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"dramaturge" Definitions
  1. a person who writes or edits plays for a theatre
"dramaturge" Synonyms
playwright dramatist dramaturgist scriptwriter tragedian scenarist writer author comedist librettist screenwriter scripter scribe novelist scribbler penman scrivener essayist wordsmith ghostwriter

355 Sentences With "dramaturge"

How to use dramaturge in a sentence? Find typical usage patterns (collocations)/phrases/context for "dramaturge" and check conjugation/comparative form for "dramaturge". Mastering all the usages of "dramaturge" from sentence examples published by news publications.

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The dramaturge Cori Ellison had to provide counseling along with professional guidance.
Mr. Browne is a skilled entertainer, albeit one occasionally in need of a dramaturge.
Cori Ellison, who assisted Lash with the libretto, is the dramaturge, while Rachel Dickstein directs.
"Doing a piece about the sadism of people doesn't need to be pessimistic," the dramaturge adds.
Bob Pangborn, a 221-year-old dramaturge with autism, spent his teens performing in community theater.
The dramaturge, Álamo, filled the play with nods to the gypsy culture he found in El Vacie.
Mr. Khan (who worked with a dramaturge, Ruth Little) keeps the essentials: class difference, love, betrayal, death, revenge, forgiveness.
For this piece, Zbikowski collaborated with the Senegalese dance artist and dramaturge Momar Ndiaye and a cast of 10 unrestrained dancers.
Stefan Bläske, the dramaturge, and Mr. Rau set up their computers at one end of the table, working on the script.
As with the original "Giselle," it is not the plot (worked out with the dramaturge Ruth Little) that carries the ballet.
Mr. Joseph's poetic words, whether sung or spoken powerfully, animate the storytelling, especially as delivered by Lauren Whitehead, a poet and dramaturge.
Mr. Hunter's response was framed a bit by his new responsibilities: He and his husband, the dramaturge John Baker, became parents this year.
It began as a commission from Tony Taccone, then the head of the Eureka Theater in San Francisco, and Oskar Eustis, its dramaturge.
The next five days were filled with conversations with the cast, director, dramaturge and other supporters and observers we had in the room.
I'm no dramaturge, but I do know this: You don't put a tiger in your story unless it's eventually going to maul someone.
"There is no task or secret for the audience to discover," says Tobias Schuster, the theater's dramaturge, who commissioned the piece in early 2015.
He has a husband now, the dramaturge John Baker; a young daughter, Frances Hunter-Baker; a gleaming duplex in Manhattan's Inwood; the MacArthur grant.
Her father is an internist in Petersburg, Va. The groom, 32, is the literary manager and resident dramaturge at the Shakespeare Theater Company in Washington.
At the "Hillary and Clinton" preview, I found Hnath in the last row of the orchestra, next to his longtime dramaturge and friend, Sarah Lunnie.
What's most frustrating, though, is that the hourlong "Soundstage" dispenses enough tantalizing nuggets to make you wish a dramaturge had helped harness Mr. Roth's imagination.
Mais ceux qui viennent à Saint-Paul-de-Vence aujourd'hui pour rendre hommage au romancier, dramaturge et essayiste américain ne trouvent rien pour s'y recueillir.
"Donald has been celebrated but way undervalued," said Mr. DeFrantz, who has been his friend and worked with him intermittently as a dramaturge since the 1990s.
It doesn't take a dramaturge to discern what it means when Maggie knocks his pocket watch, which Joe treasures, off its display shelf, cracking its crystal.
" Klaus Missbach, the production's dramaturge, added: "You will see that even though it takes place in Atlanta, it is going to appeal to people here in Vienna.
If you looked hard enough, it was possible to detect commercial elements in what was mostly a performance art piece (one perhaps in need of a dramaturge).
At the interval, one Almeida dramaturge commented that, had the text arrived on his desk from a new writer, he would have reached quickly for the red pen.
The grandfather's engaging narrative, written by Ms. Steier and the dramaturge Ina Karr, is refashioned from the opera's spoken dialogue, usually the most awkward element of any production.
While working intermittently in the theater, Mr. Innaurato also pursued his love of opera, writing for Opera News and other publications and sometimes directing or acting as dramaturge.
And on March 26, Mr. Andriessen joins Mr. Goebbels, the conductor Peter Rundel and Pierre Audi, artistic director of the Armory, for a talk with the dramaturge Cori Ellison.
Ms. Kobayashi and Mr. Allen, her co-writer, co-producer, dramaturge and husband, stage "Say Something Bunny!" in a small space in Chelsea up a small flight of stairs.
Mr. von Mayenburg is best known for his work at Berlin's Schaubühne theater, where he has spent nearly two decades as a playwright, dramaturge, translator and, most recently, director.
Mark McCloughan, a former student of Eiko's at Wesleyan University and now her dramaturge, likened her residency to a laboratory, but one that is unusual because it is so public.
Carp previously served as co-director of the Schauspielhaus in Zurich between 20043 and 22004, later working as a dramaturge under Frank Castorf at the Volksbühne in Berlin until 260.
In the summer of 2013, he, Transport Group's artistic director, Jack Cummings III, its dramaturge Krista Corcoran Williams and a couple of associates met for an artistic residency in upstate New York.
Working with the dramaturge Klaus Zehelein, Mr. Gielen collaborated with Jürgen Flimm, Harry Kupfer, Hans Neuenfels (including for a pivotal "Aida" in 21965) and Ruth Berghaus, who produced Wagner's "Ring" in notably symbolic fashion.
In the fall, when her casting was confirmed, she cleared her schedule and read book after book about Joan of Arc, becoming so fluent in medieval history that she now serves as the play's unofficial dramaturge.
" As a result, Lincoln Center Theater received $5 million to establish the Christopher Lightfoot Walker Literary Fund, which will be used to support the Directors Lab, the Playwrights Program, a dramaturge and "The Lincoln Center Review.
As department chairman, Mr. McCraney succeeds Jeanie O'Hare, who before joining Yale in 2012 was the company dramaturge for the Royal Shakespeare Company and is now is the director of new work development at the Public.
In a conversation with Yvonne Gebauer, the production's dramaturge, printed in the program, Mr. Neuenfels makes some penetrating comments about why the main character, Herman, an officer of no means, spends his time in gambling houses without actually gambling.
This was the first of many stories told through multiple languages, gestural ones included, in the world premiere of "Stories by Hand," a collaboration between Ms. Vasudevan and the digital artist and writer Paul Kaiser, who served as her dramaturge.
In both cities, Mr. Sagnet put to a vote a campaign manifesto drafted by the apostles, as well as by Mr. Rau and his dramaturge, Eva-Marie Bertschy, calling for rights like freedom of movement, adequate housing and humane working conditions.
It achieves a nice balance between period historicity and a contemporary perspective; Ms. Marston, and her dramaturge Uzma Hameed, never let us forget that we are looking at the past by providing an abstract, simply dressed chorus embodying the court and the populace.
"It's both a critique and a celebration of the form," said Amanda Jane Graham, who worked as a dramaturge for Mr. Fernandes on "Clean Labor" (2017), a site-specific piece about the overlooked efforts of hotel workers that was staged at the Wythe Hotel in Brooklyn.
One of its creators, a Berlin-based concert programmer, dramaturge and journalist named Arno Lücker, was then told that a series he has long presented at the prestigious Berlin Konzerthaus, where Mr. Hope frequently plays and programs a series of his own, would not be renewed.
In "Excavation Site: Martha Graham U.S.A.," that Austrian choreographer, with the dramaturge Steve Valk, organized a one-time event as part of the Coil festival in which 24 dancers — all but one associated with the Martha Graham Dance Company — investigated their shared bond with that luminary of modern dance.
When Silvio de Abreu, the Globo dramaturge, wrote telenovelas, he spent a lot of time in the 1970s and '80s trying to persuade humorless government censors in Brasília, the nation's capital, that they were missing a joke — which in some cases was not actually a joke at all.
The Next Wave Festival invitation, Ms. Bartosik said, brought levels of funding and creative support she had never before received, including a residency at Lumberyard in Catskill, N.Y., and the chance to work with a dramaturge (Melanie George) and a costume designer (Harriet Jung) for the first time.
For the show, the group's esteemed artistic director, Jawole Willa Jo Zollar, worked with the dramaturge Talvin Wilks and the composer Craig Harris to create a piece set in a fictional jazz club to tell the story two people moving from the South to the North during the Great Migration.lumberyard.
Hosted by the unassuming Rhiannon Giddens — the spectacular bluegrass musician who started her career studying classical voice — the podcast devotes its first episode to "La Traviata," weaving together engaging interviews with the soprano Diana Damrau, the dramaturge Cori Ellison and the scientist Brooke Magnanti, who had worked as a call girl in London.
He was general dramaturge of the Théâtre de l'Ambigu-Comique when he died.
Steffen Lieberwirth (b. 10 March 1952) is a German musicologist, dramaturge and journalist.
Valeriy Pecheykin (Russian: Валéрий Валéрьевич Печéйкин) is a Russian playwright, dramaturge, and journalist.
Gregor Edelmann (born 1954) is a Berlin based German journalist, screenwriter and dramaturge.
Julius Kapp (1 October 1883 – 18 March 1962) was a German dramaturge and writer.
Berthold Warnecke (born 15 February 1971) is a German dramaturge and Opera director in Würzburg.
68 He later worked as a dramaturge under Gustaf Gründgens at the Prussian State Theatre.
Gordon Rogoff (born May 17, 1931) is a theatre director, dramaturge, professor, and theatre critic.
Wulf Konold (29 June 1946 – 24 June 2010) was a German musicologist, dramaturge and theatre director.
Waldtraut Lewin (8 January 1937 – 20 May 2017) was a German writer, dramaturge and stage director.
For the latter she worked in collaboration with American playwright Bridgette Wimberly and Norwegian dramaturge Oda Radoor.
Iša František Krejčí (10 July 1904 – 6 March 1968) was a Czech neoclassicist composer, conductor and dramaturge.
Guglielmo Giannini (14 October 1891 – 10 October 1960) was an Italian politician, journalist, writer, director and dramaturge.
Gerhard Ebert (born 20 September 1930 in Glauchau) is a German journalist, theatre scolar, theatre critic, and dramaturge.
Liwaa Yazji Liwaa Yazji (Liwaa Yazaji) لواء يازجي is a Syrian filmmaker, playwright, TV screenwriter, dramaturge and poet.
Noel Hodda (born 1954 in Albury, New South Wales) is an Australian actor, writer, dramaturge, director and teacher.
Traub studied playwriting with Ed Shockley, a well-known Philadelphia playwright, actor, dramaturge and director, from 2007 until 2011.
Projections is led by dramaturge, who after the presentation with participants and discuss and analyze the theme the movie.
He has worked with Robert Lepage on a number of occasions, starting as dramaturge for 'Elseneur' in 1997 and most recently on the English translation/adaptation of Lepage's 'Dragon Bleu'. Michael was dramaturge for the Cirque du Soleil show Ka, directed by Lepage and playing at the MGM Grand in Las Vegas.
Turgut Özakman (1 September 1930 – 28 September 2013) was a Turkish lawyer, a civil servant, a dramaturge and a writer.
Haffner in 1842 Karl Haffner (pseudonym), real name Karl Schlechter, (8 November 1804 – 29 February 1876) was a German dramaturge.
Stephan Müller (born 7 July 1951) is a Swiss theatre and opera director, dramaturge and a teacher of multimedia Aesthetics.
Romualdas Granauskas (18 May 1939 – 28 October 2014) was a Lithuanian/Samogitian author and dramaturge. He was born in Mažeikiai, Lithuania.
He has published books, journal articles and radio features, and was the dramaturge of the Bachfest Leipzig from 1994 to 2016.
In historical records, the village was first mentioned in 1312. Bystré is also the birthplace of writer, poet and dramaturge Albert Marenčin.
He is currently Professor at Literary Academy of Josef Škvorecký, in Prague, and a dramaturge and script adviser in the production company ArtForum21.
Andreas Glöckner (born 1950 in Sondershausen) is a German musicologist, a Bach scholar who has served as the dramaturge of the Bachfest Leipzig.
In 1852, he became dramaturge on the stage of the théâtre du Cirque, a position he still held when he died in 1860.
Vahid Evazzadeh is a theatre director, writer, dramaturge and filmmaker based in DenmarkHenrik Marstal (2005) Borger i smilets land (Aschehoug: København) and United Kingdom.
He has been active for over 40 years. His brother, Jan Spálený, is a Czech musician and journalist, dramaturge and presenter for Czech Radio.
Julie Paucker (born 1976) is a Swiss dramaturge, arts administrator, and author. She serves as the artistic director of KULA Compagnie, an international theatre group.
Hacks then followed Brecht to East Berlin in 1955. However, a continued cooperation between him and Brecht did not arise. From 1960 Hacks worked as a dramaturge at the Deutsches Theater (DT) in Berlin. When the staging of his play "Die Sorgen und die Macht" (1962) sparked criticism from officials, he gave up his position as a dramaturge at the DT and lived again as a freelance writer.
Andreas Marber (born 1961 in Radolfzell) is a German playwright and dramaturge. Marber wrote began his career at the Children and Young People's State of Esslingen. In 1988 he moved to the Municipal Theater Bielefeld, 1989 to 1993 he worked under Friedrich Schirmer at the Theater Freiburg. After the change to the State Theater in Stuttgart in 1996, Marber worked as an executive dramaturge at the Schauspielhaus Bochum.
Elizabeth Langley is a Performer, Choreographer, Teacher, Dramaturge, Creation & Rehearsal Director, Designer of a BFA Contemporary Dance Degree in the Contemporary Dance Department at Concordia University, Montreal, Canada..
Claude Meunier (born September 4, 1951) is a Canadian actor, dramaturge, comedian and film director. Meunier was born in Montreal, Quebec and studied law at the Université de Montréal.
Wilhelm Unger (4 June 1904 - 9 December 1985) was a German author, journalist and theatre critic. He was also younger brother to the writer and dramaturge Alfred H. Unger.
In theatre companies, a dramaturge will create a workbook for the director and actors (usually these are different) and work extensively with the director prior to the first rehearsal.
Edward Primrose is an Australian composer, writer, and musical dramaturge. He has conducted opera (Il Trovatore, The Magic Flute, La Belle Héléne) and orchestral recordings (Sydney & Melbourne Symphony Orchestras).
From 2006 to 2012 she worked as a dramaturge at the Theatre Basel, working alongside Elias Perrig, Werner Düggelin, Christiane Pohle, Corinna von Rad, and Christoph Marthaler. She partnered with Die Zeit to design a speech series called Wohin treibt die Schweiz?, which she later published as a book with Peer Teuwsen. From 2013 to 2018 she worked as the dramaturge and a co-director at the Deutsches Nationaltheater and Staatskapelle Weimar in Germany.
When he returned to the destroyed Dresden, he was among the founders of the local chapter of the Red Cross. He began his career at the theatre in 1945 as a dramaturge for the Dresdner Volksbühne. Bertolt Brecht called him in 1949 as graphic designer, dramaturge and assistant to his new Berliner Ensemble, which then still played at various stages in Berlin. In 1954, they moved to their own house, the Theater am Schiffbauerdamm.
Endicott was born in Golden, British Columbia in 1958, the daughter of an Anglican priest; she grew up in Vancouver, Halifax and Yarmouth, Nova Scotia, and Toronto, Ontario. She worked as an actor before moving to London, England, where she began to write fiction. Returning to Canada in 1984, she went west to Saskatoon and worked in theatre as a director and dramaturge. She was for many years the dramaturge of the Saskatchewan Playwrights Centre.
Aubrey Mellor is an Australian theatre director, dramaturge and teacher. Mellor has had a multi-disciplinary practice, having also worked as a writer, adapter, set designer, translator, producer, and stage manager.
Andrea Donaldson is a Canadian theatre director and dramaturge. She is the current artistic director of Nightwood Theatre and was formerly the program director of Nightwood's Write From the Hip program.
Joseph Kupelwieser (14 January 1791 – 2 February 1866) was an Austrian playwright, librettist, dramaturge and theatre director. Working at Vienna theatres for decades, he wrote the libretto for Schubert's opera Fierrabras.
Antoine-Marie Coupart (13 June 1780 – 19 October 1864) was an early 19th- century French playwright and chansonnier, as well as a dramaturge at the Théâtre du Palais Royal (1831–1864).
He was born on 6 September 1956 in Ostrava, and graduated from Jan Evangelista Purkyně University (today Masaryk University) in Brno in 1982. He worked as a dramaturge at Czechoslovak Television in Ostrava.
