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"in propria persona" Definitions
  1. in one's own person or character : PERSONALLY
"in propria persona" Antonyms

8 Sentences With "in propria persona"

How to use in propria persona in a sentence? Find typical usage patterns (collocations)/phrases/context for "in propria persona" and check conjugation/comparative form for "in propria persona". Mastering all the usages of "in propria persona" from sentence examples published by news publications.

The former couple filed mirror-image paperwork and they each filed "in propria persona" — which means without an on-the-record attorney.
In August 2011, Taitz filed, in propria persona, a suit against the director of the Hawaii Department of Health, seeking to review Obama's "long form" birth certificate. On October 12, 2011, the Hawaii Circuit Court dismissed Taitz's suit.
In August 2011, Taitz filed, in propria persona, a suit against the director of the Hawaii Department of Health, seeking to review Obama's "long form" birth certificate. On October 12, 2011, the Hawaii Circuit Court dismissed Taitz's suit.
Under California law a vexatious litigant is someone who does any of the following, most of which require that the litigant be proceeding pro se, i.e., representing himself: #In the immediately preceding seven-year period has commenced, prosecuted, or maintained in propria persona at least five litigations other than in a small claims court that have been (i) finally determined adversely to the person or (ii) unjustifiably permitted to remain pending at least two years without having been brought to trial or hearing. #After a litigation has been finally determined against the person, repeatedly relitigates or attempts to relitigate, in propria persona, either (i) the validity of the determination against the same defendant or defendants as to whom the litigation was finally determined or (ii) the cause of action, claim, controversy, or any of the issues of fact or law, determined or concluded by the final determination against the same defendant or defendants as to whom the litigation was finally determined. #In any litigation while acting in propria persona, repeatedly files unmeritorious motions, pleadings, or other papers, conducts unnecessary discovery, or engages in other tactics that are frivolous or solely intended to cause unnecessary delay.
Abusive litigants in civil cases are most often classified as vexatious litigation, frivolous litigation, or both. A vexatious litigant seeks to harass or subdue an adversary. A frivolous litigant starts or carries on actions that have little or no merit and are very unlikely to be won. Litigants of this sort are often unable to find representation willing to accommodate them and thus must represent themselves in propria persona.
The case went to the Supreme Court of the United States, where Conley was allowed to argue the case directly before the court. Because she had not been admitted to the Supreme Court bar, she appeared in court acting in propria persona (in her own person). She was the first female Native American lawyer admitted before the U.S. Supreme Court. Justice Oliver Wendell Holmes ruled in favor of the lower courts, which had determined the government's proposed action was legal.
Theocritus' Idyll XI, the "Cyclops", relates Polyphemus' longing for the sea-nymph Galatea, and how Polyphemus' cured himself of the wound of this unrequited love through song. This idyll is one of Theocritus' best-well-known bucolics, along with Idylls I, VI, and VII. Idyll XI has an unusual set of narrative framing, as Theocritus appears in propria persona, and directly offers his friend Nicias consolatio amoris. Nicias worked as a doctor, and it is likely the two knew each other in their youth.
The play is a romantic comedy, which charts the "comic crosses of true love" faced by Antonio, son of the good Duke Andrugio, and Mellida, daughter of the wicked Duke Piero. Structurally, the plot is quite conventional, but the tone is unusual: Marston undercuts the emotion of the story of the separated lovers by introducing moments of extreme farce and burlesque, satirising and parodying romantic comedy conventions. The play also employs a metatheatrical induction, in which the boy actors are seen, apparently in propria persona, discussing the roles they are about to play and the way in which their parts should be performed.

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