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"never-never land" Definitions
  1. an imaginary place where everything is wonderful
"never-never land" Synonyms
paradise heaven empyrean nirvana Elysium utopia Zion Sion fantasyland Camelot lotusland Eden Cockaigne Cloudcuckooland Neverland Shangri-la promised land New Jerusalem fantasy land Fiddler's Green happy place dreamland fairyland dream world inner world land of make-believe wonderland fantasy world cloudland fantasy cloud-cuckoo-land storyland seventh heaven Arcadia More
"never-never land" Antonyms
anti-utopia dystopia hell

85 Sentences With "never never land"

How to use never never land in a sentence? Find typical usage patterns (collocations)/phrases/context for "never never land" and check conjugation/comparative form for "never never land". Mastering all the usages of "never never land" from sentence examples published by news publications.

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It shows Mays — his godfather — off in never-never land.
" Here she drew on the same show with "Never Never Land.
It turns out there is—and it's not in Never-Never Land.
How long will it go on if we enter into that Never-Never land?
"Why would Congress put Puerto Rico in this never-never land?" liberal Justice Ruth Bader Ginsburg asked.
"Why would Congress put Puerto Rico in this never-never land?" asked Supreme Court Justice Ruth Bader Ginsburg.
WE'RE IN NEVER-NEVER LAND, I DON'T KNOW WHERE WE'RE GOING TO GO AND I DON'T THINK ANYBODY DOES.
For Never-Never Land, I went back to see if this lifestyle really is as carefree as it looks.
How ironic that Vegas was the setting that these Peter Pans no longer get to live in Never-Never Land?!
In any event, your friend is living in never-never land: It takes about three minutes to learn anyone's age these days.
"Off to Never Never Land," she captioned the snap of Axl dressed as Peter Pan while she went as his sidekick, Tinker Bell.
In queer Never-Never Land, nobody gets pregnant by mistake, and no one has to buy a minivan and move to the suburbs.
Would I fall through a sepia-shaded black hole into a gay Never Never Land, like the one I had seen in Bianchi's photos?
By inviting viewers to complete a story that cannot be completed, she suspends us in a pictorial never-never land, between arrival and falling.
It takes a trip to Never-Never Land and a wallop of whipped cream to the face for him to remember what pleasure feels like.
The images come from Never Never Land 2, a larger photography and video series by Al Neami that uses Saudi Arabian amusement parks as a backdrop.
They're sort of caught in a never-never land between markets and managing a price levels and that's a difficult place for any regulator to be.
" Blunt, who is running for re-election in what could be a tight race, issued a statement slamming McDonald as being "right out of Never Never Land.
Idina Menzel and her sister Cara Mentzel teamed up to sing "Never Never Land" to coincide with the upcoming release of Mentzel's memoir, Voice Lessons: A Sisters Story.
She turned those months into a book called Never-Never Land, which starts out with idyllic shots of an untouched rainforest and a pig splashing in the sea.
We can keep jam jars of pocket change on the counter, labeled "Never-Never Land" with a piece of tape, so we don't forget to save up for visits.
But for ten days every June, when the Aspen Ideas Festival is in full swing, a technicolour fever dream descends and the campus becomes a corporate never-never land.
"Why would Congress preclude Puerto Rico from Chapter 9?" asked Chief Justice John G. Roberts Jr. "Why would Congress put Puerto Rico in this never-never land?" asked Justice Ruth Bader Ginsburg.
The offices were figured as a sort of never-never land: "Many recent college graduates wear flip-flops and jeans to work and scrawl graffiti on the office walls," the Wall Street Journal reported.
The good doc says he felt like he was in Never-Never Land trying to reset his Gmail account, but one of the execs from Google stepped in to help him set things right.
Once he started to jerk fans back to the problems of the real world he became a spoiler of the daydream that sports is a never-never land where motivation is uncomplicated and a result is final and pure.
Advisers like Mr. Icahn and Mr. Lewandowski exist in a "never-never land," Mr. Wertheimer said, allowed a high degree of White House access while remaining unfettered by the ethics rules and financial disclosures that apply to government employees.
