71 Sentences With "inwardness" | Random Sentence Generator

Inwardness is the essence of the book — and bossiness.

All of this comes from the inwardness that we cultivate.

Despite its being a social hub, the pool also cultivates inwardness.

How they look like they are losing both their inwardness and outwardness.

He lacks inwardness and therefore is terrified by the possibility of anxiety.

In this way, "Son of Saul" is both art and philosophy: It makes inwardness visible.

It is a role known for volume; the originality of Jackson's performance is its inwardness.

Instead of turning private feelings into bland public statements, he claimed public symbols for the realm of inwardness and private experience.

But both words and music address love's pains as well as its joys; and they move between forceful attack and tender inwardness.

The pictures parody stereotypes of Asian inwardness, and they rebuke Western portraiture, which purports to disclose the inner lives of the subject.

Hamilton is a very focused performer, never wavering, in my witness, from his inwardness, sometimes made palpable by his thousand-yard stare.

The aesthetic calls for a sensual inwardness without added sauce, opening up a line of beauty already present in the Balanchine aesthetic of City Ballet.

But it is hard to imagine how an inwardness of such delicate precision as manifest in Virginia Woolf's diary could coexist with the cacophony of social media.

Few of us are likely to agree with her dictum that photography is best practiced as a purely objective art that makes no concession to inwardness or interiority.

The bottom line is, what Kierkegaard pointed out is a steady push in society toward more objectivity, and less engagement with subjectivity, with what is — sometimes derisively — called inwardness.

We are pledged to an inwardness, a deep probing focus on who and where we are... You are about to become, each of you, a single life in touch only with yourself.

The airy, upbeat first movement was followed by an Andante of exquisite velvety inwardness, with moments of swelling tone and yearning expressivity that were all the more poignant for being reined in so quickly.

But the sense of decline and drift that infuses "Hell or High Water" has more in common with his ferociously bleak 2003 drama, "Young Adam," whose hero (played by Ewan McGregor) shares Toby's broody inwardness.

To me, this history reads more like the stages of a woman's life: A period of moody inwardness is followed by a period of angry political agitation that yields to a period of broadminded humanity.

There's something universal about Drake's inwardness, certainly, but it begins to feel tedious to linger too long in the self-conflict zone when so much other music aspires to take in the world all at once.

The tale involves stifled hatred and potential violence, but Dulac films it with a lyrical and impressionistic inwardness, using unnatural lighting effects, dreamlike double exposures, and grotesque distortions to evoke the heroine's frustrated desires and irrepressible fears. ♦

It's no surprise that while she is celebrated in Europe, she has never been fully on the radar here in the United States: There is even to her virtuosity a restraint, an inwardness, that separates her from the sunny showboats who tend to become American stars.

Whitaker is at his most creepy-kindly as Louise's handler, exhorting but not badgering her to establish the aliens' intent, and Renner, likewise, sheds the tough hide of his action-movie persona for the sake of a wonkish inwardness—relieved, I suspect, to swap the arrows of Marvel for a pair of spectacles.

In this poem, which appeared in Falling Water (1997), Koethe ponders "the experience of memory": For over time, the personal details Came to mean less to me than the feeling Of simply having lived them, revealing Another way of being in the world, With all the inwardness it still sustains And the promise of happiness it brought.

272 No good spy master would get all his books published at the same place. All three books were published by the same person, Søren Kierkegaard, and all three were published on the same date, October 16, 1843. Kierkegaard continues his discussion of the difference between externalities and inwardness in the discourses. But now he moves from the inwardness of faith to that of love.

Mahamahopadhyaya Virupaksha Sastri taught him Vedanta. Even in Bangalore there was no change in Narasimha's inwardness. He spent his free time in the peaceful environs of the Gavigangadhareshwara Temple in Gavipuram, Bangalore.

The American philosopher Walter A. Davis, in Inwardness and Existence: Subjectivity in/and Hegel, Heidegger, Marx and Freud, argues that both deconstruction and structuralism are prematurely arrested moments of a dialectical movement that issues from Hegelian "unhappy consciousness".