Boris A. Novak (born 3 December 1953) is a Slovene poet, dramaturge and editor. Novak was born in 1953 in Belgrade where he also spent his early childhood. He completed secondary schooling in Ljubljana and studied Comparative literature and Philosophy at the University of Ljubljana and worked as a dramaturge at the Slovene National Theatre and as a lecturer at the University. He has also been involved in humanitarian work and was in 2002 elected vice-president of International PEN.
Liquid Loft is an internationally active dance company based in Vienna, Austria. It was jointly founded in 2005 by the choreographer Chris Haring, the dancer Stephanie Cumming, the musician Andreas Berger and the dramaturge .
Kristian Seltun (born 1970) is a Norwegian dramaturge and theatre director. He graduated as cand.philol. from the University of Bergen. Seltun has been director at the theatres , (from 2001), and Trøndelag Teater (since 2010).
Heiberg's speculative philosophy had relation to Hegel and Kierkegaard, and dealt a lot with the perception of God.See: Jon Bartley Stewart. 2008. Johan Ludvig Heiberg: Philosopher, Littérateur, Dramaturge, and Political Thinker. Museum Tusculanum Press.
Cheryl North, The Oakland Tribune, October 22, 2004, Review for Tristan and Isolde His Chief dramaturge was Juliane Votteler. Zehelein worked with stage directors Ruth Berghaus,Numerous mentions of Zehelein, in: Corinne Holtz, Ruth Berghaus.
Barthélemy Jarnet was a 19th-century French playwright. A dramaturge at the Théâtre Montmartre (1836), his plays were presented at the Théâtre du Vaudeville, the Théâtre des Délassements-Comiques and the Théâtre de la Gaîté.
4/18, retrieved on 19 December 2019 From 2015 to 2018 Herzfeld was dramaturge of the Freiburger Barockorchester and also responsible for press and public relations.Neuer Dramaturg beim Freiburger Barockorchester. In Badische Zeitung. 7 September 2015.
"Alexis Pauline Gumbs Talks About Kitchen Table: Women of Color Press", Poetry Foundation, published 13 June 2012. Accessed 3 September 2018. She is the dramaturge for "dat Black Mermaid Man Lady", a performance by Sharon Bridgforth.
1–9 In a later article in the same journal, Kraus wrote that the original inventor of the term was the Austrian dramaturge Alfred von Berger.Karl Kraus: Der Freiherr. In: Die Fackel 12 (1910), issue 311, pp.
Born and raised in Zürich, Canton of Zürich in Switzerland, Charles Lewinsky studied German and theater science in Berlin and Zurich, and worked as an assistant director of Fritz Kortner. In 1965/67 he was assistant director and dramaturg at the Stadttheater Luzern, in 1967/70 dramaturge and personal assistant to the director at the Stadttheater Ingolstadt, in 1970/71 dramaturge at the Freie Volksbühne Berlin, and in 1972/75 dramaturg and director at the Staatstheater Kassel. Charles Lewinsky is married with Ruth Lewinsky née Halpern, a Swiss writer who also was born in Zürich.
Born Gustav Rudolf Sellner in Traunstein, he began his career as an actor, dramaturge and stage director at theatres in Mannheim under from 1925, in Gotha from 1928, and in Coburg from 1929 to 1931. He was influenced by the work of Otto Falckenberg, Leopold Jessner and Erwin Piscator. He was an Oberspielleiter, dramaturge and actor at the Landestheater Oldenburg from 1932 to 1937 when he was promoted to Schauspieldirektor (director of plays) there. He was Intendant of the from 1940 to 1943. Sellner was Intendant of the from 1943.
Les Cosaques, drama in 8 tableaux, by Charles Cabot and Amédée de Jallais, 1857 (cover) Charles Antoine Cabot (1806 – 11 February 1886) was a 19th- century French playwright, chansonnier and writer. First an actor at the theatres de la Gaîté, des Nouveautés, de l'Ambigu, du Cirque and de la Porte Saint-Martin (1837–40), he became dramaturge at the Théâtre historique and the Théâtre de la Gaîté (1847), then general dramaturge at the Théâtre du Châtelet (1863–1874). His plays were presented on the most important Parisian stages of the 19th century.
From 1972 until 1979, he worked as a dramaturge at the State Ensemble for Sorbian People's Culture. Kito Lorenc was a member of the Sächsischen Akademie der Künste and lived as a freelance writer in Wuischke by Hochkirch.
Rocc (born Rok Rappl; 14 December 1979) is a Slovenian-born opera stage director, scenographer, dramaturge, performance artist, opera manager and pedagogue. His professional mononymous pseudonym is a tribute to , Rocc's professor of stage acting and his mentor.
Walter Erich Schäfer (16 March 1901 in Hemmingen – 28 December 1981 in Stuttgart) was a German writer, dramaturge and from 1949 to 1972 Generalintendant (managing director) of the Staatstheater Stuttgart, responsible for opera, play and the Stuttgart Ballet.
Claus H. Henneberg (4 February 1936 – 22 February 1998) was a German librettist and translator. He worked as dramaturge for the Cologne Opera and the Deutsche Oper Berlin. In the 1976/77 season, he was the Intendant of the Opernhaus Kiel.
He then worked as a dramaturge and stage director in Brunswick. One of his closest friends was the actor Josef Kainz. He wrote opera libretti for composers Eugen d'Albert, Erich Wolfgang Korngold, and Alexander von Zemlinsky. He died in Florence.
Joseph Schreyvogel (27 March 1768 - 28 July 1832) was a Viennese writer and journalist. He also worked as a dramaturge. Older sources sometimes change the spelling of his name to Joseph Schreivogel. In addition to his own name, he sometimes wrote under pseudonyms.
Walter Kaufmann, Hegel: > Reinterpretation, Texts, and Commentary, Garden City, New York: Doubleday & > Company, 1965, p. 277 Hegel identified as an orthodox Lutheran and believed his philosophy was consistent with Christianity.Jon Bartley Stewart. 2008. Johan Ludvig Heiberg: Philosopher, Littérateur, Dramaturge, and Political Thinker.
Moreover, according to Carrizo and Chartier, a big inspiration in their work comes from the work of the photographer Gregory Crewdson. And for their show 32 Rue Vandenbranden, they worked with Belgian cinematographer Nico Leunen, who worked as a dramaturge on the piece.
His third wife, was a prize-winning dramaturge. They were married in 1965. He died of heart failure in 1979 and was buried in Farkasréti Cemetery. In 2004, the Madách Chamber Theatre in Budapest was renamed the Örkeny Theater in his honour.
After graduation, Marangou worked as a dramaturge at the Cyprus Theatre Organisation. She also ran a bookshop in Nicosia. She was the author of books of prose, poetry and children’s fairy tales. She was also a painter and had seven solo exhibitions.
Kelly Thornton is a Canadian theatre director and dramaturge. She has served as artistic director of Nightwood Theatre and is the current artistic director of the Royal Manitoba Theatre Centre. Thornton was the co-head of Equity in Canadian Theatre: the Women’s Initiative.
Datuk Faridah Merican (known as Faridah Merican), born 25 October 1939, is a Malaysian actor, director, producer and dramaturge. She is the co-founder of the Actors Studio (Malaysia), the Kuala Lumpur Performing Arts Centre, and the Performing Arts Centre of Penang (Penangpac).
Cairo de Assis Trindade (born in Porto Alegre, 1946. Died in 11/12/2019), better known as Cairo Trindade, is a Brazilian poet, short story writer, chronicler, dramaturge, editor, performer, actor and literary advisor.COUTINHO, Afrânio; SOUSA, José Galante de. Enciclopédia de literatura brasileira.
Robert "Bob" Sherman (November 16, 1940 in Redwood City, California – August 30, 2004 in England) was an American-born dramaturge, playwright, and film and television actor, best remembered for his role as CIA agent Jeff Ross in the British television series The Sandbaggers.
From 1936 to 1940 Gorjan worked as dramaturge for Warner Bros. (after its acquisition of First National Pictures in 1936) in Zagreb. After the war Gorjan worked as editor at several Zagreb-based publishing companies, such as Prosvjeta, Matica hrvatska and Znanje.
Rudolf Sellner, born Gustav Rudolf Sellner (25 May 1905 – 18 May 1990)? was a German actor, dramaturge, stage director, and intendant.Hugo Thielen: Sellner, Gustav Rudolf, in: Hannoversches Biographisches Lexikon, p. 332 He represented in the 1950s a radical Instrumentales Theater (instrumental theatre).
Karin Randoja is a Canadian theatre director and dramaturge."Gertrude And Alice remount brings iconic lesbian couple to life". Now, September 24, 2018. A partner with Anna Chatterton and Evalyn Parry in the theatre collective Independent Aunties,"The original power dyke couple, Gertrude and Alice".
Vesna Perić (Belgrade, 1972) is a Serbian dramaturge, screenwriter, film critic, theorist and prose writer.„Portreti savremenika: Vesna Perić“, Projekat Rastko She is the editor-in-chief of the national Drama Program of Radio Belgrade. She is a PHD of film and media studies.
Silber spent most of his childhood and youth in Germany. Raised bilingual, he studied in London and Berlin. His mother is a philosopher and award-winning literary translator, his foster father was a well-known Shakespeare scholar and dramaturge. Writing runs in Silber's family.
He makes CD recordings, as well as those for Český rozhlas and the Czech Television. He is also active as a dramaturge and organizer of the classical music festivals in Bohemia, in 2011 he became artistic director of The International Music Festival of F. L. Vek.
Lu Kemp is a theatre director and dramaturge. She trained on the Laboratory of Movement course at L'École Internationale de Théâtre Jacques Lecoq, Paris, and with Anne Bogart’s SITI Company in New York. In March 2016, she was appointed Artistic Director of Perth Theatre in Scotland.
Klaus Zehelein (born September 5, 1940) is a German dramaturge. He was president of the Munich Bayerische Theaterakademie August Everding. Zehelein is also president of the association of German theatres, Deutscher Bühnenverein. For fifteen years, from 1991 until 2006, Zehelein was artistic director of the Staatsoper Stuttgart.
Between 1999 and 2004 he worked at the Burgtheater in Vienna as a drama director and dramaturge. More recently he has been heading up the Master of Arts theatre production degree course at the Zurich University of the Arts, while also working as a freelance drama director.
Angelika Machinek (17 November 1956 - 12 October 2006) was a German glider pilot. She was five times German gliding champion and broke nine FIA gliding world records, four in the D1M class, four in D15 and one in DO. She was also a dramaturge and published writer.
From 1898 to 1899 he was at the Nietzsche-Archiv in Weimar and won a reputation as a Wagner scholar. From 1903 he was dramaturge at the (Dessau court theatre), a position he held until his death. From 1904 he was also a lecturer at the Konservatorium Leipzig.
Branislava attended the Secondary Acting School in Niš. She obtained her dramaturgy degree at the Faculty of Dramatic Arts in Belgrade. Her first professional engagement took place in the National Theater in Niš. For three years she worked as a dramaturge at the National Theater in Belgrade (2008-2010).
Official Bibi & Tina website. Retrieved 20 July 2014. In addition, they composed the songs for Romeo & Julia (2014), a German musical based on a retranslation of William Shakespeare's Romeo and Juliet by intendant Daniel Karasek and dramaturge Kerstin Daiber.Schildbach, Tycho. "Rosenstolz-Team komponiert Songs für „Romeo & Julia“" (in German).
During the early 1960s he also directed one of the earliest performances in Germany of Harold Pinter's The Caretaker at the Theater im Zimmer in Hamburg and the German premiere of Joe Orton's Loot at the Deutsches Schauspielhaus in Hamburg. The Schauspiel Köln where Heyme was the artistic director and dramaturge from 1968 to 1979 From 1968 to 1979 Heyme was the artistic director and dramaturge of the Schauspiel Köln (Cologne's principal theatre). At Cologne he concentrated on works by the classic German playwrights, Schiller, Goethe, and Hebbel and on ancient Greek tragedies and comedies, his "Antiquity Project". The project produced some of the first performances in Germany of Euripides' The Bacchae and Aristophanes' The Frogs.
Matišić was born in Ričice, near Imotski. At the age of six, he moved to Zagreb, where he finished elementary and high school. Matišić graduated from the Faculty of Law, University of Zagreb, but he never practiced law. Between 1996 and 1998, Matišić worked as a dramaturge in Jadran Film.
Predrag Peđa Milosavljević (Lužani, Kragujevac, Kingdom of Serbia 1908 — Belgrade, Yugoslavia 1989) was painter, lawyer, diplomat and dramaturge and member of Serbian Academy of Sciences and Arts. He received the Grand Prix during the International exhibition in Paris in 1937. One street in Belgrade on Bežanijska kosa was named after him.
Frank B. Wilderson III worked as a dramaturge for Lincoln Center Theater's productions of Zora Neale Hurston and Langston Hughes's Mule Bone and Mbongeni Ngema's Township Fever; and for the Market Theater in Johannesburg's production of George C. Wolfe's The Colored Museum. Wilderson III also directed the film Reparations…...Now (2005).
Stephan Müller was born at Oberbuchsiten (SO). His theatre career began in 1972 at the Theater Basel, then under Werner Düggelin and . Müller was employed as an extra and assistant production director, later becoming the chief dramaturge. In 1975 he relocated to the United States where he worked for several years.
1914), who she claimed sexually abused her when she was a young girl. Her parents divorced in 1930 and she left school shortly after. Zürn began working at the German Film Agency Universum Film AG (UFA) during the Third Reich. She started as a steno-typist before being promoted to dramaturge.
Lecca became a staff dramaturge for the National Theater by 1900,Vasile Dumbrăveanu, "Epigrame", in Foaia Populară, Nr. 19/1900, p. 3Botar & Tîlvănoiu, p. 53; Florea, p. 955 and, according to actor Petre I. Sturdza, was superlative as a translator of verse drama, though "not so much of a poet".
Tamara Saulwick is a performance-maker, director and dramaturge from Melbourne, Australia. She makes contemporary performance pieces for theatres and public spaces. Since 2017 she has had the role of Artistic Director of Melbourne arts company Chamber Made, who are creators of original works at the meeting point of sound, music and performance.
Gotthold Ephraim Lessing Gotthold Ephraim Lessing was hired by the Hamburg National Theatre in 1767, to serve as the theatre's critic of plays and acting, a position which would later be named dramaturge. This position grew over time to what it is today, encompassing the wide variety of tasks seen by modern dramaturgies.
Zehelein studied German literature, musicology and philosophy in the Goethe University Frankfurt. Among his teachers were the philosophers Max Horkheimer and Theodor W. Adorno. Although not a composer himself, Zehelein participated in the Darmstädter Ferienkurse from 1959 to 1966. Here he met composers Luigi Nono and Karlheinz Stockhausen, which would influence Zehelein's future artistic development.Teresa Pieschacón-Raphael, Crescendo magazine Interview (in German)retrieved July, 2013 Zehelein began his professional activity at the theater in Kiel in 1967, then became chief dramaturge in Oldenburg. From 1977 to 1987 he worked at the Frankfurt Opera, starting as chief dramaturge and becoming opera director.Michael Gielen describing work with Zehelein, in: Michael Gielen »Unbedingt Musik«: Erinnerungen, Insel Verlag,(2012), Axel Dielmann, Schafft Neus! ...: Richard Wagner in Frankfurt ( 2013), In Frankfurt Zehelein developed a practical but intellectually supported manner of interpreting and staging opera.Work with Zehelein as dramaturge, in: Gottfried Knapp, Hans Diether Schall’s Stage sets, in Hans Dieter Schaal: Stage Architecture, Edition Axel Menges (Juni 2002), , pp. 6–10 He worked with the stage director Hans Neuenfels on Busoni's Doktor Faust and Neuenfels' production of Verdi's Aida – known as "Aida as cleaning- lady production".
400 In 1945 Ihering took a job as Chief Dramaturge at Berlin's Deutsches Theater, then under the direction of the actor turned theatre director Gustav von Wangenheim. However, von Wangenheim moved on in 1946. In the end, following increasingly public "differences" with Wangenheim's successor, Wolfgang Langhoff, Ihering had to resign from this post in 1953.
Haničincová was a children's television presenter on Czech TV. Before making her television debut she took part in amateur theatre. She was first broadcast in 1953. Her other television roles included being an actress, screenwriter and dramaturge. One of the films she appeared in, Honzíkova cesta, won a silver medal at the Venice Film Festival.
Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock's 1931 film Mary.McGilligan p.135 After the Second World War, Klaren became the head dramaturge at the East German state-owned studio DEFA.
Milena Pörtner was born on July 13, 1963 in Zürich, Switzerland. Her father was the writer-playwright and dramaturge Paul Pörtner (1925-1984). Marlis Pörtner, her mother, is a psychologist who in her later years has also come to prominence as a successful author. And Milena Moser's brother, Stephan Pörtner, is an author too.
