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12 Sentences With "flabbier"

How to use flabbier in a sentence? Find typical usage patterns (collocations)/phrases/context for "flabbier" and check conjugation/comparative form for "flabbier". Mastering all the usages of "flabbier" from sentence examples published by news publications.

But he tried, opening Oswald's chest to massage his heart for fully 40 minutes, taking turns, before the heart grew flabbier and flabbier and then arrested for good.
The harder the Brexit, the weaker the growth path and the flabbier the pound will look.
Consequently, Bloodline season two feels flabbier, even though it's three hours shorter (10 episodes to season one's 13).
These new ones with the Philharmonic are slower, flabbier and plusher, the sound more established and carrying itself with a certain decorum.
They are briny and cool, and only a little less impressive—flabbier and muddier—than the perfect Pacific Northwest specimens I'm used to.
Yet with how effective Bird of Prey's multiple, thrilling action sequences are, it would've been better to cut some of those flabbier attempts at substance.
"Resistance," by contrast -- again being produced under the supervision of Dave Filoni -- feels more squarely designed for kids, splashed in a vibrant, anime-style visual presentation but softer and flabbier when it comes to establishing a storyline to match it.
Complete with carousel music, with accordion played by Peter White, he describes meeting her, spending a few nice moments with her, then things going horribly wrong when he rams her. ;Loulou:An ode presumably to a friend of his, who, although tough and mean when younger, has become older and flabbier. Tracks 1, 4 and 9 are all used on the live album Visage pâle rencontrer public. Tracks 1, 4 and 6 were included on the compilation The Meilleur Of Renaud (75-85).
The limpet gets 85% of its nutritional needs by grazing on the coralline alga and leaves it in thin sheets with a damaged surface. The limpet is not present in the north of the alga's range and in these areas the algal sheets are much thicker and flabbier, and develop protuberances. It has been observed that the thin form of the alga grows laterally five times as fast as the thick form and is less likely to be attacked by burrowing organisms, so the association between the two organisms may be mutually beneficial.
Sloughing is probably a means of eliminating old reproductive structures and damaged surface cells, and reducing the risk of surface penetration by burrowing organisms. The relationship between the pear limpet and Spongites yendoi could be considered a form of mutualism. The limpet gets 85% of its nutritional needs by grazing on the coralline alga and leaves it in thin sheets with a damaged surface. The limpet is not present in the north of its range and in these areas the algal sheets are much thicker and flabbier, and develop protuberances.
Reviews for the second episode were generally positive. SFX magazine gave it four stars out of five stating that the episode "So, Red Dwarf. It’s still still got it."Red Dwarf 10.2 “Fathers And Suns” REVIEW, www.sfx.co.uk. Retrieved 23 October 2012 Starburst magazine gave it 7 stars out of 10, and said that the episode "didn’t quite live up to the high standards set by last week’s series opener but it was still a thoroughly enjoyable outing and a promising continuation of the series. Radio Times, however, called it "a slightly baggier, flabbier episode than last week’s series opener, with a couple of set-pieces that outstay their welcome.
In a review for The New York Times, A. O. Scott wrote that "What makes Clerks II both winning and (somewhat unexpectedly) moving is its fidelity to the original Clerks ethic of hanging out, talking trash and refusing all worldly ambition. If anything, the sequel is more defiant in its disdain for the rat race, elevating the white-guy-doing-nothing prerogative from a lifestyle choice to a moral principle." Justin Chang's review at Variety called it a "softer, flabbier and considerably higher- budgeted follow-up to Kevin Smith's 1994 indie sensation that nevertheless packs enough riotous exchanges and pungent sexual obscenities to make its 97 minutes pass by with ease." At an advance screening for critics, Joel Siegel walked out of the film approximately 40 minutes in, during a scene in which the characters attempt to procure a donkey for sexual purposes.

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