188 Sentences With "horse's mouth" | Random Sentence Generator

Chuck Todd: You're getting it directly from the horse's mouth.

" Owens added, "You heard it here from the horse's mouth.

Here's some Peyton Manning news ... straight from the horse's mouth.

ICAHN: NO. LEE: OK. YOU HEARD IT FROM THE HORSE'S MOUTH.

It would be better to hear it from the horse's mouth.

"Sometimes people need to hear from the horse's mouth," Balarezo replied.

I'm glad we've gotten the story down from the horse's mouth.

I like to get the information straight from the horse's mouth.

With my book, you can hear it from the horse's mouth.

The film mostly lets us hear it straight from the horse's mouth.

It podcast Loveline with Amber Rose, we heard it from the horse's mouth.

I gave it to you from the horse's mouth, bruh, you must admit.

Guess we'll have to wait 'til we hear it straight from the horse's mouth.

We have some strategic ways to do just that, straight from the horse's mouth.

The numbers come straight from the horse's mouth: an MPAA report (PDF) on ticket sales.

But Camille gets Amma's reasoning directly from the horse's mouth when she visits her in prison in the book.

Celebrities seem to be banking on the fact that you'll pay to hear news straight from the horse's mouth.

A pap got Tamar's estranged hubby Sunday out in Bev Hills where the denials came straight from the horse's mouth.

But this appears to be one of the few explicit endorsements of his religious views coming straight from the horse's mouth.

The characters' mouths move the way I'd imagine a horse's mouth would if it were trying to eat a handful of marbles.

For straight-from-the-horse's-mouth news about the Euro 2016 championship, the official UEFA app is the first place to look.

"They got it from the horse's mouth," Willie Burns, one of the founding members of Glasgow's Calton Athletic Recovery Group, tells me.

For its latest installment, the dance and storytelling series "From the Horse's Mouth" celebrates Jowitt at the 14th Street Y in Manhattan.

This installment of From the Horse's Mouth — which blends performance and storytelling — explores the history and breadth of Indian dance in America.

We're told she called Marty to hear it from the horse's mouth, and then called her lawyer to see if she can block the sale.

Former players will likely have witnessed vitriolic abuse of the man with the whistle, whether in the press, in the stands or from the horse's mouth.

The idea is simple: to hear about one of the most notorious incidents in Philly history directly from the horse's mouth, the people of MOVE themselves.

Young said the show's producers did not want the secret revealed, so he trotted out the rumor that peanut butter was put in the horse's mouth.

If you have access to all data right from a horse's mouth, you can use that to solve all the other problems on the health stack.

It was an "independent reference from the horse's mouth, so you couldn't get any better than this," said Mushil Mustafa, a former employee at Dubai-based carrier du.

Kodak Black says he's been living in hell behind bars, and he seems to be blaming correctional officers for much of his misfortune ... straight from the horse's mouth.

I reread Joyce Cary's "The Horse's Mouth" a few weeks ago, about the wild-and-crazy painter and scam artist Gulley Jimson, his genius and rejection by nearly everyone.

Because he has nothing to do with — this is from the horse's mouth — he has nothing to do with influencing the American election, which he doesn't think is possible.

And with more people eschewing the press as their trustworthy source of information than ever before, Trump's "straight from the horse's mouth" words could be taken as the unimpeachable truth.

A number of studies have reached this conclusion in recent years - but now comes a report from the horse's mouth, so to speak - the actuaries at the Social Security Administration.

Freyja, she said, is very stubborn, and it took her some time to get the bit into the horse's mouth before taking her for a slow ride in the woods.

A lot has been made of Jermaine Dupri's comments about female rappers -- but he wants to set the record straight on what was and wasn't said ... straight from the horse's mouth.

There's one way around this, though—at least to the extent where information is coming from the proverbial horse's mouth, rather than it already having been digested into so much slop.

No, this rumor comes straight from the horse's mouth — Mike Fleiss, Bachelor executive producer, tweeted Monday that the 45th president might just appear on the upcoming season of Bachelor in Paradise.

When news broke over the long weekend of a deal regarding the city's horse-drawn carriages, we headed to Central Park South to gauge the reaction straight from, well, the horse's mouth.

J. B. changed bits — the small piece of equipment put in a horse's mouth to help a rider communicate with him — repeatedly looking for a safe and effective way to slow him down.

The "Horse's Mouth" show, which combines personal anecdotes with structured improvisations, addresses many aspects of Egyptian dance: stick-fighting, whirling dervishes and, the form that probably does come to mind first, belly dance.

"They don't have language from the horse's mouth on North Korea's offer, don't have clarity on a plausible U.S. objective, don't have a venue, don't have a date — and they've got no experienced negotiator."

Personally, doing this and the crime and drugs stories in which I specialized gave me a massive insight into a hidden world and into the best way of gathering information—from the horse's mouth.

If my special ability was "Wimp Out," I'd look like that too: And here's the full list of new Pokemon, straight from the horse's mouth: Name: Wimpod Type: Bug/Water Wimpod is the Turn Tail Pokémon.

Still, the presumed authority of the creator—"the horse's mouth" of Joyce Cary's great novel narrated by a painter—lends considerable rhetorical heft when artists are asked to describe their work, their influences, or their creative aims.

She slid her hands over the mare's flanks, lingering along the flesh where the rider's spurs make contact with the animal's side, before examining its ankles and the corners of the horse's mouth and the metal bit.

As a personal finance blogger myself, it was fun to meet one of the best-known names in the online personal finance space and hear from the horse's mouth what he had to say about managing our money.

But the NBA star's been linked with a bunch of hot famous chicks lately -- see here, here and here -- so, when we saw him at Madeo over the weekend, we got the story straight from the horse's mouth.

After overdosing on the memory pills her grandfather left for her — a drug called Nostalgia, which is admittedly more concise than Narrative Device — Angela Abar learns a back story she might not have believed from the horse's mouth.

But it's receiving new attention in a documentary archly called "A Footnote in Ballet History" and in the latest installment of the performance series "From the Horse's Mouth" (at the Theater at the 14 Street Y, Thursday to Sunday).

Given that the company is closing larger deals and was at a billion last year, this figure feels like it's probably in the right ballpark, but of course it's not from the horse's mouth, so we can't know for certain.

Not only do media companies post their articles directly on Twitter, but people of interest — including politicians, actors, and influencers — directly communicate with their fans and audiences there, making it the best place to get information straight from the horse's mouth.

Getting out of coastal-elite America and hitting the road to other parts of the country, meeting real Americans, was, for me, the only way to learn, straight from the horse's mouth, why so many people voted the way they did.

Here's a quick rundown of what it's doing straight from the horse's mouth, The nuraphone plays a range of tones into the ear, and then measures a very faint sound that your ear generates in response to these tones called the Otoacoustic Emission (OAE).

" Clapper said he's in favor of direct talks between Trump and Kim in the future, because "it would be the first time we'd ever hear from the horse's mouth, what is it that they need to feel secure enough that they wouldn't need nuclear weapons?

" It gets worse; from the horse's mouth: After the show, Lochte said, "We thought it was a joke, something part of the show, but when we realized it wasn't, that hurt, that broke my heart, that people are still on that subject and no one's moving forward.

Mr. Zuckerberg spent hours detailing his vision of the future, rattling off a ticktock of how some of Facebook's biggest deals went down — including the unexpected purchase price of Oculus, which disclosed for the first time an extra $1 billion in extended goal agreements — straight from the horse's mouth.

Here are the specs, straight from those horse's mouth:32-inch Retina 6K displayP3 wide and 10-bit color1,600 nits of peak brightness1,000,000:1 contrast ratio"Superwide" viewing angleIf you're the type of person who knows what all of that means, you might also be the type of person in the market for this monitor.

The latest iteration of "From the Horse's Mouth," the popular series created by Tina Croll and Jamie Cunningham in which figures from the dance world share stories about their careers and lives, focuses on Egyptian dance — specifically the ballet dancer Magda Saleh, as well as the development of ballet and other dance forms in Egypt.