Her mother was a teacher. The decision by Doris Vodoz to study literature at a university level represented something of a break with family tradition. In 1964 she won a Licence ès Lettres degree qualification from the Faculty of Literature at the nearby University of Lausanne. Her degree dissertation concerned Fernand Chavannes, a little-known local author and dramaturge.
He succeeded Ellen Walraven, who is currently working as a dramaturge at Toneelgroep Amsterdam. The current Managing Director is Jolanda Beyer. Next to the direction, the organisation of De Balie contains multiple departments including programming, communications, finances, technicians, building and system management and the Grandcafé. For some programs, De Balie cooperates with a number of set partners.
After von Mayenburg's return to Austria in 1945, she became general secretary of the Austrian-Soviet Society. She worked as a film dramaturge at Vienna Film, working on the Willi Forst film, Wiener Mädeln. She and Fischer were divorced in 1954. In 1966, she resigned from the KPÖ and worked as a translator, while concentrating on her writing.
In 1938 Stieber got a position as dramaturge, musical advisor and conductor at the Leipzig Opera. He was also responsible for the composition of stage and acting music, such as Gutenberg in Mainz, Der Schauspieldirektor, Der Mumanz and Madame Devrient. Stieber became further successor of Gustav Wohlgemuth in the . 1941 he reorganized the and became its music director.
Michael Mackenzie is a Canadian film director, screenwriter, theatre director, playwright and dramaturge. He has directed two feature films, both theatrically released in Canada. His plays have been staged in Europe and North America and variously published in English, French, German and Hungarian. He has a Ph.D in the History of Science from L'Université de Montréal.
Tanya Selene Saracho is a Mexican-American actress, playwright, dramaturge and screenwriter. With a background in theater before writing for television, she co-founded in 2000 and was its co-artistic director for ten years. She also co-founded the Alliance of Latinx Theater Artists (ALTA) of Chicago. She is particularly known for centering the "Latina gaze".
There he was captured and detained in a labour camp near Moscow, where he wrote the play Voronesh. In 1946, he returned home to Budapest. After 1949, he worked as a dramaturge at the Youth Theater and, after 1951, as a playwright at the People's Army Theater. In 1954, he began working as an editor for .
He was born in Ankara in 1930. In 1952 he graduated from the law school of Ankara University and served as a lawyer. After studying drama in the University of Cologne, he was appointed as a dramaturge in state theatre of Ankara (). Later he also served in the Turkish Radio and Television Corporation (TRT) as a manager.
Schauws studied history, politics and film studies. She works as Contributing editor and dramaturge for German film productions – including Alarm für Cobra 11 – Die Autobahnpolizei –Jochen Lenzen (5 September 2013), Ulle Schauws – Politik gegen die Stromlinie Rheinische Post. before becoming a social worker with SOS Children's Villages.Jochen Lenzen (5 September 2013), Ulle Schauws – Politik gegen die Stromlinie Rheinische Post.
Kurt Frank Reinhardt was born in Munich on November 6, 1896. He attended the classical gymanisum in Mannheim, and subsequently studied literature, philosophy, and art history at the University of Munich, Heidelberg University and University of Freiburg. During World War I, he worked as a dramaturge. Since 1925 he worked for Verlag Herder, a major German publisher.
He also co- wrote the libretto for that opera with Suchoň. He also wrote the librettos for two operas by Ján Cikker, Juro Jánošík (1954) and Beg Bajazid (1957). In addition to performing, Hoza worked as dramaturge at the SNT from 1939–1947. He also served as an opera director at the house for several productions between 1958–1962.
Phil has written a book (Memories of the Irish-Israeli War) and a play (Together Against Him, which was awarded a bursary by The Arts Council of Great Britain) under the name Phil O'Brien (O'Brien is the Munizers' mother's maiden name) and has served as dramaturge for the Royal National Theatre. She is married to Colin Bennett.
Fodor Géza dramaturg. Géza Fodor (2 May 1943 – 7 October 2008) was a Hungarian art and literary critic, philosopher, and dramaturge. He was one of the founding members of the Katona József Theater in Budapest. He worked at the Institute of Philosophy of the Hungarian Academy of Sciences between 1967 and 1973 and at the Eötvös Loránd University thereafter.
Maurin de Pompigny (1766 – 1828)Dates given by Pierre M. Conlon, Le Siècle des Lumières : bibliographie chronologique, t. 32 [Index des auteurs N-Z, 1761-1789], Geneva : Droz, 2009, p. 80. was an 18th–19th-century French playwright. De Pompigny was a dramaturge at the Théâtre de l'Ambigu-Comique, then located at 74-76 boulevard du Temple in Paris.
Edelmann was born in Suhl, an industrial town near Erfurt in the southern part of what was then the German Democratic Republic (East Germany). He studied Germanistics and, later, Dramaturgy. His teachers included Heiner Müller. Between 1981 and 1989 he was employed as a dramaturge for East German drama by Henschel-Theaterverlag (theatrical publishers) in Berlin.
Juan Margallo (born 24 September 1940) is a Spanish actor, theater director and dramaturge. He has been considered as one of the main actors in the Spanish theater. He has worked with Miguel Narros, Luis Escobar Kirkpatrick and José Tamayo. In 1976 he played Woyzeck, by Georg Büchner and La sangre y la ceniza, by Alfonso Sastre.
One of the dramaturge's contributions is to categorize and discuss the various types of plays or operas, their interconnectedness and their styles. The responsibilities of a dramaturge vary from one theatre or opera company to the next. They might include the hiring of actors, the development of a season of plays or operas with a sense of coherence among them, assistance with and editing of new plays or operas by resident or guest playwrights or composers/librettists, the creation of programmes or accompanying educational services, helping the director with rehearsals, and serving as elucidator of history or spokesperson for deceased or otherwise absent playwrights or composers. At larger theatres or opera houses, the dramaturge works on the historical and cultural research into the play or opera and its setting.
He did not realize that American Indians in the late 1870s were excluded from coverage under the Constitution as equal subjects of the law, that they were prohibited from owning fee simple property if members of tribes, and could not appear in a court of law. Those who belonged to tribes were not considered citizens of the United States, but members of different nations. Rhoda Levine, who also served as creative consultant during the opera development, had previously worked with Davis. She served as both director and dramaturge with Davis on his opera X: The Life and Times of Malcolm X when it premiered at New York City Opera in 1986. During the development of Wakonda’s Dream, Levine frequently referred to herself as the "audience advocate," a term she prefers to dramaturge.
From 2003 to 2005 he was chairman of the Salzburg State Cultural Advisory Board, of which he has been a member since 1998. In 2006 he conceived the counterpoint concerts at the Salzburg Easter Festival. He also worked as a production dramaturge. Stenzl is a former member of the Central Institute for Mozart Research of the International Mozarteum Foundation in Salzburg.
The pair divorced when Petr was eight. In 1961, dramaturge Jaroslav Dietl offered Poledňáková the position of assistant director at Czechoslovak Television. She worked in that capacity for 10 years while also taking evening classes at the Academy of Performing Arts in Prague. She went on to work as a screenwriter and director at the studio after graduating from the academy.
He was the father of the actress Verónica Forqué and the director Álvaro Forqué. He died on 17 March 1995 in Madrid at the age of 72 from a liver cancer. He was incinerated at Cementerio de la Almudena. He was married to the actress and dramaturge Carmen Vázquez- Vigo, who died on 22 March 2018 at the age of 95.
In 1980 Peter Sander received a Pell grant and moved the family to Cleveland, OH, where he acted as a Dramaturge for The Cleveland Play House. The Playhouse offered Ben his first opportunity to act professionally. He was cast as Bodo in a production of Lillian Hellman's Watch on the Rhine. The family returned to Athens in 1981 for two years.
He then studied law, philosophy and German subjects at Freiburg im Breisgau, Brussels and Munich. He became a journalist, novelist, essayist and wrote radio plays. After graduation, Glaeser worked as a dramaturge at the "New Theater" in Frankfurt. Under the Weimar Republic he was put on trial in Kassel in 1927 when one of his books was said to be blasphemous.
Nike Wagner () (born 9 June 1945) is a German dramaturge, arts administrator and author. She directed the festival , and has been the director of the Beethovenfest from 2014. The daughter of Wieland Wagner, she is a great- granddaughter of Richard Wagner, and a great-great‑granddaughter of Franz Liszt. She devoted books to the Wagner family and its cultural and political influence.
Leida Rammo was the eldest of two children born in Tallinn to Magnus Siigur and Alide Marie Johanna Rammo. Her younger sister was children's author and dramaturge Helju Rammo (1926–1998). Her maternal grandmother was an Estonian Swede and her first cousin was poet Adolf Rammo. Rammo's mother supported the family as a flower seller and raised the children alone.
Her first poetry book was Terzinen des Herzens (1947), but was rejected ideologically in the Soviet occupation zone of East Germany, and was censored in 1975. Nevertheless, the book was successful in the GDR with approximately 100,000 copies sold. Bostroem was married to Friedrich Eisenlohr (1889–1954), another journalist, dramaturge, writer and publisher. She died in Berlin on 9 September 2015.
Märthesheimer studied economics and sociology in Frankfurt am Main. From 1964 onwards he was editor and dramaturge at WDR for ten years, then at Bavaria Film until 1981. In 1994 he became professor for screenplay and dramaturgy at the Film Academy Baden- Württemberg. He was also a dramaturgy consultant at the University of Television and Film Munich and the BKM.
In 2017, Bulmer acted in Martha Ross's The Story with Common Boots Theatre. In 2019, she worked with Common Boots Theatre again, this time serving as accessibility dramaturge for Natasha Greenblatt and Yolanda Bonnell's The Election. At the 2019 Toronto Fringe, Bulmer co-directed Scadding. Bulmer co- created the play May I Take Your Arm with Anna Camilleri, Tristan Whiston, and Katie Yealland.
Ivan Brkanović (27 December 1906 – 20 February 1987) was a Croatian composer. He was a choir conductor, high school teacher, dramaturge at the Zagreb Opera, director of the Zagreb Philharmonic Orchestra and a professor at the Sarajevo Music Academy. He worked intensively as a music publicist and was a president of the Croatian Composers' Society. Father of the Croatian composer Željko Brkanović.
From 1975 to 1979 he worked as a dramaturge at the &TD; Theatre, one of the most important independent Yugoslav theatres of the period. He directed Jenny, the Pirate's Bride (1974) and Emigrant Talks (1975) by Bertold Brecht, Pit, This is America, Too (1975) by Mile Rupčić, 1984 (1976) by George Orwell, Abduction (1977) by Željko Senečić and Travesties (1980) by Tom Stoppard.
Dimitar Konstantinov Sagaev (27 February 1915 in Plovdiv - 28 October 2003 in Sofia) was a Bulgarian composer and pedagogue. He was born in the family of the writer and dramaturge Konstantin Sagaev, the founder of the first Bulgarian acting school. From 1931 he studied Piano and Music theory under Asen Dimitrov. He continued his later piano studies with Dimitar Nenov.
It was republished in 1980 as So Many Heroes and translated into numerous languages. He and his family were expelled from the city in 1971. They settled in Vienna, Austria, where Alan Levy wrote for the International Herald Tribune, Life, Good Housekeeping, The New York Times Magazine, Cosmopolitan and others. He was also dramaturge of Vienna's English Theatre and taught literature, writing, journalism and drama.
He studied Comparative literature at the University of Ljubljana. He worked as a dramaturge at various experimental theatres in the 1970s and early 1980s and as an editor at Nova revija and Mladinska Knjiga. In 2005 he received the Rožanc Award for his collection of essays Smešna žalost preobrazbe (The Funny Sadness of Transformation).Rožančeva nagrada Aleksandru Zornu (The Rožanc Award Goes to Aleksander Zorn) Delo.
Gold was raised in Westchester and New York City. His father, Jeffrey, is an investment banker, and his mother, Lenore, is a painter. He graduated from Cornell University with a degree in English and had internships at Playwrights Horizons and the Signature Theater, and attended the directing program at the Juilliard School. He spent three years as an assistant director and dramaturge at the Wooster Group.
Henri-François Rey (July 31, 1919 in Toulouse - July 22, 1987 in Paris) was a French writer, dramaturge and screenwriter. His book La Fête espagnole (The Spanish party) won the 1959 Prix des Deux Magots. His best-known work, Les Pianos mécaniques (Mechanical pianos) won the Interallié prize in 1962, and was adapted to film by Juan Antonio Bardem in 1965 as The Uninhibited.
Henning Fangauf (born 1954) is the Deputy Director of the Children's and Young People's Theatre Centre in Germany. He studied German Literature and History in Hamburg. From 1981 to 1989 he was in-house dramaturge for the City Theatres in Coburg, Osnabrück and Bremen. The current focus of his work is the promotion of playwrights and international exchange in children's and young people's theatre.
Kaite O'Reilly is UK-based playwright, author and dramaturge of Irish descent. She has won multiple awards for her work, including the Ted Hughes Award (2011) for her version of Aeschylus' tragedy The Persians. O'Reilly's plays have been performed at venues across the UK and at the Edinburgh Festival. Her work has also been shown internationally including in Europe Australia, Korea, Hong Kong and Taiwan.
Peter van Gestel was involved as dramaturge for this adaption. In 1975 and 1976 he adapted the stories of Martin Beck, written by Maj Sjöwall and Per Wahlöö, into a radio play called Moordbrigade Stockholm. The main characters were played by Jan Borkus, Hans Karsenbarg, Paul van der Lek and Hans Hoekman. In 1977 and 1978 Quintana wrote the popular television series De Kris Pusaka.
He was born in Vukovar in 1867 .After obtaining a degree in Romance and Slavic studies in Vienna and Paris, he received his PhD in 1897 in Vienna. At the invitation of Stjepan Miletić he became a dramaturge at the Croatian National Theatre in Zagreb (1894–1898, 1901–1907). In 1898 together with Miletić he founded the Acting School, where he had taught for many years.
Kovačević was born in Mrđenovac near Šabac, PR Serbia, FPR Yugoslavia, graduated from a grammar school in Novi Sad, and received a bachelor's degree in dramaturgy from the University of Belgrade in 1973. From 1973, he worked as a dramaturge at TV Beograd for five years. Since 1998, he has been the Artistic Director of Zvezdara teatar. In 2003 he directed his first movie, Profesionalac (The Professional).
A dramaturge or dramaturg is a literary adviser or editor in a theatre, opera, or film company who researches, selects, adapts, edits, and interprets scripts, libretti, texts, and printed programmes (or helps others with these tasks), consults authors, and does public relations work. Its modern-day function was originated by the innovations of Gotthold Ephraim Lessing, an 18th-century German playwright, philosopher, and theatre theorist.
Others work with a specialist, called a dramaturge, to adapt a work for the stage. Dramaturgy may also be broadly defined as "adapting a story to actable form." Dramaturgy gives a performance work foundation and structure. Often the dramaturge's strategy is to manipulate a narrative to reflect the current Zeitgeist through cross-cultural signs, theater- and film- historical references to genre, ideology, role of gender representation etc.
With the return of democracy in Turkey, he went back to his country and worked as a dramaturge at the Istanbul Municipal Theatre. At the time of the 70’s, other collections of poems came out: "Neither Rain…Nor Poems" (1976), "During the Siege" (1978), "The Epic of Moustapha Suphi" (1979), "Quatrains" (1980). During a trip to Greece in 1977, he met Yiannis Ritsos.
A few years later, in 1902, Bizet was provoked into challenging the dramaturge André Picard to a duel. A tragic denouement was narrowly avoided. Meanwhile the motor industry was booming. In 1903 France remained the world's leading automaker, producing 30,124 cars (nearly 49% of the world total) as against 11,235 cars produced in the USA.Histoire mondiale de l’automobile (in French) (Flammarion ed.). 1998. p. 18. .
The Attic, The Pearls and Three Fine Girls premiered in 1995 at Theatre Centre West in Toronto with Theatre Columbus. The premiere was directed by Alisa Palmer and starred Leah Cherniak as Jelly, Ann-Marie MacDonald as Jayne, and Martha Ross as Jo-Jo. The premiered featured music composed by John Millard and Allen Cole. Jennifer Brewin was listed as a dramaturge for this performance.
Westwood Cheepiyak Theatre Company provides well-developed Theatre and Musical Theatre programs. Each year a large scale production is held, with a technical, musical and performing cast composed of students. The school usually rotates dramatic productions and musical theatre each year, offering students a variety in styles, genres and types of script work to present. In addition, original dramaturge plays have been created and performed.
After earning a PhD, he wrote for advertising agencies and was a dramaturge at the Salzburger Landestheater from 1962, then for the Landestheater Linz. He was a freelance writer from 1965, writing and directing radio features and working for newspapers. Schneyder lived in Vienna and at the Millstätter See. He was married to his wife Ilse from 1961 to 2005, when she died of cancer.
