61 Sentences With "ribaldry" | Random Sentence Generator

In the end, the ribaldry seemed to stay all in good fun, revelers reported.

The wattage of ribaldry and verbal dexterity around the table was enough to electrify all of Manhattan.

CROSS-DRESSING, undressing, bad taste and ribaldry are features of every Brazilian Carnival (this year's begins on February 24th).

If Trump was hoping that bit of ribaldry at his expense would eventually fade over time, he was wrong.

The series is broken up by subjects, and Part 1 on Thursday night is devoted to ribaldry and raunchiness.

You won't find much ribaldry in this Damon Gulczynski grid, but there's enough interesting cluing to make the game worthwhile.

He was horrified by the carnival atmosphere of the hanging, where he saw only "ribaldry, debauchery, levity, drunkenness and flaunting vice in 50 other shapes".

That bearing puts Mr. Williams, a poet, roughly in common with David Murray, the eminent tenor saxophonist whose warbling style is equal parts ribaldry and pique.

During carnival (Purim is the Jewish version), men dressed like women, the people could insult the king and bishops, drunkenness and ribaldry was prized over sober propriety.

But there's a theme beneath the ribaldry, one that may leave you pondering just how much you really know about that person sitting or sleeping next to you.

What for centuries was merely mild ribaldry now touches hot-button issues: the question of women's sexual self-rule and the problem of male paranoia passed off as pleasantry.

I was in Pat Summerall's extraordinarily messy hotel room before the Super Bowl in 1992 when he confessed to fascinating feats of ribaldry and told me I was free to write it all.

The term can conjure up images of the dramatic landscapes of Upper Bavaria or the rolling hills of the Rhineland but it can also evoke the ribaldry of drunken crowds in traditional lederhosen or dirndl dresses at Munich's Oktoberfest.

But I much prefer the three books that came before these and propose them as his finest and truest work: "Patrimony" — a heartbreaking memoir of his father; "Operation Shylock" — witty, brilliant, complex and political; "Sabbath's Theater" — brimming with ribaldry, fury and tenderness.

For all its ribaldry and banter — including some fairly cheesy jokes at the expense of the German language — the world is clearly pressing in on the illiterate and impoverished Woyzeck, who has a partner, Marie (Sarah Greene), and a newborn child, but who cannot find peace.

Rough Night is at first very careful about the laughs it chooses to mine out of its dead-body humor, and for a while the film dials back the raunch and ribaldry as the women struggle to deal with the dead stripper lying in the middle of the borrowed house they're staying in (which, in a nice touch, happens to be made almost entirely of floor-to-ceiling windows).

However, the pilgrims—aware of pardoners' notoriety for telling lewd tales and in anticipation of hearing something objectionable—voice their desire for no ribaldry, but instead want a moral tale.

They are usually considered closest in form to British broadside ballads and in terms of style are largely indistinguishable, however, they demonstrate a particular concern with occupations, journalistic style and often lack the ribaldry of British broadside ballads.

Music critic Michael Kolawole said Brymo's music has doses of "profanity couched in intellectualism and philosophical thoughts". Michael also characterized Brymo's music as "affirmations of deep-rooted personal ideology, enigmatic and beautiful lyrical poetry, equations of balanced ribaldry and cheekiness".

As of 2013, he continued to publish books in the series. Since 1999, Clive Murphy has published ten books of gay, often comic, ribaldry. The tenth, To Hell with Thomas Bowdler, Mrs Grundy and Mary Whitehouse!, was published in 2015.

The Washington Post. B15. Kevin Thomas of the Los Angeles Times wrote, "As is inevitable in such undertakings there are some sophomoric moments, but on the whole 'Kentucky Fried Movie' is, amazingly enough, almost continually funny in its ribald way."Thomas, Kevin (August 11, 1977). "'Kentucky Fried' Ribaldry".

88 and, to a lesser extent, Leopold Bloom. Mulligan is an avid classicist and espouses the belief that Ireland ought to be "Hellenized".Ulysses, p. 7 His speeches contain a barrage of quotations from poets (notably Swinburne and Whitman), popular songs, and self-composed lines of parody and ribaldry.

Part IV, p. 9. Gary Arnold of The Washington Post wrote that the film "struggles to justify itself as something more than a pale copy [of the original] by resorting to exaggerated displays of ribaldry and lovability."Arnold, Gary (August 4, 1977). "'Breaking Training: The Latest News From the Bad News Bears".

