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"rathskeller" Definitions
  1. a usually basement tavern or restaurant
"rathskeller" Antonyms

82 Sentences With "rathskeller"

How to use rathskeller in a sentence? Find typical usage patterns (collocations)/phrases/context for "rathskeller" and check conjugation/comparative form for "rathskeller". Mastering all the usages of "rathskeller" from sentence examples published by news publications.

In my hometown, Boston, the 148-room Hotel Commonwealth, which occupies the former site of the storied punk venue the Rathskeller (always known as "The Rat"), offers a punk-themed luxury suite — for about $500 a night.
Take a walk after dinner and think about what it'd be like to have known Anne Sexton, hung out with her in a college rathskeller, read this poem there, smoked a few cigarettes with her, while talking about the work.
If you walked down Commonwealth Avenue in Boston's Kenmore Square on any given night between 1974 and 1997, you'd hear loud vibrations emanating from the dank basement of the Rathskeller, Boston's famous punk club, lovingly nicknamed "the Rat," a fitting name considering it wasn't uncommon for an actual rat to crawl out from underneath the stage every now and again.
The Minnesota State Capitol, completed in 1905, contains a Rathskeller that was recently renovated and restored in 2017. The Rathskeller contains 29 painted mottoes in German and was home to a full-service restaurant when it opened in 1905. Currently, the Rathskeller is home to a cafe serving legislators and the public.
The union is known for the Rathskeller, a German pub adjacent to the lake terrace. Political debates and backgammon and sheepshead games over a beer on the terrace are common among students. The Rathskeller serves "Rathskeller Ale", a beer brewed expressly for the Terrace. Memorial Union was the first union at a public university to serve beer.
Along with three other State College musicians, Fallon and Yarnal formed the band Lowjack in June 2006; the new band premiered at The Rathskeller in August that year. On September 28, 2007, Katsu reunited for a single show at The Rathskeller.
Menu of "Haan's Ladies' and Gentlemen's Restaurant, Cafe and Rathskeller" dated December 22, 1899.
The Rathskeller in Olten, Switzerland Ratskeller (German: "council's cellar", pl. Ratskeller, historically Rathskeller) is a name in German-speaking countries for a bar or restaurant located in the basement of a city hall (Rathaus) or nearby. Many taverns, nightclubs, bars, and similar establishments throughout the world use the term. The word had been used in English since the mid-19th century, with at least one New York restaurant calling itself a rathskeller in the 19th century.
Scheffel Hall was designated a New York City landmark in 1997. Plastic stir-stick from Joe King's Rathskeller, circa 1966.
American establishments tend to spell the word as Rathskeller to avoid similarity with the word rat. The former Das Deutsche Haus in Indianapolis, today known as the Athenaeum Das Deutsche Haus Ratskeller restaurant in Indianapolis received historic landmark status. Now called the Athenaeum, it has served Bavarian fare since 1894.History of the Indianapolis Rathskeller The Rathskeller in Boston was a famous rock and roll club from 1974 to 1997, a locus of Boston alternative rock, hosting local bands such as The Cars and the Pixies as well as many other bands such as The Police and Metallica before they achieved breakthrough fame.
Photographs of the brewery show a modern facility with a very colorful tap room, known as the Rathskeller. Murals on the wall depict various scenes of Aztecs.
Its Rathskeller is likely the oldest continuously used bar in Minnesota, while its gymnastics program is also the oldest in the state. The Rathskeller features murals of scenes from Germany, painted by Guido Methua (1873), Christian Heller (1887), and Anton Gag (1901). These were recently restored with support from a grant from the Minnesota Historical Society.Daniel J. Hoisington, A German Town: A History of New Ulm, Minnesota (Edinborough Press, 2004).
The original design included specifications for a rathskeller, which was to be a reproduction of the Brunheil Rathskeller in Leipzig, a music hall, a roof garden, and an apartment house.New Uptown Theatre. Harlem Auditorium at Seventh Avenue and 126th Street to be Completed by March Next, The New York Times, September 19, 1902, retrieved October 23, 2012The Harlem Auditorium. John B. McElfatrick & Son, Architects, Architect's and Builders' Magazine, Vol.
The food and retail operations encompass numerous restaurant and deli locations throughout the campus, two gift shops, a bar in der Rathskeller, games room, outdoor equipment rental, and full- service catering.
205 Later, in the late 1920s, the building was used by the German-American Athletic Club. By 1939 it became the German-American Rathskeller, and then Joe King's Rathskeller. O. Henry used Scheffel Hall as the setting for "The Halberdier of the Little Rheinschloss" and wrote some of his stories there. Beginning in the 1970s, it was the home of Fat Tuesday's, a well-known jazz club, and the restaurant Tuesday's, which lasted until the early 21st century.