He initially worked as a theatre actor and served as a soldier in World War I, but had to leave military service early due to illness. After the war he gradually moved from acting to dramaturge in the author's service and wrote revues, schlager lyrics, and cabaret lyrics. He sold his first screenplay in 1927. He made 25 films under the Third Reich,Ernst Klee: Kulturlexikon, S. 680.
In 2015, Hart joined the ensemble of the Landestheater Detmold, Germany. In 2016 Hart returned to the role of the woman in La voix humaine in an all female production, staged by Karin Kotzbauer, conducted by Sachie Mallet, in set and costumes by Tatiana Tarwitz, and with dramaturge Elizabeth Wirtz. In 2018, Hart appeared as Tosca for the first time. The production was well received by critics and audience.
The play focuses on Terri Hulme, a mother of four, who takes a closer look at her life when she goes on a coffee date with an old university friend. O'Reilly approached her friend Abigail Greenwood to direct and act as dramaturge. Her mother Mary-Jane O'Reilly danced a solo piece on stage for the first time in years, before O'Reilly premiered The Height of the Eiffel Tower.
Paulette_Poujol-Oriol Paulette Poujol-Oriol (12 May 1926 - 11 March 2011) was a Haitian educator, actress, dramaturge, feminist and writer. Fluent in French, Creole, English, Spanish, German, and Italian, she contributed to Haitian arts and literature, and founded Picolo Teatro, a performing arts school for children. She has been recognized as one of Haiti's leading literary figures as well as one of the most active players in Haiti's feminist movement.
He had his first articles published while still attending school. Later on he worked as trainee writer for youth journals and as assistant Dramaturge for DEFA before becoming a freelancer in 1952. In collaboration with director Gerhard Klein he created the so-called 'Berlin Films', a popular genre about young East Berliners inspired by Italian neorealism. In 1980, along with Konrad Wolf, he co- directed the film Solo Sunny.
By "national" one meant a cultural, linguistic commonality in the German-speaking area, which was still fragmented by parochialism. The privately financed Hamburgische Entreprise, where Gotthold Ephraim Lessing worked as dramaturge, was only able to survive between 1767 and 1769, but by the end of the 1820s, there were already over 65 regularly-recorded theatres in the German-speaking area.Simon Williams: German Actors of the Eighteenth and Nineteenth Centuries.
Felicitas Hoppe was born in Hamelin, Lower Saxony, and grew up there. After her Abitur she studied literature, rhetorics and theology: from 1982 to 1984 at the Eberhard Karls Universität in Tübingen, from 1984 to 1986 at the University of Oregon and from 1987 to 1990 at the Freien Universität Berlin. In 2006 she was a visiting scholar at Dartmouth College. She worked as a dramaturge and journalist.
Grethe Barrett Holby (born April 26, 1948) is an American theatre producer, stage director, choreographer, and dramaturge best known for her work in opera. Holby is noted as the founder of American Opera Projects, where she served as Artistic Director from 1988 until 2001. She currently serves as Executive Artistic Director of Family Opera Initiative which she founded in 1995, and Ardea Arts, Inc., which she founded in 2006.
From 1981-83 she undertook an acting course at the Ensemble Studios in North Sydney, culminating in her directing a production of Twelfth Night. She was an honorary dramaturge and established an annual Shakespeare prize at the National Institute of Dramatic Art. She also did honorary work with the Sydney Theatre Company. In 1996 she received the Order of Australia for "teaching and encouragement of drama, particularly Shakespeare".
Hürlimann was born in Zug, Switzerland. He is a son of the former government and federal councilor (Minister) Hans Hürlimann. He studied philosophy in Zürich and Berlin, worked as an assistant director and dramaturge at the Berlin Schiller Theater and was a guest lecturer at the German Institute for Literature in Leipzig. His 1989 novel Das Gartenhaus was published as The Couple in the United States in 1991.
Kapp was born in Steinbach (today a district of Baden- Baden). After his doctorate Kapp published several books on Hector Berlioz, Franz Liszt, Carl Maria von Weber and Giacomo Meyerbeer (1920). He became known above all as editor of the writings of Richard Wagner. In the years 1921 to 1945 Kapp worked as dramaturge of the Berlin Staatsoper Unter den Linden and editor of the in-house papers of the Staatsoper.
From 1823, he also belonged to a literary society Ludlamshöhle, named after a play by Adam Oehlenschläger. Although apparently a benign social club, it was banned in 1826 for "endangering the state". From 1821, Kupelwieser worked for two years as the dramaturge at the Vienna Court Opera, where he began his activities as a translator, poet and librettist. He became involved in an affair with the actress Emilie Neumann.
Ah Kin has appeared in productions for companies including Bell Shakespeare, Belvoir, Sydney Theatre Company, Melbourne Theatre Company, WA Theatre Company (Black Swan), Ensemble Theatre and Griffin. She also has worked as a director, dramaturge and teacher. In 2015 she was featured on the Australian romantic drama film Holding the Man. In 2016, Ah Kin was chosen to portray Mariam Habib in a leading role on Here Come the Habibs.
Lada Kaštelan (born 2 May 1961) is a Croatian dramatist and screenwriter. Between 1987 and 2007, Kaštelan worked as a dramaturge at the Croatian National Theatre in Zagreb. Since 2007, she works as a professor at the Academy of Dramatic Art, University of Zagreb. Kaštelan's screenplay for Fragments: Chronicle of a Vanishing, co-written with Zrinko Ogresta, received the Golden Arena for Best Screenplay at the 1992 Pula Film Festival.
Gilda Langer was born Hermengild Langer into a Sudeten German family in Oderfurt, Austria-Hungary (now, Přívoz, Czech Republic). Around 1915, she met Austrian dramaturge and screenwriter Carl Mayer in Vienna who then took her to Berlin and helped her to gain an engagement as a stage actress at the Residenz Theatre. Her first role at the theatre was in a production of the Robert Grötzach-penned 1917 play Dyckerpotts Erben.
Emmanuel François Varez called E. F. Varez (17 October 1780 – 8 September 1866) was an early 19th-century French playwright and novelist. Born in the 1st arrondissement of Paris, Varez was a dramaturge at the Théâtre de l'Ambigu-Comique and the Théâtre de la Gaîté and his plays were presented, with some exceptions, on the stages of these two theatres. He died in the 16th arrondissement of Paris.
The author was the dramaturge and chief director of the Madách Theatre and after that of the Magyar Theatre in Budapest in that period already. Nearly all of the theatres in the countryside played one of his dramas, many of which were also directed by him. In 2004, he founded the Aranytíz Theatre in Budapest. He was appointed the artistic director of the Komédium Theatre in Budapest as well.
A journalist under the pseudonyms Georges Davray fot L'Événement and Alfred Didier for Le Voltaire, publication director of the L'Écho de la Légion d'honneur, he was dramaturge of the Théâtre Antoine. From 1897, his plays were presented on the most important Parisian stages of the end of the 19th-century and the beginning of the 20th including the Théâtre des Bouffes-Parisiens, Théâtre Déjazet, and the Théâtre des Délassements-Comiques.
He first worked as a dramaturge and theatre director at the famous ITD Theatre in Zagreb. Since 1993, he has been living and working as a free-lance, professional writer. His theatre and prose texts have been included in numerous anthologies in Croatia and in countries outside its borders, and his work is studied at universities throughout the world. He has been living in Zagreb, Croatia since he was twenty.
Born in Münster, Warnecke studied musicology, Germanistic and Romance studies at the University of Münster and the Scuola di Paleografia e Filologia MusicaleScuola di Paleografia e Filologia Musicale in Cremona. He received his doctorate in 1999. Already in 1998 he was engaged as personal advisor to the General Music Director Will Humburg and as Music Dramaturge at the Theater Münster and the Münster Symphony Orchestra (until 2007).Vita von Berthold Warnecke auf der Seite klassik.
For example, one year he was Professor of Philosophy and the Greek Language and Literature, and another year he was Professor of Belles-Lettres and Philosophy. Susan Elizabeth Blow (1843–1916) was an educator who in 1873 opened the first successful public kindergarten in the U. S.—in the Des Peres School, in the Carondelet neighborhood of St. Louis, Missouri.Jon Bartley Stewart. 2008. Johan Ludvig Heiberg: Philosopher, Littérateur, Dramaturge, and Political Thinker.
Galland once described her eclectic life as existing at the whim of serendipity. Her screenplay, The Winter Population, won an award in 1998 but has yet to be produced. When her first novel, The Fool’s Tale, was published by William Morrow in 2005, she left her position as Literary Manager/Dramaturge at Berkeley Repertory Theatre to write full-time. While at Berkeley Rep she had written Revenge of the Rose, her second novel.
Barbara Korun (born 1963) is a Slovene poet. She is one of the leading figures in the generation of radical young women poets in Slovenia and her poems have also been translated into English and published in the USA and Ireland (translated by Theo Dorgan).Poetry International site Korun was born in Ljubljana in 1963. She studied Slovene language and Comparative literature at the University of Ljubljana and worked as a lecturer and dramaturge.
Shaw has been on the Theatre BC committee, a parent organization to approximately 80 community theatre groups across British Columbia, as an adjudicator and dramaturge. She began teaching at Studio 58 in 1974 while the school was under the direction of Antony Holland. Shaw replaced him as Artistic Director when he retired in 1985. Under her direction, Studio 58 has become recognized internationally as one of the premiere theatre training programs of Canada.
Sinna Virtanen (born 1987) is a Finnish playwright and dramaturge. She finished her drama studies in 2015. Virtanen belongs to a Helsinki based collective that works on interface between science and arts concentrating on geography, archeology and geology, exploring methods to combine them with theatrical arts. The primary focus of her career lies in theater including her works as a dramatist in several productions played on stage of the Finnish National Theatre.
Elaine Avila is a Canadian-American playwright, screenwriter, educator, and dramaturge. As a playwright, her works have been produced all over the world, in places like Panama, New York City, Lisbon, the Azores, Los Angeles, Santa Cruz, London, Toronto, Seattle, Vancouver and Victoria. Her works have been noted for "frequently incorporating music, politics, and humor." Pulitzer Prize winning playwright Suzan-Lori Parks has described Avila as a "wonderful writer, tremendously gifted, reliable and innovative".
In 2004, he served as dramaturge on Peach Blossom Fan - the inaugural production by CalArts Center for New Theater at REDCAT. Ehn's Soulographie: Our Genocides, a series of 17 plays, was presented as a two-day marathon at La MaMa in 2012. Together the plays examine the relationship of 20th century America to genocide in the United States, Central America, and East Africa. About half of the plays in the cycle incorporated puppetry.
Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage. The term first appears in the eponymous work Hamburg Dramaturgy (1767–69) by Gotthold Ephraim Lessing. Lessing composed this collection of essays on the principles of drama while working as the world's first dramaturge at the Hamburg National Theatre. Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual.
In 1905 they moved to Kaiserswerth near Düsseldorf, where Eulenberg worked as a dramaturge at the Schauspielhaus theatre under director Louise Dumont. At her new home she began her first translations of Guy de Maupassant, Charles Dickens and further works by Émile Zola. Until 1936 numerous German translations were published by Max Bruns, Reclam, Nymphenburger Verlag (Munich), and other publishing houses. At the same time she published numerous newspaper articles, mostly about Monism.
Osvaldo Oreste Guidi (born in Máximo Paz, Argentina on 10 March 1964 – died in Buenos Aires on 17 October 2011) was an Argentinian cinema, theater and television actor, and a dramaturge and theater director. He committed suicide by hanging. He studied acting and theater pedagogy and for twenty years engaged in teaching in his Buenos Aires theater studio. He appeared in many theater productions (as an actor, writer and director), films, and television series.
In 2004, Komunyakaa began a collaboration with dramaturge and theater producer Chad Gracia on a dramatic adaptation of The Epic of Gilgamesh. The play was published in October 2006 by Wesleyan University Press. In spring 2008, New York's 92nd Street Y staged a one-night performance by director Robert Scanlon. In May 2013 it received a full production by the Constellation Theatre Company in Washington, D.C. Komunyakaa's work has influenced many later American poets.
Her daughter Miriam Margraf, subsequently notable in her own right as an author and music critic, was born during this period in 1964. Another achievement during the time she worked in Halle involved the translation of the libtretti of sixteen Handel operas from Italian. She was awarded the city's Handel Prize in 1970. Lewin moved in 1973 to the Rostock People's Theatre, taking a position as an opera producer and chief dramaturge for music theatre.
However, all was not simple in the press. A top critic who significantly drove Toussaint into fear of backlash from France was Sonthonax, who was responsible for many outlooks of Haiti in the French newspapers.Jenson, The Sonthonax Drama: Toussaint as Political Dramaturge, p. 70 Yet Sonthonax was one of the few contenders who truly pushed for the independence of the African slaves and became a major factor in Toussaint's decision of declaring independence from France.
Born in Dresden, Rexroth studied composition, conducting, musicology, German studies and philosophy at the universities of Cologne, Vienna and Bonn. In 1969 he received his doctorate in Bonn with a thesis on Arnold Schönberg. From 1974 to 1991 he was founding director of the in Frankfurt am Main. From 1980 to 1994 he was also dramaturge at the Alte Oper in Frankfurt and co-founder of the "Frankfurter Feste", whose artistic director he was from 1986 to 1994.
With Caragiale's departure for Berlin in 1904, Ranetti began feeling alone on the Romanian scene. In epigrams he wrote at the time, he pleaded with Caragiale to return, and chided D. Teleor for attempting to revive Moftul Român without its leading talent. Mircea Popa, "Caragiale în oglinda poeziei vremii", in Apostrof, Nr. 6/2012 Those years brought his involvement as a dramaturge of the National Theater Bucharest, one of several writers brought in by Chairman Pompiliu Eliade.Livescu, p.
Jean Daoud started his research in 1981 and started training in the Holistic Method he created in 1986. The Holistic Method has three main portals> One, actor training: where Daoud established his own perspective of the Actor as "the serchear for himself as the ultimate human being". He created a philosophy of training accompanied by a method of practical training. One of his main concepts is the "Dramatugry of the Acotr" resulting in the "Dramaturge-Actor".
He studied in Maribor and graduated in Slovene and English language in 1965 and worked as a teacher and then as a dramaturge and artistic director at the Slovene National Theatre and the Ljubljana City Theatre. In 1980 he won the Prešeren Foundation Award for his satirical comedies.Slovenian Ministry of Culture, complete list of Prešeren Foundation Awards recipients In 2016, he was given the Prešeren Award, the highest Slovenian award in the field of artistic creation, for lifetime achievement.
At the time of her appointment, Fraticelli was not a filmmaker, but a dramaturge and community organizer. Her pan-national networks were expected to bring fresh insights to Studio D, especially "women who represent the diversity of points of view within the women's movement." With a slashed budget and a slate of unfinished films by resident filmmakers, her first year proved challenging. By the mid-eighties Canada's women's movement was confronting its own internalized racism and homophobia.
Dieter Dorn studied at the Theaterhochschule Leipzig. In 1956, he left East Germany and studied at the Max-Reinhardt-Schule für Schauspiel in Berlin with Hilde Körber, the founder of the school, and Lucie Höflich. He was engaged at the State Theatre in Hanover from 1958 until 1961 as an actor and a dramaturge, then worked as a journalist and radio speaker for the NDR. In 1964, he returned to the theatre at the Landesbühne Hanover, then in Essen.
Following this, Dietl studied at the Faculty of Arts at Masaryk University in Brno for a year, then worked as an apprentice teacher, also in Brno. He decided to leave Brno for Prague after getting a job at the Ministry of Social Welfare. In Prague from 1950 to 1955, he was a student at the Academy of Performing Arts, where he took screenwriting and dramaturgy. While still studying, he became the dramaturge of the newly emerging Czechoslovak Television.
In the Theatre Union roles had been shared, but now, in Theatre Workshop, they were more formalised. Littlewood was the sole producer and MacColl the dramaturge, art director and resident dramatist. The techniques that had been developed in the Theatre Union now were refined, producing the distinctive form of theatre that was the hallmark of Joan Littlewood's Theatre Workshop, as the troupe was later known. They were an impoverished travelling troupe, but were making a name for themselves.
Then a first blow came in response from the fly system operators; a second response rose from below the stage and a third one came from the opposite wing. Each machinist being in their position for the performance, the dramaturge could open the curtain.Jean-Paul Gousset, technical director of the Royal Opera of Versailles, in Secrets d'histoire : Marie-Antoinette intime…, Société européenne de production, 2010. The military rank of brigadier was given to a worker leading a team.
Otto Zoff (9 April 1890 – 14 December 1963) was an Austrian author, script writer, dramaturge, journalist and "all-round Bohemian". For reasons of politics and race he spent much of his life abroad, including almost twenty years as an immigrant in the United States of America. During his lifetime he was noted, in particular, for his drama compositions and historical monographs, but fifty years after his death he had for most purposes fallen out of fashion.