People who feel abandoned and bewildered by globalization, new technology, secularism, immigration, refugee crises, economic stagnation and Islamist violence are susceptible to dreams of going back to some never-never land in the past when harmony reigned and all felt at home with their own kind.
Ask anyone about the legend of Peter Pan, and chances are they can give you the basic facts: A sprite-like boy shows up in the middle of the night to ferry children off to the fantastical Never Never Land, a place filled with pirates and mermaids and adventure, and where, most importantly, they never have to grow up.
Never Never Land is a single from Lyfe Jennings from his album Lyfe Change.
Shusha Guppy, "The Books Interview: Ismail Kadare – Enver's never-never land" The Independent, 27 February 1999.
His dam Never Never Land was an unraced sister of Bombazine, who produced the St Leger winner Bruni.
Never Never Land 9\. My Romance 10\. I Wish You Love 11\. Once You Lose Your Heart 12\.
Jeannie Gunn, The Little Black Princess: A True Tale of Life in the Never-Never Land. London: Alexander Moring Ltd, 1905.
House in Never Never Land. Cala Vadella, San José (Ibiza). Andrés Jaque is an architect, writer and curator. His work explores the role architecture plays in the making of societies.
The backstep team and the equipment are stationed in a base in a secret location somewhere in the desert of Nevada called Never Never Land—a play on Area 51, or Groom Lake Flight Test Facilities, also known as Dreamland.
Never Never Land is a 1980 British drama film directed by Paul Annett and starring Petula Clark, Cathleen Nesbitt, John Castle, and Anne Seymour. It is named after Neverland, the magical setting of the classic children's tales of Peter Pan.
The Little Black Princess: a True Tale of Life in the Never-Never Land is a 1905 children's novel by the Australian author Jeannie Gunn.Eugene Benson & L. W. Conolly, Encyclopedia of Post-Colonial Literatures in English. (Routledge, 30 Nov. 2004): Jeannie Gunn, page 611.
The Seed (2008) IMDb In September 2006, Global Underground released Self Defence: Never, Never, Land Reconstructed and Bonus Beats, a 4-CD box set of remixes and bonus tracks from the Never, Never, Land sessions, including tracks previously only available on the original DVD release of the album. It also contained remixes of a track mooted for their next album, featuring Ian Astbury of The Cult, titled "Burn My Shadow". War Stories, the third album from Unkle, was released in summer 2007. The album again featured a number of guests including Josh Homme, Gavin Clark, Robert Del Naja, Ian Astbury, The Duke Spirit, Autolux and Neil Davidge.
Pink Fairies (Mark 2) was formed in early 1970 by Twink with Mick Farren's former bandmates, the Deviants. The two-drummer Pink Fairies line-up recorded a single The Snake / Do It, followed by the Never Never Land album, before Twink left in 1971 (although he would periodically return).
Smith attended Twickenham Art school in the late 1960s, studying graphics and fine art. With others, she collaborated with graphic designer Barney Bubbles and music journalist Nick Kent in producing Friends magazine from 1969 to 1972. In 1970 she designed the sleeve for the Pink Fairies debut release Never Never Land.
When she was 22, she released her first album, Never Never Land (N-Coded, 2000). Like Fitzgerald, she recorded many songs from the Great American Songbook. After recording for five labels, she started her own, Emerald City Records. Its first release was The Songbook Sessions (2016), an homage to Fitzgerald.
In 1976 Take a Fable was performed by the Children's Touring Theatre Company of Stage West whose performance gained an entry in The Best Play's of 1976–1977.Guernsey, O.L. (eds) The Best Play's of 1976–1977 (Dodd, Mead, 1977) She also directed an opera for the Brighton Festival. In 1978 she wrote the award-winning ABC special One of a Kind, and in 1980 wrote and co-produced the feature film Never Never Land. Never Never Land (1979) originally known as Second to the Right and Straight on Until Morning starred Petula Clark and Anne Seymour as a seven-year-old girl, unhappy and isolated as a result of her parents' divorce, she escapes by recreating a modern-day version of the Peter Pan myth.