The Horse's Mouth is a 1958 film directed by Ronald Neame and filmed in Technicolor. Alec Guinness wrote the screenplay from the 1944 novel The Horse's Mouth by Joyce Cary, and also played the lead role of Gulley Jimson, a London artist.

Horsley's monthly newsletter, 'The Horse's Mouth' provides local news and serves as the church's parish magazine.

In 2000, Pond was the subject of the biography Straight From the Horse's Mouth, by Michael Martino.

Cary now undertook his great works examining historical and social change in England during his own lifetime. The First Trilogy (Herself Surprised -1941, To Be a Pilgrim - 1942, and The Horse's Mouth -1944) finally provided Cary with a reasonable income, and The Horse's Mouth remains his most popular novel. Cary's pamphlet The Case for African Freedom (1941), published by Orwell's Searchlight Books series, had attracted some interest, and the film director Thorold Dickinson asked for Cary's help in developing a wartime movie set partly in Africa. In 1943, while writing The Horse's Mouth, Cary traveled to Africa with a film crew to work on Men of Two Worlds.

When the rider wishes the horse to stop moving back, the rider sits deeper into his seat, adds more leg, and lightens his contact with the horse's mouth.

To prepare for the film, Guinness observed Bratby at work in his home studio.Neame, Ronald, and Barbara Roisman Cooper. Straight from the Horse's Mouth, Volume 98 of Scarecrow Filmmakers Series. Rowman & Littlefield, 2003. 160–1.

This is because the bit ring is pulled against the side of the mouth opposite the rein that is activated, pushing the sides of the Dee against the horse's mouth, encouraging a turn. The Dee-ring is fixed in the horse's mouth, because its shape does not allow the bit to rotate. The Dee-ring is most similar to the full cheek. Advantages: does not pinch like the loose ring, and is not as likely to be pulled through the mouth as a loose ring or eggbutt.

The snaffle should generally be no more than inch wider than the horse's mouth. A horse's mouth can be measured by placing a wooden dowel or a piece of string into the mouth where the bit will go and marking it at the edges of the horse's lips. A bit that is too narrow can cause pinching (which may be very severe in a loose ring), and the pinching may lead to behavior problems when the horse experiences the discomfort. A pinching bit will also cause callousing on the lips.

Edwards, "Taming the Terminology," p. 107 A snaffle bit with a jointed mouthpiece and "eggbutt" style bit rings ;snaffle bit :A type of bit that applies direct pressure to the horse's mouth, i.e. a bit without leverage.Price, et al.

Michael Joseph. The Horse's Mouth is a 1944 novel by Anglo-Irish writer Joyce Cary, the third in his First Trilogy, whose first two books are Herself Surprised (1941) and To Be A Pilgrim (1942). The Horse's Mouth follows the adventures of Gulley Jimson, an artist who would exploit his friends and acquaintances to earn money, told from his point of view, just as the other books in the First Trilogy tell events from their central characters' different points of view. Cary's novel also uses Gulley's unique perspective to comment on the social and political events of the time.

A noseband may have been one of the first tools used by humans to domesticate and ride horses. The bit developed later. The noseband was originally made of leather or rope. After the invention of the bit, the noseband was, in some cultures, demoted to a halter worn beneath the bridle that allowed the rider to remove the bit from the horse's mouth after work and leave a restraining halter on underneath, or to tie the horse by this halter, instead of by the bit, which could result in damage to the horse's mouth if it panicked.

Ms. Kramer had the pleasure of performing in Meredith Monk's Celebration Service in Cambridge and in From the Horse's Mouth at Jacob's Pillow and Brandeis University. In 2007-2008, Kramer appeared as "Ishtar" in John Holland's Lament for a Dead Companion in Boston and New York performances.

The skull of a horse. A view of the upper half of an immature horse's mouth. A fully developed horse of around five years of age will have between 36 and 44 teeth. All equines are heterodontous, which means that they have different shaped teeth for different purposes.

The Oracle (known as The Horse's Mouth in the United States ) is a 1953 British comedy film directed by C.M. Pennington-Richards and starring Robert Beatty, Michael Medwin and Virginia McKenna. The screenplay concerns a journalist who goes on holiday to Ireland where he encounters a fortune- teller.

Short crest release. A long crest release being used for a large oxer to allow the horse more freedom. The automatic release: the rider has a straight line from elbow to bit, and maintains a soft, elastic contact with the horse's mouth. Slipping the reins while going down a drop.

The mouthpiece is placed lower down in a horse's mouth than snaffle bits, usually just touching the corners of the mouth without creating a wrinkle. The lower the bit is placed, the more severe it is as the bars of the mouth get thinner and so pressure is more concentrated.

If a rider both holds onto the horse's mouth at the same time they push the horse strongly with their legs, essentially using the "gas and the brake" at the same time, they can also provoke rearing. In fact, trained, controlled movements such as the levade and the pesade are deliberately requested by a sophisticated form of collection where a careful, highly balanced rider asks the horse to raise its forequarters by a combination of riding aids that simultaneously gather the horse onto its hindquarters and lighten it in front. If rearing with a rider is not clearly linked to fear, disobedience or aggression, it may be linked to pain. An equine veterinarian can examine the horse's mouth and teeth, back, and feet for possible causes.

Basashi from Kumamoto In Japanese cuisine, raw horse meat is called or because of its pink color. It can be served raw as sashimi in thin slices dipped in soy sauce, often with ginger and onions added.Metropolis, "Straight From the Horse's Mouth", #903, 15 July 2011, pp. 12-13. In this case, it is called .

Usually expressed as good (or easy) to C/F/S. ;curb #Curb bit: A type of bit that has bit shanks. It applies leverage pressure to a horse's mouth when the reins are tightened. The degree of leverage depends on the length of the shank and the positioning of the bit mouthpiece on the shanks.

Many other comedies have used locations in the city, some of the best known being The Ghosts of Berkeley Square (1947), Doctor in the House (1954), The Horse's Mouth (1958), Mars Attacks!, Independence Day: Resurgence, Nuns on the Run, Mr Bean,Bedazzled (1967), Brassed Off (1996), Billy Elliott (2000) and Bend It Like Beckham (2002).

A bit may need to be adjusted either higher or lower until the horse shows no signs of discomfort. The height of the bit in the horse's mouth has little significant impact on its severity. Some riders mistakenly think that raising or lowering the bit increases its effect, but this is not correct. The bit is most effective when properly adjusted.

The lesser sin is a bit that is too wide, which does not pinch the lips, but does not allow for effective communication between horse and rider. The nutcracker effect of a jointed snaffle presents a fit issue as well; the joint of a too-wide mouthpiece will hit the roof of the horse's mouth when the reins are tightened.

Theories as to fitting the snaffle vary between horse owners, but the most common theory of fitting the snaffle is to adjust it so that it creates one or two wrinkles in the lips at the corner of the horse's mouth. The best way to determine how high a snaffle should be is to begin with the bit just touching the corners of the horse's mouth, forming one wrinkle. If the rider holds the cheekpieces of the bridle and moves them up, there should remain enough give in the bridle to raise the bit in the horses mouth, however, there should not be excessive slack in the cheekpieces when this is done. Full cheek jointed snaffle The horse should keep its mouth closed over a properly-fitted bit (slight chewing is acceptable and a sign of relaxation) and hold its head quietly.

To insert the bit into the horse's mouth, the groom should stand on the near side of the horse, place the reins over the animal's head, and raise the headstall in his right hand while directing the bit to the horse's mouth with his left. If the horse refuses the bit, the groom should hold the bit against the horse's teeth with his fingers, and insert his left thumb in the horse's jaws. If the horse still refuses, the groom should press the animal's lips against his canine tooth, which should make the horse open his mouth. Here Xenophon suggests that the horse be bitted not only before he is to be worked, but also before he is fed and led home from a ride, so that he does not necessarily associate the bit with discomfort and labor.

The color range is quite narrow and is composed of blacks, browns and grays contrasting with the white and yellow. The image is divided into light and dark parts. The upper left corner is illuminated, directing attention to a clear figure of a woman and the horse's mouth. The right side of the painting shows whirled darkness in which the horse's hind and tail can be seen.