Restaurants in the Seelbach include The Oakroom, Gatsby's on Fourth, and Starbucks. The Oakroom is Kentucky's only AAA Five Diamond Restaurant Award winner, one of 44 in the nation while the Rathskellar, decorated with Rookwood Pottery, was a rare and distinctively Seelbach south-German influenced restaurant. Today the Rathskeller is used for occasional private events. Coming from German, the term "Rathskeller", means "council's cellar" and is a common name in German-speaking countries that refers to a bar or restaurant located in the basement of a city hall (Rathaus).
I'm sure there are other bands called Angst, but this is an obscure one from SST in the mid-Eighties. They used to play at the Rathskeller in Boston -- that's where I first heard them. Then I bought all their records.
The park features counter service eating locations, including the (new for 2018) Doc and Leone's Diner and Bar on Main Street, Chicken Shack, Rally Round, Petunia Pig, Taco Villa, Sub sandwich Land, River City Pizza, Rathskeller, Spectator's and Outlaw Gulch Foods.
"Sugar Free" was later featured in the 2006 movie Beerfest. The track "I want My City Back" is a lament about the loss of The Rathskeller, commonly called The Rat, the club in Boston where the Bosstones got their start.
The logo of the company itself was the Aztec sundial. The Rathskeller murals were painted by renowned Spanish artist Jose Moya del Piño. Coincidentally, among other works by Moya are murals painted for the Acme Brewing Company of San Francisco. Aztec Brewing grew quickly.
Mosher retired from Stanford in 1981. He spent his later life engaged in tennis and skiing, and lunched regularly with his friends at the Rathskeller in the Stanford Faculty Club. He died in 2001, and was survived by his wife, their three children, and five grandchildren.
The festival lasts over the course of 3 days and consists of German food, drink, dance, and music. Many attendees dress in old world German apparel . The festival also utilizes the historic Germania Mannerchor building which is complete with a Rathskeller, Festhalle. and outdoor beer garden.
This rathskeller style entrance is the source of the restaurant's local nickname, "The Down and Under," or "D and U." The bar room is filled with wooden booths, brick walls, and antique furnishings. Other dining rooms split off from the main dining room, and feature Victorian oak furnishings.
They toured the U.S. and Canada and played notable venues, including CBGB, Maxwell's, First Avenue (nightclub), Mabuhay Gardens, Paycheck's (Detroit), Exit (Chicago) and The Rathskeller, among others. They also received a significant amount of national airplay on college radio at a time when it was the only medium for alternative music.
The Saulpaughs are credited with giving the hotel its name. They sold it to another couple, John and Mary Eagen, three years later. The Eagens operated the hotel until 1948, then sold to Max and Ruth Brugmann in 1950. The Brugmanns began operating the Dutch Rathskeller restaurant and bar in the hotel basement.
Lingenfelter drumming for Katsu at The Rathskeller during a performance of "Walkaway". In December 2001, the band began recording their first album Gorgeous Mess. Bret Alexander and Paul Smith of The Badlees produced the record, which took six months to finish. Love left during the recording process and was replaced with heavy metal guitarist Mark Klein.
The home was expanded and remodeled with a four-story addition added at the east end, and opened in 2001 as an exclusive private membership club. The house currently features 31 guest rooms, two dining rooms, solarium, living room, Rathskeller, meeting rooms, spa with treatment areas, steam room, sauna, whirlpool, and an indoor-outdoor year- round swim-through pool.
After graduation, Richard enlisted and was offered position in enlisted officer training school for the United States Air Force as a second lieutenant for 2 years, serving as Club Officer. After his service, McCooey worked at Benton & Bowles, an advertising agency in New York, NY. In the early 1960s, Richard returned to Washington, D.C. at the invitation of the Rev. Edward B. Bunn, the president of Georgetown University from 1952 to 1964. Father Bunn finally agreed to Richard's vision of opening a restaurant and a student rathskeller near the main campus; a dream Richard had since his freshman year at Georgetown. In 1962, with support of the university which owned the land, Richard realized his dream, opening a restaurant named 1789 and a student rathskeller in the basement called The Tombs.
As the Rhythm Assholes, they had backed local rock legend Willie Alexander on his single "Kerouac" and in concert. After a name change, they made their debut at the hub of the city's alternative music scene, the Rathskeller—known as the Rat—in January 1977. Their first single, "Loretta", appeared that year on the club's Rat label.Strong (2003), p. 90.
The "Keidel Clinic" served the people of Fredericksburg until the larger and more modern Hill Country Memorial Hospital opened in 1971. The Keidel Memorial Hospital building now houses a Gourmet Kitchen Store, Der Kuchen Laden, owned by the granddaughter of Dr. Victor Keidel. Rathskeller restaurant is located in the basement space. Original furnishings of the building are cared for by Gillespie County Historical Society.
The three adjoining basements formed a > large Rathskeller (dining room) and kitchen. The first floor rooms include a > billiard room, library, archive room, sitting room and vestibule areas. The > second floor rooms and attics formed a large, sky-lit exhibition gallery and > classroom. The club has staged an annual Philadelphia District High School Students Art Exhibition since 1984; the 26th show took place February 1–21, 2010.
