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"cut and thrust" Definitions
  1. fencing
  2. using both the blade and the point of a sword
  3. (in argument, debate, etc) a lively and spirited exchange of ideas or opinions

101 Sentences With "cut and thrust"

How to use cut and thrust in a sentence? Find typical usage patterns (collocations)/phrases/context for "cut and thrust" and check conjugation/comparative form for "cut and thrust". Mastering all the usages of "cut and thrust" from sentence examples published by news publications.

He is also untested in the cut-and-thrust world of electoral politics.
"There isn't as much cut-and-thrust as in the House of Commons," he says.
I THOUGHT IT WAS IMPORTANT THAT WE, MYSELF INCLUDED, WERE IN THE CUT AND THRUST.
Now, however, a new period of cut-and-thrust in the party seems to be emerging.
Not that there is much cut-and-thrust as NLD parliamentarians sit quietly through long, dull sessions.
And—as she showed in her exchange with Mr Biden—she thrives on the cut and thrust.
Ms Cameron notes that Ms Sturgeon moves comfortably between cut-and-thrust debate, statesmanlike speech and warmth.
He also appears fond of the cut-and-thrust with Mr Schumer, a fellow outer-borough New Yorker.
As political operatives, they seem well bonded, both thriving on the attention, the daily cut and thrust of campaigning.
More than the cut-and-thrust of life in the Forum, this is the stuff of a Paradox game.
And Ms. Nguyen's machine dances could dazzle, as eight arms interlocked in a high-speed blur of cut-and-thrust.
In the process, they have used language that has stunned even those used to the cut-and-thrust of politics.
But a blue pencil is as strong as a sword, and more cut and thrust would have made this book sharper.
He is personally genial, loves the cut and thrust of politics, and as a former congressman retains access to the House floor.
Too many variables get in the way, from the cut-and-thrust of the campaign to the math of the Electoral College.
In the cut and thrust of the Brexit chaos, the UK's political class has forgotten about the real constitutional crisis brewing around the nation.
Amid the cut-and-thrust daily fights over stimulus, however, policymakers could be losing sight that growth potential is prematurely falling because of their own bad decisions.
He shone in the second debate when Mr Biden annoyed him, and he got the knives out, but he mainly seems averse to the cut-and-thrust.
The obvious risk of a single wholesale network is that, without the cut and thrust of competition, it ends up acting like the sluggish and underfunded telecoms monopolies of old.
Though a relative newcomer to the cut and thrust of Indian policymaking, Mr Rajan (pictured on the left below, with Mr Modi) knows better than to offer any comment on his reappointment.
" Foreign Secretary Dominic Raab told the BBC on Wednesday that "no one for a split second would have been fooled" and that "no one gives a toss about social media cut and thrust.
The slow burn of a Sembene film may be a world away from the cut and thrust of a Nollywood action flick, but there's still a dialogue to be had between past and present.
It's true she has sought to keep herself well away from the cut and thrust of politics but at the end of the day there are residual powers and responsibilities which lie with her.
Thailand has been rived by political schisms for nearly two decades, and members of the royal family, although considered to be above the cut and thrust of politics, have been drawn into the disorder.
The country's political system has for decades involved a cut and thrust between powerful political forces committed to elections and a military that has at times deemed the ballot box harmful to the country.
Domestic competition, too, is so much more compelling now: the cut and thrust of the Premier League, awash with unimaginable sums of money, and the glamour of Barcelona and Real Madrid, Bayern Munich and Juventus.
He was late to the running forehand; shaky on his serve; brittle under pressure and quick, far too quick, to opt for the drop shot instead of the cut and thrust of an extended rally.
And some leading Democrats were less worried about recovering from the cut-and-thrust of the primary fights than figuring out how to address the deep fissures within their coalition that this race has exposed.
That's right, even a savvy Washington insider, the same height as LeBron James and no stranger to the cut and thrust of power, seemed slightly ashamed that he had not been able to do so.
But away from the political cut and thrust, Brexit has brought a new level of uncertainty for many of the people who go to work each day in Britain, putting lives and livelihoods in the balance.
Pierre Trudeau "just wasn't engaging in the political cut and thrust" of the 1972 campaign, said University of Manitoba history professor Barry Ferguson, noting his son had put much more effort into his bid for re-election.