If the line is run through the inside bit ring, under the chin, and attached to the outside bit ring, the bit can pinch the horse's jaw, and it alters the action of the bit to put pressure on the roof of the horse's mouth. When a method of attachment causes more pain than control, the horse often resists the pressure and will not perform properly.

Connell notes the innate sexuality of the image in plate 7—Agustina de Aragón's igniting a long cannon. The art historian Lennard Davis suggests that Goya was fascinated with the "erotics of dismemberment",Shaw, 485 while Hughes mentions plate 10 in Los disparates, which shows a woman carried in the grip of a horse's mouth. To Hughes, the woman's euphoria suggests, among other possible meanings, orgasm.

The gag bit is related to a Pelham bit and a double bridle but the gag bit has no curb strap. Some styles of gag bit are integral to a special bridle, known as a gag bridle; others are used with a standard bridle. Inside the horse's mouth, the gag bit may be jointed like a snaffle bit or smooth like a Mullen mouth bit.

The classic design is made of leather. The noseband is usually metal on top with padding beneath, providing good control of the horse, but no risk of injury to the head. Unlike a bridle, there is no chance of damaging the horse's mouth. Newer designs are made of nylon web, similar to some types of halter, with three rings and fleece padding underneath the noseband, often without the metal component.

A horse being longed in a bridle, showing some resistance. On a well-trained horse, a bridle may be used instead of a longeing cavesson. However, it is possible to injure a horse's mouth if the line is incorrectly attached or misused. Some sensitive horses may react badly to the attachment of the line to the bit, and some classical dressage masters considered this method to be crude.

All twisted mouthpieces are considered more severe than smooth mouthpieces. In general, they are not appropriate for novice riders or those with harsh or unskilled hands. Neither these nor any bits should be used to the point where they cause bleeding of the horse's mouth. If a rider believes such a bit would benefit his horse, he should first look at the animal's training and his own skills.

The teleological argument, or the argument from design, asserts that certain features of the universe and of living things must be the product of an intelligent cause. Its proponents are mainly Christians., Ruling p. 26. A selection of writings and quotes of intelligent design supporters demonstrating this identification of the Christian god with the intelligent designer are found in the pdf Horse's Mouth (PDF) by Brian Poindexter, dated 2003.

Montgomery, E.S, "The Thoroughbred", Arco, New York, 1973 ;breeding #The pedigree of an animal #Horse breeding, or the selective breeding of animals. #A type of horse show competition where horses are led, not ridden. See in-hand. ;breed registry :See stud book ;bridle :Headgear placed around the head of a horse that holds the bit in place in a horse's mouth, including reins, used to direct and guide the animal.

The film received rave reviews in the UK after its Royal Command Performance. The film has been characterised as "one of the best films ever about a painter".Rotten Tomatoes.com, The Horse's Mouth (1958), Ken Hanke – Mountain Xpress (Asheville, NC) Scott Weinberg of the "Apollo Guide" described Guinness’ performance as "a devilishly enjoyable character study" that "ranges from 'mildly dishevelled’ to 'tragically exhausted’" and also praises Ronald Neame's direction.

Map of Bahau town Bahau Town downtown Bahau (Jawi: بهااو, ) is the principal town of Jempol District, Negeri Sembilan, Malaysia. The town's name is believed to have been derived from a Chinese phrase. Bahau is literally translated as "Horse's Mouth" while the nearby town, Mahsan means "Horse's Body" in Cantonese. In addition, there's a linkage town called Tampin bordered with Malacca, locals nickname as Mahmei, means "Horse's Tail" in Cantonese.

Side reins used on an equestrian vaulting horse. Animation of side reins in use Side reins are equipment used when longeing a horse, running from the bit of the bridle to the saddle or surcingle. As a horse training tool, they encourage flexion and softness in the horse's mouth. For longe line work with a rider up who does not carry ordinary riding reins, they help calm and settle the animal.

Dr. Cook's patented bridle In 1997 Dr. Cook met Edward Allan Buck, inventor of the "original" bitless bridle in Del Mar, California. Subsequent to that meeting Dr. Cook wrote articles and many letters regarding the bitless bridle. He then took the original design created by Buck and began presenting it as his own. Since 1997, his main interest is the disadvantages and problems associated with using a bit in a horse's mouth.

If this occurs, a bit guard may be used. The bit mouthpiece should be slightly wider (to accommodate the bit guard) should one be used; it is best if it is at least 1/2 inch wider than required by the horse's mouth. There are some horses that dislike the rattling noise of the loose ring. Additionally, the loose-ring is more easily pulled through the mouth than a bit with cheeks.

In 1956, a film adaptation, also titled The Horse's Mouth, was released, with an Academy Award-nominated screenplay by actor Alec Guinness. The film was directed by Ronald Neame, and starred Guinness, Kay Walsh, Renée Houston, Mike Morgan, and Robert Coote. It generally follows the book, except for deviating from the ending. It focuses on the Jimson character and what it means to be an artist, rather than the social and political themes.

Blackfeet warrior riding with a ghost cord, illustration c. 1840–1843 A simple hackamore or bridle can be made of a thin rope in several styles. Used more in the past than today, these are sometimes described as emergency bridles. Some styles use nose pressure, but others run the rope through the horse's mouth; it is debated whether a rope design running through the mouth is classified as a bitted or bitless design.

It does not keep the horse's mouth shut, it only supports the tiedown. #Nosebands are used in training. Some young horses are started in a hackamore that includes a specialized design of rawhide noseband called a bosal, to which reins are attached. As a trained hackamore horse advances into a bit, a lightweight bosal, sometimes called a "pencil bosal" may be kept on the bridle, with or without a separate set of reins.

The bit, bridle and reins function together to give control of the horse's head to the rider. The bit applies pressure to the horse's mouth, and reinforces the other control signals from the rider's legs and weight distribution. A well schooled horse needs little pressure on the bit from a skilled rider. Studies have indicated that soft, consistent bit contact between the rider and horse causes the animal less stress than intermittent or unpredictable contact.

Competition rules require bits to have a minimum diameter, but have no upper limits on thickness. Many horsepeople believe that a fatter mouthpiece is always a milder mouthpiece, because thin mouthpieces localize the pressure on the bars of the mouth. However, the horse's mouth is filled almost completely by his tongue. Therefore, many horses (especially those with large, fleshy tongues) prefer an average diameter mouthpiece, which provides slightly more space in an already cramped mouth.

Powders and granules normally come in single-dose packaging, and the dewormer is normally mixed in with the horse's feed. Pastes and gels normally come in a plastic syringe which is inserted in the side of the horse's mouth and used to administer the dewormer onto the back of the horse's tongue. A dewormer syringe has a plastic ring on the plunger that is turned to adjust the dosage for the horse's weight.

Bit shanks, such as those on this spade bit, work as a lever The relation of the upper shank (purchase)--the shank length from the mouthpiece to the cheekpiece rings—and the lower shank or lever arm—the shank length from the mouthpiece to the lowest rein ring, is important in the severity of the bit. The standard curb bit has a " purchase and a " lower shank, thus producing a 1:3 ratio of purchase to lower shank, a 1:4 ratio of purchase to full shank, thus producing 3 lbs of pressure on the chin groove and 4 lbs of pressure on the horse's mouth for every 1 lb placed on the reins (3 and 4 newtons respectively for every newton). Regardless of the ratio, the longer the shank, the less force is needed on the reins to provide a given amount of pressure on the mouth. So, if one were to apply 1 lb of pressure on the horse's mouth, a 2" shank would need more rein pressure than an 8" shank to provide the same effect.

Walsh and Lean divorced in 1949 on grounds of infidelity based on Lean's relationship with actress Ann Todd. Walsh continued to work as a character actress in films through the 1950s, including films with Alfred Hitchcock and Ronald Neame. Her own favourite film role was that of the barmaid Miss D. Coker in Neame's 1958 film of The Horse's Mouth, with Alec Guinness. Between films, she appeared regularly in plays and farces at the Strand and Aldwych theatres, directed by Basil Dean.

