Prpa has an adult son, dramaturgist Ivan Jovanović, from a previous marriage. She had no children with Ćuruvija.
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Gjilan Jahi Jahiu was an Albanian playwright and dramaturgist. He was born in the village Sllubica of Gjilan, 1959.
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Ippolit Wischinsky (born April 20, 1963), known as Ip Wischin, is a Russian/Austrian dramaturgist, director, screenwriter, composer and business consultant, whose main work is about the basic principles of film dramaturgy.
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During his career, Macourek worked in various professions. From 1953 to 1960, he was a teacher of the art history; later he worked as a dramaturgist at the Barrandov Film Studios. He created children books, TV series and film comedies.
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Rusudan Petviashvili was born in Tbilisi 25 January 1968 in family of artists. Her father — a sculptor artist, mother — a poet and dramaturgist. The talent of the artist appeared in early childhood. Petviashvili began painting when she was one and a half years old.
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Alexander Lernet-Holenia (Vienna, October 21, 1897 — July 3, 1976) was an Austrian poet, novelist, dramaturgist and writer of screenplays and historical studies who produced a heterogeneous literary opus that included poetry, psychological novels describing the intrusion of otherworldly or unreal experiences into reality, and recreational films.
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In 1951, Renč was arrested and in 1952 he was sentenced to 25 years in prison without any evidence. He was released in 1962, rehabilitated in 1968.Jiri Holy, Writers Under Siege: Czech Literature Since 1945, p. 63, Sussex Academic Press, 2011, He became dramaturg operetta dramaturgist in Olomouc in 1969.
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The novel was adapted into a Theatre play in 2013. It premiered on 16 November 2013 at ABC Theatre. Dramaturgist Věra Mašková stated that the play focuses on emotions and Theatrical Poetry. The play was directed by Pavel Khek, and it starred Veronika Khek Kubařová as Marketa and Tomáš Novotný as Mikoláš.
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Overview of the Fragments of East and the West, Hrvatsko glumiste, summer 2004. Croatian Theatre 2001-2003: Transformations, The World of Theatre, ITI UNESCO, Paris,10. 2004. Problems of Translating Contemporary Plays Outside of Their Native Cultural Environment, Works from Symposium «Drama Texts Today in Bosnia and Herzegovina, Croatia, and Serbia and Montenegro: Possibilities of Dramaturgist readings», Universite Paris IV Sorbonne/University of Montenegro, Paris/Podgorica, 10. 2004. Croatian Theatre Faced with the Challenges of European Integrations, Kazaliste, 19/20 2004. Demystification of the Market – Theatre and its Consumers, Scena, Novi Sad, 09. 2005. Croatian Drama of War Trauma, Kazaliste, Zagreb, 21/22 2005. Show Business in Croatian Theater, Kazaliste, Zagreb, 23/24 2005. 'Male Stuff' from the Female Point of View; War and Warriors in Plays of Croatian Contemporary Female Playwrights, Works from Symposium «Drama Texts Today in Bosnia and Herzegovina, Croatia, and Serbia and Montenegro: Possibilities of Dramaturgist Readings» Universite Paris IV Sorbonne/Faculty of Philosophy University of Zagreb, Paris/Zagreb, 10. 2005. Problem of Time in Drama, Works from Symposium «Drama Texts Today in Bosnia and Herzegovina, Croatia, and Serbia and Montenegro: Possibilities of Dramaturgist Readings» Universite Paris IV Sorbonne/Faculty of Philosophy University of Sarajevo, Paris/Sarajevo 12. 2006.
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La Soltane by Gabriel Bounin, 1561. Gabriel Bounin was a French author and dramaturgist of the 16th century. He was a lawyer of Châteauroux in Berry. In 1561, Gabriel Bounin published La Soltane, a tragedy highlighting the role of Roxelane (with no reliable sources or proof) in the execution of Şehzade Mustafa, the elder son of the Ottoman Sultan Suleiman the Magnificent.
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Milan Nápravník designed the show's concept and was the first dramaturgist of the Czech version. Since 1973, Večerníček has been shown in color. Practically all famous Czech and Slovak illustrators, writers, animators, and directors, such as Václav Čtvrtek (author of Víla Amálka), have participated in the program. After 1989, Večerníček survived several attempts to change its themes and even cancel the program.
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Kamen Ivanchev Donev (; born 15 April 1971) is a Bulgarian actor, film director, dramaturgist, and choreographer. Donev studied acting at NATFIZ, graduating in 1993. Between 1994 and 2009, he was an actor in the Bulgarian Army Theatre (Bulgarian: Театър „Българска армия“). In 2000 and 2001, Donev was part of the cast of the TV show "The Street" (Bulgarian: Улицата), which was directed by Tedy Moskov.