The work has the dramatic cut-and-thrust of Verdi, some syncopations familiar from the composer's piano music, as well as choral complexities and solo arias that can stand with canonical works of the Romantic and modern eras.
In an age when CDs sold more than ever, the cut and thrust of the music industry meant that new acts were being pushed all the time—and often were unable to sustain themselves beyond their one radio single.
A master of galvanising the masses with his fiery rhetoric and social media savvy, Salvini's dramatic reversal of fortune shows that he lacked a similar mastery of the political cut-and-thrust in the corridors of power in Rome.
Yet away from the political cut and thrust, Brexit has brought a new level of uncertainty for many of the people who go to work each day in Britain, putting lives and livelihoods in the balance, write the NYT's Amie Tsang and Adam Satariano.
"There is a lot of cut and thrust, a lot big deals, big valuations, big pay packets, that exist in Silicon Valley, but with all of that activity comes a high level of expectation when it comes to ... the commitment of people that work within the business," he said.
Set against the cut-and-thrust of contemporary politics while shifting back and forth in time, the play has distressingly little of import to say, and Mr. Hare's gift for writing women's parts hasn't extended to the doctor Pauline Gibson, who becomes a single-issue politico; the fine actress Siân Brooke ("Sherlock") is wasted in the role.
Their format is unlively, with little cut-and-thrust allowed among the men on the platform.
While a rapier is primarily a thrusting sword, a schiavona is a cut and thrust sword that has extra weight for greater penetration. It was basket-hilted (often with an imbedded quillon for an upper guard) and its blade was double edged. A surviving blade measures 93.2 cm × 3.4 cm × 0.45 cm and bears two fullers or grooves running about 1/4 the length of the blade. Weighing in at around 1.1 kg, this blade was useful for both cut and thrust.
The car was good enough to win three races and take Cheever to fourth in the championship. This was enough for Enzo Osella to take the plunge into the cut-and-thrust world of Formula One.
Army cadet swords before 1802 are mentioned in three existing sources: On 30 March 1800, a General Order required cadets to wear a sword with a cut and thrust blade between 28 and 32 inches long and with a gilt hilt. On 22 September 1800, the Superintendent of Military Stores, Samuel Hodgdon, wrote to John Harris, a military storekeeper, that cadet and noncommissioned officers' swords should be brass mounted with cut and thrust blade 30 inches long. In 1801, a set of regulations was published stating that cadet swords should be the same as platoon officers' swords, 28-inch cut and thrust blade mounted according to the branch of service. Most of the first cadets at the Military Academy were from artillery and engineer organizations, and so it is presumed that yellow mounted swords were almost universal.
Some kingdoms are reviewing an experimental style called "side-sword", which allows percussive cuts and thrusts with blades suitable for cut-and-thrust style fencing. Some fencing melees allow some firearm simulation (rubber band guns) as well. This activity is not universally accepted within the Society.
Colonial troops, who could expect to engage in melee combat with opposing cavalry frequently carried cut and thrust swords either instead of, or in addition to the P1908/1912. In military circles there had long been the debate over whether the use of the point or the edge was the better method of attack for a cavalryman. In the Napoleonic period, British cavalry doctrine as shaped by John Gaspard Le Marchant favoured the cut, resulting in the dramatically curved Pattern 1796 light cavalry sabre. With the introduction of the 1822 patterns, the British Army adopted a series of "cut and thrust" swords with slightly curved blades which were theoretically stiff enough for a thrust.
At the 2008 mayoral election, Boris Johnson defeated incumbent mayor Ken Livingstone. Livingstone's defeat had been attributed to a loss of support amongst swing voters and voters in London's outer suburbs.Analysis: Cut and thrust to oust Boris The contest was also one of the 2008 local elections, which generally demonstrated poor results for Labour.
In 2008, Cullen's book The Poverty of Corrupt Nations was published by Blue Butterfly Book Publishing. In his second book, "Beyond Question Period, or What really goes on in Ottawa", which was published in 2011, he chronicles the life of an MP In Ottawa beyond the rhetoric of the cut and thrust of Question Period.
Hart p.171 He was accused by his political opponents of taking bribes to vote for the Government, but such charges were a normal part of the cut and thrust of eighteenth-century Irish politics and not in themselves evidence of corruption.Ball p.164 He became a Baron of the Court of Exchequer in 1776.
