" Mr. Fenton concluded: "I don't believe in this esthetic.
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The esthetic is a little bit bohemian, a little bit rock and roll.
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"Regarding her biggest challenges, Holliday explained: "Remembering that not everyone had my design esthetic.
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The biggest stars of the '90s, like Céline Dion and Pamela Anderson are embracing a whole new edgy style esthetic.
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In Stone's sculpture, the content, which often includes a joke, is mediated by his minimalist esthetic and skill as a woodworker.
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The document puts a big emphasis on promoting Tesla cars&apos esthetic appeal and calls them the "safest, quickest" out there.
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Water flows through practically every human activity including domestic use, irrigation, energy production, recreation, esthetic enjoyment, transportation, mining, trade and more.
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To be fully human means to touch the tactile soul of the other and to exult in an ethic and esthetic of equality.
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The early Modernists saw the Primitive as a model for how they perceived themselves: they would be the Primitives of their own esthetic enterprise.
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Along with Thomas Hart Benton and John Steuart Curry, he articulately promoted an artistic agenda emphasizing a regionalist, anti-urban esthetic as being the then new American art.
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They all share what has been called "drop cloth esthetic," involving a seamed canvas support popularized by Julian Schnabel and, to my mind, more effectively utilized by Chris Martin.
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Bissière remains particularly relevant, not so much for his abstracted landscapes as for his example of resilience and hard-won humility — his emotional sincerity and an esthetic of self-effacement.
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I would even come up to the day of the Renaissance, and get a quick picture of all that the Renaissance did for the cultural and esthetic life of man.
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That includes biophilic design for new buildings that incorporate curves and a more natural esthetic, varied use of building materials such as rock and stone, and using natural landscaping and vegetation.
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The summer-ready line-up features a variety of chic sandals, heels, flats and espadrilles, all which evoke a '90s esthetic thanks to vintage silhouettes with minimal details, fun colors and pops of metallics.
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But the Museum of Fine Arts Boston has the largest collection of Nubian artifacts outside of Khartoum, and with the overwhelming esthetic wealth of "Ancient Nubia Now," it's starting to set the record straight.
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With Holmer's keen eye for movement and Hightower and her co-stars' remarkable ability to tell stories through that movement, the film incorporates pugilism into a bold new esthetic and truly exciting new cinematic experience.
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As to why they chose Franklin, Tennessee, for the location of the video, the Nashville-based group credits Tracy for finding the "beautiful old farm house with that moody esthetic we had envisioned" for filming.
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Since then, any form of art, whether it is political or not, if it was outside the esthetic and ethical paradigms of the cultural policy, would be subjected to official judgment and censored, condemned, and denigrated.
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Conner's work reminds us that great art need not be the product of outsourcing and expensive production, that it is not about spending money to make money, and that it doesn't have to be an esthetic celebration of capitalism and greed.
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The VW Beetle and the VW minibus became symbols of the small-is-beautiful esthetic of many in the post-war Baby Boom and the crescent shaped car was revived with the "New Beetle" of the late 1990s, which offered a built-in flower vase.
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He shows himself capable of passing sound and provocative esthetic judgement on a truly impressive spectrum of the arts, from icon painting to music, and only afterwards does he place artworks in the larger fabric of the culture and the historical currents and forces of particular periods.
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Around 1947, when both Bissière and Jean Dubuffet were represented by Galerie Jeanne Bucher in Paris, Bissière's radical un-learning, a kind of Deconstruction before its time, and his recycling of found materials, attracted Dubuffet's attention to the point where he briefly attempted to lure Bissière into his anti-cultural esthetic.
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Stylistically, Rabinowitch cannot be closely tied to these particular examples, but he exists in the midst of a group of artists for whom conventional ideas have failed — and rather than pluck a future esthetic out of the air, out of what has not taken place, he has looked back toward the historical past.
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After the war, under the critical pressures of Social Realism on one side and Surrealism on the other, many young French Catholic painters preferred to use the ungainly term 'Non-Figuration' to describe their esthetic program rather than use terms (such as Cercle et Carré or Abstraction-Création) that could refer directly or indirectly to the "cold" geometries of abstraction.
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First coined by Elaine de Kooning and used by Lawrence Alloway in 1958 for an exhibition of the same name featuring Milton Resnick, Philip Guston, Sam Francis, Richard Pousette-Dart, and Jean-Paul Riopelle (who, born in Québec but living in Paris, straddled the great cultural divide), Abstract Impressionism would infuse Abstract Expressionism with elements of the landscape in an esthetic program quite similar to French Non-Figuration.
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While one can speculate on this aversion, it might be more worthwhile to consider Rudofsky's impassioned stance: "While painting, sculpture and dance have very definite limitations, dress at its best not only comprises notable elements of these arts, but its sovereign expressiveness through form, color, rhythm—it has to be worn to be alive—its intimate relation to the very source and standard of all esthetic evaluations, the human body, should make it the supreme achievement among the arts."
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The Greek architects and sculptors were always trying to find the mathematical relation, that would lead to the esthetic perfection.R. Carpenter (1975). The esthetic basis of Greek art. Indiana University Press. pp. 55–58.
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36, No. 3, (Mar., 1929), pp. 155-160. Composer Ferruccio Busoni originally explored these scales in his A New Esthetic of MusicBusoni, Ferruccio (1907), translated Dr. Th. Baker (1911). Sketch Of A New Esthetic Of Music, p.29-39. .
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Margeas runs his career as an esthetic dentist with focus on cosmetic dentistry, and comprehensive restorative dentistry.Erin Kiernan, He is Board Certified by the American Board of Operative Dentistry and operates a private dental firm located in Des Moines, Iowa. Margeas lectures and speaks on esthetic and restorative dentistry throughout the United States as well as internationally. He has written various articles on a multitude topics relating to esthetic and comprehensive restorative dentistry.
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Giallo Queens mixed planned, complex scenes involving strong emotions, esoteric lyrics and esthetic choreographies with moments of improvisation.
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Abhinavno Rasavichar ane Bija Lekho (1969) is a collection of essays. His critical work, Viksha ane Niriksha (1981) includes criticism of eastern as well as western poetry, objective correlative and Croce's philosophy. His other critical works are Parichay ane Pariksha (1968), Swadhyay ane Samiksha (1969), Crocenu Esthetic ane Bija Lekho (Croce's Esthetic, 1972).
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Fashion designers are also regularly inspired by the iconography of Egyptian women, who have become an esthetic point of reference.
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It is a highly esthetic piece of work and one of the most beautiful maps produced during the Joseon period.
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Shurov joined Okean Elzy as a session member in 2000. Later in 2001, he became part of the band and gained popularity alongside the increasingly popular band. In 2004, Shurov left the band to join a newly formed band, Esthetic Education, with another member of Okean Elzy, bass player Yuriy Khustochka. Esthetic Education remained active until 2008.
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Vyzgo T. Musical instrumentsof the Central Asia.-Moscow, 1980. 10\. Gizatov B.. Social and esthetic basics of Kazakh folk instrumental music.-Alma-Ata, 1989. 11\.
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Electronic packaging may place many demands on an enclosure for heat dissipation, radio frequency interference and electrostatic discharge protection, as well as functional, esthetic and commercial constraints.
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Aesthetic products and aesthetic consumption: A review. Consumption, Markets and Culture, 9, 235-255. HolbrookHolbrook, M. B. (1982). Mapping the retail market for esthetic products: The case of jazz records.
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Darshani was graduated in music at the Faculty of Esthetic Studies at University of Kelaniya, Sri Lanka, and became a teaching professional in music. Sriyani Chandrasena died on 4 August 2009.
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94 Also ostler or hostler (archaic). ;grooming :Cleaning horses for hygienic, practical or esthetic reasons. ;groundwork #To exercise or work a horse without a rider, controlling it from the ground.Price, et al.
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R. Carpenter (1975). The esthetic basis of Greek art. Indiana University Press. p.107. indicating how the Greek mind moved from the gift of the senses, to the principles beyond the senses.
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Its purpose is to promote the art and science of nature photography. NANPA looks to esthetic elements and practical ones, too. Photography has been used to rescue animals, plants, and habitats locally and worldwide.
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Tango which adds cortes and quebradas, cuts and breaks. The quebradas later on has been put in a more esthetic style (estilizar) and are today included into the category of poses de tango, or tango poses.
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In 1919 Dr. Passot was known to publish one of the first papers on face-lifting, this consisted mainly on the elevating and redraping of the facial skin. After this many others began to write papers on face-lifting in the 1920s. From then the esthetic surgery was being performed on a large scale, from the basis of the reconstructive surgery. The first female plastic surgeon, Suzanne Noël, played a large role in its development and she wrote one of the first books about esthetic surgery named Chirurgie Esthetique, son rôle social.
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Luces de Bohemia, specifically the conversation between Max Estrella and Don Latino de Hispalis in the twelfth scene, is considered to be the foundation of esperpento. Max declares: > The classical heroes reflected in concave mirrors give rise to the > esperpento. The tragic sense of Spanish life can only be understood by an > esthetic which is systematically deformed...The most beautiful images in a > convave mirror are absurd...Deformation stops being such when it is > subjected to perfect math. My actual esthetic is to transform the classical > norms using the mathematics of the concave mirror.
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No medical therapy exists for such a disorder. Treatment depends upon the patient's symptomatology. Gait and functional problems may be addressed by foot wear adjustments. Esthetic complaints may be addressed through plastic surgery procedures such as debulking surgery.
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Robert Vischer (22 February 1847, Tübingen – 25 March 1933, Vienna) was a German philosopher who invented the term Einfühlung (esthetic sympathy, later translated in English as empathy), which was to be promoted by Theodor Lipps, Freud's admired philosopher.
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"The Past and Future of Generative Anthropology: Reflections on the Departmental Colloquium." Paroles Gelées: UCLA French Studies 8 (1990): 35-41. "The Beginning and End of Esthetic Form." Perspectives of New Music 29, 2 (Summer 1991): 8-21.
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The remainder of a dead branch of the Danube river which forms the nature reserve protects various water biotopes, rare waterfowl, aquatic plants and a glacial relict, the tundra vole. The area is significant as an esthetic and research object.
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Pinnell also discusses the Tomb's esthetic place in relation to its neighbors, including the Yale University Art Gallery. In the late 1990s, New Hampshire landscape architects Saucier and Flynn designed the wrought iron fence that surrounds a portion of the complex.
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In the Czech Republic a Nature Park (Přírodní Park) is defined as a large area serving the protection of a landscape against activities that could decrease its natural and esthetic value. They can be established by any State Environment Protection body.
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They set up a peculiar and ambivalent relation between artist and client . . . Thus the kind of designer- client relationship that is constructed inherently questions values of both “design” and art receivership, in psychological as well as social/esthetic terms.”Graham, Dan. "Review." Artforum.
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It is also important to remember that, for esthetic reasons, symmetry of tooth length must be maintained between the right and left sides of the dental arch. This may, in some situations, call for the inclusion of even more teeth in the surgical procedure.
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Its presence was identified by Nakabayashi and co-workers where the hybrid layer consists of demineralized intertubular dentin and infiltrated and polymerized adhesive resin.Nakabayashi, Nobuo; Nakamura, Mitsuo; Yasuda, Noborou (July 1991). "Hybrid Layer as a Dentin-Bonding Mechanism". Journal of Esthetic and Restorative Dentistry.
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Ryszard Koziołek emphasizes the transgressive role of esthetic in Sienkiewicz's works. He argues that the main issue in “Without dogma” is an ability of an esthetic object (defined usually as a piece of art, but on some occasions also as a woman or nature) to smooth away the evanescence of human being. As can be seen in his private letters and notes on literature, Sienkiewicz was an independent artist with a lot of self-esteem who sought to create in his works a substitution of a real world that could be meaningful and purposeful. Krystyna Kłosińska rated "No dogma" among the "novels about the fitful age".
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Spies and Gabriel 1991, p. 90 Seiwert described the group's esthetic: "We are attempting to be so clear that everyone will be able to understand us."Crockett 1999, p. 80. Räderscheidt's studio was their base of operations, but by 1920 he had abandoned the constructivist style.
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This is the individual who is living in an esthetic way. A young man or woman who is still maturing. Still looking for the highest good. They've found love of a woman to be the highest but none have had any experience except for the seducer.
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Thomas Lask, writing for The New York Times, took issue with the "diffuse" construction of the novel. However, his review was positive, praising the combination of "esthetic and political problems". The novel has been referred to as "difficult" and as "never having received the attention it deserved".
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Very baroque in composition and esthetic, Alexandre de Bernay's version of the poem is the basis of Alexander's myth in the French literature to come with many continuations depicting mainly the vengeance of the "douze pairs" or shedding a different light on the life of the conqueror.
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Pigman, G.W. Freud and the history of empathy, The International journal of psycho-analysis, 1995 Apr.; 76 (Pt 2):237–56. He adopted Robert Vischer's notions of empathy or esthetic sympathy (Einfühlung, literally translated to "feeling-into"). This concept of aesthetic resonance finds parallels throughout aesthetic philosophy.
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Some critical views have involved evaluation of socio-political utility or loyalty of various poems or poets. Another critical theme involves esthetic issues regarding the poetry deliberately written according to ideas about modernist/postmodernist/hypermodernist poetry versus poetry which continues the use of Classical Chinese poetry forms.
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Emma Andijewska is often associated with the New York group of Ukrainian émigré writers. Their work is characterized by being purely esthetic and non-political. The poetry and prose of Andijewska has been often called surrealist. She emphasizes the important role of subconsciousness in her work.
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67 The pyramid style article format was retained, but italicization of potentially unfamiliar words was dropped for esthetic purposes, though potentially difficult words such as palaeographic, miscarriage and recession were still defined in context. Major articles such as computer and genetics had glossaries for technical terms.
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In January 1896, he married Vira Ustymivna Kotsiubynska (Deisha) (1863–1921).Ihor Siundiukov: The socio-esthetic ideal through the eyes of Mykhailo Kotsiubynsky. Den 2002, # 38. One of his sons, Yuriy Mykhailovych Kotsiubynsky (1896–1937), was the Bolshevik and the Red Army commander during the 1917–1921 Civil War.
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Ivoclar Vivadent operates in the four product areas: Digital dentistry, Direct Restoratives, Fixed Prosthetics and Removable Prosthetics. In these areas, the company offers dentists and dental technicians products and product systems that support them across the entire treatment and fabrication process and enable them to achieve esthetic results.
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At some point in his life he began to make photographs of athletes and bodybuilders. He was known for using Greko-Romans esthetic in his photographic work. He mostly worked with Mediterranean, Latino and African American models, which was unusual in 1940-s, when most photographers preferred white models.
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Michael Richardson, Georges Bataille, London/New York: Routledge, 1994, , p. 53. However, the disagreements between ethnological and esthetic viewpoints, later to characterize the debate around the creation of the Musée du quai Branly, were strong enough that the Musée de l'Homme, when founded, was avowedly scientific in character.
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In addition they commonly include coloring, fragrance, and/or other water- soluble, water-dispersible, and/or volatile ingredients for esthetic, cosmetic, or skin soothing purposes. This principle of effervescing while releasing other ingredients is the same that has been used by tableted products for children to produce their own carbonated beverages.
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Oil drilling. In 1971 he proposed a ban on oil drilling on the city's coastline one-half mile inland from the shore "for both esthetic and geographical safety reasons." Income tax. He was a supporter of levying a city income tax in order to relieve property owners of a tax burden.
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Choi, an actress, had no role in the film, so she would help Shin as the co-director. After Berlin, they traveled to Prague. They were minded by Kim's film tutor, Choe Ik-gyu during all their trips. In directing, Shin would employ esthetic theories developed by Kim Jong-il.
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"Daniel Sullivan, dentist," The Washington Post. 8 August 2012. In later years, he taught the technique to thousands of dentists, served as president of two prestigious dental membership organizations, and co-wrote one of the first textbooks in the United States on the subject of esthetic dental implants.Parel, Stephen M. (2012).
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In other works, such as "Brushes" (1974–1975), he uses hair from his head and the heads of family members and attaches it to different kinds of brushes, which he exhibits in wooden boxes, as a kind of box of ruins (a reliquary). These boxes were created according to strict minimalistic esthetic standards.
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These innovations are incremental in nature since they offer an existing functionality and an existing interface; however, they are usually characterized by esthetic changes that affect the product's appearance. Smart phones, for example, are usually black or silver when first introduced into the market but are available in multiple colors several months later.
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Calamia John R.,Calamia Christine S. Porcelain Laminate Veneers: Reasons for 25 Years of Success, Successful Esthetic and Cosmetic Dentistry for the Modern Dental Practice, Dental Clinics of North America. April 2007 Vol 51 No. 2 Calamia, Wolff, Simonsen Saunders/Elsevier, Inc., Veneers by Calamia, Enamelique.com Since 2018 dental tourism has become increasingly popular.
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Soaplands town Yoshiwara (2008) The sex industry in Japan uses a variety of names. Soaplands are bath houses where customers are soaped up and serviced by staff. Fashion health shops and pink salons are notionally massage or esthetic treatment parlors; image clubs are themed versions of the same. Call girls operate via delivery health services.
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Retrieved 2020.06.17. The objectives of this surgery include accessibility of instruments to root surface, elimination of inflammation, creation of an oral environment for plaque control, periodontal diseases control, oral hygiene maintenance, maintain proper embrasure space, address gingiva-alveolar mucosa problems, and esthetic improvement. The surgical procedures include Crown Lengthening, Frenectomy, and Mucogingival flap surgery.
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Margeas is a Diplomate of the American Board of Aesthetic Dentistry. He is also a Fellow of the Academy of General Dentistry, American Society for Dental Aesthetics and International Team of Oral implantologists (ITI). He is a member of OKU Honor Dental Society, American Academy of Esthetic Dentistry, and the American Academy of Restorative Dentistry.
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On February 10, 2016, lawyers representing Jenner Inc. filed a $10 million lawsuit against esthetic medical company Cutera at the United States District Court for the Central District of California. Jenner's legal team objected to the company using her brand without authorization. Cutera had featured Jenner in ad campaigns for its Laser Genesis acne treatment.
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Soaplands are bath houses where customers are soaped up and serviced by staff. Fashion health shops and pink salons are notionally massage or esthetic treatment parlors; image clubs are themed versions of the same. Call girls operate via delivery health services. Freelancers can get in contact with potential customers via deai sites (Internet dating sites).
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In part due to the possibilities inherent in the Classical Chinese language and in part as an esthetic principle, many Classical Chinese poems are imprecise when it comes to gender, number, case, or other logically informative elements of speech which tend to be grammatically obligatory or difficult to avoid in various inflected languages, such as certain Indo-European languages.
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The "Friends of the Waukegan Public Library" organization was formed in 1963. The limestone building currently occupied by the Waukegan Public Library, located at the corner of County and Clayton streets, was opened for business on December 27, 1965. A major renovation in 1998 added some 16,000 square feet, while remaining faithful to the building's original esthetic.
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Brandeis University, Waltham. Apr 1. 2008. The presence of a hand-drum in classical Palestinian music indicates a cultural esthetic conducive to the vocal, verbal and instrumental percussion which serve as the foundational elements of Hip-hop. This hip hop is joining a “longer tradition of revolutionary, underground, Arabic music and political songs that have supported Palestinian Resistance”.
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He also agreed that the town's ordinance was "replete with content-based distinctions" that were subject to strict scrutiny. However, Justice Alito wrote separately to emphasize that the Court's opinion would not "prevent cities from regulating signs in a way that fully protects public safety and serves legitimate esthetic objectives".Reed, slip op. at 1–2 (Alito, J., concurring).
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Many of these notions were because of religious beliefs and esthetic taboos. and were deeply entrenched in the beliefs of the public and the church. As mentioned above, the dissection of cadavers began to once again take hold around the 12th century. At this time dissection was still seen as dishonorable, however it was not outright banned.
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Dmytro in 2011. Dmytro Shurov (; born 31 October 1981) is a Ukrainian pianist and singer-songwriter best known as the lead vocalist of the band Pianoboy and as a judge on the Ukrainian X-Factor since the eighth season. He was a pianist in the bands Okean Elzy (2001–2004), Esthetic Education (2004–2008) and Zemfira (2006–2009).
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In medieval Germany, Gottfried von Strassburg's Tristan and Wolfram von Eschenbach's Parzival, which were published at the same time, differed on social, esthetic, and moral viewpoints, and resulted in what has been called "one of the more famous literary quarrels in medieval literature", although that characterization based on interpretations of fragments has been disputed by other scholars.
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He is also an executive member and co-director of the North American Society of Periodontists. He lectures and mentors students in various areas of periodontists, dental implant surgery, esthetic surgery, laser therapies in dentistry, and dental technologies. Stoner is a Board-Certified Periodontist and Implantologist accredited by the American Board of Periodontology and Dental Implantology.
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Cole is best known for his work as an American landscape artist. In an 1836 article on "American Scenery", he described his complex relationship with the American landscape in esthetic, emotional, and spiritual terms. He also produced thousands of sketches of varying subject matter. Over 2,500 of these sketches can be seen at The Detroit Institute of Arts.
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She was instructed by tutors and had the run of her father's vast, eclectic library. Her esthetic was also influenced by her mother's design sense and cultural interests, particularly musical. At the age of 14, upset over a news photograph of a lynching, Mary Tuthill joined the NAACP, and from then on was an ardent political and social activist.
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Advanced clinical training programs (ACT) are meant for graduates of foreign and U.S. dental schools. There are nine different programs offered: Esthetic & Restorative, Endodontics, Orofacial Pain & Dysfunction, Orthodontics, Orthodontics Advanced, Pediatric Dentistry, Restorative Dentistry, Surgical Implant and Advanced Surgical Implant. Programs generally require a year to a three-year commitment. The programs culminate with the trainees receiving a certificate of completion.