E.B. Speirs and J. Burdon > Sanderson as Lectures on the Philosophy of Religion, New York: Humanities > Press, 1974. pp. 56-58 . > Spirit is immortal; it is eternal; and it is immortal and eternal in virtue > of the fact that it is infinite, that it has no such spatial finitude as we > associate with the body; when we speak of it being five feet in height, two > feet in breadth and thickness, that it is not the Now of time, that the > content of its knowledge does not consist of these countless midges, that > its volition and freedom have not to do with the infinite mass of existing > obstacles, nor of the aims and activities which such resisting obstacles and > hindrances have to encounter. The infinitude of spirit is its inwardness, in > an abstract sense its pure inwardness, and this is its thought, and this > abstract thought is a real present infinitude, while its concrete inwardness > consists in the fact that this thought is Spirit.

According to Shakespearean scholar James Shapiro, in Julius Caesar, "the various strands of politics, character, inwardness, contemporary events, even Shakespeare's own reflections on the act of writing, began to infuse each other". Hamlet, Horatio, Marcellus, and the Ghost of Hamlet's Father. Henry Fuseli, 1780–1785. Kunsthaus Zürich.

William James, in Varieties of Religious Experience, considered the autobiography an important document for "the purely literary student who would like to become acquainted with the inwardness of religions other than the Christian" because of the scarcity of recorded personal religious confessions and autobiographical literature from this period outside the Christian tradition.

Oku (奥) is a spatial theory or concept that pertains to the idea of inwardness. It is peculiar to Japan and is an integral part of the urban space formation in the country. The term entails several abstract connotations such as profundity and can be used to describe not only physical but also psychological depth.

Though he introduces her to his well- off parents and his intellectual friends, she is unable to mix in their worlds. Her deep reserve begins to annoy him and they split up. Losing interest in life, she ends up in a mental hospital. Full of remorse, François visits her but she wants nothing: she has found a quiet place that suits her inwardness.

He was a translator into German of Kierkegaard and Cardinal Newman. He wrote an essay, Kierkegaard and the Philosophy of Inwardness in 1913 at a time when few had heard of Haecker and even fewer had heard of Kierkegaard.Journal in the Night, Introduction p. xiii After that he translated Newman's famous Grammar of Assent and became a Roman Catholic convert in April 1921.

In fact, his writing reflects a bodily interiority that was changing with new discoveries in science and art. According to Schoenfeldt: > By urging a particular organic account of inwardness and individuality, > Galenic medical theory gave poets a language of inner emotion… composed of > the very stuff of being. The texts we will be examining [including > Shakespeare's sonnets] emerge from a historical moment when the "scientific" > language of analysis had not yet been separated from the sensory language of > experience… the Galenic regime of the humoral self that supplies these > writers with much of their vocabulary of inwardness demanded invasion of > social and psychological realms by biological and environmental processes. The outside world of the physical body is a part of the language in use by Shakespeare and his peers to portray the inward world of emotion and thought.

Kierkegaard published Two Upbuilding Discourses three months after the publication of his big book, Either/Or, which ended without a conclusion to the argument between A, the aesthete and B, the ethicist, as to which is the best way to live one's life. Kierkegaard hoped the book would transform everything for both of them into inwardness.The merit of the book, if it has any, does not concern me. If it has any it must essentially be that it does not provide any conclusion but in inwardness transforms everything: the fantasy-inwardness in Part I into a conjuring up of possibilities with intensified passion, the dialectic into a transforming, in despair, of everything into nothing; the ethical pathos in Part II into an embracing of resolution, of the ethical’s modest task, built up thereby, open before God and men.

William James, in Varieties of Religious Experience, considered the autobiography an important document for "the purely literary student who would like to become acquainted with the inwardness of religions other than the Christian", comparing it to recorded personal religious confessions and autobiographical literature in the Christian tradition.William James, Varieties of Religious Experience, Harvard University Press, 1985, p. 319 [= 2002 Modern Library Paperback Edition, p. 438].

World War I cut off contact with Germany, but the missions continued at a reduced pace. After 1945 the missionaries had to deal with the decolonisation of Africa and especially with the apartheid government. At all times the BMS emphasized spiritual inwardness, and puritanical values such as morality, hard work and self-discipline. It proved unable to speak and act decisively against injustice and racial discrimination and was disbanded in 1972.

