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"fantasm" Definitions
  1. a product of fantasy: such as
  2. delusive appearance : ILLUSION
  3. GHOST, SPECTER
  4. a figment of the imagination
  5. a mental representation of a real object

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19 Sentences With "fantasm"

How to use fantasm in a sentence? Find typical usage patterns (collocations)/phrases/context for "fantasm" and check conjugation/comparative form for "fantasm". Mastering all the usages of "fantasm" from sentence examples published by news publications.

This whole fantasm haunts Washington in tandem with Attorney General William Barr's aggressive efforts to discredit the F.B.I. investigation of Russian ties to the 2016 Trump campaign.
Fantasm Comes Again is a 1977 soft core pornographic film from Australia. It was a sequel to Fantasm (1976) and was the first feature directed by Colin Eggleston.
Fantasm is a 1976 Australian softcore pornographic film, directed by Richard Franklin under a pseudonym. It was followed by a sequel, Fantasm Comes Again, the following year, directed by a pseudonymous Colin Eggleston.
The result, Fantasm (1976) was shot mostly in the US with a number of American actors with experience in pornographic films.Beilby, Peter; Murray, Scott (January/February 1979). "Antony I. Ginnane". Cinema Papers: 175.
Fantasm was very profitable, and led to a sequel, Fantasm Comes Again (1977), directed by Colin Eggleston; it did less well at the box office. Ginnane also moved into family films with Blue Fire Lady (1977), directed by Ross Dimsey and starring Cathryn Harrison. Ginnane went into thrillers with Patrick (1978), directed by Franklin from a script by Everett De Roche, starring an imported Susan Penhaligon. It was not that popular at the Australian box office but sold extremely well internationally.
After stints co-presenting the legendary Shock Around The Clock festival in London, and Fantasm at the National Film Theatre, Jones is now a leading figure and co-curator of London FrightFest Film Festival.
In the second match of the night Los Hijos del Avernoquickly won the first fall against Hijo del Fantasm, La Máscara and El Sagrado when the trio performed a triple Powerbomb on Hijo del Fantasm for the pinfall. La Máscara evened the score for his team when he made Averno submit after applying a pendulum submission hold known as a Campana on him. During the third fall Averno pulled the mask off La Máscara which caused a disqualification, in Lucha Libre the intentional removal of an opponents mask during the match is an automatic disqualification. The disqualification cost lost Hijos del Averno the match two falls to one.
In the fifties, Leclaire's writings might at times come close to the parody-picture whereby 'Lacanians mirror the master...a Lacanian ventriloquist's dummy'Adam Phillips, On Flirtation (London 1994) p. 162 On fantasy, 'Serge Leclaire, who is summarizing Lacan's thinking on the fantasm in the late 1950s, points out that the fantasm is at the heart of the dream'Herman Rapaport, Between the Sign and the Gaze (1994) p. 21 in orthodox Lacanian fashion. Similarly orthodox is his 1959 study of the obsessional "Philo", where he stresses that 'the psychoanalysts must...introduce a cleavage between demand and desire, between the world of the law and that of the dream'; and, on the role of the father, that 'this third person, the father, appears especially as a being to whom one refers (to honor or to scorn)...as to a law'.
In 2006, Alexander participated in the Raging Boll stunt in Vancouver, boxing genre filmmaker Uwe Boll. His 2012 film Blood for Irina won the Best Experimental Feature Film award at the 2013 PollyGrind Film Festival. In 2017 he co-founded Fantasm Media, a publishing entity devoted to producing licensed magazines spotlighting major names in film and pop culture. The first issue was dedicated to director George A. Romero.
Serena (born February 20, 1951) is an American former pornographic actress. A teenage runaway, Serena was discovered by a make-up artist. She began by modelling for men's magazines, then moved on to film. She starred in over 110 pornographic films between 1975 and 1988, including Sweet Cakes (1976), Fantasm Comes Again (1977), Sensual Encounters of Every Kind (1978), Dracula Sucks (aka Lust At First Bite) (1978) and The Ecstasy Girls (1979).
Although the movie was entirely soft core, around 45 seconds were cut out by the Australian censor prior to release. It was originally banned completely in the UK by the BBFC and is still only available with heavy cuts. The film was extremely popular at the box office and ran for eight months and by 1979 had taken approximately $650,000 in Australia, despite being banned in Queensland. It led to a sequel Fantasm Comes Again (1977).
