47 Sentences With "bawdy songs" | Random Sentence Generator

They crash fancy weddings and birth ceremonies, singing bawdy songs and leaving with fistfuls of rupees.

And as far as the lyrical content, it's been consistent throughout: irreverent and bawdy songs about Draco Malfoy and about being Slytherin.

" It turned out that only about eight of the 47 members of the rugby team were at the party that night, singing the song in a drunken stupor — the rest were playing in a game in Maryland — and the song itself was not original to U.M.W. but rather was one of those bawdy songs that get passed around from group to group, some of the lyrics of which come from the drinking song "Walking Down Canal Street.

Tammy Jo "Jenny Talia" Bryant has followed in her father's footsteps singing similarly bawdy songs, some of them being reworded Kev songs, but done from a female perspective.

Other wedding traditions, like eating eggs, singing bawdy songs, and throwing grain over the newlyweds were originally intended to secure fertility and prosperity for the couple in the years to come.

Among the pseudonyms used by Vainio were Junnu, Junnu Kaihomieli, Jorma Koski, Ilkka Lähde, Mirja Lähde, Kirsi Sunila and Heikki Ilmari. The name Junnu Kaihomieli was used for Vainio's bawdy songs in the late 1970s.

"Barnacle Bill the Sailor" (Roud 4704) is an American drinking song adapted from "Bollocky Bill the Sailor", a traditional folk song originally titled "Abraham Brown".Cray, Ed. (1992) The Erotic Muse: American Bawdy Songs. University of Illinois.

"Bang Bang Lulu" is a traditional American song with many variations. It derives from older songs most commonly known as "Bang Bang Rosie" in Ireland, "Bang Away Lulu" in Appalachia,Cray, Ed. The Erotic Muse: American Bawdy Songs 2nd ed., p. 173 ff.

122 and 129. In the second revival, erotic folk song was much more accepted as part of the canon of traditional song, helped by the publication of books such as Gershon Legman's, The Horn Book: Studies in Erotic Folklore (1964) and Ed Cray's, The Erotic Muse: American Bawdy Songs, which printed many previously unpublished songs (1968).E. Cray, The Erotic Muse: American Bawdy Songs (Champaign, IL: University of Illinois Press, 1968) and G. Legman, The Horn Book: Studies in Erotic Folklore and Bibliography (New York: University Books, 1964). In England A. L. Lloyd was the key figure in introducing erotic songs to the canon, lecturing and publishing on the subject.

They followed up in 1995 with Bawdy Ballads of Old England. This time only a few of the songs were from D'Urfey's collection. In 2000 Hesperus recorded the album My Thing Is My Own: Bawdy Songs of D'Urfey. In 2007 a 364-page edition of the collection appeared.

Merry Muses of Caledonia 1799 from The G Ross Roy Collection Title Page of The Merry Muses of Caledonia published by The Burns Federation in 1911 The Merry Muses of Caledonia is a collection of bawdy songs said to have been collected or written by Robert Burns, the 18th-century Scottish poet.

William Bernard (fl. 1849+) was a 19th-century sailor, miner and resident of San Francisco, better known as the notorious "Barnacle Bill" of American yore whose fictional exploits are chronicled in the ribald drinking song "Barnacle Bill the Sailor" — itself adapted from "Bollocky Bill the Sailor", a traditional folk song originally titled "Abraham Brown".Cray, Ed (1992). The Erotic Muse: American Bawdy Songs.

Some authors have portrayed Simon as a violent, vulgar and abusive alcoholic who acted brutally toward the child. Others have claimed that, apart from teaching the boy to sing bawdy songs and to "talk the language of the populace and soldiery", he was otherwise well treated. Simon is mentioned in the video game Assassin's Creed Unity as the shoemaker that abused Louis XVII.

A variant of the song, called "Grandpa's Grave", was recorded by the comedian Peter Sellers and included on his 1960 LP with Sophia Loren, Peter & Sophia, as well as on the B-side of the duo's hit single "Goodness Gracious Me". A version of the song was also recorded by Oscar Brand, on his album Bawdy Songs Goes to College recorded in 1955, under the title "Father's Grave".

The first festival saw Robertson, plus Jimmy MacBeath and other valuable source singers, who learned folk songs without the influence of radios or books. Her 1968 appearance there was issued as part of an anthology on the Topic label. As well as classic ballads, she sang bawdy songs such as "Never Wed an Old Man". Robertson was awarded the MBE in 1968 and died on 13 March 1975.