This was followed by a position as personal assistant to the Saxon CDU member of the European Parliament Lutz Goepel. From 2008 to 2012, he was chief dramaturge of the in Freiberg/Döbeln. He also worked as a teacher at the Döbeln grammar school.Andreas Friedrich: "Externe Fachleute helfen an Sachsens Schulen aus: Ohne sie würden manche Fächer ausfallen" (External experts help out at Saxony's schools: Without them, some subjects would fail), in the Leipziger Volkszeitung dated 13 June 2012, .
From 1836 to 1862, he once again worked as a dramaturge, now at the Theater in der Josefstadt. His second wife was Elise Sedelmeyer. Scene from a performance of Schubert's Fierrabras at the Salzburg Festival in 2014 His best-known work is the libretto for the opera Fierrabras, by Franz Schubert, whom he had befriended at the Nonsense Society. Although written and approved by the censors in 1823, it was not performed at the court theatre then.
Urjo Kareda (February 9, 1944 – December 26, 2001) was an Estonian-born Canadian theatre and music critic, dramaturge and stage director. Kareda was born in Tallinn, Estonia. His parents fled the Soviet occupation of Estonia in the autumn of 1944, escaping first to Sweden, where Kareda attended schools. At age five, the family moved to Toronto, where his father, journalist Endel Kareda, helped to establish Meie Elu (Our Life), an Estonian weekly newspaper for the Estonian diaspora in Canada.
In 1956, he was briefly employed by Czechoslovak Television as a reporter and commentator. From 1963 to 1966, he was the dramaturge at Vinohrady Theatre. While there, he became attracted to the reform movement and resigned from the Union of Writers due to questions concerning his "cultural-political orientation". In 1967, following a public reading of Solzhenitsyn's protest letter to the Union of Soviet Writers, he and several other prominent writers were subjected to disciplinary action.
Pozsgai organized and directed an amateur theatre in Pécs from his childhood until 1982, when he, as a dramaturge and assistant of arts, became employed by the National Theatre of Pécs. He explored many jobs between the day of his graduation from high school in 1979 and his employment in the artistic sector of theatres. He frequently published his creations, primarily poems. These years were the period of his conscious preparation for his career as a writer.
In that period, Pozsgai lived in Budapest; he was the dramaturge and director of the Kolibri Theatre there in addition to his job at the metropolitan press. This theatre featured his first play directed for children in 1995. After that, the Madách Theatre of Budapest premiered his drama titled Viaszmadár (Vaxbird), which won the ″Best New Hungarian Drama Award of the year″ (Szép Ernő Award category ″for First Drama″). Pozsgai was invited to join the Hungarian Writers' Union.
In 1986, he adapted the book Het wassende water (1925) written by Herman de Man to television. The idea to adapt the book to television came from van Gestel's experience as dramaturge for Anton Quintana's radio play also based on the same book. Van Gestel wrote the story for the 1999 film Een dubbeltje te weinig and he co-wrote the story for 1992 film Richting Engeland with Willem Wilmink. Both films were directed by André van Duren.
Between 1914 and 1917 he worked as a dramaturge at the Volksbühne theatre (as it was then known) in Vienna. He had already contributed to the Berliner Börsen-Courier before the war, and after 1918 he became a regular freelance contributor to it. Between 1918 and 1920 he also worked as a reviewer for the Felix Bloch Erben theatrical publishing house. In 1919 he succeeded Alfred Kerr as the theatre critic on "Der Tag", the mass circulation daily paper produced by August Scherl.
Adaptation and direction: Yevgeny Arye and Shimon Meemeran. For the first time, Gesher Theatre staged a play by Hanoch Levin and brought to life, through the play, an artistic and social tie which was nurtured between Levin and Yevgeny Arye, the artistic director of the theatre. Levin proposed to write a play especially for Gesher Theatre, but despite the greatly expected joint work, the play never materialized due to Levin's demise. In 2007 Roy Chen joined Gesher theatre as the house dramaturge.
At around the time the Chichester Festival opened, plans for the creation of the National Theatre were coming to fruition. The British government agreed to release funds for a new building on the South Bank of the Thames. Lord Chandos was appointed chairman of the National Theatre Board in 1962, and in August Olivier accepted its invitation to be the company's first director. As his assistants, he recruited the directors John Dexter and William Gaskill, with Kenneth Tynan as literary adviser or "dramaturge".
He had ambitions of becoming an actor in his youth, later abandoning these plans after failing an entrance examination at the Max Reinhardt Seminar in Vienna. He later attended the University of Vienna to study philosophy, psychology and drama. Not a committed student, he would spend most of his time attending local movie theatres. After leaving university, he began working odd jobs, before working as an editor and dramaturge at the southwestern German television station Südwestfunk from 1967 to 1970.
She worked as scientific assistant at the Free University of Berlin, then as dramaturge and writer at the Staatstheater Hannover. Thea Dorn's pseudonym alludes to Theodor Adorno, whose works she read and found hard to understand. (See the interview on Adorno.) After receiving her M. A. in philosophy, she became a freelance writer. In 1995 she released her first book, Berliner Aufklärung, for which she received the Marlowe Prize. For her third book, Die Hirnkönigin, she received the German Crime Fiction Prize 2000.
Rheinsberg was adapted as an audio play by Matthias Thalheim in 1985 for the broadcaster Rundfunk der DDR. The dramaturge was , the music written by , with director , and Kurt Böwe as the narrator, Ulrike Krumbiegel as Claire, Gunter Schoß as Wolfgang, as the Kastellan, and Dagmar Manzel as Lissy Aachner. It was first aired on 21 December 1985. The production was the entry for the Prix Italia 1987, translated by Katherine Vanovitch to English and by Elisabeth Radermacher to French.
Angelika Machinek was born on 17 November 1956 in the village of Eschershausen in the district of Holzminden. She studied sociology and German at University of Göttingen and received her doctorate in modern German literature from Goethe University Frankfurt in 1985. She subsequently worked as a dramaturge and author on topics including the Göttingen Seven.Probst, 2010, p.12 At the age of 14, she started gliding, gaining her pilot’s license in 1973, aerobatic license in 1979 and instructor’s license in 1980.
In 1940 Knapp created an arized version in which he replaced the Israelites with Egyptians. In the choir Va, pensiero he replaced the Jordan with the Nile and Zion with Memphis.Tagesspiegel, 31 January 2001 This NS version Flieg, Gedanke, getragen von Sehnsucht with the text line Teure Heimat, wann seh ich dich wieder is still widespread today in sound recordings and on the Internet. After the Second World War, from 1948 to 1954, Kapp was dramaturge at the Deutsche Oper Berlin.
In 2017, in company of her team, she staged the piece in its Japanese version. Created and originally performed in Tokyo, the play then toured through Japan in Kyoto, Hiroshima, Aichi, Toyohashi et Kitakyushu. Later in her career, Brassard began working as a dance dramaturge and director. She created two dance pieces in collaboration with dancer choreographer Sarah Williams: Moving in this World (2014), developed in residency in Potsdam, was presented in Montreal, Potsdam and in Madrid, and States of Transe (2013).
The Ojai Playwrights Conference is a theatre festival held annually each August in Ojai, California, largely hosted on the campus of Besant Hill School. The mission of the conference is to offer play development resources to dramatists with the aim of supporting the creation of new work for the American theatre. Over ten days writers participate in a development workshop tailored to fit the needs of their project. Each writer is provided with a director, dramaturge and full cast of actors.
Born in Erkner, Seeger studied musicology at the Humboldt University of Berlin with Walter Vetter, Ernst Hermann Meyer and Hans-Heinz Dräger and worked as a music journalist and critic from 1954. From 1959 to 1960 he was editor-in-chief of the journal Musik und Gesellschaft. From 1960-1973 he was chief dramaturge at the Komische Oper Berlin. In 1973 he took over the direction of the Staatsoper Dresden in the building of the Schauspielhaus and since 1979 also the direction of the Staatstheater Dresden.
From 1881 to 1898 Glišić was the dramaturge of the National Theatre in Belgrade (founded in 1868 by Jovan Đorđević), then under the direction of Milorad Popović Šapčanin. Both Glišić and Šapčanin got along extremely well. In fact, under their leadership the National Theatre began to thrive for the first time, offering quality performances at popular prices and convenient times for the general public. In 1898, Milovan Glišić's increasing popularity, as an author and translator par excellence enabled him to retire from public service.
After the war, Harnack returned to his career as a director and dramaturge, first working at the Bavarian state theater in Munich. In 1947, he began working at the Deutsches Theater in Berlin. From 1949 to 1952, he was the artistic director at DEFA, where he made the film The Axe of Wandsbek, adapted from a book by Arnold Zweig. According to Zweig's son, the movie is based on a true story and may also relate to the events of Altona Bloody Sunday in Hamburg.
A first of its kind, the series was written, acted, directed & produced by Maori, telling Maori stories. She worked extensively in theatre; acting, writing, directing, working as a dramaturge, and was a founding member of Taki Rua Theatre. Owen wrote and starred in Daddy's Girl, while also playing reoccurring roles in two TV series; Betty's Bunch & Shark in the Park. Recent theatre credits include starring in the classic NZ plays, Haruru Mai for the NZ International Arts Festival and The Pohutukawa Tree for ATC.
Jacoba van Velde (The Hague, 10 May 1903 – Amsterdam, 7 September 1985) was a Dutch writer, translator, and dramaturge. Her first novel, "De grote zaal" (The Great Hall), appeared in the literary journal Querido in 1953 and was translated into thirteen languages within ten years. During her life around 75,000 copies of "De grote zaal" were sold. In 2010, the book was chosen for the Nederland Leest (Netherlands Reads) campaign and copies were given away for free to members of all the public libraries in The Netherlands.
Both marriages remained childless. Van Velde lived a great part of her life in Paris, just like her brothers Geer van Velde and Bram van Velde, who a name for themselves as painters after World War II. Just after the war, she was a literary agent under the name Tonny Clerx, for the French work of the Irish author Samuel Beckett. In 1947, she left that position to focus on her own writing. Van Velde's oeuvre remained small; mostly she worked as translator and dramaturge.
Gerardo Andrés Sofovich (March 18, 1937 – March 8, 2015) was an Argentine businessman, dramaturge, television host and presenter, comedian, scriptwriter, and director. He was the producer of Polémica en el bar and La noche del Domingo, two of the most popular Argentine TV shows of the 1970s and 1980s. Sofovich also hosted A la manera de Sofovich and Sin Límite SMS, which were broadcast on Canal 9. During the 1970s and 1980s he directed several picaresque films starring comedians Alberto Olmedo and Jorge Porcel.
In the second half of the 19th century, Moldovan literature fell under the influence of the middle- class, especially of the French. Latinate influences rising in Transylvania had a considerable following in Moldova and Wallachia. Another source of influence on Moldovan literature was that of the Germans. The noted poet and dramaturge Vasile Alecsandri was active in the national movement for the unification of Moldova and Wallachia, participating in the revolution of 1848, headed the magazines Progress, Literary Dacia, and founded the journal Literary Romania.
Brecht's students Benno Besson, Egon Monk, Peter Palitzsch, and Manfred Wekwerth were given the opportunity to direct plays by Brecht that had not yet been staged. The stage designers Caspar Neher and Karl von Appen, the composers Paul Dessau and Hanns Eisler, as well as the dramaturge Elisabeth Hauptmann, were among Brecht's closest collaborators. After her husband died in 1956, Weigel continued managing the Berliner Ensemble until her death in 1971. The Berliner Ensemble achieved success through long and meticulous rehearsals, often spanning several months.
In 1968, Hansgünther Heyme became the artistic director and dramaturge of the Schauspielhaus, which caused controversy with his unconventional implementations of plays. He also began a close collaboration with classical philologist Wolfgang Schadewaldt, whose translations of Greek dramas he brought to the stage in Cologne. Heyme was replaced in 1979 by Jürgen Flimm, and then in 1985 by Klaus Pierwoß. In 1989, Pierwoß was the first director, who brought the East German director Frank Castorf with a production of Hamlet to a West German theater.
In February 2011 East West Theatre Company co- produced a show called Europe Today. Their co-producer was the largest Slovenian theatre – Slovene National Theatre, Maribor and European Cultural Capital 2012 Maribor.Slovene National Theatre Announcement The show was written by Miroslav Krleža and directed by Haris Pašović with some of the finest artists in the region: Miki Manojlović, an actor; Edward Clug, a contemporary dancer and choreographer and the industrial, neoclassical band Laibach. The dramaturge of the production was the Zagreb Youth Theatre director, Dubravka Vrgoč.
Schreyer was born in Blasewitz in 1886. He studied art history at University of Heidelberg and then law at universities in Berlin and Leipzig. In 1910 he graduated in literary and artistic copyright law.Bauhaus100. Lothar Schreyer. Retrieved 6 December 2018 From 1911 to 1918, he worked as a dramaturge and assistant director at the Deutsches Schauspielhaus in Hamburg and from 1916 until 1928 he was the editor of Der Sturm magazine, owned by Herwarth Walden, with whom he became a close collaborator on several projects.
Mühe was married three times. He was first married to dramaturge Annegret Hahn and had two sons by her: Andreas, a Berlin-based photographer, and Konrad, a painter. His second marriage was in 1984 to the actress Jenny Gröllmann, after they fell in love while acting together in the TV film Die Poggenpuhls (The Poggenpuhls) in that year. Mühe and Gröllmann had a daughter, Anna Maria Mühe, who is also an actress; and he was stepfather to Gröllmann's daughter Jeanne, a make-up artist.
Lluís Solà i Sala (born Vic, Catalonia, 1940)Notícia al diari digital Osona.com, 30 d'agost de 2012 is a Catalan poet, playwright and translator. As a dramaturge, Lluís Solà has staged works by Strindberg, Aeschylus and Joan Brossa among other authors, and he has also presented his own works. He has stage-directed five of his own plays, and he has directed more than fifty classic and contemporary works, including the play nô Semimaru with scenery by Antoni Tàpies and music by Josep Mestres Quadreny.
Marko Kropyvnytsky in 1890s Signature Kropyvnytskyi family coat of arms Marko Kropyvnytskyi (, Marko Lukych Kropyvnytsky; , Mark Lukich Kropivnitskiy; May 7, 1840, Bezhbairaky village, Kherson Governorate – 21 April 1910, en route to Kharkiv) was a Ukrainian writer, dramaturge, composer, theatre actor and director. Over his career Kropyvnytskyi wrote 40 plays, played in over 500 roles of various repertoire, as well as wrote several songs.Today is the birthday of the founder of Ukrainian Theatre Marko Kropyvnytskyi (Сьогодні – День народження фундатора українського театру Марка Кропивницького). Newspaper "Den".
Waldtraut Lewin was born in Wernigerode, a small town on the northeastern flank of the Harz Mountains, roughly equidistant between Hanover and Leipzig. Her mother was a singer. On leaving school she enrolled at the Humboldt University of Berlin where till 1961 she studied Germanistics, Latin and Theatre studies. She worked between 1961 and 1973 as a music-dramaturge and stage director at the Regional Theatre (as it was then known) in Halle, in a team that also included Horst-Tanu Margraf and Rudolf Heinrich.
Kristína Tormová (; born 1 July 1982) is a Slovak actress, singer, dramaturge, presenter, comedian, editor, blogger and naïve art painter. She studied dramaturgy at Academy of Performing Arts in Bratislava and at Faculty of Theater in Prague, Czech Republic. Since 2004, she is a regular member of the Naive Theater Radošina in Bratislava, while made guest appearances for The Drama Club in Prague. For her role of Klára in Pouta (2010), she received a Czech Lion-nomination as the Best Actress in Leading Role in 2011.
She organized many solo and group dances, including pantomimes. She and her group held performances at the Estonian Drama Theatre in plays for children and young people with modern dance interludes, promoting intellectual, expressive, and creative development. Among the many famous artists who trained in her school were Ida Urbel (1900–83; she later founded the Vanemuine dance company in 1935 and was its director until 1973); H. Tohvelman; E. Oltrop; and A. Kalmet. In 1925, she married Paul Olak, a theatre manager, journalist and dramaturge.
MacDonald works as a director, actor, educator, and dramaturge for new Canadian plays. His work as a director includes productions at the Stratford Festival (Julius Caesar), the Shaw Festival (The Old Ladies), the Canadian Stage Company (Fire, Much Ado about Nothing, As You Like It), The Royal Manitoba Theatre Centre (A Few Good Men, Sherlock Holmes and the case of the Jersey Lily, and over 15 productions at Edmonton’s Citadel Theatre (Clybourne Park, Vimy, God of Carnage, Venus in Fur). As a director, dramaturge, and actor, MacDonald has been involved in the development of over 35 new Canadian plays, including his direction of Vimy (Citadel Theatre), Miss Shakespeare (Musical TheatreWorks), With a Twist (Lunchbox Theatre), Calgary), and Conni Massing's Myth of Summer (Alberta Theatre Projects) and dramaturged the Firehall Arts Centre's production of Chelsea Hotel: the Songs of Leonard Cohen, which has toured nationally, most recently to the Belfry Theatre, Theatre Passe Muraille, Theatre Calgary and the Banff Centre. As an actor he has worked for theatre's across Canada and Internationally, and originated the role of Einstein in Einstein’s Gift at The Citadel Theatre.
