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"diffuseness" Definitions
  1. the fact of being not clear or easy to understand

31 Sentences With "diffuseness"

How to use diffuseness in a sentence? Find typical usage patterns (collocations)/phrases/context for "diffuseness" and check conjugation/comparative form for "diffuseness". Mastering all the usages of "diffuseness" from sentence examples published by news publications.

And in the end, its power may come from its very diffuseness.
It explains the show and accounts for its material diffuseness, and in so doing diminishes its weirdness.
The conceit of this work has a catch-all diffuseness that manifests in the series' disorienting scalar and perspectival shifts.
As she weighs maternity, Heti's narrator laments the pressures on women to have children, but what's notable is the diffuseness of these pressures in this particular woman's life.
But this parade of experts only serves to highlight the core question: How does one address what is arguably the most important single development of our time, without simply mirroring its totalized diffuseness?
" Actually, love in these polysexual poems is the carnal and metaphysical impetus that undoes all measure — "So let's not talk of love the diffuseness of which / Round our heads (that oriole's song) / like on the platforms / Of the subways and at their stations is today defused / As if by the scattering of light rays in a photograph.
The fault of Mr Townsend's style is, diffuseness, a tendency to colloquiality, and a deficiency of vigour.
But the best of the book is second-rate, vitiated by diffuseness, imitativeness, and the usual sentimentality.
The one is that which is given with great diffuseness in cabbalistic writings, and has been brought into a system.
Their immense and sandy diffuseness is like the prairie, or the desert, and their incongruities are like the last deliration.
A locus classicus in this debate is the G-Major Quartet, a work regularly critically marginalized for its alleged discursiveness and formal diffuseness.
These bluish-gray regions are usually featureless. The North North Temperate Region rarely shows more detail than the polar regions, due to limb darkening, foreshortening, and the general diffuseness of features. However, the North-North Temperate Belt (NNTB) is the northernmost distinct belt, though it occasionally disappears.
In the last century the radiant of the modern weaker meteor shower is generally in the constellation of Andromeda as the name of the shower suggests, but due to its age and diffuseness meteors may appear to come from the neighbouring constellations, such as Pisces, Triangulum and Cassiopeia.
There are more than 30 dramatis personae, to say nothing of anonymous soldiers and messengers. According to the authors of the 1911 Encyclopædia Britannica, the drama about Alexander the Great and the second work about St. Thomas of Canterbury "though they contain fine passages, suffer from diffuseness and a lack of dramatic spirit".
Nor is it easy to avoid the impression, at a first hearing of > the work, of a certain diffuseness. There is a tendency to over-elaboration > of detail, and to unnecessary extensions, so that the last movement, in > particular, appears too long. Would not a pair of shears benefit the > proportions of this work?Bertensson and Leyda, 324–5.
In the opinion of the best scholars, he preserved the happy mean in his annotations, although his own countrymen have coined the word lambiner to express trifling and diffuseness. His chief editions are: Horace (1561); Lucretius (1563), on which see H. A. J. Munro's preface to his edition; Cicero (1566); Cornelius Nepos (1569); Demosthenes (1570), completing the unfinished work of Guillaume Morel; and Plautus (1576).
The orchestration is in the style of Weber. The work shows the composer's inexperience (he was less than 20 years old when writing it), in particular in a so-called diffuseness of the first and second movements.Overbeeke (2012) 6-7. Wagner also started in 1834 an incomplete symphony in E major (WWV35), of which only the first movement and part of the second movement exist.
But she was unschooled and unguided, as she herself confessed: "'Tis with an untaught hand I sweep the chords." Left, therefore, to her own accord, she repeated herself not only from one poem to another, but not infrequently from stanza to stanza. She lacked skill with condensation, and nearly all her pieces showed twice too many words. The early critics warned her against repetition and diffuseness, but she chose not to take heed.
What constitutes a sufficiently large driving force depends upon the diffuseness of the interface, so that for extremely diffuse interfaces, this critical driving force will be so small that any measurable driving force will exceed it. Alternatively, for sharp interfaces, the critical driving force will be very large, and most growth will occur by the lateral step mechanism. Note that in a typical solidification or crystallization process, the thermodynamic driving force is dictated by the degree of supercooling.
Instead, monotony and dullness took the place of memories and fancies. Her theme, but not her energy, became exhausted, and, conscious of this state, she became sad at heart. Her narrow range of experience with the tendency to self-repetition, the lack of literary discipline with the tendency to diffuseness, these made against her fame in the long run. Welby might have attained high rank among the lyric poets if her skills from the first had been steadily disciplined.
His last work, The Divinity Student () (1824), is a romance about the adventures of a hetman's son; George Grabowicz considered it "probably his best work."George G. Grabowicz, in Victor Terras, Handbook of Russian Literature (Yale University Press, 1990; ), p. 293. D. S. Mirsky wrote: > Narézhny had a grip on real life, which places him above all the > "prehistorical" Russian novelists. But he was too little of an artist, and > his books, owing to their heavy style and their diffuseness, are difficult > reading.
Procopius' theological writings consist of commentaries on the Octateuch, the books of Kings and Chronicles, Isaiah, the Proverbs, the Song of Songs and Ecclesiastes. They are amongst the earliest examples of the "catenic" (catena, chain) form of commentary, consisting of a series of extracts from the fathers, arranged, with independent additions, to elucidate the portions of Scripture concerned. Photius (cod. 206), while blaming the diffuseness of these commentaries, praises the writer's learning and style, which, however, he considers too ornate for the purpose.