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They also created "Finesse" with Shampoo Press & Curl. The team noticed that Mars "is his own biggest critic", a "perfectionist". In August 2016, the album entered the mixing stage. Romanian-American mixing engineer Serban Ghenea had to return to the early stages of his career as an R&B; and hip hop engineer, to come up with the "esthetic" for 24K Magic.
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Kierkegaard, Søren. Prefaces/Writing Sampler, Princeton University Press, 1997, Writing Sampler was intended to emphasize the ironic and satirical elements of the Prefaces. It is also a historical social commentary of life in Copenhagen in the 1840s, and it references people and events of note at the time. In particular, it focuses on the relationship between the esthetic and religious stages of life.
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As with fellow Yogyakarta-based writers such as Kuntowijoyo and Mustofa W. Hasyim, Nadjib poems are heavily influenced by Islam. His Islamic influences have commonly been described as santri or orthodox, though Salam suggests that there are Sufistic influences as well. Nadjib has described his own poetry as "deeply religious and philosophical but esthetic". Nadjib's views on Islam are those of tolerance.
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Reports found that the 3×3 mm designed connectors in zirconia bridges increased the strength to resist fracture by 20%. Although the use of ceramic based fixed prosthesis have been popular as it achieves a lifelike, highly esthetic appearance, a Cochrane review found insufficient evidence to support or refute the effectiveness of ceramic materials for fixed prosthodontic treatment over metal-ceramic.
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"The Genetic Esthetic," ARTnews, April 2000, p. 134–6. Heavenly Bodies (2003) translated genetic coding into cloud motifs, whose celestial immateriality undermined notions of certainty associated with DNA testing. Iñigo Manglano- Ovalle, Cloud Prototype No. 1, fiberglass and titanium alloy foil, (2003). In several projects, Manglano-Ovalle investigated intersections of cultural systems, such as modernism, with politics, science, and nature.
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With that approach the works of Emilio Pujol were heard with complete fullness of their character. Héctor García has conscientiously studied Pujol's works and in no way diminished their esthetic sentiment. They were played with fluid facility and sonority which only fingertip playing can bring to the guitar's music. This second half of his program embodied a faithful and true hommage to Pujol.
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Information systems are not the same as applications. Both are sited inside the scope of the generic words meaning of software, Systems are related to structure and paradigm; application to a specific implementation and esthetic and functional elements. Some information systems in Brazil are the PROJUDI, the Slapsoftware, the e-CNJ, the e-STF, the PJe, the Themis, SAJ. and the Mavenflip .
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After she and Borglum separated in 1903 and divorced in 1908, Elizabeth stayed at "El Rosario".Arthur PUTNAM (1873-1930) - California Art Research Archive She continued her art career, painting and teaching and taking classes from J. Foxcroft Cole. In 1915, she moved to Venice, California, dying there on May 21, 1922. Elizabeth Borglum's work is rooted in the Tonalist-Barbizon esthetic.
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It achieved viable public interest and made commercial progress into streaming music through telephone networks. Critics of musical conventions at the time saw promise in these developments. Ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music (1907).
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Four of Rockland's books and a movie focus on New Jersey. The first, which he co-authored, was Looking for America on the New Jersey Turnpike. The book documented the Turnpike as "the purest expression of a distinctly American industrial esthetic". Snowshoeing Through Sewers included stories such as "Afoot in New Jersey", about an ambulatory pilgrimage he made across the state.
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Both Vallingby in Sweden and Chandigarh in East Punjab, India, were influenced by Greenbelt, as was the British New town Program after 1946. Less influence was felt by the planners of Columbia, Maryland, and Reston, Virginia, in the 1960s. Relate to WWII Manhattan Project planned communities with very similar design esthetic and architecture: Los Alamos; NM, Hanford; WA, Oak Ridge; TN, inter alia.
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The decision was finalized in 1993 with the western route selected. Important aspects were construction costs, minimizing the amount agricultural land which was taken and esthetics. Structural design was contracted to Johs Holt, with the esthetic aspects were designed by Lunde og Løvset.Taugbøl: 18 Several designs were considered, with a concrete cantilever and a steel box girder the two finalists.
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This was the period of considerable rethinking of church internal space. It was increased by introduction of pillars that held now the tholobate, which gave possibility to experiment with the walls and improved esthetic perception of the interior. Traditional triangular niches by the sides of the apse also appear in this century. First such example, which actually started new traditions, was Tsromi church.
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Many scholars and performers such as John Eliot Gardiner have questioned the terminology of "authentic performance" Opinions on how artistic and academic motivations should translate into musical performance vary.Colin Lawson and Robin Stowell (eds.), The Cambridge History of Musical Performance (Cambridge, England: Cambridge University Press, 2012):. Though championing the need to attempt to understand a composer's intentions in their historical context, Ralph Kirkpatrick highlights the risk of using historical exoterism to hide technical incompetence: "too often historical authenticity can be used as a means of escape from any potentially disquieting observance of esthetic values, and from the assumption of any genuine artistic responsibility. The abdication of esthetic values and artistic responsibilities can confer a certain illusion of simplicity on what the passage of history has presented to us, bleached as white as bones on the sands of time".
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At age 21, Wright began his professional writing career as literary editor of the Los Angeles Times, where – describing himself as "'Esthetic expert and psychological shark" – he was known for his scathing book reviews and irreverent opinions. He was particularly caustic about romance and detective fiction. His friend and mentor H.L. Mencken was an early inspiration. Other important literary influences included Oscar Wilde and Ambrose Bierce.
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Together with a friend, Shoshana Kliot, she opened a salon, the Klisar Skin Care Center, in September 1977. The popularity of the salon grew when magazines such as Vogue, Mademoiselle, Harper's Bazaar, and the New York Times Magazine wrote about Sarfati's esthetic services.In 1980, she introduced the Four Layer Facial and, today, her skincare method is taught in more than 200 schools around the world.
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There is a practice for supplying food to thousands of devotees in connection with the Muchilot Bhagavathi. Another work Muchilot Bhagavathi narrates the origin and establishment of Muchilot Kavu in different parts of Kannur and Kasaragod District. Highly decorative figure of Muchilot Bhagavathi attracts the minds of devotees and the men of esthetic sense. In Cherukunnu and Kannapuram Muchilot bhagavathi Theyyam is performed annually.
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Quick to embrace new technologies, Arthur B. Rickerby managed to take his most famous photograph by pioneering the use of the 35 mm camera and early zoom lens. These innovations helped Rickerby pursue his esthetic of up-close and personal photography. His dedication to a more flexible camera and the pursuit of a more natural photojournalism garnered him a nomination for a Pulitzer Prize.
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She had been involved in many aspects of the productions, and she would spend over 25 years as artistic director, directing 27 plays. She also designed costumes for the Winnipeg Little Theatre and the Royal Winnipeg Ballet, produced artwork for a number of local arts groups, and gave art classes. Boutal firmly believed in keeping esthetic standards high in the theatre, both visually and through elevated language.
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Critic Frank S. Nugent of The New York Times considered it hackneyed, as "...it plunges across the screen, creates some mild excitement and careens out again, leaving us with a few esthetic bruises and a feeling that a little fresh air would do no harm."Nugent, Frank S. "Suzy (1936): 'Suzy' at Capitol Clears Spelvin Mystery." The New York Times, July 25, 1936. Retrieved: March 29, 2011.
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Zuckerman Bound met with great acclaim upon publication. In The New York Times Book Review critic Harold Bloom wrote "'Zuckerman Bound' merits something reasonably close to the highest level of esthetic praise for tragicomedy, partly because as a formal totality it becomes much more than the sum of its parts."Harold Bloom, "His Long Ordeal By Laughter," The New York Times Book Review, May 19, 1985.
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In this sense, Virgil Thomson proclaimed himself to be "most easily-labeled practitioner [of Neo-Romanticism] in America," : > Neo-Romanticism involves rounded melodic material (the neo-Classicists > affected angular themes) and the frank expression of personal sentiments. . > . . That position is an esthetic one purely, because technically we are > eclectic. Our contribution to contemporary esthetics has been to pose the > problems of sincerity in a new way.
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Vassos was born in Sulina, Romania to Greek parents, and his family moved when he was young to Istanbul, Turkey. He became a deck hand with the Allies during world War I, and survived the torpedoing of a Belgian ship where he was serving. After the war ended, he emigrated to the United States in 1919.David Shirey, "An Esthetic Evangelist," New York Times, February 27, 1977.
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The name Czech blue poppy refers to blue poppy seeds used for food. The United Kingdom does not require a license for opium poppy cultivation, but does for extracting opium for medicinal products. In the United States, opium poppies and poppy straw are prohibited. As the opium poppy is legal for culinary or esthetic reasons, poppies were once grown as a cash crop by farmers in California.
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Herman Geijer, (born 4 December 1978) is a Swedish author, lecturer and zombie-survivalist expert. Geijer grew up in Örsundsbro outside of Uppsala. He studied esthetic program at Westerlundska gymnasiet in Enköping and has also worked as a coat handler at for the theaters Carolina Rediviva and Arbetarnas bildningsförbund (ABF) in Uppsala. He then worked as a business developer for ABF and is now located in Stockholm.
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Lighting through the ages. Illustration by Dessertenne for the Nouveau Larousse illustréMaurice Dessertenne was a French illustrator. He is considered one of the master illustrators of the early 20th century Monique Catherine Cormier, Aline Francoeur, Les dictionnaires Larousse: genèse et évolution, PUM, 2005, , . p. 189. and is one of the artists responsible for the development of a specific esthetic of ornamental dictionary illustration in France.
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The research has been put to use in both practical and esthetic ways. The mirror-experiment experience of disconnect between vision and feeling has parallels in, and applications for researching, phantom limb syndrome. The art exhibit Upside- down Mushroom Room by Belgian artist Carsten Höller, a tunnel installation with an inverted environment, builds on Stratton's work. Stratton provided encouragement to both his students and his children.
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Vintage items spark interest in many. The United States Department of Labor tells us that, "Design and fashion trends play an important part in the production of furniture. The integrated design of the article for both esthetic and functional qualities is also a major part of the process of manufacturing furniture." The popularity of vintage design and vintage inspired items can be seen through media.
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Her father was a doctor and a co-founder of the Czech Red Cross. She studied a classic grammar school in Vyškov and graduated at a grammar school in Brno in 1920. Later she attended lectures of classical archaeology (professor Hynek Vysoký), history of art and esthetic (prof. Vojtěch Birnbaum) and history of theatre at the Faculty of Arts of Charles University in Prague.
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The College of Dentistry accepted only limited enrollment until it obtained space in the Health Sciences Building in 1973. The Dental Clinic Building opened in 1979. Dentistry is a non-direct entry program which requires university pre- requisites, and often examination, prior to admission to this college. Courses provide education on prevention/public education, detection and management of oral conditions, esthetic improvement, restoration, correction, reconstruction, and surgery.
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Macrodystrophia lipomatosa can manifest in functional incapacitation and esthetic problems. It is usually noticed by parents at birth or shortly after. It may be subject to an increase in size especially around puberty. The diagnosis is largely built upon establishing a comprehensive correlation between history and clinical examination on the one hand and characteristic imaging features on the other hand namely plain radiographs, ultrasound and magnetic resonance imaging examination.
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Considered to be Thorvaldsen's breakthrough work, the statue's theme stems from a drawing of Jason and the Golden Fleece by Asmus Jacob Carstens but the esthetic of the nude figure is also inspired by the Apollo Belvedere and Doryphoros, both from antiquity; the archaeologist Georg Zoëga also played an important role, expanding Thorwaldsen's knowledge of ancient history and culture.Stig Miss, "Bertel Thorvaldsen", Kunstineks Danmark & Weilbachs kunstnerleksikon. Retrieved 21 January 2013.
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For instance, a pastoral flute and its melody are portrayed in The Night's Music from Out of Doors. The effect on the listener is not primarily the esthetic effect of the melody. The melody's effect is rather indirect: the evocation of being out of doors at night in the plain and hearing the shepherd play his melody.One could make a comparion to Beethoven portrayal of pastoral scenes in his Pastoral Symphony.
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As author and curator, Kehlmann became the unofficial theoretician for innovative, non- traditional work in stained glass.Diana Loercher, “Stained Glass—not for Windows—New Art Form,” Christian Science Monitor, March 8, 1978). He praised American artists who were forging technical and esthetic innovation while exploring glass as an “autonomous” (as distinct from architectural) medium.New Stained Glass (catalog), The Museum of Contemporary Crafts of the American Crafts Council (1978).
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Courtyard of the Rijksakademie (Royal Academy of Visual Arts) in Amsterdam. Several of the newer buildings with interconnecting walkways were designed by van Velsen. Koen Jozef van Velsen (born 17 July 1952) is an award-winning architect from Hilversum, Netherlands known for his design work on the Discothèque Slinger, rehabilitation center Groot Klimmendaal and the library in Zeewolde. His work employs a contextual design approach, free of a personal esthetic.
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However, the curved lines of the stems of each letter result from technical considerations of type manufacturing rather than purely esthetic considerations.” The development of Optima took place over the period 1955-1958. Optima was first manufactured as a foundry version in 1958 by Stempel of Frankfurt, and by Mergenthaler in America shortly thereafter. It was released to the public at an exhibition in Düsseldorf in that same year.
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Most of the changes were small and esthetic. Some fans believe that the changes to the film were less detrimental than that of the other two entries in the trilogy. The film was also resubmitted to the MPAA for rating; it was again rated PG, but under the Association's new description nomenclature, the reason given was for "sci-fi action/violence". This version of the film runs 127 minutes.
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"The musical Don Juan enjoys the satisfaction of desire; the reflective Don Juan enjoys the deception, enjoys the cunning." Don Juan is split between the esthetic and the ethical. He's lost in the multiplicity of the "1,003 women he has to seduce" (as in the famous aria "Madamina, il catalogo è questo")Don Giovanni Act I, "But in Spain already are one thousand and three".Either/Or Part I, Swenson, p.
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A major refurbishment of the CNIT was finished in summer 2009 increasing the public space within the building by the re-opening of the lower floor which now contains new shops and restaurants. During this work, some of the more esthetic features of the 1988 redesign, including the striking triangular door handles that copied the shape of the building were lost to more modern but otherwise unremarkable fittings.
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The "New sensitivity films" (סרטי הרגישות החדשה) is a movement which started during the 1960s and lasted until the end of the 1970s. The movement sought to create a cinema in modernist cinema with artistic and esthetic values, in the style of the new wave films of the French cinema. The "New sensitivity" movement produced social artistic films such as But Where Is Daniel Wax? by Avraham Heffner.
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At Imperial public baths, a person of humble means could view wall paintings, mosaics, statues, and interior decoration often of high quality.Potter (2009), pp. 82–83. In the private sphere, objects made for religious dedications, funerary commemoration, domestic use, and commerce can show varying degrees of esthetic quality and artistic skill.Gazda, Elaine K. (1991) "Introduction", in Roman Art in the Private Sphere: Architecture and Décor of the Domus, Villa, and Insula.
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Although his esthetic of brutal monumentality represented the dominant style of Italian Fascism, his work was attacked by right-wing critics for its lack of overt ideological content.Cowling and Mundy 1990, pp. 247-248 As an artist closely identified with Fascism, Sironi's reputation declined dramatically in the post-World War II period. Embittered by the course of events, he had returned to easel painting in 1943, and worked in relative isolation.
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He died in Zagreb. His research interests included head and neck cancer, lymphology, esthetic, plastic and reconstructive surgery, application of radioactive isotopes and application of interferon in clinical practice. He published more than 120 scientific papers, more than 200 expert medical papers and other articles and eight books in the field of Otorhinolaryngology and plastic Head and Neck Surgery. Being a student of Ante Šercer he further developed open rhinoplasty methods.
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The Judgment of Otto Penni's work has its roots in the legacy of Raphael and the esthetic of Fontainebleau. While his compositions often found their origins in Raphael's work, the lines are pure and simple. This was a legacy of the years he spent in Fontainebleau executing projects alongside Rosso and Primaticcio. The evolution of his style paradoxically made him the inventor of French classicism derived from Italian mannerism.
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Born in Newton, New Jersey and raised in Tucson, Arizona, where her father was rector of Grace Episcopal Church, Mary Tuthill showed talent in art, writing, and acting. The desert's plant and animal life, landforms and colors strongly influenced her visual esthetic. Her first work of art, at age 11, was a miniature adobe house. She suffered several childhood diseases, including typhoid fever, and was only sporadically enrolled in school.
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The American Dental Association does not recognize Cosmetic dentistry as a speciality. Prosthodontics is the only dental speciality under which the concentration of cosmetic/esthetic dentistry falls. General dentists may perform some simple cosmetic procedures. Consequently, there are questions regarding whether it is ethical for general dentists to treat "smile makeovers" or complex cosmetic and full-mouth reconstruction cases, as they are not qualified to address the complex needs of the patient.
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The school also administers the art collection of the Pagliara Foundation, established in 1947. Since the museum's inauguration in 1952, its collection has supported the school's educational and research activities. Works are organized chronologically and presented in the cells of the nun's cloister, with each representing the esthetic vision of a brief period from the 16th to the 19th centuries. The collection is open by appointment to those unaffiliated with the University.
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In 1970, Richard Haag Associates (RHA) were retained by the Seattle Park Board to do a site analysis and master plan for a new park at the gas plant site. RHA opened an on-site office to research and analyze the plant site. Richard Haag realized that the site contained the last gas works and a unique opportunity for preservation. Haag recommended preservation of portions of the plant for its "historic, esthetic and utilitarian value".
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1, p. 452. Chmielowski was the outstanding student and critic of literature during Poland's Positivist period. He advocated social utilitarianism in literature, and the realistic treatment of social reality. As a historian he was influenced by the philosophical and esthetic concepts of the French critic Hippolyte Taine, and studied the relations between writers' works and their social and cultural milieux, seeking the expressions of those relations chiefly in the works' ideological concerns.
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After consulting with several artists, it was decided to legalize the monument, with certain esthetic corrections on the memorial. Parts of the plans included replacement of the bronze flame sculptured on top of the obelisk, with fire buring inside, which was deemed contradictory. It was also suggested to replace the inscription with the more appropriate one, which would ease the feeling of the monument as the foreign object in given space. Relocation was also mentioned.
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Hambourg 1993, p. 356. He wrote: "The secret of a good photograph—which, like a work of art, can have esthetic qualities—is its realism ... Let us therefore leave art to artists and endeavor to create, with the means peculiar to photography and without borrowing from art, photographs which will last because of their photographic qualities."Schmied 1978, p. 86. Among his works of the 1920s are Echeoeria (1922) and Viper's Head ( 1925).
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Saul Marantz joined Bozak as consultant in the mid 1970s. He helped with esthetic details of certain products. When both Bozak and Marantz teamed up to demonstrate loudspeakers at Hi-Fi events and audio engineering conventions, a sizable crowd would form. Bozak shifted from using McIntosh amplifiers for powering his loudspeakers to using Marantz amplifiers. The B-401 Rhapsody speaker was reviewed in August 1974, in High Fidelity,Equipment Reviews: Part 1.
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Another variation on abutment/crown model is when the crown and abutment are one piece and the lag-screw traverses both to secure the one-piece structure to the internal thread on the implant. There does not appear to be any benefit, in terms of success, for cement versus screw-retained prosthetics, although the latter is believed to be easier to maintain (and change when the prosthetic fractures) and the former offers high esthetic performance.
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For example, the main characters fall in love while singing a duet from the musical, Oklahoma!, that the Auteur in his questionable esthetic judgment had decided to insert into the ancient tragedy. The play also features the actors singing versions of disco classics "I Will Survive" and "Y.M.C.A." with lyrics rewritten to reflect the play's plot elements, as well as Phaedra's courting her stepson Hippolytus to the tune of Barry Manilow's "Copacabana".
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In the 1950s, he started writing modernist poetry that drew on his Mormon faith. In his review of Larson's poetry collection, Karl Keller wrote that Lason's poetry showed "religion succeeding in an esthetic way." The development of this new movement was aided by the development of the first Mormon academic and literary periodicals, including BYU Studies (1959) and Dialogue (1966). Larson founded BYU Studies in 1959, and contributed poetry there and to Dialogue.
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Accessed September 13, 2017. "Bergen County's Department of Planning and Economic Development, who hosted the meeting, presented a PowerPoint presentation highlighting the recommendations of local residents from the first meeting as to how the walkway, which would run from Fort Lee Historic Park to Bayonne in Hudson County, could benefit the entire community from an esthetic and economic point of view." Although property owners were required to build and maintain it, many gaps remain.Hevesi, Dennis.
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Warman preferred the soft hues created by time exposures to the harsh tones resulting from flash lighting. To employ ambient light, he pioneered the use of a small 35 mm camera that could be held steady long enough for a time exposure. This method produced esthetic images that had been rarely seen in daily newspapers previously. As other photographers emulated Warman's technique, the 35 mm camera replaced the bulky Speed Graphic in photojournalism.
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Ritter is a graduate of Medical University of South Carolina College of Dental Medicine. He is known for his contributions in esthetic dentistry. He has written and published several articles on adhesive and cosmetic dentistry. He speaks and lectures on cosmetic dentistry, implant dentistry, and other aspects of general dentistry across the US. Ritter is an Adjunct Assistant Clinical Professor, Prosthodontics and Operative Dentistry, Dental Research Administration at Tufts University School of Dental Medicine.
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This was likely not an esthetic choice, but done as part of an overall strategy to minimize dead load. The original floor beams were replaced sometime in the 1920s, the bridges final decade of service, with mixed species ash and oak. This was an attempt to increase load capacity. The only original white pine floorbeam to escape replacement was the one found at the centerline of truss, which was tenoned through the king post at midspan.
