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"principal parts" Definitions
  1. the forms of a verb from which all the other forms can be made. In English these are the infinitive (for example swim), the past tense (swam) and the past participle (swum).

83 Sentences With "principal parts"

How to use principal parts in a sentence? Find typical usage patterns (collocations)/phrases/context for "principal parts" and check conjugation/comparative form for "principal parts". Mastering all the usages of "principal parts" from sentence examples published by news publications.

It's as if Ballet Theater plucked a page from the casting manual of New York City Ballet, which often throws young dancers into principal parts.
He has just finished a 28-year English translation of the three principal parts of the foundational work of Chinese medicine: the Huangdi Neijing, or Yellow Emperor's Inner Classic, published by the University of California Press.
In my second year of classes, reading Sophocles' "Antigone" with Professor Laura Slatkin, I copied the Greek text painstakingly into my notebook, observing every diacritical mark, and covered the facing page with vocabulary notes—verbs with their principal parts, nouns with their genders and genitives.
The corona and the cymatium are the principal parts of the cornice.
A few highly irregular verbs require 11 principal parts to conjugate them fully. It includes all of the seven principal parts as well as a subjunctive form and different present participle forms, imperative forms and present-participle forms.
The principal parts of the building are intact, thus retaining its original theatrical aura.
The verbs être, avoir and aller are so irregular they require even more than 11 principal parts.
Excluding four common irregular verbs, the principal parts of all other English verbs are the infinitive, preterite and past participle. All forms of these English verbs can be derived from the three principal parts. Four verbs have an unpredictable 3rd person singular form and the verb to be is so irregular it has seven separate forms. Lists or recitations of principal parts in English often omit the third principal part's auxiliary verb, rendering it identical to its grammatically distinct participial form.
During the next two years, the principal parts in Ma mie Rosette and Mam'zelle Nitouche were among Stewart's successes.
In Scottish Gaelic there are two principal parts for the regular verb: the imperative and the verbal noun, for example – 'to kiss'. All finite forms can be deduced from the imperative ('kiss!'), all non-finite forms from the verbal noun ('kissing'). The ten irregular verbs can, with only two or three small aberrations (unexpected lenition), be deduced from four principal parts.
'Ga,' one of Old English forms of 'go' The principal parts of go are go, went, gone. In other respects, the modern English verb conjugates regularly. The irregularity of the principal parts is due to their disparate origin in definitely two and possibly three distinct Indo-European roots. Unlike every other English verb except be, the preterite (simple past tense) of go is not etymologically related to its infinitive.
"to exist". Most irregular verbs have three principal parts, since the simple past and past participle are unpredictable. For example, the verb write has the principal parts write (base form), wrote (past), and written (past participle); the remaining inflected forms (writes, writing) are derived regularly from the base form. Note that some irregular verbs have identical past tense and past participle forms (as the regular verbs do), as with send–sent–sent.
The principal parts of a Ganda verb are the imperative (identical to the verb stem), the first person singular of the present tense and the modified stem. For example, the verb okwogera 'to speak' has the principal parts yogera–njogera–yogedde. The present tense, far past tense, near future tense, far future tense, subjunctive and infinitive are derived from the imperative. The present perfect, conditional and near past tense are derived from the modified stem.
The process of determining the lemma for a given word is called lemmatisation. The lemma can be viewed as the chief of the principal parts, although lemmatisation is at least partly arbitrary.
Conjugation has two meanings.Merriam-Webster online dictionary "Conjugation". One meaning is the creation of derived forms of a verb from basic forms, or principal parts. It may be affected by person, number, gender, tense, mood, aspect, voice, or other language-specific factors.
Aschenbrödel (Cinderella) is a ballet written by Johann Strauss II. He had written all the principal parts of the ballet, and was intending to fill in the orchestration as time permitted. However, Strauss died in 1899, and it was finished by composer Josef Bayer in 1900.
Like most inflected languages, Mercian has a few irregular verbs (such as 'to be' bēon and 'have' habben). For basic understanding, the four principal parts must be known for each strong verb: weak verbs are easier and more numerous, they all form the past participle with -ed.
Ransome, Ernest L, and Alexis Saurbrey. Reinforced Concrete Buildings: A Treatise on the History, Patents, Design and Erection of the Principal Parts Entering Into A Modern Reinforced Concrete Building. New York: McGraw-Hill Book Company, 1912. In 1889, Ransome worked on the West Coast mainly designing bridges.