Rowland, 233 The detail of facial parts, hair, headgear, jewellery and the haloes behind figures are carved very precisely, giving a pleasing contrast with the emphasis on broad swelling masses in the body.Rowland, 230–233, 232 and 233 quoted Deities of all the religions are shown in a calm and majestic meditative style; "perhaps it is this all-pervading inwardness that accounts for the unequalled Gupta and post- Gupta ability to communicate higher spiritual states".

Lintup viewed the salvation of the Jewish people as inextricably linked to Torah study. He believed that knowledge of penimiyut haTorah (inwardness of Torah) contained the medicine for the spiritual malady of the generation. Both Lintup and Abraham Isaac Kook attempted, each in his own way, to disseminate Kabbalah to the masses and coming under criticism from their rabbinic peers for it. Philosophically, Lintup sought to synthesize the schools of Moshe Chaim Luzzatto, the Vilna Gaon and Chabad.

Bazinet did further studies in theatrical movement with Pagneux and worked as a street performer in Paris, often in the plaza of the Pompidou Center. In a 1984 article on the Pompidou Center street performers for The Drama Review, Kris Palmquist described Bazinet's miming as marked by a strong "inwardness" and noted, > René puts all his emphasis on the perfection of movement, precise and > unusual body placement, and rhythmic timing. If everything goes correctly, > his act is hypnotic.Palmquist, Kris (Spring 1984).

Because of this, Noam Elimelech influenced the Mainstream Hasidic proliferation of the Tzadik, who embodies and channels the Ayin-Yesh Divine flow of blessing to this world. The Chozeh of Lublin (1745-1815) developed further the dynamics of this process. Meanwhile, the mid-19th century Peshischa-Kotzk spiritual development in Hasidism and its influence, is excluded from this description. It left aside Tzaddikism and mystical focus in favour of personal autonomy, introspection and Rabbinic Torah study in the spirit of Hasidic spiritual inwardness.

Rabbi Jacob Joseph addresses the question regarding the dual requirement in Judaism to both love and fear God. Rabbi Jacob Joseph resolves this matter by asserting that when one reaches a high level of inwardness (of the soul), both fear and love of God coalesce into one, becoming indistinguishable from one another, eliminating the need to give priority to one over the other.Sherwin, Byron L. "Fear of God." 20th Century Jewish Religious Thought: Original Essays on Critical Concepts, Movements, and Beliefs.

In the book Bodies and Selves in Early Modern England, Mike Schoenfeldt examines the concepts of physiology and inwardness as seen through the works of Shakespeare, specifically in The Sonnets. Through Schoenfeldt's literary research, he reveals the interaction between "flesh and thought" during Shakespeare's time period. The dynamic that Shakespeare plays with in the "feeling" and the "form" of the sonnet portrays a "feeling in the form". He uses both the physical form and symbolic meaning of the sonnet art form.

New Simplicity (in German, die neue Einfachheit) was a stylistic tendency amongst some of the younger generation of German composers in the late 1970s and early 1980s, reacting against not only the European avant garde of the 1950s and 1960s, but also against the broader tendency toward objectivity found from the beginning of the twentieth century. Alternative terms sometimes used for this movement are "inclusive composition", “new subjectivity” (neue Subjektivität), “new inwardness” (Neue Innigkeit), “New Romanticism”, “New Sensuality”, “New Expressivity”, “New Classicism”, and “New Tonality”.

Gramophone, April 1992, p. 160 Richard Wigmore discussed the album in a survey of the La clemenza de Tito discography in Gramophone in October 2010. He too noticed that Janet Baker's voice deteriorated above the stave, but this mattered little when set against her achievement as a singing actress in bringing Vitellia to life. She was "probably the most vicious, obsessively driven Vitellia on disc", until, after her epiphany of repentance, she sang her rondo of remorse "with an intense, traumatized inwardness and nobility of line".

"Writing Singapore: An Historical Anthology of Singapore Literature. Singapore: NUS Press/NAC, 2009. 370–371. Ng Yi-Sheng describes that throughout the poet's career, "he has unashamedly presented himself in public as a gay man, winning himself a large LGBT fan base that identifies intimately with his writings on love, depression and antipathy towards his family." Edwin Thumboo has praised Wong's poems for their "remarkable inwardness" and how, "without exception, they leave us with the feeling of subjects – occasion, non- happening, an especially poignant experience – explored to unusual limits.

