Ryan: This was our first meeting, but it was a very positive step toward unification. Exeunt.
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But his poems were never without wit, grace and rigor, even when they were about the end of things, as in the two-stanza "Exeunt:" Piecemeal the summer dies;At the field's edge a daisy lives alone;A last shawl of burning liesOn a gray field-stone.
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"[Exeunt , and .]" (Exeunt is the Latin plural of exit, meaning "[they] leave".) Other stage directions may indicate the manner of delivery of the text, like "[Aside]" or "[Sings]", or indicate sounds to be produced off-stage, like "[Thunder]".
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Scherzino ::4. Fantasia in modo antico ::5. Finnische Ballade ::6. Exeunt omnes [Everyone exits] :v Geoffrey Douglas Madge, piano :v Geoffrey Tozer, piano (No. 6, "Exeunt omnes" only) :v Wolf Harden, piano Elegien (1907) BV 249 ::(includes Berceuse (1909) 252 as No. 7) ::1.
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Mashadi Ibad asks to hold the wedding quickly. Exeunt all to the bath house for the washing ceremony prior to the wedding.
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Thou art as beautiful as the difference between Juliet and thyself. Speak thy mind! [Exeunt Ophelia and Hamlet] Act II: Behind Hamlet's back. Scene I: Romeo and Juliet's conversation.
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"Voices from Things Growing in a Churchyard" (1921, revised 1922) 6\. "Exeunt Omnes" (1914) A performance of the complete cycle, which is scored for solo baritone and string quartet, takes approximately 22 minutes.
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This new piece meditates on the feelings of isolation which such a situation can create.', Twite, C. (2011). 'Review - May I Have The Pleasure…?, Traverse Theatre', Exeunt Howells struggled with chronic depression throughout his adult life.
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Retrieved 17 July 2015. "...monstrously ambitious prison governor (superb Cara Horgan)..." In an extended interview in Exeunt Magazine, she described her work at Secret Theatre as giving her "freedom to play".Dan Hutton, Freedom to Play: Q&A; and Interviews, exeuntmagazine.com, 1 October 2013.
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He frees Khrushchov, and calls on all to march on Moscow. All exeunt except the yuródivïy, who sings a plaintive song ("Flow, flow, bitter tears!") of the arrival of the enemy and of woe to Russia. letter of 13 July 1872 to Vladimir Stasov: A citation from the closing bars of the opera (1872 version).
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Unlike most dramatic works, Selimus is divided neither into acts nor official scenes; the text runs from line 1 to line 2572 without having a clear stop. There are twenty-nine unnumbered fairly short “scenes”, which are marked by “[Exeunt all]” at which point the stage is cleared and new characters enter the stage beginning on the next line.
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Lady Macbeth rubs her hands in a washing motion. With anguish, she recalls the deaths of King Duncan, Lady Macduff, and Banquo, then leaves. The Gentlewoman and the bewildered Doctor exeunt, realizing these are the symptoms of a guilt-ridden mind. The Doctor feels Lady Macbeth is beyond his help, saying she has more need of "the divine than the physician".
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In 1968, one of his projects, Oscar Wilde's The Picture of Dorian Gray with James Fox, fell through. However, Jim Dine, who was working on drawings for the poster, came up with his famous series Bathrobes. He returned to at the Royal Court Theatre in 1975 for two years as joint artistic director of the English Stage Company with Nicholas Wright"Nicholas Wright". Exeunt Magazine, 12 January 2012.
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The real thrill here is that Crouch applies these exact same methods to his family show and pulls it off brilliantly....The stage is gradually given over to the four talented young actors...Their hopes and dreams fill the space...and we realise these are really our hopes and dreams, only fresher and freer.'Miria Gillinson, Beginners review, Time Out, 11 January 2018 Maddy Costa, in Exeunt, described Beginners as 'complex and nuanced, slippery and sly, frequently hilarious, densely poetic, often bewildering to my children, but pleasingly a challenge to their powers of deduction.'Maddy Costa, 'Review: Beginners at the Unicorn Theatre', Exeunt, 3 April 2018 Lyn Gardner, in The Guardian, wrote that the play 'operates like a mischievous yet emotionally textured murder mystery, but one without a body. It investigates instead how childhood gets killed....The pleasure in Crouch's increasingly funny play is in the way that...he gradually enlarges the metaphysical and physical space.