She had a small but memorable role as an elderly drug addict in French Connection II (1975) alongside Gene Hackman. Her next film was Hitchcock's Family Plot (1976), in which she played Julia Rainbird. She then appeared as the grandmother in Julia (1977). Her final film was Never Never Land (1980) as Edith Forbes.
The debut album Never Never Land was released in 1971. It featured live favourites "Uncle Harry's Last Freakout" and "Do It" but curiously omitted "The Snake". An appearance at 1971's Glastonbury Fair led to them being given one side of the Glastonbury Fayre various artists triple album. In July 1971 Twink left to travel to Morocco.
Life in the Never Never of the Northern Territory was described by Jeannie Gunn in two books including the classic Australian novel We of the Never Never. Australian author Rosa Praed had published in 1915 the novel Lady Bridget in the Never-Never Land. The term was also used several times throughout the 2008 Baz Luhrmann film Australia.
Never Never Land is the 1971 debut album by the UK underground group Pink Fairies. Polydor Records commissioned the group to record a single, "The Snake"/"Do It", and were happy enough with the results to offer the group an album contract. A promotional film was recorded for the single on the set of Oliver!, but the single was omitted from this debut album.
The sunset in Southend, a view of Adventure Island in 2007 An amusement park Adventure Island, formerly known as Peter Pan's Playground, straddles the pier entrance. The seafront houses the "Sea-Life Adventure" aquarium. The cliff gardens, which included Never Never Land and a Victorian bandstand were an attraction until slippage in 2003 made parts of the cliffs unstable. The bandstand has been removed and re-erected in Priory Park.
When Field arrives in the later half of the play, the suicidal disillusionment, dark pasts, and unresolved issues of the other characters emerge. Each visitor begins to act out roles based on past traumas. In the view of theater historian Eleanor Flexner, the play's psychologizing and philosophizing are "little more than a jaunt to a Never-Never land." Other students of Barry's work consider it his most unjustly under-rated play.
It included a live version of the song "Ain't My Bitch", which is also on the album Load. A music video also accompanied the song. The guitars and bass are both tuned to Eb. At the end of the song, the words "Off to never-never land" can be heard. This is a nod to one of Metallica's most famous songs, "Enter Sandman", which also features these words.
Pilkington, Angel M. "Peter Pan: Myth and Fantasy", Midsummer Magazine, 2000, reprinted at the Utah Shakespearean Festival website, 2007 Producer Edwin Lester, founder and director of the Los Angeles Civic Light Opera, acquired the American rights to adapt Peter Pan as a play with music for Mary Martin. The show was not successful in its pre-Broadway West Coast tour, so director Jerome Robbins hired lyricists Comden and Green and composer Jule Styne to add more songs, including "Never Never Land," "Distant Melody" and several other numbers, turning the show into a full-scale musical. The musical, instead of using Barrie's original ending, in which Peter simply let Wendy and the other children return home, includes an additional scene that Barrie had written later and titled An Afterthought (later included by Barrie in his 1911 novelization Peter and Wendy). In this ending, Peter returns after many years to take Wendy back to Never Never Land for spring cleaning.
Moore began playing nightly on Beale Street with The Charlie Wood Trio. He soon found additional work as a studio musician, teacher, and live performer. In 1996, Moore released his first solo album, Never Never Land, which he financed, arranged, and produced—at the time, an unusual move for a jazz musician. That year, Moore was nominated for a Premier Player award by the Memphis Chapter of the National Academy of Recording Arts and Sciences.
Never Never Land is the debut album by jazz singer Jane Monheit, recorded when she was 22-years-old. At AllMusic, critic David Adler wrote that her voice on this album was "as close to flawless as a human can get". She was accompanied by jazz musicians Bucky Pizzarelli, Ron Carter, Hank Crawford, and Kenny Barron. The album includes cover versions of the standards "More Than You Know", "My Foolish Heart", and "Twisted".
