A Lover's Oath is a lost 1925 American silent fantasy film directed by Ferdinand P. Earle and featuring Ramon Novarro. The film is based upon the Rubaiyat of Omar Khayyam, as translated by Edward Fitzgerald, and included quotes of its text on intertitles. Actor Milton Sills was scenarist and editor for the film. Progressive Silent Film List: A Lover's Oath at silentera.
Kalem was also one of the first studios to regularly film year-round by setting up facilities in Florida during the winter. The Florida company consisted of Sidney Olcott, George Hollister, cameraman; Allen Farnham, scenic artist; Arthur Clough, property man; Gene Gauntier scenarist and leading actress; Jack J. Clark, leading male actor; Robert Vignola, the bad guy; J.P. McGowan, another leading actor; Alice Hollister and Ethel Eastcourt.
Most notable are Dear Ruth, Dream Girl, Mr. Music, Call Me Madam and Some Came Running. Call Me Madam was a particular success. Under a headline, "'Madam' Even Better on Screen," Alton Cook wrote, "Scenarist Arthur Sheekman has achieved his good result with small and sly changes along the way, making the humor flow more steadily and giving some of it a sharper edge."Cook, Alton.
Richmond wanted Edmond O'Brien or Barry Sullivan to play the male lead and Barbara Stanwyck to play the female lead with filming to begin in September.FILMING SLATED FOR 'NIGHTFALL': 1949 Novel Will Be Basis for Copa Productions Movie -- Raphael Hayes Scenarist By THOMAS M. PRYOR New York Times 6 July 1955: 23. William Wright was going to produce. Power did not want to appear in the film.
Born in Milan, Brandoli made her debut in 1977 in Alter Alter magazine. For that magazine, she drew La Strega (The Witch) with Renato Queirolo, who became her main scenarist. This comic was translated in many languages including French (published by Glénat), Danish (published by Carlsen), and Swedish (published by Medusa). In Sweden it is called Rebecca, which was the name of the comic's heroine.
The Chicago Daily News, together with The Goldwyn Company, held a national scenario writing contest in 1921; first prize was $10,000 and a Goldwyn production based on the story. Among 27,000 entries, Winifred Kimball's "Broken Chains" was selected. The story was then given to experienced scenarist Carey Wilson to make it ready for filming. Allen Holubar was borrowed from Associated First National for the project.
Dorothy Howell (May 10, 1899 – June 8, 1971), was an American screenwriter active mostly during the 1920s and 1930s. Born to Elmer Howell and Carrie Lorenz, Dorothy was raised in Illinois alongside her younger brother Raymond. Raymond would go on to work at Hollywood studios as a technician, according to census records. Howell worked as a scenarist and screenwriter for Columbia for much of her career.
By the early 1920s, she was employed as a scenarist at Paramount, where she worked on films like Dangerous Money and The Snow Bride. Her film career tapered off around 1925, although she continued writing for the stage. Herne was found dead in her New York City apartment in 1955. In her suicide note, she blamed a bad review as the source of her despair.
She made her debut as a scenarist on 1920s Guilty of Love, directed by her future husband. After their marriage, the pair relocated to London, where they continued their work in the industry. Her last known credit was on 1922's The Bohemian Girl. She died on July 5, 1978, and was survived by her son, author William Henry Knoles (pen name Clyde Allison).
Ruth of the Range is a fifteen episode American adventure film serial starring Ruth Roland, in which a young woman attempts to rescue her father from a gang that has kidnapped him in order to find out his secret for making "Fuelite," a substitute for coal. The film was the final feature created by scenarist Gilson Willets for Pathe Productions, and is now thought to be a lost film.
Thieves' Gold was released as a Universal Special Feature in 1918. It was a 50-minute silent film on five reels, part of the "Cheyenne Harry" series of film featurettes. The original story, "Back to the Right Train" by Frederick R. Bechdolt, was adapted for the screen by scenarist George Hively. This installment of "Cheyenne Harry" won notably negative reviews by critics at the time of its release.
Filming took place from September 7–27, 1917. Released in January 1918 as a Universal Special feature, The Phantom Riders was a 50-minute silent film on five reels, part of the "Cheyenne Harry" series of film featurettes. The original story was written by Henry McRae and adapted for the screen by scenarist George Hively.Gallagher, Tag (1986); John Ford: The Man and His Films; University of California Press, USA.
Didier Tarquin is a French cartoonist and scenarist. Born on the 20th of January 1967 in Toulon, he spent the first ten years of his life in Touggourt (Algeria) in the Sahara desert. He chose to become a cartoonist during a cartoon summer camp. His professional career started in 1990 with Soleil comics but he attained real fame in 1994 with the series Lanfeust of Troy in collaboration with Christophe Arleston.
He turns out to be a double agent in a plot orchestrated no longer by a group of criminals but by the KGB itself. In The Blackbirds it is openly stated that the target of Buck Danny's spy mission is a nuclear facility near Vladivostok. All in all, with the 'new' Buck Danny scenarist Charlier now displays a level of directness that would have been unthinkable in previous albums.
The story is about a young man “Tony”, a 25-year-old agronomy graduate, who works in a coffee shop. He has a stunning girlfriend “Valerie” who works as a model. Carine, a 24-year-old actress and scenarist, is engaged to “Jean-Pierre” who works in a bank. “Tony” and “Carine” are both complete strangers until they meet for the first time in a park, in a rather unusual situation.
Since then he publishes critiques, essays, bigger studies and was an author of more than 70 monographs. His fields of interest were most commonly Yugoslav film, cinematographic animation, comics, documentary film, artistic fantasy, television, acting and actors. First time he appeared as a scenarist in film "Traveling Cinema" (1964). He wrote screenplays for animated and documentary movies, television shows, and he cooperated on several screenplays for featured movies.
According to the film's 1915 copyright registration (LP6036), "scenarist" Joseph H. Trant based his storyline on the translated Broadway version of D'Annunzio's La Gioconda, which premiered in New York on November 4, 1902."The Devil's Daughter (1915)", catalog, American Film Institute (AFI), Los Angeles, California. Retrieved November 14, 2019. From the outset of Fox Film's planning for its screen adaptation, no one other than Theda Bara was considered to play the title role.
He studied mining in Dnipropetrovsk in the 1950s and worked as a miner and mining engineer in the Ural Mountains and Ukraine. Gorenstein moved to Moscow in 1962 to complete his scenarist course at the State Film University. He began writing screenplays to support himself. Most of his adaptions were censored, but he managed to finish his works, including writing the script for the 1972 science fiction film Solaris, directed by Andrei Tarkovsky.
Jiro Taniguchi at Angoulême International Comics Festival in 2015. The Walking Man) Taniguchi began his career as an assistant of manga artist Kyuuta Ishikawa. He made his manga debut in 1970 with Kareta Heya (A Desiccated Summer), published in the magazine Young Comic. From 1978 to 1986, he created several hard-boiled comics with the scenarist Natsuo Sekigawa, such as City Without Defense, The Wind of the West is White and Lindo 3.