It was located on Main Street in Barrio Logan. It featured a large Rathskeller, or basement beer hall, decorated with murals, paintings, and woodcarvings by Jose Moya del Pino. By 1944 Aztec was the only brewery still operating in Southern California. The company was purchased by Altes Brewing Company in 1948; Altes was then bought by the National Brewing Company, which closed Aztec Brewing Company in 1953.
The Brooks House is a two and ½-story brick temple-style Greek Revival house sitting on a stone foundation. The cellar of this home was finished as a traditional German-style rathskeller. The windows, door sills, and lintels are made of stone. The main wing measures 51 feet long and 39 feet wide, with a service wing which is at the rear measuring 26 by 25 feet.
Mini-Courses offers a variety of general-interest enrichment classes. Students can learn leadership and governance by serving in one of the committees of the Union Directorate, the student programming board. The music committee brings a full schedule of live acts to the Union Terrace, der Rathskeller, and Union South. The art committee gives students a chance to curate exhibits for the Union galleries and around the buildings.
Several fraternities at the School of Commerce expressed interest in him and one gave him a bid. The name of that fraternity is unknown. When Charles asked whether his close Jewish friends could join as well, he was told that the invitation was for him alone. At this point, the group of 11 men began meeting regularly in a German Ratskeller called "Haan's Ladies' and Gentlemen's Restaurant, Cafe and Rathskeller".
He had the landmark Kernan Hotel (later renamed the Congress Hotel) on West Franklin Street. The "rathskeller" in the basement of the hotel (later also known as the "marble bar") was the site of the first "jazz band" music in the town when it opened in 1903. It was listed on the National Register of Historic Places maintained by the National Park Service of the U.S. Department of the Interior in 1979.
In 1959, Storyville moved to the Bradford Hotel on Tremont St. for one year.Meyers, Marc, "Interview: George Wein", 2008 July 23, JazzWaxx.com In the 1970s, under the glow of the historic Citgo sign, Kenmore Square, Storyville was located nearThe Rathskeller, Where It’s At, Lucifer’s, and Psychedelic Supermarket. In 1983 and 1984, at 645 Beacon Street, Storyville hosted performers such as the Del Fuegos, Bush Tetras, Til Tuesday, Barrence Whitfield & the Savages, and the Violent Femmes.
Some of the night clubs and bars in the Wholesale District include Slippery Noodle Inn, Howl at the Moon, Tiki Bob's, Claddagh Irish Pub, Kilroy's Bar and Grill, St. Elmo Steak House, and a cigar lounge called Nicky Blaines. Mass Ave bars include The Eagle, Burnside Inn, Bazbeaux Pizza, Tavern on the Point, Chatterbox, Mesh on Mass, FortyFive Degrees, and Metro. Mass Ave also has various European bars that include MacNiven's (Scottish), Chatham Tap (English), and The Rathskeller (German).
Located in New Castle on the Strand, the George Read II House was built in 1801 by George Read, Jr., the son of George Read, a signer of the Declaration of Independence. The house was the largest in the state at the time it was built with 22 rooms covering . The house also includes a rathskeller in the basement that served as a speakeasy. This dates from the 1920s when the Laird family owned the house and were bootleggers.
Chicago, 14 West Randolph Street, . After the end of the first Chicagoan World's Fair, Max and Robert Eitel built on 14 West Randolph Street, the restaurant, the Old Heidelberg Inn. It had an old German facade and was decorated to resemble a Bavarian beer cellar. The restaurant housed at the ground floor the Grand Dining Room "Old Heidelberg" with a stage for the orchestra, the "Rathskeller" in the basement, the "Rialto Room", a bakery and a ballroom.
He also did book illustrations and portraits. He painted murals on the walls of the rathskeller of Dartmouth's Thayer Hall illustrating a song about college founder Eleazer Wheelock.NY Times Obituary, October 12, 1966 Humphrey did covers for leading magazines including The Saturday Evening Post, book illustrations, portraits and other art work. He was a resident of New Rochelle, New York, a well known artist colony and home to many of the top commercial illustrators of the day.
Although initially the band members shared songwriting and singing, Hell increasingly attempted to impose his will on the band. At a rehearsal in early 1976, Hell laid down an ultimatum - he would sing most of the songs in the set, with Thunders relegated to one or two songs per set. Thunders walked out, and Nolan and Lure followed; with all three united against him, Hell wound up leaving the band. His final show was on May 14, 1976 at the Rathskeller in Boston.
First opened near the end of September, 1914, the hotel is one of St. Louis' few hotels which date from before World War I. The building's Renaissance Revival design is an example of common styles in St. Louis architecture in the 1920s. The hotel was built to serve middle-class guests, but it had advanced fireproofing, two restaurants, and a rathskeller. In 1913, construction for the hotel began, replacing a three-story building. The hotel cost about $250,000 to build.