His performances were highly regarded by some critics.Smith, Ethan, "In The Book of Liz: Sibling ribaldry", The Village Voice, March 27, 2001. Retrieved January 20, 2010. See also "Theatre Guide", The New York Times, April 6, 2001, and "Review: The courage to accept that life is a cheese ball", The New York Times, March 28, 2001 (January 20, 2010).

The Chicago Reader called Koch's script "derivative and forgettable" but praised the performance of Bethany Thomas as Barth. Time Out Chicago was also impressed with Thomas's acting, but criticized the script as slight. The Windy City Times found the score unoriginal and the ribaldry of the jokes tame by 21st century standards, but recommended the show for its humor.

Brooks Atkinson, theatre critic for The New York Times wrote that the musical "manages to pack most of the madness, ribaldry, bounce and comic loose ends of giddy Manhattan into a lively musical." As for Porter's songs, "most ... hold well to the average of song-and-dance scores." Atkinson, Brooks. "The Play: Gilded Gotham", The New York Times, December 9, 1930, p.

Sheikh Riza Talabani () (1835–1910), a celebrated Kurdish poet from Kirkuk, Iraq. Talabani wrote his poetry in Kurdish , Persian, and Arabic. Most of his poetry consist of Satire, Ribaldry, Flyting and creative insults. The poet in one of his famous poems recalled his childhood in the Kurdish Emirate of Baban before it was ruled by either the Persians or the Ottomans.

Seventy-eight letters from Pushkin to Natalia remain; they are frequently written in a light-hearted tone with touches of ribaldry, but none of them could be called love letters. It is believed that the poet dedicated several poems to her, including "Madonna" (1830). Natalya's correspondence with Pushkin was lost except for one letter, written together with her mother Natalia Ivanovna.

Sify wrote, "Action King Arjun’s maiden directorial Vedham is sleep inducing. Arjun should stick to patriotism, guns and scantly clad girls dancing in ribaldry. But here he wants to experiment with the idea – “To be in love for ever” but ends up making an insufferable film that leaves you with a migraine'. The Hindu wrote, "Generally it is patriotism that is the underlying theme of Arjun's films.

"Allen was an ignorant and profane Deist, who died with a mind replete with horror and despair" was the opinion of Newark, New Jersey's Reverend Uzal Ogden. Yale's Timothy Dwight expressed satisfaction that the world no longer had to deal with a man of "peremptoriness and effrontery, rudeness and ribaldry". It is not recorded what New York Governor Clinton's reaction was to the news.

"A fine line can exist between elitism and racism," he said. "On matters concerning language and culture, the distinction can sometimes cease to exist altogether." Kingsley Amis took offence to the book in his The King's English. In a section on "Four-letter Words", Amis contests that "The thinning-out of spoken ribaldry" is a bad thing for the worlds of literature, art, comedy, and culture.

Farber 2000, p. 90. Another source may be Aesop's Fables as published by William Caxton—scholar John MacQueen considers this more likely than Disciplina clericalis—although the tale itself is not Aesopic but rather of the beast fable (also beast-epic) genre.MacQueen 2006, p. 175. The plots of such works are more complicated than their Aesopic counterpart, tend more towards ribaldry, and feature the fox making a victim of the wolf.

The topics discussed are entirely scatological, notably flatulence and sex. 1601 was, according to Edward Wagenknecht, "the most famous piece of pornography in American literature.",p. 56 "As Franklin Meine pointed out, Edward Wagenknecht misleadingly called it 'the most famous piece of pornography in American literature.'" However, it was more ribaldry than pornography; its content was more in the nature of irreverent and vulgar comedic shock than obscenity for sexual arousal.

Before the 1930s, Western lifestyle and western art had put pressure on the traditional Turkish formats which were marginalized. The operetta, the tango and later the charleston, and the foxtrot overshadowed kanto. Kanto's popularity began to fade, the centers of entertainment shifted and the theaters of Galata and Direklerarası were eventually closed. Turkish female artists who were not receptive to kanto's typical ribaldry chose to turn away from it.

National Lampoon Gentleman's Bathroom Companion II was a humorous book that was first published in 1977. It was a spin-off from National Lampoon magazine and a follow-up to the National Lampoon The Gentleman's Bathroom Companion. The pieces in the book were created by the National Lampoon's regular contributors. A description (or possibly a subtitle) on the cover reads: > A Miscellany, Risque, of Choice Selections from the Bounteous Ribaldry of > the Monthly National Lampoon.