Its value reflects both the importance of the ice edge location in general and the difficulty of accurately locating the ice edge with remotely sensed data. It is also useful to provide a description of the ice edge in terms of indications of freezing or thawing, wind-driven advance or retreat, and compactness or diffuseness. Other important auxiliary information includes the location of the icebergs, floebergs, ice islands, old ice, ridging and hummocking. These ice features are poorly monitored by remote sensing techniques but are very important aspects of the ice cover.
The foreword is by the Chairman of the Council at the time, Waldorf Astor, 2nd Viscount Astor.#Baynes1942-1 Page iii Being a collection of representative passages arranged under subjects, the speeches are neither complete, self- contained, nor necessarily in chronological order.Although the passages in the second volume, which covers Foreign Policy, are in chronological order Interviews with journalists are also included. It was edited by Professor Norman Hepburn Baynes who translated from the German at times with a self- confessed difficulty due to a ‘diffuseness‘ in National Socialist terminology.
In 1881, her Virginia and Other Poems appeared, published in Philadelphia, by Sherman & Co. The longer poems in this book are the weaker. The best are those of religious feeling; they are short, rhythmical and tender. According to Painter in Poets of Virginia (1907), these two volumes deal with plain, homely themes, as may be judged from such titles as "Old Letters", "Family Portraits", "To My Books", and "Summer Evening". They show a good degree of poetic feeling and literary skill; and if there is a tendency to diffuseness, it included a pure and gentle spirit.
Although hardly known outside of Holland, among his own people for nearly two centuries he enjoyed an enormous popularity – the complete collection of his poems is said to have sold around 50,000 copies, and was reputedly the only book, other than the Bible, to be found in many Dutch homes.Mike Dash, Tulipomania (Hachette, UK, 2011), Ch. 7 His diffuseness and the antiquated character of his matter and diction, have, however, come to be regarded as difficulties in the way of study, and he is more renowned than read. A statue to him was erected at Brouwershaven in 1829.
This association does not, however, meet this criterion at more than the local level. The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. McQuade Park has aesthetic/technical State significance because of the high aesthetic values of the Boer War memorial with its O'Kelly carvings and its surrounding formal garden. The park as a whole with its extensive tree-plantings is an attractive and necessary adornment to the town, but the diffuseness of the multi-purpose planning of the modern park does not in itself qualify for significance at the state level.
His best-known works are: in verse, The Sisters (1861); The Infant Bridal (1864); Irish Odes (1869); Legends of St Patrick (1872); and Legends of the Saxon Saints (1879); and in prose, Essays Chiefly on Poetry (1887); and Essays Chiefly Literary and Ethical (1889). He also wrote a picturesque volume of travel-sketches, and two dramas in verse, Alexander the Great (1874); and St Thomas of Canterbury (1876). According to the Encyclopædia Britannica Eleventh Edition, both of these dramas, "though they contain fine passages, suffer from diffuseness and a lack of dramatic spirit." One of his best remembered poem is Inisfail while two of his historical poems used to be on the Junior Cycle English syllabus, The March to Kinsale and The Ballad of Athlone.
In the theory of crystal growth, Cahn concluded that the distinguishing feature is the ability of the surface to reach an equilibrium state in the presence of a thermodynamic driving force (typically in the form of the degree of undercooling). He also concluded that for every surface or interface in a crystalline medium, there exists a critical driving force, which, if exceeded, will enable the surface or interface to advance normal to itself, and, if not exceeded, will require the lateral growth mechanism. Thus, for sufficiently large driving forces, the interface can move uniformly without the benefit of either a heterogeneous nucleation or screw dislocation mechanism. What constitutes a sufficiently large driving force depends upon the diffuseness of the interface, so that for extremely diffuse interfaces, this critical driving force will be so small that any measurable driving force will exceed it.
Hayden recounts his shame at having co-operated with the House Un-American Activities Committee during the Second Red Scare, his pride in his achievements as a sailor, and adopts a scornful attitude towards his illustrious career as a Hollywood film icon. The film was shown at the 1983 Edinburgh Film Festival, where it was one of a few independent films singled out for praise by critic Steve McIntyre in an otherwise disappointing event. In a review for The New York Times, critic Janet Maslin cited the film as an example of "documentary film making ... at its most laissez faire", lamenting that "[e]very discussion is allowed to proceed far beyond its natural conclusion". She criticised the filmmakers' reluctance to rein in Hayden's "diffuseness of thought", "stilted" cinematography, inclusion of trivial and uninteresting details from the interviews, and their nonchalant and distanced attitude towards the actor.
The crux of Saiving's argument in the article is that the focus on pride characteristic of traditional Christian interpretations of sin reflects male experience in a way that is inappropriate to the experience of most, if not all, women, who are much more likely to be prone to "triviality, distractibility, and diffuseness; lack of an organizing center or focus; dependence on others for one's self-definition; tolerance at the expense of standards of excellence ... in short, underdevelopment or negation of the Self." Fundamentally, Saiving's essay proposes a radical re-definition of 'sin'; one that correctly addresses the female experience. Christianity's view of salvation as a result of selflessness is seen as potentially proscriptive of women who need, in Saiving's opinion, to be encouraged rather than discouraged from asserting themselves as individuals. Overall, Saiving wished to, "...awaken theologians to the fact that the situation of women, however similar it may appear on the surface of our contemporary world to the situation of man and however much it may be echoed in the life of individual men, is, at bottom, quite different - that the specifically feminine dilemma is, in fact, precisely the opposite of the masculine" (1979, 39).

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