I'll give you five minutes tomorrow morning. Pick me up at nine sharp.' At the studio the next morning he looked through my paintings, and it amused me to find that this hard-headed American so long immersed in the cut-and- thrust of show business was not indifferent to them. In fact, he stayed all morning.
Mongol swords were a slightly curved scimitar, which they used for slashing attacks but could also use to cut and thrust, due to its shape and construction. This made it easier to use from horseback. Warriors could use the sword with a one-handed or two-handed grip. Its blade was usually around in length, with an overall length of approximately .
Opinionated, dogmatic and determined, Hastings could oppose as a matter of principle, but would never betray the monarch. Hastings was a prolific and hard-working MP requested for many offices, and never out of favour. Despite being from a noble family he thrived on the cut and thrust of Commons procedure; perspicacious, insightful he tried to achieve a balance of power.
A 1600-1650 bilbo with a Solingen blade and a Spanish hilt. The bilbo is a type of 16th century, cut-and-thrust sword or small rapier formerly popular in America.The encyclopedia of the sword, Nick Evangelista. page 55 They have well-tempered and flexible blades and were very popular aboard ships, where they were used similarly to a cutlass.
Typical firangi sword The firangi sword characteristically had a long, , straight blade of either broadsword (two edged) or, more commonly, backsword (single edged) form. The blade often incorporated one, two, or three fullers (grooves) and had a spear-tip shaped point. The sword could be used to both cut and thrust. Examples with narrow rapier blades have survived, though in small numbers.
The U.S. Army saber model 1902 was designed to be a replacement for the U.S model 1850 for foot Officers, and the model 1872 for the cavalry. This new design was developed in response to a request for a lighter cut and thrust weapon that soldiers “can actually fight with”.Harold Peterson, The American Sword 1775-1945 (New York: Dover Publications, INC., 2003) p. 61.
Prior to the founding of Islam, swords were imported from Ubulla, a town along the Tigris river in Iraq. Arabian swords retained their straight double-edge shape during the time of the Prophet Muhammed. With the exception of their curved handles, they were nearly identical to medieval European arming swords in both function and design. They typically had a cruciform hilt and favoured cut and thrust techniques.
The term was introduced to distinguish these cut and thrust swords from the smaller and narrower smallsword. By the 17th century there were regional variations of basket-hilts: the Walloon hilt, the Sinclair hilt, schiavona, mortuary sword, Scottish broadsword, and some types of eastern European pallasches.Henry Charles Howard Suffolk and Berkshire (Earl of), Hedley Peek, Frederick George Aflalo, The Encyclopaedia of Sport & Games, Volume 1 (1911), pp. 349–355.
The producers warn that the rudii are for ceremonial purposes, however, and should not be used in mock combat. In this sense, the waster supersedes its place as a tool for combat and becomes primarily a work of art. Dussacks and falchion, two-handed sword, cut and thrust sword, gladius, Viking sword and rapier wasters are not widely available from commercial vendors, but may be special ordered or hand-crafted.
A piece in The Age expressed similar sentiments, claiming: "The real mystery is how a show with a decidedly daytime production style, featuring well-telegraphed plot developments and lingering shots of the characters' puzzled/simmering/distraught expressions, will fare in the cut and thrust of after-dark TV." However, The Daily Telegraph was more positive, predicting that the show would "prove popular for Aussie soap fans who prefer their fare more grown-up than Neighbours".
The curved, Gothic-hilted 1822 and 1845 pattern infantry swords, although elegant, had been criticised by some as fighting swords. In common with British cavalry swords of the era, they were cut-and-thrust swords. In 1892, a new, straight, blade was introduced, mated to the existing Gothic hilt. Presaging the introduction of the 1908 pattern cavalry sword, the curved blade was abandoned in favour of a straight, stiff blade optimized for the thrust.
A similar weapon was the cut-and-thrust mortuary sword which was used after 1625 by cavalry during the English Civil War. This (usually) two-edged sword sported a half-basket hilt with a straight blade some 90–105 cm long. These hilts were often of very intricate sculpting and design. After the execution of King Charles I (1649), basket-hilted swords were made which depicted the face or death mask of the "martyred" king on the hilt.
Gino Bramieri (; 21 June 1928 – 18 June 1996) was an Italian comedian and actor. He was especially known as a television comedian, but also performed in theatres, on radio, and in about thirty movies. He was nicknamed "Il Re della barzelletta" ("the King of jokes") for his burlesque comic style, which was largely based on his skill at telling funny stories. His jokes were sometimes as quick as a cut and thrust, and bordering on surrealism.