The Augsburger Rathaus now houses permanent exhibits on the history of the former imperial city and its partner cities, as well as frequently changing exhibitions on different historical and current political issues.. These are held in the Lower Fletz and are open to any visitor. The Goldener Saal is a popular venue for receptions, concerts and ceremonies. The Lower Fletz and Goldener Saal are open daily, although there is an entrance charge to the Goldener Saal. The basement of the Rathaus houses a Rathskeller.
There were regular performances from students, and various games would be played within the hall. The building's purpose was called into question in 1974 when Miami University turned it over to the Miami graduate students in art. There had been a controversy over what to do with the building because it had only housed the Rathskeller (also known as a Ratskeller), a snack bar in the basement of the building. Within the next year that Alumnae Hall was scheduled to be razed in June 1975.
Amalie Joachim sang "I Know that My Redeemer Liveth" and Joseph Joachim played Robert Schumann's Abendlied. It was a glorious occasion, after which about 100 of the composer's friends, the Joachims, Clara Schumann, Albert Dietrich and his wife, Max Bruch and others gathered at the Bremen Rathskeller. The Joachim Quartet performing in the Sing-Akademie zu Berlin—an engraving based on a painting (currently lost) by Felix Possart, published as a Beilage to the Zeitschrift der Internationalen Musikgesellschaft 4/5 (1903), between pp. 240 and 241.
Thorogood began his career in the early 1970s as a solo acoustic performer in the style of Robert Johnson and Elmore James after being inspired by a John P. Hammond concert. However, he soon formed a band, the Delaware Destroyers, with high school friend and drummer Jeff Simon. With additional players the Delaware Destroyers developed its sound, a mixture of Chicago blues and rock and roll. The band’s first shows were in the Rathskeller at the University of Delaware and at the Deer Park Tavern.
Clarenbach never took a final exam until 1937 when she got to the University of Wisconsin–Madison, so that experience was entirely new for her. Another new experience for her was the need to study. She had a mixture of study partners from a Supreme Court justice, a local lawyer, and a progressive left-winger. Due to the fact women were not allowed in the Rathskeller (a fact that annoyed her), she and her study partner would meet in the Paul Bunyan Room in the union.
In the introduction to Slaughterhouse-Five Vonnegut recounts meeting filmmaker Harrison Starr at a party who asked him whether his forthcoming book was an anti-war novel—"I guess" replied Vonnegut. Starr responded "Why don't you write an anti-glacier novel?". This underlined Vonnegut's belief that wars were, unfortunately, inevitable, but that it was important to ensure the wars one fought were just wars. A large painting of Vonnegut on Massachusetts Avenue, Indianapolis, blocks away from the Kurt Vonnegut Museum and the Rathskeller, which was designed by his family's architecture firm.
Joni, 21 years old, married Chuck in an official ceremony in his hometown in June 1965 and took his surname. She said, "I made my dress and bridesmaids' dresses. We had no money... I walked down the aisle brandishing my daisies." While living at the Verona apartments in Detroit's Cass Corridor, the spouses were regular performers at area coffee houses, including the Chess Mate on Livernois, near Six Mile Road; the Alcove bar, near Wayne State University; the Rathskeller, a restaurant on the campus of the University of Detroit; and the Raven Gallery in Southfield.
Harpers Ferry had a reputation throughout the Boston area as being an important venue in the hardcore music scene. After the closure of The Rathskeller, a famous venue in Kenmore Square, many of the hardcore bands that called The Rat home moved to The Middle East in the Central Square scene in Cambridge, Massachusetts or to Harpers Ferry. The WBCN Rock & Roll Rumble was held at Harpers Ferry in 2007 and 2008. On March 17, 2007, Dropkick Murphys performed their 2007 St. Patrick's Day show at Harpers Ferry.
Lee Mason, a childhood friend of Myers, replaced Pfeiffer on drums and the band brought in Kyle Garrahan on lead guitar. The Lost built a repertoire containing of a fairly large set of original songs written by guitarist Ted Myers and keyboardist Willie Alexander. The Lost became one of the most popular live bands in Boston, playing at the Rathskeller. On December 12, 1964 they recorded a demo at Bard College in Boston produced by Barry Tashian of The Remains, which helped them land a contract with Capitol Records.
In Boston, the scene at the Rathskeller—affectionately known as the Rat—was also turning toward punk, though the defining sound retained a distinct garage rock orientation. Among the city's first new acts to be identified with punk rock was DMZ. In Bloomington, Indiana, the Gizmos played in a jokey, raunchy, Dictators-inspired style later referred to as "frat punk". Like their garage rock predecessors, these local scenes were facilitated by enthusiastic impresarios who operated nightclubs or organized concerts in venues such as schools, garages, or warehouses, advertised via inexpensively printed flyers and fanzines.