Additionally, the medieval church also found use for the fabliau form. Noting its popularity, the church turned to their own form of minstrelsy similar to the fabliau that espoused "worthy thoughts" rather than the "ribaldry" a more typical fabliau would couch its moral in. When the fabliau gradually disappeared, at the beginning of the 16th century, it was replaced by the prose short story, which was greatly influenced by its predecessor.Balachov 30.

Clarke considered that a saboteur should carry the device hidden in the legs of trousers. Despite the inevitable ribaldry, this was the method he taught to his students. The detonating mechanism was known as the 'altimeter switch' or 'aero switch'. The altimeter switch was extensively used by the OSS, who distributed it to Chinese forces, especially those in Chungking, where it was used to assassinate Dai Li, the widely hated head of the Kuomintang (KMT) secret police.

Adult entertainment is entertainment intended to be viewed by adults only, and distinguished from family entertainment. The style of adult entertainment may be ribaldry or bawdry. Any entertainment that normally includes sexual content qualifies as adult entertainment, including sex channels for television and pre-paid sex movies for "on demand", as well as adult movie theaters, sex shops, and strip clubs. It also includes sex-oriented men's magazines, sex movies, sex toys and fetish and BDSM paraphernalia.

A distinction is often made between erotica and pornography (as well as the lesser-known genre of sexual entertainment, ribaldry), although some viewers may not distinguish between them. A key distinction, some have argued, is that pornography's objective is the graphic depiction of sexually explicit scenes, while erotica "seeks to tell a story that involves sexual themes" that include a more plausible depiction of human sexuality than in pornography."Erotica Is Not Pornography". William J. Gehrke.

He was apprenticed to the stable of Mr Flintoff in Hednesford while in his teens. There, he earned the nickname 'Tiny' on account of his small stature, even though he eventually became one of the tallest jockeys in the weighing room. He was also known as 'Brusher', but it is not known where this nickname came from. His first victory came in 1848 in the Birmingham Stakes at the now defunct Walsall Racecourse on a horse called Ribaldry.

Thomas warns Henry that Jennie is an intelligent girl, but this fails to discourage Henry. Thomas reprimands him for his ribaldry and reminds him that it is the King's responsibility to leave the world a better place. Henry prefers to be remembered as a (Man Of Love). Theobold, Archbishop of Canterbury, challenges Thomas' inability to reform Henry's ways, which leads to a discussion between Henry and Thomas as to the true nature of love (The Question).

Supernova Heights is a house on Steele's Road in the Belsize Park district of the London Borough of Camden. The house was occupied by the musician and songwriter Noel Gallagher of the rock band Oasis and his wife Meg Mathews between 1997 and 1999 and became renowned as the scene of social gatherings and narcotic induced ribaldry among celebrities and the Primrose Hill set. Gallagher bought the house on Steele's Road in early 1997, and owned it for two and a half years.Collins, p.

He was a conspicuous example of pith and vivacity at a time when a dry dignity was beginning to be exacted of preachers as a virtue. Jonathan Swift, who admits his ability, unjustly taxes him with mixing unction with ‘incoherence and ribaldry'. Tom Brown, who takes his Indian to Russell Court, deals chiefly with the congregation, but his hint of Burgess's ‘pop-gun way of delivery’ is in harmony with his style of composition. It is full of epigram, terse, quaint, clear, and never meaningless or dull.

Clean comedy is a comedy genre that is generally free of ribaldry: racism, rape jokes, pejoratives, profanity, obscenity, incest, illicit drugs, off- color humor, toilet humor, explicitly sexual content, and similarly objectionable material. Comedians may try to circumvent clean-comedy restrictions by using innuendos, euphemisms, doublespeak, double entendres, and gender-neutral language. Clean comedy is not necessarily unprovocative. Clean comedy is considered by some to be a higher form of comedy than bits that rely on the shock of profanity or sexual content to elicit laughs.

A public subscription was raised to raise money for James Byrne, whose 1811 conviction was now recognised as a miscarriage of justice. Jocelyn was the most senior British churchman to be involved in a public homosexual scandal in the 19th century. It became a subject of satire and popular ribaldry, resulting in more than a dozen illustrated satirical cartoons, pamphlets, and limericks, such as: :The Devil to prove the Church was a farce :Went out to fish for a Bugger. :He baited his hook with a Soldier's arse :And pulled up the Bishop of Clogher.