With Adolf Hitler's rise to power in 1933, the German film industry became more influenced by propaganda- based ideology. Harbou remained loyal to the new regime. Around 1934, a year after the Nazi Party came to power, on her own initiative she wrote and directed two films, Elisabeth und der Narr and Hanneles Himmelfahrt. However, she did not find the experience of directing satisfactory and remained a prolific scenarist during this time.
From the album De Grot van de Beer (The Cave of the Bear, album 207) onwards, the comic book is made by Claus Scholz (artist) and Martin Lodewijk (scenarist). The style of the series was completely revamped, mainly because the series obtained a more medieval character, and because Scholz has a different drawing style than Biddeloo. Martin Lodewijk wrote stories for De Rode Ridder until 2012, with album 235th being his last.
Gwladys Sutherst Townshend was credited as the scenarist on eight silent films, all of them now lost, made by the Clarendon studio, all of them made in 1913, 1914, or 1915, all starring Dorothy Bellew and directed by Wilfred Noy.Urbanora, "More from the Marchioness" The Bioscope (June 23, 2007). Titles included The Convent Gate, The House of Mystery, and A Strong Man's Love."Interview with the Marchioness" The Bioscope (July 30, 1914): 429-431.
Leist was born in Kansas City, Kansas, to John Risse and Rose McCurran. After acting in local productions in her native city and working as an elocution teacher, she arrived in New York City sometime in the early 1900s. Initially, she worked as an actress in theatrical productions, but she forged a career as a scenarist in the fledgling motion pictures industry. Leist married Louis Leist in 1906; he died two years later.
The film's 1916 copyright registration (LP7713) confirms that director and "scenarist" Frank Powell based his script on Victorien Sardou's play La Sorcière, which had premiered in Paris at the Théâtre Sarah Bernhardt on December 15, 1903."The Witch (1916)", American Film Institute (AFI), Los Angeles, California. Retrieved December 21, 2019."Sardou Play Triumphs: 'La sorcière' and Sarah Bernhardt Accorded a Great Ovation in Paris", The New York Times, December 16, 1903, p. 8.
Koster was born to Jewish parents in Berlin, Germany. He was introduced to cinema about 1910 when his uncle opened a very early movie theater in Berlin. Koster's mother played the piano to accompany the films, leaving the young boy to occupy himself by watching the films. After working initially as a short story writer, Kosterlitz was subsequently hired by a Berlin movie company as scenarist, became assistant to director Curtis Bernhardt.
Square released a fourth Satellaview game in 1996, named Radical Dreamers: Nusumenai Hōseki. Having thought that Trigger ended with "unfinished business", scenarist Masato Kato wrote and directed the game. Dreamers functioned as a side story to Chrono Trigger, resolving a loose subplot from its predecessor. A short, text-based game relying on minimal graphics and atmospheric music, the game never received an official release outside Japan—though it was translated by fans to English in April 2003.
Chaturbhuj Anandji Doshi was born in Kathiawar, Gujarat, British India. He was educated at the University of Bombay, and after graduation he started work as a journalist for a daily, Hindustan (1926), working for editor Indulal Yagnik. His entry into films was working as a scenarist in the silent era for directors like Jayant Desai, Nandlal Jaswantlal, and Nanubhai Vakil. He joined Ranjit Movietone in 1929, and wrote stories and screenplay for several of Ranjit films.
Paris: Association française de recherche sur l'histoire du cinéma, 1998. p.233. (1895, octobre 1998, numéro hors série). With Charles Spaak as his scenarist, Feyder developed a romantic drama set in the colonial world of French North Africa, which he had previously explored in his silent film L'Atlantide. For the central character of Pierre, Feyder had originally wanted Charles Boyer, but after a disagreement between them he chose the popular film and theatre actor Pierre Richard-Willm.
By the late 1920s, the family had moved to Los Angeles; by 1926, Perez was employed at Universal as a scenarist, where he was known for writing titles. He later worked as a screenwriter at First National. Perez was more or less retired by the early 1950s, when he moved to Oaxaca, Mexico, and pursued his passion for photography. He reportedly traveled extensively through southern Mexico, where her purchased masks and other artifacts at local markets.
It has also been translated into Russian, Chinese, Ukrainian, Polish, Italian, Korean, Vietnamese, Latvian, Czech, Slovak, Hebrew and Norwegian. It was adapted into the 2014 film Les Yeux jaunes des crocodiles starring Julie Depardieu and Emmanuelle Béart. The second book in the trilogy, The Slow Waltz of Turtles, was translated by William Rodarmor and published by Penguin in 2016. Katherine Pancol is divorced from Pierre Pichot de Champfleury with whom she had two grown children, Clément and scenarist Charlotte.
K. Subramanyam was a key figure behind the establishment of the Tamil film industry. He started his film career as a scenarist and producer, working on P. K. Raja Sandow's silent films such as Peyum Pennum. He started Meenakshi Cineton with R. M. Alagappa Chettiar, directing his first film Pavalakkodi, in which the Tamil film star M. K. Thyagaraja Bhagavathar debuted. He made a remarkable shift with the politically emphatic Balayogini, criticizing the caste system prevalent then.
145, 154. While these writers were refining an art that elevated Pierrot to criminal heights, others were imagining a pantomime animated by a much more conventional Pierrot. The Petit Traité de pantomime à l'usage des gens du monde (1887), by the mime and scenarist Raoul de Najac, championed the pantomime as a recreation for the salons—and reminded its readers that, in devising such an entertainment, "One must ... not forget that one is in good company."Najac (1887), p.
Marie Epstein (born Marie-Antonine Epstein; 14 August 1899, Warsaw - 24 April 1995, Paris) was an actress, scenarist, film director, and film preservationist. Her career is distinguished by three important collaborations. Throughout the 1920s, she acted in and wrote scenarios for films directed by her brother, Jean Epstein. From the 1920s through the early 1950s, she collaborated with the director Jean Benoît-Lévy on sixteen films, serving variously as a writer, assistant director, and co-director.
The screenplay, written by the American B-film scenarist, Richard Landau, and heavily revised by Val Guest, presents a reworked version of the events of the original television serial. Among the plot changes are the elimination of the gangster episode. The most significant plot change, however, occurs at the climax of the film. In the television version, Quatermass appeals to the last vestiges of the creature's humanity and convinces it to commit suicide to save the world.
Due to receiving high ratings, the series was renewed for a second season. The shooting for the second season began on the second week of August 2014 and it premiered on 12 September 2014. While the second season was being aired, director Ali Bilgin stated that the series would be renewed for a third season. However, due to low ratings, scenarist Ece Yörenç confirmed that the second season would be the final season of the series.
Yılmaz Güney (born Yılmaz Pütün, 1 April 1937 – 9 September 1984) was a Kurdish film director, scenarist, novelist, and actor.Suad Joseph, Afsaneh Najmabadi, Encyclopedia of Women & Islamic Cultures: Family, law, and politics, Brill, 2005, Joost Jongerden, The settlement issue in Turkey : an analysis of spatial policies, modernity and war, Brill, 2007, , p. 31.Pope, Hugh and Nicole Pope, Turkey Unveiled: A History of Modern Turkey, (Overlook TP, 2000), 254."Ben Fransız vatandaşı oldum o olmadı" (interview with Güney's widow).
