You're not seeing pink elephants ... that's just Justin Bieber's new grill.
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By contrast, the fake pink elephants are literally pale imitations of the real thing.
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In 2015, I had an art show called Pink Elephants, which featured drawings of homoerotic, anthropomorphic elephants.
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I prefer stuff that keeps you grounded in the real world, so you're not seeing pink elephants.
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In the original movie, Dumbo, a child, drinks so much alcohol that he hallucinates pink elephants tormenting him.
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Then, there was one of Disney's weirdest reveries: the dance of the pink elephants, as imagined by a champagne-fuelled Dumbo.
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Rather than swirling in a magical universe with pink elephants, she says microdosing has improved her productivity, creativity and helped her focus.
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Soon, ARKit-powered AR apps will put pink elephants, dancing puppies, and even volumetrically captured celebrities in every mappable space in the real world.
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The first two Gainsbourg albums Harvey did (Intoxicated Man in 1995 and Pink Elephants in 1997) covered what would most easily be considered the French pop star's hits (Bonnie and Clyde, etc.).
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You'll spy Michael Keaton as ringmaster V. A. Vandemere, Eva Green as performer Colette Marchant, a snippet of the acid-washed "Pink Elephants" scene, and our first glimpse of Dumbo flying like a boss.
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Instead, the Busby-style showgirls assemble to create a group of CGI pink elephants out of bubbles to dance around for the show's audience, leaving audiences with yet another digital rendering instead of actual performers.
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Personally, the craziest thing I've ever seen while tripping was a ton of flying pink elephants while I was under an extremely strong morphine-based general anesthetic for a procedure that involved a camera being inserted into my butt (cliché, I know).
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Some can be caused by mild hallucinations—I'm not talking about over-the-top, full-on wild LSD-type hallucinations of flying pink elephants, but instead much more common and subtle tricks of the eye and mind, especially that might occur late at night.
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The original "Dumbo" was a product of its time: there is a character called Jim Crow, voiced by a white actor parodying African-American vernacular; a scene featuring an intoxicated minor that has since become a staple of acid cinema ("Pink Elephants on Parade"), and some unionising clowns that echo the Disney workers' strike that disrupted the film's production.
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Pink Elephants is Mick Harvey's second collection of Serge Gainsbourg covers.
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After getting drunk, a goat sees three pink elephants everywhere he goes.
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A well-known reference to pink elephants occurs in the 1941 Disney animated film Dumbo. After taking a drink of water from a bucket spiked with champagne, Dumbo and Timothy begin to hallucinate singing and dancing elephants in a segment known as "Pink Elephants on Parade". Pink elephants actually do exist in nature. Although they are extremely rare, albino elephants can appear to be pink as well as white.
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The song transitions into "Hakuna Matata". The music then segues into a dubstep rendition of "Pink Elephants on Parade" from Dumbo, as animated pink elephants appear onscreen and in the form of performers on the island. The scene then transitions to "Friend Like Me" from Aladdin. Sorcerer Mickey watches the Genie perform tricks.
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"Seeing pink elephants" is a euphemism for drunken hallucination caused by alcoholic hallucinosis or delirium tremens. The term dates back to at least the early 20th century, emerging from earlier idioms about snakes and other creatures. An alcoholic character in Jack London's 1913 novel John Barleycorn is said to hallucinate "blue mice and pink elephants".
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Intoxicated Man is the first of four albums by Mick Harvey, presenting the songs of Serge Gainsbourg, sung in English. It is followed by Pink Elephants, Delirium Tremens, and Intoxicated Women.
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In the U.S., a White elephant gift exchange is a popular winter holiday party activity. The idiom Elephant in the room tells of an obvious truth that no one wants to discuss, alluding to the animal's size compared to a small space. "Seeing pink elephants" refers to a drunken hallucination and is the basis for the Pink Elephants on Parade sequence in the 1941 Disney animated feature, Dumbo. "Jumbo" has entered the English language as a synonym for "large".
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"Pink Elephants on Parade" is a song and scene from the 1941 Disney animated feature film Dumbo in which Dumbo and Timothy Q. Mouse, having accidentally become intoxicated (through drinking water spiked with champagne), see pink elephants sing, dance, and play marching band instruments during an hallucination sequence. The song was written by Oliver Wallace and Ned WashingtonThe American Film Institute (1971). The American Film Institute catalog of motion pictures produced in the United States, Volume 1 University of California Press. pp. 663. and sung by Mel Blanc, Thurl Ravenscroft and The Sportsmen.