A compendium of her New Yorker articles called The Long-Winded Lady: Notes from the New Yorker was published in 1969. Two collections of short stories, In and Out of Never-Never Land (1969) and Christmas Eve (1974) were also published. Her career didn't really take off until after her death which lead many of her stories to be reintroduced to the public and many articles written about her up till her passing.
According to Maine author John Gould, Down East is "a never-never land always east of where you are". The term is relational, with Boston being the traditional referent for determining what is "Down East". As such, sailors going from one port in Maine to another nearby may have said they were going "down Maine" or "east'ard", reserving "Down East" for farther points. Within New England, "Down East" often refers specifically to Maine, especially the coastal areas.
Unterberger hypothesizes Columbia did not offer a substantial budget, noting the compositions' sparse arrangements. Nonetheless, he praises the duo's low-key orchestration and electric instrumentals which contribute to an "appealing, hushed, never never-land ambiance". At Gertie's Folk Club, Isaacs met Joe Isaacs of the Greenbrier Boys, a bluegrass group from Kentucky. After the disbanding of Lily and Maria, Lily Isaac later married Joe Issacs in 1970, converted to Christianity, and formed the Christian band, the Isaacs.
Wendy is woken up by the boy's cries when he is unable to re-attach his shadow and helps him by sewing it back on. Peter is thrilled when his shadow is re-attached ("I've Gotta Crow") and tells her that he lives in Neverland ("Never Never Land") with the Lost Boys. Wendy wakes her brothers up, and Peter invites them all to Neverland, and promises to teach them to fly. Peter happily launches himself into the air ("I'm Flying").
On this, Steinbach wrote "but to do that is to leave this world of reality and the firm basis of scientific thought for a speculative journey in an imaginary vehicle to a never-never-land." Johnson's Nurslings of Immortality received a mixed review in The Journal of Religion, wherein William Hamilton wrote that the book endorsed a "pretentious philosophical quasi-idealism" called Imaginism but contained some interesting material about automatic writing and psychic phenomena.William Hamilton. (1959). Nurslings of Immortality by Raynor C. Johnson.
It is situated in the fertile Mantaro Valley, to the northwest of Huancayo (the capital of Junín Region), at an altitude of . Its population in 2015 was 15,432 . Jauja, which flourished for a short time, was once the capital of Spanish Peru, prior to the founding of Lima as the new capital. Its name is referenced in the popular Spanish expression país de Jauja, which literally means "country of Jauja", but is used figuratively to mean a “never never land" or a "land of milk and honey”.
Some folklorists prefer to use the German term Märchen or "wonder tale" to refer to the genre rather than fairy tale, a practice given weight by the definition of Thompson in his 1977 [1946] edition of The Folktale: "a tale of some length involving a succession of motifs or episodes. It moves in an unreal world without definite locality or definite creatures and is filled with the marvellous. In this never-never land, humble heroes kill adversaries, succeed to kingdoms and marry princesses."Stith Thompson, The Folktale, 1977 (Thompson: 8).
Daly first appeared on American television in guest roles in such series as Bewitched, The Flying Nun, and The Ghost & Mrs. Muir. His first regular character role was in Petticoat Junction, where he played game warden Orrin Pike, the love interest of Bobbie Jo Bradley (played by Lori Saunders). He later starred as Jimmy Stewart's adult son Peter Howard in The Jimmy Stewart Show, and as Don Rickles' immediate superior officer Lieutenant Whipple in the 1970s series C.P.O. Sharkey.Barrett, Michael "'The Jimmy Stewart Show' Emerges from TV's Never-Never Land" February 24, 2015 Popmatters.
In 1976, she played the frequently drunken daughter of the title character of the Columbo episode "Last Salute to the Commodore". In the decades after Mirage, she appeared frequently on television and began producing films, including the drama film Never Never Land (1980) and the miniseries A Woman of Substance (1984), in which she played Laura. She reemerged on the big screen in The Silence of the Lambs (1991) as Senator Ruth Martin. Baker also appeared in the films The Joy Luck Club, The Cable Guy, The Net and A Mighty Wind.