Reymont and Melusina blessed by the bishop in their bed on their wedlock, 15th-century woodcut After the wedding in 1654 between Charles X Gustav of Sweden and Hedvig Eleonora of Holstein- Gottorp. Bedding rituals have been practiced in various cultures, the ceremony differing from place to place. The people putting the newlyweds in bed have usually included their family, friends and wider community. The ritual is often associated with music, bawdy songs and jokes.

When the King was at Oatlands Palace he often came for revels with Zouch playing the fool, singing bawdy songs and telling bawdy tales. He stayed with Zouch at the start of September 1624 and hunted towards Busbridge. He wrote to the Duke of Buckingham that he would stay longer, "so earnest I am to kill more of Zouch's great stags."John Nichols, Progresses of James the First, vol. 4 (London, 1828), pp. 1003-4.

An epithalamium by CatullusCatullus, Carmen 61. paints the wedding night as a time of ripe eroticism, spiced with humorous and bawdy songs from the guests. "Look inside," the poet advises the bride, who burns with an "intimate flame", "where your man lies on the richly arrayed bed, completely available to you". The husband is reminded that "good Venus" has blessed him, since he can now desire openly what he desires, and need not conceal a "good love".

According to legend, the poem was written while Mac Cumhaigh was on the run from John Johnston, Constable of the Fews,Culture Northern Ireland however Johnston died in 1749, so this is unlikely. According to Julie Henigan, MacCumhaigh would also "compose bawdy songs, some of which were censored in anthologies but many of which entered community tradition". Patrick Cavanagh criticised his "whimsey and lack of specificity". Mac Cumhaigh eked out a living as a spailpín, or travelling labourer.

Several small booklets of the poetry of Ernst Moritz Arndt, dating from the early 1890s, have surfaced in recent years. Contemporary sources link the press to bawdy songs about Albert I, King of the Belgians; none of these has come to light. For many years it relied on reprints of 18th-century polemical pamphlets produced during the reign of Frederick the Great, whose relationship to contemporary political questions was not always immediately clear. This continued through World War One.

Dahuka reciting Dahuka boli on Ratha during Ratha-Yatra in Bangalore Dahuka boli (, also "Dahuka gita" (ଡାହୁକ ଗୀତ)) are poetic recitations which Dahukas (or Ratha bhanda), the charioteer who recite during the Rath Yatra in Puri, Odisha. Ratha Yatra being a symbolic expression of fertility and Life cycle, these "boli" sung by the Dahuka contain bawdy songs. It is believed that unless the Dahuka boli is sung 'Ratha' doesn't move. These songs are sung publicly without any kind of hold on the lyrics.

A 2008 memoir of 1930s life on a Carolina plantation describes a railroad trip in a Pullman car and notes: Supreme Court Justice William O. Douglas claimed that the humorous lyrics to Dvořák's music were the work of himself and of Yale law professor Thurman Arnold. The Erotic Muse: American Bawdy Songs says that According to this source, the actual wording of the train restroom placard was "Passengers will please refrain from flushing toilets while the train is standing in or passing through a station".

Townshend was a well-known "playboy" officer in his youth, famous for his womanizing, drinking, for playing the banjo while singing very bawdy songs and for spending an excessive amount of his time in the music halls.Perry, James Arrogant Armies, Edison: Castle Books, 2005 page 249. He was often described by those who knew him as a "ladies man" who was very popular with the opposite sex owing to his dashing personality and good looks.Knight, Paul The British Army in Mesopotamia, 1914–1918, Jefferson: McFarland, 2013 page 30.

He published numerous papers in linguistics and anthropology. He was described by his fellow authors of Skeptical (David Vernon, Dr Colin Groves and Simon Brown) as a 20th-century 'Renaissance Man' as his interests were wide-ranging from Melanesian languages, to channelling, Tarot cards and bawdy songs. He was a Fellow of the Australian Academy of the Humanities (FAHA), Vice President of the Australian Linguistic Society (ALS) and a member of Mensa. A keen member of the Australian Skeptics he entertained many people at Skeptic's conventions with his demonstrations of glossolalia and going into trances.

Vainio's work continues to have major relevance in Finnish popular music, an example of which being two Vainio cover albums by Vesa-Matti Loiri in 2003 and 2004. All of the songs that Vainio recorded were published in 2008 in a CD boxed set Legendan laulut – Kaikki levytykset 1963–1990 ("Songs of the Legend – All Recordings 1963–1990"). It included his advertising jingles, bawdy songs and a book. A compilation album released with the boxed set called Legendan laulut – 48 mestariteosta ("Songs of the Legend – 48 Masterpieces") reached second place on the Finnish album charts.