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The 16th/17th century French anatomist Jean Riolan the Younger gives a rather hilarious etymological explanation, as he writes: quia crepitus, qui per sedimentum exeunt, ad is os allisi, cuculi vocis similitudinem effingunt (because the sound of the farts that leave the anus and dash against this bone, shows a likeness to the call of the cuckoo). The latter is not considered as potential candidate. Besides os cuculi, os caudae,Schreger, C.H.Th.(1805). Synonymia anatomica.
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Steele went on to appear as a guest on the talk shows Ricki Lake, The Jerry Springer Show, and The Howard Stern Show. In 2003, Steele had an acting role in the episode "Exeunt Omnes" of the HBO drama series Oz. Also in 2003 he appeared in the film Dirtbags (Armpit of Metal). He followed this with a role in the 2005 film Bad Acid. Steele is among the musicians featured in the 2011 documentary Living the American Nightmare.
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Just before his exeunt, Kratos mocks Prometheus, saying that he will never escape from his shackles and that he does not deserve his name. (Prometheus means "forethought" in Greek.) According to Robert Holmes Beck, Aeschylus' depiction of the harsh punishment of Prometheus was intended as an example of how wrongdoers must be punished to deter others from transgressing. In this interpretation, Kratos' cruelty is not intended to be viewed as excessive, but rather as the proper enforcement of justice.
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'Laura Irvine, Review of Slap and Tickle, Glasgow, Exeunt, 25 April 2017' She describes her later live shows as a project to 'reclaim the stage space for the older woman.''Un po' di slap and tickle con Orlando' Filmed interview with Aggiss from the Orlando Festival, 2018 Aggiss is Emeritus Professor in Visual Performance at the University of Brighton, where she taught for many years, and an Honorary Doctor at the Universities of Gothenburg and Chichester.
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" He said that the third section ("Getting There") "poignantly captures the ritual humiliations of sickness and age", and dubbed the play "a striking memento mori for an age without faith". Verity Healey of Exeunt argued, "Life seems so brief and yet so expansive. And Churchill’s style of writing follows suit with its short, truncated sentences as she untangles, in an essayist fashion, the meaning of existence, its cessation and our helpless but natural struggle against it.
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BV 241: [6] Stücke [Pieces] Op. 33b, for piano :Comprises: ::Series I (ded. Max Reger): :::1) Schwermut [Melancholy] :::2) Frohsinn [Gaiety], :::3) Scherzino [Little Scherzo] ::Series II (ded. Isabella Stewart Gardner): :::4) Fantasia in modo antico [Fantasia in antique style]. Allegro risoluto :::5) Finnische Ballade [Finnish Ballade] :::6) Exeunt omnes [Everyone exits] :Composed: 1895 (Beaumont) :Manuscript: Busoni Archive No.223 (sketches) ::Title: Finnische Ballade ::4 sheets, notated on one side only, attached :Publications: ::1) Leipzig: C. F. Peters, Copyright 1896, cat. no.
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" Buffini referred to the two plays as "deeply affecting – not just because they are powerful drama, but because of what they say about the struggle to write. It’s as if the play will be, no matter what the playwright tries to do to it." Sally Hales of Exeunt argued, "There’s no doubt Blue Heart is a challenge but, unlike other self-consciously intellectual literary efforts, warmth and humanity pervades Churchill’s work, no matter how weird things get. [...] The family labours under the impossibility of creating the scene of the perfect homecoming.