Cooper's show competed with a similar program (hosted by Orson Welles), which ran on Mutual in 1952. As television became the dominant entertainment medium, Cooper experimented with various programs including a series he wrote and produced called Volume One. Cooper resided in Glen Gardner, New Jersey, and died in High Bridge, New Jersey, on June 22, 1955.Wyllis Cooper, 56, Scenarist, Dead, copy of obituary from The New York Times, June 23, 1955, accessed April 23, 2007.
The title role went to Rod La Rocque, a top star of the silent cinema, whose career was on the wane following the advent of the talkies, and the lead actress was Jessie Royce Landis. Seventeen years later, a much better run was enjoyed by Auprès de ma blonde, which was reworked by famed scenarist S. N. Behrman into I Know My Love. It opened at the Shubert Theatre on 2 November 1949 and ran for 247 performances, closing on 3 June 1950.
Possible female stars discussed in the press included Olivia de Havilland, Loretta Young and Teresa Wright. The movie was not made. Russell had no time to work on the screenplay as she became busy with back to back Broadway productions including Wonderful Town, The Girl Rush and Picnic. As a result, she didn't return to the project until 1955 when Marcus and scenarist Herb Meadow had made further revisions to the script under working titles of The Lie and The Hidden Heart.
Shaft played a crucial part in the development of African-American advancement in Hollywood. In the creation of Shaft, there was a significant African-American presence, with director Parks, editor Hugh A. Robertson, and musical composer Isaac Hayes playing crucial roles. On the other hand, white men controlled the other important aspects of Shaft's production. Scenarist and writer Tidyman, writer Black, producer Freeman, and executive producers Silliphant and Lewis were all white men who heavily influenced the making of Shaft.
He cooperated with director Puriša Đorđević in his films Podne (Noon), Jutro (The Morning), and San (The Dream). In the late 1980s, Begolli returned from Belgrade to Kosovo, where he worked at the University of Pristina as a professor at the Faculty of Drama. His last lead role was in Ekrem Kryeziu's Dashuria e Bjeshkeve te Nemuna (Love in the Damned Mountain), and his last piece was Etjet e Kosoves (Kosovo: Desperate Search), where he was also a co-scenarist.
Oz Yilmaz (born May 1, 1972) is a Canadian director, photographer, scenarist, author poet, and actor. He has created several film and art projects focusing on artists and art, including Portragram, which was screened on April 1, 2016 in Montreal’s art center, Phi. Oz Yilmaz also created a mini series titled Kooples for the Gay Pride in Montreal which highlighted LBGT couples and was premiered on August 10, 2016, in Montreal. Yilmaz has authored eight books including Liberatus, Obituaries from Heaven, and Afterhours.
Just Around the Corner is an extant 1921 American silent drama film produced by William Randolph Hearst's Cosmopolitan Productions and distributed through Paramount Pictures. The film is based on a short story, "Superman," by Fannie Hurst and was directed by Frances Marion, a prolific Hollywood scenarist. The cast are competent silent actors but no big names. Sigrid Holmquist came from Sweden but was no Garbo and Fred Thomson had married Marion in 1919, and later became a big cowboy star.
Roland Laudenbach (20 October 1921 – 8 January 1991) was a French writer, editor, journalist, literary critic and scenarist. He had right-wing political beliefs aligned with the Action Française. After World War II he supported keeping Algeria part of France and saw the 1962 recognition of Algerian independence as a betrayal of the people by Christian and Socialist leaders. He edited or contributed to various literary and political magazines, wrote several novels, and wrote scripts and screenplays for numerous films.
Sherman led off his report on the tumultuous you-are-there verdict this way: > Straight from a movie script came the final scene in The Trial. Melodramatic > and jammed with suspense, it was a vivid tableau of wild emotion. No > courtroom epic, hatched in the warm typewriter of a hack scenarist, possibly > could have outdone the real-life Charlie Chaplin denouement--complete with > spontaneous cheering above the frenetic rapping of the bailiff’s gavel. > > Utter confusion followed the reading of the "not guilty" verdict.
Once the closed captioning software project is completed, it must export a closed caption file compatible with the non-linear editing system. In the case of Final Cut Pro 7, three different file formats can be accepted: a .SCC file (Scenarist Closed Caption file) for Standard Definition video, a QuickTime 608 closed caption track (a special 608 coded track in the .mov file wrapper) for standard-definition video, and finally a QuickTime 708 closed caption track (a special 708 coded track in the .
Sërbo was critical in the last years with the fact that, according to him, there are more actors than premieres. Sërbo was the author of the mise-en-scène of Kostandine and Doruntine and co-scenarist of the theatrical piece with the Albanian well- known writer Ismail Kadare. Sërbo had suffered from chronic depression of which he was under cures. Nevertheless, therapies notwithstanding, he killed himself with his hunting rifle on September 12, 2010 and was found dead in the morning after at his house in Korçë.
Riders of Vengeance was released as a Universal Special feature in June 1919, a 60-minute silent film on six reels. It was part of the long-running "Cheyenne Harry" series of film featurettes. The story was an uncommon collaboration between the star Harry Carey and the director John Ford (with help from scenarist Eugene Lewis). Though it has an unusually high level of violence ("lots of killings", as Moving Picture World noted), critical reviews of the time lavishly praised both the story and film.
For the first commercial Sandal told a story about one of his interactions with a fan who was a BP user, and for the other commercial he went in front of the camera with scenarist Gülse Birsel. The Disney movie Planes was released in Turkey on 23 August 2013, in which Sandal voiced the Turkish version of the character Dusty.Mustafa Sandal Uçaklar için Stüdyoya girdi. In 2014, Sandal was a guest on the New Year episode of Kanal D's program Arkadaşım HoşgeldinArkadaşım Hoşgeldin çok güldürecek.
Born Agnes Laura Brand in Portland, Oregon, and raised in Washington, she married Fred Leahy in Seattle in 1913. The pair seems to have relocated to Southern California soon after and secured jobs at Paramount—she as a stenographer and he as a production manager. Eventually Brand Leahy worked her way up the ranks, first moving into editing work and ultimately becoming a scenarist at the studio. Census records indicate that she may have also worked as an assistant director, although she is not credited as such.
Eve Unsell was a professional in her career as a scenarist, overcoming many challenges along the way. Eve wrote for over 96 films in her lifetime, and edited over ten. Some of her most famous screen writes turned into productions include Shadows (1922), The Ancient Mariner (1925), The Plastic Age (1925), and The Spirit of Youth (1929). Although she was most famous for her work in scenario writing she can also be given credit as an adapter, company director, editor, play reader, screenwriter, theatre actress, and writer.
Cheung was born in Hong Kong. She attended Hong Kong Baptist College, during which time she worked part-time as a scenarist and on the administrative staff of a TV station. Her first novel, Women on the Breadfruit Tree, was published in 1995, and as of 2014, Cheung has written more than 40 novels, most of which are in the romance genre. Her works have appeared in numerous newspapers and magazines over the past two decades, particularly in the Hong Kong newspaper Apple Daily.
