Portugal participated in the Eurovision Song Contest 1990, with Nucha and the song "Há sempre alguém".
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The area surrounding this impression almost is completely smooth. The mesopleural triangle is not impressed basally, while being pubescent. The metascutellum is constricted medially. Its nucha dorsally counts with strong, irregular and longitudinal rugae.
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Ikeathy and Oughterany was the ancient lands of the Uí Cheithig and the Uachtar Fine. The separate baronies were united by 1608. The Cenél nUcha were also noted here. In later times the Lawless family were lords of Cloncurry.
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"Há sempre alguém" ("There's always someone") was the Portuguese entry in the Eurovision Song Contest 1990, performed in Portuguese by Nucha. In the song, Nucha reminds her listeners that "There's always someone/Who still doesn't have as much as we do" but who also dreams the same dreams that the better-off members of society do. The song was performed sixteenth on the night, following Yugoslavia's Tajči with "Hajde da ludujemo" and preceding Ireland's Liam Reilly with "Somewhere in Europe". At the close of voting, it had received 9 points, placing 20th in a field of 22.
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Nucha made a surprise return to Festival da Canção in 2009 with "Tudo está na tua mão", placing fourth.ESC National Finals database 2009 In 2013, she entered in Big Brother VIP, where she stayed 28 days after being evicted by the public.
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Nucha exhibit some irregular longitudinal rugae dorsally. Its profemur shows ventral swelling in its basal third, with 4–5 rows of sharp. It possesses a simple metatarsal claw. It presents a radial cell along the anterior margin of its forewing; an areolet is absent.
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The mesopleural triangle is rhomboidal and densely pubescent. Its metascutellum is distinctly constricted in its median area. A dorsal nucha is present with strong, irregular longitudinal rugae. The animal's profemur shows a ventral swelling in its basal third, with 4–5 rows of sharp and deep costulae.
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Springer and Spreitzer originally considered the blenny a member of the genus Antennablennius, due to suspicion that Alloblennius was a junior synonym of the genus. The species epithet, treated as an appositional noun, combines the Greek prefix "a" ("without") and the Latin noun "nucha" ("nape") to produce the definition "without nape", referring to the lack of cirri on the nape of the blenny. The authors acknowledged that this was an unusual trait for a member of Antennablennius.Springer, V.G., and A.E. Spreitzer, 1978 (11 Apr.) [ref.
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"Hajde Da Ludujemo" (English translation: "Let's go crazy") was the Yugoslav entry to the Eurovision Song Contest 1990, held in Zagreb, SFR Yugoslavia (present day Croatia). The song was composed by Zrinko Tutić and Alka Vuica, and was sung by Tatjana Matejaš, commonly known as "Tajči", in the Serbo- Croatian language. On the night of the contest, the song was performed 15th, following France's Joëlle Ursull with "White and Black Blues" and preceding Portugal's Nucha and "Há sempre alguém". At the close of the voting, it had received 81 points, placing seventh in a field of 22 countries.
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Nucha (born Cristina Isabel dos Santos Baldaia Trindade, 21 June 1966, Águeda) is a Portuguese singer, best known for her participation in the 1990 Eurovision Song Contest. Nucha's first participation in Portugal's Eurovision selection, Festival da Canção, was in 1988 with the song "Se calhar", but this failed to pass the semi-final stage.ESC National Finals database 1988 She entered Festival da Canção a second time in 1990, and this time was successful with the song "Há sempre alguém" ("There's Always Someone") winning the juries' vote.ESC National Finals database 1990 "Há sempre alguém" went forward to the 35th Eurovision Song Contest, held on 5 May in Zagreb, where it did not prove popular, finishing in 20th place of the 22 entries, having received points only from the Luxembourg and United Kingdom juries.
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The shortlisted entries were announced during a press conference on 19 January 2009, hosted by José Fragoso and Sílvia Alberto. Among the competing artists were former Eurovision Song Contest entrants Nucha who represented Portugal in the 1990 Contest, and Luciana Abreu who represented Portugal in the 2005 Contest as part of 2B. Among the artists who have submitted entries but wasn't shortlisted for the online vote were: Bruno Henriques, Catarina Ferreira, Cláudia Madeira (former Operação Triunfo contestant), Eva Danin (former Operação Triunfo contestant and backing singer for Vânia Fernandes at the Eurovision Song Contest 2008), Evelyne, Filipa Ruas (former Operação Triunfo contestant), Filipa Sousa (former Operação Triunfo contestant), Hugo Biqueira, Kássio, Leonardo, Nuno Paiva, Nuno Durão & Ariana, Romana, Sofia & Fred, Sónia Santos, Tânia Gonçalves & Cheng and Wanda Stuart.
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The nape of a geisha Cat carrying her kitten by the scruff The nape is the back of the neck. In technical anatomical/medical terminology, the nape is also called the nucha (from Latin); the corresponding adjective is nuchal, as in the term nuchal rigidity. In many mammals, the nape is the site of the scruff, a loose, non-sensitive area of skin by which the mother can carry her young, holding the scruff between her teeth. In domestic cats, the scruff is used when a mother cat transfers her kittens, either by carrying them away from danger or to a new nest or den site (carrying each kitten by gripping its scruff in her teeth), and in mating, when the male cat (tom) grips the female cat's scruff with his teeth to help keep her relatively immobile.
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It was only after their separation that her relationship with the writer Galdós blossomed into a full-blown intimate affair, which was to prove enduring. Coat of arms of the Countess of Pardo Bazán 1885 saw the publication of El Cisne de Vilamorta (The Swan of Vilamorta), in which the naturalist scenes are more numerous and more pronounced than in any of her previous works, although the author has been accused of shrinking from the logical application of her theories by inserting a romantic and inappropriate ending. Probably the best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (The House of Ulloa), published in 1886, which recounts the slide into decadence of an aristocratic family, as notable for the heroes Nucha and Julián as for characters including the political bravos, Barbacana and Trampeta. Yet perhaps its most abiding merit lies in its depiction of country life, the poetic realization of Galician scenery portrayed in an elaborate, colourful style.
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