68 Sentences With "make a hit" | Random Sentence Generator

How to make a hit TV show — for Amazon.

Small video production houses can make a hit show or two.

Here's a plea for DeAndre: Go make a hit before you get hurt. Please.

Maronna: Director Chris Columbus knew how to make a hit movie out of child empowerment.

I'm gonna make a $hit t$n of money on August 2nd on the Stox.

Some people get the best stuff when they're told 'Oh man, you have to make a hit.

Here's the nice part: You don't need to have dancing or singing skills to make a hit.

Our hero just booked a massive tour, and now he's desperately trying to make a hit with Skrillex.

Jay may be one of the greatest lyricists of all time, but he also knows how to make a hit.

The only way to make a hit television show is to close your eyes and throw a lot of darts.

He came through the middle with a lot of speed and I was coming across to make a hit on him.

Nintendo took its time getting into mobile games, but it seems to know how to what it takes to make a hit.

The things Kent really cares about—friendship, family, hard work—don't necessarily make a hit, but they make him who he is.

" Instead, she wrote, "We were trying to make a hit show … we were trying to make Home Improvement, and we did it wrong.

But what Nicki DID prove, was her ability to make a hit out of her target: Men lie, women lie, numbers don't. More.

And make a hit they did: "I'm Into You" went gold, and the video is currently sitting just below a quarter billion views on YouTube.

If the past 83 years of evidence are any guide, our analysis suggests that there are two relatively reliable ways to make a hit show.

"If you're looking to make a hit piece on two people that were killed in cold blood then I think we're done here," Nero said.

Sonically, you're not gonna make a hit with a four-track, but there's something about the sound of it that's fucking incredible—the noise, the imperfection of it.

Zafar spoke to Reuters about "Bharat" and what it takes to make a hit Salman Khan film, and why the 52-year-old film star remains relatable to younger moviegoers.

"We got everybody in the movie because they trusted Lance to be able to tell it; to protect their stories and tell it the right way and not make a hit piece," he said.

But You're Next did more than make a hit single feel fresh again: It proved American indie filmmakers like Adam Wingard could bring something new to the home-invasion genre through invoking 2300s horror tropes.

She wanted to make a hit — "the way boys had hits, not like a girl hit that made $50 million, but a boy hit that made hundreds of millions," she told Charlie Rose, and she did that.

And the film studio STX Entertainment has paid stars less than what is typical and made up for it with a bigger share of the film's overall profits, essentially incentivizing them to use their power to make a hit.

I don't love this song—all three have rapped substantially better elsewhere—but I do appreciate it because it's pretty much the only instance of all this star power being united and there being no attempt made to make a hit.

Detectives surveil Cardona and his companions as they are about to make a hit on the driver of a blue Hummer outside a Laredo nightclub, who, in a case of mistaken identity, turns out to be not a rival but a local dentist.

In a "Classic Cece and Winston Mess-Around," the two besties set out to prove to clueless nerdy bro Schmidt that what makes a "good" EDM song is arbitrary, that just anyone can make a hit, and that overall EDM is garbage for people with no taste.

The Shift You might guess that a surefire way to make a hit video on YouTube would be to gather a bunch of YouTube megastars, film them riffing on some of the year's most popular YouTube themes and release it as a year-in-review spectacular.

His latest successes — which include a pair of No. 1 hits on the Billboard Latin songs chart — have come as part of reggaeton's second global wave, and "Fénix" reflects the ambitions of an artist who already tested his limits once, and failed, but who understands how many different sorts of ears have to be listening to make a hit.

Rather than continuing to attempt to analyze what might make a hit, a process Mr. Cole said he found unrewarding — "Trying to prove that I could do something that they don't think I can, it was a very sad place when I look back" — he began making music at home, on his couch, only coming to the studio for the final stages of recording and polishing.

Svenska Dagbladets Sara-Märta Höglund compared the EP to Katy Perry's Prism (2013) and stated that, "though Lo knows how to make a hit, I have wished she had ventured out on a more stripped-down production and dropped the tiresome drug romanticism".

They make a hit singing pair. This leads to a budding misconception between Vijay and Laxmi. Vijay forces Laxmi to leave the home. That very day, Vijay comes to know that Kumar is getting married and his misconceptions are cleared, but Laxmi is nowhere to be traced.

The 2005 re-release featured a tweaked version of the original rules as Conquest of the Empire: Classic. In this version the combat system was changed. Dice now featured images on all sides which represented your units. If you'd roll an infantry, an infantry unit from your army would make a hit.