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The association between pink elephants and alcohol is reflected in the name of various alcoholic drinks. There are various cocktails called "Pink Elephant", and The Huyghe Brewery put a pink elephant on the label of its Delirium Tremens beer.
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" :Charlie: "Why, you bar- fly you, I'll stick a wick in your mouth, and use you for an alcohol lamp!" :Charlie: "Pink elephants take aspirin to get rid of W. C. Fields." :W.C. Fields: "Step out of the sun Charles.
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Delirium Tremens is the third of four albums by Mick Harvey, presenting the songs of Serge Gainsbourg, sung in English. It was preceded by Intoxicated Man in 1995 and Pink Elephants in 1997, and followed by Intoxicated Women in 2017.
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There is the man whom we > all know, stupid, unimaginative, whose brain is bitten numbly by numb > maggots; who walks generously with wide-spread, tentative legs, falls > frequently in the gutter, and who sees, in the extremity of his ecstasy, > blue mice and pink elephants. He is the type that gives rise to the jokes in > the funny papers.John Barleycorn Chapter II, at Wikisource "Pink elephants" became the dominant animal of drunken-hallucination choice by about 1905, although other animals and other colors were still regularly invoked. "Seeing snakes" or "seeing snakes in one's boots" was in regular use into the 1920s.
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The segment was directed by Norman Ferguson, laid out by Ken O'Connor and animated by Hicks Lokey, Frank Thomas, Karl Van Leuven, and Howard Swift.Langer, Mark, Film History, Vol. 4, No. 4 (1990). Regionalism in Disney Animation: Pink Elephants and Dumbo , pp.
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In 2008, Republican vice-presidential candidate Sarah Palin used the phrase "pink elephants" to refer to conservative women such as herself, Carly Fiorina, Sue Lowden and Jane Norton (referencing the elephant being the symbol of the Republican Party and pink being a stereotypical feminine color).
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Yulia Latynina is a critic of Russian President Vladimir Putin, whom she accuses of corruption, fraud of presidential elections, the destruction of the investment climate and failed foreign policy.Президент Всея Нефти (Yulia Latynina 'The President of Oil', Gazeta.ru, 30.09.2011)Обналичка розовых слонов (Yulia Latynina 'Cashing Pink Elephants', Novaya Gazeta, 28.02.2012.
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This is a pop art serigraph that demonstrates a nude woman in pink, with pink elephants at the top and the bottom. This may be considered a self-portrait. The image can bebportrayed as something feminine simply because of its color. This piece is sold from one hundred to two hundred dollars.
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The first recorded use of pink elephants as the stereotypical hallucination of the extremely drunkpink Online Etymological Dictionarypink elephants Maven's Word of the Day, Random House occurs at the beginning of chapter two: > There are, broadly speaking, two types of drinkers. There is the man whom we > all know, stupid, unimaginative, whose brain is bitten numbly by numb > maggots; who walks generously with wide-spread, tentative legs, falls > frequently in the gutter, and who sees, in the extremity of his ecstasy, > blue mice and pink elephants. He is the type that gives rise to the jokes in > the funny papers.John Barleycorn at Wikisource This is contrasted to drinkers such as the narrator, who are possessed of imagination and become drunk more in brain than in body.
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Like snakes and "pink elephants" that have been used in many societies to symbolize heavy drinking or been associated with the hallucinations of drunkards, the main character in this "'photophantasy'" blamed instead a "Ringtailed Rhinoceros" for his excessive use of wine and liquor."Terwilliger Exceedingly Busy", Motography, July 25, 1914, p. 124. Internet Archive. Retrieved April 8, 2020.
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This may link back to the use of the term in Western saloons where patrons would drink alcoholic beverages in hopes of seeing the elephant. Also meaningful is the link between the pink elephants as a hallucination and the 19th century elephant as a mythical elephant that never appeared in tangible form but as an imaginary vision.
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Drollinger mounted the long-running cult hit, Above and Beyond the Valley of the Ultra Showgirls in 1997 before moving to New York City in 1998. While living in Manhattan Drollinger wrote and produced Pink Elephants, Scalpel! and Shit & Champagne, in which he also starred. After returning to San Francisco in 2011, Project : Lohan, Mr. Irresistible, were written.