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In his 1965 essay "The Esthetic of Hunger," Rocha stated that "the hunger of South America is not simply an alarming symptom: it is the essence of our society. ... [Cinema Novo's] originality is [South Americans'] hunger[,] and our greatest misery is that this hunger is felt but not intellectually understood."Johnson & Stam, 70. On this note, Wheeler Winston Dixon and Gwendolyn Audrey Foster hold that "[t]he Marxist implications of [Rocha's] cinema are hard to miss".
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Since the tetrachord beginning on the tonic may ascend or descend with either G-sharp or natural (Phrygian tetrachord) the mixed-thirds clash between the major third degree (G) in the melody and the minor third degree (G) in the accompanying harmony occurs frequently and is characteristic of the flamenco esthetic, as with the blues scale on a major chord.Fernández (2005), p.78. Augmented sixth chord: B75/F—E or II—I . Cassadó's Sonata for Cello (1925), m.
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The Tape-beatles, then consisting of Dunn, Heck and Johnson, put out their first major work, A subtle buoyancy of pulse in 1988. In keeping with the tape esthetic, the work was available only on cassette (until being reissued 10 years later on CD by Staalplaat, Amsterdam, the Netherlands). Public response was sufficiently encouraging that the group immediately began work on a new album, adding two new members along the way: Paul Neff and Linda Morgan Brown.
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Plastic surgery in Moldova is of high demand among the patients from abroad. This direction involves the use of the latest technologies and equipment, and Moldovan surgeons are proven and highly skilled and experienced specialists. In the Republic, esthetic surgery services are provided only in a few private clinics, but this area is progressively developed. The most popular surgeries are the breast surgery and face lift, which are seven times more expensive in Europe than in Moldovan clinics.
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The Damascus gallery Naseer Shura receives the first three exhibitions of Khaled al-Khani, in 1999, 2000 and 2001. The dominant colour in these series is brown, and the esthetic employs effects of contre-jour. His presentation to the Arab artistic scene begins in Kuwait, where he presents his first exhibition at the Museum of Baytlothan in 2001, followed by another exhibition the following year at the Boushahri Gallery. Individual exhibitions take place in Dubai, Jordan and Lebanon.
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In his review for AllMusic, Ken Dryden says that the album "showcases the talented pianist in a variety of settings ranging from post-bop and hard bop to free jazz and avant-garde jazz." In a combined review with two James Carter's albums for Down Beat, Jon Andrews notes that "Taborn has the same omnivorous esthetic as Carter, assimilating contemporary piano styles as diverse as Keith Jarrett and Cecil Taylor."Andrews, Jon. Craig Taborn Trio review.
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In the 1960s, Arthur B. Rickerby moved to Bethel, Connecticut, and became an active member of and advocate for his community. Rickerby was well known in his town not only for his photography, but also his work on the ABC for Proper Zoning Committee, to which he was elected in November 1971. He was also co-founder and chairman of the Fairfield-Litchfield Environmental Council (FLEC). Both these committees were dedicated to protecting the town's environment, health and esthetic.
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Ujejskiego 40, [in:] Gdynski szlak modernizmu service, available here Hurried architectural work is blamed for some deficiencies; upper church suffered from very poor visibility from the aisle, framed by massive piers, and from the gallery.Wójcicki 1999, p. 114 The tower proved to be inappropriate for huge bells mounted, their motion threatening the very construction. new (left) and old (right) monastery Interior of the upper church took form in course of decades, shaped by esthetic preferences of the friars.
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Some Egyptian mummies were found to have transplanted human teeth, and in other instances, teeth made of ivory. Wilson Popenoe and his wife in 1931, at a site in Honduras dating back to 600 AD, found the lower mandible of a young Mayan woman, with three missing incisors replaced by pieces of sea shells, shaped to resemble teeth. Bone growth around two of the implants, and the formation of calculus, indicates that they were functional as well as esthetic.
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Some Egyptian mummies were found to have transplanted human teeth, and in other instances, teeth made of ivory. Wilson Popenoe and his wife in 1931, at a site in Honduras dating back to 600 AD, found the lower mandible of a young Mayan woman, with three missing incisors replaced by pieces of sea shells, shaped to resemble teeth. Bone growth around two of the implants, and the formation of calculus, indicates that they were functional as well as esthetic.
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Here, scarce and priceless bonsai hundreds of years old can be seen. In addition to the economic importance shown in high incomes brought to the regional economy, Sa Đéc flowers also include cultural, art, esthetic and environmental-protecting values. Having been planned for construction, the Sa Đéc flower village will soon become an interesting tourist site bearing original particularities of the Mekong Delta. Đồng Tháp also has a long-term history with different cultural and historical relics.
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Liu Sanjie is known for her talent for singing to celebrate her liberty and honesty, as well as criticizing those abuses and injustice in her songs. The various cultural contexts result in the loss of esthetic significance in Liu Sanjie's ballads ' cross-ethnic and cross-lingual transmission.R, Xu. 2011, 'Cross-cultural Singing of Liu Sanjie's Ballads', Guangxi Minzu Yanjiusuo, vol.02. The difference in local aesthetic knowledge also causes difficulties in spreading the ballads of Liu Sanjie.
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Immediately after the World War II George Épitaux was commissioned again to build two extensions to the north and south of the original building.Graf, Robert Henri. Le Bureau International du Travail: les oeuvres d'art et les dons reçus par cette institution (Geneva: unpublished, 1951) Geometric shapes and symbolic decorations were used in the extensions to provide esthetic consistency. The renovation and construction performed in 2008-2013 included two major projects, changes in the original structure and a new building.
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Overhead cables and pylons were avoided for esthetic reasons, preserving the scenic view. The land has an average wind speed of 6.4 m/s and a mean energy density of 324 W/mat its meteorological station. This indicates significant wind energy generation potential. A United Nations Industrial Development Organization (UNIDO) project, the International Centre for Hydrogen Energy Technologies (ICHET) set up an experimental renewables-hydrogen energy facility at the Bozcaada Governor's building on 7 October 2011.
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It was liked in the KFLA as it employed revolutionary romanticism in its portrayal of Kim. Kim personally liked the poem, too, and began visiting Cho's home. In his memoirs With the Century, Kim writes that he was the first person to listen to Cho recite the poem and liked its "jewel-like sentences". More than esthetic, Kim says he was attracted to the content and they both "shed tears" when Cho chanted a passage about fallen comrades.
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This exhibit was a critical and media success as reported in TimeTime magazine, June 3, 1676, "Engineer's Esthetic", pg. 64 and Newsweek,Newsweek magazine, May 16, 1966, "The New Druids", pg. 104 presenting the public with a show dedicated to a "New Art". Critical labels for the art included "ABC art," "reductive art" and "Minimalism,"See Battcock's, Minimal Art: A Critical Anthology though these labels were all roundly rejected by the artists themselves, notably Donald Judd.
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Taste to simple and pure forms, esthetic refinement, expensive and rare materials, impeccable technique are attributes of their works. Decorative panels occupy one of the central stages among the permanent exhibition of the museum. There is a panel by the Parisian decorator Pierre Bobo which was specially created for Roseland ballroom in New York. Also, the decorative works of the lacquer artist Jean Dunand who participated in decorating the interiors of the ocean liner Normandy are presented.
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Very early in his career, Kloss decided to concentrate on designing audiovisual equipment which combined high quality, often with leading-edge consumer technology, with moderate pricing. The external appearance of his products was strongly influenced by the minimalist Bauhaus esthetic style. In his marketing and advertising, he emphasized both the high performance and the moderate cost of his products. To keep prices low, he often sold products via mail order, with generous trial period and return policies.
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Forner's work demonstrated an interest in current events, and from the beginning of the Spanish Civil War in 1936 this took a dramatic and tragic tone. She borrowed ideas from surrealism during the 1940s, adapting its esthetic of distortion without seeking to reproduce a dream state. In 1942 she took first place at the Argentine National Salon competition. During the 1940s through most of the 1950s she produced several series on similar tragic themes in a primarily expressionist mode.
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Looking north along L'Enfant Promenade to the Forrestal Building, which visually cuts the promenade and plaza off from the National Mall (2011). Such high praise did not last. Even von Eckardt felt the Forrestal building was an "esthetic disaster" (sic) and "silly"—"like an elephant tottering on the legs of a giraffe." He heartily disliked the design of the plaza itself ("all the charm of an empty freeway") Banneker Park, with its minimalist fountain, came in for similar criticism.
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Three of his books (the last two in the esthetic book list above, and one on ethics) are available in full digital text form at subscriber website www.questia.com. In 2008 and 2009, all of these books were re- published by Kessinger Publishing and Bibliolife Publishing in hardcover and paperback. The title "Genesis of Art-Form" is also accessible for free at www.esthetics.cc (along with an archival copy of the New York Times 1893 book review of that book).
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Preceptorship programs are meant for U.S. or internationally trained dentists who want specialized postgraduate training. These programs are between one and four academic quarters long and enrollees have more of an observer experience. There are 15 different programs offered: Advanced Implantology, Advanced Prosthodontics, AEGD Westwood, Esthetic & Restorative, Endodontics, Hospital Dentistry, Oral & Maxillofacial Surgery, Oral Biology, Orofacial Pain & Dysfunction, Orthodontics, Orthodontics Advanced, Pediatric Dentistry, Periodontics, Restorative Dentistry and Surgical Implant Dentistry. The Preceptorship programs are not accredited by the Commission on Dental Accreditation.
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Not much art was produced during the World War II in Yugoslavia, with mostly partisan graphics being preserved. After the war old styles and techniques persisted until esthetic utilitarism and social realism were introduced with the new socialist system. In 1950s new avantgarde and fantastic elements emerged once again with the esthetics of shock. In the time of SFR Yugoslavia no single dominate style existed with many new institutions and societies being formed in Ljubljana, Zagreb, Belgrade and other bigger cities.
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From his early days, in 1956, he was one of its rare practitioners, and contributed to its development by expanding its technical and esthetic possibilities. He adopted the name chimigramme in French in 1958 (chemigram in English and Dutch, Chemigramm in German, chimigramma in Italian, and quimigrama in Spanish and Portuguese), the most widely accepted designation today. In 1974 Josef H. Neumann advanced the process in his chemograms by incorporating optical elements before applying chemicals.Gabriele Richter: Joseph H. Neumann. Chemogramme.
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As a modernist composer, Bartók did not compose music as the esthetic expression of human ethics,quoted from Ernest Ansermet in Kundera, p. 67 and as a reserved personality he shunned sentimentality, specifically breaking with 19th-century Romantic music. While he largely based his music in faster tempo on the vitality of folk music, folk music did not provide him with many suitable idioms for slow movements (an exception is e.g. the "sirató" (elegy) middle section of the Piano Sonata (1926)).
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After returning to liberty, he mostly worked as a playwright and stage director in several Slovene language theatres in Ljubljana. During this time, he was among the first who introduced the surrealist and absurdist elements on Slovenian and Yugoslav stages.Eurozine - O tem, kar je, in o tem, kar še bo.Uvod v tematsko številko o mladi slovenski dramatiki - Primoz Jesenko He established close contacts with the stage directors Žarko Petan and Bojan Štih who both shared some of Javoršek's modernist and progressive esthetic views.
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Brill Archive. argue that Ramakrishna's ability to easily enter into trances was largely due to "his esthetic and emotional sensitivity — his capacity to so appreciate and identify with beauty and harmony in what he saw and did". Leo Schneiderman claimed that Ramakrishna's samādhi, like his other "bizarre" behavior could be understood in the context of the broad tradition of Hinduism, village shamanism, and the non-Sanskritic popular culture. Leo Schneiderman (1969), Ramakrishna: Personality and Social Factors in the Growth of a Religious Movement.
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In 2017, Coppé released Milk. Produced with diverse electronic collaborators including Nikakoi, Atom™ and Kettel, Milk re-envisions jazz standards through a prism of contemporary electronic and ambient esthetics. Bleep.com wrote, "The result is an album that at moments could be the incidental ambience from Blade Runner shot through the synth bank of Portishead." Unconventional esthetic statements in collaboration with Japanese fashion designer Comme des Garçons and lyric references to outer space are a unique feature of Coppé's creations.
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Leticia Ribeiro began training in Brazilian jiu-jitsu in 1995 at the Gracie Tijuca Academy originally under Marcelo Machado a student of Royler Gracie and the Gracie Humaita school. She initially began training for esthetic reasons but quickly fell in love with the art and began training more seriously. At the time the Gracie Tijuca Academy had the reigning national women's championship team in Brazil. She has won numerous jiu-jitsu national and world championships during the course of her career.
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The porcelain inlays opened for the first time the possibility to produce tooth-colored anterior restorations and thus initiated the era of esthetic dentistry. At that time fillings were usually made of gold in the anterior region. For the production and distribution of "Jenkins Porcelain Enamel" he founded the manufactory Klewe & Co. His personal friend, a certain Samuel Langhorne Clemens bought the manufacturing and distribution rights for the US market. This man became known by his pseudonym as the writer Mark Twain.
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In 1969 Anna Koós, Péter Halász and Stephan Balint from the University Theatre of Budapest created an independent theatre group called Kassák Haz Studió. In 1972 they were censored by the Hungarian authorities for "political and esthetic radicalism",Letter from Executive Committee to Peter Halasz, 14th District Municipal Council Record Office, Budapest, 24 January 1972, File No. 2203X, Squat Theatre Book, p.3. and banned from performing in public. In the next four years they wrote 36 performance events: plays, sketches and improvisations.
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Red Lion Broadcasting Co. v. Federal Communications Commission, 395 U.S. 367 (1969), upheld the equal time provisions of the Fairness Doctrine, ruling that it was "the right of the public to receive suitable access to social, political, esthetic, moral, and other ideas and experiences.". However, it strongly suggested that broadcast radio stations (and, by logical extension, television stations) are First Amendment speakers whose editorial speech is protected. In upholding the Fairness Doctrine, the Court based its rationale partly on a scarce radio spectrum.
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Covensky's poetry has been the subject of the volume Under a Silky Sky: The Symbolist Poetry of Edith Covensky, written by scholar and literary critic . He described her work in a 1996 review as "lyrical poetry", praising it for its "esthetic dexterity" in "composition, theme, and metaphorical artistry". In a 2012 review he described her work as "metaphysical poetry". He likens it to the work of impressionist painters, which must be observed from the correct distance to be fully seen.
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"Obituary: John L. Holland 1919–2008" Australian Journal of Career Development, September 22, 2009. The 1959 article in particular ("A Theory of Vocational Choice," published in the Journal of Counseling Psychology) is considered the first major introduction of Holland's "theory of vocational personalities and work environments". Holland originally labeled his six types as "motoric, intellectual, esthetic, supportive, persuasive, and conforming". He later developed and changed them to: "Realistic (Doers), Investigative (Thinkers), Artistic (Creators), Social (Helpers), Enterprising (Persuaders), and Conventional (Organizers)".
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Shannon will have none of it. His art prohibits delectation." The Washington Post also stated that "Shannon is a masterful painter of the human figure." Hilton Kramer, writing in New York Times, notes about Shannon and his artwork: “… But he is what he is, an artist of some independence and much energy and a furious talent who has declared his independence of everything current esthetic opinion has declared possible.” The New York Times art critic Grace Glueck also observed that "Mr.
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Stare Misto Lviv Rock Fest was a music festival which took place in Lviv, Ukraine annually between 2007 and 2013. It was organised by the First Private Brewery (Преша Приватна Броварня), a local brewery. Despite its small scale, it was occasionally referred to as one of the best festivals in Ukraine.Итоги-2010: лучшие концерты (часть 1) It featured both Ukrainian and European bands, such as Kaiser Chiefs, Esthetic Education, Gogol Bordello, IAMX, Archive, Okean Elzy, and The Subways among others.
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Warman's favorite prize-winning picture was a profile of his son Ritchard as a boy. He used natural light to create an image with contrasting areas that give the picture the effect of a sculpture. Warman's eye for composition is exemplified by a picture he took of the marching band at the 1964 New York World's Fair. The photograph creates an esthetic pattern of circles from a row of tubas, echoed by the huge World's Fair globe in the background.
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The Classification of Built Heritage in Portugal corresponds to a group or independent Portuguese archeological civic, military and religious cultural properties deemed to be of sufficient historical value by the Direção-Geral do Património Cultural for protection and conservation. The precise rules for the classification and protection of cultural properties are defined in a heritage registry, that includes inventories of the natural and man-made, tangible and intangible, movable and immovable properties of a cultural, esthetic, social, technical and scientific nature.
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His significant body of public art is found in rail stations, public parks and civic buildings across the United States and in Japan. He is the co-author and subject of PROGRESS: In Search of the American Esthetic, an exhibition that features photographs, video projections, audio and ephemera documenting artists Michael Davis and Stephen Moore’s cross- country trip by car from California to New York in 1970 and their subsequent trip traveling the same route in reversing, from New York to California.
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These links promoted a kind of social network to support the migration of Krausists liberal educators who reached out to Latin Americas' liberal leaders who were seeking autonomy from colonial Spain. Later Krausism figures included Hipólito Yrigoyen, José Batlle y Ordóñez, Alfonso Reyes, Jose Enrique Rodo, Alejandro Deustua, Arturo Umberto Illia and Alejandro Korn. Reyes, for example, gave lectures at the Residencia de Estudiantes in Madrid, whilst Rodo promoted esthetic concern through Krausism in his extensive correspondence with Leopoldo Alas.
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Dr. Cho In-won, the 13th President of Kyung Hee University, is a political scientist who has pioneered the study of what he calls the "Esthetic Space in Life and Politics." He wishes to reconstitute the "Real Politik" through creative union of reason and emotions, humans and institution, the reality and the romantic. The future society he envisages is centered on humans and to be achieved through discourses on "transcendental engagement." He seeks to transcend today's real politics where ideological confrontations and struggles prevail.
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"Lucy Munro, Children of the Queen's Revels: A Jacobean Theatre Repertory, Cambridge, Cambridge University Press, 2005; pp. 124. The heroine of the play is the shepherdess Clorin; her love has died, yet she remains loyal to his memory and retains her chastity. This point illustrates the essential flaw and limitation of the play: little actually happens in it. "Fletcher glorifies chaste womanhood in a Spenser-like faery atmosphere...The play is an esthetic, not a moral failure, with lack of plot as its basic fault.
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The radiographic supporting bone index (RSBI) is a clinical index that allows dentists to measure facial alveolar bone in the horizontal or axial plane. It enables orthodontists and dentists placing dental implants, or completing esthetic dentistry, to accurately determine the amount of facial alveolar bone available before initiating treatment. Prior to the development of this index, orthodontists and dentists faced a serious risk of inducing iatrogenic gum recession following treatment. Thin facial alveolar bone, including dehiscences or fenestrations, is considered a risk factor for gum recession.
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The book's title was chosen by his publisher; Renger-Patzsch's preferred title for the collection was Die Dinge ("Things").Gernsheim 1962, p. 172. In its sharply focused and matter-of-fact style his work exemplifies the esthetic of The New Objectivity that flourished in the arts in Germany during the Weimar Republic. Like Edward Weston in the United States, Renger-Patzsch believed that the value of photography was in its ability to reproduce the texture of reality, and to represent the essence of an object.
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External isolation was applied with respect for the proportions. The association restored the original vivid blue and yellow colors to the inner circle, but kept the non-original white and black colors of the outer ring for esthetic reasons. The contractors Boele & van Eesteren realized the plans and in October 1989 the definitive acceptance took place. This renovation was largely covered in the journal press in the Netherlands, and received a nomination for the National Renovation Price and the National Painting Price in 1991.
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"Musically speaking, Palestinian songs are usually pure melody performed monophonically with complex vocal ornamentations and strong percussive rhythm beats". The presence of a hand-drum in classical Palestinian music indicates a cultural esthetic conducive to the vocal, verbal and instrumental percussion which serve as the foundational elements of Hip-hop. This hip hop is joining a "longer tradition of revolutionary, underground, Arabic music and political songs that have supported Palestinian Resistance". This subgenre has served as a way to politicize the Palestinian issue through music.
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His work was always figurative in the style of Mexican muralism also known as the Escuela Mexicana de Pintura. He is grouped with contemporaries such as Juan O'Gorman, Raúl Anguiano and Alfredo Zalce as the generation of the school to follow Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros . Like the others, Chávez Morado promoted the social and political principles of the Mexican Revolution. He believed that art should be esthetic and political and was both politically active as well as an artist.
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The in-house crisis made the TV columns and was described as a form of public pressure on Luiz Fernando Carvalho. According to the critic Maurício Stycer, Old River (Velho Chico) is a landmark in the recent history of Brazilian TV, on account of its esthetic ambition and cultural relevance. According to Nilson Xavier, the novela “had incontestable technical and artistic quality, from the direction to the photography, sound track and the actors’ performances. It competed for the International Emmy Award for Best Telenovela of 2017.
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The arts became redirected along this path, following the fashion for ancient Egypt down every esthetic route. In this way, clothing styles changed, and women during the Napoleonic Empire adopted styles associated with ancient Egyptian women, combined with the influence of Ancient Greece and Rome: corsets were abandoned (only temporarily), as well as petticoats, and the raised Empire waist was the popular dress silhouette. Dresses were lighter, and were decorated with motifs from Antiquity, for example palm trees, one of the symbols of the goddess Isis.
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An expanded re-issue of Busoni's 1907 work A New Esthetic of Music let to a virulent counter-attack from the German composer Hans Pfitzner and an extended war of words.Couling (2005), pp. 306–310. Busoni continued to experiment with microtones: in America he had obtained some harmonium reeds tuned in third-tones, and he claimed that he "had worked out the theory of a system of thirds of tones in two rows, each separated from each other by a semitone".Couling (2005), p. 292.