Inspired by Canadian film director David Cronenberg, the much debated music video for "Q.I." shows Mylène Farmer and Spanish dancer Rafael Amargo in sensual scenes. The music video was shot in Budapest, Hungary, by Benoît Lestang, a make up specialist who had worked for Giorgino in 1993, and was a scenarist in several French films, such as La Cité des enfants perdus, Le Hussard sur le toit, Le Pacte des loups, and Arsène Lupin. He had also created the doll featured in the video clip "Sans contrefaçon".
Director Ali Bilgin stated that the series would be renewed for a third season. However, as the second season did not receive as high ratings as its preceding season, scenarist Ece Yörenç confirmed that the series would end with two seasons. The series ended on 12 June 2015 with 77 episodes in total. With a turnover of 25.6 million by the end of season one, Medcezir became the fifth most successful series in Turkey in terms of net sales and earning the producer as much as possible.
Lateef shifted to Bombay (now Mumbai) and started his career with Bombay Talkies, a noted film studio of Hindi film industry, where he wrote dialogues for Ashok Kumar-starrer, Naya Sansar (1941), followed by Amiya Chakravarty's Anjaan (1941) and Gyan Mukherjee's Jhoola (1941). This led to his directorial debut with Ziddi (1948), on a story by Ismat Chughtai. The film also established the career of actor Dev Anand. The husband wife duo worked together on many films, where Ismat was sometimes a scenarist, a writer or at times even producer.
The screenplay of I Vampiri is credited to Piero Regnoli and the fictional writer and scenarist Rijk Sijöstrom. The story of the film features contributions from Freda, who has only mentioned Regnoli during the writing process. Both Freda and Regnoli have uncredited roles in the film as the autopsy doctor and Mr. Bourgeois respectively. Freda had the film set in the 1950s opposed the 18th or 19th Century to lower the cost of re-creating a period set as well as making the film's plot feel like it could actually happen.
Sidharth Bharathan (born 26 May 1983) is an Indian film director, actor and screenwriter, who works in Malayalam cinema. The son of director Bharathan and actress K. P. A. C. Lalitha, he began his film career through the Malayalam film Nammal (2002) as an actor. He made his directorial debut and played the lead role in Nidra (2012), it was a remake of the 1981 Malayalam film of the same name directed by his father. Sidharth has also worked as a scenarist for the film Isha, a segment in the anthology film 5 Sundarikal.
François Marcela-Froideval (born 10 December 1958) is a French role-playing game creator, video game producer, and comic scenarist. Froideval had a major influence on the introduction of role-playing games in France, mainly as editor in chief of the Casus Belli role-playing magazine. During this time, he was one of the three authors who established the French term for a "munchkin", Gros Bill, from the nickname of an overly powergaming player once in Froideval's group. He left for the United States in 1982 to join TSR, Inc.
The film is scripted by M. T. Vasudevan Nair based on his own a short story with the same name. The screenplay is regarded as one of the finest by the noted writer. One could see a lot of the pre-occupations of the scenarist, who carried the touches of human relationships through all of his subsequent films whether as screenplay writer or director. A part of the screenplay of Iruttinte Athmavu is being taught in school classes while the complete screenplay is being taught at degree level.
A young French entrepreneur, Georges Méliés, attended the first showing, and asked the Lumière brothers for a license to make films. The Lumière Brothers politely declined, telling him that the cinema was for scientific purposes, and had no commercial value. Méliés persisted, and established his own small studio in 1897 in Montreuil, just east of Paris. He became a producer, director, scenarist, set designer and actor, and made hundreds of short films, including the first science-fiction film, A Trip to the Moon (Le Voyage dans la Lune), in 1902.
Josy (Yossef) Eisenberg (12 December 1933 – 8 December 2017) was a French television producer and rabbi. A hasidic Jew of Polish origin (his father Oscar (Ovadia) was a Polish-born rabbi), he produced an animated TV show, À bible ouverte, which has been running on France 2 since the early 1960s. He was also the co-scenarist of the movie The Adventures of Rabbi Jacob. and wrote a number of different books including Seven Lights: On the Major Jewish Festivals with Adin Steinsaltz and Job ou Dieu dans la tempête with Elie Wiesel.
A young French entrepreneur, Georges Méliés, attended the first showing and asked the Lumière brothers for a license to make films. The Lumière Brothers politely declined, telling him that the cinema was for scientific purposes and had no commercial value. Méliés persisted and established his own small studio in 1897 in Montreuil, just east of Paris. He became a producer, director, scenarist, set designer and actor, and made hundreds of short films, including the first science-fiction film, A Trip to the Moon (Le Voyage dans la Lune), in 1902.
By 1907, the 50-year-old Émile Cohl, like everyone else in Paris, had become aware of motion pictures. How he actually entered the business is shrouded in legend. According to Jean-Georges Auriol in a book of 1930, one day Cohl was walking down the street when he spotted a poster advertising a movie obviously stolen from one of his strips. Outraged, he confronted the manager of the offending studio (Gaumont) and was hired on the spot as a scenarist (responsible for one-page story ideas for movies).
Figure 3: Application of the role class model to the 7th Art (overview) A simple application of the role class model in a real example is in the 7th art (see Figure 3), the cinematography. This art involves a creation (the Film) and people to create it. Each person has a different role in the film, they could be actors and play characters, they could be director or scenarist, etc. A person is not limited to one role in a film, they can be both actors and directors and even more.
Conrad was born in Marseille to French parents Didier Conrad, a graphic novel artist of Swiss origin, and Sophie Commenge, a graphic novel scenarist of partial Italian ancestry. When she was eight years old, the family left France and relocated to Los Angeles, California after her father began working on the film The Road to El Dorado (2000) with DreamWorks Studio. Conrad and her brother did not learn English until beginning public schooling in California. Conrad attended school in the Los Angeles Unified School District, and began pursuing filmmaking as a middle schooler.
Maie was born in New York City to Joseph Judge and Mary Kane; her father died when she was young. In 1913, Maie — who had worked as a magazine writer — was signed as a scenarist for the Lubin Manufacturing Company, and she later worked at Universal and Bessie Barriscale Pictures. She was close friends with actress Fay Tincher, with whom she often worked; the pair even lived together for a time. Little is known of what became of her after 1920, when she wrote her last known scenario for Hollywood.
Born and raised in San Francisco, California, to Irish parents (just like the similarly named screenwriter), McCarthy pursued a career as a schoolteacher in San Mateo, California, before giving it all up to run a nonprofit sandwich stand. She then became a political activist, stumping the state for the Democratic Party and going toe-to-toe with the Ku Klux Klan. Eventually she headed to Hollywood to pursue a career as a scenarist in the mid-1930s; her first big credit was on Theodora Goes Wild, a 1936 comedy starring Irene Dunne.
In 1937, she began working for MGM as a scenarist, contributing to the Andy Hardy franchise as well as several of the studio's biggest musicals, from Babes in Arms to Strike Up the Band. She'd later explain that she drew on her memories of growing up in her small Minnesota town to flesh out the Hardy scripts. She also collaborated with Mary C. McCall Jr. on Kathleen, the film that would bring Shirley Temple out of her brief retirement. Eventually she was earning $1,500 a week as part of her contract.