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Japanese version The original Japanese version of Pu·Li·Ru·La featured an area with huge (apparently female) legs sticking out of the wall with a door in the middle of them, which pink elephants would occasionally escape. This section was removed in the international release. A stage from Bubble Symphony is based on Pu·Li·Ru·La. The enemies and boss characters are from this game.
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There were several old west saloons that had 'elephant' in the title, including the famous White Elephant Saloons. The brothel elephant can also be "seen" in the movie Moulin Rouge! as courtesan Satine's business and living quarters. Maybe coincidentally or perhaps a remnant of the 19th century elephant idiom, the 20th century euphemism "seeing pink elephants" is a term to denote drunk hallucinations.
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Pink Elephants is a 1937 black-and-white cartoon made by the Terrytoons studio and released by 20th Century Fox. Directed by George Gordon, produced by Paul Terry and with original music by Philip A. Scheib, it was released in the United States on 9 July 1937. It is among the few unsyndicated Terrytoons that has been digitized by collectors and archivists.
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The lyrics encourage the little girl Jessie to use her imagination. It summons up a psychedelic landscape, where pink elephants roam with dancing moons and mermaids. It references fairy-tale characters and creates an image of children playing with each other. The nexus of the album's eighth song, "Oh Father", talks about the presence of male authoritative figures in Madonna's life, most prominently her father, Tony Ciccone.
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The site of the brewery has been in operation since 1654. In 1906, Leon Huyghe purchased an existing brewery in the town. The brewery acquired the present name in 1938. While the company initially brewed a regular pilsner, it soon began brewing the kinds of beers now typically known as "Belgian", including a series of beers under the "Delirium" tag, with pink elephants on the label.
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"Dear Jessie" ends with all instrumentation and vocals fading out, except the orchestra, which is equalized to make it sound very thin and trebly, as if coming out from a distorted radio. The lyrics encourage the young girl Jessie to use her imagination. It summons up a psychedelic landscape, where pink elephants roam with dancing moons and mermaids. It references fairy-tale characters and creates an image of children playing with each other.
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William "Hicks" Lokey (April 5, 1904 - November 4, 1990) was an American animator. He is best known for his work at Fleischer Studios. Lokey was born in Alabama. He worked as an animator for Fleischer Studios (1934-1938), the Walter Lantz Studio (1938–39), Walt Disney Productions (1940–41, where he provided character animation for the "Pink Elephants on Parade" segment in Dumbo and "The Dance of the Hours" in Fantasia), and Hanna-Barbera (1959-1986).
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The track is composed more like a children's lullaby rather than a pop song, and features strings, synthesizer and strummed acoustics. A change in tempo occurs during the breakdown, where instrumentation from trumpets is included. Lyrically, the song evokes a psychedelic fantasy landscape, in which pink elephants roam with dancing moons and mermaids. Upon its release, "Dear Jessie" received mixed reviews from critics, who felt that about the fantasy imagery of the song was overdone, but complimented its composition.
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Additionally, Arcade Fire performs an end-credits version of "Baby Mine" for the film, which was released as a single on March 11, 2019. Instrumental versions of the songs "Casey Junior", "When I See an Elephant Fly", and "Pink Elephants on Parade" from the original Dumbo are also included in the 2019 film. The soundtrack, featuring Elfman's score and Arcade Fire's version of "Baby Mine", was digitally released on March 29, 2019 and physically released on April 26, 2019.
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Accordingly, Fritz the Cat includes two satirical references to Disney. In one scene, silhouettes of Mickey Mouse, Daisy Duck, and Donald Duck are shown cheering on the United States Air Force as it drops napalm on a black neighborhood during a riot. Another scene features a reference to the "Pink Elephants on Parade" sequence from Dumbo. A sequence of the camera panning across a garbage heap in an abandoned lot in Harlem sets up a visual device which recurs in Hey Good Lookin'.