If a single individual were to ask him or herself all the questions asked in this section and try to discover all the evasions used to keep from acting single-mindedly, that person would discover that it is very difficult to say I am innocent. In Works of Love (1847) he asks his reader to "Imagine an enthusiast who enthusiastically wills only one thing and enthusiastically wants to sacrifice everything for the good."Works of Love, Hong 1995 p. 184ff Here he is writing about the inwardness of prayer.

Bly's early collection of poems, Silence in the Snowy Fields, was published in 1962. Its plain, imagistic style had considerable influence on American verse of the next two decades.Gioia, Mason, and Schoerke, editors. Twentieth-Century American Poetics, p. 260. The following year, he published "A Wrong Turning in American Poetry", an essay in which he argued that the vast majority of American poetry from 1917 to 1963 was lacking in soul and "inwardness" as a result of a focus on impersonality and an objectifying, intellectual view of the world.

The philosopher Roger Scruton argues in Sexual Desire (1986) that "because we live in a world structured by gender, the other sex is forever to some extent a mystery to us, with a dimension of experience that we can imagine but never inwardly know." Scruton believes that the prevailing theme of Lawrence's novels is that "In desiring to unite with [the other sex], we are desiring to mingle with something that is deeply – perhaps essentially – not ourselves, and which brings us to experience a character and inwardness that challenge us with their strangeness." Scruton believes that The Rainbow vindicates Lawrence's vision.Scruton, Roger.

Augustinian Christianity altered the orientation within which identity was formed. Rather than understanding the goods of life in terms of a vision of order in the world, Augustine had brought the focus to the light within, an immaterial, yet intelligible soul that was either condemned or saved. Augustine's theories, which were central doctrines throughout Christian civilization for a millennium, were, nonetheless, far removed from the more radical inwardness of enlightenment philosophers such as René Descartes and John Locke. In Descartes' philosophy, the vision of a God given meaningful order involving a spiritual essence or expressive dimension within the world was altogether absent.

Padel's non-fiction began with Princeton University Press studies of ancient Greek drama and the mind. In and Out of the Mind: Greek Images of the Tragic Self explores the way Greek ideas of inwardness shaped European notions of the self. She used anthropology and psychoanalysis to support her thesis that male Greek culture spoke of the mind as mainly "female" and receptive rather than "male" and active. Whom Gods Destroy: Elements of Madness in Greek and Other Tragedy investigates madness in tragedy from the Greeks to Shakespeare and the moderns, parsing different views of madness in different societies.

Both can lead to an intellectual understanding devoid of passionate involvement in the act of becoming a Christian. Richard McKeon (1900–1985) thought the imitators of Plato had misapplied his ideas and left the passions out of philosophy in favor of intellectualism. He wrote the following in his 1953 book Thought, Action, and Passion: The Young Man in Repetition was mediated by his psychologist, Constantin Constantius, as he tried to solve his problem. They represent the intellectual side of the human being and Abraham in Fear and Trembling represented the passion of inwardness because he was alone with God.

In the Third Quatrain, Greene recognizes the shift from the overt actions of the other suitors toward the inverted and humble actions of the Speaker. The Speaker wishes to be seen as dutiful and devout by the Friend. To do so, the Third Quatrain employs language that evokes thoughts of a religious servant who makes sacrifice. According to Greene, "In this secularized sacrament, the dutiful poet freely makes an offering intended to manifest the inwardness and simplicity of his own devotion, knowing, or thinking that he knows, that his oblation will win him the unmediated, inner reciprocity which is his goal".

Comparing the lithographs with the poems, American poet Robin Magowan has written: "Both Kipniss and Rilke are exponents of inwardness, creating meditative enigmas to which we can keep returning without piercing their mysteries. The works share a silence that carries something of an ascetic, a purging of excess and an attendant appreciation of a restraint that goes far beyond mere poetic concision. Giving in to the spell cast by this highly wrought silence, we find ourselves waking to realities normally hidden—even to what might be called the unknown, the abiding mystery of existence."Magowan, "Remembrance and Prophecy," in Paintings and Poetry, 87.

