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"pleonasm" Definitions
  1. the use of more words than are necessary to express a meaning. For example, ‘see with your eyes’ is a pleonasm because the same meaning can be expressed using ‘see’.Topics Languagec2

17 Sentences With "pleonasm"

How to use pleonasm in a sentence? Find typical usage patterns (collocations)/phrases/context for "pleonasm" and check conjugation/comparative form for "pleonasm". Mastering all the usages of "pleonasm" from sentence examples published by news publications.

In one room are single works by several of the original, Soho-era artists, including Franz West's "Pleonasme (Pleonasm)" (1999), a predominantly reddish-orange, mixed media (papier-mâché, plastic, plaster, glue, and paint) sculpture atop a wood-and-MDF pedestal made by the artist.
He takes no thought for style, and his work is marked by frequent pleonasm, anacoluthon, etc.
My salvation is in my Saviour who saveth me hence the redundancy and pleonasm of my asseveration.
Most often, pleonasm is understood to mean a word or phrase which is useless, clichéd, or repetitive, but a pleonasm can also be simply an unremarkable use of idiom. It can aid in achieving a specific (sic) linguistic effect, be it social, poetic or literary. Pleonasm sometimes serves the same function as rhetorical repetition—it can be used to reinforce an idea, contention or question, rendering writing clearer and easier to understand. Pleonasm can serve as a redundancy check; if a word is unknown, misunderstood, misheard, or if the medium of communication is poor—a wireless telephone connection or sloppy handwriting—pleonastic phrases can help ensure that the meaning is communicated even if some of the words are lost.
In literary criticism and rhetoric, a tautology is a statement which repeats an idea, using near-synonymous morphemes, words or phrases, effectively "saying the same thing twice". Tautology and pleonasm are not consistently differentiated in literature. Like pleonasm, tautology is often considered a fault of style when unintentional. Intentional repetition may emphasize a thought or help the listener or reader understand a point.
The name is a pleonasm, as "Drum" is slang for "House" in some English dialects, and "Billet" is a (more typically) military term for housing. Hence his name should be House House.
In America "à la Carte Menu" can be found, an oxymoron and a pleonasm. ; à propos: regarding/concerning (the correct French syntax is à propos _de_ ) ; aide-de-camp: lit. "camp helper"; A military officer who serves as an adjutant to a higher-ranking officer, prince or other high political dignitary. ; aide- mémoire: lit.
12–15 Artistic license also surfaces in the apparent pleonasm, with which Cătălina beckons Hyperion: Cobori în jos, luceafăr blând ("Descend down, gentle Morning Star"). Some Eminescu exegetes see here an intellectual stress on the separation between the realms, breached by "divine descent into humanity", Ilie Constantin, "Cătălina, Hyperion, Cătălin", in România Literară, Nr. 1/2000 or the repetition one associates with incantation.
On the other hand, as is the case with any literary or rhetorical effect, excessive use of pleonasm weakens writing and speech; words distract from the content. Writers wanting to conceal a thought or a purpose obscure their meaning with verbiage. William Strunk Jr. advocated concision in The Elements of Style (1918): Yet, one has only to look at Baroque, Mannerist, and Victorian sources for different opinions.
In recent years, the use of RSVP in the English language has spread outside of the discourse of highly formal correspondence and commonly figures in group emails. In this context, the initialism seems to have loosened its tie to its original meaning and is often understood simply as an abbreviation for "reply". Some writers therefore routinely use the phrase "Please RSVP", which is a case of RAS syndrome or a pleonasm.
Under rules first established in 1906, which are applied retroactively, Larix larix cannot exist as a formal name. In such a case either the next earliest validly published name must be found, in this case Larix decidua Mill. (1768), or (in its absence) a new epithet must be published. However, it is allowed for both parts of the name of a species to mean the same (pleonasm), without being identical in spelling.
Brick Boulder (original Italian name "Rock Sassi", which is a pleonasm as "sassi" means "rocks") is a plainclothes police officer who usually works together with Detective Casey. He first appeared in the story La lunga notte del commissario Manetta (English title: Casey's Longest Night) in 1997, written by Tito Faraci and drawn by Giorgio Cavazzano . Like Casey, Brick Boulder is a bumbling and incompetent policeman. Curiously though, his intelligence seems to vary, even between stories by the same writer.
Also, the appearance of these stars coincided with the sailing season in antiquity; sailors were well advised to set sail only when the Pleiades were visible at night, lest they meet with misfortune. Another derivation of the name is the Greek word Πλειόνη (pr. plêionê), meaning "more", "plenty", or "full"—a lexeme with many English derivatives like pleiotropy, pleomorphism, pleonasm, pleonexia, plethora and Pliocene. This meaning also coincides with the biblical Kīmāh and the Arabic word for the Pleiades — Al Thurayya.
Plural in Indonesian serves just to explicitly mention the number of objects in sentence. For example, Ani membeli satu kilo mangga (Ani buys one kilogram of mangoes). In this case, "mangoes", which is plural, is not said as mangga-mangga because the plurality is implicit: the amount a kilogram means more than one mango. So, as it is logically, one does not change the singular into the plural form, because it is not necessary and considered a pleonasm (in Indonesian often called pemborosan kata).
Amplification involves repeating a word or expression while adding more detail, to emphasise what might otherwise be passed over. This allows one to call attention to and expand a point to ensure the reader realizes its importance or centrality in the discussion. But this revolting boy, of course, Was so unutterably vile, So greedy, foul, and infantile He left a most disgusting taste Inside our mouths… (Roald Dahl, Charlie and the Chocolate Factory) Pleonasm involves using more words than necessary to describe an idea. This creates emphasis and can introduce additional elements of meaning.
Morphemes, not just words, can enter the realm of pleonasm: Some word-parts are simply optional in various languages and dialects. A familiar example to American English speakers would be the allegedly optional "-al-", probably most commonly seen in "" vs. "publicly"—both spellings are considered correct/acceptable in American English, and both pronounced the same, in this dialect, rendering the "publically" spelling pleonastic in US English; in other dialects it is "required", while it is quite conceivable that in another generation or so of American English it will be "forbidden". This treatment of words ending in "-ic", "-ac", etc.
One of the main claims this social philosophy advances is the rejection of the dichotomy between State and civil society, a contrived duality which he blames as the root of serious misconceptions. The primeval meaning of «Republic» being the State, «republicanism» primarily means giving some prominence to the public mission vested in the State, by promoting or favouring the government's intervention and the domain of resources publicly managed—provided, that is, that such a State has no hereditary ruler. Peña has coined the pleonasm «republican republicanism» (or its alternative wording «public republicanism») to designate his political ideas, according to which the State's job is to pursue the common welfare by organizing the public services. Peña claims that there has never been a minimal state concerned with keeping law and order and nothing else.

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