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He brought the theory of atonal music to Brazil, creating the group "Musica Viva" and inflating the debate between the "Nationalists" and "Serialists". While the former group believed in the use of folklore material for the development of their compositions, the latter believed that the more rational approach of the European school was the path to truly contemporary works. This debate played a central role in the esthetic developments of Brazilian classical music throughout the 20th Century.A Musica Classica Brasileira Hoje, Editora Folha de Sao Paulo, 2007.
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Socialist realism in Poland () was a social, political, and esthetic doctrine enforced by the pro-Soviet communist government in the process of Stalinization of the postwar People's Republic of Poland. The official policy was introduced in 1949 by a decree of the Polish United Workers' Party minister (later, Minister of Culture and Art) Włodzimierz Sokorski. As in all Soviet-dominated Eastern Bloc countries, Socialist realism became the main instrument of political control in the building of totalitarianism in Poland. However, the trend has never become truly dominant.
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Hansen and Flood relocated the band to Toronto in 2011. The band's live line-up changed in spring 2011, with the addition of a rhythm section--Doug Organ on drums and Doug Hoyer on bass. In April 2012, due to the change in musical style and personnel, the band officially changed their name to Christian Hansen Band. In October 2012, the band released their second full-length album, C'mon Arizona, emphasizing the guitar-based rock esthetic that had been hinted at on the first two releases.
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All the vessels are not controlled when they arrive in harbor, it depends of many characteristics (old, flag state, cargo, quality of classification society ...). The Memorandum of understanding (MOU) is a group (area) to avoid this restrictive investigation. The control is determined by « target factor » described above. If the vessel have esthetic deficiencies, the reparation shall be made before the next inspection, but on the other hand the safety equipment must be in order, in case of rustbuckets the vessel is put in detention and cannot navigate .
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The duet featured both Vincent and Dorothea Persichetti as the performers. In his review in the Manchester Guardian, Colin Mason stated, "The Concierto for Piano, Four Hands was for me one of the most interesting stimulating American works of the Pittsburgh International Contemporary Music Festival." 50px Text was copied from this source, which is available under a Creative Commons Attribution 4.0 International License. Mr. Persichetti's esthetic was essentially conservative, a distinctive blend of Classical, Romantic and Modernist elements, contrapuntal, rhythmically charged and expertly scored.
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A thorough renovation began in May 2017 and was to finish by October, but the deadline is later moved to 2018. A long and tall wall of the corten steel was added, for both the esthetic and static purposes. The benches were also nstalled. When the first pictures appeared, showing the steel fence and added downhill pathway ramp made of planks, the public reaction was loud and negative, perceiving the new additions as out of place and in collision with the architecture of the fortress.
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In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”.
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Andreadis has put up 12 solo exhibitions in Paris, Saint-Valéry- en-Caux, Belle-île-en-Mer, Uzerche and Athens. She has also taken part in a number of group shows. During 2006, Andredis completed the book "Chantier Ouvert au Public", which deals with the construction of the Quai Branly Museum, in which she followed the construction of three years of work of an exceptional architectural project by Jean Nouvel. It includes photos of work in progress, workers, everyday life, esthetic and colors, abstract compositions, and tools.
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In an effort to fully realize an eco conscious work/life esthetic, Ghahary began si-fi.com. To design, manufacture and market high fidelity design conscious products to the domestic market, in such a way as to raise the company’s profile, satisfy customers, and contribute to the future well being of the company, industry and consumer is the overreaching goal. The innovative packaging of his minipods and the use of eco friendly ceramics for his Orb 1 speakers,Orb 1 Speaker being primary examples of this work ethic.
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Against the background of the visual dimension of "The Want of Matter" Style, texts written in commercial styleKits of stick-on letters for various graphic uses. or in handwriting appeared, reflecting the semiotic collapse of image presentation. Examples of this approach can be found in "The Loyal Fish and the Bird" (1977) or "The Message According to the Bird" (1977), in which Na'aman merges fish and bird images into hybrid monsters. In other works, such as her series "The Blue Retouching" (1975) we see a protest against society's accepted moral and esthetic principles.
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It also rebuilt the Pepsi-Cola sign in Long Island City, Queens, in 1993. After divesting itself of its manufacturing facilities and the majority of its outdoor advertising locations in 2006, Artkraft Strauss became a design and project management consultant. It also established an archive of its photos and other memorabilia, a collection spanning over a century of New York City commercial and esthetic history. The Artkraft Strauss manufacturing facility located on West 57th Street in Manhattan, which the company occupied from 1925 until 2001, was demolished in February 2011 to make way for redevelopment.
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Tirado Yepes grew up in an upper-middle-class family environment and could feel the inclination towards the arts from an early age. At 8, he was already experimenting with tridimensional forms, creating molds out of cast lead from pieces previously gathered on the streets. These first artistic experiences, led by his inquisitive nature, provided the ground to continue exploring the possibilities with different materials like wood waste and plaster. His childhood games were centered on painting and sculpting, which played a feature role that ranged from recreational to their esthetic aspects.
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" She continues: "My rituals also provided resistance to the mind/body split, by acknowledging sexuality in spirituality, thus reconciling the experience of a united spirit, body, and mind." According to Lucy Lippard, ritual is Edelson's "prime form." The National Museum of Women in the Arts' biography of Edelson states: "Her site-specific performances or 'rituals' […] strove to create a new feminine spirituality with its own values and iconography." Recurring "esthetic talismans" in her iconography are stone and fire, substances "at the heart of the Great Goddess myths that she is adapting to contemporary needs.
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Present in the chloroplasts and mitochondria of all parts of an apple, PPO is the major enzyme responsible for enzymatic browning of apples. Due to an increase in consumer demand for pre-prepared fruits and vegetables, a solution for enzymatic browning has been a targeted area of research and new product development. As an example, pre-sliced apples are an appealing consumer product, but slicing apples induces PPO activity, leading to browning of the cut surfaces and lowering their esthetic quality. Browning also occurs in apple juices and purees when poorly handled or processed.
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François-René de Chateaubriand's protagonist René characterizes the Romantic ennui that would become a benchmark of the Romantic esthetic in the first half of the century: > René is a young man who was suffering from the moral malady known as "le mal > du siècle". This was an "état d'âme"State of the soul that was not uncommon > during the first half of the nineteenth century, and that was often copied > and idealized in literature. It was largely boredom. Other manifestations > were: melancholy of an aristocratic type, precocious apathy, discouragement > without cause, distaste for living.
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Owing largely to the topology of the land, the English esthetic was abandoned and the gardens replanted in the French style. However, with an eye on economy, Louis XVI ordered the palissades – the labour-intensive clipped hedging that formed walls in the bosquets – to be replaced with rows of lime trees or chestnut trees. Additionally, a number of the bosquets dating from the time of the Sun King were extensively modified or destroyed. The most significant contribution to the gardens during the reign of Louis XVI was the Grotte des Bains d'Apollon.
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Appearance/esthetics in aerospace design must at least co-exist, if not be synergistic, with the overall/societal fundamentals/metrics of aerospace engineering design. These metrics, for atmospheric flight consist of overall/societal factors directed toward productivity, safety, environmental issues such as noise/emissions and accessibly/ affordability. Furthermore, technological parameters such as space, weight and drag minimization and propulsion efficiency highly dictate and restrain the boundaries of appearance/esthetic design. Major factors that need to be considered in atmospheric flight design include producability, maintainability, reliability, flyability, inspectability, flexibility, repairability, operability, durability, and airport compatibility.
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July 30, Krasnaya Presnya park Visited by 20,000 people. Headliners: Sons and Daughters (UK), M83 (France), Žagar (Hungary), Magyar Posse (Finland), Markscheider Kunst (Russia), Esthetic Education (Ukraine), Netslov (Russia) Special Memories: the theatre stage hosted experimental drama, contemporary dance and poetry readings, street orchestras performed on the park alleys, open cinema with FutureShorts and Soviet cartoons, the Thai massage bar, the hair design saloon, telescopes, masterclasses on graffiti, the Race Ground for karting and radio-controlled cars. Special services: the wi-fi zone from Intel, the photo booths from Epson.
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In the same year, he started publishing his magnum opus, Zgodovina likovne umetnosti v zahodni Evropi (History of Figurative Art in Western Europe), in which he applied his own esthetic theory in the overview of western art between late antiquity and the Renaissance. Between 1926 and 1936, he published the first critical edition of collected works of the writer Ivan Cankar, his cousin. In 1948, he also published Ivan Cankar's correspondence. Izidor Cankar was also a translator: among other, he translated works of Jonathan Swift, Patrick Augustine Sheehan, André Maurois and Immanuel Kant.
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TNMK or Tanok na Maidani Kongo (; literally Dance at the Congo Square) - is the most successful Ukrainian hip-hop group.Історія гурту ТНМК на сайті myradio.ua: Від 1989 до сьогодення They are known for clever, yet often tongue-in-cheek, lyrics; mixing hip-hop with rock, funk and jazz music and playing real instruments on their albums and live shows, rather than using samples and drum machines. TNMK performed at many festivals as: Sziget Fest,Esthetic Education and TNMK showed themselves in “Sziget” rock-festival Zakhid, Tavria Games, Chervona Ruta, Faine Misto and Bandershtat.
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Nir Hod began his career in video, works in sculpture but is known for his high realism paintings. Hod studied at Jerusalem's Bezalel Academy and New York's Cooper Union School of Art. His work investigates old notions of hyper- seriousness and personal authenticity. Hod's realistic takes on rakish narcissism examine androgyny, identity, sexual confusion, and excess. As Richard Vine wrote in the catalogue for Hod’s survey exhibition at the Tel Aviv Museum of Art, “From the beginning of his career, Nir Hod has opposed the ideology that labels sumptuousness an esthetic sin.
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The treatment choice for osteochondroma is surgical removal of solitary lesion or partial excision of the outgrowth, when symptoms cause motion limitations or nerve and blood vessel impingements. In hereditary multiple exostoses the indications of surgery are based upon multiple factors that are taken collectively, namely: patient's age, tumor location and number, accompanying symptomatology, esthetic concerns, family history and underlying gene mutation. A variety of surgical procedures have been employed to remedy hereditary multiple exostoses such as osteochondroma excision, bone lengthening, corrective osteotomy and hemiepiphysiodesis. Sometimes a combination of the previous procedures is used.
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In February 2017, Luiz Fernando Carvalho left the Globo Network (Rede Globo) after 30 years of working for the TV station. In 2017, the director received the APCA Award for Two Brothers (Dois Irmãos), the International Emmy Award for Best Telenovela Nomination for Old River (Velho Chico) and the Bravo Award (Prêmio Bravo) for Artist of the Year, for his trajectory and esthetic renovation on television with Old River (Velho Chico) and Two Brothers (Dois Irmãos) and the 15th anniversary of the film To the Left of The Father (Lavoura Arcaica).
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After underground women's football clubs started appearing in Spain around 1970 one of its instigators, Rafael Muga, decided to create a national team. It was an unofficial project as football was considered an unsuitable sport for women by both the Royal Spanish Football Federation and National Movement's Women's Section, which organized women's sports in Francoist Spain. When asked about the initiative in January 1971 RFEF president José Luis Pérez Payá answered I'm not against women's football, but I don't like it either. I don't think it's feminine from a esthetic point of view.
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In evaluating a potential photographic subject, Baer thought both in esthetic and organizational terms but also in the technical challenges he would face in actually making the photograph. His assistant once watched Baer as he stared at a subject tree muttering, 'I am looking at the Pyro in the tree trunks [for the negative] and the Amidol [for the print] in the leaves'. He already was thinking of the technical problems he would have to solve in exposing the negative to get the tones he wanted in the final print.
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Some essential features of Modernisme were: an anticlassical language inherited from Romanticism with a tendency to lyricism and subjectivity; the determined connection of architecture with the applied arts and artistic work that produced an overtly ornamental style; the use of new materials from which emerged a mixed constructional language, rich in contrasts, that sought a plastic effect for the whole; a strong sense of optimism and faith in progress that produced an emphatic art that reflected the atmosphere of prosperity of the time, above all of the esthetic of the bourgeoisie.
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Construção signaled Buarque's fundamental artistic maturation, both in terms of musical composition and lyrical style, showcasing and transcending his mastery of MPB (Musica Popular Brasileira/Popular Brazilian Music). In addition to its significant esthetic achievement, the album's implicit criticism of the ruling Brazilian military dictatorship was greeted by the regime's opponents as an important cultural and socio-political statement, released as it was during the dictatorship's most repressive period. Because Buarque couched his criticism in such melodic beauty and lyrical obliqueness, and because of its popularity, the regime—surprisingly—neither banned nor censored Construção.
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The Steel Center Area Vocational Technical School provides career and technical training to 11 high schools in southern Allegheny County. They offer a half-day curriculum for students in the 10th, 11th, and 12th grades. While at the Steel Center Area School students are offered a wide curriculum of training opportunities including fields such as auto mechanics, advertising and design, and computer information systems. The Steel Center Area School also offers adult education programs for local residents in the fields of auto mechanics, nursing assistants, facility maintenance, and manicurist technician/esthetic skin care.
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The May 1951 edition of Poetry magazine was guest-edited by Hart and devoted to the work of the Activist Group, whose approach he defined as follows: "Each phrase, each unit of poetic notation, was to be written so that it would have esthetic excitement in itself, even detached from the poem." Poetry carried a half- issue "Activist Sequel" in November 1958, with a further "Note on the Activists" by Hart. In the following year, Hart stirred controversy by writing critically of the contemporary San Francisco Renaissance.Hogan, William.
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They started their professional career as a graphic designer.. All of their work is shared on their official Instagram account. Their works deal with the question of identity and non-binarity. The artist also aims to show the challenges the Tunisian LGBT community face in a normative heterosexual and homophobic society according to what them. They accept that we qualify the work they produce as drag, but they consider themselves and their art work as a living experience whose parameter that changes with each product is the gender and its esthetic expression.
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The coins of Nahapana bear the Greek script legend "PANNIΩ IAHAPATAC NAHAΠANAC", transliteration of the Prakrit "Raño Kshaharatasa Nahapanasa": "In the reign of Kshaharata Nahapana". The coins of Castana also have a readable legend "PANNIΩ IATPAΠAC CIASTANCA", transliteration of the Prakrit "Raño Kshatrapasa Castana": "In the reign of the Satrap Castana". After these two rulers, the legend in Greek script becomes denaturated, and seems to lose all signification, only retaining an esthetic value. By the 4th century, the coins of Rudrasimha II exhibit the following type of meaningless legend in corrupted Greek script: "...ΛIOΛVICIVIIIΛ...".
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The New York City Landmarks Preservation Commission later described the facade of number 7 as being "full of gaiety and frivolous vitality" and further, "on approaching the house, Paris and the Champs-Élysées immediately come to mind." In 1920, Codman left New York to return to France, where he spent the last thirty-one years of his life at the Château de Grégy, wintering at Villa Leopolda in Villefranche-sur-Mer, which he created by assembling a number of vernacular structures and their sites: it is his masterpiece, the fullest surviving expression of his esthetic.
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The entire facade was completely covered with stainless steel plates, combining the individual building elements into a single unit. The Swiss daily newspaper Neue Zürcher Zeitung described it as an "esthetic innovation" that immediately catches the eye. In 2001, the magazine-style supplement Süddeutsche Zeitung Magazin sponsored a competition for a home of the future, which was to be built on the grounds of the Federal Horticulture Show in Munich. Allmann Sattler Wappner Architekten won the tender with a design that combined several independent building structures into one home.
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The music for Shadow of the Tomb Raider was composed by Brian D'Oliveira. While following the musical styles established since the 2013 reboot, the team added new esthetic elements, incorporating the local culture and the darker portrayal of both Lara and her mission. D'Oliveira was brought on due to his ability with South American instruments, and during recording at his Montreal studios worked with native musicians to achieve the right sound for each location. Martin Stig Andersen worked as Ambient Sound Designer, who focused on the sound transition for underwater segments.
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He stated in 1927 that he was old-fashioned "because I am a thoroughly healthy individual. Much modern music is unnatural and discordant because composers and audiences have jaded nerves which need stirring up. I want my hearers to leave my concerts with the feeling that I have furnished them with esthetic [sic] delight and instilled harmony and beauty into their souls". In 1920, Joachim was ordered under arrest by the German Minister of Defense Gustav Noske after he got into a fight with some French military officers.
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The cover of Joseph Gandy: An architectural visionary in Georgian England, 2006. Brian Lukacher is professor of art history at Vassar College where he has taught since 1986. Lukacher received his M.A. from Williams College, and received his PhD from the University of Delaware. Following his time at Williams College, Lukacher received the Chester A. Dale and Samuel H. Kress Fellowship for 1981 at the National Gallery of Art, Washington, D.C. His research interests relate to the social history and esthetic philosophy of late eighteenth and nineteenth-century British art and architecture.
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The novel is set in the middle of the twentieth century, and opens in Chicago, where the protagonist Edgar Krug has designed an enormous colored-glass exhibition hall. An art exhibit is held there, accompanied by an organ concert. Krug, fiercely dedicated to his esthetic concepts, is unhappy that the bright colors of women's fashions clash with his architectural scheme. When he meets Clara Weber, the organist, he is struck by her gray dress with white lace trim; he finds it the perfect complement to the color effect of his hall.
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The nose anomalies found in facial clefts vary. The main goal of the treatment is to reconstruct the nose to get a functional and esthetic acceptable result. A few possible treatment options are to reconstruct the nose with a forehead flap or reconstruct the nasal dorsum with a bone graft, for example a rib graft. The nasal reconstruction with a forehead flap is based on the repositioning of a skin flap from the forehead to the nose. A possible downside of this reconstruction is that once you performed it at a younger age, you can’t lengthen the flap at a later stage.
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James Joyce parodied it in Ulysses. Virginia Woolf, who was not very fond of Dickens, states that David Copperfield, along with Robinson Crusoe, Grimm's fairy tales, Scott's Waverley and Pickwick's Posthumous Papers, "are not books, but stories communicated by word of mouth in those tender years when fact and fiction merge, and thus belong to the memories and myths of life, and not to its esthetic experience." Woolf also noted in a letter to Hugh Walpole in 1936, that she is re-reading it for the sixth time: "I'd forgotten how magnificent it is."Virginia Woolf, Letter to Hugh Walpole, 8 February 1936.
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From a 1921 letter to editor of the Catholic magazine America: > [I]t is good to remember that nothing but Catholic philosophy has ever bred > an esthetic philosophy producing works which satisfy at once the sensuous, > emotional, intellectual, and imaginative man. No other philosophy can > coordinate these faculties.Letter to the editor of America, April 4, 1921. From the essay "Ritual: The Gate" (1925): > Whenever in the past we have had mystical life and corporate life existing > one in the other, a unity with stress laid upon the mystical (that is, > Religion) there we have had art.
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As an actor, Fyodor Volkov mostly played tragic roles, such as the ones in Sumarokov's plays Khorev (Хорев), The Refuge of Virtue (Прибежище добродетели), Gamlet (Гамлет; Sumarokov's version of Shakespeare's Hamlet), Semira (Семира), Sinav and Truvor (Синав и Трувор), Yaropolk and Demiza (Ярополк и Демиза). Having mastered the art of stage acting, Volkov often deviated from esthetic canons of classicism and chose not to follow the universally accepted rules of solemn recitation. In his plays, Sumarokov would often create characters with Volkov's wild temperament in mind. The latter, however, was a very talented comedian, as well.
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In 1918, he started his own furniture factory, and changed the chair's colours after becoming influenced by the De Stijl movement, of which he became a member in 1919, the same year in which he became an architect. The contacts that he made at De Stijl gave him the opportunity to exhibit abroad as well. In 1923, Walter Gropius invited Rietveld to exhibit at the Bauhaus.Rita Reif (October 13, 1988), Rietveld, an Esthetic Wellspring The New York Times Rietveld Schröder House in Utrecht in 2010 He built the Rietveld Schröder House, in 1924, in close collaboration with the owner Truus Schröder- Schräder.
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Mandinga can be translated "magic" or "spell", but in capoeira a mandingueiro is a clever fighter, able to trick the opponent. Mandinga is a tricky and strategic quality of the game, and even a certain esthetic, where the game is expressive and at times theatrical, particularly in the Angola style. The roots of the term mandingueiro would be a person who had the magic ability to avoid harm due to protection from the Orixás."O Fio Da Navalha", ESPN Brasil documentary, 2007 Alternately Mandinga is a way of saying Mandinka (as in the Mandinka Nation) who are known as "musical hunters".
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If it owes a good deal to Joyce and Proust, then Broch has transformed their interior techniques and many-faceted sensibilities into something as harshly German as the painting of Bosch. For him art is not an end, it is an instrument of language which transforms the crudest, ugliest reality of actuality into another reality of religious vision." Louis Kronenberger said of the novel, "Without much doubt here is one of the few first-rate novels of our generation." In the New York Times Book Review, J.P. Bauke wrote, "The moral impulse behind The Sleepwalkers does not detract from the book's esthetic appeal.
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" The Times reported: "Notice the Peruvian mahogany carefully, and you will see that the heart of the log has been chosen and that its grain has been placed so that it gives the appearance of real flames. Certainly the esthetic for the reception room of the engine-house de luxe." The chief's apartment alone was reported to have cost $25,000. The Times noted that the quarters rivaled the finest suites in the country, referred to it as a "Sybaritic effort," and offered its sarcastic speculation that the house captain would be expected to "wear evening dress after 6 o'clock, at least.
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Leonard Bernstein later reported that he adored the piece, which was "hard as nails," and also used it at parties to "empty the room, guaranteed, in two minutes." It was to him a "synonym for modern music—so prophetic, harsh and wonderful, and so full of modern feeling and thinking" . Despite the wide spectrum of opinion, the Piano Variations were immediately recognized for their originality and made a lasting impression. The New York Herald Tribune reported that, in the piece, Copland "sardonically thumbed his nose at all those esthetic attributes which have hitherto been considered essential to the creation of music" .