Lavelle and Tim Goldsworthy co-founded Mo'Wax in 1992. In 1996 Mo' Wax released one of electronic music's most celebrated albums, DJ Shadow's seminal Endtroducing...... Soon after this Lavelle started work on an album with DJ Shadow under the name UNKLE. The resulting release Psyence Fiction featured collaborations with Richard Ashcroft, Mike D, Badly Drawn Boy and Thom Yorke. In 2003, he released a follow-up to Psyence Fiction, titled Never, Never, Land, though this album saw DJ Shadow replaced by Richard File as the second full-time member of UNKLE.
Your Past Comes Back to Haunt You is the second EP released by Australian metalcore band I Killed the Prom Queen in 2005. It is also the last album to feature Michael Crafter on vocals, besides the re-issue of Music for the Recently Deceased. The EP features a reworked version of "To Be Sleeping While Still Standing" which was originally done by an earlier band including Crafter and Weinhofen called The Fall of Troy. It also includes three tracks form their first EP, Choose to Love, Live or Die, along with two new songs, "Never Never Land" and "You're Not Worth Saving".
Jeannie Gunn's husband died early in 1903 and she returned to live in Melbourne. There, after being encouraged by friends, she began writing the books for which she would become famous. The Little Black Princess: a True Tale of life in the Never-Never Land, published in 1905 and revised in 1909, chronicled the childhood of an Indigenous Australian protagonist named Bett-Bett. Gunn's second book, We of the Never Never (1908), was styled as a novel but was actually a recounting of her time in the Northern Territory with only the names of people changed to obscure their identities.
Awakening is an album by American jazz flautist Nicole Mitchell, which was recorded in 2011 and released on Delmark. She leads a quartet with guitarist Jeff Parker, bassist Harrison Bankhead and drummer Avreeayl Ra. Although she's worked extensively with these musicians, the group played together for the first time just days before heading into the studio. Mitchell explained "With this quartet I tried to put the flute more out front as usual. I wanted to dig back into the old school jazz a bit and yet still make room to branch out into never-never land".
In 2001, Lavelle and File resurfaced as Unklesounds, with a DJ mix created for Japanese radio entitled Do Androids Dream of Electric Beats? This highlighted a new, more electronic direction the group had taken, and featured a number of tracks from Psyence Fiction, remixed in a techy breakbeat style. Rich File co- produced, played and sang on the second album, Never, Never, Land, released in 2003. The album again featured a number of high-profile contributors, including Ian Brown, Josh Homme (Queens of the Stone Age), Robert Del Naja (Massive Attack) and Mani (The Stone Roses, Primal Scream) among others.
File joined Unkle in 1999, having remixed "Unreal" (from the debut album Psyence Fiction) with added vocals from Ian Brown. For the subsequent Unkle albums Never, Never, Land and War Stories, File is credited with piano, organ, synthesizer, guitar, and vocals, as well as co-production. Working under the Unkle name, File remixed tracks by a number of well-known artists including DJ Shadow, Queens of the Stone Age, Depeche Mode, The Duke Spirit, Garbage, and Placebo. File and Lavelle also released a number of DJ mixes under the name Unklesounds, including Edit Music for a Film: Original Motion Picture Soundtrack Reconstruction.
She planned the number of four-color pages, two-color pages, and the general pattern for the issue itself. When Charm was soon folded into Glamour magazine, Cipe Pineles stayed on with the new owners of Condé Nast, then moved on to Mademoiselle magazine when Charm discontinued publishing in 1959. “We tried to make the prosaic attractive without using the tired clichés of false glamour,” she said in an interview. “You might say we tried to convey the attractiveness of reality, as opposed to the glitter of a never-never land.” Her work contributed to the effort to redefine the style of women’s magazines.
This book contains recipes for dishes, some savory, that the author and other chefs may prepare for themselves and friends during their off hours. In contrast, a reviewer of the second book, Milk Bar Life, liked it better since it included recipes for more savory dishes, uses easier-to-obtain ingredients, and appears to be more geared to the home cook than the first book. Jenny Rosenstrach of the New York Times Book Review wrote of her second book, "It's impossible not to be charmed by the chatty Tosi and her hot pink and bubble-letter-filled never-never land..." The book includes tips like making your own Lambrusco using red wine in a Sodastream.