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She returned, in 1997, for his second Gainsbourg-inspired album, Pink Elephants. Over the two albums Harvey had Lane "singing the female parts originally performed by the likes of Jane Birkin, Brigitte Bardot and Anna Karina". For Murder Ballads (February 1996), the ninth studio album by Nick Cave and the Bad Seeds, Lane sang a verse of their cover version of Bob Dylan's "Death Is not the End" – other verses were by Kylie Minogue and Shane MacGowan – and also vocals for "The Kindness of Strangers".
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On March 10, 1933, Jackson recorded with Parlophone the comedy number, "Pink Elephants" and another number, "I've got the Wrong Man" both of which she performed in the revue. In the meantime, film director Andrew Buchanan took her on screen, appearing in two short films with the Ideal Cine-Magazine, I've Got the Wrong Man and Black Magic. On the 24th, she recorded three more songs, this time with Decca Records. On May 20, she was back in Paris, appearing at the Robinson Club.
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The original design of the attraction had 10 ride vehicles which were intended to represent not the "one and only" Dumbo, but the alcohol-induced "pink elephants" scene from the film. The installation at Disneyland was manufactured by Arrow Development. The ride was scheduled to be one of Disneyland's opening-day attractions, but instead opened a month after the park's grand opening, due to flawed prototypes. For the first two years, the hub of the original Dumbo ride lacked the ball with the Timothy Mouse figure.
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In the winter of 2008, Disneyland's Fantasmic! returned from another refurbishment with new high-definition digital projectors, most noticeable in the "Pink Elephants" and "Tinker Bell" segments, where the images are clearer and have deeper colors compared to the 70 mm film projections that were used for 16 years. There are six pyrotechnics barges that can hold up to three shows worth of pyrotechnics each. Two barges sit on each side of the stage, and two are at center stage. The pyrotechnics were redesigned during the winter 2008 refurbishment.
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In the late 1980s the Arkestra performed a concert at Walt Disney World. The Arkestra's version of "Pink Elephants on Parade" is available on Stay Awake, a tribute album of Disney tunes played by various artists and produced by Hal Willner. A number of Sun Ra's 1970s concerts are available on CD, but none have received a wide release in comparison to his earlier music. In 1978–80 performances, Sun Ra added a large electronic creation, the Outerspace Visual Communicator, which produced images rather than sounds; this was performed at a keyboard by its inventor, Bill Sebastian.
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According to Rikky Rooksby, author of The Complete Guide to the Music of Madonna, "Dear Jessie" sounds more like a children's lullaby than a pop song. A baroque pop and psychedelic pop song, it begins with the sound of strings, ushering a joyous melody, with Madonna singing in a full voice. The verses are sung without any background vocals to accompany Madonna's voice. However, in the chorus, when she sings the lines, "Pink elephants and lemonades, Dear Jessie hear the laughter raining on your love-parade", a different set of vocals are interwoven with hers, continuously chanting the words "La-la".
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Portishead also covered the song in French, collaborating with Jane Birkin. Mick Harvey of Nick Cave and the Bad Seeds also released a total of four Gainsbourg tribute albums, two in the 1990s, Intoxicated Man (1995) and Pink Elephants (1997), and two more nearly 20 years later, Delirium Tremens (2016) and Intoxicated Women (2017). He also joined the stage with frequent collaborator PJ Harvey in 1996 for performances of two Gainsbourg songs, Bonnie and Clyde and Harley Davidson. Michael Stipe covered "L'hôtel particulier" under the name "L'Hotel" on a 2006 Gainsbourg tribute album Monsieur Gainsbourg Revisited.
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On the way back, Dumbo cries and then gets the hiccups, so Timothy takes him for a drink of water from a bucket that, unknown to them, has accidentally had a bottle of champagne spilled into it by the clowns. As a result, Dumbo and Timothy both get drunk and have surreal hallucinations of pink elephants. The next morning, Dumbo and Timothy are awakened by a group of crows who are surprised to find an elephant sitting on the highest branches of a tree. As the initial astonishment passes, Timothy surmises that Dumbo had managed to achieve flight using his large ears as wings.
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Harper Valley PTA was filmed in twenty-seven days from October 1, 1977 to December 8, 1977. It was filmed on location for one week in the town of Lebanon, Ohio and then continued in Los Angeles, California. The track meet scene was filmed at Simi Valley High School St. Petersburg Times Director Ralph Senensky left the production only two weeks before the end of principal photography, and was replaced by Richard Benett. On October 31, 1977, Senensky argued with the producers about a scene featuring pink elephants in the Hancock Park neighborhood of Los Angeles, California, believing that the animals would be spooked by filming on Halloween night.