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Paladino was born in Paduli, Campania, but grew up and trained in Benevento. He now lives in Rome and Milan, but still has a studio in the little town near Benevento. It should not be forgotten that the Longobard originality of the town and of the Sannite land is very much a part of what shaped his esthetic concepts, with the constant overlapping and emergence of the styles that were such a feature of the local culture from pagan times through to the papal period. He made his debut in 1968 with a solo exhibition at the Galleria Carolina in Portici (Naples).
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On October 3, 1921, a proposal was made by the University Senate to organize the Department of Architecture, the Division of Landscape Architecture, the School of Music and the Department of Art and Design into a College of Fine Arts. A committee, made up of faculty members, was appointed in 1928 to make recommendations, which were approved by the Senate on February 2, 1930. On March 12, 1931, the Board of Trustees established the college for the "cultivation of esthetic taste on the part of the student body at large ... and development of general artistic appreciation." The first dean was appointed in 1932.
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Their fourth album Vheissu (2005) made significant changes by incorporating electronic beats, keyboards, and a more experimental sound. In 2007 and 2008, Thrice released The Alchemy Index, consisting of two studio albums that together make a four- part, 24-song cycle. Each of the four six-song EPs of the Alchemy Index features significantly different styles, based on different aspects of the band's musical esthetic which reflect the elemental themes of fire, water, air and earth, both lyrically and musically. The band's seventh album, Beggars, was released on August 11, 2009, and their eighth, Major/Minor on September 20, 2011.
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" Michael Rechtshaffen of The Hollywood Reporter gave the film a positive review, calling it "an animated adventure that's funnier than Shark Tale and more charming than The Polar Express." Randy Cordova of The Arizona Republic said, "Like the TV show it's based on, it's a daffy, enjoyable creation." Jami Bernard of the New York Daily News gave the feature a score of three out of four: "It's not The Incredibles, or one of those animated features that spent zillions on character design, pedigree and verisimilitude. But SpongeBob is a sweet, silly thing with a child-friendly esthetic all its own.
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In addition, other safety signals (such as signs and warning beeps) were lowered in order to please Musk's esthetic preferences. Susan Rigmaiden, former environmental compliance manager, commented: “If someone said, ‘Elon doesn’t like something,’ you were concerned because you could lose your job.” Tesla called Reveal's investigation an "ideologically motivated attack by an extremist organization working directly with union supporters to create a calculated disinformation campaign against Tesla." Reveal responded by publishing the details of their investigation, which included interviews of more than three dozen current and former employees and managers as well as the review of hundreds of pages of documents.
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Borges was an outspoken critic of the renovation work done on the street in 1970; he was blind, and the new arrangement of trash cans, planters, flower pots, and magazine stands was a serious accessibility risk for him. He was also influenced by his esthetic-minded friends, who saw the new scheme as a break with tradition. The economic crisis of the 1980s precluded any recovery, however. Nor did the street benefit from a consumer boom during the 1990s, as this was largely diverted toward a series of new shopping malls opened in the city's north side.
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Photographer Berenice Abbott and filmmaker Richard Leacock were recruited to make visual aids to understanding complex phenomena such as wave propagation, kinetics, and electrical charge. They brought an esthetic sense of visual beauty to illustrations of elegant physical concepts. More than 50 educational movies were made of physical phenomena, including some which were too expensive, dangerous, or infeasible to demonstrate directly in a classroom. Stroboscopic photos made with the assistance of MIT professor Doc Edgerton were used to illustrate Newton's laws of motion, including what would become an iconic image of a bouncing ball on the front cover of the textbook.
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After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality.
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Essentially he remained a Quaker to the end—idealist, devotee of the simple in humanity and the direct in relations, martyr if necessary. His habits were consistent. He was personally frugal to abstemiousness, fond of the homespun in speech and manner, distrustful of all incitements from the outer world, little susceptible to the esthetic forms of emotion, but sensitively responsive to the emotions of living beings. Often almost shy in casual company or official relation, he was frankness itself in the contact of man to man, and then not only at ease but overflowing with playfulness and quite unusual charm.
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When the physical stimuli in question are considerably changed, while their relations are kept constant, the Gestalt qualities remain about the same. But, At the time, it was generally assumed that the sensations involved are individually determined by their individual stimuli and must therefore change when these are greatly changed. Both positive and negative esthetic characteristics of the world around us, not only of ornaments, paintings, sculptures, tunes, and so forth, but also of trees, landscapes, houses, cars—and other persons—belong to this class. That relations between the sexes largely depend on specimens of the same class need hardly be emphasized.
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4 - passim Konarzewski worked as a teacher in Rydułtowy, near Rybnik for 30 years. He was a director of the state owned Art Centre that he set up with his father. He had an influence on the artistic and esthetic tastes of the local community – just as his father had done in Istebna in the period between the two wars. He is the creator of at least 1,000 oil paintings, numerous polychromes and artistic elements of church interiors and public buildings in Upper Silesia, and also in the regions around Kraków and Białystok, as well as other places in Poland.
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He gave us a stage and an intelligent audience. He taught us to hope."Kisselgoff, Anna. "Tribute to the 'Y'", The New York Times, April 23, 1974, accessed July 25, 2017 Kolodney created The Poetry Center at the "Y" in 1939 "to meet the needs of the very few persons in New York to whom poetry offers the theological, ethical and esthetic equivalents of traditional religion".Farrell, William E. "About New York: Echoes From a Venerable but Lively Auditorium", The New York Times, December 20, 1980 Poetry was Kolodney's greatest love: "At the center we had the greatest poets, Eliot, Cummings, Stevens.
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Webster was a member of Mayor Robert F. Wagner’s Committee for the Preservation of Structures of Historic and Esthetic Importance, and presided over Mayor John Lindsay’s transitional team in 1965. Under Lindsay, who was also a partner at Webster & Sheffield, Webster served as head of the New York City Cultural Council and was a key adviser in the administration. In The New York Times obituary of Webster, Lindsay recalled: “He was always my guiding light, beginning with the law. Both as a Congressman and as Mayor, I turned to him in tough ones, on relations with people and arts programs.
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The Viaduc de Chillon from the east The Viaduc de Chillon is a viaduct in Switzerland located in Veytaux to the southeast of Montreux. Built by the Consortium des Viaducs de Chillon between 1966 and 1969, it takes its name from the Château de Chillon which lies downhill on the shores of Lac Léman. The viaduct comprises two structures wide carrying the east and westbound lanes of the Swiss A9 autoroute. The choice of a viaduct was dictated by the steeply-sloping terrain, the need to avoid extensive deforestation and the esthetic implications of the proximity of the Château de Chillon.
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Highly ordered generative art minimizes entropy and allows maximal data compression, and highly disordered generative art maximizes entropy and disallows significant data compression. Maximally complex generative art blends order and disorder in a manner similar to biological life, and indeed biologically inspired methods are most frequently used to create complex generative art. This view is at odds with the earlier information theory influenced views of Max BenseBense, Max Aesthetica; Einfuehrung in die neue Aesthetik, Agis-Verlag and Abraham MolesMoles, Abraham. Information theory and esthetic perception, University of Illinois Press where complexity in art increases with disorder.
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This version of the game is similar to the Microsoft Windows, Xbox 360, and PlayStation 3 one. The narrative is mostly unchanged, save for a few slightly modified missions and several secondary storylines being replaced with a new one featuring Morbius and Shriek, as is the map, featuring only a few esthetic changes due to these consoles' limitations. New CGI cutscenes are included, in addition to several recycled from the next-gen version. The most notable change is the ability to change between the red and blue costume and the black suit at any time through a short quick time event (once the latter is unlocked).
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After leaving the Graham Company, Hawkins' work developed in a quite different direction. He moved away from esthetic visions based on realistic psychology, sociopolitical themes, storylines or musical portrayals, towards one inspired by ritual and mysticism that called upon dancers' kinesthetic responses to celebrate human, animal and other natural phenonmema. Major influences included Native-American dance rituals and folklore, Japanese esthetics and Zen, and various schools of dance, theater and philosophical thought from around the world, including East Asian and Ancient Greek classics. In some ways, he took dance in a similar direction that abstract painters were taking art, though he disliked the label 'abstract'.
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Bolivian law defines protected areas as “natural areas with or without human intervention, declared under state protection by law, in order to protect and preserve the flora and fauna, genetic resources, natural ecosystems, watersheds and values of scientific, esthetic, historical, economic, and social interest, in order to conserve and protect natural and cultural heritage of the country.” As all protected areas in Bolivia are inhabited, nature conservation is not possible against the will of the local people. It is necessary to take their traditional rights, existing value systems and social organization into account. The reserve is jointly administered by park service officials and the indigenous people, the Aymara.
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These permits are allowed to close when the work required to complete them is complete. There is not sufficient funding to support personnel to verify proper completion of the required activity, so the Act 250 office must rely on the permit applicant to truthfully verify completion. Act 250 creators included Laura G. Wheeler of Barre Town, Vermont; then Attorney General James Jeffords, Howard Rusk of New York; Jeanne Garvin of Montpelier, Vermont; and Lawrence Gurnette of Michigan. The intent of the Act was to create a more esthetic Vermont by protecting rivers, air, the forest's ability to support wildlife, and to preserve Vermont's natural resources.
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Fuyu-no Yado) (1973), Książka i Wiedza, UKD: 821.521-311.1 This movement departed from Japanese traditional thinking and from established forms of narration, which focused on esthetic values and emotional states of mind (such as appear in the works of Junichiro Tanizaki and Ryunosuke Akutagawa); it also departed from modernist views, which continued to be popular in world literature and in Japan (Japanese modernist writers included Haruo Satō, Sei Ito, Tatsuo Hori, Riichi Yokomitsu and Yasunari Kawabata). Abe's intellectual approach was incompatible with the socio-political atmosphere of Japan in the early Shōwa period (1925–1945), with rising fascism and militarism, and the crusade to preserve Japanese feudal traditions.
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Following an abstract esthetic, he began casting sculptures in bronze and aluminum. In 1963, he was one of eleven artists to represent the United States at the Biennale de Paris, where French Minister of Culture Andre Malraux awarded him the purchase prize.San Francisco Chronicle, 4 February 1964; San Francisco Examiner, 3 February 1964 In 1968, Beasley began investigating the use of transparency as a sculptural medium."The Crystal Clear Scene", Time (9 February 1968) He was successful in creating small transparent sculptures in cast acrylic but experts at Dupont and Rohm & Hass were convinced that it was impossible to do castings as large as Beasley envisioned.
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Lamia Ziadé began her career as a fabric designer for luxury brands, including Jean-Paul Gaultier and Issey Miyake. She developed her illustration practice through the publication of books, including children’s books and adult books with sometimes erotic content. In parallel to her drawings and illustrations, Ziadé began, in 2003, to work on larger scale artworks on erotic and humorous themes, with an esthetic inspired by Pop Art. These mixed media canvases imply a multiplicity of techniques (such as collage and embroidery) and the accumulation of heterogeneous artifacts such as minibar whisky bottles and Air France headrests. In 2008, she exhibited a project entitled Hotel’s War.
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Driftglass/Starshards is a 1993 collection of short stories by Samuel R. Delany. The collection contains the entire contents of Delany's 1971 collection, Driftglass, stories from Distant Stars (1981) and others that had not previously been collected. Many of the stories originally appeared in the magazines Worlds of Tomorrow, The Magazine of Fantasy & Science Fiction, If and New Worlds or the anthologies Quark/3, Dangerous Visions and Alchemy & Academe. Every story in this collection was later collected in Aye, and Gomorrah, and other stories, except for "Citre et Trans" and "Erik, Gwen, and D.H. Lawrence’s Esthetic of Unrectified Feeling", which were collected in Atlantis: Three Tales.
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X-ray showing lack of enamel opacity and a pathological loss of enamel in patient with amelogenesis imperfecta Preventive and restorative dental care is very important as well as considerations for esthetic issues since the crown are yellow from exposure of dentin due to enamel loss. The main objectives of treatment is pain relief, preserving patient's remaining dentition, and to treat and preserve the patient's occlusal vertical height. Many factors are to be considered to decide on treatment options such as the classification and severity of AI, the patient's social history, clinical findings etc. There are many classifications of AI but the general management of this condition is similar.
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Upon his arrival to Michinoku Pro, Minamino dissociated himself from Los Salseros Japoneses and formed a tag team with Como Leoapard, using a mask and the name Esthetic Jaguar. However, the team fell after the Futaritabi Tag Team League 2004 and Minamino returned to Los Salseros, posing as the top heel team in Michinoku Pro. The trio won the UWA World Trios Championship from Solar, Ultraman and Ultraman, Jr. in a Toryumon Mexico show, and Minamino captured the Tohoku Junior Heavyweight Championship in a tournament final against Rasse, becoming double champion. His individual reign lasted until May, when he lost his title against Super Delfín.
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Among the more recent writings are Il Chaos, il metodo. Primi lineamenti di una nuova estetica fenomenologica, (Chaos and Method: The Early Lineaments of a New Phenomenological Esthetic), 1981 and Gli specchi della poesia. Riflessione, poesia, critica (Mirrors of Poetry: Reflections, Poetry, Criticism), 1989. President of the Bologna Board of artistic manifestations, of the Accademia delle Scienze and of the Accademia Clementina di Bologna, associated and correspondent of the Accademia Nazionale dei Lincei of Roma, he donated his library (almost 30,000 works) and his personal archive (another 18,000 letters and thousands of autographs) to the Municipality of Bologna; at present they are preserved at the Biblioteca Comunale dell’Archiginnasio.
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In his early years, Cankar wrote several renowned essays, mostly related to esthetic issues. In 1911, he published the book Obiski (Encounters), a collection of interviews with contemporary Slovene authors and artists (Ivan Cankar, Rihard Jakopič, Fran Saleški Finžgar, Ivan Tavčar, Oton Župančič, Franc Ksaver Meško, and others). In 1913, he wrote his only major literary work, the essayistic novel, S poti (On the Way), written as a travelogue through Italy. In 1926, Cankar published a major treatise in art history, Uvod v umevanje likovne umetnosti (An Introduction to the Understanding of Figurative Art), where he developed a systematic stylistic typology based on the theories of Heinrich Wölfflin.
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While biodeterioration typically occurs as the first stage of biodegradation, it can in some cases be parallel to biofragmentation. Hueck, however, defined Biodeterioration as the undesirable action of living organisms on Man's materials, involving such things as breakdown of stone facades of buildings, corrosion of metals by microorganisms or merely the esthetic changes induced on man-made structures by the growth of living organisms. Biofragmentation of a polymer is the lytic process in which bonds within a polymer are cleaved, generating oligomers and monomers in its place. The steps taken to fragment these materials also differ based on the presence of oxygen in the system.
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Fine-art photographers have selected images for use in their own work. Although the images may be pixelated, the colours muddy, and the perspective warped, the photographs have been published in book form and exhibited in art galleries, such as the work of Jon Rafman at the Saatchi Gallery, London. In his personal appreciation of Street View material, Rafman sees images which evoke the "gritty urban life" depicted in American street photography and the images commissioned by the Farm Security Administration. He also invokes the "decisive moment" esthetic of Henri Cartier-Bresson "as if I were a photojournalist responding instantaneously to an emerging event".
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Emerging from the early music revival Magnificat was originally conceived as a collective of equal parts - a "chamber music" esthetic grounded in the talent and individual inspiration of Magnificat's musicians that is reflected in its interpretations and recognized by its audiences. Over the years, Magnificat has been guided by the spirit of the period in its emphasis on dramatic narrative and sensitive emotional expression. The ensemble has given numerous contemporary premieres of music not heard for the last 200 – 300 years. Because much music of the 17th century still remains unavailable, performing editions have been prepared from original manuscript sources by Stewart and musicologists on Magnificat's Artistic Advisory Board.
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Busoni wrote a number of essays on music. The Entwurf einer neue Ästhetike der Tonkunst (Sketch of a New Esthetic of Music), first published in 1907, set out the principles underlying his performances and his mature compositions. A collection of reflections which are "the outcome of convictions long held and slowly matured", the Sketch asserts that "The spirit of an artwork ... remains[s] unchanged in value through changing years" but its form, manner of expression, and the conventions of the era when it was created, "are transient and age rapidly". The Sketch includes the maxim that "Music was born free; and to win freedom is its destiny".
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But the general feel tended towards a sort of retro-beat aesthetic. Tom Waits and Patty Smith were cited as influences by many of the poets mentioned above, as well as Burroughs, Bukowski, and other denizens of the twilight zones between beat, hip, and grunge. The readings ceased in 1976 and Red Sky quickly emerged from the ashes to have a more enduring effect. But Dogtown was an important part of the poetic blast of that time, dovetailing in with SubPop and other grunge, Eidolon, precursors of The Stranger in forging a verbal esthetic that was more influential on Eighties and Nineties culture than is widely known.
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Little by little, the novel esthetic was introduced into the rest of the court and the clergy, mixing with purely Iberian styles, like the Nasrid art of the dying kingdom of Granada, the exalted and personal Gothic Castilian queen, and the Flemish tendencies in the official painting of the court and the Church. The assimilation of elements gave way to a personal interpretation of the orthodox Renaissance, which came to be called Plateresque. Therefore, secondary artists were brought in from Italy, apprentices were sent to the Italian shops, they brought designs, architectural plans, books and engravings, paintings, etc., of which portraits, themes and composition were copied.
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During his time touring with Peter, Paul and Mary, Jacob was introduced by Yarrow to producer Michael Butler. Butler requested Jacob help with poor sound in the Boston staging of Hair, so Jacob flew to Boston in February 1970 to see what he could do. Jacob brought a rock music esthetic to the theatre for the first time, adding more loudspeakers for more volume, and he used more microphones in fixed locations, more band and singing microphones, and one of the early VHF wireless microphones by Edcor used on a few songs. Lighting designer Jules Fisher said the improvement to the sound quality was immediately apparent.
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Magicana was founded in May 2000 by magician David Ben, Canadian broadcasting icon Patrick Watson, and documentary filmmaker Daniel Zuckerbrot. Magicana is funded by donations from private foundations and individuals; and from the sales of tickets and publications on a cost recovery basis. Magicana received official statusCanada Revenue requires an extensive review of an organization to quality as a registered charity under paragraph 149(1)(f) of the Income Tax Act. Magicana received the charitable designation (charitable status effective May 10, 2006) "because it benefits the community by raising the esthetic taste of the community through magic performances and through the provisions of seminars and workshops on the art of magic".
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Gagarin, p. 18. The cultural movement known as the Second Sophistic (1st–3rd century AD) promoted the assimilation of Greek and Roman social, educational, and esthetic values, and the Greek proclivities for which Nero had been criticized were regarded from the time of Hadrian onward as integral to Imperial culture.The wide-ranging 21st-century scholarship on the Second Sophistic includes Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of Empire, edited by Simon Goldhill (Cambridge University Press, 2001); Paideia: The World of the Second Sophistic, edited by Barbara E. Borg (De Gruyter, 2004); and Tim Whitmarsh, The Second Sophistic (Oxford University Press, 2005).
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In a speech at Stony Brook University in New York, he discussed his idea that art and science were "interlinked in the humanities". A small Chinese table in a New York furniture dealer put Chinese art into focus for Sackler who thought, "that here was an esthetic not commonly appreciated or understood." Following the Chinese Civil War, exporters cashed out their holdings and young collectors like Sackler were fortunate to be good targets. He amassed tens of thousands of objects in his life, representing wide and varied interests—Shang dynasty oracle bones, Achaemenid vessels from Iran, and South Asian temple sculpture from the tenth to fourteenth century.
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American Society for Aesthetics, Summer 1991. p. 9. Emerging from these original studies was the recognition that the different arts evoke experiences with their own claims to reality. Moreover, these experiences exhibit an intense, active perceptual involvement that he calls “aesthetic engagement,” which belies the traditional claim of aesthetic disinterestedness. The innovative concept of engagement leads to new perspectives on a variety of traditional esthetic topics, including metaphorical language, urban design, music, and metaphysics, and opens less traditional topics, such as virtual reality and social interaction to aesthetic analysis. The body of Berleant’s work challenges the traditional view of philosophical aesthetics, which posits “disinterestedness” as foundational in aesthetic experience.
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In 1965 he was promoted to head of the "Visual information and industrial graphic" department, later renamed to "Information" department and he held this position till 1990. Creator of various installations and decorative elements in the National Palace of Culture and The Funeral House in Sofia, hundreds of logos, illustrations, posters, industrial design etc. He was also the designer of the first Bulgarian car called Moto-coupé (Bulgarian: Мото-купе) and other products of the daily life. He has many publications in the bulletin "Design" of the CIIE (Central Institute for Industrial Esthetic), in the magazine "Industrial design and decorative art" (Bulgarian: "Промишлена естетика и декоративно изкуство") etc.
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The Folch Collection was known during the period 1960-1980 as one of the best private mineral collections in the world. It was famous for its size (over 15,000 specimens), the quality of the pieces, the large number of classic specimens, which are now almost impossible to obtain, and the style of the collection, which is surprisingly 'modern'. Mr. Joaquín Folch i Girona collected during a period when the style of most mineral collectors in Europe consisted of gathering large specimens of rare minerals, and in which esthetics and perfection were not that important. He actually tended to collect smaller specimens that were esthetic, and, where possible, damage free.
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Estatic FearThe first word of their name being a portmanteau of ecstatic and esthetic. is an Austrian symphonic metal band. Their songs include elements of several different genres, such as Classical, doom metal, Gothic metal, black metal, and folk music. Despite the band's licensed CDs availability exclusively from the CCP Records label in Austria and Akoi Music in South Korea, their music's spread over the Internet over the decades since Estatic Fear albums were released resulted in forming of an international fan community of over 7000 fans hailing from several dozen world countries, which is still active in 2019, twenty years after Estatic Fear's latest album release.
