I interwove the three timelines in such a way that there's a continual feeling of intensity.
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With implausible suavity, "Brazzaville Beach" (1991) interwove its characters' motivations with the study of primate evolution.
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Brinkley outlines how the president intentionally interwove economic and environmental interests, often to a mixed effect.
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On Monday, her speech captivated delegates as she interwove her personal story with that of America's racial history.
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In a speech ahead of the South Carolina primary, the former president interwove praise for his younger brother while also taking aim at Trump.
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This broad exhibition of African art and independence movements interwove the work of four dozen living artists with archival materials, music and photography from popular magazines.
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Day for Night lacked an official theme, but topics from the Friday Summit's talks on the intersections of art, technology, and politics interwove throughout the whole weekend.
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She was compiling ephemera from our family and Bill's into a huge book, interweaving the two families' histories in the way that their marriage interwove the present.
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A new political language of "the environment" was born along urban edges; it interwove homeowner concerns about pollution and developer intrusions that state and local governments had failed to address.
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I would never have dreamed of writing a poem about a health care law, and I marveled at how seamlessly Rankine interwove the monumentality of the legislation with its quotidian importance.
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The story of a peasant girl who falls in star-crossed love with an aristocrat, Island interwove themes of postcolonial culture clashes, class tensions, and skin-tone prejudice, all into a fun and colorful package.
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As the first non-European to direct that show, Mr. Enwezor presented a panorama of world art that displaced Europe from its traditional central position, and interwove African, Asian and Latin American art into a cosmopolitan tapestry.
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Speaking for 42 minutes, Bill Clinton interwove the details of various policy battles that Hillary waged over the years into a story of their personal relationship, all designed to further the narrative that she cared deeply about improving the lives of ordinary and marginalized people.
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Mr. Goerne interwove the Eisler selections with 19th-century songs that traced a lineage going back to the broody Romanticism of Schumann's "The Hermit" and "Loneliness" and the chromatic prickliness of Hugo Wolf's settings of some of the "Harper's Songs" from Goethe's "Wilhelm Meister's Apprenticeship," with their almost masochistic self pity. Bleak?
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Michael S. Harper, whose allusive, jazz-inflected poems interwove his personal experiences as a black man with an expansive view of a history shared by black and white Americans, and who was a finalist for the National Book Award in poetry in 22013, died on Saturday in Rhinebeck, N.Y. He was 21973.
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" That's not to say everything in the show is a distinctive, singular artwork apart from the rest: "In the beginning, it was just about showcasing a little bit of all the things I had gotten engulfed in, but as I became inspired to make a more complete body of work for each, I began to notice subtle themes emerge, which interwove itself throughout the entire show.
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In a 10-minute segment delivered from Mr. Colbert's "Late Show" desk at the Ed Sullivan Theater and that more closely resembled the format of "The Daily Show," Mr. Stewart interwove his acidic straight-to-camera delivery with edited television clips, fiercely criticizing the Fox News host Sean Hannity and other TV personalities who he says have bent over backward to support the Republican presidential nominee, Donald J. Trump.
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Hudson interwove this observation with hints of Pigot's poor management. Later analysis sees Hastie as a "classic case of sexual jealousy" being projected from his intellectual rivalry onto sexual rivalry. Hastie returned to Wanlockhead in 1885 to work as a translator.
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His directorial debut, the well acclaimed film Uro Chithi was released in 2011. This film interwove 12 text messages with 12 different characters, combining shades of life spanning across 12 months. His next venture was Meghe Dhaka Tara, inspired by the life and works of Bengali filmmaker, Ritwik Ghatak. The film attempts to portray the period of Ghatak's life when he was admitted into a mental asylum for treatment.
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After 1870, the vogue of parody rapidly declined. The decadence became still more apparent when Offenbach was no longer at hand to assist the two authors with his quaint musical irony, and when they had to deal with interpreters almost destitute of singing powers. They wrote farces of the old type, consisting of complicated intrigues, with which they cleverly interwove the representation of contemporary whims and social oddities.