In his obituary Ball recalls his Friday afternoon teaching rounds: 'He towered above all others in a characteristic pose, wagging his finger for emphasis. These occasions were immensely popular and 40 or 50 students would crowd round the beds. They were impressed by his gentleness, kindness to patients, his diagnostic skill, his fund of knowledge and his practical common sense. He thoroughly enjoyed the cut and thrust of teaching, and the students responded with fascination and delight.
Fencers whose sword arm is disabled can switch hands. Some kingdoms use rules with additional details for strikes to the hand, which may simply disable the hand (represented by making a fist) or apply to the whole arm. For a strike to the leg or foot, the fencer can continue fighting but must kneel, sit on the ground, or balance on one leg. Under Cut and Thrust rules, hits to the leg or foot are considered incapacitating.
O'Kennedy's tenure in the European Commission was an unhappy one. He quickly grew bored of the mundane day-to-day work as a Commissioner and missed the cut-and-thrust nature of Irish politics, which was going through a particularly unstable period. A general election was called for February 1982 and O'Kennedy decided to return to contest his old seat. His gamble paid off as he was returned to the Dáil for Tipperary North once again and he resigned as a European Commissioner.
The political fight in Eye at the 1918 general election was clearly contested with a ferocious degree of intensity. During the campaign Lyle-Samuel was the subject of a number of allegations which went beyond the usual cut and thrust of democratic politics. Consequently, as a result of unspecified but allegedly scandalous allegations against him, Lyle- Samuel had issued writs against the National News and against both his Conservative opponent, Colonel French and his agent, Mr Alfred Pretty.The Times, 14 December 1918 p.
Kilij The Ottoman cavalry sabre or kilij is the Ottoman variant of the Turko-Mongol sabre originating in Central Asia. It is designed for the mounted close combat preferred by the Turkish and Mamluke troops. It was a one-handed saber with a slight curvature enough to cut and thrust effectively; Sharpened back edge at the final section of the blade known as "yalman" was specific to kilij. A (kılıç) consists of a blade which is usually grooved, a hilt, guard and scabbard.
Along with their practice of fencing, many SCA fencers also study period fencing manuals such as those by Ridolfo Capo Ferro, Giacomo di Grassi, Camillo Agrippa, and Carranza. While study and use of period technique is far from universal, with the increased popularity of accurate rapier simulators (as opposed to foils and épées) as well as Cut and Thrust rules, participants are able to apply a large variety of period techniques in competition as well as being able to study it in a collaborative, non- competitive setting.
During this time, civilian swords evolved to side-swords, also known as "cut and thrust" swords, and progressed towards the thicker, tapering sword that eventually became the 17th century rapier. This new weapon was popular for both protection on the street and as a tool in the duel, but found little success on the battlefield. The Italian, French, and Spanish schools embraced this change in civilian armament and developed systems of rapier fencing. The German school, however, provides little on this weapon and ceases its prevalence thereafter.
Dennis et al 2008, p. 59. Hutton had earlier received a "Trophy of Arms" as a gift from Major Joseph Gordon, a long-standing military acquaintance, comprising mounted cut and thrust swords and triangular Martini Henri bayonets arranged in a semicircle around a brass crown. To Hutton the shield was symbolic of the co-ordination of the Naval and Military Forces of the Commonwealth. Three different designs were created, and they formed the basis of a new design created in 1903, which was subsequently adopted as the General Service Badge in 1911.
This makes Philip of Sri Lankan Tamil and English descent.J. B. Jeyaretnam: Politician and activist who fought all his adult life for greater democracy in Singapore Growing up, he was "inspired by both [his] parents who were lawyers". He found his father's court work "exciting" due to "the probing, the cut and thrust, the interplay between two opponents" which "appealed to [his] competitive streak". Philip also said that his "best days are spent right in the thrust of battle in court" where he gets to "uncover things, to get to the truth".
The league game between the two sides at Selhurst Park was played in front of a crowd of over 25,000, Palace's highest home attendance for two years. Malcolm Allison complained that Brighton had secured their 1-0 victory by their overly physical tactics. The Evening Argus reported that the game had been played in a "cup-tie atmosphere" with "the cut and thrust carried through with the zest of deadly rivals". The return match at the Goldstone Ground saw over 33,000 crammed in to the stadium to see a third tier match.