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Accessed December 18, 2008. Critic Hilton Kramer's review in The Times, described the exhibit as consisting of 300 posters from the period from 1879 to 1967, chosen by Constantine based on their "esthetic merit," though Kramer felt that the exhibit could not explain the late-1960s poster fad whose psychedelic designs he believed were no match for the graphic masterpieces of earlier days.Kramer, Hilton. "Postermania", The New York Times, February 11, 1968. Accessed December 18, 2008. Constantine died at age 95 on December 10, 2008 of heart failure in her home in Nyack, New York.Heller, Steven "Mildred Constantine, 95, MoMA Curator, Is Dead ", The New York Times, December 16, 2008.
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Following Morris's death in 1896, Dearle was appointed Art Director of the firm, and became its principal stained glass designer on the death of Burne-Jones in 1898. Morris's reputation overshadowed Dearle's work throughout Dearle's career: Dearle exhibited early patterns under Morris's name and Dearle designs continue to be sold as Morris patterns. Critical assessment of Dearle's work then underwent a significant change, during the final decades of the twentieth century, recognizing Dearle's mature work as having a unique artistic vision of its own. Dearle always remained close to Morris's esthetic, but from the 1890s onward he incorporated a distinctive set of Persian and Turkish influences.
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Among the three articles the New York Times dedicated to Margules' death was a mournful paean to lost Greenwich Village life written by Bernard Weinraub: "The Baron was De Hirsh Margules, painter, poet and newspaper reporter. He was remembered yesterday, on his burial, with the same gusto that marked his life in the Village."Weinraub, Bernard, "The 'Village' Mourns Lost Baron And Recalls the Old, Vivid Days; Friends at Margules Services tell of the Part He Played in Esthetic Ferment", New York Times (1965, February 8) Maurice, the self-styled "Prince of Bohemia" of Greenwich Village, remarked that > Once there were so many genuine Bohemians in the Village. But now, so few > oldtimers are left.
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DF covered a lot of underground Rock and Electronic events in St. Petersburg that time, some of headliners were My Chemical Romance (USA), Rammstein (DE), Prodigy (UK), Dillinger Escape Plan (USA), Accept (DE), Amatory (RUS), Axwell (SWE), Armin Van Buuren (NL), Esthetic Education (UA), Apshell (RUS), Stigmata (RUS), IFK (RUS). Most of DF artists signed with DF Records in 2006 and DF Artist Management later the same year. In, 2009 and 2010 DF Music Organization closed few main businesses due to world crisis and following crisis in entertainment media and physical distribution. Some of the artists, who were all the time with DF Records finished their music careers or joined other bands.
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Cavalcanti is widely regarded as the first major poet of Italian literature: Dante calls him "mentor". In the Commedia he says through Oderisi da Gubbio that "...ha tolto l'uno a l'altro Guido / la gloria de la lingua" (Purgatory XI, 97-8): the verse of the latter, younger Guido (Cavalcanti) has surpassed that of the former, (Guido) Guinizzelli, the founder of Dolce Stil Novo. Dante sees in Guido his mentor; his meter, his language deeply inspire his work (cfr. De Vulgari Eloquentia), though Guido's esthetic materialism would be taken a step further to an entirely new spiritual, Christian vision of the gentler sex, as personified by Beatrice whose soul becomes Dante's guide to Paradise.
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Others disputed this, claiming that sufficient photographic documentation of both existed when it was converted to a museum following 1918. The ideological divide was epitomized by the two following groups. The Association for the Preservation of the Palace of the Republic (Verein zur Erhaltung des Palastes der Republik) championed a renovation of the GDR building that would incorporate a re-creation of the principal western facade the City Place, for a multipurpose "people's center" similar to the Pompidou Center in Paris. The Berlin City Palace Sponsoring Association (Förderverein Berliner Stadtschloß) argued for complete external reconstruction of the City Palace, as they considered it the only option that would restore the esthetic and historic ensemble of Berlin's heart.
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Barreiro Fernández 1976, p. 323 Scholars claim that for Martelo Traditionalism was sort of extension of his idealistic, historicist, aristocratic and regionalist outlook, “not an esthetic refuge but an heroic ideal”.for Martelo “el carlismo no era un refugio estético – como para don Ramón [Valle-Inclan] – sino un ideal heroico; poeta enamorado de las tradiciones de su tierra, no sólo carlistas”, ABC 22.05.76, available here His Carlism is reportedly best embodied in poems, which “expresan un modo de vivir, de pensar y de esperar, que es el modo de ser carlista”;Barreiro Fernández 1976, p. 323 the one which stands out as the most emblematic is Himno Militar Gallego Carlista, written in 1919.
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Due to the large space boom and technological advancements, over the past decade numerous countries and companies have released statements that human expeditions to our solar system are far from done. With long duration confinement in limited interior space in micro-g with little-to-no real variability in environment, attention towards user [crew] subjects well-being, and mental alertness will pose complex human-centered design issues. Mars transit vehicles and surface habitats will constitute highly confined, technical settings characterized by social, emotional and physical deprivation while affording little opportunity to experience privacy and environmental variation. And esthetic/appearance measures for human exploration will emphasize upon “naturalistic countermeasures” to the innate/multitudinous stresses of such expeditions.
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Sean has been noted for his ability to change styles and use different design languages in order to keep things lively. Such comic artists as Tim Goodyear have been published in PORK. Aaberg is the designer and artist, with Eric Radey, of _Dungeon Degenerates: Hand of Doom_ , a cooperative fantasy boardgame with a punk metal esthetic He is married to artist and photographer Katie Aaberg, who collaborates with her husband on PORK. She told an interviewer for Tension Magazine that people do not always understand their sense of humor and that they frequently receive hate mail from "activists" who lecture them on appropriate behavior, but "cultural ownership" is against their artistic vision.
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Private architects were only rarely engaged in Rosedale Park construction. Instead, buyers gained inspiration from mass-produced pattern books and house plans, or worked with construction companies to choose plans from their standard offerings. Between 1917 and 1955, houses were built in a multitude of styles, including English Tudor Revival, Arts and Crafts, Bungalow, Colonial Revival, Dutch Colonial, American Foursquare, Prairie, French Renaissance, Ranch, Garrison Colonial, Cape Cod and International style. However, an English country esthetic seems to have been encouraged (although not mandated) by the developers, and this seems to have influenced the renaming of many of the subdivision's streets, such as Glastonbury and Warwick, to names reflective of Merry Old England.
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In 1880, he was promoted director of cartography for Hachette and aimed at surpassing in quality the Stieler Atlas, by German Adolf Stieler. On November 25, 1897, as vice-president of the C.A.F. he convened a conference at the Club Alpin which constituted his true esthetic credo of the mountain and in which he announced the imminent foundation of a French school of mountain painting. The conference text title was : À quoi tient la beauté des montagnes (What makes the beauty of mountains); this speech is considered as the birth bulletin of la Société des peintres de montagneSociété des peintres de montagne. (Paris) and its text is reproduced in 1898 in the Club Alpin Français directory.
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Bennett Schiff in the New York Post wrote that "there probably hasn't been a gallery before this like the Terrain, which devotes itself to the integration of art with all of living according to an esthetic principle which is part of an entire, encompassing philosophic theory...Aesthetic Realism developed and taught by Eli Siegel".Schiff, Bennett (Sunday, June 16, 1957) "In the Art Galleries..." New York Post. From the beginning, the Terrain was simultaneously an exhibition space for contemporary art and a cultural center with "a lively and unconventional approach to aesthetic issues" where artists, scholars, and the general public could learn about and discuss principles of Aesthetic Realism,S.F. in Arts Digest, April 15, 1955.
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Espiral is a biannual magazine in which artists, critics, and organizers involved in conDiT manifest their reflections and reviews about the works and activities developed under the management of the platform. Some articles by authors specialized in different areas within the music field (and its relationship with other arts) are occasionally included. Espiral also works as playbill concerts, providing a reflective framework for the performances. Some of the authors who participated in Espiral are: Luciano Azzigotti, Luciano Kulikov, Ezequiel Dobrovsky, Fernando Manassero, Ezequiel Menalled, Gabriel Paiuk, Dick Raaijmakers, Martjin Tellinga, Eduardo Spinelli and Nicolaus A. Huber. Related to conDiT’s artistic proposal, the content of Espiral is based on a multidisciplinary esthetic program.
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Previous attempts to utilize high-performance ceramics such as zirconium-oxide were thwarted by the fact that this material could not be processed using the traditional methods used in dentistry. Because of its high strength and comparatively much higher fracture toughness, sintered zirconium oxide can be used in posterior crowns and bridges, implant abutments, and root dowel pins. Lithium disilicate (used in the latest Chairside Economical Restoration of Esthetic Ceramics CEREC product) also has the fracture resistance needed for use on molars.Christian F.J. Stappert, Wael Att, Thomas Gerds, and Joerg R. Strub Fracture resistance of different partial-coverage ceramic molar restorations: An in vitro investigation J Am Dent Assoc 2006 137: 514-522.
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The majority of students pursue a Doctor of Dental Medicine (DMD) degree. In addition to the DMD degree, TUSDM offers combined DMD/MS (Master of Science in Dental Research) and DMD/MPH (Master of Public Health) degrees. Post-doctoral students, who have already obtained a DMD or DDS degree, can specialize in Oral and Maxillofacial Surgery, Endodontics, Periodontics, Orthodontics, Pediatric Dentistry, Prosthodontics and Implant Dentistry, as well as certificate programs in Craniomandibular Disorders and Orofacial Pain, Advanced Dental Technology and Research Program, Implant Dentistry Fellowship, and Advanced Education in Esthetic Dentistry. In 2011, Dr. Huw F. Thomas, formerly Dean of the University of Alabama School of Dentistry was named the 16th Dean of TUSDM.
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Shull also produced some illustrations for publications such as Country Life and Ladies' Home Journal. Following World War I, Shull agitated for a peace carillon, or set of bells, to be created from melted-down cannons to commemorate the end of the war. In an article entitled "The Peace Carillon" he wrote: > It is here proposed that in the city of Washington there shall be erected a > national memorial to commemorate the heroes and events of the great war, > seeking to keep the chief emphasis on the esthetic and moral side rather > than on that of the physical triumph of armed force. He died at home in Chevy Chase, Maryland, on Sept.
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The State as a trustee is under a legal duty to protect the natural resources. These resources meant for public use cannot be converted into private ownership. The esthetic use and the pristine glory of the natural resources, the environment and the eco-systems of our country cannot be permitted to be eroded for private, commercial or any other use unless the courts find it necessary in good faith, for the public good and in public interest to encroach upon the said resources. The Court said that they had no hesitation in holding that the Himachal Pradesh Government committed patent breach of public trust by leasing the ecologically fragile land to the Motel management.
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Many musical ensembles perform throughout the year, including the Gustavus Choir, the Choir of Christ Chapel, the Lucia Singers, the Gustavus Adolphus Symphony Orchestra, Gustavus Wind Orchestra, Gustavus Jazz Lab Band, etc. In 1942, Percy Grainger, writing in The Musical Quarterly, publicized the "pathbreaking activities"—as an historically appropriate ensemble—of the college's A Capella Choir and chamber orchestra, which toured a series of concerts of music from the 13th to 20th centuries. He praised the "rare value", "practical skill" and "subtle esthetic intuition" of conductor G. Adolph Nelson. Grainger had an opportunity to observe the work of Nelson, the choir and orchestra at close quarters by touring and performing with them that year.
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10 February 2013 Taking place in the American Civil War, the film takes the viewpoint of people such as civilians, bandits, and most notably soldiers, and presents their daily hardships during the war. This is seen in how the film has a rugged and rough esthetic. The film has an air of dirtiness that can be attributed to the Civil War and in turn it affects the actions of people, showing how the war deep down has affected the lives of many people. As Brian Jenkins states “A union cordial enough to function peacefully could not be reconstructed after a massive blood-letting that left the North crippled by depopulation and debt and the south devastated”.
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However, despite the criticisms and his predilection for this new serialism, Gerhard was never opposed to use elements from the Catalan folk music in aspects such as rhythm, orchestration or in the shape of the tone-rows. From this moment on, he also took over from Schoenberg in the didactic field of 12-tone teaching, giving lectures and writing articles. In this sense, he shares with Bartók the will of transforming the tradition to maintain it. In fact, the esthetic evoked by some of the pieces of this creative new period by Gerhard, such as the Piano Concerto (1951) or the Harpsichord Concerto (1956), denote to some extent, a clear influence of the Hungarian composer.
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Sullivan was a founding member of New York City's “The Osseointegration Study Group,” which grew to become the Academy of Osseointegration, "the most influential and important dental implant educational organization in the world." He later served as that organization's sixth president. He also was a president of the American Academy of Esthetic Dentistry (AAED), which labels its members as “truly the elite professionals of [dentistry who] are internationally known for their work.” Sullivan posthumously won AAED's prestigious Charles L. Pincus Award, which had only been presented nine other times since the academy's founding in 1975, and he was also nominated for the American Dental Association's Gold Medal Award for Dental Research, one of dentistry's highest honors.
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In 1956 Stephane was sent to one of the communist concentration camps Belene located on the Persin Island, Danube river, where he has spent 14 months. He then enrolled at the National Academy of Arts in the capital Sofia, and after being twice expelled from there as politically incompatible with the communist political dogma, he was finally allowed to finish his studies of mural painting under Georgi Bogdanov. After completing his obligatory military service Stephane Valev worked for several years as free-lance illustrator and graphic artist until he has joined the Central Institute for Industrial Esthetic (in Bulgarian Централен Институт за Промишлена Естетика, ЦИПЕ):bg:Промишлен дизайн#.D0.9F.D1.80.D0.BE.D0.BC.D0.B8.D1.88.D0.BB.D0.B5.D0.
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He was born in Paris, the son of the architect Alexandre-Théodore Brongniart and father of the botanist Adolphe-Théodore Brongniart. In 1797, he became an instructor of natural history at the Central School of the Four Nations, and became the professor of mineralogy in 1822 at the Museum of Natural History in Paris. He was appointed in 1800 by Napoleon's minister of the interior Lucien Bonaparte director of the revitalized porcelain manufactory at Sèvres, holding this role until death. The young man took to the position a combination of his training as a scientist— especially as a mining engineer relevant to the chemistry of ceramics— his managerial talents and financial acumen and his cultivated understanding of neoclassical esthetic.
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Naturally, the tooth-to- restoration margin is an unsightly thing to have exposed on the visible surface of a tooth when the tooth exists in the esthetic zone of the smile. In these areas, the dentist would like to place the margin as far apical (towards the root tip of the tooth) as possible, even below the gum line. While there is no issue, per se, with placing the margin at the gumline, problems may arise when placing the margin too subgingivally (below the gumline). First, there might be issues in terms of capturing the margin in an impression to make the stone model of the prepared tooth (see stone model replication of tooth in photographs, above).
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Marshall's views on aesthetics were a combination of sensational aspects, proposed by Lotze, emotional aspects, discussed by James and Mill, and intellectual factures, focused on by Kant and Ladd. Henry combined all of these aspects into his own system that held pain and pleasure as the basis for all esthetic experiences and judgments. He wrote on topics including the nature of emotion, desire, pleasure, pain, and evolution. His published articles and books in addition to Pain, Pleasure, and Aesthetics are Aesthetic Principles, in 1895, Instinct and Reason, in 1898, The Relation of Aesthetics to Psychology and Philosophy, in 1905, Human and Other Types of Consciousness, in 1905, War and the Ideal of Peace, in 1915, Mind and Conduct, in 1919, and The Beautiful, in 1924.
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He also made a brief venture into television, directing an episode of Steven Spielberg's Amazing Stories. With After Hours (1985), Scorsese made an esthetic shift back to a pared-down, almost "underground" film-making style. Filmed on an extremely low budget, on location, and at night in the SoHo neighborhood of Manhattan, the film is a black comedy about one increasingly misfortunate night for a mild New York word processor (Griffin Dunne) and features cameos by such disparate actors as Teri Garr and Cheech and Chong. Along with the 1987 Michael Jackson music video "Bad", in 1986 Scorsese made The Color of Money, a sequel to the much admired Robert Rossen film The Hustler (1961) with Paul Newman, which co-starred Tom Cruise.
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Morgane Tschiember has directed her work from two- to three-dimensional pieces, in order to explore the transitions between dimensions, and how they relate to each other. Thus her sculptures are sometimes colorful, in order to make color a pure original material to be shaped, and therefore open a connection between painting and sculpture. Sculpting can also be a way to investigate the relationship between the objects and the places, always trying to have as a result that both are revealed and emphasized so the spectator gets a more complete esthetic experience. She considers herself as "classic" in the sense that she works on fundamental elements such as form, color, material... that are universals and run through all of art history.
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By his own account, he had suffered from infections, weakness, and a recurring rash despite medical treatment, and only become healthy and strong after, under the influence of Louis Kuhne's theories, he gave up alcohol and smoking and became a vegetarian; ultimately he adopted a raw food diet in addition to exercising and writing in the nude. Ungewitter founded his first organization, the Vereinigung für hygienische, ethische und ästhetische Kultur (Society for Hygienic, Ethical and Esthetic Culture) in Stuttgart around 1906. In 1907 Ungewitter founded the Loge des aufsteigenden Lebens (Lodge of Ascending Life or Rising Life), to which according to his statement on June 17, 1912, more than 800 people belonged. It may have been the first nationwide nudist organization in Germany.
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Alveoloplasty is a surgical pre-prosthetic procedure performed to facilitate removal of teeth, and smoothen or reshape the jawbone for prosthetic and cosmetic purposes. In this procedure, the bony edges of the alveolar ridge and its surrounding structures is made smooth, redesigned or recontoured so that a well-fitting, comfortable, and esthetic prosthesis may be fabricated or implants may be surgically inserted. This pre-prosthetic surgery which may include bone grafting prepares the mouth to receive a prosthesis or implants by improving the condition and quality of the supporting structures so they can provide support, better retention and stability to the prosthesis.Pre- prosthetic surgery: Mandible Veeramalai Naidu Devaki; Kandasamy Balu; Sadashiva Balakrishnapillai Ramesh; Ramraj Jayabalan Arvind; Venkatesan Journal of Pharmacy and Bioallied Sciences, 01 January 2012, Vol.
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Raised in the middle class suburbs of Los Angeles County during the 1950s and 60s, Bryan was immersed in the popular culture of that time and place. Low budget Sci-Fi and horror movies, Super hero comic books, Mad Magazine, surrealist art and later the psychedelic work of Zap Comix artists such as Robert Crumb and Robert Williams were all part of the esthetic and psychological mix surrounding him. These influences combined with significant political events (which included The Red Scare, Civil Rights Movement and the Vietnam War) shaped and promoted an early political awareness and continues to affect the style and content of his work. Leaving Los Angeles in 1968 Bryan studied architecture at Cal Poly San Luis Obispo.
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Donal Henahan, writing in The New York Times, said that it "fell somewhat short of being the total-environmental trip that was promised… the night summed up most of the esthetic ideas now in the air: incongruity, simultaneity, games theory, the put-on, the parody, the Trip… and the effort to create a 'Total Environment' in which all the senses can come into play." Henahan asserted that the concert's commercial success showed a breakdown in the separation of classical and popular audiences.Henehan 1967. Bruno's interest in jazz apparently diverged from Walker's interest in folk music, and by July 1968 the band had broken up and Walker was appearing at the Bitter End in Greenwich Village, sharing a bill with Joni Mitchell.
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In Germany and later in the U.S. László Moholy-Nagy, a leader of the Bauhaus school of modernism, experimented with the abstract qualities of the photogram. He said that "the most astonishing possibilities remain to be discovered in the raw material of photograph" and that photographers "must learn to seek, not the 'picture,' not the esthetic of tradition, but the ideal instrument of expression, the self-sufficient vehicle for education." Some photographers during this time also pushed the boundaries of conventional imagery by incorporating the visions of surrealism or futurism into their work. Man Ray, Maurice Tabard, André Kertész, Curtis Moffat and Filippo Masoero were some of the best known artists who produced startling imagery that questioned both reality and perspective.
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Del Moral modernized curricula during his time as director of the Faculty of Architecture (UNAM) (1944–1949), incorporating philosophies acquired from like-minded architects such as Mies van der Rohe at the Illinois Institute of Technology as well as Mexican philosophy on esthetic espoused by Dr. Jose Gaos in the Faculty of Philosophy and Literature (UNAM). He dedicated a large amount of his academic life to lecturing both domestically and abroad, and published books and essays on the evolution of architectural styles. He theorized about functionalism in Mexico and debated controversial issues of his time, such as the integration of plastic arts into architecture, and promoted the conservation of cities, approaching architecture in a way that could find balance between traditional and modern styles.
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The painting is now in the São Paulo Museum of Art. The Kinnaird Resurrection is one of the first preserved works of Raphael in which his natural dramatic style of composition was already obvious, as opposed to the gentle poetic style of his master, Pietro Perugino. The extremely rational composition is ruled by a complex ideal geometry which interlinks all the elements of the scene and gives it a strange animated rhythm, transforming the characters in the painting into co-protagonists in a unique "choreography". The painting possesses an esthetic influence from Pinturicchio and Melozzo da Forlì, though the spatial orchestration of the work, with its tendency to movement, shows Raphael's knowledge of the Florentine artistic milieu of the 16th century.
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The play of light, the fleeting mood of a landscape, always such challenges to the artist, he strives to capture simply—not by literal transcription but with a warmly understanding interpretation." On passing the age of 80 in 1954 he continued to paint and exhibit, including a show of work made during the trip he made to Israel to meet with Ben Gurion and others. Regarding one of these shows, a New York Times critic, Stuart Preston, praised the emotional power of his mountain landscapes and his landscapes showing the devastation that he imagined would result from atomic war, but he was less enthusiastic about their artistic value. He wrote, "The very humanity of Rosenberg's feelings goes far to excuse the esthetic shortcomings of the paintings.