She described how "a tenacious carceral state has sprouted in the shadows of mass imprisonment and has been extending its reach far beyond the prison gate. It includes not only the country’s vast archipelago of jails and prisons, but also the far-reaching and growing penal punishments and controls that lies in the never-never land between the prison gate and full citizenship. As it sunders families and communities and radically reworks conceptions of democracy, rights, and citizenship, the carceral state poses a formidable political and social challenge." She said that until the carceral turn in the social sciences in the late 1990s, "mass imprisonment was largely an invisible issue in the United States".
Protest against the BNP in 2009 In 2011, Goodwin described the BNP as being "the most successful party in the history of the extreme right in Britain". That same year, John E. Richardson noted that it had achieved "a level of electoral success that is unparalleled in the history of British fascism". The historian Alan Sykes stated that "in electoral terms", the BNP achieved "more in the first three years of the twenty-first century" than the British far right "as a whole achieved in the previous seventy". However, Copsey said that the party's belief that one day the conditions would be right for it to win a general election belonged to the "Never-Never Land of British politics".
Marvin H. Pope (Yale University) identified the home of El in the Ugaritic texts of ca. 1200 BCE, described as "at the source[s] of the [two] rivers, in the midst of the fountains of the [two] deeps",ARI, p. 72. with this famous lake and Afqa, source of the river Adonis on the other side of the mountain, which Pope asserted was closely associated with it in legend.Pope, "El in the Ugaritic Texts", (Vetus Testamentum, Supplement, II) 1955:61ff; approvingly reviewed by W. F. Albright, in Journal of Biblical Literature 75.3 (September 1956:255-257), who remarked, "However, the identification of El's home with a place in Phoeniciadoes not mean that it was not also at a great distance in a cosmic 'never never land'".
Moore's other novels include Cloud By Day, in which a brush fire threatens a town in Topanga Canyon; Greener Than You Think, a novel about unstoppable Bermuda grass; Joyleg (co-authored with Avram Davidson), which assumes the survival of the State of Franklin; and Caduceus Wild (co-authored with Robert Bradford), about a medarchy, a nation governed by physicians. Moore is also known for the two short stories (since collected) "Lot" (1953) and "Lot's Daughter" (1954) which are postapocalyptic tales with parallels to the Bible. His short story "Adjustment", in which an ordinary man adjusts to a never-never land in which his wishes are fulfilled and makes the environment adjust to him as well, has been reprinted several times.
Marvin H. Pope (Yale University) identified the home of El in the Ugaritic texts of ca. 1200 BCE, described as "at the source[s] of the [two] rivers, in the midst of the fountains of the [two] deeps",ARI, p. 72. with this famous source of the river Adonis and Yammoune, an intermittent lake on the other side of the mountain, which Pope asserted was closely associated with it in legend.Pope, "El in the Ugaritic Texts", (Vetus Testamentum, Supplement, II) 1955:61ff; approvingly reviewed by W. F. Albright, in Journal of Biblical Literature 75.3 (September 1956:255-257), who remarked, "However, the identification of El's home with a place in Phoeniciadoes not mean that it was not also at a great distance in a cosmic 'never never land'".
Rundgren wrote, under the album's title in its original liner notes, that he was "not a real star ... just a musical representative of certain human tendencies: the Quest for Knowledge and the Quest for Love." Although he denied that the record should be considered a concept album, Wizard was envisioned as a "flight plan" with all the tracks seguing seamlessly into each other, starting with a "chaotic" mood and ending with a medley of his favorite soul songs. The album's first side is titled "The International Feel (In 8)". Its tracks pivot radically between different musical moods and includes Rundgren's rendition of "Never, Never Land", from the 1954 musical of Peter Pan, as well as "Rock N Roll Pussy", a song aimed at former Beatle John Lennon and so-called "limousine radicals".