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Zīverts was born in Mežmuiža, Courland Governorate (now Vilce parish, Jelgava municipality, Latvia). He studied philosophy at the University of Latvia in Riga, later working as an editor and dramaturgist at the National Theater in Riga. He came to Sweden as a refugee in 1944. While he often worked as a laborer, he continued to write and direct plays, and served as chairman of the Latvian PEN center.
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He edited the journal Rozhledy po literatuře (Czech Views over literature) together with František Halas (between 1933 - 1936). Then he worked as an editor at several journals (Akord, Obnova and Řád), later as a publishing editor. He was also a dramaturgist in Olomouc theater (1945 - 1948) and in Zemské divadlo theater in Brno in 1947. After the 1948 communist coup in Czechoslovakia he and other catholic writers were hated by the regime.
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Zorayr Khalapyan (; Talış, Tartar, Nagorno-Karabakh Autonomous Oblast, Transcaucasian Socialist Federative Soviet Republic, U.S.S.R., 1 August 1933 – 18 August 2008), was an Armenian writer, novelist, dramaturgist. “Armenfilm” Studio used his novel in their television adaptation of Where were you, Man of God? which was nominated for five Armenian National Cinema Awards "HAYAK -2012", including Best Picture and Best Cinematography, and won three, for Best screenplay writer, Best composer and Best leading actress.
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In 1949, he was engaged as a dramaturgist in the Czechoslovak Radio, where he participated in broadcasting for children and youth. From the late 1950s, he created scripts for cartoons produced by the Czechoslovak Television. In collaboration with illustrator Radek Pilař and voice actors Karel Höger, Vlastimil Brodský, Jiřina Bohdalová and Jiří Hrzán he created some of the most popular cycles of the television programme Večerníček. In his later years, Čtvrtek focused on writing.
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Engel was born in Hamburg, where later he studied at the School of Applied Arts. After finishing there he worked briefly as a journalist, then learnt acting at the Thalia Theatre in Hamburg, after which he spent several years with a touring theatre company. In 1917 and 1918 Engel was the dramaturgist in the Deutsches Schauspielhaus, and later in the Hamburger Kammerspiele. After a short engagement with the Bayerische Staatstheater in Munich he moved in 1924 to Berlin.
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Shortly thereafter, he became the head dramaturgist of the National Theatre in Belgrade. In 1904, he was appointed head of the Serbian National Theatre in Novi Sad. In 1905, he left his new post and moved to Belgrade to work as a journalist. He also worked as an editor for various magazines and feuilletonist for Politika, writing under the pseudonym Ben Akiba. Following Austria-Hungary's annexation of Bosnia and Herzegovina in October 1908, Nušić led a series of anti-Habsburg demonstrations in Belgrade.
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One of his first works was ¨Our Italian surnames¨, published in Evanston in 1949, in which his knowledge of onomastics and genealogy are evidenced. He elaborated a much celebrated Fucilla's Spanish Dictionary (New York City, 1961) which was reprinted several times and prepared and corrected several anthologies for students of several main literary works of Spanish writers. As a translator of Italian to English he showed a particular interest in the 18th century dramaturgist Pietro Metastasio. He mainly studied the Italian imprint in Hispanic and Portuguese literatures.
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Luís Caetano Pereira Guimarães Júnior (Rio de Janeiro, 17 February 1845 – Lisbon, 20 May 1898) was a Brazilian diplomat, poet, novelist and dramaturgist. He was bachelor in the Faculdade de Direito do Recife in 1869, in the same class of the writer Araripe Júnior. His works switched from Romanticism to Parnasianism. As a diplomat, he lived in Santiago de Chile, Roma and Lisbon, where he finally stayed and he met intellectuals such as Eça de Queiroz, Ramalho Ortigão, Guerra Junqueiro or Fialho de Almeida.
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Pjer Žalica (born 7 May 1964 in Sarajevo) is a Bosnian film director, screenwriter and a professor at the Academy of Performing Arts in Sarajevo. His father Miodrag (1926–1992) was a noted dramaturgist and poet who scripted several TV movies. He has directed several short films, only one of which is (Mostar Sevdah Reunion 2000) as well as two feature films, Gori vatra (2003), and Kod amidže Idriza (2004). In May 2008, he directed the music video for the duet Dabogda by Dino Merlin and Hari Mata Hari.
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From 1968 to 1970 he worked as a dramaturgist in the Mahen Theatre, a part of the National Theatre in Brno. Additionally, he collaborated with the National Theatre as a playwright. In 2005, Mahen Theatre premiéred his play about Czech composer Leoš Janáček. During the period of normalization (in the 1970s and '80s) Kundera was banned from being published. He left the Mahen Theatre in reaction to the dismissal of his collaborators, V divadle pak Kundera zaujal místo dramaturga, ale odešel po vyhazovu svých spolupracovníků v roce 1970, kdy, jak píše, mu „začaly svízelné časy“.