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In the postwar period, the art of the short story again flourished. Among its most respected practitioners was Flannery O'Connor, who developed a distinctive Southern gothic esthetic in which characters acted at one level as people and at another as symbols. A devout Catholic, O'Connor often imbued her stories, among them the widely studied "A Good Man is Hard to Find" and "Everything That Rises Must Converge", and two novels, Wise Blood (1952); The Violent Bear It Away (1960), with deeply religious themes, focusing particularly on the search for truth and religious skepticism against the backdrop of the nuclear age. Other important practitioners of the form include Katherine Anne Porter, Eudora Welty, John Cheever, Raymond Carver, Tobias Wolff, and the more experimental Donald Barthelme.
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Boyceau was made a gentilhomme ordinaire de la chambre du roiA "gentleman-in-ordinary to the King's bedchamber" and ennobled for his efforts, as the sieur de la Barauderie. Boyceau's book is the first French work to treat the esthetic of gardening, not simply its practice. It was designed for the patron rather than for the gardener, but it had an influence on the designs of André Le Nôtre, who transformed the manner of Boyceau and of the Mollet dynasty of royal gardeners--Claude Mollet and André Mollet--to create the culminating French Baroque gardens, exemplified at Vaux-le-Vicomte and Versailles. An engraving reproduced in Boyceau's Traité du jardinage depicts his parterre design centered on the garden front of the Luxembourg Palace.
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Bolman, Jr. insisted that reviewers consider the book in this way: "In general, we have a right to discover, if we can, the meaning of a work as comprehensive as Either/Or, considering it upon its own merits and not reducing the meaning so as to fit into the author's later perspective. It occurred to me that this was a service to understanding Kierkegaard, whose esthetic and ethical insights have been much slighted by those enamored of his religion of renunciation and transcendence. ... Kierkegaard's brilliance seems to me to be showing that while goodness, truth, and beauty can not speculatively be derived one from another, yet these three are integrally related in the dynamics of a healthy character structure".Reply to Mrs.
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Their bags are built with industrial materials including tarpaulin, Cordura and steel. Chrome's popular messenger bag line, Mini-Metro, Citizen and Metropolis, is chiefly recognizable by their signature seatbelt buckle release that doubles as a bottle opener. The company started building their bags in a garage with salvaged materials such as seatbelt buckles and seatbelt webbing and has maintained this aesthetic and industrial material esthetic across their entire range of product offerings. They have since expanded to incorporate an apparel line, which includes their best selling Cobra merino wool hoodie, and a shoe line including their best selling low-profile design Kursk street shoe with built-in cycling functionalities such as reflective hits, shoelace garage, skid resistant soles and polyurethane contoured crash pad insole.
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Brescia Casket, an ivory box with Biblical imagery (late 4th century) In the late 4th century, Jerome produced the Latin translation of the Bible that became authoritative as the Vulgate. Augustine, another of the Church Fathers from the province of Africa, has been called "one of the most influential writers of western culture", and his Confessions is sometimes considered the first autobiography of Western literature. In The City of God against the Pagans, Augustine builds a vision of an eternal, spiritual Rome, a new imperium sine fine that will outlast the collapsing Empire. In contrast to the unity of Classical Latin, the literary esthetic of late antiquity has a tessellated quality that has been compared to the mosaics characteristic of the period.
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The mural was painted on seven sheets of hardboard attached to the wall by means of a wooden frame. It was executed with pigments, the most modern material, suited to the technical and esthetic aims Tamayo wished to achieve. The painting depicts an angled table piled with red, round fruits, two bottles on a tray, and twelve slices of watermelon. In the foreground, the tops of the backs of two wrought-iron chairs can be seen, evoking the presence of the couple invited to enjoy the wine and fruit which, opulent and radiant, awaits the banquet. The fruits and objects, arranged in no order, are scattered over the table which, by its placement, recall the tables painted in Tamayo’s cubist period.
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Obsolete objects in the literary imagination: ruins, relics, rarities, rubbish, uninhabited places, and hidden treasures, text first published in Italian in 1993, is considered Francesco Orlando's magnum opus. Therein, he posits that the theoretical effort of defining literature is analogous to the passionate reading of texts in the Western tradition, from Antiquity to the 19th century. The theoretical crux of the books is faithful to the ambivalent orlandian view of time: time destroys or valorizes, but also destroys and valorizes. According to Orlando, this fundamental ambivalence is an anthropological constant for humankind, one that can be emphasized through literature, as this medium has the right to consider the representation of useless and disgusting objects, while also rejecting their esthetic value.
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The Heresies Collective was founded in 1976 by a group of feminist artists, with the goal of increasing discourse around the ideas of feminism, politics, and their relationship to art. The Heresies Collective's primary output was a reoccurring publication titled Heresies: A feminist publication on art and politics. The goals of the collective, through the publication of their journal, were to encourage the writing of feminist history, generate new creative energies among women artists, broaden the definition of art, and articulate diversity within the art world. In addition to the goals of encouraging and supporting feminist political art, the collective sought to stimulate dialogue around radical political and esthetic theory, and reject the capitalist framework of the art world through interrogating the processes by which art is created, critiqued, and consumed.
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Melissa P. Wolf (born in Buffalo, New York) attended Syracuse University, Boston Museum School, Tufts University and Pratt Institute Brooklyn, New York. The name EIDIA (created by Lamarre) is derived from the ancient Greek word for idea, “eidos”, but the acronym has many possible meanings that Lamarre and Wolf outlined in their 1978 manifesto:Manifesto Each Idea Defines Itself Aesthetically; Esthetic Interpretations Directs Imaginative Action; Everything I Do Is Art; Every Individual Does Individual Art; Every Individual Develops Ideal Aesthetics; Every Intellect Develops Intuitive Art; and Ecological Involvement Demands Immediate Action/Individual Action. EIDIA approaches their work in many ways, playing with different concepts and materials simultaneously. Over the years, they have worked in sculpture, photography, painting and video and film, presenting everything from static objects to multimedia installations.
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In his monographic studies, Lipsker intentionally dealt with "marginal" poets, out of a new historiographic perspective, according to which the "average taste" and, at times even the graphomanic writings, represent the style-bar and literary taste from which the contemporary poetic styles can be evaluated and measured. The monographs on the poetry of Shin Shalom, Yitzhak Ogen and Avraham Broides depict the manner in which esthetic and poetic practices standpoints were imported from Europe to Eretz Yisrael—mainly symbolism and expressionism. These studies also address sociological questions of affinity to a social and cultural context. This study is supported by a study of letters and diaries (Yitzhak Lamdan's Collected Letters,Avidov Lipsker (editor), Isaac Lamdan: Selected Letters, Hebrew: Israel Matz Foundation and the Asher Barash National Institute 'Gnazim', New York, Tel Aviv, 1988.
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B-Directory The formation of Russia's largest lighting holding BL Group is finished The main activity of the company: to create and develop a comfortable, functional and esthetic light environment, using progressive and ecological technologies and products of artificial light.Promportal.RU In 1991, the company "Svetoservis" has entered the Moscow electrotechnical market to offer complex of services for the design, installation and operation of lighting systems of all kinds of lighting.DOSSIER GOVERNOR BOOS In 1994 the Moscow government decided to create a light-color in a single environment, using a model of quality architectural lighting for the entire city. "Svetoservis" under the leadership of Boos GV, able to offer its innovative manufacturing business solutions for the implementation of a single set of architectural and art illumination of any buildings in the capital.
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Henke, Suzette, James Joyce and the Politics of Desire, page 185, Joyce himself tacitly acknowledged this radically different approach to language and plot in a 1926 letter to Harriet Weaver, outlining his intentions for the book: "One great part of every human existence is passed in a state which cannot be rendered sensible by the use of wideawake language, cutanddry grammar and goahead plot." Critics have seen a precedent for the book's plot presentation in Laurence Sterne's famously digressive The Life and Opinions of Tristram Shandy, Gentleman, with Thomas Keymer stating that "Tristram Shandy was a natural touchstone for James Joyce as he explained his attempt "to build many planes of narrative with a single esthetic purpose" in Finnegans Wake".Keymer, Thomas. Laurence Sterne's Tristram Shandy: A Casebook, Oxford University Press, 2006.
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He participated on international juries for acousmatic composition competitions in France and abroad. Two distinct esthetic periods characterized his work. During the first, from 1977 to 1987, he placed an emphasis on the ties unifying acousmatic music and painting, ties arising from the use of a common permanent working surface which permitted the painter to directly place his colors on the canvas in the way the composer immediately captures sonorities on 'magnetic tape'. He expressed this analogy and attempted to explore its ramifications in virtually all the works of this period (Métamorphose d’un jaune citron, 1978, Bleus et formes, 1981...). In the second period, from 1987 to the present, following upon this initial preoccupation, he presented the idea of a ‘spatial polyphony’ (a ‘polyphony’ of spaces and not uniquely of sounds).
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Arrebola was first introduced to video games Asteroids during his college days and joined Gaelco in 1989 when Big Karnak was in a more advanced development state due to his interest with computer graphics, being in charge of both character animations and level design. Yeste stated that when production started, several elements from the original script for Big Karnak were added or scrapped due to either not working in the game or being deemed too difficult. Arrebola also stated that team members gave their ideas during development, as equipment and resources were limited, with Yeste claiming that enemies which broke the Egyptian esthetic was due to the collaborative effort. Yeste also claimed a total of eight levels were originally envisioned but the number was ultimately reduced to four.
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Alterations of any kind to an object that survived the Holocaust, unless absolutely necessary to ensure its physical survival, are not made out of respect for the victims. Conservators and collections staff traditionally attempt to do the least amount of conservation on an object from the Holocaust as the damaged state is part of what is seen as telling of the history of the object. Any intervention can be seen as causing a loss of historic and perhaps even esthetic information, and the greater the intervention the greater the damage. At Holocaust museums and other museums carrying objects from concentration camps including fragile items like prisoners’ artwork and thousands of documents, shoes, and suitcases, teeth, hair, glasses, luggage, and more, preservation is viewed as an ethical and practical issue.
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The original 1930 Lackawanna 3 kV DC electrification was converted in 1984 to 25 kV 60 Hz, as part of the re-electrification of the Morris & Essex Lines which the then-Montclair Branch was grouped with at the time. The 2002 extension of electrification to Great Notch together with the Montclair Connection is similar in construction, except that hot-dip galvanized steel poles are used; many of these poles are painted dark green for esthetic reasons, in contrast with the old Lackawanna poles which are painted dark red. Catenary construction is uniform throughout; compound (3-wire) with a zigzag horizontal profile, but without self-tensioning, just like on most sections of the M&E; lines. The line features a single autotransformer substation at Montclair, close to Bay Street station, dating from the 1984 re-electrification.
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In her presidential address to the American Philological Association in 1985, Bacon talked about her "lifelong preoccupation with the importance of the esthetic and literary features of Plato's work". The content summary note for the Helen H. Bacon Papers, held at the library of Barnard College, describes her work as focusing on Aeschylus, Plato, Vergil, and Apuleius and the comic novel on the classical side, but including work on Robert Frost and Edith Hamilton which is more properly categorized as classical reception studies. An obituary in scholarly journal The Classical World, written by Nancy Felson, Deborah Roberts, and Laura Slatkin described her as "well ahead of her time", a "pioneer", and "anticipat[ing] subsequent directions in the field", on account of Bacon's engagement with literary theory and psychoanalytic theory.
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Kim Kim Gallery is an institution which does not solely function in a gallery context, but through self-awareness evaluation and adaptation of KKG´s structure to varying spatial, financial, and esthetic circumstances. It is a peripatetic enterprise, which infiltrates the structure of contemporary art through unconventional marketing and seeks formats in which art works can function efficiently and independently from the mainstream. KKG has gained international recognition through their projects, including, among others: Douglasism at the international Art Fair, Art:Gwangju:12 in Korea the solo exhibition "Apple vs. Banana" of Chung Seo- young, voted one of the best shows in 2011 by the Art in Culture Magazine; and "More of the Best of Firmin Graf Salawàr dej Striës" by Jeff Gabel, exhibiting new large scale site-specific drawings on canvas rendered in pencil.
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Judd's sculpture was showcased in 1964 at Green Gallery in Manhattan, as were Flavin's first fluorescent light works, while other leading Manhattan galleries like Leo Castelli Gallery and Pace Gallery also began to showcase artists focused on geometric abstraction. In addition there were two seminal and influential museum exhibitions: Primary Structures: Younger American and British Sculpture shown from April 27 – June 12, 1966 at the Jewish Museum in New York, organized by the museum's Curator of Painting and Sculpture, Kynaston McShineTime magazine, June 3, 1966, "Engineer's Esthetic", pg. 64Newsweek magazine, May 16, 1966, "The New Druids", pg. 104 and Systemic Painting, at the Solomon R. Guggenheim Museum curated by Lawrence Alloway also in 1966 that showcased Geometric abstraction in the American art world via Shaped canvas, Color Field, and Hard-edge painting.
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Landesio was an academic painter to the manner born, of great didactic and analytical talent. In line with academic norms, his teaching method at San Carlos involved the decomposition of landscape into its constituent elements, followed by the gradual detailed study of these elements and their subsequent restructuring, to esthetic ends, in the definitive composition. He combined work in the studio with painting from nature in the open air. Landesio distinguished two large parts or integral sub-totalities of landscape: “localities” and “episodes.” The former include the different kinds of landscape surroundings and environments (skies, foliage, lands, water, buildings), while the latter include the different figurative groups that confer on a given place a sense of scale, differentiating topical features, narrative interest, or historical density (history, popular, military, or family scenes, portraits, animals).
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Adequate running room is necessary to allow the implant-supported crown to exhibit a tooth-shaped contour despite the smaller diameter and circular nature of implant platforms.Smith RB, Tarnow DP. _Classification of molar extraction sites for immediate dental implant placement: technical note_. Int J Oral Maxillofac Impl 2013;28:911-916 For example, the mean mesial-distal dimension of a maxillary central incisor at the points at which it contacts the adjacent teeth is 8.6 mm, and the mean mesial-distal dimension of the same tooth at the cementoenamel junction (CEJ) is 6.4 mm.Scheid RC, Woelfel JB. Woelfel's Dental Anatomy: its relevance to dentistry, Lippincott Williams & Wilkins, 2007 Even though the implant diameter chosen for the maxillary central incisor is usually around 4-5 mm, the supragingival tooth contours need to mimic those of the natural tooth if esthetic success is intended.
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Since it ostensibly lacked a clear ideology, the group focused on organizing a series of exhibits in galleries that tried to emphasize the idea of the blurring of distinctions between different kinds of media in contemporary art. In addition, the group was a pioneering force in the introduction of video art into Israel. Although "10+" officially disbanded in 1970, the members of the group carried on its spirit and its style, taking their final form from a group that revolved around the art school "The College" (ha-Midrashah). The esthetic principle of this group came to be called "The Want of Matter". The theoretical underpinning of this group was established by the curator Sara Breitberg-Semel, in the exhibit "The Want of Matter: A Quality in Israeli Art", which took place in March 1986 in the Tel Aviv Museum.
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Kiss of Judas by Giotto, in Padua. The Middle Ages stimulated the creation of monumental works such as the complex of churches on the island of Torcello, in the Venetian lagoon, with the Cathedral of Santa Maria Assunta founded in 639, its bell tower erected in the 11th century and the adjacent Martyrium of Santa Fosca built around the 1100, notable for the mosaics. They saw the construction of the Basilica of San Zeno Maggiore in Verona, which was Veneto's main centre for that esthetic movement and we note, by the mixture of styles that Verona was an important crossroads to the north of Europe. Examples of Gothic art, in addition to the Venetian church of Santa Maria Gloriosa dei Frari and that of Santi Giovanni e Paolo, are the Scaliger Tombs in the historical centre of Verona.
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The Michotte collection also comprises 420 titles of musical editions, of which approximately 120 are by Rossini, and 300 Italian or French publications from the XIXe century, as well as a complete edition of the works of J.S. Bach and of Beethoven's symphonies. It is complemented by a precious collection of libretti of the first performances of Rossini, carefully assembled and bound by his father. Other publications, many of which contain a dedication to Rossini, are of a different nature, but undoubtedly belonged to the shelves of the musician, such as the 1818 edition of Dante's Divina Commedia and the Répertoire général du théâtre français. Monographs and press articles concerning Rossini, several printed programmes of the Soirées musicales – private concerts organised in Paris by the composer and his second wife Olympe Pélissier – give witness to the esthetic taste of the time.
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Replacement of unaesthetic crowns on the upper central teeth after undergoing crown lengthening and fabrication of new restorations. Crown lengthening is often done in conjunction with a few other expensive and time-consuming procedures of which the combined goal is to improve the prosthetic forecast of a tooth. If a tooth, because of its relative lack of solid tooth structure, also requires a post and core, and thus, endodontic treatment, the total combined time, effort, and cost of the various procedures, as well as the impaired prognosis due to the combined inherent failure rates of each procedure, might combine to make it reasonable to have the tooth extracted. If the patient and the extraction site make for eligible candidates, it might be possible to have an implant placed and restored with more esthetic, timely, inexpensive, and reliable results.
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Bassin de Latone – Latona Fountain with the tapis vert and the Grand Canal in the background Modifications in the gardens during the third building campaign were distinguished by a stylistic change from the natural esthetic of André Le Nôtre to the architectonic style of Jules Hardouin Mansart. The first major modification to the gardens during this phase occurred in 1680 when the Tapis Vert – the expanse of lawn that stretches between the Latona Fountain and the Apollo Fountain – achieved its final size and definition under the direction of André Le Nôtre. (Nolhac 1901; Thompson 2006) Beginning in 1684, the Parterre d'Eau was remodeled under the direction of Jules Hardouin-Mansart. Statues from the Grande Commande of 1674 were relocated to other parts of the garden; two twin octagonal basins were constructed and decorated with bronze statues representing the four main rivers of France.
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In main altar, a portrait of the Royal Family, Queen Maria I and the Infante John with the court, in an iconographic representation of Lisbon, seen from the Castle of São Jorge. The success of the chapel, came from the contribution of the woodworkers from the Church of São Roque (and in particular the Chapel of São João Baptista). A similar design esthetic was also brought in from the Royal Chapel in the Queluz Palace. The Bemposta Palace had its own singers (since 1759) that incorporated an organist and singers, that were contracted and regularly performed in Lisbon.Mauricio Dottori (2008), p.72 But, the organ had already been spirited away to the Palace of Queluz by 1778. The palace too began to be abandoned, as the royals move to other preferred lodgings: by 1798 the palace was already abandoned and falling into ruins.
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These two forms are the most noble of all this composer's works for the guitar, his musicality and his genius. An answer might be, as overheard in a discussion between a professor regarding the past with the judgement of a performing guitarist, that the length of such works and the difficulties in the conscientious study of them require of concert players a deep understanding and importance in the history of the guitar, the societal atmosphere of the entire period and the esthetic currents governing artistic expression. In another vein, the music of Sor (Sonatas and Fantasias) is out of phase in relation to our present day mindset and practices, actually we lack the foundation necessary. Regarding this we find the meritorious programming by Héctor García in which he included one of the most interesting sonatas by the Catalán composer Fernando Sor.
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This evolution towards more colour is represented in two works depicting the biblical story of the Flight into Egypt, the Christ calms the dragons and Mary fed by the palm (both in the Parish Church of Ombriano). The works are characterised by their full-bodied and bright color and the solidity of the figures. In two works, one representing the Saints Pietro d'Alcántara and Bernardino da Feltre (San Bernardino Church, Crema) and the other the Miracle of San Pietro d'Alcantara (Museo civico di Crema e del Cremasco} Lucini abandoned all tenebrist tendencies in favor of the use of a homogeneous nucleus of light, which binds the whole picture together and defines the psychology of the figures. The calm and sober esthetic of the pictures has been linked to the spirituality and vows of poverty proper to the Dominican Order.
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Some of these languages had been developed extensively by Tolkien, while others were extrapolated by linguist David Salo based on the limited examples of vocabulary and linguistic style available. The libretto was derived from several sources, including songs and poems written by Tolkien, phrases from the screenplay (often sung against the corresponding dialogue or recitation) as well as original and adapted material from Shore and from screenwriters Fran Walsh, Philippa Boyens, and others, all translated by Salo while stressing good choral sounds.Adams, pp. 2–4. The vocal music serves primarily to give texture and cultural esthetic to the score; there is never any translation of the lyrics in the on-screen presentation, and in some cases only fragments of the source texts are used for their sound more so than their meaning, although overall the use of the choral text remains mostly coherent.
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For his paintings, he did preliminary research and worked from photographs that he took himself in Mexican villages: he portrayed ideal models of men and women with a romantic beauty very much in the popular taste. The introduction to Museo Soumaya's Mexican Calendars catalogue defines the colorful aesthetics of Mexican calendar art as a "singular combination of creativity and commercial efficacy". And furthermore states that: "Both affective and effective, the final product was multiplied in works that have persisted in the collective imagination of several generations of Mexicans, helping to define their notions of national identity, beauty, folklore, cinema, leisure, religion, esthetic taste, fashion, tourist resorts, and childhood." The Galas de México calendars that were a mainstay in countless Mexican homes for decades positioned Cataño as one of the greatest artists in the genre of pin-up girls for calendars.