He led the Australian delegation to the General Assembly of the United Nations for its 15th, 17th, and 18th sessions. For some time, Barwick was seen as a likely successor to Robert Menzies as Liberal leader and prime minister. When the news broke that he was entering parliament, Frank Browne confidently wrote: However, Barwick struggled to adapt to the cut and thrust of political life. There were reports that he was reduced to tears by a vitriolic debate over what would become the Crimes Act 1959, which he later confirmed had been accurate.
Perhaps the simplest explanation is the natural development of polearms. Polearms are intended as mass weapons, to be used not just by individual warriors, but by formations of soldiers together on field battles and not for dueling. When fighting in close order, two-handed cut-and-thrust weapons, such as halberds and glaives, are much more efficient than mere spears or swords because of their versatility compared to spears and longer reach compared to swords. Fighting in massed formation does not require similar individual weapon-handling skills as required by a skilled swordsman.
Olsen was critically acclaimed for a number of his roles in musicals like The Rocky Horror Show, Cut and Thrust, Gorky Brigade, Welcome Home, The Pope's Wedding, Saved Dialogues, Metamorphosis, Serious Money, What the Butler Saw, Way of the World, and Bad Boy Johnny and the Prophets of Doom. He received particular praise for his portrayal of Moey in On the Ledge at the National Theatre in 1993. Two years later he appeared in April in Paris at the same theatre. His last stage role was as Evan in Yasmina Reza's Art, in 2000.
In his autobiography My Word host Terry Christian said that Huffty, a Catholic lesbian from Whitley Bay who is listed in the alumni of Whitley Bay High School, was a nice girl and not suited to the cut and thrust of television. Prior to presenting The Word, she had been part of the cabaret duo Boo, was a youth worker, and acted in two stage plays. Huffty presented the show for only one series, but achieved popular recognition. She also appeared on the Harry Hill show in the late 1990s.
Reborn as Soundblaster (New Soundwave in the English version and Vizar in Italy) Soundwave's new toy incarnation was, like the series, available only in Japan. In the Transformers: The Headmasters, Soundwave and Blaster's rivalry had increased dramatically. In the opening cut and thrust of Headmasters, Soundwave and Blaster engaged in their final clash in the Arctic Circle as the Autobots and Decepticons were in the process of searching for the missing Autobot Matrix of Leadership. The two opponents inflicted fatal damage to each other, and Soundwave's body exploded even as Blaster collapsed.
Invalided out of the Army in 1947, Hibbert returned to CG Hibbert, his family's wine and spirits business, which was on the verge of collapse. Finding "the cut and thrust of commercial life", as he put it, "as exciting as war with no prisoners taken," he turned the firm around and rose to be its managing director. Among the diverse fields to which he extended it was soft-drink canning, in which he introduced the ring pull can to the United Kingdom. He received the Queen's Award for Industry.
Even as a lowly copy boy, the teenager loved the cut and thrust of the newsroom of Scotland's biggest daily broadsheet. Gradually he got to write second-division match reports and a year later he signed up for the HND in Journalism at what was then Bell College in Hamilton – now University of the West of Scotland. But he continued working at The Herald every Sunday on the sports desk, getting his name in the paper. In October 2009 Broadfoot replaced Rob Shohouse as the Head of the Scottish Football Association's Communications Department.
At first the wire guard was a simple design but as time passed it became increasingly sculpted and ornate.Oakeshott, Ewart, The Sword in the Age of Chivalry (1964). The basket- hilted sword was a cut and thrust sword which found the most use in a military context, contrasting with the rapier, the similarly heavy, thrust-oriented sword most often worn with civilian dress which evolved from the espada ropera or spada da lato type during the same period. The term "broadsword" was used in the 17th and 18th centuries, referring to double-edged basket-hilted swords.
Robert Drews arguesDrews 1993:192ff for the appearance of massed infantry, using newly developed weapons and armour, such as cast rather than forged spearheads and long swords, a revolutionizing cut-and-thrust weapon,Drews 1993:194 and javelins. The appearance of bronze foundries suggests "that mass production of bronze artefacts was suddenly important in the Aegean". For example, Homer uses "spears" as a virtual synonym for "warriors". Such new weaponry, in the hands of large numbers of "running skirmishers", who could swarm and cut down a chariot army, would destabilize states that were based upon the use of chariots by the ruling class.