In the last few years, development in Fenway has picked up, particularly from developer Samuels and Associates."." Samuels and Associates Website. Retrieved on July 2, 2009. Recent developments include the renovation of the Landmark Center; the 2003 addition of Hotel Commonwealth on the site of the Rathskeller bar; and the 576-unit, 17-floor Trilogy apartment building on Brookline Avenue and Boylston Street. 1330 Boylston, a second high-rise apartment building, was completed in 2008 and contains 210 apartments, of office space contained within 10 floors and the new home of Fenway Health.
They were regulars at the Rathskeller Cafe in 1948, and then moved to a more upscale location, the Sportsman Club, where they were a draw not only locally, but also from the traditional jazz fanbase in San Francisco. Their heyday was from 1949 to 1951. This time period included being a featured group at the 1949 Dixieland Jubilee concert, and a series of recordings on the Castle Records label that began in 1944. Trumpet player Don Kinch claimed one of these records, Floating Down the Old Green River sold more than a million copies.
A social room to the front of the hotel was elevated above lobby level and named the Loggia (now the Veranda). It was designed in an Italian Renaissance style, clad in ornamental white and poly chrome terra cotta with arched openings and balconies overlooking the street. Downstairs, adjoining the Oak Bar, was the Grille Room (now The Capitol Grille), which was originally designed as a rathskeller (also ratskeller) with vaulted ceilings and wood paneling. Along the street entrance, an array of shops included a pharmacy and clothing store, later a familiar place for many Nashville natives as an American Airlines ticket office.
Gary Cherone reminisces about the Kenmore Square music scene in the 1980s on disc one (track six) of Extreme’s 2010 live album Take Us Alive. The Mighty Mighty Bosstones' reminisce about the closing of The Rathskeller (or "The Rat") on Kenmore Square in "I Want My City Back", a track on A Jacknife to a Swan. The Queers, on the album Grow Up, mention Kenmore Square in "I Met Her at the Rat" (I lost my brain and I don't know where/somewhere down in Kenmore Square). In the Dropkick Murphys song "Blood", the first line is "Trouble underground in Kenmore Square".
In 1974, an updated garage rock scene began to coalesce around the newly opened Rathskeller club in Kenmore Square. Among the leading acts were the Real Kids, founded by former Modern Lover John Felice; Willie Alexander and the Boom Boom Band, whose frontman had been a member of the Velvet Underground for a few months in 1971; and Mickey Clean and the Mezz.Andersen and Jenkins (2001), p. 12. In 1974, as well, the Detroit band Death—made up of three African- American brothers—recorded "scorching blasts of feral ur-punk," but couldn't arrange a release deal.
Murphy began his radio career in 1982 at the campus radio station of George Mason University, WGMU. That summer he worked the midday shift at WVBK-AM in Herndon, Virginia, without being paid. At the start of 1983, he was named station manager of WGMU, just as it was transitioning from a closed circuit broadcast available only in the Rathskeller to a carrier current transmission which could be heard in the dorms and student apartments on any AM radio. A WGMU air band contest caught the attention of Denise Benoit, the promotion director of WAVA-FM.
Thirlwell singing at the Rathskeller in Boston, 1985 Thirlwell was born in Melbourne, Australia. He briefly studied Fine Art at Melbourne State College (now part of the University of Melbourne) before moving to London, England in 1978, where he played with the post-punk band prag VEC and formed the first of his numerous musical projects, Foetus. In the 1980s, under the pseudonyms Clint Ruin and Frank Want, he contributed to various releases by Nurse With Wound, Marc Almond, The The and Nick Cave and the Bad Seeds. He co-wrote "Wings Off Flies" on From Her to Eternity, the first Bad Seeds album.
Construction noise was loud, which must have hurt the hotel's business. Though the Pabst Hotel would be able to remain, on April 15, 1902, the subway company took possession of the entire cellar room beneath the Broadway side of the building and about half of the space beneath the sidewalk on 42nd Street, for tunnel purposes—a large part of the rathskeller and storage room. Regan and Pabst claimed this nullified the lease with Thorley. Regan at the time was proprietor of the Woodmansten Inn, the Bronx, and arranged to become proprietor of the grand Knickerbocker Hotel, planned for the southeast corner of 42nd Street and Broadway.
Similarly, four of the eight presidential and vice presidential candidates in the 2014 election were also revealed to be Stewards, though the issue was not as contentious as it had been the year before. Ending a generation of silence, the Stewards published an op-ed in 2020 that confirmed their alumni reach and gave a glimpse into their mysterious culture and service purpose. Notably, they demur on being considered a secret society, preferring to be considered a “private association.” Prominent contemporary Stewards include William Peter Blatty, the Oscar award-winning author and producer of The Exorcist, and Richard McCooey, the founder of The Tombs rathskeller and 1789 Restaurant in Georgetown, D.C.