From 2004 he has been collaborating with the choreographer Lukáš Timulak on the concepts of dance performances. Together they were subject of an exhibition 'InLoop/EnTry' in Stroom, Centre for Art and Architecture.[16] Stroom,Centre for Art and Architecture Biľak defines the concept of the dance pieces, getting involved very early on in the process. While it is clear what Timulak does as the choreographer, Biľak's role has been defined in the theatre credits sometimes as designer, stage designer, sometimes as dramaturge, sometimes described simply by the noun 'concept'.
Zorica Jevremović (in 1970s: Jevremović-Munitić; ; born August 22, 1948 in Ražanj, Serbia, SFR Yugoslavia) is a Serbian theatre and video director, playwright, choreographer, intermedia theorist (film, television, animated film, comic strip), literary historian and feminist.„Zorica Jevremović: Kopile (1948-1968), drama utopije“ (o predstavi), Centar za kulturnu dekontaminaciju, Belgrade, 2009. Her work also includes that of a dramaturge in alternative and informal theatrical and film groups. She is director of the Belgrade Centre for Media "Ranko Munitić" and the editor of a regional journal for media and culture Mediantrop.„Editor-in-chief“, Mediantrop, Belgrade.
In 1977-78 he founded and directed the Maduga Experimental Theater, as part of The Jerusalem Theater, where he produced experimental and street performances. From 1978 to 1984 he was a dramaturge and director at the Jerusalem Khan Theatre, where he directed his own play The princess and the Hobo, Gotcha by Barrie Keeffe, and Magic Afternoon by Wolfgang Bauer. He began writing plays and film scripts in 1984 and moved to Tel Aviv. Since 1986 he has taught playwriting at the Drama School of the Kibbutzim College of Education in Tel Aviv.
Isidore Isou (; 29 January 1925 - 28 July 2007), born Isidor Goldstein, was a Romanian-born French poet, dramaturge, novelist, film director, economist, and visual artist who lived in the 20th century. He was the founder of Lettrism, an art and literary movement which owed inspiration to Dada and Surrealism. An important figure in the mid-20th Century avant-garde, he is remembered in the cinema world chiefly for his revolutionary 1951 film Traité de Bave et d'Eternité, while his political writings are seen as foreshadowing the May 1968 movements.
Rienäcker was born on 3 May 1939 in Göttingen as son of the chemist . Rienäcker studied musicology from 1959 to 1964 (minor subject: "art science'") with Ernst Hermann Meyer, Georg Knepler, Walther Vetter, Peter H. Feist and Carl Heinz Claasen at the Humboldt University of Berlin, and also musical composition with Hans Georg Görner. From 1964 to 1966 Rienäcker worked as music dramaturge (for opera, operetta, concert) at the . In 1966 he became scientific aspirant, from 1967 to 1985 scientific assistant at the Institute for Musicology of the Humboldt University.
From 2003 she worked as a dramaturge and assistant director in several theater projects in Damascus. In 2007 she started working in the General Committee of 2008 Arab Capital of Culture – Damascus, she was in charge of programming Syrian theater and dance performances for the year's repertoire. She was then more involved in creative writing projects for theater and TV, she worked as well as a script doctor for several pan Arab production companies. When the revolution broke in Syria 2011 she started working on her first feature documentary Haunted.
They left Russia in 1751 and founded the famous Ackermann troupe (Ackermann'sche Gesellschaft). The troupe visited Danzig, Königsberg, Breslau, Warsaw, Leipzig, Halle, then Frankfurt am Main and with the beginning of the Seven Years' War via Strasbourg to Switzerland. After the peace treaty, they returned via Strasbourg, Frankfurt, Mainz, Braunschweig, Hanover to Hamburg which became the domicile of the troupe. In 1767 the troupe was sold to a consortium of private owners, called the Hamburgische Entreprise, whose main backer was Abel Seyler, who employed Gotthold Ephraim Lessing as its dramaturge.
Besides the festival competitions, the main content of the festival program is presented through thematic sections, each of which are related to the annual umbrella topic of that year's festival. Every dramaturge curates one of the thematic sections for which they select films, TV shows, lectures, workshops, guests and an accompanying program. AFO Junior, targeting children and youth, is one of the regular thematic sections, run in cooperation with the Na Cucky Theatre, Fort Science and ČT Déčko TV channel. It includes screenings, thematic workshops, virtual reality, basic filmmaking techniques, and animation workshops.
Born in Bad Salzuflen, Klassen studied musicology, German studies, philosophy and Italian in Freiburg im Breisgau, Vienna, Paris, Siena and Kiel. She first worked at Christians Verlag in Hamburg and as a lecturer for music theory. After various engagements and teaching positions as well as freelance work as an author, dramaturge and publisher, she earned her doctorate at the Christian-Albrechts- Universität zu Kiel and her habilitation at the Technische Universität Berlin. In 1999 she became professor of musicology at the Hochschule für Musik Freiburg and is a member of the Senate there.
Campbell has a long association with the New Zealand International Arts Festival, having worked on many productions commissioned by the festival, and has worked with well-known New Zealand playwrights including Hone Kouka, Briar Grace Smith, Victor Rodger, and Theatre at Large. Campbell has been the dramaturge for two chamber operas and the aerial pageant show Maui.. Since November 2008, Campbell has been the Auckland Theatre Company's Literary Manager. Campbell has a history of working with Wellington-based percussion group Strike, including directing their 2013 show Between Zero and One.
At the same time he trained to become a film projectionist, and being interested in theater wrote play reviews for the local newspaper. Later he worked at the theater of the towns of Crimmitschau and Glauchau as an assistant director and dramaturge. In 1952 Frank Beyer began to study drama at Humboldt University in Berlin, but transferred to the Film School of the Academy of Performing Arts (FAMU) in Prague shortly afterwards. In Prague he studies film directing together with his future colleagues Konrad Petzold and Ralf Kirsten.
Sreekumar P. K. (born 5 January 1951), better known by his stage name Jagathy Sreekumar (Ambili Chettan), is a versatile Indian film actor who has starred in over 1400 Malayalam films in a career spanning almost four decades. Hailed as one of the greatest comedians of all-time in Malayalam cinema, he is also known for his highly nuanced character roles. He is the son of acclaimed dramaturge and writer, the late Jagathy N. K. Achary. Jagathy Sreekumar won five Kerala State Film Awards among numerous other awards for his roles in various films.
Randy Weiner (born March 10, 1965) is an American playwright, producer and theater and nightclub owner. Weiner co-wrote the Off-Broadway musical The Donkey Show and, as one-third of EMURSIVE, produced the Drama Desk Award winning New York premiere of Punchdrunk's Sleep No More. He is co-owner of NYC "theater of varieties" The Box and The Box Soho. Weiner is the creator of Queen of the Night at the Paramount Hotel in New York City, and recently served as the dramaturge for Cirque du Soleil's Amaluna.
Hence, there would be nine rapid blows plus the "trois coups", thus twelve blows. Twelve, being a perfect number in its symbolism, symbolized the unity of theatre. Another explanation matches the three blows with the three bows that comedians performed before playing in front of the Court: the first one to the contender (, left), the second one to the machinist (, right), and the third to the audience. In French classical theatre, the dramaturge pounded the ground with twelve quick blows to announce to the machinists the start of the performance.
In 1879, he was awarded a doctorate from the Leipzig University. Ganghofer wrote his first play "Der Herrgottschnitzer von Ammergau" (The Crucifix Carver of Ammergau) in 1880 for the Munich Gärtnerplatz Theatre, where it was given 19 performances. But his breakthrough was a guest performance of this play in Berlin, where it was staged more than 100 times. Subsequently, Ganghofer worked as dramaturge at the Ringtheater in Vienna (1881), as a freelance writer for the family paper Die Gartenlaube and as a feuilleton editor of the Neues Wiener Tagblatt (1886–1891).
He took to freelance conducting in 1965, including the premiere of Bernd Alois Zimmermann's opera Die Soldaten in Cologne that year, a work that had been deemed to be impossible to perform. He premiered Aribert Reimann's opera Ein Traumspiel on 20 June 1965 at the Opernhaus Kiel. He then had a contract with the Netherlands Opera. From 1977 to 1987, Gielen was GMD at the Oper Frankfurt, where he worked with the dramaturge Klaus Zehelein towards more contemporary operas. In 1979, he revived Schreker's opera Die Gezeichneten there, which had premiered in Frankfurt in 1918.
As a dramaturge his primary concern was an effort to resolve the problem of creative reinterpretation of the classical and theatrical art of his region to find itself in contemporary social relevance. He structured Theatre Training Programmes in U.P. through workshops and certificate and diploma courses in North India from 1966. He founded in 1975 for the Government of U.P. India's second school of drama: Bhartendu Natya Akademi-Bhartendu Academy of Dramatic Arts. Raj Bisaria is interested as an actor, director and theatre teacher in the system of Konstantin Stanislavski and Bertolt Brecht.
Leo Feld (14 February 1869, Augsburg - 5 September 1924 Florence) was an Austrian librettist, dramaturge, stage director, and writer. He also worked as a translator for publishing companies, and was notably responsible for translating many of Charles Dickens' English language works for their first German language publications. Born with the name Leo Hirschfeld in Augsburg, he was the younger brother of librettist Victor Léon and educator Eugenie Hirschfeld. He moved with his family to Vienna in 1875 and was educated at the University of Vienna; earning a doctorate in philosophy in 1892.
Leipzig joined the Los Angeles Actors’ Theatre in Hollywood in 1979 as a stage manager and eventually became the theatre's dramaturge and one of its producers. In 1984, he was one of the members of Los Angeles theatre companies that successfully negotiated with the Los Angeles Olympic Arts Festival for local theatre inclusion in the festival.L.A. Times press for 1984 Olympic Arts Festival (Retrieved 2010-09-07). In 1985 the Los Angeles Actors’ Theatre changed its name to the Los Angeles Theatre Center and moved to a four-theatre performing arts complex in downtown Los Angeles.
Bogdan Žižić (born 8 November 1934 in Solin) is a Croatian film director and screenwriter. Žižić is regarded as one of the most prolific Croatian directors of short documentary films, and is also known for several critically acclaimed feature films made in the 1970s. Žižić had graduated from the University of Zagreb Faculty of Law before taking up filmmaking in the early 1960s. From 1960 to 1964 he worked as a dramaturge at the Zagreb Film production company, and he had his directing debut with the 1964 film The Flood (), a documentary about the 1964 Zagreb flood.
Ljubljana Festival, Festival Janáček Brno, Moravian Autumn Music Festival in Brno, Festival of Music Theatre in Prague, Prague Quadrennial, Warsaw Autumn Festival of Contemporary Music, Festival of Sacred Music in Pordenone, ISCM World Music Days and Bergen International Festival. His work in contemporary music theatre is combined with alternative performing arts, installation, new media and site-specific projects. Since 2013 he has been the initiator and Artistic Director of Concept operapovera, an ensemble focused on contemporary and experimental music-theatre aesthetics. In the 2007/2008 season Rocc held the post of Dramaturge of the Slovenian National Opera in Maribor.
She combines aspects of race, culture, and sexuality in her performances, and she was one of the first openly lesbian/queer stand-up comics in 1982 in San Francisco. She has created several one-woman shows, plays, and screenplays. Her poems, plays, and anthologies are taught in universities and examined in scholarly settings, usually in the fields of LGBTQ Studies, Chicano Studies, and Feminist Studies. Palacios works with students of a wide range of ages (from elementary students to college students) and has served as a writer, director, and dramaturge for over 400 student theatre works.
Hunter co- founded the Lacuna Theatre Company, and was an associate director at Royal Court Theatre in the West End and Broadhurst Theatre in Broadway for the play Enron. She is the co-founder and artistic director of theatre company Boileroom, which won the 2007 Samuel Theatre Trust Award for the avant-garde play The Terrific Electric. In addition, she also serves as collaborating director and dramaturge on marionette and puppetry production with the Phantom Limb Company. Known for her avant-garde plays, Hunter has directed, performed and conceived theatre productions throughout Europe, the Middle East and North America.
Bawtree emigrated to Canada in 1962, and acted on stage and television in Toronto for three years. He also taught for one year at Victoria College, University of Toronto, and working as dramaturge at the Stratford Shakespeare Festival, Stratford, Ontario, for the 1964 season, under Michael Langham.Stratford Festival Souvenir Program 1964 After serving as the Toronto Telegram's book critic for six months in 1965,Toronto Telegram January–July 1965 'Bawtree on Books' he resigned to take up a position at the newly formed Simon Fraser University, Burnaby, British Columbia, as Resident in Theatre. There, he was responsible for founding the university's theatre program.
Although the opera is based on Mark Godsey's book of the same title, work on the opera began before the book was published. Members of the Ohio Innocence Project (OIP) young professionals committee met in early 2017 with members of Cincinnati's Young Professional Choral Collective (YPCC) to discuss devising choral music based on OIP's work; YPCC's founding director, KellyAnn Nelson, saw the opportunity to create something larger. The Cincinnati Opera became involved and commissioned the creation of the opera. Librettist David Cote worked with director and dramaturge Robin Guarino to develop the opera's text in early 2018.
43, 267 Soviet film critics hailed this approach, including the dramaturge and critic, Adrian Piotrovsky, writing for the Leningrad newspaper Krasnaia gazeta: > The hero is the sailors' battleship, the Odessa crowd, but characteristic > figures are snatched here and there from the crowd. For a moment, like a > conjuring trick, they attract all the sympathies of the audience: like the > sailor Vakulinchuk, like the young woman and child on the Odessa Steps, but > they emerge only to dissolve once more into the mass. This signifies: no > film stars but a film of real-life types.Quoted in Taylor, p.
According to dramaturge Corinna Jarosch, instead of realistically depicting the mountain world, an attempt was made "to make the hallucinations of the mountaineers visible".Yvonne Hinz: "Oper Everest lässt Hagener Theaterbesucher frösteln", announcement of the 2018 Hagen production, in: Westfalenpost, April 28, 2018, accessed July 7, 2018. The plot was moved to a mountain sanatorium in reference to Thomas Mann's novel The Magic Mountain. There the choir, which in the production of the premiere still had a commentary outside the plot, took over the role of the sick and also staged the psychological conflicts of the main characters.
The dramaturge, using a stick to hit the three blows, gathered the theatre staff to begin the show, like a brigadier gathering his men. Through metonymy, the stick itself was called a "brigadier". The theatre brigadier is traditionally made of wood with a piece of theatre pole, decorated with red velvet and gold studded nails. For years the Comédie-Française would hit six blows in order to commemorate the uniting of the two troupes, that of the Hôtel de Bourgogne and Molière's company, previously associated with that of the Théâtre du Marais under Louis XIV, allowing for daily performances.
This imposed financial constraints on the entire family. During this period, he became close to his maternal grandmother and to his aunt Maria, who as he wrote in Uno squardo dalla periferia ("A view from the edge"), made him listen to "fragments of Latino maccheronico (mock Latin)" and involved him in the activity of the little theater where she worked as a dramaturge, capocomico, director and actress. At school, he proved a lively but not always disciplined student, often receiving the scoldings of his father. The young man showed no talent for drawing, the very subject which the father had mastered.
In Russia, many cultural treasures can still be traced to their roots, such as to the Kozachok region in Belgorod. that historically had a large Ukrainian population. The Ukrainian choreographer and dancer Vasyl Avramenko, known for his standardization of Ukrainian dance and his work across the globe, was famous for his "Kozachok Podilsyi", a Cossack courtship dance native to the Podillia region, for one to four couples. He most likely learned the "Kozachok Podilskyi" from the theatre work he did between 1917-1921 sources from the repertoire of dances performed in plays generations before including plays by Ukrainian dramaturge and writer Marko Kropyvnytskyi.
Born in Mulhouse, Rémy Stricker studied the piano with Yvonne Lefébure, then at the Conservatoire de Paris. From 1964 to 1969, along Jean-Pierre Armengaud and Michel Capelier, he seconded Germaine Arbeau-Bonnefoy in the presentation of the ,Les Musigrains pedagogical concerts-lectures given at the Théâtre des Champs-Élysées. Before being a professor of musical esthetics at the Conservatoire de Paris from 1971 to 2001, Rémy Stricker was a radio producer for France Musique and France Culture from 1962 to 1997. In 2004, he was awarded the prix spécial du jury of the Prix des Muses for his book Berlioz dramaturge.