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Melody's second theatre show, which premiered in 2013, was an exploration of dog shows and beauty pageants. It was called Major Tom, after her pet basset hound, who appeared on stage with her ('The dog is remarkably placid and never lets his hangdog expression slip. As such he becomes the straight man to Ms Melody's oddball.'Juliet Hindell, review of Major Tom, Exeunt Magazine 2 May 2015) The piece tells the story of Melody's attempt to win the title of Mrs Galaxy UK, while also entering Major Tom for Crufts.
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It is a testament to these oblique, remarkable plays that a single word can provoke a murmur of recognition." In Exeunt, Hannah Greenstreet said, "When I watched it, I found Glass frustratingly oblique and the conceit overstretched, but the writing rewards meditative, returning attention." She argued that Imp "seems to suggest the power of the things we keep bottled up (desire, violence, a craving for companionship), but also expresses a note of hope in the possibility for relationships even in unlikely circumstances. [...] The combination of the four forms a kaleidoscopic meditation on the power of stories.
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Epic Proportions is a play by Larry Coen and David Crane. Set in the 1930s, it tells the story of brothers Benny and Phil, who go to the Arizona desert to work as extras in the Biblical epic film Exeunt Omnes, directed by the mysteriously reclusive D.W. DeWitt. All 3400 extras are supervised by Louise Goldman, who divides them into groups by asking them to count off by four. While Phil's experience as a "Three" includes relatively pleasant scenes of feasts and parades, brother Benny is a "Four," meaning he is included in all ten plagues.
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Aggiss performs Survival Tactics during the 2013 Dublin Live Art Festival Souvenir programme for Survival Tactics, illus. Peter Chrisp Aggiss returned to the stage in 2010 with a full length performance lecture, Survival Tactics, originally called Survival Tactics for the Anarchic Dancer. In 'a refreshingly unabashed 'this is my life'Laura Burns, review of Survival Tactics, Exeunt Magazine, 9 November 2012 she paid homage to herself and to her factual and fictional mentors, from Max Wall to Marjorie Irvine. The lecture brought together her Guerilla dances with earlier works, including Heidi Djinkowska's dance commandments from Hi Jinx and the 'my my' section of Absurditties.
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" Tom Wicker of Exeunt praised the play as "unsentimental and richly written". Wicker praised the set design as evocative and also stated that the dialogue "is suitably earthy, enriched with colloquialisms and nuggets of folklore that turn the play into something more interesting and freestanding than the straightforward diatribe against early ‘80s capitalism it threatens to be at the start." In The Guardian, Lyn Gardner described Fen as a "mysterious, tantalising play that, with its elliptical scenes and multiple characters, refuses to spoon-feed its audience. It offers a clear-eyed, feminist-socialist perspective on women and labour, but there is something darker and wilder lurking in its witchy psychic landscape.
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Thomas Hardy in 1923, the year By Footpath and Stile premiered By Footpath and Stile consists of six settings of poems written by Thomas Hardy during and shortly after World War I. Its title is adapted from "I went by footpath and by stile", the opening line of the first of song in the cycle. The ordering of the poems in the song cycle, all of which deal with death, loss, separation, and the passing of time, is not chronological, but Finzi's own. The final poem, "Exeunt Omnes", recapitulates the themes in three of the previous poems in the cycle. Sequence of the poems in the cycle and their publication dates: 1\.
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Describing the play to Exeunt magazine, Crouch said, 'Andy sits at the side of the stage and introduces himself and ostensibly he tells his own story. And playing opposite that is a fictionalised, identifiable other character, who kind of inhabits the other sort of form, the other sort of world. He's a character who attempts to make sense of the world by being physically present in it rather than sitting at the side of it and watching it – by being physically present in a world that he is working very hard to generate on this stage. The push and the pull is between those two worlds....My character is active – politically active, sexually active, physically active.
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Wilkinson returned to the story of the mass disappearance with Circa 69's next work, The Cube, a pioneering use of the new Oculus Rift gaming technology for storytelling. In the piece, a single audience member, wearing an Oculus Rift headset, plays the role of one of the missing students. Using Oculus Rift rather than video goggles allowed the participant, for the first time, to choose their own visual path. In June 2015, Wilkinson took The Cube to Cambridge Junction's Watch Out Festival, where it was reviewed by Joy Martin in Exeunt magazine: 'The Cube by digital arts company Circa69 was one of the most surprising and exciting shows at Watch Out, and everyone was talking about it.