In Latin, for example, verbs are considered to have four principal parts (see Latin conjugation for details). Specification of all of these four forms for a given verb is sufficient to predict all of the other forms of that verb – except in a few cases, when the verb is irregular. To some extent it may be a matter of convention or subjective preference to state whether a verb is regular or irregular. In English, for example, if a verb is allowed to have three principal parts specified (the bare infinitive, past tense and past participle), then the number of irregular verbs will be drastically reduced (this is not the conventional approach, however).
In spite of the difficulty of building an installation and initiating an entirely new program simultaneously, the base developed into a highly specialized training center. There were two principal parts to the mission of the training center: aircrew training in B-47's and transition training in the same aircraft.
An example block diagram, showing the Microsoft Windows 2000 operating system architecture. A block diagram is a diagram of a system in which the principal parts or functions are represented by blocks connected by lines that show the relationships of the blocks.SEVOCAB: Software and Systems Engineering Vocabulary. Term: block diagram.
Cecil Trouncer and Isabel Dean voiced Shotover and Ellie. In 2007 the play was revived by Henry Bell at the Orange Tree Theatre with Dudley Hinton and John Paul Connelly playing the two principal parts written for puppets. John Thaxter of The Stage described the production as "history making".The Stage, Review, 2007.
The bridge spans . Its principal parts are an roadway (deck) suspended from four primary thick steel cables supported by two high towers at the ends of the span. It is deteriorating and in need of restoration. The Falklands Island Museum and National Trust has raised concerns that the structure may be lost.
New Shepard Crew Capsule after landing The New Shepard is a fully reusable, vertical takeoff, vertical landing (VTVL) space vehicle composed of two principal parts: a pressurized crew capsule and a booster rocket that Blue Origin calls a propulsion module. The New Shepard is controlled entirely by on-board computers, without ground control or a human pilot.
During his time as a student he did not drink wine, and wore a hair-shirt. He was known for his modesty, meekness and chastity. In 1604, Roy accompanied, as preceptor (teacher-mentor), three young Swabian gentlemen on their travels through the principal parts of Europe. During six years of travel, he attended Mass very frequently.
The launch complexes provide support for vehicle assembly, fueling, checkout and launch operations. The Centre also has facilities for launching sounding rockets for atmospheric studies. The mobile service tower, launch pad, preparation facilities for different launch stages & spacecraft, storage, transfer and servicing facilities for liquid propellants, etc., are the principal parts of the PSLV/GSLV launch complex.
The principal parts of the building are the Great Hall and the undercroft. The Great Hall is a timber-framed structure and was built over a five-year period. It is the largest timber-framed building in the UK still standing and used for its original purpose. The roof of the hall is of two spans supported by a row of large central timber posts.
He was eager to separate himself from the show to avoid being typecast in the role. Tom Conway replaced him in the starring role, though Nigel Bruce got top billing and was always announced first. The new series lasted only 39 episodes, and Bruce and Conway then left the series. From then until 1950 the series continued with various actors playing the two principal parts.
In France, missals begin to be illuminated from the beginning of the 13th century. At this time, the missal was normally divided into several parts: calendar, temporal, preface and canon of the mass, sanctoral, votive masses and various additions. Two principal parts of the missal are the temporal and sanctoral. The temporal contains texts for the mass, day by day for the whole liturgical year, organized around Christmas and Easter.
The situation in German is very similar to English. Regular verbs require no memorizing of principal parts, since all forms can be deduced from the infinitive. However, some uncertainty may exist as to the choice of the perfect auxiliary, which could be haben ('to have') or sein ('to be'). This can be solved by memorizing the infinitive with the third-person singular perfect tense, which some teachers recommend.
The Great Divide is a 1925 silent drama film produced and distributed by MGM and directed by Reginald Barker. The film stars Alice Terry, Conway Tearle and Wallace Beery. It is based on the William Vaughn Moody play, being the second of three film adaptations. The play had been made famous on the 1906 Broadway stage with Margaret Anglin, Henry Miller, Laura Hope Crews and a pre-Griffith Henry B. Walthall in the principal parts.
The church interior is both extraordinary and complex. The three principal parts can be identified vertically as the lower order at ground level, the transition zone of the pendentives and the oval coffered dome with its oval lantern.Blunt, A. Borromini, 1979, p.52-84 In the lower part of the church, the main altar is on the same longitudinal axis as the door and there are two altars on the cross axis.