"I Met a Whore in the Park" (aka "Yo-Ho") is a traditional rugby songSee Ed Cray's The Erotic Muse: American Bawdy Songs. Second Edition page 318 that is sung at drink ups after rugby games, or just at gatherings of different rugby teams or players. In traditional rugby songs, one line of the song is sung by an individual person, and then the rest of the people involved in the song repeat that line. The individual person usually changes throughout the group of people singing along with each verse.

Carr had a taste for provocative behavior, for bawdy songs and for coarse antics aimed at shocking those with staid middle-class values. According to Kerouac, Carr once convinced him to get into an empty beer keg, which Carr then rolled down Broadway. Ginsberg wrote in his journal at the time: "Know these words, and you speak the Carr language: fruit, phallus, clitoris, cacoethes, feces, foetus, womb, Rimbaud." It was Carr who first introduced Ginsberg to the poetry and the story of 19th century French poet Arthur Rimbaud.

Hamlet sits with Ophelia and makes sexually suggestive remarks; he also says that woman's love is brief. Later that night, after the play, Hamlet kills PoloniusHamlet, Act 3, Scene 4 during a private meeting between Hamlet and his mother, Queen Gertrude. At Ophelia's next appearance,Hamlet, Act 4, Scene 5 after her father's death, she has gone mad, due to what the other characters interpret as grief for her father. She talks in riddles and rhymes, and sings some "mad" and bawdy songs about death and a maiden losing her virginity.

There are several different choruses for this song. One of the most popular in the USA is sung to the tune of "Cielito Lindo" and usually goes like this: ::I-Yi-Yi-Yi, ::In China, they never eat chili ::So here comes another verse worse than the other verse ::So waltz me around again, Willie.Cray, Ed. The Erotic Muse: American Bawdy Songs. pg. 217. Or, alternatively: ::I-Yi-Yi-Yi, ::In China, they do it for chili ::So let's get a verse that's worse than the other verse ::And waltz me around by my willie.

The drunken pall- bearers, stumbling along with a crudely-made coffin and shouting snatches of bawdy songs, brought home to him the existence of a whole empire of callousness which put his own childhood miseries in their context. The second incident was his unusual choice of a subject for a Latin poem. In the school grounds, there was an unsavoury mosquito-breeding pond called the Duck Puddle. He chose it as his subject because he was urgently concerned that the school authorities should do something about it, and this appeared to be the simplest way of bringing it to their attention.

Bryant was born in Sydney, although he identifies with Kalgoorlie, Western Australia, where he was an electrician in the gold mines. In the 1970s, Bryant fronted his own band called 'Bryan Dennis and the Country Club'. He also used the name 'Bryan Dennis' when he hosted a country music show on radio 6KG in Kalgoorlie from 1973 to 1980, before he was thrown off air for playing the parody song, "I'm Heaving on a Jet Plane". He moved to Perth and began playing bawdy songs as a hobby, singing at pubs and Australian rules football clubs.

16 Oct 2013. Accessed 13 Jan 2014. Hand signs sometimes accompany the song, such as pulling on the bell in the first verse or making a phone gesture in the second. This song is sometimes combined or confused with "Miss Lucy had a baby", which is sung to the same tune and also served as a jump-rope song. That song developed from verses of much older (and cruder) songs which were most commonly known as "Bang Bang Rosie" in Britain, "Bang Away Lulu" in Appalachia,Cray, Ed. The Erotic Muse: American Bawdy Songs 2nd ed.

The history of the Miss Susie similar rhyme has been studied, tracing it back to the 1950s, in Josepha Sherman's article published by the American Folklore Society.On Children's rhymes and changing sexuality perception throughout time However, several other books and articles show similar versions used as far back as the end of the 19th century.Cray, Ed. The Erotic Muse: American Bawdy Songs 2nd ed., p. 173 ff. UIP (Champaign), 1999. Accessed 13 Jan 2014. "Miss Lucy" probably developed from verses of much older (and cruder) songs, although the opposite may also be true,The Erotic Muse, p. 174\.