Such is the case with suffering, which is a scandal to a Feuerbach and a matter of glory to a Pascal, but to both a distinguishing note of the Christian mode of existence. In the degree that it promotes a meditative inwardness, Christianity makes us aware of God's supreme goodness and our own distance from, and hostility towards, His holiness. A religious sense of one's own sinfulness leads neither to morbid despair nor to rationalization. It issues in a voluntary acceptance of suffering as a way of atoning for sin to God, the just judge, and a way of approaching closer to God the redeemer.

After 1945 the missionaries had to deal with decolonization across Africa and especially with the apartheid government. At all times the BMS emphasized spiritual inwardness, and values such as morality, hard work and self-discipline. It proved unable to speak and act decisively against injustice and racial discrimination and was disbanded in 1972.. Since 1974, young professionals have been the active proselytizers of Evangelicalism in the cities of Malawi.. In Mozambique, Evangelical Protestant Christianity emerged around 1900 from black migrants whose converted previously in South Africa. They were assisted by European missionaries, but, as industrial workers, they paid for their own churches and proselytizing.

71 According to him, the petite bourgeoisie exemplifies a spiritual emptiness that is rooted in an overemphasis on the worldly, rather than the inwardness of the self. However, Kierkegaard's indictment relies less on a class analysis of the petite bourgeoisie than on the perception of a worldview which was common in his middle-class milieu. In fact, though there have been many depictions of the petite bourgeoisie in literature as well as in cartoons, based on an image of their overly conventional practicality, the realities of the petite bourgeoisie throughout the 19th century were more complex.The Petite Bourgeoisie in Europe, 1780–1914: Enterprise, Family and Independence, Geoffrey Crossic and Heinz Gerhardt-Haupt, Routledge, 1995.

Even the homily clings to a pseudo- classical, rhetorical foundation, and tends more to external breadth, not to inwardness and depth. Only three kinds of ecclesiastical literature, which were as yet undeveloped in the 4th century, exhibit later an independent growth. These were the ecclesiastical poetry of the 6th century, popular lives of the saints of the 7th, and the mystic writings of the 11th and 12th centuries. The Catholic Encyclopedia suggests that classical forms were insufficient to express Christian thought to best effect: in several collections of early Christian correspondence it is not the rhythmic laws of Greek rhetorical style which govern the composition, but those of Semitic and Syriac prose.

As a painter, Rama began with sex and with watercolor. Infused with inwardness, watercolor has an intimate relation to the painter's body, with brushwork that tends to revolve around hand and wrist action, much like writing; its scale suited Rama's tabletop home-studio set-up. A medium of dilution and pollution, bleeding and spillage, watercolor was just the right thing for the then-young artist fascinated by bodies, orifices, fluids, and their intersubjective exchange. Color in her early watercolors is generally applied sparingly, in pale washes or barely at all, with strategic, vivid punctuations that draw our attention to key erogenous zones: mouths, tongues, nipples, cunts, dicks, and assholes- wet holes and erotic plumbing primed for liquid flow.

Filipino Values , Chapeter XIII, Teaching Values in the Natural and Physical Sc54654 iences in the Philippines, crvp.orgp The values of Filipinos specifically upholds the following items: solidarity of the family unit, security of the Philippine economy, orientation to small-groups, personalism, the concepts of "loob" or "kalooban" (meaning "what’s inside the self", the "inner-self", or the "actual personal feelings of the self"), existence and maintenance of smooth interpersonal relationships, and the sensing of the feelings or needs of others (known as pakikiramdam). In a larger picture, these values are grouped into general clusters or "macroclusters": namely, the relationship cluster, the social cluster, the livelihood cluster, the inwardness cluster, and the optimism cluster.

Though Thyssens-Valentin was little known outside France during her lifetime, the reissue on compact discs of her Ducretet-Thomson recordings, particularly those of Fauré's music, brought her to a wider international audience. In Gramophone magazine, the critic Michael Oliver wrote that although never having previously heard of her, The critic Bryce Morrison, a specialist in piano music, wrote of her playing of Fauré as "distinctive, fluid, understated and of a rare tonal and poetic delicacy and finesse … No other pianist, in my experience, has shown a comparable inwardness or capacity to penetrate to the very quick or essence of one of music's most misunderstood geniuses."Morrison, Bryce. "Germaine Thyssens-Valentin plays Fauré", Gramophone Awards Issue 2002, p.