Hitting is the way to get rid of leftover cards after making a Phase. A hit is made by putting a card directly on a Phase already laid down. The cards must properly fit with the cards already down. Before a player can make a hit, their own Phase must already be laid down.

The series stars a fictionalized version of Lil Dicky, a suburban neurotic man in his late twenties who has convinced himself that he's destined to be one of the best rappers of all time, but gives it up to make a hit TV show about being destined to be one of the best rappers of all time.

Arafa has the opportunity to assume the identity of the hitman (neither he nor the hitman have ever been seen by the boss' intermediary). Arafa is hired to make a hit. However, when Dosoki is killed by mafia in a gun fight, Arafa tries to escape. Warda discovers this and follows Arafa only to be killed by the mafia herself.

The film is about a down on his luck movie producer, played by Michael Buckley, who is seeking out famous celebrities in order to make a hit movie in 30 days or risk being fired. He chooses Higa and Fujiyoshi after discovering the popularity of their YouTube videos. He invites them to Hollywood to make a movie. They accept the offer, and run into some amusing situations on the way.

There were times when all was lost. For her first run, it might have been in the label's best interest to employ a few hit makers. You know the ones that can make a hit for anyone despite their vocal capability. Not saying that Amerie is without, it just might have added a little pizzazz if she would have joined the Jermaine Dupri or even Darkchild roster list.

The Taliban soldier escapes, but runs into an I.R.A. member wielding an LPO-50 Flamethrower. He is set on fire and desperately tries to shoot in random directions, but dies before he can make a hit. Another Taliban member runs up and shoots the flamethrower's gas tank, causing it to explode and kill the I.R.A. soldier. Another I.R.A. man runs in between the cars, but is spotted by a Taliban member.

Domino's "How To Make A Hit Pop Song" video was nominated for the Best Internet Comedy Short award at the 2014 British Comedy Awards. Madin and Anderson attended the event as themselves. Between 2015 and 2016, Domino was a regular guest on ITV's Weekend with Aled Jones, presenting a musical segment, often involving the other guests on the show. On 16 August 2015 he performed a medley of Shaggy songs with Shaggy himself.

In season 5, Snoop continues to act as muscle for Marlo, alongside Chris Partlow. Tension between her and Michael becomes a recurring theme. Snoop carries out orders from her superiors without question, but Michael tends to voice his opinion about certain situations. This occurs when Chris, Snoop, and Michael are about to make a hit on Junebug (a rival drug dealer spreading malicious but trivial words about Marlo's sexuality) and after Omar kills Savino Bratton.

Their first task is to make a patriotic speech, Tim does nothing but faint. The Robot fires off fireworks from the top of his head and plays a recording of Land of Hope and Glory, winning the task. The next task is to make a hit record. The Goodies are fruitless as they try to think of a hit record but the machine tells them "No conferring" and the Robot wins by doing his version of Funky Gibbon.

Wanting to "buy himself back" into the business, he offered Tony $200,000 and said he would run the family's Atlantic City prostitution and drug businesses. Tony was tempted by the offer, but realized this would bring him into open war with the Lupertazzis. Lupertazzi crime family boss Phil Leotardo, who disliked homosexuals, and who is a second cousin of Vito's wife Marie, demanded Vito's death, so Tony quietly arranged for Carlo Gervasi to make a hit on Vito. Meanwhile, Vito reunited with his family.

The purpose of an attack is either to make a hit or to provoke a defensive reaction. In order to do either, the attacker must create a threat. A fencer launches an attack by extending his weapon-carrying arm in such a way that the point threatens the opponent's target area (except in sabre where the blade need not be threatening the target when the arm is extended, the right of way can still be given). The attack may be delivered with the aid of appropriate fencing footwork.

It was a position he quickly came to dislike. "I had to wear a suit and I was stuck in an office on my own with a secretary outside", he told Emine Saner in 2004. In his first discussion with the Peoples owner, Robert Maxwell, he was told to cut costs: "So the very first job I did wasn't some great creative story or hiring a columnist, it was to make a hit list of people I was supposed to fire". Blake's post as editor of the Sunday People was short-lived.

In 1978 he hosted the talkshow Noord-Zuid (North-South), together with Dutch TV presenter Mies Bouwman. In one episode Dutch singer Vader Abraham was the guest of the evening. Anthierens made no secret of his hatred of the man's music and after he insinuated that the singer had not paid Peyo the rights to make a hit song about The Smurfs Abraham stood up and left the show in anger. This was not the first incident, as earlier he had also criticized Will Tura and Leo Tindemans, but Abraham's departure caused such a media storm that Anthierens was fired.