Simon Bird was praised by critics for his performance. On review aggregator Rotten Tomatoes, the film has an approval rating of 53% based on 51 reviews, with an average rating of 5.3/10. The website's critical consensus reads, "It arguably plays most strongly to fans of the British series, but even viewers who have never seen The Inbetweeners on TV may find themselves won over by the film's surprisingly tender ribaldry." On Metacritic, the film has a weighted average score of 44 out of 100, based on 17 critics, indicating "mixed or average reviews".

Surprise sails eastbound from Port Jackson in New South Wales. Jack Aubrey is in an ill- humour as a result of the frigate's visit to the abysmal penal settlement – firstly, because Stephen Maturin's duel with an army officer antagonized the local administration until the governor returned, and secondly because Padeen Colman, Maturin's servant and an absconder, was rescued against Aubrey's wishes. Aubrey observes ribaldry amongst his crew and remains puzzled until he and Pullings find a young female convict, Clarissa Harvill, during the ship's inspection. She was smuggled aboard in Sydney Cove by Midshipman Oakes.

In regard to the same matter, Herbert addressed a 21 October letter to Edward Knight, the "book-keeper" or prompter of the King's Men, on the subject of "oaths, profaneness, and public ribaldry" in the company's plays.Halliday, p. 268. Herbert's reaction to the play, which may have been caused by accusations of leniency from his superiors, specifically the Archbishop of Canterbury, William Laud, caused tension between the acting companies and the censor. Herbert's intervention in the performance that day resulted in a greater focus on the re-licensing of old plays that were being revived at the time.

Dylan – vocal; Robertson – guitar; Hudson – organ; Danko – bass, backing vocal; Manuel – drums, backing vocal. The release of this song, which had not previously appeared on any demo tapes or bootlegs, made clear that more basement tracks existed than fans had believed. "The song proposes a romp in that posh Mexican resort, but the heavy spirit is down in Juarez again", writes Shelton, who hears the anguish of Blonde on Blonde return to haunt the "basement proceedings". Heylin comments on its uninhibited sexual innuendo, "featuring the usual debauched narrator, rambunctious harmonies, and euphemistic ribaldry" of what he regards as the best basement songs.

In his teens, Rivero's family moved to the Belgrano neighborhood, in the days where tango developed as a dancing phenomenon, but also as an ever more complex music form under the "ABC" of composers/directors Arolas, Bardi, and Cobián. At the same time, the themes of tango lyrics evolved from light-hearted ribaldry into more complex stories delving on love and manly honor. Rivero learned classic guitar and also trained as a singer; he had a deep bass-baritone voice that was one of his trademarks,Valdes-Socin H, De Herder WW, Beckers A. The acromegalic voice of Tango: Don Edmundo Rivero. J Endocrinol Invest.

His day would begin with matins and then Mass, which he was to receive uninterrupted. After breakfast, the business of educating the prince began with "virtuous learning". Dinner was served from ten in the morning, and then he was to be read "noble stories ... of virtue, honour, cunning, wisdom, and of deeds of worship" but "of nothing that should move or stir him to vice". Perhaps aware of his own vices, the king was keen to safeguard his son's morals, and instructed Rivers to ensure that no one in the prince's household was a habitual "swearer, brawler, backbiter, common hazarder, adulterer, [or user of] words of ribaldry".

In February 2008, a large amount of publicity was generated for a concert at Madison Square Garden's WaMu Theater in New York City featuring Schmeltzer and Shloime Gertner, under the playbill "The Big Event". On 20 February, a full-page notice was printed in the Hamodia, the most prominent Haredi newpaper. The notice stated that it was "a serious prohibition to attend or perform" at the concert which would lead to "ribaldry and lightheadedness" and added that it was "forbidden to hire these singers to sing at any party, celebration or charity event". Following speculation over whether Schmeltzer would cancel the concert due to the ban, on 26 February it was confirmed that he was canceling his performance.

The Iseji makes an appearance in the famous late-Edo Period novel “Tokaido-chu Hizakurige” (東海道中膝栗毛) (available in translation as “Shank’s Mare — Japan’s great comic novel of travel and ribaldry” by Ikku Jippensha, translated by Thomas Satchell). In the novel Edo period travellers are implored to travel at least “Seven times to Ise,Three times to Kumano” in their lifetime. And 18th and 19th century commoners took this to heart. Indeed the two routes to Kumano were split along class lines, the aristocracy mainly taking the Kii-ji routes on the Western side of the Kii Peninsular (Wakayama Prefecture), and commoners take the Iseji route on the Eastern side (Mie Prefecture).