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Nahum Tevet Jemmáin, 1986 Kunsthalle, Manheim Gideon Gechtman Cart, 1984 Larry Abramson from tsoba, 1993-4 impression on newspaper no.XIV private collection Most of the artists who worked in the 1970s as conceptualist artists in a variety of media changed their style in the 1980s and returned for the most part to the medium of painting. This, under the influence of European and American art, was characterized during those years by a mixture of styles all grouped under the accepted esthetic of minimalism, including the American "Neo-Geo" style, the "Pop Art" style of artists such as Jeff Koons, and the fashionable expressive style, also known as "Bad Painting", of artists such as George Baselitz and Julian Schnabel, which defined the post modernist spirit in art around the world. These international trends filtered into Israeli art, which reflected the attempt to undercut the values of contemporary Israeli society.
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" Judd Blaise of Allmovie gave the film 2½ out of 5 stars and said "Some viewers will likely be frustrated by the slow pace and elliptical style, though others may be transfixed by the often stunning photography and poetic approach." The New York Times film critic Stephen Holden said one of the problems with the film was that it "may have succumbed to its own dreamy esthetic" by focusing on the same image too often, and that the end of the film "loses its balance." Stephen Brophy, a staff reporter for The Tech, said "Terence Davies' latest film looks as ravishing as Distant Voices, Still Lives, or The Long Day Closes but that the plot was weak and that the ending of the film was absurd. San Francisco Examiner critic Barry Walters said the film was "unrelentingly downbeat" and that "it starts off dark and gets darker".
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La Biennale de Montréal (BNL MTL) is a bi-annual multidisciplinary arts event to confront the Quebec and Canadian art with those of foreign artists around common issues and concepts corresponding to "the timeliness of the art". Founded in 1998 by Claude Gosselin and administered by the International Contemporary Art of Montreal Center (CWC), the BNL MTL setting decompartmentalizes artistic practices by bringing together artists from the visual arts, landscape architecture, graphic design or object, video and film. It is also a place of exchange and debate including seminars and conferences and a wide program of educational activities . The mission of La Biennale de Montréal is to foster, support, interpret and disseminate the most current visual arts practices by producing the biennial event BNLMTL. In this way, La Biennale de Montréal offers a wide audience a privileged opportunity to grasp the esthetic and social issues addressed by today’s art.
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There are four methods that can be used to transplant soft tissue. A roll of tissue adjacent to an implant (referred to as a palatal roll) can be moved towards the lip (buccal), gingiva from the palate can be transplanted, deeper connective tissue from the palate can be transplanted or, when a larger piece of tissue is needed, a finger of tissue based on a blood vessel in the palate (called a vascularized interpositional periosteal-connective tissue (VIP-CT) flap) can be repositioned to the area. Additionally, for an implant to look esthetic, a band of full, plump gingiva is needed to fill in the space on either side of implant. The most common soft tissue complication is called a black-triangle, where the papilla (the small triangular piece of tissue between two teeth) shrinks back and leaves a triangular void between the implant and the adjacent teeth.
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Soon after, Rockabilly reverted to his Billy Gunn ring name and adopted the nickname "Badd Ass", while Road Dogg began to grow out and braid his hair. In addition to these esthetic changes, their mannerisms became consistently more controversial and antisocial, with the team ultimately becoming known as the New Age Outlaws following their victory over The Legion of Doom for their first Tag Team Championship. The Outlaws would continue to feud with the Legion of Doom and later the short-lived tag team of Cactus Jack and Chainsaw Charlie before joining D-Generation X the night after WrestleMania XIV. The Outlaws amassed five Tag Team Championship reigns and managed to become singles champions while still together, with Road Dogg and Gunn each winning the Hardcore Championship once in 1998 and 1999, respectively, while Road Dogg would also go on to win the Intercontinental Championship in 1999.
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If we stand back from Western civilization for a moment, we > can see that it possesses all the flaws of humanity in general ... If I, as > a person who has lived under China's autocratic system for more than thirty > years, want to reflect on the fate of humanity or how to be an authentic > person, I have no choice but to carry out two critiques simultaneously. I > must: # Use Western civilization as a tool to critique China. # Use my own > creativity to critique the West. In 2002, he reflected on his initial Maoist-flavored radical esthetic and political views in the 1980s: Liu admitted in 2006 in another interview with Open Magazine (formerly known as Liberation Monthly) that his 1988 response of "300 years of colonialism" was extemporaneous, although he did not intend to retract it, because it represented "an extreme expression of his longheld belief".
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Initially minimal art appeared in New York in the 60s as new and older artists moved toward geometric abstraction; exploring via painting in the cases of Frank Stella, Kenneth Noland, Al Held, Ellsworth Kelly, Robert Ryman and others; and sculpture in the works of various artists including David Smith, Anthony Caro, Tony Smith, Sol LeWitt, Carl Andre, Dan Flavin, Donald Judd and others. Judd's sculpture was showcased in 1964 at the Green Gallery in Manhattan as were Flavin's first fluorescent light works, while other leading Manhattan galleries like the Leo Castelli Gallery and the Pace Gallery also began to showcase artists focused on geometric abstraction. In addition there were two seminal and influential museum exhibitions: Primary Structures: Younger American and British Sculpture' shown from April 27 to June 12, 1966 at the Jewish Museum in New York, organized by the museum's Curator of Painting and Sculpture, Kynaston McShine Time, June 3, 1966, "Engineer's Esthetic", p. 64Newsweek, May 16, 1966, "The New Druids", p.
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Anticipating the forthcoming album, the music video for "Arbol de la Ciencia", the first single, entered in heavy rotation in main music TV channels in Argentina, and was premiered in Richter's official YouTube channel in January 2012. The clip, produced by renowned director Diego Tucci for Refugio Films, was filmed in the old facilities of SIAM factory, in the south of Greater Buenos Aires, with an esthetic concept that combined modernity and vintage. It also evoked the golden ages of the Argentine industry in the 1950s and 1960s: the abandoned environment of what was one of the most important electric appliances factory in Argentina, and peronist-designed motorcycles and cars. "Arbol de la Ciencia" music video was later followed by the other two singles from "Transformador": "Turra", released in later 2012, also filmed by Refugio Films team in and old fashioned house in Buenos Aires; and "Suiza", in 2014, a surrealist and dark pilgrimage directed by Maria Paz Caldarone, filmed in Newton, a little village 200 km.
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In the initial 1906 plans for the railroad, a branch to Elmsford was planned, diverging from the White Plains branch near the latter's northern end in the vicinity of Mamaroneck Avenue station, striking out in a northwesterly direction through the city of White Plains, crossing over the Harlem Division of the New York Central (NYC) near the latter's White Plains station, and generally paralleling Tarrytown Road to the Elmsford border. However, after the new village of Elmsford (incorporated in 1910 from the Town of Greenburgh) voted against the NYW&B;'s presence on esthetic grounds, it was dropped from further consideration. Another NH interests company, the Westchester Northern Railroad (WN), was chartered in 1910 to build a northward extension of the NYW&B; from White Plains to Pound Ridge, with one branch to Danbury, Connecticut and one to Brewster, New York. The NYW&B; White Plains terminal was built with this extension in mind.
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The fact that this was the right move was confirmed the following year and the first edition (mid-August) in one of the most beautiful, most acoustic and largest open amphitheaters in Europe – at the Summer stage in the Fortress of Nis, which practically initiated the new phase and the chronology of jazz events not only in the south of Serbia but also in this part of Europe. The fact that there were (at least) three thousand visitors every night (which is the capacity of the venue) was simultaneously a practical confirmation of an “esthetic – physical” principle that the “jazz audience broadens according to the available space”. The greater area enabled bringing even greater names, some of which included the following in the previous editions, from 2006 to 2008: Billy Cobham, Dr Donald Byrd, Incognito, The Brand New Heavies, Larry Coryell, Victor Bailey, Lenny White, Milčo Leviev, Nils Petter Molvaer, Duško Gojković, Rosenberg Trio, Gilles Peterson, Sidsel Endresen, Misterija bugarskih glasova etc.
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In the middle of the 20th century, the most influential New York composers included the Massachusetts native and conductor and composer Leonard Bernstein, known for his works Prelude, Fugue, and Riffs, Serenade for Solo Violin, Strings, Harp and Percussion, Chichester Psalms, and the musicals On the Town and West Side Story. Another major composer was Elliott Carter, whom John Warthen Struble claimed would likely be remembered as "the most significant of the mid-20th century... composers [because he] reconceived and restructured the fundamental language of Western art music in evolving his powerful personal style... his music has earned immense respect from colleagues of virtually every esthetic stripe, as well as three generations of performing musicians and audiences." Carter's compositions include Eight Etudes and a Fantasy for Wind Quintet and a Sonata for 'cello and piano. In addition to Carter and Bernstein, in the mid-20th century New York produced the film composer Bernard Herrmann, Gunther Schuller, and serialist Leon Kirchner.
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Interest in Hermogenes of Priene (late 3rd - early 2nd century BCE), the Hellenistic architect of a temple of Artemis Leukophryene (Artemision) at Magnesia in Lydia, an Ionian colony on the banks of the Maeander river in Anatolia, has been sparked by references to his esthetic made by the 1st- century Roman architect Vitruvius (De Architectura, books iii, 2 and 6). Hermogenes' rules on symmetry and proportion define what Vitruvius calls "eustyle" (eu stylos "right column"), an architectural ideal that prescribed a series of proportional relationships for temples that was all derived from the diameter of the column, as a module or unit of measure. Ideal "eustyle" intercolumniation (the space between the columns) should be two-and-a-quarter column-thicknesses, and the height of the Ionic column nine-and-a-half times its diameter. If the intercolumniation was to be tighter, columns should be taller in their proportions, and thicker if they were farther spaced.
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According to archeological information, the nearby area of the Baru Volcano was the place of the first chiefdoms and agricultural societies on what is now the Panama–Costa Rica border, with man-made pottery carbon dated by archaeologists at the Barriles Site Barriles to 300 BC. In Caldera there are also petroglyphs that witness the presence of Isthmo-Colombian villages in this region. During the Spanish Colonization of the Americas, the district of Boquete, along with the rest of the Talamanca highlands, were isolated due to the topographical character of the area, serving as a refuge for the Ngöbe Buglé peoples. It is not until the 19th century, when colonization of the Boquete region began, with population from Gualaca, Bugaba, David and a community of foreigners (mostly French and Germans) and some north Americans who started the growing of coffee, vegetables and the cattle raising. This immigration influenced the architectonic esthetic of the houses in Boquete and its town too.
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Paul Zarinski, noted artist, author and emeritus professor of art at the University of Connecticut, makes note of Vrana's esthetic in the shaping of three-dimensional space and its integration with the built environment and especially Vrana's ability to form connections between design "professions such as architectural engineering and industrial design and the three-dimensional art and design". His work and its composition with regard to structures, with modular units and repetition, and with bas-relief is considered "both sculpture and structure"—especially in the six-story Professional Arts Building in Miami which consists of 200 pre- cast wall panels made with Lehigh cement which has been described as "the world's largest non-repetitive concrete bas relief". His work has been compared to that of Le Corbusier, Moshe Safdie, Frank Lloyd Wright and Buckminster Fuller for its repetitive use of modular units, while his work with relief carvings is considered along with that of Louise Nevelson in art and architecture books.Paul Zelanski and Mary Pat Fisher (2006) Shaping Space: The Dynamics of Three-Dimensional Design.
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Reeder attracted notice early in her career for her performance and video work as "White Trash Girl," a fictional identity through which the artist explored lower-income white culture in the United States. Interviewed by writer and Northwestern University professor Laura Kipnis for the anthology White Trash: Race and Class in America, Reeder said that white trash "describes a certain esthetic, but I think it's also a socioeconomic situation, and a way of perceiving the world around you and your own place in the world." Her more recent films explore the lives of adolescent girls and their use of music, slang, and fashion to express their identities and aspects of their emotional world. Her films have screened at the Whitney Biennial; The New York Video Festival; Kunsthalle Exnergasse in Vienna, Austria; the Gene Siskel Film Center; the Yerba Buena Center for the Arts in San Francisco; P.S.1 Contemporary Art Center; the Wexner Center for the Arts; the Chicago Underground Film Festival; and the 48th International Venice Biennial.
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The "Endymion sarcophagus", early third century, found in 1806 at Saint- Médard-d'Eyrans, in Roman Gallia Aquitania (Louvre) Model reconstructing the Pillar of the Boatmen in the Musée de Cluny, an example of synthesis between Celtic and Roman art Roman culture introduced a new phase of anthropomorphized sculpture to the Gaulish community,A. N. Newell, "Gallo-Roman Religious Sculpture" Greece & Rome 3.8 (February 1934:74–84) noted the esthetic mediocrity of early Gallo-Roman sculpture in representations of Gaulish deities. synthesized with Celtic traditions of refined metalworking, a rich body of urbane Gallo-Roman silver developed, which the upheavals of the third and fifth centuries motivated hiding away in hoards, which have protected some pieces of Gallo-Roman silver, from villas and temple sites, from the universal destruction of precious metalwork in circulation. The exhibition of Gallo- Roman silver highlighted specifically Gallo-Roman silver from the treasures found at Chaourse (Aisne), Mâcon (Saône et Loire), Graincourt-lès-Havrincourt (Pas de Calais),Notre-Dame d'Allençon (Maine-et-Loire), and Rethel (Ardennes, found in 1980).
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Stankovic, "Yugoslav-Soviet Bloc Relations—Sidelights", Radio Free Europe Research, June 19, 1958, at the Open Society Archives, retrieved November 20, 2007 This subject drew attention in the Socialist Federal Republic of Yugoslavia, a country which, under Josip Broz Tito, had engaged on an independent path and was criticizing the Eastern Bloc countries for their commitment to Stalinism (see Titoism). In an article he contributed to Borba, Yugoslav writer Marko Ristić, who spoke of the Romanian as "my friend [...], the nostalgic, gifted and loyal Geo Bogza", took the Scînteia campaign as proof that the Gheorghiu-Dej regime was still reminiscent of Joseph Stalin's. Ristić, who feared the purpose and effect such attacks had on Romanian culture, noted that Bogza had "in vain, done his utmost, by trying to adapt himself to the circumstances, not to betray himself, even in the period when Stalin alone [...] was solving esthetic problems, appraising artistic works and giving the tone in his well-known method." In February 1965, as Gheorghiu-Dej was succumbing to cancer, the Writers' Union Conference facilitated an unprecedented attack on Socialist Realism.
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Chou's compositions are loosely categorized as pop music. While many of his works fall into contemporary R&B;, rap, and rock genres, the term "Chou Style" () has been popularized to describe his trademark cross-cultural music and insistence on singing with slurred enunciation. 台北時報Taipei Times once described the meaning of "Chou Style": "In what has become the archetypal Chou style, Taiwan's favorite son blends pop, rap, blues and a smorgasbord of esthetic elements of world music to create his dream-like never-never land..." Chou regularly fuses traditional Chinese instruments and styles with R&B; or rock to form a new genre called "Zhongguo feng" (), which literally means "Chinese Style Music", some of which are written in the Pentatonic Scale as opposed to the more common seven-note scale (Diatonic scale) to accentuate an oriental style. Besides his own culture, he also incorporated Spanish guitar in "Red Imitation" (), American techno/electronica in "Herbalist's Manual" (), rap with subtle classical music undertones in "Reverse Scales" (), Blues style in "Free Tutorial Video" () and Bossanova style in "Rosemary" (), to name a few.
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Appreciated for documentary value, del Burgo's novels are described as production of scarce esthetic and literary value, very repetitive in terms of its structures, primitive in terms of narration and Manichaean in terms of personalities.Carlos Mata, La aportación de Navarra a la literatura española, [in:] Jaime Ignacio del Burgo (ed.), Vascos y Navarros en la Historia de Espana, Pamplona 2007, , p. 366 Present-day scholars point to two interesting features of his novels. One is a strong Basque ethnic sentiment, calibrated in pre-nationalist, sabinan terms of an ancient Basque Eden.Francisco Javier Caspistegui, Historia oral, inmaterial e intrahistoria en la recuperación de la memoria colectiva de la Navarra rural, [in:] Gerónimo de Uztariz 23-24 (2008), p. 211; Basque threads were present though not key in many of his works; in fact, he insisted on different ethnic origins of alaveses, vizcainos, guipuzcoanos and navarros, see Iñaki Iriarte López, Euskaros, nacionalistas y navarristas. Ideologías del pacto y la agonía en Navarra, [in:] Revista Internacional de los Estudios Vascos 44 (1999), p. 59 Another is equally idyllic rustic thread, advancing a fairly typical Carlist praise of ruralismo and mistrust towards urban life.
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Young performing in 1996 in Turku, Finland Young's 1989 single "Rockin' in the Free World", which hit No. 2 on the US mainstream-rock charts, and accompanying the album, Freedom, rocketed him back into the popular consciousness after a decade of sometimes-difficult genre experiments. The album's lyrics were often overtly political; "Rockin' in the Free World" deals with homelessness, terrorism, and environmental degradation, implicitly criticizing the government policies of President George H.W. Bush. The use of heavy feedback and distortion on several Freedom tracks was reminiscent of the Rust Never Sleeps (1979) album and foreshadowed the imminent rise of grunge. The rising stars of the genre, including Nirvana's Kurt Cobain and Pearl Jam's Eddie Vedder, frequently cited Young as a major influence, contributing to his popular revival. A tribute album called The Bridge: A Tribute to Neil Young was released in 1989, featuring covers by alternative and grunge acts including Sonic Youth, Nick Cave, Soul Asylum, Dinosaur Jr, and the Pixies. Young's 1990 album Ragged Glory, recorded with Crazy Horse in a barn on his Northern California ranch, continued this distortion-heavy esthetic.
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Fumanal i Pagès 2005, p. 98 contemporaries valued them for color and chiaroscuro refinement,La Hormiga de Oro, 01.10.1885, available here today they are appreciated for composition and context.Fumanal i Pagès 2005, p. 98 Vayreda is considered member of the Olot School.l’Escola d’Olot; the group consisted of himself, his brother Joaquim and Josep Berga i Boix; for detailed discussion see Serés 2006, pp. 42-45 Far more than esthetic group emphasizing architectural patrimony, studying folklore or celebrating beauty of rural nature, the Olot painters shared the same holistic visionthey developed a holistic concept, merging economic, religious, political, social, cultural threads, Serés 2006, p. 43-5 and messianic understanding of art, intended to regenerate the society.Dasca Batalla 2004, p. 239, Serés 2006, p. 44 Some scholars claim it stemmed directly from Carlism and was its continuation by means of brush and paint.Canal 2005, p. 59 Others see it as an attempt of conservative re- Catalanisation.Dasca Batalla 2004, p. 239 Most agree that its central theme, embodied in a number of symbolic representations,especially the forests and mountains, see Requesens i Pique 1988, pp. 77-101.
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With its flavour, tone and spectacular events reminiscent of an ancient epic, Chronicle in Stone is probably the funniest, and at the same time, most tragic of Kadare's novels, depicting a world in which people believe in black magic, women live to be a hundred and fifty, and girls are drowned in wells by their families for having kissed a boy. Its characters, the folklore and mythology infusing historical circumstances are reminiscent of some Caribbean novelists or even post-colonial African storytellers, and one cannot help compare its blend of surreal situations and political drama based on real events to South American novels, although Kadare apparently dislikes the label "magical realism" applied to his novels. It is not hard to imagine why: as some South American novelists have said, he too could say that the world he describes is not "surreal" or "magical-realist"; it is simply the real, pre-modern world of the Balkans, albeit a world which is universalized through esthetic transfiguration. Chronicle in Stone was published in Albania during the years of Enver Hoxha, who came to power with the Communist Party after World War II, and stayed there until his death in the mid-eighties.
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On the lower part of the painting were three-dimensional body parts and formulas on a white background.See: Dalia Manor, “Pinchas Cohen Gan: Painting and Antithesis,” Kol Yerushalayim, December 5, 1986. [Hebrew] The formulas were an expression of philosophical-esthetic texts, in which Cohen Gan divided artistic activity into units and the connections between them, and presented them as a linguistic-mathematical system. In other works of this period, such as “The Other Science in Gray” (1982) or “Israeli Paradigm of the Prodigal Son No.1” (1982), a large number of images appear. Mordechai Omer pointed out with regard to the relationship between the images and the background in these works that they create a sealed space, that in spite of its tangibility, we were “unable to sense.”Mordechai Omer (Editor), Pinchas Gan 1983 (Haifa: Haifa Museum of Modern Art and the Haim Eter Museum of Art Ein Harod, 1983), p. 8. [Hebrew] Another expression of his preoccupation with the concept of space appears in works such as those exhibited in the series of works entitled “Area Drawings, Space Drawings, Abyss Drawings” (1981) in the Gimel Gallery, Jerusalem, and in the installation “Programmed Figure in Curved Space, or Painted Solution to Advance Problem no. 457617” (1981) in the Noemi Givon Gallery, Tel Aviv.
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The garden designs of Robinson and Jekyll were often associated with Arts and Crafts style houses. Both were influenced by William Morris, one of the leaders of the Arts and Crafts Movement—Robinson quoted Morris's views condemning carpet bedding; Jekyll shared Morris's mystical view of nature and drew on the floral designs in his textiles for her gardening style. When Morris built his Red House in Kent, it influenced new ideas in architecture and gardening—the "old- fashioned" garden suddenly became a fashion accessory among the British artistic middle class, and the cottage garden esthetic began to emigrate to America. Helen Allingham watercolor showing elite peonies and modern delphiniums in an idealised cottage garden, 1909 In the early 20th century the term "cottage garden" might be applied even to as large and sophisticated a garden as Hidcote Manor, which Vita Sackville-West described as "a cottage garden on the most glorified scale"Vita Sackville-West, "Hidcote Manor", Journal of the Royal Horticultural Society 74 (1949:476-81), as noted by Brent Elliott in "Historical Revivalism in the Twentieth Century: A Brief Introduction" Garden History 28.1, Reviewing the Twentieth-Century Landscape (Summer 2000:17–31) but where the colour harmonies were carefully contrived and controlled, as in the famous "Red Borders".
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