Retrieved 21 August 2014 The group's UK success led to gigs in the US at the famous New York City club CBGB, The Rathskeller (The RAT) in Boston and at The Chance in Poughkeepsie, New York, from which "Roxanne" finally debuted on US radio on WPDH, and a gruelling 1979 North American tour in which the band drove themselves and their equipment around the country in a Ford Econoline van. That summer, "Can't Stand Losing You" was also re-released in the UK, becoming a substantial hit, peaking at No. 2. The group's first single, "Fall Out", was reissued in late 1979, peaking at No. 47 in the UK.
The band toured both coasts and played in the southwest extensively over their six-year career at clubs including CBGB, the China Club and Cat Club in NYC, the Scream Club and Club Lingerie in LA, 930 Club in DC and the infamous Rathskeller in Boston. After Shallow Reign disbanded in 1991, Bob Watson and Mark Thomas went on to form Medicine Show Caravan with two members from the Deep Ellum band The Trees. This new band played live and recorded from 1991 to 1994. After Medicine Show Caravan disbanded, Bob Watson has continued writing and recording with and without members of these two bands.
Pumpkins lit on the steps of Old Morrison There is a week-long celebration of Halloween by students known as "Rafinesque Week" in honor of the 19th-century botanist, inventor, and Transylvania professor Constantine Rafinesque. The university ends October with a unique combination of activities including a lottery for four students to win the chance to spend the night in Rafinesque's tomb. The steps of Old Morrison are lined with pumpkins carved by students, faculty, staff, and members of the community around Halloween for what is called Pumpkinmania. In honor of Professor Rafinesque, the downstairs grill in the Mitchell Fine Arts Building is called the "Rafskeller" – a pun on the word Rathskeller.
The Romantics' original lineup consisted of lead vocalist, rhythm guitarist, and harmonicist Wally Palmar, lead guitarist and vocalist Mike Skill, bassist and backing vocalist Rich Cole, and drummer and lead vocalist Jimmy Marinos. All four band members made songwriting contributions to the group, but Palmar and Skill were considered the band's primary tunesmiths. For three years the band was on the road, playing in East Coast and Midwestern venues like Boston's Rathskeller, CBGB in New York's Bowery, Manhattan's Max's Kansas City, and Cleveland's Agora. They were subsequently signed to Nat Weiss' Nemperor record label after a show at Hurrahs, and in September 1979, the band recorded their debut self-titled album with British producer Pete Solley.
Caan then had the starring role in Robert Altman's second feature film, Countdown (1968) and was second billed in the Curtis Harrington thriller Games (1968). Caan went to Britain to star in a war film, Submarine X-1 (1968), then had the lead in a Western, Journey to Shiloh (1968). He returned to television with a guest role in The F.B.I., then had an uncredited spot on the spy sitcom Get Smart as a favor to star Don Adams, playing Rupert of Rathskeller in the episode "To Sire with Love". Caan won praise for his role as a brain-damaged football player in The Rain People (1969), directed by Francis Ford Coppola.
For a short time The Fast changed the name of the band to Miki Zone Zoo to signify an drastic change to the band sound but after a few months reverted to The Fast due to name recognition. In 1978/1979, The Fast toured the United States. Ric Ocasek after seeing the band perform at the Boston rock club The Rathskeller (The Rat) decided to have them open up for with The Cars at their next stadium show in Portland, Maine. Ocasek also decided to produce & record them at famed Electric Ladyland studio in NYC which wound up as half of their first LP The Fast For Sale (Recca Records), which was released in 1980.
The band usually played twice a week, almost always on weekends, at local clubs that included: The Fire Escape in the South End, Passim's in Harvard Square (now Club Passim), Super Richard's on Boylston Street at the southwest corner of Boston Common, Spit behind Fenway Park, 10 Lansdowne Street also behind Fenway Park, Metro (also behind Fenway Park), Storyville in Kenmore Square, The Rat in Kenmore Square (a traditional Rathskeller), Titan's in Allston, and Lanny's Garden in Brighton). The band was also booked regularly as the "local opening act" for regional and national bands appearing in concert in Boston (primarily through Jim Julian Concerts, and Jimmy Jay Productions). They opened for artists such as Daniel Amos Band, Randy Stonehill, Denny Correll, The 77s, Fireworks, and Sheila Walsh.
Equipped with a rathskeller, cafe, and auditorium hall seating 500, the hall would host many other groups over the years, predominantly unions, labor organizations, and civic groups like the Holyoke Fire Department. The club would remain a keystone of both the city community, being honored multiple times by city mayors, as well as the German community across the state, hosting members and leadership from other communities into the mid-20th century. At some point in the organization's earlier history it also established the Thusnelda lodge, a ladies auxiliary named after Hermann's wife. By the end of the organizations existence, one of its charter members, Otto Broeker, had remained with it for its entirety before passing away at the age of 98 in 1965.