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Her other television credits include Law & Order: UK and Josh. In 2015, Lusi appeared in action thriller film Survivor alongside Milla Jovovich, Pierce Brosnan, Dylan McDermott and Robert Forster as US Embassy Agent Joyce Su . Internet Movie Database On stage, Lusi performed as Amanda in the Pulitzer Prize shortlisted play 4000 Miles at the Theatre Royal, Bath4000 Miles Theatre Royal Bath and The Print Room in London in 2013,4000 Miles The Print Room for which she received critical acclaim.4000 Miles Exeunt Magazine by Tom Wicker4000 Miles The Londonist, 17 May 2013 by Tom Bolton The Independent described her performance as, "cruelly well observed, and very funny... Jing Lusi nails the narcissism and the ridiculous, relentless self-promotion of the Facebook age".
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Thom is an outspoken advocate of disabled people's rights. Her personal outlook often inverts the typical negative stereotypes associated with disability, for instance she sees her Tourette's as a source of creativity and her wheelchair as a symbol of freedom. She advocates for empowerment of disabled people via the social model of disability, telling Exeunt: > As a society there are still lots of people who think about disability > solely in negative terms. The medical model – 'disabled people are broken > and need to be fixed' – and the charity model – 'tragic and in need of help' > – are ways of conceptualizing disability that remain widespread even though > the social model of disability – 'people are disabled by a failure to > consider difference' – underpins our legislation and public services.
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In July 1936, in a vast desert in Arizona, after the first take of director D.W. DeWitt's film, Exeunt Omnes, the assistant director, Louise Goldman introduces herself to the cast of 3400 extras and explains the details of the film production and how they will play their part. Meanwhile, former high school band musician Phil Bennet finds his younger brother Benny and tries to bring him home, but Benny tells Phil that he dreams of becoming a movie star. Phil then gets over it and tries to leave, only to be told that once a person arrives, they cannot leave until filming is completed, forcing Phil to join Benny in the cast and is ranked a Three, while Benny is Four. A month passes, and the film is in poor shape.
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Carnesky also put on a stage show, in which she appeared as a lecturer presenting a condensed version of her research. The lecture was described by Maddy Costa as 'a playful survey of mythology and religion and art that has, over the centuries, attempted to capture and control the menstruating woman, harness her power for patriarchy's advancement.'Maddy Costa, 'A Visit from Auntie Flo, Exeunt, January 2017 The Menstruants (Fancy Chance, Rhyannon Styles, MisSa Blue, H Plewis, Sula Plewis Robbins and Nao Nagai) appeared on stage and on film, enacting their rituals, 'a carmine carnival of sword-swallowing, body-sawing and hair-hanging, carnal in its original sense of human, of the flesh.' The show was staged as a work in progress in 2015 at University College London, as part of the Radical Anthropology Group.
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Paradiso: Chapter 1 received praise from media outlets such as Fangoria and the New York Daily News, the former of which felt that it was an "intense and reinvigorating escape room experience" and compared it favorably to similar immersive theater experiences by Counts. The New Yorker was mostly positive in their review, noting that while the puzzles and plot "feel desultory" the show worked as a haunted house experience. The New York Times commented that "What you get out of it will depend on what you put into it, and perhaps on whom you bring along", further remarking that knowing the strengths fellow participants ahead of time would potentially make it faster to solve puzzles, as time was limited. The Village Voice was more critical, as they felt that the plot was too thin, a criticism shared by Exeunt Magazine.