"It was an attempt to do something kind of poignant," says Franklin. "In retrospect it probably should have been funnier than it was." However Antony I. Ginnane worked on the overseas marketing of the film, starting his relationship with Richard Franklin. Richard Franklin admitted the film changed what sort of films he made: > One of the great disappointments for me, and I learned a lot from it, was > showing it to my American friends - probably at the time we were there > making Fantasm - and discovering they just didn't get the humour.
The linking scenes between the two journalists were shot in Australia, and the sex scenes were filmed over 12 days in Los Angeles by an Australian director and cinematographer, using American porn stars. The budget was larger on the sequel in an attempt to attract a bigger audience; in contrast with the original, where only one of the ten stories was lip sync and the rest in voice over, all the stories in Fantasm Comes Again had lip sync dialogue. Ginnane later thought this was a mistake as it distracted from what was on screen.
The film sold well around the world but was not as popular as Fantasm at the Australian box office. Ginnane blamed the fact by the time it was released there was a glut of sex films on the market and the delay caused by censorship hold ups. (In 1980 David Stratton called it "the most censored of the new Australian films."David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p250) By 1979 the film had not yet broken even but Ginnane was confident that would be the case.
Franklin returned to Australia in the 1970s, when the country's film industry was experiencing a resurgence. He directed four episodes of the Australian police drama Homicide before directing the bawdy 1975 sex comedy feature The True Story of Eskimo Nell and the 1976 soft-core pornography feature Fantasm. Franklin's next film was the cult horror movie Patrick (1978), written by Everett De Roche, about a man in a coma who uses telekinesis to create murder and mayhem in a hospital. Franklin gave De Roche a copy of the screenplay of Alfred Hitchcock's Rear Window (1954), and De Roche suggested a movie with the plot of Rear Window taking place in a moving vehicle.
As a co-presenter of London's Shock Around The Clock festival, and the NFT's 'Fantasm', he conducted The Guardian lectures with directors Freddie Francis and Dario Argento and hosted Q&A; sessions with, amongst others, director Danny Boyle and the cast of Slumdog Millionaire. He presented 'Brit-Invaders' at the Science + Fiction Festival in Trieste and filmed interviews with Neil Marshall (The Descent, Doomsday) and Ray Harryhausen (Jason and the Argonauts, One Million Years BC). Jones is an active member of the London Critic's Circle, whose annual film awards are recognised worldwide. He has also served on festival juries at Sitges (Spain), Fantasporto (Portugal), Paris, Rome, Science+Fiction (Trieste), Motel X (Lisbon), Lund (Sweden), Strasbourg and Avoriaz (France).
In 2012, Langenkamp portrayed Dorothy in the horror film The Butterfly Room. As a partner in her husband's Special FX Make- up company, AFX Studio, Heather worked on the horror comedy film The Cabin in the Woods. The same year, she appeared as herself in a short documentary entitled The Cabin in the Woods: An Army of Nightmares - Makeup & Animatronic, which was included in the film's Blu-ray release and examined how the creatures were brought to life through special effects. In 2013, Langenkamp appeared as herself in the documentary Fantasm and had a small role of an alien in the film, Star Trek Into Darkness in which her husband David Leroy Anderson designed all of the Special FX make-up.
She appeared as Mayday in the cult action comedy Superchick (1973) starring Joyce Jillson, and starred with John Holmes in I Want You (1974). She had a minor role as a prisoner in the cult classic Ilsa, She Wolf of the SS (1975), appeared as 'Super Girl' in Fantasm (1976) directed by Richard Franklin, appeared as a girl at party in The Killer Elite (1975) directed by Sam Peckinpah and had a small role in Chesty Anderson, USN (1976). She also had a role as a character called 'Pussy' in Female Chauvinists (1976). In 1977 Digard had a cameo appearance (naked in a shower) in the segment "Catholic High School Girls in Trouble" in John Landis's The Kentucky Fried Movie.
Hijo del Fantasm and La Mascara, along with Héctor Garza, were the CMLL World Trios Champions, a title Los Hijos del Inferno had been vocal about challenging for in the weeks leading up to Infierno en el Ring. With Garza booked for the main event Hijo del Fantama and la Mascara were teamed up with El Sagrado for a three on three match. The last undercard match announced was Místico teaming up with the CMLL World Tag Team Champions La Sombra and Volador Jr. to form a team called Los Terroristas del Aire ("The Terrorists of the Air") to face Atlantis, Último Guerrero and Mr. Niebla. Both Último Guerrero and Mr. Niebla had made several mask challenges towards Místico, without a match being announced yet; while Guerrero and Atlantis also wanted to face Sombra and Volador Jr. for the tag team titles at some point.

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