Together they produced Heather's Freddy Cut Nightmare which chronicled her first-ever charity haircut auction on behalf of 'Scares That Care.' Later that year Stever worked with actor/playwright Stu Richelle, and director/dramaturge Linda S. Nelson filming and creating numerous multi- media installments for the Off-Off Broadway production of Vietnam…Through My Lens. VTML chronicles Richelle's reflective journey through the Vietnam War as a combat photographer, and debuted at The Dorothy Strelsin Theater in New York City during November, 2014. Has produced numerous mini-documentaries, including a collaboration with Stephen Schwartz chronicling his first ever opera, Séance on a Wet Afternoon.
He was arrested for treason by Nazi officers before a matinee performance of a Lizst Piano Concerto in Heidelberg. Kreiten was condemned to death and executed by hanging at the Plötzensee prison in Berlin in 1943. In 2003, Van Dijk spent the last year of his life completing the composition to be entitled Kreitens Passion, to text by German dramaturge Heinrich Riemenschneider. Van Dijk lived to attend all three performances at the World premiere of Kreitens Passion in the Tonhalle Düsseldorf performed by the Düsseldorfer Symphoniker, baritone Andreas Schmidt, and the American conductor John Fiore in October 2003.
He began to build his reputation with a series of plays and screenplays in the early 1970s and was a founder of Portable Theatre Company, a touring company concentrating on experimental theatre. In the mid-1970s, he served as dramaturge to the Royal Shakespeare Company and produced one of his best-regarded plays, The Soul of the White Ant. In 1978, his surrealist play The Glad Hand attracted favourable notice, as did his 1994 play, Darwin's Flood, among others. He continued to write plays and screenplays until the end of his life, including for the Bush Theatre.
Gjuzel was a dramaturge with the Dramski Theater in Skopje for two terms, 1966-1971 and 1985-1998. He participated in the International Writing Program at the University of Iowa in 1972-1973, and in the poetry festivals in Rotterdam (1978 & 1996), San Francisco (1980), Herleen (1991), Maastricht and Valencia (2000). He was one of the ten founders of the Independent Writers of Macedonia association and its first chairman in 1994, and since 1995 editor-in-chief of its bi-monthly journal Naše Pismo. Since 1999 he has been an acting director of the Struga Poetry Evenings.
He then moved to the local University of Music and Performing Arts and graduated from the MA course in theatre directing in 1984. His final showcase production was Ultramarine by David Brett; his Master thesis was on Robert Wilson. In 1986, after his alternative civil service, he became an assistant director at the State Theatre in Salzburg from where he moved to the Slovenian National Theatre in Ljubljana in the same role. Since 1990, he has been working freelance in Slovenia, Austria, Italy and Germany. Together with Austrian set designer Martin Zehetgruber and dramaturge Sylvia Brandl, he founded the independent group ’’my friend martin’’.
Acting "as eyewitness and dramaturge," Magid linked themes of tragedy and futility between Fausto and his nominal relative, even bringing texts of Faust's monologues into the gallery space as implicit stand-ins for the shooter's silence. Goethe's epic was originally written as a "closet drama," "a play to be read rather than performed". In Magid's hands, the gallery transformed into a "stage to be read," with language, sculpture, video and image creating an intertextual weave between stories and events, individuals and publics, actions and aftermaths. The day of the shooting, Magid met with a reporter, "CT," who had previously embedded with the US military in Iraq and Afghanistan.
Tebelak once said that he "walked into a theatre at the age of nine and stayed there." He was a lifelong member of the Episcopal Church, considered becoming a priest, and may have attended an Episcopal seminary for a time. He was dramaturge for the Cathedral of St. John the Divine in New York City and staged liturgical drama there. According to Reverend James Parks Morton, "whether it was a sermon series or a two-day conference on the environment, he turned it into theater." In 1980, Tebelak was sued in New York State Supreme Court by his former live-in companion, Richard Hannum.
Richard Burton, (; born Richard Walter Jenkins Jr.; 10 November 19255 August 1984) was a Welsh actor.Obituary Variety, 8 August 1984 Noted for his baritone voice, Burton established himself as a formidable Shakespearean actor in the 1950s, and he gave a memorable performance of Hamlet in 1964. He was called "the natural successor to Olivier" by critic and dramaturge Kenneth Tynan. A heavy drinker, Burton's purported failure to live up to those expectations disappointed some critics and colleagues and added to his image as a great performer who had wasted his talent; he is nevertheless widely regarded as one of the most acclaimed actors of his generation.
Born in Berlin, Fischer originally wanted to become a painter, but then studied biology and chemistry for a higher teaching position at the Free University of Berlin. From 1978 to 1981, he was a teacher and supervisor for drug addicts and foreign prisoners in the juvenile detention center of the Plötzensee Prison. He frequently attended theatre rehearsals and was engaged in 1981 as assistant director and dramaturg for Günter Krämer and at the Staatstheater Stuttgart under director . As a guest director he was assistant director and dramaturge at the Schiller Theater in Berlin in 1984, but as Krämer moved to the Theater Bremen in 1984, Fischer followed him there.
Dramaturgy is a practice- based as well as practice-led discipline invented by Gotthold Ephraim Lessing (the author of well known plays such as Miss Sara Sampson, Emilia Galotti, Minna von Barnhelm, and Nathan the Wise) in the 18th century. The Theater of Hamburg engaged him for some years for a position today known as "dramaturge". He was first of this kind and described his task as ‘"dramatic judge" ("dramatischer Richter") who has to be able to tell the difference between the stake the play has or the main actor or the director to make us feel comfortable or not while watching a theatrical performance.LESSING, G. E. & BERGHAHN, K. L. 1981.
Like his friends Walter Hasenclever and Oskar Kokoschka, in the early summer of 1919 Kurt Pinthus moved to Berlin where he was involved in the postwar refounding of the Rowohlt Publishing Firm. He worked briefly during 1920/21 as a dramaturge at Max Reinhardt's strikingly modernised privately funded and directed theatre in Berlin. The more enduring career that Pinthus built in Berlin during the 1920s was as a critic of stage, literature and film. His contributions appeared regularly in a range of German and international publications, most particularly in "Das Tage-Buch", "Die literarische Welt" and the newly (in 1922) founded "8 Uhr- Abendblatt)".
In 1901, he joined his father Gábor and brothers Jenő and Sándor in the management of the Comedy Theatre as the artistic director and dramaturge, a role which he would retain until 1921. Faludi's experiences in Western Europe as a young man, along with his ability to speak English, French, and German, allowed him to translate and stage popular plays from across the continent including David Belasco's Madame Butterfly. In 1911, Faludi founded the Hunnia Biograph Company and personally oversaw the construction of the first film studio in Budapest, located in Pannonia Street. The company produced a number of films until it ceased operations in 1913.
His satire often had very precise targets, including King Carol I and his courtier Ioan Kalinderu, politician George D. Pallade, and actor Ion Brezeanu. In addition to putting out original texts, Ranetti was a noted translator and dramaturge, who adapted works by Georges Courteline and Paul Gavault. Nationalism also influenced Ranetti's politics, including his vocal support for the Entente Powers during World War I. That period saw him engaged in polemics with colleagues Emil Fagure and A. de Herz, and contributing to nationalist propaganda as co-editor of România newspaper. His postwar years, marked by his split from, then return to, Furnica, were spent writing parody novels and collecting his scattered poetry.
In: Anton Pelinka, Populismus in Österreich. Vienna 1987. At last the Anti-military referendum caused FORVM founder Friedrich Torberg to distance himself from the magazine with these words: The new FORVM is the magazine against which the old one was founded. Kleine Zeitung, May 18, 1970 Starting in 1971 Oberschlick organized a music festival with Friedrich Gulda in Ossiach and two scientific symposia for the Kreisky government in Vienna, created a Happening and worked as a dramaturge for plays by Ibsen and Pirandello. In 1975 he returned to FORVM as a publishing manager, 1982/83 he served as editor-in-chief and in 1986 he became the owner and editor of the magazine.
Laurance Rudic (born 10 September 1952) is a British theatre artist best known for his long association as a leading member of the Glasgow Citizens Theatre company - 1972-1996. For 34 years, (1969–2004) 'The Citz' as it came to be known, was run by a trio of maverick geniuses - Giles Havergal, Philip Prowse and Robert David MacDonald. Under this triumvirate the company quickly gained fame and notoriety for its glamorous and ofttimes outrageously decadent European-style treatment of rarely performed European and English classics. New works such as Camille, Chinchilla, A Waste of Time and Webster were regularly written for the company by resident playwright, dramaturge and translator, R. D. McDonald.
The George Landen Dann award was often referred to as the 19-25-age category, of the Queensland Young Playwright's Award, an award that also had a high school age category of 14–15 years of age and 16–18 years of age. In 2007, this award was revamped and replaced with a Young Playwrights Program, a program that the Queensland Theatre Company designed in order to give young and emerging playwrights the opportunity to "develop short plays over an extended period with assistance from a professional dramaturge and Company staff". That year four writers were selected in the program and the process resulted in a public reading of each play by a cast of professional Company artists.
At the theater were introduced for the first time the plays of renowned Ukrainian writers and dramaturges Mykola Kulish and Volodymyr Vynnychenko. Thanks to the genius Les Kurbas who combined several talents of director, actor, dramaturge and interpreter of world literature, the works of William Shakespeare, Henrik Ibsen, Gerhart Hauptmann, Friedrich Schiller and Molière were conceptualized anew at the Ukrainian scene and staged the unknown to the Ukrainian spectators until that time plays of the European dramaturges. Theatrical library, museum and the first magazine take their beginning from the artistic association "Berezil". The contemporary artists to this day turn to the experimental searches of Les Kurbas who was repressed during the Stalinist period.
The 2008/2009 season saw him as Deputy Artistic Director and Dramaturge of the Janáček Opera of the National Theatre Brno, in 2009–2011 he was Artistic Director of the Janáček Opera and a member of the Programme Board of the International Festival Janáček Brno.Markéta Stulírová, In 2011–2013 he was Artistic Director of the Prague State Opera, which is from 2012 affiliated with the National Opera in Prague. In 2013–2019 he was Artistic Director of the Slovenian National Opera in his hometown Ljubljana. Rocc works as Docent of opera acting at the Academy of Music in Ljubljana and he has been a member of professional juries at international singing competitions.
From 1982–1988 Hanna Hartman studied literature and theatre history at the University of Stockholm, 1989–1991 she studied interactive media at the Dramatiska Institutet (national college of film, theatre, radio and interactive media) in Stockholm, and 1992 at EMS (Elektronmusikstudion), also in Stockholm. Since 1991 she has been working as a freelance employee at the Swedish, Danish and German radio, whereby she was working as dramaturge at the department for radio play at the Swedish Radio in 1996. In 1998 she moved her own studio to Copenhagen, later (in 2000) to Berlin. In 2008/2009 Hanna Hartman was „Composer in Residence“ at the Swedish radio. 2010 she got a scholarship at „Villa Aurora“ in Los Angeles (USA).
In the same year he composed Musik für Streicher (Music for strings), his first work including twelve-tone technique and a new organisation of sound processes in levels ("flächig)". In 1970, Zimmermann became dramaturge of the Staatsoper Dresden. In 1978 he was appointed professor of composition at the Dresdnen Musikhochschule, where he had lectured from 1976. As a conductor, he was invited by major orchestras such as the Berlin Philharmonic, Vienna Symphony, Staatskapelle Dresden, Gewandhausorchester in Leipzig, Orchestre de Radio France in Paris, Tonhalle Orchestra in Zurich, Concertgebouw Orchestra in Amsterdam, Bavarian Radio Symphony Orchestra, NDR Symphony Orchestra in Hamburg, Prague Radio Symphony Orchestra, Warsaw Philharmonic, MDR Symphony Orchestra, and the Berlin Radio Symphony Orchestra.
Dramaturge and university professor Predrag Perišić said that someone "ripped out the flowers and planted concrete" and that "it is a rare case that one urban complex, after the reconstruction and lots of resources spent on it, looks worse than before". Architect Zdravko Zdravković criticized the city government in general for hiring only the architects of the same mind, ignoring all the other professions which participate in the urban development. He added that after the reconstruction Cvetni Trg completely lost its function and was transformed into the "barren, empty space", but that "failures, luckily, can be repaired". Despite the public outcry, mayor Mali said that the new square is “probably the most beautiful in Belgrade”.
Though there are unmistakable elements of Chinese music, the music of this ballet was performed with basically a Western symphony orchestra. It was written as a collaboration, with music by Du Mingxin, Wu Zuqiang, Wang Yanqiao, Shi Wanchun and Dai Hongcheng, and choreography by Li Chengxiang, Jiang Zuhui and Wang Xixian. On 25 December 2015 Chinese Choreographer WEN Hui, the German Director and Dramaturge Kai Tuchmann, and the author ZHUANG Jiayun premiered their work RED at the Power Station of Art in Shanghai. RED is a reinterpretation of The Red Detachment of Women and it analyses this model opera/ballet as a politico-cultural symbol that became part of the collective consciousness during the Cultural Revolution.
Carlo Maria Maggi, great dramaturge, at the end of the 17th century definitively codifies the writing of Milanese dialect introducing French oeu, so founding the classical Milanese orthography that will be retouched in the centuries till the present version of Circolo Filologico Milanese. At the end of the 18th century you assist at some changing in the linguistic structures, such as the abolition of no (meaning "not") preposed to the verb, on behalf of postposed nò or minga, or the abolishing of past perfect, which you can yet find in Balestrieri and in Maggi. Bosinada is a poetic form of popular composition, written in Insubric on loose sheets, told by storytellers (bositt, sing. bosin) and with often satyric contents.
Dale T. Davis is an American writer, educator, publisher, producer, scholar, dramaturge, and advocate for young people. She was one of the founding poets of the "New York State Poets in the Schools" program. As a publisher, she established The Sigma Foundation, a limited edition, private press with Dr. James Sibley Watson, Jr. avant-garde filmmaker and publisher and editor of The Dial magazine, the leading modernist journal of arts and letters. The Sigma Foundation published the work of Margaret Caroline Anderson, Mina Loy, and Djuna Barnes. The Sigma Foundation’s books are in many permanent collections, including The Collection of American Literature, Beinecke Library, Yale University and The Collection of American Women, Smith College.
The play was performed at London's Royal National Theatre beginning in April 2009, directed by Rufus Norris, with choreography by Javier de Frutos and starring Lucian Msamati. The play was also staged by the St. Louis Black Repertory Theater February 2008, directed by Olusegun Ojewuyi, who has been dramaturge for the Oregon Shakespeare's production. It was performed at the Oregon Shakespeare Festival from February 14 to July 5, 2009 as well. A Yoruba translation Iku Olokun Esin was also performed at the National Theater, Lagos Nigeria, directed by Olusegun Ojewuyi (thus making him the first and only director to have staged the play in both English and in Yoruba – the language and culture of the play).
Del Monte also set himself apart by his fundamental work in the organizing and correspondence of literary circles. Romanticism matured in Cuba due to one figure with continental status whose poetic works broke with Spanish-language tradition (including that of classical Greece), dominated then by varying levels of neoclassicism. José María Heredia was born in Santiago de Cuba in 1803 and died in Toluca, Mexico in 1839, and besides being the first great Romantic poet and Cuban exile, he was an essayist and dramaturge. He founded the critical and literary newspaper El Iris in 1826 together with the Italians Claudio Linati and Florencio Galli. He also founded two magazines: Miscelánea (1829–1832) and La Minerva (1834).
Fedor Ozep or Fyodor Otsep (, Fyodor Aleksandrovich Otsep; February 9, 1895 – June 20, 1949) was a Russian-American film director and screenwriter, born in Moscow. An important early writer on film and film theory, he served as dramaturge for the Mezhrabpomfilm-Rus company and wrote a number of films for directors such as V.I. Pudovkin and Yakov Protazanov before turning to directing in 1926. During the production of The Living Corpse in Germany, he decided to remain and worked throughout Europe during the 1930s, enjoying international acclaim for films including The Murderer Dimitri Karamazov and Amok. With the advent of World War II he moved to Hollywood but was unable to establish a career there, directing only one film.
Pavel Anděl (born 1966, Cheb, Czechoslovakia (now Czech Republic)) is a Czech actor, musician, writer, dramaturge, and television presenter. He graduated from the grammar school in Cheb. After graduating from briefly acting at DAMU at the Academy of Performing Arts in Prague, he started to act at the Příbramský theater, and after five years, he performed in the Usti Drama Studio. With moderating, he began on radio Evropa 2, about three years later, he worked in Prima Televize, where he worked on the preparation of the show S.O.S.. From 1998 to 2009, prepared jointly with the editor Jan Kratochvil of ČT2 their own show Noc s Andělem, thanks to which he gained a certain notoriety.