The Never Never is the name of a vast, remote area of the Australian Outback,Jeannie Gunn, We of the Never Never , 1908, Geoffrey Blainey, A Land Half Won, Melbourne: Sun Books, 1983 (first printed in 1980), , pp.186-8"Into the Never Never", Robert Upe, Sydney Morning Herald, June 16, 2007 as described in Barcroft Boake's poem "Where the Dead Men Lie": :Out on the wastes of the Never Never - :That's where the dead men lie! :There where the heat-waves dance forever - :That's where the dead men lie!Barcroft Boake, "Where the Dead Men Lie" One reference earlier than Barcroft Boake's is The Never Never Land: a Ride in North Queensland (1884) by Archibald William Stirling so it is probable the term was in general use in at least the second half of the nineteenth century.
The bus also figures obliquely as a "technicolor motor home" in the Steely Dan song Kid Charlemagne (1976), which is actually about another LSD proponent, Owsley Stanley. The G4 original television show Code Monkeys (2007) also references the bus in the first episode of the second season, where a character voiced by Tommy Chong tells the legend of Chester Hopperpot, a psychedelic pioneer who toured the country in a magical hippie bus called Farther. Ken Kesey's quote "You're either on the bus or off the bus," as quoted by Tom Wolfe, is often repeated as a counter-culture slogan. In the Grateful Dead song "The Other One" Bob Weir sings the lyric "the bus came by and I got on, that's when it all began, there was cowboy Neal at the wheel of the bus to never never land," an apparent reference to the original Furthur.
1987 was another prolific year for Barnacle, who was featured on the hit singles "China in Your Hand" by T'Pau, "Roadblock" by Stock, Aitken and Waterman and "Breakout" by Swing Out Sister. He also contributed to the releases of Red by The Communards, Banzai Baby by Sandii & the Sunsetz, Rick Astley's debut album. This last was a collaboration that was repeated with the release of Astley's second album, Hold Me in Your Arms, released in 1989. Also in 1987, he performed on Feelin' Good About It by This Way Up, Can't Wait to See the Movie seventh solo album released by Roger Daltrey of The Who, Stand Up by Jo Lemaire, Never Never Land by Simon F, If by Hollywood Beyond, and on Swing Out Sister's debut album as well as on their third studio album, Get in Touch with Yourself, released in 1992.
A notable recording of a popular song, such as Judy Garland's Decca recording of "Over the Rainbow" (from The Wizard of Oz), Mary Martin singing "Never Never Land" (from the original cast recording of the musical Peter Pan), or Danny Kaye singing "Inchworm" (from the Decca recording of the songs from Hans Christian Andersen) were heard while the cutouts played on the screen, animated by a concealed puppeteer. On other occasions, full-fledged hand puppets "performed" to the song being played (as in the case when a hand puppet dressed in Spanish clothing performed to a recording of tenor Allan Jones singing "The Donkey Serenade"). Also, about two or three times in an episode, short film clips on certain topics played over a song about that particular topic. Familiar props included a mockup of a talking cathedral- style radio that Keeshan simply called Radio.
In simple terms, the film follows a "typical" journey made by Tom Kruse, from Marree to Birdsville, some 325 miles away, showing the various people he met along the Track and the sorts of obstacles he faced. In fact, sometimes described as a docudrama, the film was closely scripted: it comprises a number of re-enactments and a 'lost children' story, rather than chronicling an 'actual' trip. Nonetheless, many of the people featured in the film were real-life bush characters. They include the bushman-cum-mailman Tom Kruse; Bejah Dervish, the Baloch camel driver who "fought the desert by compass and by Koran"; William Henry Butler, Kruse's record-playing companion; Jack the Dogger who kills wild dingoes; and old Joe the Aboriginal rainmaker. Australian Screen curator, Lauren Williams, suggests that the film "can be read like a collection of travelling vignettes along the Birdsville Track, embracing the experiences of these people and the isolated ‘never-never’ land they occupy".
