How to use pappier in a sentence? Find typical usage patterns (collocations)/phrases/context for "pappier" and check conjugation/comparative form for "pappier". Mastering all the usages of "pappier" from sentence examples published by news publications.
Timerman y Pappier describen en su artículo de opinión que muchos ciudadanos argentinos desconfían de los tribunales al considerarlos politizados y algunos lectores lo confirmaron al señalar que les parece que solo oficiales vinculados al kirchnerismo han sido llevados al banquillo.
|
|
La propuesta de la periodista argentina Jordana Timerman y del abogado Juan Pappier sobre establecer un organismo independiente en la Argentina para llevar adelante los casos judiciales que involucran a políticos y empresarios en esta época electoral se ganó algunos adeptos el fin de semana.
|
|
Ralph Pappier ( 16 January 1914 in Shanghai – 29 August 1998 in Buenos Aires) was an Argentine production designer, set decorator and film director.
|
|
138 The film's sets were designed by the art director Ralph Pappier. Eva Perón, the future wife of dictator Juan Perón, had a supporting part in the film.
|
|
The Italian director Catrano Catrani, who emigrated to Argentina in 1937, became artistic director of the studio. He and other directors at the studio were assisted by Catrani's wife, Vlasta Lah, who later directed Las furias (1960) and Las modelos (1963). The set designer and later director Ralph Pappier designed the sets of La guerra gaucha (1942), En el viejo Buenos Aires (1942) and Madame Bovary (1947). In 1944 Pappier created the first special effects department for the studio.
|
|
María Rosa is a 1946 Argentine film directed by Luis Moglia Barth and starring Amelia Bence, Enrique Diosdado and Alberto Closas.Wolf & Posadas p.228 The film's sets were designed by the art director Ralph Pappier.
|
|
Artificial Sons (Spanish: Los hijos artificiales) is a 1943 Argentine comedy film directed by Antonio Momplet.Richard p.261 It was based on a play of the same name that was later turned into the 1953 Mexican film The Great Deceiver. The film's art direction was by Ralph Pappier.
|
|
Pappier and Homero Manzi made Pobre, me madre querida in 1948. The Peruvian poet and author César Miró was a technical adviser at the studio from 1944 to 1953, when he moved to Paramount Pictures in Hollywood. Sebastián Chiola and Amelia Bence in La guerra gaucha (1942) The future producer and director Hector Olivera joined the studio as an assistant in 1947. Later he moved to Artistas Argentinos Asociados and then became a co-founder of Aries Cinematográfica Argentina in 1956.
|
|
Para vestir santos was directed by Leopoldo Torre Nilsson with supporting roles by Beatriz Taibo and Yuki Nambá. El amor nunca muere was directed by Luis César Amadori and she starred with Mirtha Legrand and Zully Moreno. Her last film in the period would be La morocha directed by Ralph Pappier with Alfredo Alcón, Luis Arata and Rolando Chaves, which would not be released until 1958, because of the 1955 military coup d'état which ended the presidency of Juan Perón and sent many into exile.
|
|
Pappier was most prolific in Argentine cinema in the 1940s, and contributed to a range of acclaimed films during the period. He was production designer for the Silver Condor Award for Best Film award-winning The Gaucho War (1942) and Best Cinematography winner Three Men of the River (1943), and director of the Silver Condor for Best Film winning films School of Champions (1950) and Caballito criollo (1953). He was also cinematographer for the 1945 film Circus cavalcade. The Argentine Academy of Cinematography Arts and Sciences gave him awards for Best Scenography for En el viejo Buenos Aires (1942) and Su mejor alumno (1944).
|
|
No results under this filter, show 10 sentences.