Thou art, I vow, the remarkablest progenitor bar none in this chaffering allincluding most farraginous chronicle.
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Thou art, I vow, the remarkablest progenitor barring none in this chaffering allincluding most farraginous chronicle.
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So nothing is irrelevant, and Preston's farraginous method shapes a fitting monument to a multitudinous loss.
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Thou art, I vow, the remarkablest progenitor bar none in this chaffering allincluding most farraginous chronicle.
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Thou art, I vow, the remarkablest progenitor barring none in this chaffering allincluding most farraginous chronicle.
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In the following paper I shall explore and criticize various scholarly attempts to classify the genre of that most eclectic and farraginous work of Horace, the Ars poetica.
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The winner was Doris Ann Hall, 13, of Hudson, North Carolina, correctly spelling the word vignette.(23 May 1952). Girl, 13, Wins Spelling Bee on 'Vignette', Chicago Tribune (Associated Press) Second place fell to Majorie Follart, 33, of Crafton, Pennsylvania, who failed to correctly spell "farraginous", followed by Mary Ellen Rusk, age 12, of Washington in third place. Follart, a return speller, could also spell any word in reverse.
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The only certain work that has remained of him is the Hell in Sant'Afra, a farraginous and confused picture, of vague tintorettesco flavor (Morassi), with Maccarinelli's naive sensibility could have a terrible effect, but fully justifies the overall judgment given by Lanzi: "beyond the common use". His style was influenced or a pupil of Pietro Marone and Palma il Giovane. Among his works are a Deposed Christ with two angels and Saints Angelo Carmelitano and Carlo Borromeo for the church of Santa Maria del Carmine in Brescia, assigned to him by Faino, Paglia and others, but by Maccarinelli attributed it to Antonio Gandino; the attribution to Barucco seems more reliable, since in Gandino one usually recognizes a more polished and hard sign, while the work in question is carried out with a fluid and rather pasty hand; it mixes evocative memories of Moretto with a palm-branded venetism, adhering to a typically Mannerist structure. He also painted the Sybils and other frescoes in the church. He also painted a Madonna and child with Saints Lucy, Catherine, and Apollonio for the parish church of Marcheno; and an Annunciation (1609) for the Pieve of Quinzano d’Oglio.
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