Rabelais' use of Latin, Greek, regional and dialectal terms, creative calquing, gloss, neologism and mis-translation was the fruit of the printing press having been invented less than a hundred years earlier. A doctor by trade, Rabelais was a prolific reader, who wrote a great deal about bodies and all they excrete or ingest. His fictional works are filled with multilingual, often sexual, puns, absurd creatures, bawdy songs and lists. Words and metaphors from Rabelais abound in modern French and some words have found their way into English, through Thomas Urquhart's unfinished 1693 translation, completed and considerably augmented by Peter Anthony Motteux by 1708.

Norman was replaced in 2003 by Mindy Rosenfeld, founding member of the original 1980 group whom he had replaced in 1987, and LaRue began an indefinite leave of absence in 2004, at which time countertenor José Lemos began performing with the group, joined in 2005 by soprano Danielle Svonavec. The group has recorded some 15 albums for Dorian, including a Christmas album, Bright Day Star, and a collection of bawdy songs with the a capella quartet called the Merry Companions, The Art of the Bawdy Song and a 2007 instrumental compilation, Gut, Wind and Wire. Their various recordings also cover a number of the Child ballads.

The company's first commercial success came not from music but from three sex education albums. The controversy over these records led to sales approaching 100,000 and the resulting financial lift gave the company money to develop its musical base. Some of their early records included artists as diverse as The Dubliners, actress Sheila Hancock, jazz singer Annie Ross, actresses Jean Hart and Isla Cameron, and Shakespearean actor Tony Britton. They managed to mix the folk music interest with the money making capacity of the sex education records by issuing When Dalliance was in Flower – a series of bawdy songs performed by Ed McCurdy and licensed from the American Elektra label.

Under the Biggun name, Cox fronts a humorous band that is sometimes billed simply as "Ivor Biggun", or variously "Ivor Biggun and the Red-nosed Burglars" or "Ivor Biggun and the Left-handed Wankers", also “Ivor’s Jivers” (less rude), or Ivor Biggun’s Vulgar Band. He specialises in double entendre-laden smutty songs. Ivor Biggun has released four albums of bawdy songs (and recorded with Judge Dread and David "Screaming Lord" Sutch), the most recent being 2005's Handling Swollen Goods. The name Ivor Biggun is a double entendre, realised when Ivor is pronounced non-rhotically (as in many British accents) as ; this means the full name is a homophone for "I've a big 'un".

Since the 1960s, Carter has become best known for his bawdy songs, such as "Let Me Roll Your Lemon", "Banana in Your Fruit Basket", "Pin in Your Cushion", "Your Biscuits Are Big Enough for Me", "Please Warm My Wiener" and "My Pencil Won't Write No More". However, his output was not limited to dirty blues. In 1928, he recorded the original version of "Corrine, Corrina", which later became a hit for Big Joe Turner and has become a standard in various musical genres. Carter and his brothers (including the pianist Harry Chatmon, who also made recordings) first learned music from their father, the fiddler Henderson Chatmon, a former slave, at their home on a plantation between Bolton and Edwards, Mississippi.

In 1976, Vainio was hired to write a number of bawdy songs which were later released on cassette tape. Vainio wrote a part of the songs and sang on the record with all musicians using pseudonyms, Vainio's being Junnu Kaihomieli. Many of the songs were based on a familiar melody whose copyright had already expired; for example, the song Kumi-Roope ("Rubber Roope") was an obscene version of the folk song Rosvo-Roope ("Roope the Robber"). In 1979 Vainio participated in another recording of similar songs. The songs were released on compact disc in 1992 and 1997 as Pahojen poikien lauluja 1–2 ("Bad Boys' Songs 1–2") and Porno-ooppera / Pahojen poikien lauluja 3 ("Porn Opera / Bad Boys' Songs 3").

At the feast, hosted by the Old Shepherd who has prospered thanks to the gold in the fardel, the pedlar Autolycus picks the pocket of the Young Shepherd and, in various guises, entertains the guests with bawdy songs and the trinkets he sells. Disguised, Polixenes and Camillo watch as Florizel (under the guise of a shepherd named Doricles) and Perdita are betrothed. Then, tearing off the disguise, Polixenes angrily intervenes, threatening the Old Shepherd and Perdita with torture and death and ordering his son never to see the shepherd's daughter again. With the aid of Camillo, however, who longs to see his native land again, Florizel and Perdita take ship for Sicilia, using the clothes of Autolycus as a disguise.