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He has been a guest on more than 100 national and local talk shows from the 1960s into the 21st century promoting the Mickey Mouse Club for Disney and his own books, criticism, poetry and plays. As a writer, Lonnie is the author of a memoir, The Accidental Mouseketeer (2014) and Two for the Show: Great 20th Century Comedy Teams(2000). He has two poetry collections, forty-eight poems published in literary journals and newspapers and is the recipient of 11 poetry awards. He is a playwright with four produced plays (Occam's Razor, Over the Hill, Children Are Strangers and Exeunt All) and a musical (book and lyrics for Fantasies), which have been staged in Los Angeles, New York City, and Washington, DC, plus twenty-two nationally aired radio dramas for Heartbeat Theatre and two for American Radio Theatre.
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Kristian Lavercombe Kristian Lavercombe is a Welsh-born actor and singer best known for playing Riff Raff in over 1,800 performances of The Rocky Horror Show. Described by the show's writer Richard O'Brien as "a fantastically talented Riff Raff",'Let’s Do the Timewarp Again!' – The Australia Times – 9 June 2015 Lavercombe's interpretation of the role has variously been described as "deliciously sleazy",'The Rocky Horror Show: Richard O’Brien’s cult musical turns 40' – Exeunt Magazine (2013) "simply perfection"Review of The Rocky Horror Show – Low Down Magazine: The definitive Liverpool Listings Guide (2016) and "consistently the most watchable thing on stage throughout".Musical Review of Richard O'Brien's Rocky Horror Show – Female Arts – 20 April 2016 Originally from Neath in South Wales and the son of Gerald Lavercombe and Janice M (née Cook),Kristian Lavercombe in the England & Wales, Civil Registration Birth Index, 1916–2005 – Ancestry.
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" The show ended with another Pan's People dance, this time to the Charles Aznavour song "She". For her 2011 show, Youth Club, Neary drew again on her teenage years in 1980s Cornwall, and created a completely new set of characters. These were described by Colin Bramwell in Exeunt: "There are many memorable characters on offer here: Mr. Eddy, the youth club leader who annunciates each word with a new dance move; Eva, the madrigal-adapting new-girl from exotic Birmingham; Diana, the centrepiece of the story, who enjoys singing rude songs on the toilet and making things out of Weetabix boxes, and who fancies Gary, who knows the word for kite in Swahili... To effortlessly switch between a whole ensemble of characters takes considerable skill, and Neary pulls it off with no small amount of aplomb. Her talent for physical comedy is also impressive.
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The first act explored the world of the girl-child and 'the insidious nature of the fairy tales and nursery rhymes than reify societal mores'.Ka Bradley, Review: Slap & Tickle at The Place, Exeunt, 21 June 2016 Referencing Cinderella, Aggiss wore silver slippers and a gorgeous old-gold party dress.' The second act, on the adult woman, began with her wearing 'a chic New Vogue black-and-white dress, striking high fashion poses' and ended with 'a genuinely disturbing turn with a misshapen puppet, which Aggiss dangles from a noose over her shoulder as she describes the journey of a woman who experiences pregnancy, abortion, childbirth and bad motherhood.' The third act, on the older woman, ended with her 'crawling on all fours to 'Smack My Bitch Up', bare-arsed with a pony tail waving over her bum, a faint sly smile playing over her lips.'.
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Between 1946 and 2006, she worked as either staff member, editor or editorial columnist at the Evening News, The Philippines Herald, the Manila Chronicle (where she had a daily column for 12 years), The Manila Times, Asia magazine, and Malaya, in addition to contributing lectures, essays, short stories to other publications in the Philippines and the rest of the world. She has published a total of ten books : Woman Enough, A Question of Identity, History Today, The Philippines and the Filipinos, The Rice Conspiracy (a novel), the Centennial Reader and Whatever; as well as a wildly successful autobiographical trilogy Myself, Elsewhere; Legends & Adventures; and Exeunt. In the 1960s, she served as Chairman of the Philippine National Historical Commission and in the 1990s, the Manila Historical Commission, and director-general of the Technology Resource Center from 1975 to 1985. She was elected to the Executive Board of the UNESCO, Paris in 1983 by popular vote of the international assembly.
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