For example, the verb "to take" has the principal parts take–took–(have) taken. The verb "to bet" has bet–bet–(have) bet and the verb "to break" has break–broke–(have) broken. With irregular verbs the simple present 3S (he, she, it) is derived from infinitive+'s' with the exception of spelling changes such as: catch- catches, fly-flies and teach-teaches, which follow the same rules for regular 3S verbs.
Regular verbs are formed from a single principal part (the infinitive), and all conjugations derive from this one principal part. A handful of verbs require spelling changes in which case it can be considered that these verbs technically have two or three principal parts depending on how many spelling changes need to be made. They include doubling a consonant, adding accent markers, adding the letter e, and converting letters for example y becoming i.
A given verb belongs to one of a large number of classes, according to its conjugation. As in Sanskrit, Ancient Greek and (to a lesser extent) Latin, there are independent sets of classes in the indicative present, subjunctive, perfect, imperative, and to a limited extent optative and imperfect, and there is no general correspondence among the different sets of classes, meaning that each verb must be specified using a number of principal parts.
Lindsay, and Maria Gallia sang the principal parts. This work was repeated on the 15th and 22nd of the same month, but its failure was so decided that it was never again performed. The anonymous author already quoted opines that 'Rosamond 'mounted the stage on purpose to frighten all England with its abominable musick.' Both Arsinoe and Rosamond were published, and posterity has thus been enabled to endorse the opinions of Clayton's contemporaries.
Delane was educated at Trinity College, Dublin and originally intended to become a lawyer.Highfill, Burnim & Langhans p.286 His first appearance as an actor took place about 1728 at the Smock Alley Theatre, Dublin, then under the management of Thomas Elrington. Delane supported successfully a large round of characters in tragedy and comedy, his principal parts being Alexander in Lee's ‘Rival Queens’ and Young Bevil in the ‘Conscious Lovers’ of Richard Steele.
A given verb belongs to one of a large number of classes, according to its conjugation. As in Sanskrit, Ancient Greek and (to a lesser extent) Latin, there are independent sets of classes in the indicative present, subjunctive, perfect, imperative, and to a limited extent optative and imperfect, and there is no general correspondence among the different sets of classes, meaning that each verb must be specified using a number of principal parts.
William Tecumseh Sherman was president, and Wayman C. McCreery, secretary. Myers played the principal parts with Augustus Thomas, William Beaumont Smith, Guy Lindsley, and others who laters became professionals in the theater world. She took the leading part in one of Thomas' first plays, The Cattle King. She also assisted in raising money for the Young Women's Christian Association, as well as taken part in carnivals given for the benefit of hospitals, asylums, etc.
Cibber and Spranger Barry (whose pupil he had effectively becomeIpswich Journal, 9 October 1819, p. 4.), on Barry's retirement he took on many of that actor's principal parts. If he had defects, they were generally overlooked by his audiences, who admired his upright and independent private life. The poet Charles Churchill, in his "Rosciad" satire of 1761, said of him: "Smith the genteel, the airy, and the smart; Smith was just gone to school to say his part."C.
In grammar, a supine is a form of verbal noun used in some languages. The term is most often used for Latin, where it is one of the four principal parts of a verb. The word refers to a position of lying on one's back (as opposed to 'prone', lying face downward), but there exists no widely accepted etymology that explains why or how the term came to be used to also describe this form of a verb.
Shannon Mercer, Jean Stilwell, Christopher Sieber, and Theodore Baerg sang the principal parts. The American premiere was at Caramoor (Westchester County, New York) on 1 July 2007. Soloists were the same as in the Toronto performance, but the accompanying chorus was made up of members of New York City's Collegiate Chorale. The show was revised and expanded for a tour of Australia and New Zealand in 2007, including two sell-out nights at the Sydney Opera House.
4, pp. 2–12 The report consisted of a Forward, an Introduction, an Appendix, and four principal parts: Part I, Historical Survey; Part II, The Convention On The Prevention and Punishment of The Crime of Genocide; Part III, Future progress: The Possible Ways Forward; Part IV, List of Recommendations. It made a number of controversial proposals including recommendations that the Genocide Convention should be altered to include protection of groups based on politics and sexual orientation.