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A fairy goes around tapping all her toys on the floor and a large, golden teapot comes alive and shoots a rainbow from its spout. A cartoon version of the girl then slides along the rainbow and, interpreting the lyrics of the song, catches a falling star and rides over the moon. By the second verse, pink elephants float over the girl's bed and an animated fairy version of Madonna emerges from the picture and winks. She takes the girl through another picture, displaying mythological and fairytale beings such as dragons, princes and unicorns as well as a castle where Madonna dances with the moon.
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At the time, the Disney Studio was in serious financial trouble due to the war in Europe, which caused Pinocchio and Fantasia to fail at the box office, with the result that Dumbo was intended to be a low-budget feature designed to bring revenue to the studio. Story artists Dick Huemer and Joe Grant were assigned to develop the plot into a feature-length film. From January 22 to March 21, 1940, they wrote a 102-page script outline in chapters, much like a book, an unusual way of writing a film script. They conceived the stork- delivery and the pink elephants sequences and had Dumbo's mother renamed from "Mother Ella" to "Mrs. Jumbo".
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Although an alcoholic, Jack's drinking is not limited to alcohol, as he will drink almost any liquid he can get his hands on, except for water or tea, which he despises. Over the course of the series, he is revealed to have drunk Toilet Duck (which made him hallucinate, seeing pink elephants and the people around him as bizarre oddities), floor polish (which slowed down his metabolism to the point that everyone thought he was dead), brake fluid (which exacerbated his "Hairy Hands Syndrome"), anointing oil, Harpic and Windolene. Jack has very bad personal hygiene. This is evident from his unkempt hair, scabs near his mouth, stains on his clerical collar and decaying teeth.
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Bobo, a baby Indian elephant, sees a dark future for himself if he should remain in India to haul logs with his trunk for the rest of his life. After receiving a letter from his uncle in America, he decides to emigrate there to play on a circus baseball team. After Bobo's attempts to stow away aboard a ship bound for the United States fail repeatedly, he is advised by the mynah bird (better known from the Inki series) to paint himself pink. As seeing pink elephants is the traditional hallucination of the drunkard, neither the captain, the crew nor the passengers will acknowledge seeing Bobo, and thus he has the virtual run of the ship for the entire voyage.
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Bozo can run into many obstacles on his journey home; he can fall into trap doors, get caught by the police, run into people, and even run into ghosts and dragons. If Bozo can successfully get home, he drinks five more pints the next night at his pub "Gibbo's Joint" and this process repeats until the Bozo reaches 60 pints. As Bozo drinks, the controls get looser and he starts to see pink elephants. The effects of increasing difficulty include more pedestrians which the player needs to evade (all of which automatically end the night by either attacking him or jailing him), manhole covers disappear with increasing variation, Bozo staggers more making walking in a straight line near impossible without repeated intervention which in itself is hard.
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This is not to be understood, however, as a sanctification of extreme relativism, since "it is precisely the 'subjective' aspect of experience which lured many writers earlier in this century down the path of sheer opinion-mongering. Later on this trend was reversed by a renewed interest in 'objective,' scientific, or otherwise non-introspective musical analysis. But we have good reason to believe that a musical experience is not a purely private thing, like seeing pink elephants, and that reporting about such an experience need not be subjective in the sense of it being a mere matter of opinion" . Clifton's task, then, is to describe musical experience and the objects of this experience which, together, are called "phenomena," and the activity of describing phenomena is called "phenomenology" .
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After Bonney left Crime & the City Solution for a solo career in the United States, Harvey recorded two solo albums of Serge Gainsbourg songs, translated from French into English: Intoxicated Man (1995) and Pink Elephants (1997). He has also collaborated with UK rock musician PJ Harvey (no relation), and produced for other Australian artists, including Anita Lane, Robert Forster, Conway Savage and Rowland S. Howard. Harvey's third solo release, One Man's Treasure, was issued in September 2005. He undertook his first solo tours of Europe and Australia in 2006, accompanied by fellow Bad Seeds Thomas Wydler and James Johnston, as well as Melbourne-based double bassist Rosie Westbrook. His next solo record, 2007's Two of Diamonds, was recorded with this group, as was the 2008 live album Three Sisters – Live at Bush Hall.