Thesiger made several appearances on Broadway, notably as Jacques to Katharine Hepburn's Rosalind in the longest-running production of As You Like It ever produced on Broadway. Later films included The Horse's Mouth (1958) with Alec Guinness, Sons and Lovers (1960), and The Roman Spring of Mrs. Stone, with Vivien Leigh and Warren Beatty (1961). That same year he made his final stage appearance—a mere week before his death—in The Last Joke, with John Gielgud and Ralph Richardson.

The English saddle, however, is designed to allow the rider to have closer contact with the horse's back (Wilson, 2003). Another difference is that English riding involves the rider having direct contact with the horse's mouth via reins and the reins are used as part of an “aid.” In western riding, however, horses are mainly ridden with little to no contact with the riders using their seat, weight and neck reining to give aid or instructions in direction, etc., to the horse.

Pressure on the poll occurs when the curb rein is engaged, and pressure is directly related to the length of the upper shank (purchase arm) in relation to the lower shank (lever arm). All pelhams apply some pressure on the poll. Pressure is applied to the chin groove by the curb chain when the curb rein is used. Direct rein pressure from the snaffle rein may put some pressure on the sides of the horse's mouth, depending on the specific bit design.

Riders must be skilled before attempting to use the double bridle, and the horse should be far enough along in his training that the double bridle would be accepted and understood. It is a refined piece of equipment that can greatly enhance the riding in good hands, or destroy the animal's training and mouth. Because it uses two bits, it has a much greater chance of damaging the horse's mouth if used incorrectly. The rider must have an independent seat and soft hands.

The National Debt CD, From the Horse's Mouth, to which Messer contributed was featured by Mark Lamarr on his BBC Radio 2 show. In November 2007, Messer and B. J. Cole performed their joint steel and slide guitar show at the International Festival of Guitar in Lancashire. The following year saw Messer and Ed Genis mark their 25th anniversary of performing as a duo, with a joint sell-out UK tour. In addition, Messer's own brand of resonator guitars were launched that August.

A bosal hackamore A hackamore is a headgear that utilizes a heavy noseband of some sort, rather than a bit, most often used to train young horses or to go easy on an older horse's mouth. Hackamores are more often seen in western riding.Price, Steven D. (ed.) The Whole Horse Catalog: Revised and Updated New York:Fireside 1998 p. 158 Some related styles of headgear that control a horse with a noseband rather than a bit are known as bitless bridles.

The ring can move back and forth where it attached to the cheek, but does not rotate like the loose-ring, and so is more stable in the horse's mouth, and not as fixed as the other types of rings. Advantages: This is a mild bit and will not pinch like the loose ring. Disadvantages: It is more easily pulled through the mouth than a bit with cheeks. Size and Thickness of Rings: The rings range from rounder and thinner to wider and flatter in shape.

She went on to teach and work in child guidance before moving into leadership and policy development roles. She has served as an adviser to the Select Committee in the House of Commons and a member of the Skills Commission. She sat on the Edge Foundation (ADHD), which aims to raise the status of vocational learning; the Horse's Mouth, an online peer-mentoring enterprise; and the Trinity Laban Conservatoire. Silver was appointed Chief Assessor for the Centre of Excellence in Leadership's Principals Qualifying Programme.

De Terris, p. 206, says the consecration took place in 1520. The Cathedral possesses an especially sacred relic, called the Saint-Clou, the remains of one of the nails that was used on Christ at the Crucifixion. According to the legend retailed by Gregory of Tours, two of the nails were given by Saint Helena to her son Constantine the Great, who wore one on his helmet and had the other fashioned into a bit for his horse's mouth (or into a bridle ornament).

Longe cavesson, fitted with a bit. A lunging cavesson is a piece of equipment used when longeing a horse. A lunging cavesson consists of a heavy, padded noseband, metal rings to attach the lunge line, a throatlatch, and sometimes additional straps such as a jowl strap or a browband for added stability. It is placed on the horse's head in a manner somewhat akin to a halter, but provides significantly more control than a halter, without placing pressure on the horse's mouth as a bridle would.

149 Particular mouthpieces do not define the type of bit. It is the sidepieces and the leverage these rings or shanks use to act on a horse's mouth that determines whether a bit is in the curb or snaffle family, and has a great impact on the severity of the mouthpiece. The mouthpiece of a horse's bit is the first factor most people think of when assessing the severity and action of the bit. Therefore, it is carefully considered when choosing a bit for a horse.

Reins consist of leather straps or rope attached to the outer ends of a bit and extend to the rider's or driver's hands. Reins are the means by which a horse rider or driver communicates directional commands to the horse's head. Pulling on the reins can be used to steer or stop the horse. The sides of a horse's mouth are sensitive, so pulling on the reins pulls the bit, which then pulls the horse's head from side to side, which is how the horse is controlled.

Vincent Canby of The New York Times wrote, "Like Otley, the movie is a bad risk. Everything in it is borrowed and badly used—actors (Tom Courtenay, Alan Badel), situations (the triumph of the fraudulent fool) and even settings, including a rather handsome Thames houseboat that reminded me wistfully of 'The Horse's Mouth.' 'Otley' is the kind of movie that allows you to think about other movies, in those great gaps of time between the setting up of a gag and the moment when it is ritualistically executed."Canby, Vincent (March 12, 1969).

Some horses, both male and female, will also develop one to four very small vestigial teeth in front of the molars, known as "wolf" teeth, which are generally removed because they can interfere with the bit. There is an empty interdental space between the incisors and the molars where the bit rests directly on the gums, or "bars" of the horse's mouth when the horse is bridled. An estimate of a horse's age can be made from looking at its teeth. The teeth continue to erupt throughout life and are worn down by grazing.

The bit used is a snaffle bit. Curb bits, having bit shanks of any kind are dangerous; the line can tangle in them, causing injury to the horse's mouth. When longed off a bridle, the reins are kept out of the way, either by removing them, or by twisting them once or twice over the neck and then running the throatlatch of the bridle under the reins before buckling it. The correct method is to run the longe line through the inside bit ring, over the poll, and attach it to the outside bit ring.

Later, the boy runs away and returns to his parents where he assists them by turning into a horse, being sold by his father, turning back into a boy, and escaping back to his parents. The wizard hears about this and goes to the father to buy the boy/horse. He then attempts to have a red-hot nail driven into the horse's mouth, as this will stop the transformation. The boy turns into a dove to escape but the wizard turns himself into a hawk to chase him.

The primary difficulty in use of a running martingale is the inability to raise the horse's head in the event of the animal bucking. If adjusted too short, lateral use of the reins may be impeded. If used improperly, the force exerted by the running martingale on the horse's mouth can be severe and for this reason the standing martingale is preferred in some circles. Improper use includes use on the reins of a curb bit; adjustment too short, so that the equipment pulls the horse's head below the proper position.

The hands should keep steady contact with the horse's mouth. Visually the rider keeps a straight line between the elbow and the mouth of the horse, which requires a relaxed arm that can follow the motion of the horse's neck. The rider must account for that movement by allowing the elbow angle to open and close: opening during the footfalls, and closing during the suspension phase after the footfalls. To do this, the rider needs a steady, elastic contact, rather than mechanically pushing the hands forward or back.

To shorten the horse's stride, the rider sits taller and lengthens the spine. He or she also performs multiple half-halts in rhythm with the horse's strides, using the restraining aids to ask the horse to engage the hindquarters, yet keeping the leg to the horse's sides to keep impulsion. The rider should not hold the aids or hang onto the horse's mouth when shortening. If the rider does not keep sufficient leg on, the horse will simply fall onto the forehand or break into the trot or walk.

Due to the presence of the saddle horn, a true straight line between rider's hand and horse's mouth is usually not possible. Common faults of western riders include slouching, hands that are too high or too low, and poor position, particularly a tendency to sit on the horse as if they were sitting in a chair, with their feet stuck too far forward. While this "feet on the dashboard" style is used by rodeo riders to stay on a bucking horse, it is in practice an ineffective way to ride.