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Emerich Josef Wojtek, born in Seebarn near Grafenwörth in Austria, was the son of a teacher. He attended the Provincial Secondary School (Landesrealschule) in Krems an der Donau and did military service during World War I. In 1919 he worked at first as a bit-part actor, then as a director's assistant and production manager, and finally as an assistant film director. In that capacity in 1927 he moved to Berlin, where he also worked as a cutter and dramaturgist with a number of different directors. In 1928 he directed his first film drama, called Flitterwochen ("Honeymoon").
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In August 2007, she acted in the series Rosamunde Pilcher - Sieg der Liebe, in the main role of Emma Clark. She acted in the successful series Wege zum Glück, until July 2008 (episode 703, shown on 20 October 2008 on ZDF), in the main role of Luisa Becker (born Maywald). As well as a career as an actress, Susanne tried to explore her origins in a project with her friend, the dramaturgist Dagmar Domrös. In Sibiu, the European Cultural capital of 2007, the play Ein Dorf erzählt... Zalina was performed in the village of Hosman (Romania), along with Spree Agent and other collaborative artists.
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Vladimir Oravsky (born 22 January 1947 in Czechoslovakia) is a Swedish author and film director. Before Oravsky decided to be a full-time writer, he made a living in Czechoslovakia as machine engineer and conveyor belt constructor. In Sweden, Denmark, Switzerland, Thailand and United States Oravsky survived as dishwasher, cleaner, newspaperman, dock worker, gold-washer, pea picker, tractor driver, cook, actor, photographer, translator, copywriter, literary critic, dramaturgist, lecturer, teacher, culture bureaucrat, such as culture manager for Umeå municipality, film- and theatre director and producer. Oravsky is published by many publishing houses, as Studentlitteratur, h:ström – Text & Kultur, Nya Doxa, Symposion, Raketförlaget, Lundtofte Publishing, De Rode Kamer and Branner og Koch.
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However, to stay in business he had to make arrangements with the regime, which included becoming chief dramaturgist at the "Heeres-Filmstelle" (the audiovisual media center of the Wehrmacht in Berlin, charged with producing propaganda films for military cinemas) after the Polish campaign. Robert Dassanowsky has stated that "[Lernet-Holenia's] early actions in the Reich were confused, appearing to vacillate between naiveté and the often clumsy, often shrewd acts of a survivalist ... a unique but not incomprehensible position." Lernet-Holenia became more outspoken as the war progressed. After his removal from his public position in 1944 he escaped service on the Eastern combat theatre through contrived illness and the help of the resistance network.
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In addition he tried his hand at fiction, in his only novel, the politico-historical Der Kongress von Verona (1842), and in a collection of short stories published in 1846, Bilder im Moose. In 1844 the Grand Duke Paul Friedrich August von Oldenburg offered him the appointment of dramaturgist at the Court Theatre in Oldenburg, which he accepted, in the hope of putting into practice his vision of German national theatre. In the same year he had his family name changed from "Moses" to "Mosen" by Dresden ministerial decree. In 1846 he was stricken with paralysis as the result of a rheumatic illness, and after remaining bed-ridden for the rest of his life, died at Oldenburg on 10 October 1867.
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SS leader Heinrich Himmler, Adolf Hitler and SA leader Viktor Lutze (from L to R) on the stone terrace; from Triumph of the Will directed by Leni Riefenstahl. To subdue film to the goals of propaganda (Gleichschaltung), the Nazi Party subordinated the entire film industry and administration under Joseph Goebbels' Ministry of Propaganda, and gradually nationalized film production and distribution. A state-run professional school for politically reliable film-makers (Deutsche Filmakademie Babelsberg) was founded, and membership of an official professional organization (Reichsfilmkammer) was made mandatory for all actors, film-makers, distributors, etc. The censorship that had already been established during World War I and the Weimar Republic was increased, with a National Film Dramaturgist (Reichsfilmdramaturg) pre-censoring all manuscripts and screenplays at the very first stages of production.
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At the time, Thomas Mann remarked: "What amount of apathy was needed [by musicians and audiences] to listen to Fidelio in Himmler's Germany without covering their faces and rushing out of the hall!"Berthold Hoeckner, Programming the Absolute: Nineteenth-century German Music and the Hermeneutics of the Moment, Princeton University Press, 2002, p. 47. Not long after the end of World War II and the fall of Nazism, conductor Wilhelm Furtwängler remarked in Salzburg in 1948: > [T]he conjugal love of Leonore appears, to the modern individual armed with > realism and psychology, irremediably abstract and theoretical.... Now that > political events in Germany have restored to the concepts of human dignity > and liberty their original significance, this is the opera which, thanks to > the music of Beethoven, gives us comfort and courage.... Certainly, Fidelio > is not an opera in the sense we are used to, nor is Beethoven a musician for > the theater, or a dramaturgist. He is quite a bit more, a whole musician, > and beyond that, a saint and a visionary.
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