In 1959 his act was seen in the film European Nights, and the following year he decided to give up his career as a magician to become an actor. He appeared in a number of thrillers and dramas, including Musketeers of the Sea (1962), with Aldo Ray and Pier Angeli; Sceicco rosso (1962); ' (1963); and Georges Franju's Judex (1963), in which he played the title character. According to Jacques Champreux, grandson of Louis Feuillade and co-scenarist of the film, he was being touted as a possible new Rudolph Valentino. Nothing came of it.
According to a book issued by the Bibliotheca Alexandrina in December 2007, Khan's Ahlam Hind we Kamilia (1988) is one of the 100 landmarks in the history of the Egyptian cinema. He has one daughter, Nadine, a film director, and one son, Hassan, an artist and musician. He was married twice first to Zeinab Khalifa, a well known Egyptian Jeweller and then to Wessam Soliman, an Egyptian scenarist who wrote three of his movies: Banat Wust el- Balad (Downtown Girls), Fi-Sha'et Masr el-Guedida (In a Heliopolis Apartment), and Fatat el-Masna' (The Factory Girl).
She recorded her appearance in her 1913 book, Motion Picture Acting. Francis Agnew in the 1913 photoplay "Picnic in Dakota" as the Indian Maid In 1920, she moved to Los Angeles to cover entertainment for the publication after her co-worker, Margaret Ellinger, quit to become a scenarist for actress Bessie Love. While on a European vacation in Rome, she caught up with the Ben Hur crew and was intrigued by the idea of writing movies. In 1924, she left the newspaper business behind (for a while, anyway) when she was hired on at Paramount's Betty Bronson unit to write scenarios.
Jozef Heriban – čítačka Červený rak Jozef Heriban: Úspech má srdce žraloka Jozef Heriban (born 9 July 1953) is a Slovak writer, scenarist and film director. He devotes his time to literature. He is the former President of the Slovak PEN Centre, a member of the Board of the Slovak Audiovisual Fund and a member of the Slovak Film and Television Academy. He is married to well-known television talk show host and Director of the Slovak Institute in Vienna Alena Heribanová and has two daughters, writer and journalist Tamara Šimončíková Heribanová and marketing and PR manager Barbara Jagušák.
In 1919 he directed there The Unbroken Promise, a Western starring his wife at the time, Jane Miller. He also continued his work as a "scenarist" or screenwriter, writing a number of scripts for British productions in the early 1920s, including A Soul's Awakening (1921). During the same period, Powell directed some of his last films: a 1921 two-reel short for Paramount and Mack Sennett Comedies, Astray from the Steerage, and a 1922 five-reel crime drama, On Her Honor, starring Marjorie Rambeau as a detective."Short Reel Releases/Astray from the Steerage", Wid's Daily, May 8, 1921, p. 20.
Beaumont was born Charles Leroy Nutt in Chicago, the only child of Charles Hiram Nutt (an auditor of freight accounts for the Chicago & Alton Railroad) and Violet "Letty" (Phillips) Nutt, a homemaker who had been a scenarist at Essanay Studios. His father was 56 when Charles was born; Letty, his mother, was 22 years her husband's junior. Letty is known to have dressed young Charles in girls' clothes, and once threatened to kill his dog to punish him. These early experiences inspired the celebrated short story "Miss Gentilbelle", but according to Beaumont, "Football, baseball, and dimestore cookie thefts filled my early world".
Leonora Ainsworth (also known as Leonora Dowlan) was an American "scenarist" or screenwriter for studio films produced at various locations in California during the silent era. She collaborated extensively with her husband William C. Dowlan, an actor who also directed motion pictures for Universal Film Manufacturing Company in Los Angeles and for the American Film Company at its facilities in Santa Barbara. Ainsworth is credited as a screenwriter with researching and developing storylines, composing scripts, and writing and editing the intertitles for many of the films that Dowlan directed, especially those released by Universal between 1915 and mid-1916.
Pension Mimosas was the second of three films which Jacques Feyder made in swift succession on his return to France after his unsatisfactory experience in Hollywood. All three films were developed in conjunction with the scenarist Charles Spaak and included major roles for Feyder's wife Françoise Rosay, but each told a different kind of story and employed a distinctly different style of filming. Whereas Le Grand Jeu (1934) was a fast-moving melodrama with some exotic settings, and the later La Kermesse héroïque would be a satirical period farce, Pension Mimosas presented a more measured contemporary drama.
Cha was a journalist. When Cha was transferred to New Evening Post (of British Hong Kong) as Deputy Editor, he met Chen Wentong, who wrote his first wuxia novel under the pseudonym "Liang Yusheng" in 1953. Chen and Cha became good friends and it was under the former's influence that Cha began work on his first serialised martial arts novel, The Book and the Sword, in 1955. In 1957, while still working on wuxia serialisations, he quit his previous job and worked as a scenarist-director and scriptwriter at Great Wall Movie Enterprises Ltd and Phoenix Film Company.
Shoji had developed a stimulating guitar sound for the game, so he was interested in seeing what he could do with piano compositions. His use of instruments and editing techniques offered ample resources for him to study upon entering the production side of the series. His own compositional style has its roots in classical music, which might be one distinction that helped differentiate their musical approaches. To write music that complements the compelling depth of the narrative, it was necessary to proceed from the point of view of bridging the gap between the scenarist and the player.
Royce Vavrek is a Canadian-born Brooklyn-based librettist, playwright, dance scenarist, musical theatre writer and filmmaker known for his collaborations with composers David T. Little, Missy Mazzoli, Ricky Ian Gordon and Du Yun, soprano Lauren Worsham, producers Beth Morrison and Lawrence Edelson, and conductors Steven Osgood, Julian Wachner and Alan Pierson. He has been called "the indie Hofmannsthal," a "Metastasio of the downtown opera scene," "an exemplary creator of operatic prose," and "one of the most celebrated and sought after librettists in the world." His opera Angel's Bone with composer Du Yun was awarded the 2017 Pulitzer Prize for Music.
Alma Webster Hall Powell (November 20, c. 1869 – March 11, 1930), also known as Alma Webster Powell or Alma Webster-Powell, was an American operatic soprano, suffragist, philanthropist, writer, film scenarist, inventor, and member of the Socialist Party. Powell toured America and Europe as a primadonna soprano, using her breaks from her singing career to carry out philanthropic work and activism, as well as to pursue higher education in a variety of fields, including law, music, and political science. She was the first person to earn a doctorate from the political science department of Columbia University for a treatise on music.
Born in Rome, before World War II Lizzani worked as a scenarist on such films of as Roberto Rossellini's Germany Year Zero, Alberto Lattuada's The Mill on the Po (both 1948) and Giuseppe De Santis' Bitter Rice (1949), for which he received an Academy Award nomination for Best Original Story. After directing documentaries, he debuted as a feature director with the admired World War II drama Achtung! Banditi! (1951). Respected for his awarded drama Chronicle of Poor Lovers (1954), he has proven a solid director of genre films, notably crime films such as The Violent Four (1968) and Crazy Joe (1974) or crime-comedy Roma Bene (1971).
In a contemporary review, The New York Times wrote "It begs for empathy for its tortured principals, but despite the clearly dedicated contributions of Patricia Neal, Roald Dahl, her scenarist- husband; Pamela Brown and a young newcomer, Nicholas Clay, the strain on credibility is a good deal more notable than the impact on the emotions"; while more recently, a reviewer for DVD Talk wrote "The Night Digger doesn't carry much of a reputation, but I found it highly unusual, and more than satisfying". Cinema Retro called it "an underrated gem"; and the Radio Times concluded "director Alastair Reid's neo-Grand Guignol chamber piece exudes a peculiar fascination".