Mike Morgan (1929 – 5 June 1958), born John Michael Pughe-Morgan,England & Wales, Civil Registration Birth Index, 1916-2005 was a British actor. His film acting debut was in the 1957 film comedy Barnacle Bill, which starred Sir Alec Guinness. Morgan played a much larger role in another film with Guinness, The Horse's Mouth, as Nosey, a sidekick of Guinness's character, Gulley Jimson. However, shortly before filming ended, he fell ill with meningitis and died before the film was completed; some of his lines were therefore dubbed by another actor.

Today, the Dexter ring bit is the most common, used primarily in horse racing. Most snaffle-based ring bits have a jointed mouthpiece, with the ring linked to the bit rings or lower cheeks.Register of Nationally Approved Gear, p. 20 Retrieved 2010-8-15 In parts of western North America influenced by the vaquero tradition of Spain and Mexico, a spade bit called a ring bit had a metal ring that fastened at the highest point of the port or spoon of the bit mouthpiece passed through the horse's mouth, and surrounded the lower jaw.

They had no Mollie, and the members could not recall a Mollie ever having been part of their custom. The hotel owner's daughter placed a gratuity in the horse's mouth, before the troupe moved on to the local shops, where they were also given gratuities in a similar manner. Maylam talked to the troupe about the tradition, and eventually organised the photographing of the Walmer horse and those who accompanied it in March 1907. Maylam also interviewed those involved in the hoodening tradition at Deal, whom he encountered in the summer of 1909.

Lotta heart in Cleveland."Ian Hunter - The Horse's Mouth The song was first released in 1977 under the title "England Rocks" on a single in the United Kingdom, predating the release of the "Cleveland" version by two years. Hunter has maintained, however, that Cleveland was the original subject of the song, stating on his web site, "I originally wrote 'Cleveland Rocks' for Cleveland. I changed it later to 'England Rocks' because I thought it should be a single somewhere and Columbia wouldn't release it as a single in the U.S. (too regional).

The curb chain applies pressure to the groove under a horse's chin. It amplifies the pressure on the bars of the horse's mouth, because when it tightens it acts as a fulcrum. Adjusted correctly, the chain links lie flat and hang loose below the chin groove, coming into action against the jaw only when the shanks have rotated due to rein pressure. The point at which the curb chain engages varies with the individual needs of the horse, but contact at 45 degrees of shank rotation is a common default adjustment.

A decorative fixed shank on a western Salinas-style curb bit A curb bit is a leverage bit, meaning that it multiplies the pressure applied by the rider. Unlike a snaffle bit, which applies direct rein pressure from the rider's hand to the horse's mouth, the curb can amplify rein pressure several times over, depending on the length of the curb's bit shank. Shank sizes vary from the Tom Thumb (2 inches long) to more than 5 inches. The longer the bit shank, the more powerful its potential effect on the horse.

Curbs are generally placed lower down in a horse's mouth than snaffle bits, touching the corners of the mouth, or creating a single slight wrinkle in the lips. The lower the bit is placed, the more severe it is as the bars of the mouth get thinner and pressure is more concentrated. The curb chain should be adjusted correctly, lying flat against the chin groove and only coming into action against the jaw when the shank is rotated, but not so loose that the shank exceeds 45 degrees of rotation.

The upper shank should bend slightly outward, to prevent it from pinching when the reins are pulled. The severity of the curb is determined by several factors: longer shanks are considered more severe, as are tighter or thinner curb chains and higher ports. The bradoon always lies higher in the horse's mouth than the curb bit, and is placed above the curb chain. It is common to place the bradoon a bit higher in the mouth than a snaffle used alone, because it is less likely to get caught on the curb.

Sudipto began working on the book in 2008 when he started reading about ancient Indo-European history and the Rig Veda. He began writing the book in July 2010, completing the first draft by November of the same year. A reviewer has pointed out that Sudipto "is holistic in his background research, dramatic in creating thrills and bluntly smart in his approach." He gave the first draft of the book, which was initially titled From The Horse's Mouth, to many of his acquaintances to know their reaction and feedback.

A week after the Kentucky Derby, Dominick Bellizzi was back in New York where he rode Brookmeade's Psychic Bid in the Youthful Stakes at Jamaica Race Course. As the field turned for home, the promising but still immature two-year-old colt veered wide and when Bellizzi attempted to guide him back in, the bit slipped in the horse's mouth. The motion caused the young jockey to lose his balance and he was thrown from his mount into the path of several onrushing horses. Severely injured, Bellizzi was rushed to Marymount Hospital in Jamaica, Queens.

Rearing can be caused by fear; a horse that sees something alarming in front of it may stop and, if asked to continue forward, may rear rather than move ahead. Another fear response may come from poor riding. A rider that is particularly hard on a horse's mouth with the reins and bit may provoke a horse to rear from the pain the horse feels in its mouth. A horse may rear out of confusion because it does not understand what the rider's commands, or riding aids mean, or because the rider is giving harsh or conflicting commands.

This allows the rider to avoid falling back and hitting the horse in the mouth or back, or try to use the mouth for balance. It is used by beginning riders who do not yet have the position and balance to do more advanced releases without risking hitting their horse in the mouth. It is also used by more advanced riders on green horses, who tend to overjump, or when a rider for some reason loses position due to an awkward jump. Riders should not think it is reserved for novices, and all good riders will grab mane to save their horse's mouth.

This method of attaching the line requires it to be changed each time the horse changes direction. This method has a slight gag effect, raising the bit up and applying pressure on the corners of the mouth and placing pressure on the poll, but puts less lateral pressure on the bit. It is best for horses that pull, or when the trainer is longeing a rider, to ensure maximum control of the horse. If the longe line is attached just to the inside bit ring, the outside ring can slide through the mouth when the line is pulled and damage the horse's mouth.

They may attach to the bit or pass through the bit rings and attach to themselves below the horse's neck. A chambon prevents the horse from raising its head beyond a fixed point. Raising the head causes the length of the chambon along the cheekpieces to shorten and thus puts reciprocal pressure on the horse's mouth and on the horse's poll. Horses generally dislike pressure behind the poll and learn to release the pressure by lowering their head, and when in motion, this encourages the horse to relax its back and bring its hindquarters further under its body, thus encouraging collection.

It is held in the correct position by a neck strap or breastplate. A running martingale is adjusted so that each of the "forks" has about an inch of slack when the horse holds its head in the normal position. When correctly adjusted, the reins make a straight line from the rider's hand to the bit ring when the horse's head in at the correct height and the running martingale is not in effect. When the horse raises its head above the desired point, the running martingale adds leverage through the reins to the bit on the bars of the horse's mouth.

Thinner mouthpieces are also preferable when using a double bridle, as the horse has even less room for its tongue with two bits in his mouth. On the other hand, very thin bits (such as the twisted wire bits) have a marked severity over thicker bits. Some wire bits may come in a thickness as low as 1/16 inch, making them extremely severe to the point where it is easy for any rider to cut and ruin the horse's mouth, especially the lips. Many horsemen, even the most skilled riders, will not put such a harsh bit in their horse's mouths.

Cyril John Curnin (born 12 December 1957, Wimbledon, England) is a singer/songwriter and musician and is the lead vocalist for the new wave music group, the Fixx.The New York Times As a songwriter, he has co-written over a dozen songs that have appeared on the Billboard charts. He is also known for his solo career, with five albums to date, Mayfly in 2005, The Returning Sun in 2007, Solar Minimum in 2009, The Horse's Mouth in 2013 and Lockdown in 2020. He also released an EP of ambient music with no vocals called Cinema For The Blind in 2012.

The equine dental arcade, showing the front incisors, the interdental space before the first premolars Horse teeth refers to the dentition of equine species, including horses and donkeys. Equines are both heterodontous and diphyodontous, which means that they have teeth in more than one shape (there are up to five shapes of tooth in a horse's mouth), and have two successive sets of teeth, the deciduous ("baby teeth") and permanent sets. As grazing animals good dentition is essential to survival. Continued grazing creates specific patterns of wear, which can be used along with patterns of eruption to estimate the age of the horse.