The law of arms as understood in Scotland consists of two principal parts, the rules of heraldry (such as blazoning), and the law of heraldry. In contrast to the position in England, the Law of Arms is a branch of the civil law. A coat of arms is incorporeal heritable property, governed, subject to certain specialities, by the general law applicable to such property. The possession of armorial bearings is therefore unquestionably a question of property.
There, through Handel's good offices, he came under the protection of Frederick, Prince of Wales, who ultimately stood sponsor to his eldest son. In 1731 Reinhold, described as Reynholds, was singing at the Haymarket Theatre. He sang in the first performance of Handel's Arminio at Covent Garden on 12 January 1737, and created principal parts in many of Handel's operas and oratorios. Reinhold was one of the founders, in 1738, of the Royal Society of Musicians.
There are three principal parts of the lake connected by narrow straits: Greater Imandra (Большая Имандра) or Khibinskaya Imandra in the north (area 328 km², length about 55 km, width 3–5 km), Ekostrovskaya Imandra in the centre (area 351 km²), and Babinskaya Imandra in the west (area 133 km²). The lake drains into the Kandalaksha Gulf of the White Sea by the Niva River. The lake is known for the transparency of its water and its abundance of fish.
Another characteristic of this small late-medieval "ideal town" is the presence of porticos that involve all the principal parts of the town center. During World War II the mountains in the area were crossed by the Gothic Line, the defensive line set by the German troops to face the advance of the Allied armies. On September 17, 1944, after long and bloody clashes, the Allies broke down the Gothic Line, with the conquest of the Altuzzo Mountain, next to the Giogo pass.
In horology, the anchor escapement is a type of escapement used in pendulum clocks. The escapement is a mechanism in a mechanical clock that maintains the swing of the pendulum by giving it a small push each swing, and allows the clock's wheels to advance a fixed amount with each swing, moving the clock's hands forward. The anchor escapement was so named because one of its principal parts is shaped vaguely like a ship's anchor. The anchor escapement was probably invented by British scientist Robert Hooke p.
In linguistics, conjugation () is the creation of derived forms of a verb from its principal parts by inflection (alteration of form according to rules of grammar). For instance, the verb "break" can be conjugated to form the words break, breaks, broke, broken and breaking. While English has a relatively simple conjugation other languages such as French and Arabic are more complex with each verb having dozens of conjugated forms. Some languages such as Georgian and Basque have a highly complex conjugation systems with hundreds of possible conjugations for every verb.
Verbs may inflect for grammatical categories such as person, number, gender, tense, aspect, mood, voice, case, possession, definiteness, politeness, causativity, clusivity, interrogativity, transitivity, valency, polarity, telicity, volition, mirativity, evidentiality, animacy, associativity, pluractionality, and reciprocity. Verbs may also be affected by agreement, polypersonal agreement, incorporation, noun class, noun classifiers, and verb classifiers. Agglutinative and polysynthetic languages tend to have the most complex conjugations albeit some fusional languages such as Archi can also have extremely complex conjugation. Typically the principal parts are the root and/or several modifications of it (stems).
In a dictionary, Latin verbs are listed with four "principal parts" (or fewer for deponent and defective verbs), which allow the student to deduce the other conjugated forms of the verbs. These are: # the first person singular of the present indicative active # the present infinitive active # the first person singular of the perfect indicative active # the supine or, in some grammars, the perfect passive participle, which uses the same stem. (Texts that list the perfect passive participle use the future active participle for intransitive verbs.) Some verbs lack this principal part altogether.
171–74 In the years between the 1711 premiere and the 1717 revival, Handel made various adjustments to the score and the vocal parts, often to accommodate the requirements of new singers. Details of these changes are difficult to establish since the performing librettos and scores for these years no longer exist. For 1717, more significant revisions were made; the role of Eustazio was merged with that of Goffredo, and Argante's part was rewritten to accommodate an alto voice. Thus in this revival all the principal parts were sung in high voice ranges.
In 1465 the unknown painter executed an altar-piece of note in the Benedictine Liesborn Abbey. His name is not mentioned by the historian of the monastery, who, however, declares that the Greeks would have looked on him as an artist of the first rank. On the suppression of the monastery in 1807, the work was sold, divided into parts, and thus scattered. The principal parts, some of them fragmentary, are now to be found in the National Gallery, London, in the LWL-Landesmuseum für Kunst und Kulturgeschichte in Münster, and in private hands.