Many critics have evaluated this role as his masterpiece, and as one of the finest onscreen performances ever. Written by M. T. Vasudevan Nair, the film provided Malayalam cinema with a new direction; that of the low-budget film. One could see a lot of the pre-occupations of the scenarist, who carried the touches of human relationships through all of his subsequent films whether as screenplay writer or director. In spite of its large number of studio shots and overall theatricality, the film was so culturally rich that many of the episodes would become archetypes for future Malayalam film makers dealing with family drama.
Many lithographs of the period show her virtually floating, poised only on the tip of a toe. This idea of weightlessness was capitalised on in ballets such as La Sylphide and Giselle, and the famous leap apparently attempted by Carlotta Grisi in La Péri. Other features which distinguished Romantic ballet were the separate identity of the scenarist or author from the choreographer, and the use of specially written music as opposed to a pastiche typical of the ballet of the late 18th and early 19th centuries. The invention of gas lighting enabled gradual changes and enhanced the mysteriousness of many ballets with its softer gleam.
McVeagh's first film appearance was a supporting role in the classic High Noon (1952) in which she played Mildred Fuller alongside Gary Cooper and Grace Kelly. In the early 1950s she was under contract with Columbia Pictures. During that time, she co-starred in Tight Spot as Clara Moran playing the sister of Ginger Rogers: Of her performance, The New York Times raved "For our money, the best scene, whipped up by scenarist William Bowers, is the anything-but-tender reunion of Miss Rogers and her sister, Eve McVeagh ... an ugly, blistering pip." Ms. McVeagh was also featured opposite Richard Widmark and Lauren Bacall in The Cobweb as Shirley Irwin.
He is also a writer and a scenarist. He co-wrote the screenplay of the movie One hundred steps (I cento passi) about the life and death of Antimafia activist Giuseppe Impastato in 1978 that won the Venice Film Festival in 2001 for the best script. In December 2015, a new parliamentary group was created in the Camera dei deputati (Chamber of Deputies), the Sinistra Italiana (Italian Left). Sinistra e Libertà (Left Ecology Freedom) was officially dissolved on 17 December 2016, while Sinistra Italiana became a party on 19 February 2017, with only 13 of the 37 initially elected with SEL in the 2013 general election remaining in the parliamentary group.
In a later scene, Jack talks with his mother, played by Eugenie Besserer, in the family parlor; his father enters and pronounces one very conclusive word, "Stop!" In total, the movie contains barely two minutes' worth of synchronized talking, much or all of it improvised. The rest of the dialogue is presented through the caption cards, or intertitles, standard in silent movies of the era; as was common, those titles were composed not by the film's scenarist, Alfred Cohn, but by another writer – in this case, Jack Jarmuth. While Jolson was touring with a stage show during June 1927, production on The Jazz Singer began with the shooting of exterior scenes by the second unit.
It's included in Empire Magazine 's 100 Best Films of World Cinema in 2010. It is listed in the film reference book 1001 Movies You Must See Before You Die, which says, "Establishing conventions still being used by serial killer movies, Lang and scenarist Thea von Harbou intercut the pathetic life of the murderer with the frenzy of the police investigation into the outrageous crimes, and pay attention to issues of press coverage of the killings, vigilante action, and the political pressure that comes down from the politicians and hinders as much as encourages the police." A scene of the movie was used in the 1940 Nazi propaganda movie The Eternal Jew.
Born in New York City into an Irish family, Quirk began her career as a publicity woman and magazine writer on the East Coast before transitioning into scenario writing in Los Angeles. She worked as a scenarist at Famous Players-Lasky before writing scripts for Chadwick Pictures. In 1929, she was hired to write a series of 12 two-reel stories featuring actor George McIntosh. A devout Catholic, she eventually became disenchanted with Hollywood and what she perceived as its moral failings, and became a contributing editor at The Victorian (a Catholic magazine) and The Catholic Boy during the 1940s and 1950s, where she covered topics like juvenile delinquency, the ills of marijuana, the perils of alcohol, and Communism.
Orth began her career as a playwright and magazine writer, publishing in Breezy Stories as early as 1917. In 1920, she moved from Chicago to Los Angeles at the invitation of Lois Weber, who had purchased the film rights to two of Orth's stories, "The Price of a Good Time" (filmed in 1917) and "Borrowed Clothes" (filmed in 1918). Orth went on to write several films with and for Weber, including A Midnight Romance, To Please One Woman, Too Wise Wives, and The Blot. In 1923, she signed a seven- picture contract at Universal as a scenarist; her efforts at the studio included work on The Price of Pleasure and Dorothy Arzner's The Wild Party.
She then moved to Hollywood with the intent of becoming a writer, and after finding work in short supply, she found employment as a stenographer at Famous Players-Lasky. She soon moved her way into a script clerk position, working with screenwriters like Jules Furthman and J. Walter Ruben, and after getting continuity credits for her work on 1930's The Kibitzer, she was moved into a scenarist role. During the 1930s, she worked on over a dozen scripts, from 1930's The Busybody at Paramount to 1934's Hawaiian Nights at RKO. She left Hollywood in the mid-1930s to write scenarios for the British film industry, including Everything Is Thunder and It's Love Again for Gaumont.
231 films from 54 countries were screened at eight cinema halls in Thiruvananthapuram, namely Ajanta, New Theatre, Kalabhavan, Kairali, Sree, Kripa, Dhanya and Remya theatres.The Hindu: Stage set for international film festival 14 films were selected for the competition section which was limited to films produced or co-produced in Asia, Africa & Latin America between September 2006 & August 2007.cinemaofmalayalam.net: IFFK 2007 The jury consisted of Iranian filmmaker Jafar Panahi, African actor and director Naky Sy Savene, Polish scenarist Agnieska Holland, actor and producer Naseeruddin Shah and Cuban Film Academy director Rigoberto Lopez. Journalist Sheila Johnston heads the Fipresci jury which consisted of Turkish critic Cüneyt Cebenoyan and documentary filmmaker Varala Anand.
Maître Pierre (Master Pierre) is an uncompleted project by Charles Gounod, intended as his twelfth opera and planned in the summer of 1877 with the librettist Louis Gallet. The "Master Pierre" of the title was Pierre Abélard, the twelfth century scholar-philosopher and lover of Heloise. The project's progress is documented in five letters by Gounod to , the scenarist for Cinq- Mars, and in an 1878 interview with the critic Eduard Hanslick. The question of how Abelard's castration would be handled was a subject of ribald speculation in the press; when Hanslick pressed it Gounod explained that he was murdered at the end of the fourth act, his ghost visiting Héloïse in the last act.