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Consequently, Paul interwove extracts from the Scriptures, from ecclesiastical historians, and from other sources with the writings of Eutropius. The six books he ultimately added thus carried Lombardian history down to 553. This work, which was very popular during the Middle Ages, has value for its early historical presentation of the end of the Roman Empire in Western Europe. It was edited by Hans Droysen and published in the Monumenta Germaniae Historica.
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Aubert de Gaspé spent thirty years in study there. At the age of seventy-five, he completed a novel, Les Anciens Canadiens ("Old-Time Canadians", Quebec, 1863). Almost entirely based on fact, the story illustrates Canadian national tradition, character, and manners. The author interwove events of his own chequered life with the tragic tale of the struggles and the fall of New France and the change of regime, the eyewitnesses of which he had known personally.
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The title of the journal, Der Eigene (The Unique), refers to the classic anarchist work Der Einzige und sein Eigentum (1844) by Max Stirner. Early issues reflected the philosophy of Stirner, as well as other views on the politics of anarchism. In the 1920s the journal shifted to support the liberal democracy of the Weimar Republic and more specifically the Social Democratic Party. Der Eigene interwove cultural, artistic, and political material, including lyric poetry, prose, political manifesto and nude photography.
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As a young priest he served in parishes in Warsaw, which consisted of the common people as well as students. In 1981, Jerzy Popiełuszko joined the workers, taking part with strikers in the Warsaw Steelworks. Thereafter he was associated with workers and trade unionists from the Solidarity movement who opposed the communist regime in Poland. He was a staunch anti-communist and, in his sermons, interwove spiritual exhortations with political messages, criticizing the communist system and motivating people to protest.
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Of his writings probably the most important are his exhaustive commentaries on the text of the Old and New Testaments, in which he skillfully interwove and summarized the interpretations of previous writers such as Ephrem, Chrysostom, Cyril, Moses Bar-Kepha and John of Dara, whom he mentions together in the preface to his commentary on St Matthew. Among his other main works are a treatise against heretics, containing inter alia a polemic against the Jews and the Muslims; liturgical treatises, epistles and homilies.
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"Someone once told me I was not difficult, I was impossible. I agreed," he confided to Detroit Free Press music critic John Guinn, 7/1/90. He told his American publicist that he preferred reading his reviews in the smallest room of his house, and brilliantly interwove business arrangements with extremely humorous observations. "In his final interview with Guinn, he noted that "They had a ceremony In Sweden for my birthday recently, and the man giving the birthday tribute had a great line. 'Mr.
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A typical traffic jam, before reconstruction, in the Crosstown Commons. The atypical part was that this picture was taken on a Saturday afternoon, not during a Monday thru Friday rush hour. The Twin Cities' MN 62 had one of the most notorious junctions in the region where it interwove with I-35W. This mile-long stretch was known informally as the "Crosstown Commons". Plans to "unweave" and expand this section of roadway to improve traffic flow had come and gone for many years, frustrating the 200,000 drivers who used it daily.
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15, 1979. Joanna Frueh observed that Bramson's use of feminine paraphernalia interwove "passion, conflict, and eroticism," heatedly spinning her own self-emergence as well as the concurrent cultural emergence of women. Critics see in this early work a steady, if circuitous, search for her style through successive (and ultimately successful) experiments. Dennis Adrian later wrote that while this work never fully resolved the balance between its emblematic, fetishistic quality and three-dimensional "object-ness," it clarified Bramson's artistic persona and afforded her an "impressive freedom" she would use to powerful, unified effect in her mature work.
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There is a romantic story told about the love between his daughter Bhaddā Suriyavacchasā (Sanskrit: ) and another Gandharva, Pañcasikha (Sanskrit: ). Pañcasikha fell in love with Suriyavacchasā when he saw her dancing before Śakra, but she was then in love with Mātali's son Sikhandī (or Sikhaddi). Pañcasikha went to Timbarū's home and played a melody on his flute of beluva-wood, with which he had great skill, and sang a love song in which he interwove themes about the Buddha and the Arhats. Śakra petitioned Pañcasikha to intercede with the Buddha so that he might have an audience with him.