In 1965, he was given three principal parts of his own: the Counsel in Trial by Jury, Strephon in Iolanthe, and Pish-Tush in The Mikado. He also played the role of Second Yeoman in some seasons and, when Princess Ida was revived in 1967, added Guron. From 1966, he understudied the roles of Giuseppe in The Gondoliers (taking that role as his own the following season) and Captain Corcoran in H.M.S. Pinafore. He also played the Sergeant of Police in The Pirates of Penzance in some seasons.
He was a pupil of François Duquesnoy, whose classicising "Greek" manner"The more subtle the contour is, the more the manner is Greek", Boselli wrote in his Osservationi, "and the more the contours serve to locate the principal parts at their proper places, the more excellent they are." (Noted in Estelle Lingo, "The Greek Manner and a Christian "Canon": François Duquesnoy's 'Saint Susanna'" The Art Bulletin 84.1 (March 2002, pp. 65-93) p. 68. Lingo discusses the pursuit of what was considered a "Greek" manner in the Roman circle of Duquesnoy, which included Boselli.
Milano began her career at age seven, when her babysitter, without notifying Milano's parents, took her to an audition for one of the four principal parts in a national touring company of Annie. Milano was one of four selected from more than 1,500 girls. During the course of her work in the play, Milano and her mother were on the road for 18 months. After returning to New York, Milano appeared in television commercials and performed several roles in off-Broadway productions, including the first American musical adaptation of Jane Eyre.
The supine is a rarely used part of the verb ending in -tum or (in some verbs) -sum. When a verb is given in a dictionary with its four principal parts, such as 'I bring' or 'I send', the supine is the fourth part. The supine is identical in form with the accusative case of 4th declension verbal nouns such as 'arrival', 'movement', 'return', etc., but it differs from them in that it is a verb as well as a noun, and can sometimes take a direct object.
A shang consists of three principal parts: the flat bell part proper; the gankyil, which is the centre piece that holds the knocker; and the knocker or striker proper, which is often made of animal horn. Traditionally it was believed that wielders use the shang as a tool to "cast" or "throw" tulpas. The shang was also believed to be useful in receiving information from the Eastern or Oriental conception of æther, to induce trance or call spirits. The shang is often used in rites in conjunction with the phurba and namkha.
Wearing (2013), pp. 244, 291 On 11 September 1897, Thorne played Hilarius, the dollmaker, in a single matinee performance of La Poupée at the Prince of Wales, which was to launch a provincial tour,Wearing (2013), p. 354 an unusual event arranged at the suggestion of Henry Lowenfeld.Forbes-Winslow, D., Daly's: the Biography of a Theatre (London: W. H. Allen, 1944), p. 92 He continued in the part for several years; in 1899, the Musical News reported that "Miss Stella Gastelle and Mr Eric Thorne, as Alesia and Hilarius, are still delightful in the two principal parts".
Many of the principal parts would be taken by Terry, himself, with other members of a permanent company sharing the other roles. Pinero also wrote "In Chancery" (1890) and "The Times" (1892) for the theatre. Law's farce The New Boy played in 1894.Baker, Henry Barton. History of the London Stage and Its Famous Players (1576-1903), London, G. Routledge (1904) In 1894, Edward Laurillard became manager of the theatre, producing King Kodak, opening on 30 April 1894, with music by Alfred Plumpton and lyrics by Arthur BranscombeThe Musicals (British Musical Theatre) accessed 16 January 2009 and a score by Walter Slaughter.
For example, Latin is said to have four conjugations of verbs. This means that any regular Latin verb can be conjugated in any person, number, tense, mood, and voice by knowing which of the four conjugation groups it belongs to, and its principal parts. A verb that does not follow all of the standard conjugation patterns of the language is said to be an irregular verb. The system of all conjugated variants of a particular verb or class of verbs is called a verb paradigm; this may be presented in the form of a conjugation table.
On 1 June 1785,Goldovsky 1991, p. 31 Storace suffered a catastrophic failure of her voice during a performance of her brother's opera Gli sposi malcontenti ("The unhappily married couple"). Kelly describes the event in his memoirs: :A new opera, composed by Stephen Storace, was produced ... Signora Storace and myself had the two principal parts in it. In the middle of the first act, Storace all at once lost her voice, and could not utter a sound during the whole of the performance; this naturally threw a damp over the audience, as well as the performers.