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The 2011 release was supported by a world tour in the same year, which also included Harvey as a touring musician. His sixth solo studio album, titled FOUR (Acts of Love), released on Mute in 2013, features original compositions by Mick Harvey alongside a song by PJ Harvey ("Glorious") and interpretations of The Saints’ "The Story of Love", Van Morrison’s "The Way Young Lovers Do", Exuma’s "Summertime in New York" and Roy Orbison’s "Wild Hearts (Run Out of Time)". FOUR (Acts of Love) was recorded at Grace Lane, North Melbourne and Atlantis Sound, Melbourne, and features regular collaborators Westbrook on double bass and Shilo on guitar and violin. Delirium Tremens (2016) is the third instalment in Harvey's project of translating Serge Gainsbourg's songs into English, after Intoxicated Man and Pink Elephants.
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Author Santiago Fouz-Hernández commented in his book Madonna's Drowned Worlds that to him the song felt like a trepiditation of Madonna's thoughts about what might be termed "girlhood" and on a broadscale, on "feminity". Christopher P. Andersen, author of Madonna: Unauthorized, described "Dear Jessie" as "a wistfully psychedelic confection of carousels and pink elephants", adding that "the song harkens back to the lullabies your mother must have sang to you". Robin Anne Reid, author of Women in Science Fiction and Fantasy: Overviews, complimented the fact that "although the sort of fantasies that [Madonna] conjures might trend towards the kinky and sexual, she can also delve into a world of mermaids, fountains of youth, leprechauns and magic lanterns as is evident by 'Dear Jessie'." "Dear Jessie" has been compared by reviewers to work of The Beatles.
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After drinking the tainted juice, Grampa and Jasper sit on a bench, laughing like the title characters from the series Beavis and Butt-head, while Flanders hallucinates skeletons and dancing bears (images associated with the Grateful Dead), marching hammers (from Pink Floyd's 1982 film Pink Floyd—The Wall) and The Rolling Stones' lips and tongue logo. Mr. Burns' film is credited as "An Alan Smithee Film", a reference to the Alan Smithee pseudonym credit used by directors who wanted to be disassociated from a film on which they had lost creative control, to the detriment of the final product. When Barney drinks alcohol to prevent the bad effects from the tainted juice, a pink elephant comes to his rescue, referencing the scene in Dumbo where Dumbo and Timothy drink alcohol and see pink elephants. Seth and Munchie's dog is named Ginsberg, thought to be a reference to beat poet Allen Ginsberg.
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After a "paid vacation" that consists of making swastika shapes with his body for a few seconds in front of a painted backdrop of the Alps as exercise, Donald is ordered to work overtime. He has a nervous breakdown with hallucinations of artillery shells everywhere, some of which are snakes and birds, some sing and are the same shape of the marching band from the start, music and all (some of the animation from this sequence is recycled from the "Pink Elephants on Parade" sequence from Dumbo). When the hallucinations clear, Donald finds himself in his bed, and realizes that the whole experience was a nightmare; however, he sees the shadow of a figure holding its right hand up in the form of a Nazi salute. He begins to do so himself until he realizes that it is the shadow of a miniature Statue of Liberty, holding her torch high in her right hand.
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Examples include Lalo Schifrin's main theme and "The Plot" from the original Mission Impossible TV Series for Mission: Impossible; John Williams' theme for Superman, the Hans Zimmer/Junkie XL theme for Wonder Woman and his own original Batman theme for Justice League; the "Welcome Christmas" song from the 1966 How the Grinch Stole Christmas! for The Grinch; and "Casey Junior," "Pink Elephants on Parade," and "When I See an Elephant Fly" from Disney's original 1941 animated film for Dumbo. Even when not directly quoting themes from related films, Elfman will often pay homage through established musical gesture or tonality, for example Howard Shore's The Silence of the Lambs for Red Dragon, Brad Fiedel's music for the Terminator franchise for Terminator Salvation, Robert Cobert's original television series music for Dark Shadows, and Alan Silvestri's work on The Avengers for the sequel Avengers: Age of Ultron. Notable exceptions are Tim Burton's Batman, Planet of the Apes and Charlie and the Chocolate Factory, which do not make musical reference to pre existing material.
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