The protected area is an important drinking-water reservoir and has landscape-ecological, esthetical and biological significance. With the neighbouring protected areas it creates an valuable complex of floodplain biotopes with a number of rare plants and animals.
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However, the main point to be drawn from these terms by a singer or speaker is that the result of resonation is to make a "better" sound, or at least suitable to a certain esthetical and practical domain.
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In his bishopric he initiated many religious societies and activities, and started Catholic publishing, including a magazine for Christian philosophy called Hrvatska straža. He founded Catholic student magazines and societies all over the Austro-Hungarian Monarchy. He wrote many articles and works in the theological, philosophical, esthetical and political area. Later Mahnić initiated a Pius society, with its weekly newspaper Jutro.
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The roofs are very steep for faster drainage of rain water. At the corner, the faces of the roof are regularly rounded. In this way, a corner on the roof is avoided which is unsuitable for the roof, and at the same time a semi-elliptical roof of the frontal walls is obtained which provides a better protection from atmospheric effects. This additionally gives a specific esthetical vision of the structure.
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32 In 1837, Nikolay Stankevich had to travel abroad due to his tuberculosis.Paul Bushkovitch, A Concise History of Russia, Cambridge University Press, 2011, p. 162 Stankevich's literary and esthetical views, most of which mirrored the ideas of a Russian historian Nikolai Nadezhdin, presupposed the humanistic enlightenment as the main task of the Russian intelligentsia. Stankevich is known to have considerably influenced some of the Russian and Muscovite intelligentsia in particular, including Vissarion Belinsky, Timofey Granovsky, Mikhail Bakunin, and Alexander Herzen.
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In an objective attempt to distinct and define the characteristic esthetical features, the 'Sciura' is elegant and refined, but with an attitude. She is elderly, wealthy and living in the city center of Milan. She is wearing timeless high fashion designed clothing; often furs, big sunglasses, pearl necklaces accompanied with permed hair. A transpiration of a style is to be seen in the high-end areas of Milan, strolling the streets, having an espresso, going to the theatre or shopping.
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The annual Glasperlenspiel Music Festival (Glass Bead Game Festival, in Estonian Klaaspärlimäng) is a joint project of Eesti Kontsert and Estonian Record Productions since 1995. It is a leading musical event in the Estonian summer. Peeter Vähi, a composer and music producer, is the artistic director of the festival. The Glasperlenspiel Festival is inspired by Hermann Hesse's novel The Glass Bead Game, and its content is intended to present music from unusual angles, occasionally tied to a literary, religious, philosophical, esthetical or some other theme.
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The recollection of antiquity of the VMRO-DPMNE, so-called antiquization, experiences strong criticism from various directions and for various reasons. Macedonian and international civil society, scholars, oppositional politicians and neighboring countries, in particular Greece and Bulgaria, express their dislike. A lot of criticism refers to political, legal, esthetical and financial aspects concerning Skopje 2014. This article focuses mainly on criticism about the historical and political content and implications of the whole narrative referred to by “antiquization”, from which Skopje 2014 constitutes only one, but a very noticeable aspect.
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The annual Glasperlenspiel Festival is inspired by Hermann Hesse's novel, and its intention is to look upon and present music from unusual angles, occasionally tied to a literary, religious, philosophical, esthetical or some other new angle. Recent themes have included Nietzsche contra Wagner, Mozart & Salieri, Da Vinci Code, Jungle Book of Baroque, Carmina Burana Speciale, End of the Era of Composers, Music for Glass Harmonica, and Freemasonic Music. The Australian Chamber Orchestra, the Covent Garden Chamber Orchestra, West-Deutsche Rundfunk Symphony Orchestra, Tokyo Philharmonic Choir, Gidon Kremer, Vadim Repin, Piotr Andreszewski, Olli Mustonen, Christopher Eschenbach and others, as well as Estonian musicians have performed at Glasperlenspiel.
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L'individu qui vient … après le libéralisme ("The Individual that Appears … after liberalism"), published in 2011, is a new step in Dufour's work. He considers that he has sufficiently deconstructed the liberal anthropology in his previous works and is now to enter a constructive line of work in his research for new possible axioms for a real civilizational policy. He first states that western civilization, after a century of two forceful turbulences, nazism and stalinism, now is drawn into today's neoliberalism. This produces a crisis in a hitherto unseen extension, the nature of which is political, economical, ecological, moral, subjective, esthetical, intellectual … Dufour, however, sees nothing fatal in this third historical dead end during a century.
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Building on the legacy of Titu Maiorescu, Lovinescu aimed to show that both the author and critic are never cut out from their social and cultural environments. He opposed Garabet Ibrăileanu's theory of selection (the compromise between individual genius and social requirement), proposing instead the idea that creation and demand occupy the very same moment in time. Lovinescu's analysis was backed by the views of Faguet, Jules Lemaître, as well as Gabriel Tarde's notion of a group mind; it also adhered to the esthetical tenets of Impressionism. The main advocate of Modernism, Lovinescu rejected the preoccupation of Poporanism and the Sămănătorul group had with rural themes, arguing in favour of novels with an urban setting.
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Besides the literary creation the author deals also with the theoretical-esthetical issues of art. His researches connected with the literary critics and literary science are expressed in his books titled “Mammad Amin Rasulzade’s literary world” (1993), “The traveler of a hard way” (1996), “The horizons of freedom” (1997), “Azerbaijani Emigration Literature” (1998), “The literary-theoretical illustrations” (2000), “The shore of survival” (2004), “The issues of studying the literary critics” (2007), “Literary criticism of Azerbaijan” (2012), “Love to Independence” (2014), “Literary criticism of Azerbaijan” (2019), etc. The investigations connected to the Azerbaijani emigrational literature have a special place in the author’s activity of literary activity. Vagif Sultanly is the author of numerous journalistic works and scientific articles connected to critics and literary process.
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