"Olukotun, Depo."The Maciek Pysz Quartet at Pizza Express" Central and Eastern European London Review, 27 February 2016 In late 2016 Pysz formed a duo with British pianist Ivo Neame. Ian Mann described their first performance at The Arena Wolverhampton as "An excellent showing from Neame and Pysz, and I'm certain that their already impressive rapport will continue to develop."Mann, Ian."Ivo Neame and Maciek Pysz Duo, Arena Theatre, Wolverhampton, 24/09/2016" The Jazz Mann, 26 September 2016 Since 2014 Pysz has been a member of Sur Amar Pysz Inwardness [formerly One Million Faces], a group playing improvised music and based in the South of France. Of one of their performances in Biot, France a critic said “One Million Faces offers stunning music, open, both avant-garde and very accessible...”. ".

On 18 January 2013 she was the pianist in the premiere of an interactive video opera by Helga Pogatschar for a performer and eight instrumentalists, based on Kafka's Das Schloss, performed in the Reaktorhalle München. She recorded works by Johann Sebastian Bach, including his Chromatic Fantasia and Fugue, the Partitas No. 2 in C minor and No. 6 in E minor, the French Suite No. 5 in G major, BWV 816, and the Italian Concerto. Her playing has been described as avoiding a lyrical attitude, "moving between capricious high spirits and a meditative inwardness", adding that she "applies pedal mostly as a special effect, and each note in her melodic lines is distinct and perfectly articulated". She recorded Klavierstücke Op. 118 and Op. 119 by Johannes Brahms in 2013.

The term them is very ambiguous, as it is not clear as to whether he is questioning whether he is starting to exhibit the psychotic symptoms of his parents, or whether he is comparing himself to the rabbits that are populating his household. In doing either, the narrator is severely contemplating the nature of his self, in addition to his own mental health. This moment of inwardness draws away from him strictly observing the chaos that surrounds him, in order to briefly reflect on whether this chaos has taken its toll on his own psychology. This highly allegorical scene appears to mirror the reshaping of Japanese identity following the war. Japan as Matriarchal society: As Emperor Shōwa broadcast the Ningen-sengen, ‘Humanity Declaration,’ in 1946, the already weakening image of male authority in the postwar period had completely demolished.

Sewell, 260 She exhibits what one reviewer had already referred to as "an Eakinsish expression", characteristic of his ability to portray "mere thinking without the aid of gesture or attitude."Sewell, 312 In a letter from his youth, Eakins explained his interest in the: > "higher class[,] the thinking people and feeling ones who always want to see > everything [and] to know more".Sewell, 312 Van Buren was often unwell, and was diagnosed as having neurasthenia;Sewell, 260 in 1886 she wrote to Eakins's wife Susan: "I have at last discovered that the trouble with me is in my head it is exhausted by worry or something or other..."Sewell, 260 The portrait seems to indicate as much. Touching on the picture's melancholy, John Updike referred to the painting when he wrote "Discomfort and a grieving inwardness distinguish the best of his (Eakins's) many portraits."Updike. 2005. p.

In New York City, Ilya Schor began artwork that would keep fresh his memories of life of the Jews of the shtetls of Eastern Europe, working in the many materials and with the numerous skills at his disposal. He worked on major commissions for synagogues in the United States. Schor’s wood-engraving illustrations for The Earth is The Lord’s and The Sabbath, both important writings by the renowned philosopher and theologian, Rabbi Abraham Joshua Heschel, and for Adventures of Mottel The Cantor’s Son by Sholem Aleichem, have remained in print for over fifty years. Rabbi Heschel wrote of Schor’s work, “In the stillness of the precious images Ilya Schor has called into being, generations to come will hear the voice and the spirit of eternal Israel, the inwardness and piety of our people of Eastern Europe.” Schor was also the creator of unique jewelry and small Judaica objects in silver and gold.

He added that his friend John Philip Kemble thought this "despised work" was more characteristic of Shakespeare than any other known portrait.James Boaden, An inquiry into the authenticity of various pictures and prints: which, from the decease of the poet to our own times, have been offered to the public as portraits of Shakspeare: containing a careful examination of the evidence on which they claim to be received; by which the pretended portraits have been rejected, the genuine confirmed and established, illustrated by accurate and finished engravings, by the ablest artists, from such originals as were of indisputable authority, R. Triphook, 1824, pp. 16–18. More recently, Park Honan has written that "if the portrait lacks the 'sparkle' of a witty poet, it suggests the inwardness of a writer of great intelligence, an independent man who is not insensitive to the pain of others."Honan, Park, Shakespeare: A Life, Oxford University Press 1998, p. 324.