Speaking at the first session of the Dáil that followed, Taoiseach Jack Lynch offered a sincere and moving tribute to the late Deputy. He spoke of a TD who "commanded respect and attention", especially in matters of finance; a "gifted parliamentarian who loved the cut-and-thrust of debate" and who was as "fair an opponent as he was formidable". He noted a career cut short: "Through his tragic and untimely death, Dáil Éireann and Irish public life have suffered a grievous loss. That loss will be felt all the more because of his great impact on, and contribution to, Irish political life".
The entire body is considered a valid target, and there is no "priority" (right-of-way) rule, which is similar to sport Épée. A valid blow is scored with either a thrust in line with the blade or a cut with the edge of the blade. In normal rapier rules, the edge may only be used for draw-cuts (placing the blade and pulling or pushing it on the opponent's body), while under "cut and thrust rapier" rules, percussive blows with the edge are also permitted. Only a sword or dagger may be used to strike an opponent.
Since versions of the fable were confined to Greek, it only began to gain greater currency during the European Renaissance. Gabriele Faerno made it the subject of a Latin poem in his Centum Fabulae (1563). In England it was included in collections of Aesop's fables by Roger L'Estrange as "A miser burying his gold" and by Samuel Croxall as "The covetous man". Appreciating the cut and thrust of the argument, the composer Jerzy Sapieyevski included the fable as the fourth his Aesop Suite (1984), set for brass quintet and narrator, as an example of how ‘musical elements lurk in gifted oratorical arguments’.
When discussing the qualities of Byron's poetry in comparison with how Verdi treated it musically, Julian Budden points to one obvious problem: the opera "hardly makes for music-drama [because] it is a narrative. Not being conceived of in dramatic terms it offers no opportunity for the generation of musical power through conflict and clash of personalities."Budden, p. 367 He compares it unfavourably with "the steady crescendo of dramatic interest" in Ernani, or the "cut and thrust of character dialectic that informs I due Foscari and "without the sense of grand theatre that transfigures the great moments in Giovanna d'Arco and Attila.
According to one authoritative source, German-issued trench knives of World War I were "conventional, general-purpose, cut-and-thrust knives" with blades that were "for the most part approximately six inches in length, single-edged with a top leading false edge ... although double-edged blades are occasionally encountered." Johnson, Thomas M., LTC (Ret.) & Wittmann, Thomas T.: Collecting the Edged Weapons of Imperial Germany, Vol. I, Privately published, (1988), p. 317 After the French Nail was employed against them, German forces on the Western Front also began to employ converted steel barbed-wire stakes as stabbing weapons for use by their own soldiers.
The play received mixed reviews: the critic in The Times found it unrealistic and dull. Similarly, Philip Hope- Wallace of The Listener found it “a Boy's Fiction standard with a conversational cut and thrust to the dialogue which sounded as dry and powdery as the snows of the film inserts”. On a more positive note, Peter Black in the Daily Mail found the play to be a “rousing, outdoor adventure story” while Clifford Davis in the Daily Mirror described it as “gripping stuff and, for this viewer, packed with terror”. The play was spoofed by The Goon Show in the episode "Yehti", broadcast on 8 March 1955.
The large pommel helped to keep the point of balance of the sword close to the guard, balancing the sword for its length. The original official specification called, once again, for a "cut and thrust" blade and the final of the blade was theoretically supposed to be sharpened, but little more than lip-service was paid to cutting ability. The straight blade prevented the slicing action of a curved sabre and the concussive force would be compromised by the hilt- biased balance. Furthermore, the narrow blade was weak in the cutting axis, and the pistol grip with specialised thumb placement, ideal for thrusting, was awkward for the cut.
The 1912 Pattern Officers Sword Whereas swords for troopers and NCOs were issued by the Army, officer's swords were privately purchased by the officers themselves. Until 1912, officers continued to carry their pierced "honeysuckle" hilted or three-bar hilted cut-and-thrust swords. The three-bar hilt was officially discontinued for light cavalry officers in 1896, in which year it was required that they adopt the heavy cavalry form. However army regulations also stated that on the introduction of a new pattern an officer's sword need not be replaced until his existing one was no longer serviceable; use of the three-bar hilt thus continued well into the 20th century.