Hiplife and Azonto), so this made it very difficult for Hip hop artist such as himself to make a hit song in Ghana. Without forgetting about hip hop, Ball J started fusing his hip hop style of beatmaking with faster beats, which was purposely to fulfill the demands of artists coming to his studio, (Nu Afrika Records). His first significant hit which he produced was Kwawkese's Killa Bewu Last Show in 2010. After that, Ball J produced a lot of songs for both the underground and known artists, but his major milestone was Lapaz Toyota by Guru.

Roger Ebert called LeBrock "wonderful" in her role and thought that as a result the film was "funnier, and a little deeper, than the predictable story it might have been." Janet Maslin of The New York Times wrote that "Mr. Hughes shows that he can share the kind of dumb joke that only a 14-year old boy could love. There are enough moviegoing 14-year old boys to make a hit out of Weird Science, of course, but for the rest of the population, its pandering is strenuous enough to be cause for alarm."Maslin, Janet (August 2, 1985).

King left Charterhouse in 1962 to attend Davies's, a London crammer, for his A levels. With his wages from a job stacking shelves in a supermarket, he made a demo of himself the following year singing "It Doesn't Matter Anymore" and "Fool's Paradise" Eden Kane song with the Ted Taylor Trio, a professional group in Rickmansworth. Wearing a pinstripe suit and trainers, he approached John Schroeder of Oriole Records and told him he could make a hit record. "I have been studying the music industry for the last three years and it is one big joke," Schroeder reported him as saying.

Linda leaves Ava who she feels seduced her dad from the Faerie and had kept this fact from her. Linda goes back to Verian who reveals that he is also from the Faerie and explains how cold iron kills fairy. He also tells her that the hot iron in human blood is poison too, but a changelings blood takes the edge of it and mixing it with charmed heroin is what gives it the kick. Linda makes love to Verian, who later on tries to make a hit using her father's christening spoon which he drops, as it is made of iron.

She was the fifth of six children of Jacques Félix and Esther Thérèse Hayer, all of whom became actors, and a 9-year younger sister and pupil of the great Rachel Félix. She had hardly been given any trial when, by chance, she was called on to create the leading woman's part in Lamartine's Toussaint Louverture at the Théâtre de la Porte Saint-Martin on 6 April 1848. The play did not make a hit, but the young actress was favorably noticed, and several important parts were immediately entrusted to her. She soon came to be recognized as one of the best comedians in Paris.

Jeff Wald, Reddy's husband and manager, was persistent in contacting Capitol Records executive Artie Mogull with the hope that he would give his wife her first chance at recording in the US. When Mogull felt inspired to make a hit out of "I Don't Know How to Love Him" from Jesus Christ Superstar in 1970, he finally came around to giving her that chance. Her recording of the song was released on January 4, 1971,(2006) The Woman I Am: The Definitive Collection by Helen Reddy [CD booklet]. Los Angeles: Capitol Records 09463-57613-2-0. and Wald's strategy then became contacting disc jockeys across the country about giving the single airplay.

Checker released several singles by well-established blues artists such as Elmore James, Arthur "Big Boy" Crudup (credited as Perry Lee Crudup), and Memphis Minnie, none of which sold well. One well-established blues artist that did manage to make a hit on Checker was Sonny Boy Williamson II, who charted with "Don't Start Me Talkin'" (number 3) in 1955, "Keep It to Yourself" (number 14) in 1956, and "Help Me" (number 24) in 1963. On March 2, 1955, the Chess brothers recorded their first rock and roll artist, Bo Diddley. From this session came Bo's self-titled debut single on Checker, which topped the R&B; charts and was inducted into the Grammy Hall of Fame in 1998.

Papa Bear is ready to make a hit on the white circle gong which is held by Mama Bear. Junyer sees this while eating cheese and is ready to hit only to crash each other. Junyer has his head on the board which reads "Hit my Baby son 25 cents for 3 shots", Papa bear throws a baseball at Junyer but it bounces back and hits him, which in turn, knocks him out. Mama Bear carries a couch chair for Papa Bear to land on and Junyer acts to land on the seesaw to send him into the air to land on the couch but he sends him into the sky and into outer space.