Clarke attributes the use of blackface to a desire for white Americans to glorify the brutal existence of both free and slave blacks by depicting them as happy and carefree individuals, best suited to plantation life and the performance of simple, joyous songs that easily appealed to white audiences. Blackface minstrel shows remained popular throughout the last part of the 19th century, only gradually dying out near the beginning of the 20th century. During that time, a form of lavish and elaborate theater called the extravaganza arose, beginning with Charles M. Barras' The Black Crook. Extravaganzas were criticized by the newspapers and churches of the day because the shows were considered sexually titillating, with women singing bawdy songs dressed in nearly transparent clothing.

Although he enjoyed the support of his close family and a wide variety of friends, for a year or so he became "the subject of endless blue jokes and innumerable bawdy songs". When prosecutors failed to achieve a conviction, in what Montagu has characterised as a "witch hunt" to secure a high-profile conviction, he was arrested again in 1954 and charged with performing "gross offences" with an RAF serviceman during a weekend party at the beach hut on his country estate. Montagu always maintained he was innocent of this charge as well ("We had some drinks, we danced, we kissed, that's all"). Nevertheless, he was imprisoned for twelve months for "consensual homosexual offences" along with Michael Pitt-Rivers and Peter Wildeblood.

In his biographer Ben Harker's view, "It would be difficult to overstate the extent to which MacColl was shaped by the 1930s." MacColl was a keen rambler, travelling out of Manchester by bus into the Peak District, like thousands of other young unemployed people with time on their hands. For MacColl, rambling was integral to his politics; he did not simply find nature beautiful and the urban world ugly: instead, it was an objective of the hoped- for revolution: Groups of ramblers often sang songs such as "I'm Happy When I'm Hiking", as well as bawdy songs, ballads and radical American protest songs at their camps. MacColl published the "Manchester Youth Song" in 1933, singing of "Workers in Cheetham, who slave every day / In waterproof factories at starvation pay".

Testy has arranged the marriage against his niece's will, and orders her to "shake off" her "maiden peevishness" and love her husband. Millicent tries to be the obedient female at first, but she is so browbeaten by her uncle that she rebels: she sings bawdy songs to Quicksands, calls him "Chick" among other endearments, and assures him that she can bear six babies in five years — whether Quicksands is up to the task of begetting them or not. The two old men are shocked and embarrassed by her bawdry; Quicksands in particular is at a nonplus, and now feels inhibited from his wedding-night obligations. The discomfort is accentuated when the courtiers, masked and costumed as horned animals, break in with an impromptu wedding masque that strongly suggests inevitable cuckoldry.

Weblin, Mark (ed.), A Perilous and Fighting Life: From Communist to Conservative: The Political Writings of Professor John Anderson (North Melbourne: Pluto Press, 2003)) The Free Thought Society held its last meeting in 1951. The Libertarian Society functioned from 1952 to 1969. Anderson broke off contact with the former disciples who formed the Libertarian Society and never associated with "Push" people who routinely sang his praises along with the bawdy songs he had imported to his new country.Ballad of Professor John Glaister is one example, some of the words of which have been published in Snatches & Lays (Sun Books, Melbourne, 1975) However, even after retirement in 1958 and to the brink of his death in 1962, he was seen daily in his study, continuing his work and reviewing earlier work.

Most Yorkshire folk songs were not unique and tended to be adapted to fit local geography and dialect, as with probably the most commercially successful Yorkshire song, Scarborough Fair, recorded by Simon and Garfunkel, which was a version of the Scottish ballad The Elfin Knight. One unusual piece of music is the unique choral folk song, probably derived from an 18th-century ballad, known as the Holmfirth Anthem or Pratty Flowers. The most eminent folk performers from the county are the Watersons from Hull, who began recording Yorkshire versions of folk songs from 1965, and members of which are still performing today. Also famous is the Leeds-born musician Jake Thackray, who became famous in the 1970s for singing witty, often bawdy songs, many of which related to rural Yorkshire life, in a style derived from the French chansonnier tradition.

Tom D'Urfey's Wit and Mirth: or Pills to Purge Melancholy (1719 for last authorial revision) was another satire that attempted to offer entertainment, rather than a specific bit of political action. D'Urfey (or "Durfey" as he was born) was a stutterer whose clownishness and willingness to be the butt of a joke so long as a joke was told made him a favorite of the nobility and court, and his career straddles the Restoration and Augustan period. Pills to Purge Melancholy is a collection of witty and bawdy songs, mainly drinking songs, with popular favorites such as "The Famous Fart." Although Pope satirized Durfey, he also wrote, in a letter in 1710, that Durfey had a power that he himself did not, for, years after the publication of Pills to Purge Melancholy, Durfey's songs were still on the lips of thousands, while no other poet had such popularity or persistence.