A spiritual quote by Dag Hammarskjöld engraved in the stone wall within the Peace Chapel of the International Peace Garden. In 1953, soon after his appointment as United Nations Secretary-General, Hammarskjöld was interviewed on radio by Edward R. Murrow. In this talk Hammarskjöld declared: > But the explanation of how man should live a life of active social service > in full harmony with himself as a member of the community of spirit, I found > in the writings of those great medieval mystics [Meister Eckhart and Jan van > Ruysbroek] for whom 'self-surrender' had been the way to self-realization, > and who in 'singleness of mind' and 'inwardness' had found strength to say > yes to every demand which the needs of their neighbours made them face, and > to say yes also to every fate life had in store for them when they followed > the call of duty as they understood it.Henry P Van Dusen.

Libor Novacek (born 1978McLellan, Joseph (22 November 1994) Youth Blended With Maturity, The Washington Post, Retrieved November 8, 2010 ("Libor Novacek will celebrate his 16th birthday in a few days")) is a Czech pianist.(16 January 2009) Crescent Centre hosts Czech pianist Libor Novacek, Chad (Mansfield), Retrieved November 8, 2010 He has gained international reputation for his interpretations of the works of Brahms and Liszt, which despite his young age have already been compared to those of the great masters such as Kempff and Arrau and said to possess ‘exceptional poetic verve and inwardness’. His popularity grew greatly upon winning the Landor Records 2005 Competition, whereupon he established a long-term recording contract with Landor and proceeded to release two CDs in 2006 to outstanding reviews in the classical music press including BBC Music Magazine, International Record Review, Pianonews, Crescendo, Rondo and "Editor’s Choice" in Gramophone Music Magazine for his Liszt CD featuring Années de pèlerinage – Italie and Mephisto Waltz No.1. In October 2007, this same CD was awarded the 'Diplom d’Honneur' by the prestigious Ferenc Liszt Society in Budapest.

Yet when Adorno turned his attention to Kierkegaard, watchwords like "anxiety," "inwardness" and "leap"—instructive for existentialist philosophy—were detached from their theological origins and posed, instead, as problems for aesthetics. As the work proceeded—and Kierkegaard's overcoming of Hegel's idealism was revealed to be a mere interiorization—Adorno excitedly remarked in a letter to Berg that he was writing without looking over his shoulder at the faculty who would soon evaluate his work. Receiving favourable reports from Professors Tillich and Horkheimer, as well as Benjamin and Kracauer, the University conferred on Adorno the venia legendi in February 1931; on the very day his revised study was published, 23 March 1933, Hitler seized dictatorial powers. Several months after qualifying as a lecturer in philosophy, Adorno delivered an inaugural lecture at the Institute for Social Research, an independent organization that had recently appointed Horkheimer as its director and, with the arrival of the literary scholar Leo Lowenthal, social psychologist Erich Fromm and philosopher Herbert Marcuse, sought to exploit recent theoretical and methodological advances in the social sciences.

Hegel develops his account of art as a mode of absolute spirit that he calls "the beautiful ideal," which he defines most generally as > Now when truth in this its external existence [Dasein] is present to > consciousness immediately, and with the concept remains immediately in unity > with its external appearance, the Idea is not only true but beautiful. > Beauty is determined as the sensible shining of the Idea.(LA 111/VÄ I.151) This ideal is developed throughout the Lectures accordance Hegel's Logic: #The first universal part is devoted to the concept of the artistic ideal. #The second particular part examines this ideal as it actualizes itself in three stages: ##Symbolic art, understood to encompass everything before Classical Greek art ##Classical art ##Romantic art, understood to emerge with the advent of Christianity on the world stage #The third singular part concerns itself with an examination of each of the five major arts in ascending order of "inwardness": ##architecture ##sculpture ##painting ##music ##poetry In these second two parts of the Lectures, Hegel documents the development of art from the paradigmatically symbolic architecture to the paradigmatically classical sculpture to the romantic arts of painting, music, and poetry.