"California State University Long Beach, Kinney felt a strong connection to From the Horse's Mouth since she was able to participate as well as document the original performance, a historic first of many future performances; she also appreciated the story aspect. She described in an interview, "I wanted to ask each one of these people why they were still dancing?" As a young dancer she had been asked many times, “What are you going to do when you stop dancing?" She thought it would be interesting to know this because she herself had never stopped dancing and neither had they.

Belknap Horsewords p. 527 Riders generally have a fairly long stirrup, sit rather than post the trot (hence a slower trot, called a "jog" is generally desired in the western horse) and, on a finished western horse, reins are usually carried one-handed by the non-dominant (usually left) hand and, with minimal or no contact with the horse's mouth. The finished animal is usually ridden in a curb bit and turned by use of the neck reining technique. Inexperienced or "green" animals are usually ridden two-handed in either a snaffle bit or a bosal-style hackamore.

Some riders believe that foam should not be cleaned off the horse's mouth before entering the arena due to it being a sign of submission. Conversely, some riders choose to wipe the foam from their horses' mouths prior to entering the arena, as foam can land on the horses' chests and legs. The presence of foam does not necessarily indicate the horse's acceptance of the bit, as certain metals such as German silver may cause the horse's salivation to increase without full acceptance of the bit. Quarter marks are sometimes seen, especially in the dressage phase of eventing.

A half spoon Dexter ring bit on a race horse in Germany A ring bit is a horse bit that includes a ring passed through the horse's mouth and encircling the lower jaw. There are three primary designs. The most common ring bit design today, sometimes called a Dexter ring bit, is used in conjunction with a snaffle bit, while a historic ring bit design was also used on some spade bits in certain vaquero traditions originating in Mexico. A third style is a simple ring, the Tattersall or yearling bit, used alone on a bridle, usually for use in-hand.

As others have pointed out (Antliff and Leighten),Mark Antliff, Patricia Dee Leighten, Cubism and Culture, Thames & Hudson, 2001 and as emerges upon close examination, the nude woman is seated on what appears to be a rectangular block or cube, perhaps a model's pedestal (visible to the left). The horse occupies the upper right-hand quadrant as if observed from above. Its head is turned toward the monumental nude while she strokes the horses right ear with her left hand. She cups her hand underneath the horse's mouth, as if feeding the horse a piece of fruit.

At the time, his son, Admiral Sir Caspar John was First Sea Lord and Chief of Naval Staff. He died at Fordingbridge, aged 83. He is said to have been the model for the bohemian painter depicted in Joyce Cary's novel The Horse's Mouth, which was later made into a 1958 film of the same name with Alec Guinness in the lead role. Michael Holroyd published a biography of John in 1975 and it is a mark of the public's continued interest in the painter that Holroyd published a new version of the biography in 1996.

However, its ability to hold a horse's mouth shut over the bit was also recognized, as was its usefulness for attaching equipment such as a martingale, and so in some traditions it was sometimes left as a working part of a bridle. Still other cultures, such as that of Ancient Persia, developed the noseband as a tool for training young horses, called a hakma, and this training noseband evolved into modern equipment such as today's bosal-style hackamore and Longeing cavesson. Today, there are also many styles of bitless bridle that rely on a noseband as the main method of communication and control.

News from the Front had the working title of Straight from the Horse's Mouth and it was recorded on 18 and 19 April 1974, with the location work being filmed on 8 April 1974. Miles Bennett, who made a brief appearance as a telegraph boy, was the son of director Derek Bennett. The plot has some similarity to the Shell Crisis of 1915 in which the Liberal Government was brought down because it was widely perceived that the production of artillery shells for use by the British Army was inadequate, with the story being reported in The Times.

This setup is most often seen today among some practitioners of the natural horsemanship movement. Sometimes considered an adaptation of the California tradition to the Texas tradition, it allows the rider to hold on to the horse while on the ground, but the drawback to the design is that the lead rein comes off of one side of the bit, creating an imbalance in the horse's mouth. To balance the lead rein, some users add a large tassle on the bight off the other side of the bit. The lead rein also cannot be used for longing the horse in both directions, as it is attached only on the left.

The Séminaire Nicolas Bourbaki is the most famous, but is atypical in a number of ways: it attempts to cover, if selectively, the whole of pure mathematics, and its talks are now, by convention, reports and surveys on research by someone not directly involved. More standard is a working group organised around a specialist area, with research talks given and written up 'from the horse's mouth'. Historically speaking, the Séminaire Cartan of the late 1940s and early 1950s, around Henri Cartan, was one of the most influential. Publication in those days was by means of the duplicated exemplaire (limited distribution and not peer- reviewed).

Scrophularia marilandica, also called late figwort, Maryland figwort, carpenter's square, or eastern figwort, is a flowering plant in the family Scrophulariaceae, native throughout eastern and central North America, where it is found growing in dry woods from Manitoba and Quebec south to Texas and Florida. It grows tall, with opposite, ovate leaves up to long and broad. The flowers are rounded, long, with a cup-like mouth that look somewhat like a horse's mouth with a bad overbite; they are a deep reddish-purple color on the inside, with a greenish to almost brown cast on the outside. They are commonly visited by hummingbirds in late summer.

The Cyclopaedia of 1728 referred to shanks or cheeks as branches and described them as outlined in the paragraph below. Although the language is archaic, the underlying classicical principles are still applicable today: :The branches of a bridle, in the manage (i.e. a training arena-ed) of horses, are two crooked pieces of iron which support the mouth bit, the chain, and the curb, and which are fastened, on one side to the headstall, on the other to the reins, serving to keep the horse's head under command. Whichever way the branches of the bit incline, the horse's mouth always goes to the contrary.

A long lower shank in relation to the upper shank increases the leverage, and thus the pressure, on the curb groove and the bars of the mouth. A long upper shank in relation to the lower shank increases the pressure on the poll, but does not apply as much pressure on the bars of the mouth. However, longer-shanked bits must rotate back further before applying pressure on the horse's mouth than shorter-shanked bits. Therefore, the horse has more warning in a long-shanked bit, allowing it to respond before any significant pressure is applied to its mouth, than it would in a shorter- shanked bit.

When the curb rein is pulled, the shank of the bit rotates back towards the chest of the horse and the cheek (upper shank) of the bit rotates forward (since it is a lever arm). The curb chain is attached to the rings at the end of the cheek, so, as the cheek moves forward, the chain is pulled and tightened in the curb groove. Once it comes in contact with the curb groove of the horse it acts as a fulcrum, causing the cannons of the bit mouthpiece to push down onto the horse's bars, thus amplifying the bit's pressure on the bars of the horse's mouth.

Once it comes in contact with the curb groove of the horse it acts as a fulcrum, causing the cannons of the bit mouthpiece to push down onto the horse's bars, thus amplifying the bit's pressure on the bars of the horse's mouth. The action of the bit is therefore also dependent on the tightness of the curb chain. If the bit is used without a curb chain (very uncommon—and dangerous), it loses its leverage action. If used with a loose curb chain, it allows the shanks to rotate more before the curb chain is tight enough to act as a fulcrum and exert pressure.

This is a curb bit with a jointed mouthpiece, sometimes called a "cowboy snaffle". However, such bits are not snaffle bits because they have a shank and work with leverage The snaffle differs from the pelham bit, the curb bit, and the kimberwicke in that it is a non-leverage bit, and so does not amplify the pressure applied by the reins. With a snaffle, one ounce of pressure applied by the reins to a snaffle mouthpiece will apply one ounce of pressure on the mouth. With a curb, one ounce of pressure on the reins will apply more – sometimes far more – than one ounce of pressure on the horse's mouth.

The rider was positioned more forward at all times, including on the flat, so that his body mirrored the more lengthened frame of the horse, and the stirrup was shortened so that the seat could easily hover above the saddle, with the thigh and lower leg providing the rider with support. Over the fence, the rider kept his seat out of the saddle, leaned slightly forward, and allowed his hands to follow the horse's mouth forward. His center of gravity was placed directly over the horse's, making the job of jumping as easy as possible. On landing, the rider remained slightly forward, instead of inclining backward as in the old seat.