However, an editor for Boating disliked Streisand's version and urged the public to "ignore" it, joking that it "does not belong in [...] our stateroom". A reviewer from Broadcasting disliked everything about her version, stating, "The Streisand voice and name alone might be enough to make a hit out of any of her single releases, but with the first single from her best-selling ButterFly album, the singer is taking no chances." Years after its initial release, Streisand took to Larry King Live in 1991 and announced her displeasure with ButterFly and the songs on it. Biographer Tom Santopietro wrote that "Guava Jelly" and album track "Grandma's Hands" were among the bad songs on the album.

He hires alcoholic private investigator Rein Schaambergen to help him, but Schaambergen is too drunk to be of any help. In desperation he turns to Jacques Plafond and plans to make a hit record (arranged by Jan Vos) to make her fall in love with him, but sings so poorly that he is replaced by a better singer—his neighbor Victor van Vliet records the song, "Smoke, Gammon and Spinach", which becomes a hit, and Rik is kicked out of the studio. He flees to the Bahamas but is tracked down by Schaambergen and returned to the Netherlands, with the promise that Yolanda is found. Unfortunately, Schaambergen has failed and presents the wrong Yolanda (the ugly daughter of the baker, Ruud van Hemert).

The plan is for Grogan to bring together Luganni and his rival, French Canadian mafioso boss André LaCombe (Marcel Sabourin), so they can both be taken down together. After two years of working the plan, a gang of Iranian drug dealers looking to muscle in on everyone's territories suddenly enter the picture when they make a hit on one of Luganni's teams just as they finished making a hit on a team of LaCombe's money carriers. Grogan plays all parties against one another while befriending a fatherless boy named Tim Murphy (Salim Grant), who lives in the apartment down the hall and is being bullied by a racist white kid in the neighborhood. Tim's mother works three jobs, so he begins spending time with Grogan.

The system added core memory for temporary storage, replacing the flip-flops from the earlier system, and a plugboard for programming. The first delivery would be to Imperial Chemical Industries (ICI) to go into use as the control system for ICI's soda ash/ammonia plant at Fleetwood. An agreement was reached in March 1960 and the machine was installed April/May 1962. This was the first large factory to be controlled directly by a digital computer."Process-control computers make a hit with chemical manufacturers", New Scientist, 15 October 1964, p. 165"Process Control: Concepts Dynamics And Applications", PHI Learning, 2010, p. 490 Other European sales followed. The Argus circuitry was based on germanium transistors with 0 and -6 volts representing binary 1 and 0, respectively.

Although BBC Music called the song a "cheese-fest", the reviewer said "in a weird way it's kind of beautiful", investing in the "Ibiza-inspired R&B; trend". The review also compared the song to Dizzee Rascal and Cruz's "layered vocals" and "slick production" to OneRepublic and Timbaland's "Apologize". Michael Menachem of Billboard said that the "stateside version" turns up the heat with Ludacris' feature as "Cruz's breezy vocals on this electro-pop number have all the warmth of smooth R&B;, while producer Fraser T Smith sets up the right ratio of catchy vocals and tempo changes to make a hit". Ash Dosanjh of New Musical Express said that Cruz's downfall was when he acts the player, as on "Break Your Heart" and "Dirty Picture".

They were set to record with producer John Anthony, who had worked with them on their new song "Happy the Man" earlier in the year, but escalating costs due to the slow progress of completing it caused disagreements among Anthony and Charisma Records, the group's label, so they looked for a new producer. Banks recalled Charisma were anxious for the group to make a hit recording. The group's first choice for producer was Bob Potter, who had worked with Charisma labelmates Lindisfarne with Bob Johnston engineering. The band did not get on with Potter as he disliked their music; he compared Banks's Mellotron opening to "Watcher of the Skies" to the soundtrack to the science fiction film 2001: A Space Odyssey and felt the song was better without it.

Butler explained that Atlantic Records had been sending him records to test with audiences before they were officially released and Butler was able to predict which ones with a would become hits with great accuracy. Through these connections, he was asked by the label to if he could make a hit record and set own studio that was set up like a DJ booth. Among the early tracks Butler made with this set up that included a Roland TR-808 and Roland Juno-60 was "Fix It in the Mix" and "Jam the Box" which by then he had purchased a Prophet-5 emulator. Butler met Debbie Wesoff Lopez (later known as Debbie Deb) when he was promoting concerts and heard her voice at a record store called Peaches Records.