As was typical for many punk bands at the time, the Kozmetix regularly played at The Rathskeller, the Channel, Jonathan Swifts, Cantones, and Spit as well as New York venues such as the Peppermint Lounge, and the old Living Room in Providence, Rhode Island. Lou Miami and the Kozmetix also regularly played the Inn-Square Men's Bar in Inman Square, Cambridge, Massachusetts. In The Kozmetix, Miami was the lead singer, Jack Rootoo played lead guitar, H.P. (aka Helen Privett) bass guitar, Dolores Paradise organ, and Laural Blanchard drums. During the band's touring years from 1979 to 1981, the Kozmetix line-up was Miami on vocals, Rootoo guitar, Bill Norcott on bass and Melodye Chisholm (now known as Melodye Buskin) on drums.
After the replacement of the cable car by electric trolleys, the Hendler Creamery was then converted into a performance space by Baltimore-born James Lawrence Kernan (1838-1912). He was a theater manager, entrepreneur, and philanthropist, who earlier in his life had fought for the Confederates, been captured and held as a prisoner till the war's end at the brutal Point Lookout Prisoner-of-War Camp at the confluence of the Chesapeake Bay and Potomac River. Returning to civilian life, among other ventures, he started a combination hotel and German Rathskeller and founded a hospital, which survives today as the University of Maryland Rehabilitation & Orthopaedic Institute. Under Kernan's ownership, a second floor, containing an auditorium and dressing rooms, was installed above the first-floor engine room.
Originally, the hotel had a prominent, tile-buttressed, shed roof cornice that was supported by ornamented, paired brackets, but this element was removed in 1945. The inside of the hotel was decorated with crystal and Italian-bronze chandeliers, white marble columns, ornate pilasters, paneled walls, elliptical staircases, and Italian-tiled floors. In addition to guest rooms, the hotel housed the Winter Garden, the Terrace Garden Lounging Room, which was almost entirely enclosed in glass, the Terrace Restaurant Grill Room, general management offices, an elevator, telephone booths, a curio booth, an "oak-mission" decorated Rathskeller, barber shops, a manicure parlor, and an ornate ballroom that was the setting for the 1939 Gone with the Wind Gala. All of the hotel's original furniture and interior furnishings were from M. Rich and Brothers Co., later Rich's.
It had a proscenium arch adorned with a picture "of" Giovanni a depicting "a group of maids and lads dancing to sylvan pipes and capturing kisses". The image was said to have exhibited at the Paris Salon. According to John McNamara, performers at the theater included Francis X. Bushman, Leo Dietrichstein, Clara Kimball Young and Pat Rooney. He wrote that the theatre basement was a Rathskeller while on top of the building there was a roof garden. Robert W. Snyder’s The Voice of the City: Vaudeville and Popular Culture in New York gives a brief history of the Metropolis on page 94, stating that Loew’s never operated the Metropolis as a theater and previous owners hosted vaudeville, films, Italian stage shows, and finally burlesque (precipitating a shut down by the police in 1926).
Both employed lighter wood finishing and "early-American" neo-colonial architecture, thought to reflect the comfortable, domestic environment women ought to be exposed to. In contrast, John Jay Hall featured dark wooden ceiling beams and panelling, as well as other details thought to render it a more "masculine" structure. In his 1919 annual report, University President Nicholas Murray Butler wrote that the new dorm would "make provision for student life and student organizations which are so important a part of the total educational influence that the university, and particularly the College, exerts." Originally known simply as Students Hall, the building therefore incorporated features, such as the dining hall and rathskeller (the Lion's Den Grill, now JJ's Place), as well as student club space on the fourth floor, meant to foster on-campus student life.
After working initially in the dry goods business and as a clerk in the transportation department of the Baltimore & Ohio Railroad Company, he joined the Confederate States Army at the beginning of the Civil War. He was captured in October 1864, and held as a prisoner at the Union Army's prisoner-of-war camp at Point Lookout in St. Mary's County in southern Maryland at the confluence of the Potomac River and the Chesapeake Bay until the close of the war. In February 1866, he founded the "Kernan Enterprises," a combination hotel and rathskeller. In 1903, he constructed one of the more elaborate hostelieries of the city, with the Hotel Kernan and adjacent Maryland Theater facing West Franklin Street, between North Paca and just west of North Howard Streets.
In the late 1960s a couple of well-known bars, Renee's and Rathskeller, were shut down by the ABC department for serving any homosexuals. The regulations used to persecute the gays are as follows: \- Section 4-37 states in part "… a bar's license may be suspended or revoked if the bar has become a meeting place and rendezvous for users of narcotics, drunks, homosexuals, prostitutes, pimps, panderers, gamblers or habitual law violators…" \- Section 4 – 98 "…forbids a licensee from employing any person who has the general reputation as a prostitute, homosexual, panderer, gambler, habitual law violator, person of ill repute, user of or peddler of narcotics, or person who drinks to excess or a "B-girl." "Developing Identity: A Prelude to Activism." When ABC closed down Renee's the ABC board heard a testimony from one of their agents that they witnessed "men wearing makeup, embracing and kissing in the café.