The word "hackamore" is derived from the Spanish word jáquima. Hackamores are seen in western riding disciplines, as well as in endurance riding and English riding disciplines such as show jumping and the stadium phase of eventing. While the classic bosal-style hackamore is usually used to start young horses, other designs, such as various bitless bridles and the mechanical hackamore are often seen on mature horses with dental issues that make bit use painful, horses with certain training problems, and on horses with mouth or tongue injuries. Some riders also like to use them in the winter to avoid putting a frozen metal bit into a horse's mouth.

Two months into his post, in January 1964, Macleod intensified the shock by revealing the behind-the-scenes machinations of the Conservative party. In a long article entitled "The Tory Leadership", ostensibly a review of a new book (The Fight for the Tory Leadership) by Randolph Churchill, Macleod laid out his version of events in great detail. In disclosing, from the horse's mouth, the mysterious circumstances of Douglas-Home's appointment, the article caused an immediate sensation. Churchill's book was all but obliterated by the review, which said that "four fifths" of it "could have been compiled by anyone with a pair of scissors, a pot of paste and a built-in prejudice against Mr Butler and Sir William Haley".

It consists of a curb and two snaffles, and exerts greater pressure on the sides of the horse's mouth. The Chifney bit is sometimes described as an Uppingham bit with pelham cheeks and a snaffle mouth.Patents 1805, No. 2809 He had hoped the Jockey Club might fund the bit, saying, "if the Jockey Club will be pleased to give me 200 guineas, I will make them a bridle as I believe never was, and I believe never can be, excelled, for their light weights to hold horses from running away." The Jockey Club never took up the offer, and in connection with his bit he became indebted to a saddler named Latchford for £350.

While usually used to start young horses, they are often seen on mature horses with dental issues that make bit use painful, and on horses with mouth or tongue injuries that would be aggravated by a bit. Some riders also like to use them in the winter to avoid putting a frozen metal bit into a horse's mouth. There are many styles, but the classic hackamore is a design featuring a bosal noseband, and sometimes itself called a "bosal" or a "bosal hackamore". It has a long rope rein called a mecate and may also add a type of stabilizing throatlatch called a fiador, which is held to the hackamore by a browband.

She first acted on radio for the BBC in 1945, later preferring the medium as it gave her more time to look after her young son, and it continued to be the medium in which she was the most active throughout her career. She played roles in hundreds of series, serials and plays, including various Shakespeare productions; Mrs Dale's Diary, The Governor's Consort (a part written especially for her by Peter Tinniswood), The Mystery of Edwin Drood and The Horse's Mouth. For the latter two productions she won Best Actress at the 1991 Sony Awards, the radio equivalent of the Oscars. In 2004 she played Eurycleia in BBC Radio 4's acclaimed dramatisation of The Odyssey.

Ray Lovejoy (18 February 1939 - 18 October 2001) was a British film editor with about thirty editing credits. He had a notable collaboration with director Peter Yates that extended over six films including The Dresser (1983), which was nominated for numerous BAFTA Awards and Academy Awards. Lovejoy was an assistant to editor Anne V. Coates for films from The Horse's Mouth (1958) to Lawrence of Arabia (1962). He was next an assistant to editor Anthony Harvey on Dr. Strangelove (1964), which was produced and directed by Stanley Kubrick. Harvey subsequently became a director himself, and Kubrick promoted Lovejoy to be the editor for his subsequent film 2001: A Space Odyssey (1968).. Reprint of 1997 edition.

James and Scamper during the bridleless win In 1985, James and Scamper qualified for the NFR and won five go-rounds at the event. James recalled that it was Friday the 13th during the 7th go-round of the barrel racing competition when Scamper's bridle fell off his head during the run. As James and Scamper came in, Scamper caught his bridle on the gate, dislodging the Chicago screws that secure the bit and reins to the headstall. With no screws to keep the bridle intact, the headstall fell off the horse's head after rounding the first barrel, and was hanging from the horse's mouth as they ran toward the second barrel.

Academic research has clarified these claims, showing that harsh action occurs when the bit is placed into the mouth such that the feature angle, as defined from a left hand side view, is +45 °. In this sense the bit might be used in two different ways, one such that the plate lies flat to the tongue and is 'mild' (FA = -45 °) and the other such that the plate lies edge-on to the tongue (FA = +45 °) and is 'harsh'.r.Clayton HM A fluoroscopic study of the position and action of different bits in the horse's mouth, J. Equine. Vet. Sci. 5, 68–72, 75–77 (1985) Materials: Usually stainless steel, also copper.

Short shanked bits are usually better for a young horse transitioning from a snaffle to a curb because if the inexperienced horse gets into a place where bit pressure from the rider's hands becomes significant, there is less leverage pressure placed on the horse's head. However, as the horse becomes more polished in its training, a somewhat longer shanked bit is preferred for its subtlety. Longer shanked bits must rotate back further before applying pressure on the horse's mouth than shorter-shanked bits. Therefore, the horse has more "warning" of a rider's hand movements in a long- shanked bit, allowing it to respond before any significant pressure is applied to its mouth.

The bits of a double bridle, showing both a type of snaffle bit called a bradoon and a curb bit. A bit consists of two basic components, the bit mouthpiece that goes inside the horse's mouth, and the bit rings of a snaffle bit or shanks of a curb bit, to which the bridle and reins attach. All bits act with some combination of pressure and leverage, often in conjunction with pressure applied by other parts of the bridle such as the curb chain on the chin, noseband on the jaw and face, or pressure on the poll from the headstall.Price, Steven D. (ed.) The Whole Horse Catalog: Revised and Updated New York:Fireside 1998 p.

In this way, a longer shank can allow better communication between horse and rider, without increasing severity. This is also directly dependent on the tightness of the curb chain. If the bit has a 1.5" cheek and a 4.5" lower shank, thus producing a 1:3 ratio of cheek to lower shank, while the ratio of the cheek to (upper + lower) shank is 1:4, and producing 4 pounds-force of pressure on the horse's mouth for every 1 pound-force (4 newtons per newton) placed on the reins. If the bit had 2" cheeks and 8" shank (ratio of 1:4), the bit will produce of tension for every one applied by the reins (5 N/N).

Improper adjustment only causes discomfort, not increased control. Factors that affect the fit of the bit include both the length of the mouth overall, the length of the interdental space between the incisors and the molars where the bit rests on the bars (gums) of the horse's mouth, the thickness of the horse's tongue and the height of the mouth from tongue to palate. There is less room for error with a horse who has a short mouth, thick tongue and a low palate than with a horse who has a longer mouth, thinner tongue and a higher palate. One of the important criteria when fitting the snaffle is that it does not hit the horse's teeth.

Neame made his directorial debut under the Cineguild banner, with Take My Life (1947), which was released by British producer J. Arthur Rank's General Film Distributors in the United Kingdom in 1947 and by Rank's Eagle-Lion Films in the United States in 1949. Neame began a transition to the American film industry at the suggestion of Rank, who asked him to study the Hollywood production system.Ronald Neame, Filmmaker, Dies at 99 He worked again with Alec Guinness (whom he had worked with on Great Expectations and Oliver Twist), this time as director, in three films: The Card (1952), The Horse's Mouth (1958), and Tunes of Glory (1960). Neame described Tunes of Glory as "the film I am proudest of".

Sky Arts. Retrieved 27 April 2020 Guinness's other notable film roles of this period included The Swan (1956) with Grace Kelly, in her penultimate film role; The Horse's Mouth (1958), in which Guinness played the part of drunken painter Gulley Jimson, and for which he also wrote the screenplay, which was nominated for an Academy Award; the lead in Carol Reed's Our Man in Havana (1959); Marcus Aurelius in The Fall of the Roman Empire (1964); The Quiller Memorandum (1966); Marley's Ghost in Scrooge (1970); Charles I in Cromwell (1970); Pope Innocent III in Franco Zeffirelli's Brother Sun, Sister Moon (1972); and the title role in Hitler: The Last Ten Days (1973), which he considered his best film performance, though critics disagreed.Canby, Vincent.