Forty years later, she recorded that her understudies seldom had an opportunity to appear. On 26 January 1884, Stewart married Richard Goldsbrough Row – "a girl's mad act" she called it in later years, for she discovered at once that she did not really care for her husband. They parted within a few weeks, and Stewart resumed her theatrical work. Among her principal parts in the next three years were Mabel in The Pirates of Penzance, Phyllis in Iolanthe, Yum-Yum in The Mikado, the title role in Princess Ida and Clairette in La fille de Madame Angot.
The new wave of architects such as Roger Pratt, John Webb, and Sir Christopher Wren were not just building vast edifices in Renaissance- inspired styles, but also transforming existing older houses. Representative of the utilisation of older houses is Coleshill House in Berkshire, where Pratt transformed the medieval, but now redundant, great hall into a classically inspired entrance hall complete with an imperial staircase. Great Halls were considered redundant now that employers wished to live separately from their servants, and no longer ate with them in a Great Hall. All evidence and odours of cooking and staff were banished from the principal parts of the house.
The main collection was formed between 1920–1936 and since 1974 there has again been an active acquisitions policy and there is now a major collection of contemporary ceramics. The collection also includes a fine body of nineteenth century slipware and examples of work from many periods, from archaeological specimens to Welsh porcelain of Nantgarw and Swansea. In 1986 the display area was extended and a purpose built gallery was created on the ground floor of Aberystwyth Arts Centre. The principal parts of the collection are permanently on display in the back gallery while the front gallery is used for changing displays and exhibitions from the permanent collection and touring exhibitions.
St. Andrew's Episcopal Chapel is an historic Episcopal chapel located at Sudlersville, Queen Anne's County, Maryland, built as a chapel of ease for St. Luke's Church in Church Hill. It was listed on the National Register of Historic Places in 1984. A small Carpenter Gothic-style board-and-batten structure constructed in 1878, it divided into two principal parts: a large rectangular sanctuary three bays long and two bays wide with a steeply pitched gable roof, and a slightly smaller but similarly proportioned chancel, two bays long and one bay wide. The entry features a wide Gothic-arched double doorway with a steep gable roof.
The novel consists of a frame story (summarized here indented), intercut with eight chapters that are the eight manuscripts mentioned in the frame story. the principal parts of david brooke :The frame story is told from what seems to be a split-personality part of a consciousness, although it may simply be an extended metaphor for the mind of an author, keeping distinct his personal life and creative mental life: :David is on a cruise ship heading to London. He has eight manuscripts, his memories, and they need to be made into one. An older Englishman approaches David, talks about smuggling, how it used to be a fine art, but now the current generation are mere amateurs.
A castle is reputed to have existed before the Jacquerie uprising of 1358 (which started in this district), but sources lack any substance. A 15th century manor house was destroyed by Burgundian troops during their retreat from Beauvais after the victory of Jeanne Hachette. Between 1611, the date of his marriage, and 1640, the date of his death, Louis of Goussencourt erected the principal parts of the château. Enlarged in the 18th century, the château was very much part of the Ancien Régime and when, during the French revolution, it was decided to confiscate the property, the Count of Grivesnes didn't oppose it, as his son (Louis-Henri (1766–1849)) had already emigrated to Quebec.
In 1981, a New York concert version was performed for Thomson's eighty-fifth birthday celebration. For this performance, Betty Allen, Gwendolyn Bradley, William Brown, Clamma Dale, Benjamin Matthews, Florence Quivar and Arthur Thompson sang the principal parts. There have also been stagings by Robert Wilson and the choreographer Mark Morris, who created a dance piece for it. The involvement of photographers including Lee Miller, Carl Van Vechten, and George Platt Lynes in documenting and representing the opera and its original performances in 1934 is explored in Allmer and Sears' book 4 Saints in 3 Acts: A Snapshot of the American Avant-garde in the 1930s (2017, Manchester University Press) which accompanied an exhibition of photographs and ephemera at The Photographers' Gallery in London in October 2017.
Clara M. Brinkerhoff At the age of 16, Brinkerhoff made her debut under the direction of Henry Meiggs, President of the American Musical Institute, at a concert given in Apollo Hall, on Broadway, with marked success. In her first musical season, she had the principal parts in The Seven Sleepers, Waldenses, Judas Maccabaeus, Lobgesang, and Louis Spohr's The Last Judgment. Afterwards, she appeared in Elijah, Athalia and Stabat Mater, and in classical concerts from Gluck, Beethoven, Mozart, Haydn and Wagner, with a full repertoire of the best Italian composers. She gave in New York City and other places a remarkable series of vocal recitals, comprising portrayals of the best compositions, planned and executed by herself, with no assistance beyond piano-forte accompaniment.