Returning to England, the band hooked up with Twink forming The Pink Fairies, signing to Polydor and embarking upon a career centred on Ladbroke Grove, occasionally hooking up with Hawkwind for sets as Pinkwind. Recording two albums, Never Never Land and What a Bunch of Sweeties, Rudolph left immediately after the release of the second album to pursue other ventures, including a stint in Uncle Dog with Carol Grimes. He was invited by Roxy Music producer John Porter in early 1973 to participate in demo sessions for Sparks, before that band had found British musicians (Adrian Fisher, Martin Gordon and Dinky Diamond) for their UK re-launch. It was at the final Uncle Dog gig that he met former Roxy Music musician Brian Eno which would lead to him contributing to four of his albums in between 1973 and 1977, namely Here Come the Warm Jets, Another Green World, Music for Films and Before and After Science.
Chou's compositions are loosely categorized as pop music. While many of his works fall into contemporary R&B;, rap, and rock genres, the term "Chou Style" () has been popularized to describe his trademark cross-cultural music and insistence on singing with slurred enunciation. 台北時報Taipei Times once described the meaning of "Chou Style": "In what has become the archetypal Chou style, Taiwan's favorite son blends pop, rap, blues and a smorgasbord of esthetic elements of world music to create his dream-like never-never land..." Chou regularly fuses traditional Chinese instruments and styles with R&B; or rock to form a new genre called "Zhongguo feng" (), which literally means "Chinese Style Music", some of which are written in the Pentatonic Scale as opposed to the more common seven-note scale (Diatonic scale) to accentuate an oriental style. Besides his own culture, he also incorporated Spanish guitar in "Red Imitation" (), American techno/electronica in "Herbalist's Manual" (), rap with subtle classical music undertones in "Reverse Scales" (), Blues style in "Free Tutorial Video" () and Bossanova style in "Rosemary" (), to name a few.
The 2018-19 season featured Books & Ideas, a series of author talks and on-stage interviews, with Indigenous authors Joshua Whitehead and Arielle Twist; Indian writer and journalist Amitava Kumar and Shani Mootoo; and The New York Times critic-at-large Wesley Morris and CBC’s Amanda Parris. The 2018 Vine Awards for Canadian Jewish Literature were announced and presented at a ceremony at the Windsor Arms Hotel. The Koffler Gallery season featured the group exhibition Through lines guest curated by Noah Bronstein and featuring artists Lise Beaudry, Scott Benesiinaabandan, Michèle Pearson Clarke, Leila Fatemi, Maria Hupfield, Raafia Jessa, and Nadia Myre (September 13 – November 25, 2018). Never Never Land was the first solo exhibition in Canada for Tehran- born Iranian-Canadian artist Ghazaleh Avarzamani (January 17 – March 17, 2019). Israeli-artist Nevet Yitzhak’s WarCraft was a Primary Exhibition of the 2019 CONTACT Photography Festival presented in partnership with Images Festival (April 4 – May 26, 2019). Peter’s Proscenium was London-based painter Christian Hidaka and Paris-based sculptor Raphaël Zarka’s first exhibition in Canada (June 20 – August 18, 2019).
Irene Mecchi — who is best known for her screenwriting contributions to films such as The Lion King – was brought in to "strengthen and deepen" the portrayal of Captain Hook in the production. Revisions were also made to its soundtrack, including the addition of new songs with lyrical adaptations by Amanda Green, the daughter of Adolph Green, who, with Jule Styne and Betty Comden, added some songs for later productions, including "Never Never Land". New songs added to the production included the Captain Hook song "Vengeance", an adaptation of "Ambition" from the Styne-Comden-Green musical Do Re Mi, "Only Pretend", adapted from "I Know About Love", also from Do Re Mi, and the Peter and Hook duet "A Wonderful World Without Peter", adapted from “Something’s Always Happening On The River” from the Styne- Comden-Green musical Say, Darling. "When I Went Home", a song sung by Peter that was cut before the musical's 1954 premiere due to a "subdued" reaction in try-outs, was also restored for this production; Meron explained that the song would help viewers to "understand more" about the character of Peter Pan.

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