In March 2019, Halford told New Zealand news outlet Stuff that he was working on an autobiography, the idea having been "rattling around in my head forever." He said that his principal motivation in writing a book would be "to tell your side of the story from the horse's mouth, as opposed to something that has been knocked up by somebody else from a bunch of interviews and so forth." Halford joked that "between my early childhood, adolescent years and the place where I'm at now," the result would be a trilogy like The Lord of the Rings. The autobiography, titled Confess, was originally announced to be published in October 2020, but received its official date for 29 September 2020 via Hachette Books.

Stirling Castle is the Regimental Headquarters of the Argyll and Sutherland HighlandersTCM Notes but in fact James Kennaway served with the Gordon Highlanders. Although the production was initially offered broad co-operation to film within the castle from the commanding officer there, as long as it didn't disrupt the regiment's [Argyll's] routine, after seeing a lurid paperback cover for Kennaway's book, that co-operation evaporated, and the production was only allowed to shoot distant exterior shots of the castle. Director Ronald Neame worked with Guinness on The Horse's Mouth (1958), and a number of other participants were also involved in both films, including actress Kay Walsh, cinematographer Arthur Ibbetson and editor Anne V. Coates. The film was Susannah York's film debut.

The most common artificial aid is the bit or hackamore used in conjunction with a bridle and reins to allow the rider's hands to communicate with the horse's mouth. Depending on design and the ability of the rider, these tools can range from very gentle to very harsh. While some horses can be trained to be ridden without any type of headgear, such methodology is usually confined to exhibition purposes in confined areas. Bridleless riding, particularly in the open, can be dangerous should the horse be spooked or attempt to run away, as even a horse trained in such a technique is still a prey animal and has natural Fight-or-flight responses that can override its training in a crisis situation.

Pelham bit, jointed mouthpiece, used here with a bit converter and single rein A solid medium-port mouthpiece with ring for a snaffle rein, allowing it to be used as a "cowboy pelham", though shown here with only a single curb rein A pelham works on several parts of a horse's head, depending on which rein is applied. The mouthpiece acts when either the snaffle or curb rein is applied and puts pressure on the bars, tongue, and lips of the horse. The curb chain and design of the mouthpiece can alter the degree of pressure placed on the horse's mouth. The roof of the mouth is affected if the bit mouthpiece of the pelham has a high port or if it is jointed.

Caprilli examined horses free jumping (without tack or rider), using photographs to document their shape over fences, and found that they always landed on their forelegs. He then developed his theory on the position the rider should take while over a fence: one that would not interfere with the horse's jumping movement and most importantly one that would not touch the horse's mouth. Caprilli also wanted to train a horse that could think for itself, without needing the rider's guidance, and did not like "spot" jumping, where the rider tried to add in or lengthen the stride of the horse before the fence. The horse was allowed to lengthen its stride, instead of approaching the fence in a very collect, stiff manner.

Plaque installed by the British Film Institute in the City of Westminster, London in recognition of Guinness's contribution to British cinema Guinness won the Academy Award for Best Actor and the BAFTA Award for Best Actor in 1957 for his role in The Bridge on the River Kwai after having been unsuccessfully nominated for an Oscar in 1952 for his performance in The Lavender Hill Mob. He was nominated in 1958 for the Academy Award for Best Writing, Screenplay Based on Material from Another Medium, for his screenplay adapted from Joyce Cary's novel The Horse's Mouth. He was nominated for Academy Award for Best Supporting Actor for his role as Obi-Wan Kenobi in Star Wars in 1977. He received an Academy Honorary Award for lifetime achievement in 1980.

The Halter was patented in the United States by Henry Wagner of Toledo, Iowa February 13, 1894.United States Patent Office, Patent No. US000514523 An Arabian horse in a stylized show halter Horse halters are sometimes confused with a bridle.The primary difference between a halter and a bridle is that a halter is used by a handler on the ground to lead or tie up an animal, but a bridle is generally used by a person who is riding or driving an animal that has been trained in this use. A halter is safer than a bridle for tying, as the bit of a bridle may injure the horse's mouth if the horse sets back while tied with a bridle, and in addition, many bridles are made of lighter materials and will break.

While at UCLA she was selected to participate in the 1998 UCLA Dance/Media Fellowship Project funded by NIPAD and received a grant from NIPAD to make a 45-minute documentary of the original dance performance in NYC called From the Horse's Mouth directed by Jamie Cunningham and Tina Croll. The documentary was screened at The Wexner Center, Jacob's Pillow, the American Dance Festival, The Kitchen in NYC, New York University, Sarah Lawrence, Virginia Commonwealth University, Gunston Arts Center in Arlington Virginia, and various venues in Los Angeles. She also travels with the documentary, conducts discussions about dance documentation and the making of a dance documentary, most recently in Fort Worth Texas at The Museum of Modern Art. This last year she served on the board of the Dance Camera West in Los Angeles.

Slack in the reins is not required. In English riding and other systems where the primary means of communication is light pressure between the rider's hands and the horse's mouth, light pressure is always maintained on the bit. The neck rein in English riding is used in addition to a direct rein and reinforces certain riding aids, particularly turns that require the horse to set back on its haunches, such as turns at high speeds when show jumping in a timed jump-off, or in events such as Dressage when performing a Pirouette. Many well-trained English horses seem to already know how to neck rein without being formally taught -- further proof that the skill is primarily an outcome of encouraging responsiveness to the legs, weight and a light hand.

A further ballet version ' was devised for Moscow's Bolshoi Ballet in 1963, by Alexander Lapauri and Olga Tarasova, with Raissa Struchkova in a leading role. The music critic David Gutman has called the suite "[o]ne of [Prokofiev's] most popular compositions today [and] also one of the most accomplished" Robinson rates the Kijé suite among the composer's greatest compositions, alongside Romeo and Juliet and the Second Violin Concerto as "accessible, simple and melodic". In his Essential Canon of Classical Music (2001), David Dubal remarks on how the Kijé music has thrived in popular culture: "Bits and pieces are used everywhere". Having begun life as a 1930s film soundtrack, parts of the suite began to appear in later films, such as the British The Horse's Mouth (1958), and Woody Allen's 1975 parody on Russian literature, Love and Death.

A Luristan bronze horse bit The presence of bit wear is an indicator that a horse was ridden or driven, and the earliest of such evidence from a site in Kazakhstan dates to 3500 BCE. The absence of bit wear on horse teeth is not conclusive evidence against domestication because horses can be ridden and controlled without bits by using a noseband or a hackamore, but such materials do not produce significant physiological changes nor are they apt to be preserved for millennia. The regular use of a bit to control a horse can create wear facets or bevels on the anterior corners of the lower second premolars. The corners of the horse's mouth normally keep the bit on the "bars" of the mouth, an interdental space where there are no teeth, forward of the premolars.

Improper use of a bit can cause considerable pain to a horse The mouthpiece of the bit does not rest on the teeth of the horse, but rather rests on the gums or "bars" of the horse's mouth in an interdental space behind the front incisors and in front of the back molars. When a horse is said to "grab the bit in its teeth" they actually mean that the horse tenses its lips and mouth against the bit to avoid the rider's commands (although some horses may actually learn to get the bit between their molars). Depending on the style of bit, pressure can be brought to bear on the bars, tongue, and roof of the mouth, as well as the lips, chin groove and poll. Bits offer varying degrees of control and communication between rider and horse depending upon their design and on the skill of the rider.

All shanks have a rein ring at the bottom for the curb rein and a cheek ring at the top to attach the headstall. Some shanks may also add rings or slots to attach a snaffle rein at the mouthpiece, allowing the bit to be used with two sets of reins, making it a pelham bit. Some shanks, especially on the Weymouth, have small rings placed midway down the shank to attach a lip strap, a helpful addition to the bit for preventing a horse from grabbing at the shanks with its lips. Some shanks on western-style bits are "hobbled" together by a metal bar (sometimes called a "slobber bar" because saliva from the horse's mouth can drop onto it) or even a piece of leather, which has the dual effect of keeping anything from getting wrapped around the shank, such as a lariat, and can limit excessive motion in a loose-jawed shank.