The Maryland Theater was a music venue in Baltimore, Maryland, home to that city's first jazz band, led by John Ridgely. It was originally built for James Lawrence Kernan (1838-1912) as a vaudeville house, in 1903, adjacent to his Hotel Kernan (later renamed the Congress Hotel) and included a rathskeller in the basement with some of the first music in town from a "jazz band" led by John Ridgley, at what became known later as the "marble bar" as a musical venue even up to the 1980s. Located facing West Franklin Street, between North Paca Street and west of North Howard Street, which was one of the fanciest hotels in the city at the time constructed of Beaux Arts/Classical Revival style architecture. Unfortunately, in the 1950s, the old Maryland Theatre was razed and temporarily replaced by a parking lot for the last days of the hotel.
The Rolling Stones, Whitney Houston, Elvis Presley, Billy Joel, Robin Williams, Russell Crowe, Julia Child, Wolfgang Puck, and Shorty Rossi, reality TV personality of Pit Boss are among those celebrities who have stayed at the Seelbach.. F. Scott Fitzgerald frequented the hotel in April 1918, while training for his deployment in World War I. One night after expensive bourbon and cigars however, he had to be restrained and was ejected from the hotel.. This experience seemingly did not tarnish his memories however, as he later included a fictional hotel akin to the Seelbach as the setting for the wedding of Tom and Daisy Buchanan in The Great Gatsby.. In this story it is referenced that Tom "Rented out an entire floor of the Mulbach hotel" which could either refer to the Grand Ballroom (once located on the roof of the hotel) or the Rathskeller room (located in the basement) where Fitzgerald often went to the bar.
Relentless touring and strong fan support for Johanna Wild afforded Jon Butcher quick media attention through the then blossoming cable TV networks MTV and radio medias, particularly the influential radio station WBCN in Boston, MA. With the radio promotion of supporters such as WBCN radio personalities Mark Parenteau, Oedipus and Carter Alan, Jon Butcher became a Boston music staple, and in late 1979 (opened for KISS as Jon Butcher Axis 10/23/1979 in Fort Worth, TX) he created Jon Butcher Axis with Sandy Higgins (guitar), Chris Martin (bass) and former Johanna Wild drummer Derek Blevins. Soon after, Higgins left to be the front man for Balloon, while Charlie Farren fronted the Mk3 lineup of The Joe Perry Project. After several other guitarists came and went, Axis became the power trio which Butcher had always envisioned. Jon Butcher Axis performed throughout New England including Uncle Sam's, the famous The Rathskeller, The Paradise Theater and many others.
An unusual acoustical quality of the building is the fact that any individual standing at the exact center of the inlaid arrow on the floor of the entering rotunda and facing its entrance, speaking or even whispering, produces a unique reverberating echo similar to the effect created at the center of the United States Capitol Rotunda in Washington, D.C. Another unique feature is the fountain escalator system, the only operating escalator in southeast Ohio, intersecting the huge atrium and connecting College Green and West Green. An outdoor second floor, featuring terraced patio dining, presides over a picturesque natural pond as well as a partial view of Peden Stadium and Byrd Arena. Baker Center contains a large food court called West 82; a pub bistro called Latitude 39; a Grand Ballroom; The Honors Collegium, The Wall of Presidents, the Bobcat Student Lounge, a shop called Bobcat Depot that sells apparel, computers, and accessories; a theater seating 400; study areas; computer labs; administrative offices; and numerous conference rooms. The Frontier Room, a large coffee house named after a former popular university rathskeller, features a stage, artwork and a community fireplace.
The Brickskeller, a tavern and hotel located in the Dupont Circle neighborhood of Washington, D.C. The Brickskeller (officially The Brickskeller Dining House and Down Home Saloon) was a tavern in Washington, D.C., located near Dupont Circle across from Rock Creek Park and on the edge of Georgetown, in the Marifex Hotel (now the Brickskeller Inn) building. With over 1,200 choices of bottled beer in the coolers, over a dozen keg beers and real ale in cask, the Brickskeller from its beginnings was the first restaurant ever to offer customers a beer list to introduce many thousands of beers to the city, the country and the continent. Felix Coja, a young man from the French Mediterranean island of Corsica, along with his bride Marie joined the many Corsican natives who emigrated to the Americas after World War I. Coja, a Cordon Bleu-trained Master French chef, found work in Washington, D.C., at the Blackstone Hotel on 17th Street NW. Following successful years at the Blackstone, the couple acquired The Robert Peter Inn several blocks away near 22nd and P Street NW, and changed the name to The Marifex Hotel. They established the Brickskeller restaurant in 1957 as a rathskeller-type eatery.

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