In language learning, the principal parts of a verb are those forms that a student must memorize in order to be able to conjugate the verb through all its forms. The concept originates in the humanist Latin schools, where students learned verbs by chanting them in the four key forms from which all other forms can be deduced, for example: :fero - ferre - tuli - latum ('to carry') Not all languages have to be taught in this way. In French, for example, regular verbs can be deduced from a single form, the infinitive, and irregular verbs are too random to be systematized under fixed parts. But the concept can be carried over to many languages in which the verbs have some kind of "regular irregularity", i.e.
Sundridge Park The borough is partly urban and partly rural, the former to the north and very much part of the built-up area of suburban London. The principal parts of the northern section, from west to east, are Beckenham, which includes Eden Park and Elmers End; Bromley with Bickley, Bromley Park and Bromley Common, Park Langley, Plaistow, Shortlands and Southborough; Chislehurst, with Elmstead and Sundridge. The built-up area around Orpington not only encompasses its direct outskirts of Chelsfield, Crofton, Derry Downs, Goddington, Kevingtown, and Petts Wood; it also includes the erstwhile separate settlements of Farnborough, Green Street Green, Pratts Bottom, St Mary Cray and St Paul's Cray. Other smaller suburban areas include Anerley and nearby Crystal Palace; and Penge.
This involved pruning multiple verbs formed from the same root with the same aspect, and creating new verbs for aspects that were missing for certain roots. At this stage a single verb was defined by a set of principal parts, each of which (approximately) defined the type of formation used in each of its aspects. This stage was in process in Vedic Sanskrit and was largely completed in Ancient Greek, although even in this language there are still verbs lacking some of the aspects, as well as occasional multiple formations for the same aspect, with distinct and idiosyncratic meanings. Many remnants of this stage are also found in Old Church Slavonic, which still had distinct stems for the present, aorist and infinitive/participle.
The study of terracotta of the region leads one to divide them into two groups–one indicating a primitive form and experience and the other showing the impress and formulations of a stylistic advance natural to a progressive art movement in a chronological sequence. In form and technique, the former differs from the latter and the primitive type is also being fashioned out by the rural people even in the present day. Scholars have described these types as "ageless" in distinction to the second, which is designated as terracotta figurines with the "time variation ". The ageless type is characterized by a modeling that reduces the form to a simple description of the main volumes of the figures corresponding to the principal parts of the body.
An 1890 bookcover showing the harlequinade characters Harlequinade is a British comic theatrical genre, defined by the Oxford English Dictionary as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the Commedia dell'arte, which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman.
The Russian diplomat Fedor Volkonsky, who was here in the 17th century, said: "Armenians have own church and market behind one was other church". He also said about 10 Armenian churches near the palace of kingКавказский этнографический сборник - Том 6 - Страница 264 / Изд- во Академии наук СССР, 1976 > Так, Волконский в 30-х годах XVII в. называет в Греми армянскую церковь, > армянский двор с каменной оградой, за которой находилась другая церковь. > Около Греми и царского двора Теймураза, по данным того же Волконского, > имелось до 10 армянских церквей The town appears to have occupied the area of approximately 40 hectares and to have been composed of three principal parts – the Archangels’ Church complex, the royal residence and the commercial neighborhood. Systematic archaeological studies of the area guided by A. Mamulashvili and P. Zak’araia were carried out in 1939-1949 and 1963-1967, respectively.
Rutherford standing on outside stairs at Beth Sarim shortly after its construction In 1918, Watch Tower publications began predicting, under the direction of Rutherford, that Old Testament patriarchs or "princes" would be resurrected back to earthly life in 1925. It was taught that these "princes" would become earth's new leaders and that their resurrection would be a prelude to the inauguration of a new earthly society and the abolition of death. PDF version News Clippings from the "Millions Now Living Will Never Die" Campaign (1919-1925) (It had previously been taught that these individuals were to be raised shortly after 1914.) These "princes" would use Jerusalem as their capital, with some of the "princes" being located in other "principal parts of the earth". Despite the failure of this prediction, Rutherford continued to preach their imminent return.