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Although relatively unknown at the time of his death, his influence on later Russian writers has been considerable. Some of his work was published or reprinted during the 1960s' Khrushchev Thaw. Because of his political writings, perceived anti-totalitarian stance, and early death from tuberculosis, some English-speaking commentators have called him "the Russian George Orwell". In journalism, stories, and poetry written during the first postrevolutionary years (1918–1922), Platonov interwove ideas about human mastery over nature with skepticism about triumphant human consciousness and will, and a sentimental and even erotic love of physical things with a fear and attendant abhorrence of matter.
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It became an instant hit, as fans of several generations caught on. In 2005, the White Sox won 99 games en route to their first division title in five years, their first postseason series win of any kind since the 1917 World Series (in the Division Series), their first World Series appearance since , and their first World Series championship since . In the 2005 postseason, Fox played clips of the song in their playoff coverage. WGN-TV also played the song during the victory parade on October 28, over a series of clips that interwove action footage from 1959 and 2005.
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According to Herf, the piece "repeated and elaborated on the essential projection mechanism of Nazi propaganda"—that Jews were plotting the extermination of Germans. Goebbels interwove the actual systematic murder of the Jewish population with a big lie of an international Jewish conspiracy which controlled the Allies and had started the war. Goebbels wrote that he was satisfied with the reception of the article and planned to increase the use of antisemitism as a propaganda tactic, as he found it second only to Bolshevism in effectiveness. On 18 May, the propaganda ministry delivered copies of "Twilight for the Jews All over the World!" to Nazi officials.
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"Roberson, Lady of the Forest, p. 591. Describing the novel as a prequel, the author explained, "I wanted very much to write the story of how the legend came to be; the tale of how seven very different people from a rigidly stratified social structure came to join together to fight the inequities of medieval England. To me, the key was logic—I interwove historical fact with the fantasy of the classic legend, and developed my own interpretation of how things came to be. I wanted to come to know all of these people; to climb inside their heads and learn what motivated them to do what they did.
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Vivaldi's introduzioni are written for a solo singer, either alto or soprano, accompanied by instruments. The musical structure seems to derive from the text: four of the eight (RV 635, 636, 637, and 642) consist of two arias in da capo form surrounding a central recitative. One (RV 638) has a central aria flanked by two recitatives; another (RV 640) has just two movements – recitative then aria – and a third (RV 641) has four movements (two recitatives, aria, recitative). The remaining one (RV 639) has the structure 'aria-recitative-aria' but Vivaldi interwove the second aria into the first movement of the liturgical work which followed it - the Gloria (RV 588).
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The Columbia Records album I Can Hear It Now 1933–1945 (1948) was described in the book Biographical Dictionary of Radio as "a spectacular critical and commercial success". The boxed-set album consisted of five 78 rpm recordings, totaling about 45 minutes of sound, and it was the first documentary recording to become widely popular. A collaboration between Murrow and Friendly, it interwove historical events with speeches and Murrow's narration and marked the beginning of one of the most famous pairings in journalism history. The huge success of the record (and two follow-up albums released in 1949 and 1950) prompted the pair to parlay it into a weekly radio show for CBS, called Hear It Now.
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In 1999, Severin released Maldoror. The origins for this instrumental album were as far back as 1993, when Severin wrote some tracks for Brazilian Theatre Company "Os Satyros" production of Lautréamont's Chants of Maldoror. After losing and regaining contact with the group, Severin composed further pieces for the 1998 production Os Cantos des Maldoror. These pieces were collected together and released on CD. That same year, Severin had been invited to be musical director for the Canadian dance company "Holy Body Tattoo" on CIRCA – described as a 70-minute multimedia "celebration of the sensual forces of submission and control" – a postmodern deconstruction of the tango that interwove film footage by William Morrison and original music by Severin, Warren Ellis and cult cabaret trio The Tiger Lillies.
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In 2000, Ms. Rosenblum produced and directed a Showtime/ NYT Television documentary, Sly and Jimi: The Skin I'm In, about the music of Jimi Hendrix and Sly and the Family Stone. In 2000 she also produced and directed Twin Lenses, about twin fashion photographer Frances McLaughlin-Gill and Kathryn Abbe. In 1992, Ms. Rosenblum was nominated for an Academy Award for her Denzel Washington and Louis Gossett, Jr. narrated PBS documentary, Liberators: Fighting On Two Fronts In World War II. This film was followed by The Untold West: The Black West, narrated by Danny Glover, which interwove documentary with dramatic segments and won an Emmy Award in 1994 for Best Screenwriting, was nominated for Cable Ace and Vision Awards, and aired on TBS.