The muzzle velocity was so low that a HEAT round fired at longer ranges would have to be "lofted", making aiming difficult, and the flight time would be so long that a moving target would be very difficult to hit. However, it appeared there was a solution to this problem by equipping the tank with gun-fired anti-tank missiles. For longer range engagements a missile would be fired instead of a HEAT round, and although its velocity would also be relatively slow, the guidance system would make a hit highly likely anyway. A number of vehicles mounting only ATGM's, or alternately recoilless rifles like the US's own Ontos tank were already in service, but typically these vehicles had limited firepower in the infantry support role, or in the case of Ontos could not be reloaded from within the vehicle.

The Super Furry Animals had attempted to make a hit record with a commercial sound with their previous release, 1999's Guerrilla. The record's singles failed to hit the top 10 of the UK Singles Chart, so the band decided to go on "pop strike". The group had written several Welsh-language songs during sessions for Guerrilla, and opted to release them as a coherent album rather than issue "token Welsh songs" as b-sides—reasoning that, if their English pop songs were not going to be played on the radio they may as well release Welsh pop songs that would not get played on the radio. Singer Gruff Rhys stated that, although the decision to release a Welsh language album was not an explicitly political statement, he does feel the record is a "stand against globalisation".

Bombardier make a hit Commercial Motor 22 November 1980 The two companies formed a new company Bombardier Ireland Limited, 51% owned by Bombardier and 49% owned by GAC. In August 1983, Bombardier sold its shares to GAC, with the company renamed GAC Ireland Limited.GAC Ireland Limited Companies Registration Office The former Rippon piano factory in the new town of Shannon, County Clare was leased, and production commenced in 1980, with 51 of the KE type InterCity/tour buses, with some KD double deck production taking place around the same time. The idea behind the Bombardier/GAC project was inspired by a number of factors: # CIÉ's requirement for new buses as a matter of urgency, and their preference not to purchase any more Leyland products # To address a serious unemployment issue in the local area caused as a result of the Rippon piano factory's closure.

With more than 270,000 monthly listeners on Spotify from Chile, Mexico, Argentina or Peru, Xcelencia on March 22 released his latest single "Te Sigo Soñando" produced by Argentinian beat maker Shine, who has worked for artists like J Alvarez or Ken-Y, reaching 100,000 streams in its first week of release. On October 16, 2019, Xcelencia was announced as part of the first wave of performers invited to showcase at the SXSW 2020 music festival. New single Buscarte it out as part of a new album where Xcelencia will release a song every Friday across all the digital music platforms Xcelencia was featured on SoundCloud Studio Sessions: The Bridge, a contest series that brings four talented artists together to make a hit record in under eight hours, the song "Winter in Miami" was released exclusively on SoundCloud Featured on Songtradr's monthly mixdown for a second time, Xcelencia talked about how he is coping with COVID19 as a recording artist and his newly launched recording studio.

" In Billboard, Denise Warner argued "how does one support the success of 'Say So' without marginalizing Kesha's accusations or story?" In the same magazine, Gab Ginsberg stated "If Doja has her own reasons for wanting to work with Luke, I don't have to like it, but that's her deal. I do wish there was a way to support Doja and not Luke, but the fact is he helped her make a hit, and I do enjoy it," while Andrew Unterberger opined "it's something we have to keep reminding ourselves and each other about—and to continue to ask Doja and other present and future collaborators about—to make sure that everyone stays informed about [Lukasz] Gottwald's resumed presence in pop's mainstream, and can respond and demand general accountability accordingly." In June 2020, the song was listed as the fourth best song of 2020 so far by Billboard, describing it as one of "the year's best floor-fillers," however, they highlighted, "[it is] Lukasz 'Dr.

Booth played [Richard III] in his best style, and was really > anxious to make a hit, but the confusion incidental to such a crowd on the > stage, occasioned constant and most humorous interruptions. It was every > thing or any thing, but a tragedy. In the scene with Lady Anne, a scene so > much admired for its address, the gallery spectators amused themselves by > throwing pennies and silver pieces on the stage, which occasioned an immense > scramble among the boys, and they frequently ran between King Richard and > Lady Anne, to snatch a stray copper. In the tent scene, so solemn and so > impressive, several curious amateurs went up to the table, took up the > crown, poised the heavy sword, and examined all the regalia with great care, > while Richard was in agony from the terrible dream; and when the scene > changed, discovering the ghosts of King Henry, Lady Anne and children, it > was difficult to select them from the crowd who thrust their faces and > persons among the Royal shadows.