Sir George Smart, conductor of the symphony The first part of the concert on 21 March 1825 consisted of a symphony ("Sinfonia Letter T") by Joseph Haydn; the terzetto "Tutte le mie speranze" from Davide penitente by Mozart; an unspecified string quartet by Mozart; the song "Why does the God of Israel sleep" from Samson by Handel; a wind quintet by Anton Reicha; the aria "Per pietà" from Cosi fan tutte by Mozart; and an overture Les deux journées by Luigi Cherubini. The second part consisted of the new symphony by Beethoven. The programme described the work: "New Grand Characteristic Sinfonia, MS., with Vocal Finale, the principal parts of which to be sung by Madame Caradori, Miss Goodall, Mr Vaughan and Mr Phillips (composed expressly for this Society)." The leader of the orchestra was Franz Cramer, and the conductor was Sir George Smart.
Harlaxton Manor, England, a 19th-century meeting of Renaissance, Tudor and Gothic architecture produced Jacobethan – a popular form of historicist mansion architecture. As the 16th century progressed and the Renaissance style slowly spread across Europe, the last vestiges of castle architecture and life changed; the central points of these great houses became redundant as owners wished to live separately from their servants, and no longer ate with them in a Great hall. All evidence and odours of cooking and staff were banished from the principal parts of the house into distant wings, while the owners began to live in airy rooms, above the ground floor, with privacy from their servants, who were now confined, unless required, to their specifically delegated areas—often the ground and uppermost attic floors. This was a period of great social change, as the educated prided themselves on enlightenment.
With its wide frontage and substantial, imposing, but modest facade, the Junee theatre is a superior building to most constructed at the time in towns of up to four thousand people, and which, in 2003, have either been altered for other uses or demolished. In relation to the large body of theatre work of the architects, Kaberry and Chard, it is very typical, or in other words, an excellent example - as good as these architects designed for larger towns. The integrity of the item has only been compromised by superficial alterations (such as change of windows and removal of light fixtures on the facade;; replacing side wooden shutters with windows; changing the original proscenium for a wider "plain" stage opening; and relining the ceiling). The principal parts of the building are intact, thus retaining its original theatrical aura.
The Supreme Court's recent treatment of federalism and regulatory taking issues suggests that the Court may be inclined to undo some of the effects of the navigational servitude as it has developed over the past two centuries. 33 U.S.C. 595a, consists of two relevant principal parts. The first part describes the rule for the determination of just compensation with respect to any real property lying above the high-water mark of a waterway that is taken by the United States in connection with the improvement of rivers, harbors, canals, or waterways of the United States. It unmistakably provides that, notwithstanding Rands, when property above the high-water mark is condemned for any of several specified purposes, the landowner is entitled to compensation for the part taken, under the same constitutional rules that are applicable in the non- riparian context.
Deponent verbs are verbs that are passive in form (that is, conjugated as though in the passive voice) but active in meaning. These verbs have only three principal parts, since the perfect of ordinary passives is formed periphrastically with the perfect participle, which is formed on the same stem as the supine. Some examples coming from all conjugations are: :1st conjugation: – to admire, wonder :2nd conjugation: – to promise, offer :3rd conjugation: – to speak, say :4th conjugation: – to tell a lie Deponent verbs use active conjugations for tenses that do not exist in the passive: the gerund, the supine, the present and future participles and the future infinitive. They cannot be used in the passive themselves (except the gerundive), and their analogues with "active" form do not in fact exist: one cannot directly translate "The word is said" with any form of , and there are no forms like loquō, loquis, loquit, etc.
M. Haug states that the 'Veda, or scripture of the Brahmans, consists, according to the opinion of the most eminent divines of Hindustan, of two principal parts, viz. Mantra [Samhita] and Brahmanam... Each of the four Vedas (Rik, Yajus, Saman, and Atharvan) has a Mantra, as well as a Brahmana portion. The difference between both may be briefly stated as follows: That part which contains the sacred prayers, the invocations of the different deities, the sacred verses for chanting at the sacrifices, the sacrificial formulas [is] called Mantra... The Brahmanam [part] always presupposes the Mantra; for without the latter it would have no meaning... [they contain] speculations on the meaning of the mantras, gives precepts for their application, relates stories of their origin... and explains the secret meaning of the latter'. J. Eggeling states that 'While the Brâhmanas are thus our oldest sources from which a comprehensive view of the sacrificial ceremonial can be obtained, they also throw a great deal of light on the earliest metaphysical and linguistic speculations of the Hindus.

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