He now took an uncharacteristically low-profile job as a head of casting with the Tobis Film company, where his principal tasks involved "preparatory work" for films produced by Emil Jannings. From 1941 Ihering was able to publish several actors' biographies in Germany. In 1942 he was summoned to Vienna to work with Lothar Müthel at the Burgtheater. Ihering's published work and his activities as a dramaturge during the Nazi years have damaged his reputation considerably. After the war ended in May 1945 he moved the focus of his work to the Soviet occupation zone (after 1949 the German Democratic Republic), attracting condemnation from some who made different choices: the theatre critic Hans Sahl wrote of him as "zweimal gleichgeschalteten Ihering" (loosely: "two times similarly connected Ihering").
Carla Blank is an American writer, editor, educator, choreographer, and dramaturge. Based in the San Francisco Bay Area, for more than four decades she has been a performer, director, and teacher of dance and theater, particularly involved with youth and community arts projects. Blank is editorial director of the Ishmael Reed Publishing Company, and has also lectured at such educational institutions as the University of California–Berkeley, Dartmouth College, and the University of Washington. She has written and edited a number of books, including Rediscovering America: The Making of Multicultural America, 1900–2000 (2003), Pow-Wow: Charting the Fault Lines in the American Experience, Short Fiction, From Then to Now (2009), and Storming the Old Boys’ Citadel: Two Pioneer Women Architects of Nineteenth Century North America (2014).
Palmira Bastos's debut as an actress took place on 18 July 1890 at the Teatro da Rua dos Condes, when she received an ovation for her performance. She continued to perform there for several years, in 1893 having her first starring role and making the first of eleven tours to Brazil. In 1894 she moved to the Teatro da Trindade, which was managed by the dramaturge and impresario, António de Sousa Bastos, who had given her her first role in 1890. She married Sousa Bastos, 30 years her elder, in 1894 and they had two daughters. Between 1900 and 1903 she performed at Teatro Avenida and in April 1904, she made her debut at the D. Maria II National Theatre in Lisbon.
Franck Chartier directed Vader, with Gabriela Carrizo working alongside him as directorial assistant and dramaturge. The piece is set in the visiting area of a retirement home, whose towering walls accentuate the fact that the action takes place deep underground. At the centre of this netherworld, somewhere between the world of the living and the dead, stands the figure of the father, who seems to be distancing himself gradually from the human community. His fading is drawn, not from the story of one individual, but from the mythology of the father, and in scenes that explode into action, and just as suddenly stop, this figure appears at once as God-like and ridiculous, as possessed of a rich mental life, and as disconnected, decaying, empty.
Welisch was born in Vienna. He studied history and literature at the University of Vienna followed by studies in art history and archeology at the University of Munich where he received his doctorate in 1898. In 1901 he published a book on the painters of Augsburg during the Baroque and Roccoco eras, but then turned his activity to the theatre. He had settled in Berlin in 1900 and from 1904 worked as a director and dramaturge in various Berlin theatres, beginning with the Lessing Theater. He went on to work at the in 1905, the Neues Schauspielhaus where he was the head director from 1905 to 1911, and finally the Komödienhaus where he was the deputy head director from 1913 to 1922.
He also had a recurring roles as Russ Hathaway in the Canadian drama series Da Vinci's Inquest, as Mr. Parkman in Pasadena, Dr. Charles Burks in The X Files, and Dr. Veet in the film, Absolute Zero. Bill Dow has played many other guest star and recurring roles in a variety of television series such as Kyle XY and feature films, and has directed several award-winning theater productions for the Vancouver Playhouse where he was Artistic Associate for many years. As an actor Dow has performed many lead roles, including a 2004 Jessie Award-winning performance as Martin Dysart in Peter Shaffer's Equus. He served as associate artistic director at the Blyth Festival and the Belfry Theatre, and resident dramaturge at the Banff Playwrights Colony.
He completed his studies in Berlin, and took the degree of doctor juris in Königsberg. His political views continued to stand in the way of his career, and Gottschall gave up the law to devote himself entirely to literature. He met with immediate success, and beginning as a dramaturge in Königsberg with Der Blinde von Alcala (1846) and Lord Byron in Italien (1847), he went on to Hamburg where he occupied a similar position. His political and social sympathies with the revolutionary movement of 1848 were shown in the dramas Wiener Immortellen (1848), Lambertine von Méricourt (1850), and Ferdinand von Schill (1851), as well as in his first collection of poems, Gedichte (1850), and in a lyric epic, Die Göttin, ein hohes Lied vom Weibe (1853).
In 1993, Kochar founded AITN (Armenian International Television Network) in US, ARPI daily cultural TV program airing in Los Angeles since 1992 and ARPI Video and Film Production in 1998. In 2003 he founded Kochar Cultural Foundation, which aims to promote Armenian culture around the world, producing documentaries, organizing art exhibitions, screenings and various cultural events. In 2009 Kochar staged Son of Faith, a theatrical drama (by Western Armenian dramaturge Manuel Atamian), which premiered at Sundukyan State Academic Theatre in Yerevan, Armenia and later performed in Stepanakert, Artsakh, London, UK and other diaspora communities. In 2015 he was invited to Yerevan Opera Theatre as a stage director by the artistic director of the theatre at that period, world-famous tenor Gegham Grigoryan.
Dramaturgy is a comprehensive exploration of the context in which the play resides. The dramaturge is the resident expert on the physical, social, political, and economic environment in which the action takes place, the psychological underpinnings of the characters, the various metaphorical expressions in the play of thematic concerns; as well as on the technical consideration of the play as a piece of writing: structure, rhythm, flow, even individual word choices.Terry McCabe. Mis-Directing the Play: An Argument Against Contemporary Theatre. p. 64. Institutional dramaturges may participate in many phases of play production including casting of the play, offering in- house criticism of productions-in-progress, and informing the director, the cast, and the audience about a play’s history and its current importance.
In the 1970s, Wilson's plays fell from favour with theatre producers who were looking for more commercial projects. Wilson was successful with screenplays and teleplays in the 1970s, including Sunday for Seven Days (1971), The Good Life (1971), More About the Universe (1972), Swamp Music (1973), The Barium Meal (1974), The Trip to Jerusalem (1974), Don't Make Waves (1975) and A Greenish Man (1979). In 1975 and 1976, he was dramaturge to the Royal Shakespeare Company (RSC), and in 1976 he married the journalist Ann McFerran, a theatre critic, with whom he had two sons, Patrick and David, and a daughter, Jo. In the same year, he became script editor of the BBC television anthology drama series, Play for Today.
1898–1908, propelled by a troupe that included Aristide Demetriade, Aristizza Romanescu, Velimir Maximilian and Constantin Nottara. As a dramaturge, he increased the repertoire with numerous but unequal translations, beginning with verse drama by William Shakespeare; this work later led him to contribute translations of Western European prose, in which he was prolific. Lecca also worked directly with the actors, as director of his and others' plays, and sometimes even took up roles on the stage; both his own performance and his insistence on method acting by others were often repudiated or ridiculed. His conflicts with actors and managers resulted in his sacking from Iași National Theater, and then his banishment from the National Theater Bucharest, leaving him to seek work with private companies.
Among other theatrical organizations, the most famous one was founded in 1920 and was called Shoqnija Zonja Ndihmëtare, which prepared its own plays also followed by a group of singers or choir. The evidences support the facts that Lazër Lumezi was the dramaturge for most of this organization's plays. One of such plays was the romantic play Gjenovefa e Brabanit (Brabani's Genovefa), which was inspired by the novel of Christopher Schmidt and showed vast success. Other plays performed by this organization were Gjykimi I të pafajit (The innocent's Trial), Otavi dhe Silvestri (Otav and Silverster), Bardhi dhe Ferdinandi (Bardh and Ferdinand), Nato (Nato), Nata e Kshnellash (Christmas Night), Zefi I njoftun (The famous Zef), Barinjtë e Betlemit (Bethlehem's Shepherds), Dredhite a Shaptukut (Shaptuk's Dogdes), and Makaronat e Shejtanit (The Devil's Macaroni).
Jennifer Wynne Webber (born in Ottawa, Ontario) is a Canadian writer, actor, dramaturge, journalist, and television producer currently living and working on Vancouver Island, British Columbia. Her most well-known work to date is her play With Glowing Hearts: How Ordinary Women Worked Together to Change the World (And Did) about Canadian miners' wives in Kirkland Lake, Ontario who were galvanized into becoming labour activists. Their role in the labour strike of 1941–1942 was crucial in changing Canadian labour laws to require employers to recognize and bargain with unions. Originally, the play was commissioned in 2016 by Elizabeth Quinlan at the University of Saskatchewan to create an original work based on the role of women in Canada's labour movement, which was one of Quinlan's areas of research.
In 2002 the Universidad Nacional Autónoma de México (UNAM) published, in "Voz Viva" series, the CD- book Antología de teatro (Anthologie of Theatre), with selections from plays of Maruxa Vilalta in the voice of the author and in published texts. The same year, the Sociedad General de Escritores de México publishes three plays from this dramaturge in the CD Cien años de teatro mexicano (One Hundred Years of Mexican Theater). In November 2003 Fondo de Cultura Económica published Antología de obras de teatro de Maruxa Vilalta (Anthology of Theatrical Works by Maruxa Vilalta) in its collection, Letras Mexicanas. Fondo de Cultura Económica published several plays by Vilalta in the collections Teatro I (1972, fourth edition 1997), Teatro II (1989, second edition 1992) and Teatro III (1990, third edition 1994).
His dissertation concerned "the problem of Tragedy [in the work of] Gerhart Hauptmann" ("Das Problem der Tragik bei Gerhart Hauptmann"). There followed several "Journeyman years" which took him to Paris, Berlin, Rome and Paris, working variously as a salesman, a journalist and a private tutor. He worked between 1926 and 1928 as a dramaturge and producer at the "Theater in der Klosterstraße" on the edge of Berlin and then settled for a further year in Vienna where he supported himself through writing. Returning to Switzerland, he premiered several of his own light dramas and comedies, such as "Du kannst mich nicht verlassen" ("You can't leave me"), at the Zurich Playhouse ("Schauspielhaus"), where he also staged "Bei Kerzenlicht" ("By candlelight") by Siegfried Geyer and "Reiner Tisch" ("Spring Cleaning") by Frederick Lonsdale.
Herbert Ihering (1946) Herbert Ihering (also sometimes Herbert Jhering: 29 February 1888 - 15 January 1977) was seen by many contemporaries as one of the leading German theatre critics during and after the Weimar years. He was one of the earliest supporters in print of Bertolt Brecht, which formed one basis for a long period of very public disagreement - which sometimes degenerating into journalistic feuding - with Alfred Kerr. Later Ihering incurred the enmity of the dramatist Klaus Mann, who was widely believed to have incorporated Ihering in his novel "Mephisto" as the opportunistic theatre critic and gossip Dr Ihrig (in later editions Dr. Radig). Although chiefly remembered for his work as a theatre (and film) critic, Ihering also published other forms of writing, and took jobs inside the theatre, working as a dramaturge and in other supportive positions.
The modern definition of dramaturge is often debated as to what specific tasks this job does, with some defining it as the bridge between the director and the actors, others defining it as one who determines the meaning of plays and shows for the actors, and others claiming that even they don't quite have a complete definition for their job. This discrepancy between dramaturgies is likely due to the lack of an official historical definition, and the wide variety of tasks that dramaturgies could be asked to work on, depending on the theatre, director, the show being produced, and the actors. Since Gotthold Ephraim Lessing didn't create an official definition for his own position at the Hamburg National Theatre, modern dramaturgies have to infer their tasks based on what Lessing did during his career, and adapt to the current needs of modern theatre.
The idea for The Marriage of Maria Braun can be traced to the collaboration of Rainer Werner Fassbinder and Alexander Kluge on the unrealized television project The Marriage of our Parents (Die Ehen unserer Eltern), which was developed after the critical success of the omnibus film Germany in Autumn. Fassbinder worked on a draft screenplay together with Klaus-Dieter Lang and Kurt Raab and presented it in the early summer of 1977 to his longtime collaborator Peter Märthesheimer, who at that time was working as a dramaturge at the Bavaria Film Studios. In August 1977, Märthesheimer and his partner Pea Fröhlich, a professor of psychology and pedagogics, were commissioned to write a screenplay based on the draft together. Although it was Märthesheimer's and Fröhlich's first screenplay their knowledge of Fassbinder's works allowed them to match the screenplay to the characteristic style and structure of Fassbinder's other works.
Lebensgeschichten von Frauen schreibender Männer, Frankfurt/Main 1990, , darin pp.149–187: Liselotte Zoff. Eine kleine Öffnung zum Licht. During the First World War Zoff moved to Berlin where he wrote for various newspapers and magazines, including the Berliner Tageblatt, the Berliner Börsen-Courier, Neue Rundschau, März and Wieland. Along with that, during 1916/17 he was employed as an editor with the publisher S. Fischer Verlag. In 1917 he took a job as a dramaturge in Munich at the Munich Kammerspiele (theatre) where between 1919 and 1923 he was deputy theatre director. His literary career also continued to flourish, with the novel "Der Winterrock" ("The winter skirt") published in 1919. He also enjoyed great success during the early 1920s with stage adaptations of literary works, a notable example being a liberal reworking of von Eichendorff's "Die Freier" ("The suitors"), which was staged by almost a hundred theatres.
She obtained her dramaturgy degree in 1975 at the Faculty of Dramatic Arts in Belgrade. As an advocate of a common Yugoslav cultural milieu she has undertaken research into the cultural history and theological common law in multinational and/or multiconfessional regions of Croatia, Slovenia and Kosovo within former Yugoslavia: Dubrovnik (1976-1980), Perast (1981), Dečani (1985-1989), Tacen (1982-1985), Povlja (1985), Poljica (1986-1990), Zjum (1990). She was active as a dramaturge in the following key alternative and informal theatre and film groups in former Yugoslavia: KPGT (1980-1990), Art-film (1981-1983), Nova osećajnost (1984-1985), Preduzeće za pozorišne poslove (1992). She edited the following alternative research collections focused on literary history and published in “Književnost” journal: Sava Mrkalj (1984), St. Sava and Hilandar (1988), Vatroslav Jagić (1990). She also founded the following alternative theatres that operated as 'neighborhood theatres' in ghettoized communities, in places with no previous history of theatre performances: :1985: "Performative Children's Street Theater" („Performativno ulično dečije pozorište”) in Skadarlija, the bohemian artists' venue teeming with restaurants in downtown Belgrade.
After the fall of Hitler, Hartmann was one of the few prominent surviving anti-fascists in Bavaria whom the postwar Allied administration could appoint to a position of responsibility. In 1945, he became a dramaturge at the Bavarian State Opera and there, as one of the few internationally recognized figures who had survived untainted by any collaboration with the Nazi regime, he became a vital figure in the rebuilding of (West) German musical life. Perhaps his most notable achievement was the Musica Viva concert series, which he founded and ran for the rest of his life in Munich. Beginning in November 1945, the concerts reintroduced the German public to 20th-century repertoire, which had been banned since 1933 under National Socialist aesthetic policy. Hartmann also provided a platform for the music of young composers in the late 1940s and early 1950s, helping to establish such figures as Hans Werner Henze, Luigi Nono, Luigi Dallapiccola, Carl Orff, Iannis Xenakis, Olivier Messiaen, Luciano Berio, Bernd Alois Zimmermann and many others.
An independent candidate in the precinct of Ilfov, he lost, polling only 326 votes.Bacalbașa IV, p. 13 Having served as vice president of the Romanian Writers' Society in its original avatar of 1908, Victor Durnea, "Societatea scriitorilor români", in Dacia Literară, Nr. 2/2008 Ranetti was elected (April 6, 1911) on the first Steering Committee of the Romanian Theatrical Society, alongside George Diamandy, A. de Herz, Paul Gusty and Radu D. Rosetti."Cronică dramatică. Societatea autorilor dramatici", in Tribuna, April 11, 1911, p. 6 During May 1911, he and C. Bacalbașa left for London, where they were to cover the coronation of George V.Bacalbașa IV, pp. 33–34 Later that summer, Ranetti and Eftimiu traveled into Transylvania, Austria-Hungary, where they witnessed aerial shows by the Romanian aviation pioneer, Aurel Vlaicu, and met with a visiting Caragiale.Eftimiu, pp. 442–443, 473 On their way to the ASTRA celebrations of Blaj, they took the "derelict car" of Andrei Popovici, a Transylvanian volunteer in the Second Boer War. By 1913, Ranetti had returned to his work as a dramaturge, adapting Paul Gavault's L'idée de Françoise.

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