The show has only two main characters starring in all episodes. "B'ro" (Arabic: برو), pronounced "Buhrroh": A hero of the common class, embodying heritage and a tradition- based prevailing mentality that is not short of wisdom, and who sells newspapers on a stand (cultural kiosk) by the pavement next to a bus stop; and his neighborhood associate "Shadi" (Arabic: شادي), pronounced "Shahdee": A young culturally established, well-educated, open-minded and knowledgeable university student who passes by B'ro's “cultural kiosk” everyday to buy newspapers and discuss different matters and hot topics of common interest to the Syrian and Arab people in general. Both characters are vocalized by Ammar F. Daba, the scriptwriter and scenarist of the show.
When the film was first released, The New York Times film critic Thomas M. Pryor, gave the film a mixed review, writing: > There is just so much that an actor can do on his own to make a character > interesting and then he must depend upon the scenarist to provide him with > dialogue and situations which will keep the spectator on edge. In Calcutta, > which opened yesterday at the Paramount. Alan Ladd is going through an all- > too-familiar exercise. While the actor is giving a competent performance and > is nicely abetted by William Bendix, the story by Seton I. Miller, who also > produced the film for Paramount, is a sorry mess indeed.
The series was successful in bringing high ratings for Kanal D. As it later didn't succeed in gaining the expected ratings on Friday it was moved to Monday but this lowered the ratings more than before thus it was decided to change the broadcast day again and make modifications in the scenario. Some reported that the series would end after the 2nd season due to low ratings, but scenarist Gülse Birsel announced that it would continue for at least one more season. In May 2013, it was confirmed that the 3rd season would be made. Ministry of Culture gave a plaque of appreciation to the crew due to the publication of the series abroad and to commemorate the contributions of the cast and crew in promoting Turkey.
In Aachen, Klein-Rogge wed actress Gerda Melchior, a cousin of the beloved silent film star Henny Porten, but the marriage ended when he met actress and novelist Thea von Harbou. The two married in 1914 and the following year, Klein-Rogge joined Nuremberg's Städtische Bühnen theatre as both an actor and director. In 1918, the pair moved to Berlin to capitalize on von Harbou’s writing skills and her budding career as a scenarist and screenwriter, while Klein-Rogge was hired by Victor Barnowsky, director of Berlin’s Lessing Theater. Klein-Rogge’s film career began in earnest in 1919, although he may have made an uncredited screen debut in 1913’s :de:Der Film von der Königin Luise, directed by Franz Porten.
Bergèse had to do most of the writing himself, starting with the selection of suitable adventures up to the page-by-page layout. As a result, with every album, Bergèse became more and more skilled as a scenarist himself. By that time however Dupuis was yearning to remake the commercial success of Buck Danny, and so in 1995, through intermediary of Charlier's son Philippe, the documentary maker Jacques de Douhet was asked to supply some outlines for a possible Buck Danny scenario. One of the ideas caught on and so in 1995, Dupuis asked Bergese back and he and de Douhet teamed up for Buck Danny album 45: Les Secrets de la Mer Noire (The Secrets of the Black Sea).
The show's soundtrack is composed of the opening theme which is a sarcastic vocal chant performed by the show's scriptwriter and scenarist Ammar F. Daba in addition to many other Arabic folk songs performed by various Arab artists which can be heard from B'ro's radio during the show. There is no ending theme, and the credits roll at the end of each episode is accompanied by a continuation of the last song heard from B'ro's radio. The opening theme is metaphoric. Aside from describing the bad shape in which the micro buses rolling the streets of Syria are found, the opening theme uses the micro bus' shape to reflect on the state of the Syrian and Arab people in general.
Boyle was the person who taught Cagney George M. Cohan's dancing style, which he later used to good effect in Yankee Doodle Dandy, and Dixon, who staged the dances for Something to Sing About, was Cagney's dance instructor in New York before Cagney's Broadway breakthrough in Penny Arcade in 1930. The dancing is in Cagney's inimitable style, which mixes vaudeville, tap, jigs, and semi-ballet. According to an article in the New York Times, Cagney would occasionally go over his steps with Fred Astaire before the dances were filmed. The songs - "Something to Sing About", "Right or Wrong", "Any Old Love", "Out of the Blue" and "Loving You" - were all written, music and lyrics, by the film's director and scenarist, Victor Schertzinger.
He wrote Native Americans and western films like Comata, the Sioux (1909), The Kentuckian (1908), A Mohawk's Way (1910), The Mohican's Daughter (1910), The Squaw's Love (1911), and The Yaqui Cur (1913). He met D. W. Griffith when he first arrived at Biograph Company, when newspaperman Lee Doc Dougherty headed the story department and hired Griffith as chief scenarist. He worked under the direction of Griffith in The Mended Lute (1909), The Impalement (1910), The Purgation (1910), A Flash of Light (1910), The Great Love (1918), The Greatest Thing in Life (1918), The Girl Who Stayed at Home (1919), Scarlet Days (1919), The Greatest Question (1919) and The Idol Dancer (1920). They worked together in the screenplay for The Hun Within (1918).
Barillà was a co-editor of the literary magazine Elsinore, with Curti suggesting Barillà only had minor contributions to the script. The estimated budget attached to bureaucratic papers submitted to the Ministry at the beginning of production list Fondato and Bava as the authors of the story and credits the script to the name Giuseppe Milizia who does not appear in any other documents. In contrast, the opening titles of the film credit Fondato as the author of the story and screenplay, with Barillà's name listed as "with the collaboration of". Ministerial papers state that Bava was paid 3 million Italian lire as co-scenarist, and 7 million for directing, while Fondato and Barillà were each paid about 1.5 million each for screenwriting.
Although in the course of 60 years of stories Buck Danny is promoted from simple pilot to squadron leader, captain and colonel (Tumbler is promoted to major after Fire From Heaven while Tuckson seems to stay captain forever since his promotion in S.O.S. Flying Saucers!) the characters themselves never seem to age. From the first album on, Hubinon always drew Buck Danny with a realistic, weathered face and a military crew cut for his blond hair. Like this his visible age has always been somewhere between 25 and 49. Although Bergèse, as a scenarist makes 'his' Buck Danny appear more grizzled and war-weary, as an artist, he mostly kept to Buck Danny's original look, although in the latest albums the lines on his face appear a bit deeper.
She was a novelist, short story writer, and biographer as well as a feature writer for the San Diego Union. She was also an associate editor of the Southwest Magazine. She was an actress, playing for a number of years in drama, vaudeville and musical comedies, principally in the B. C. Whitney productions and for two years she was leading the Selig Polyscope Company under the direction of Otis Turner, during which time she featured in a number of productions requiring expert riding and swimming in which she was expert. She was the scenarist for Selig, American Standard Film Company, and Mirror Films; her scenarios included: "The Song of Courage", "The Desert Rat", "Mothers of Men", "The Wraith", "Of the Blue Lagoon", "In Wrong Sims", "Meeting Mother", "Atonea of Old Castle", and the "Foxicus" series.
The first great success of the new regime was Robert le Diable by the German composer Giacomo Meyerbeer, which premiered on November 21, 1831. The opera combined the German orchestral style with the Italian lyric singing style; it was an immense critical and popular success. Meyerbeer wrote a succession of popular operas, including At the end of his four-year contact, Doctor Véron retired, leaving the Opera in an admirable financial and artistic position. Set for Act 1 of La Juive at the Opéra-Comique (1835) The Opéra-Comique also enjoyed great success, largely due to the talents of the scenarist Eugène Scribe, who wrote ninety works for the theater, put to music by forty different composers, including Daniel Auber, Giacomo Meyerbeer, Fromental Halévy (La Juive (1835)), Cherubini, Donizetti, Gounod and Verdi (for whom he wrote Les vêpres siciliennes).