The intermezzo, in the 18th century, was a comic operatic interlude inserted between acts or scenes of an opera seria. These intermezzi could be substantial and complete works themselves, though they were shorter than the opera seria which enclosed them; typically they provided comic relief and dramatic contrast to the tone of the bigger opera around them, and often they used one or more of the stock characters from the opera or from the commedia dell'arte. In this they were the reverse of the Renaissance intermezzo, which usually had a mythological or pastoral subject as a contrast to a main comic play. Often they were of a burlesque nature, and characterized by slapstick comedy, disguises, dialect, and ribaldry.

Laurel and Hardy in the 1939 film The Flying Deuces Toward the end of the 1920s, the introduction of sound into movies made possible dramatic new film styles and the use of verbal humour. During the 1930s, the silent film comedy was replaced by dialogue from film comedians such as W. C. Fields, the Marx Brothers, and Our Gang. Stan Laurel and Oliver Hardy, who had made a number of very popular short silent films, used the arrival of sound to deepen their well-formed screen characterizations and enhance their visual humour, and went on to great success in talking films. The use of sound was used to the advantage for ribaldry for comedians like Mae West.

In February 2008, a large amount of publicity was generated for a concert of 9 March at Madison Square Garden's WaMu Theater in New York City featuring Lipa Schmeltzer and Gertner, under the playbill "The Big Event". On 20 February, a full-page notice of a rabbinical ban was printed in the Hamodia newspaper. The notice stated that it was "a serious prohibition to attend or perform" at the concert which would lead to "ribaldry and lightheadedness" and added that it was "forbidden to hire these singers to sing at any party, celebration or charity event". Gertner and Schmeltzer backed out of the concert within days, after 3,000 tickets had been sold.

Through this Latin translation of the work, the term "Milesian tale" gained currency in the ancient world. Milesian tales quickly gained a reputation for ribaldry: Ovid, in Tristia, contrasts the boldness of Aristides and others with his own Ars Amatoria, for which he was punished by exile. In the dialogue on the kinds of love, Erotes, Lucian of Samosata--if in fact he was the author--praised Aristides in passing, saying that after a day of listening to erotic stories he felt like Aristides, "that enchanting spinner of bawdy yarns". This suggests that the lost Milesiaka had for its framing device Aristides himself, retelling what he had been hearing of the goings-on at Miletus.

179, 252. The Literary Gazette for 19 October 1822 held a similar opinion: > If we do not express our abhorrence of such heartless and beastly ribaldry, > it is because we know no language strong enough to declare the disgust and > contempt which it inspires...We deliver the judgment of Britain when we > assert, that these passages are so revolting to every good feeling, there is > not a gentleman in the country who will not hold their author in contempt as > unworthy of the character of a gentleman.Andrew Rutherford (ed.) Lord Byron: > The Critical Heritage (London: Routledge, 1996) p. 249. Yet some 19th-century readers agreed with Byron's own assessment of it as "One of my best things".

Pablo Picasso, 1921, Head of a woman, pastel on paper, 65.1 x 50.2 cm, Metropolitan Museum of Art, New York In a dramatic case of situational irony, a room at the Salon d'Automne was dedicated to Picasso in 1944. During the crucial years of Cubism, between 1909 and 1914, the dealer Daniel-Henry Kahnweiler forbade Braque and Picasso from exhibiting at both the Salon d'Automne and the Salon des Indépendants. He thought the salons were places of humor and ribaldry, of jokes, laughter and ridicule. Fearing that Cubism would not be taken seriously in such public exhibitions where thousands of spectators would assemble to see new creations, he signed exclusivity contracts with his artists, ensuring that their works could only be shown (and sold) in the privacy of his own gallery.

On 21 October, Herbert addressed a letter to Edward Knight, the "book-keeper" or prompter of the company, on the subject of the "oaths, profaneness, and public ribaldry" in their plays. And on 24 October, John Lowin and Eliard Swanston apologised to Herbert for giving offence. (Joseph Taylor and Robert Benfield were reportedly present at the meeting, but were uninvolved in either the offence or the apology; apparently Swanston and Lowin were in the cast of The Woman's Prize but Benfield and Taylor were not.) After this incident, the King's Men had their old play texts re-examined by Herbert for new productions, something that was previously not required. This meant more fees paid to Herbert. The text of Fletcher's play was repaired adequately by the next month, when the company performed The Taming of the Shrew and The Woman's Prize before the King and Queen at St. James's Palace on 26 and 28 November 1633.