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In the fall of 1999, the Daddies returned to the studio to record their fourth album, Soul Caddy. A loose concept album reflecting Perry's disillusionment over the cultural zeitgeist and his experience with fame (as he described it, a "bittersweet" record about "being alienated and hoping to connect"), Soul Caddy marked a continuation of the band's musically varied format, intended to introduce a truer perspective of the Daddies' sound and personality to both their swing-based fans and a wider audience. Drawing from the rock and pop of the 1960s and 1970s, Soul Caddy interwove swing and ska with glam rock, soul, psychedelic pop, folk and funk. Despite allowing the Daddies creative control over its production, Mojo's response to Soul Caddy was considered tepid at best.
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What set the show apart was the innovative way in which Davies interwove musical gags and jabs at the BBC culture with material inspired by her day job, working in Listener Research to compile confidential reports on listeners' and viewers' reactions to programmes. One of her lyrics, teasingly sung by a 'listener', went: 'I'm not a prude/but I think the Third's rude', poking fun at the young cultural network, the Third Programme. Sir William Halley, Director-General of the BBC, who had devised the network, was in the audience, with Lord Simon, chairman of the BBC, and his fellow governors. The Third was not spared further attention – when a man turns up for a Third Programme interview he is, indicatively, bearded and in sandals; a spiv selling mouth organs seeks out the distinguished chief conductor of The Proms Sir Malcolm Sargent.
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Graham began his writing career in 1966 when his play Aberfan, Or How The Abnormally High Welsh Rainfalls and the Amazingly High Scottish Wind Pressure Brought About A Dislocation of Scottish And Welsh Responsibilities (or more succinctly, Aberfan) was performed at the Traverse Theatre, Edinburgh as part of the Edinburgh Festival Fringe. The play interwove the stories of two disasters: the Aberfan colliery disaster and the Tay Bridge disaster, was performed mainly by children and received a rave notice in The Scotsman. His second play An Expedition to Pick Mushrooms was staged in 1967, also at the Traverse Theatre. In 1968 Graham became a researcher and writer for the television sports documentary series Sports Arena, which was presented by Michael Parkinson. In 1974 Graham wrote the screenplay for the horror film Shanks, directed by "Hollywood B-movie veteran" William Castle and starring Marcel Marceau.
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Over the 1820s Neal shifted his focus from educational intellectual ideas to political and economic issues like coverture and suffrage. John Neal’s first public speaking experience was before a Baltimore debating society as a young lawyer in 1823. The topic of the debate was slavery, and though Neal was "resolutely and heartily opposed to slavery," he stood to voice an argument ostensibly in support of slavery that interwove the issue with the legal rights of women: > How long [women] shall be rendered by law incapable of acquiring, holding, > or transmitting property, except under special conditions, like the slave? > Take the best and most comprehensive definition of slavery...and you will be > satisfied that one-half of your whole population...are born to slavery, that > they live in slavery, and are dying in slavery. His limited presence on an 1823 Baltimore debate stage aside, Neal’s first true lecture to include feminist issues was an Independence Day address in Portland, Maine in 1832.
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Erickson provides an interesting case write up for each of the cases chosen to illustrate his use of the interspersal technique. Erickson provides a transcript for the induction in which he interwove personalized therapeutic suggestion, selected specifically for the patient, within the hypnotic induction itself. The transcript offered illustrates how easily hypnotherapeutic suggestions can be included in the trance induction along with trance-maintenance suggestions. In the follow-up case discussions Erickson credits the patients' positive responses to the receptivity of their unconscious minds: they knew why they were seeking therapy, they were desirous of benefiting from suggestions. Erickson goes on to state that one should also give recognition to the readiness with which one’s unconscious mind picks up clues and information. Erickson stated that "Respectful awareness of the capacity of the patient’s unconscious mind to perceive the meaningfulness of the therapist’s own unconscious behavior is a governing principle in psychotherapy. The patient’s unconscious mind is listening and understanding much better than is possible for his conscious mind".
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