During World War II, Anhalt served with the Army Air Force First Motion Picture Unit in Culver City, California as a scenarist for training films. After the war, Anhalt graduated to writing screenplays for thrillers, initially using the joint pseudonym Andrew Holt. The works by him and his wife, Edna Anhalt had attracted Hollywood, and they moved from New York to Los Angeles, where he made his first screenwriting debut in 1946 with Strange Voyage. Put under contract by Columbia, the Anhalts scripted Bulldog Drummond Strikes Back (1947). After a stint at Twentieth Century Fox during which they won the Academy Award for Best Story for the screen story to the urban thriller Panic in the Streets (1950), the husband and wife team returned to Columbia as writer-producers, earning another Academy Award nomination for their story to the thriller The Sniper in 1952.
Most Disney films released between 1937 and 1981 had all the film-related information in the opening credits, while the closing consisted only of the credit "The End: A Walt Disney Production". However, Mary Poppins was the first Disney film to have longer closing credits, in which all the principal cast members (and the characters that they played) were listed. Most Soviet films presented all film-related information in the opening credits, rather than at the closing which consisted of only a "THE END" (, Konyets Fily-ma) title. A typical Soviet opening credits sequence starts with a film company's logo (such as Mosfilm or Lenfilm), the film's title, followed by the scenarist (the Soviet Union considered the scriptwriter the principal "auteur" of its films), followed by the director, usually on separate screens, then continuing with screens showing other credits, of varying number, and finally, the film's chief administrator-in-charge, the production director (, Direktor kartiny).
For many years AFTRS was located in purpose-built premises at North Ryde, Sydney. In 2008 the school relocated to a purpose-built facility adjacent to Fox Studios, located inside the Entertainment Quarter in Moore Park Sydney. A film studio at AFTRS' Moore Park campus AFTRS is the only screen and broadcast school in the world to cater for all of the specialisations under the one roof. The campus includes: a Full size 5.1 sound theatre (seats 126), state-of-the-art mix theatre, two large professional film and television studios, film studios, state-of-the-art sound recording studios, ten sound editing suites, four screen music composition suites, offline and online editing suites, Video-post department that provides broadcast quality dubbing, HD Avid Adrenaline online editing, Scenarist DVD authoring, web streaming and multicam production services, computer labs, tech store, props store & costume support, Grip trucks with Movietech Arco dolly and accessories, Stand-by Props truck, production design construction workshop, three on-air digital radio broadcasting studios.
Though the video content of each format does not vary (aside from variances in resolution, bitrate and functionality), the Blu-ray disc is the most technically advanced product ever released in that format and has a "slight technical edge" over its HD DVD counterpart, according to comments made by video director Rob Sheridan on The Spiral. High-Def Digest reviewer Peter Bracke described both of the high-definition versions as "the best music performance yet released" in the consumer HD format. To accommodate the highly frenetic and difficult to compress video imagery of a live Nine Inch Nails show, Microsoft modified its high-definition VC-1 video encoder and Sonic Solutions also accelerated development of their Sonic Scenarist authoring software especially for this release. Each version of the video contains closed captioned on-screen lyrics and video content in the 16x9 aspect ratio; however, only the standard DVD contains an interactive discography due to time constraints.
When Tight Spot was released, The New York Times reviewer Howard Thompson gave the film a positive review, writing, Tight Spot' is a pretty good little melodrama, the kind you keep rooting for, as generally happened when Lenard Kantor's 'Dead Pigeon' appeared on Broadway a while back ... Along the way are some nice, realistic trimmings Mr. Karlson, or somebody, had the bright idea of underscoring the tension with sounds of a televised hillbilly program (glimpsed, too unfortunately). For our money, the best scene, whipped up by scenarist William Bowers, is the anything-but-tender reunion of Miss Rogers and her sister, (Eve McVeagh) – no competition to the two 'Anastasia' stars down the street, but an ugly, blistering pip ... Indeed, Miss Rogers' self-sufficiency throughout hardly suggests anybody's former scapegoat, let alone a potential gone goose. But she tackles her role with obvious, professional relish. Mr. Keith and Mr. Robinson are altogether excellent.
Director Maurice Tourneur, scenarist André de Lorde and actor Henry Roussel had worked together previously a year earlier, in the 1913 silent horror film Le système du docteur Goudron et du professeur Plume (The System of Doctor Goudron, released in the US as The Lunatics), which itself was based on Edgar Allan Poe's 1845 short story The System of Doctor Tarr and Professor Fether and, like Figures de cire, was originally staged as a play at the Grand Guignol in Paris in 1903 (where it had starred Henri Gouget). Though Figures de cire had originally been written as a stageplay by de Lorde (who wrote hundreds of plays for the Grand Guignol), the film credits state that it is based on his short story (in French, "nouvelles"), which he adapted from his play and published in an eponymous collection in 1932 (the story was first published in English as “Waxworks” in the 1933 anthology Terrors: A Collection of Uneasy Tales, anonymously edited by Charles Birkin).
After World War II he worked in Chicago as a staff writer at WGN Radio and as a Chief Writer at CBS Radio. In 1950 he moved to Southern California where he began an illustrious career as a television scenarist, writing over 400 teleplays for such shows as The Untouchables, The Fugitive, Have Gun, Will Travel, Kraft Suspense Theatre, The F.B.I., The Virginian, Ben Casey, Bat Masterson, The Man From U.N.C.L.E., Rawhide, Ironside, The Name of the Game and many others. After serving as producer on the Executive Suite series, Brinkley wrote and produced a number of television pilots, one of which was Trapper John, M.D.. The series ran for seven years on CBS, accumulating high ratings and numerous awards for its unique explorations of such controversial issues as gay rights, women's rights, euthanasia, nuclear disarmament, the right to die, and animal research. As one of the first series on prime time to deal with the AIDS problem, Trapper John, M.D. was awarded a citation of excellence by the city of Los Angeles.
Buñuel and his co-scenarist Julio Alejandro drafted a preliminary screenplay for Viridiana, which critic Andrew Sarris has described as incorporating "a plot which is almost too lurid to synopsize even in these enlightened times", dealing with rape, incest, hints of necrophilia, animal cruelty and sacrilege, and submitted it to the Spanish censor, who, to the surprise of nearly everyone, approved it after requesting only minor modifications and one significant change to the ending. Although Buñuel accommodated the censor's demands, he came up with a final scene that was even more provocative than the scene it replaced: "even more immoral", as Buñuel was later to observe. Since Buñuel had more than adequate resources, top-flight technical and artistic crews, and experienced actors, filming of Viridiana (which took place on location and at Bardem's studios in Madrid) went smoothly and quickly. Buñuel submitted a cutting copy to the censors and then arranged for his son, Juan Luis, to smuggle the negatives to Paris for the final editing and mixing, ensuring that the authorities would not have an opportunity to view the finished product before its planned submission as Spain's official entry to the 1961 Cannes Festival.

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