Modern reproduction of a kopis The term kopis (from Greek κοπίς, plural kopidesκοπίς, Henry George Liddell, Robert Scott, An Intermediate Greek-English Lexicon, on Perseus from κόπτω – koptō, "to cut, to strike";κόπτω, Henry George Liddell, Robert Scott, An Intermediate Greek- English Lexicon, on Perseus alternatively a derivation from the Ancient Egyptian term khopesh for a cutting sword has been postulatedGordon, D.H. (1958) "Scimitars, Sabres and Falchions". in Man, Vol 58, p. 24) in Ancient Greece could describe a heavy knife with a forward-curving blade, primarily used as a tool for cutting meat, for ritual slaughter and animal sacrifice, or refer to a single edged cutting or "cut and thrust" sword with a similarly shaped blade.
Competition Commission Report 1984 The existence of a public quotation enabled Trafalgar House to issue shares for acquisitions and Broackes made extensive use of that facility for the company to become a formidable international industrial and commercial undertaking. According to The Daily Telegraph, Broackes embarked on "a string of construction and engineering acquisitions which established the core of a corporate group – and which gained Broackes the reputation for being a financier with an exceptional flair for victory in the cut and thrust of business life."Daily Telegraph obituary, 1 October 1999 An acquisition with significant long term consequences was a 49% share of Bridge Walker in 1964 (increased to full ownership in 1967).
Thorpe proved to be a lively and witty performer in the cut and thrust of parliamentary debates, and his presence in the House of Commons was soon noticed. In July 1962, in the wake of some disastrous Conservative by-election performances, Macmillan sacked seven cabinet ministers in what was known as the "Night of the Long Knives". Thorpe's comment—"Greater love hath no man than this, that he lay down his friends for his life"—was widely regarded in the press as the most apt verdict on the prime minister.Freeman and Penrose, pp. 33–34 Thorpe raised his political profile with effective attacks on government bureaucracy, and in the October 1964 general election was returned in North Devon with an increased majority.
If he appears to be succeeding, he loses interest. "In fact, he cannot bear success of any kind, not even of his own views or party; and if any principle were likely to become popular, would turn round against it to shew his power in shouldering it on one side. In short, wherever power is, there is he against it. ... I do not think this is vanity or fickleness so much as a pugnacious dispostion, that must have an antagonist power to contend with, and only finds itself at ease in systematic opposition."Hazlitt 1930, vol. 8, p. 54; see also James Sambrook's appreciation of this analysis, Sambrook 1973, p. 191. Cobbett "likes the cut and thrust, the falls, bruises, and dry blows of an argument ..." But then he loses all interest.
George William Featherstonhaugh described them as, "These formidable instruments ... are the pride of an Arkansas blood, and got their name of Bowie knives from a conspicuous person of this fiery climate." According to an 1847 article, the Bowie knife was originally designed to fill the need for a wearable, convenient, close-combat weapon - a short sword much shorter than the saber or other swords of the day, yet still possessing a heavy blade. This cleaver-like blade had enough weight to give the blade sufficient force in a slashing attack, while permitting the use of cut-and-thrust sword fighting tactics. By this time the 'Bowie knife' was already being made in a variety of sizes, with the optimum blade length similar to "that of a carving knife".
Italy had not won the second group match in a major international tournament since Euro 2000, in which Conte had coincidentally appeared as a player. Conte also led Italy to the top of the group, the first time in a major tournament since the 2006 World Cup. After the 2–0 round of 16 win over defending champions Spain, Conte's Italy then faced off against rivals and reigning world champions Germany in the quarter- final, which ended 1–1 after extra time and 6–5 in favour of Germany after the resulting penalty shoot-out, ending his time as Italy manager. Speaking after the match, Conte said, "[T]he decision to leave the national team after two years was taken early," and that the reason for leaving was because he "wanted to return to the cut and thrust of club football".
Television researcher Helena Robson has discussed the appeal of soap operas and suggested that "many soap stories are never finally resolved and conflicts between characters may run throughout the programme's history". She used the "undying hatred" between Ken Barlow and Mike Baldwin (Johnny Briggs) as an example of this, suggesting that viewers "welcome the sense of stability this offers although the element of change offers as much enjoyment for viewers." It was suggested in an ITV documentary in 2006 that Ken and Mike's hatred was a clash of cultures: "Barlow the lefty do-gooder versus Baldwin, the cut-and-thrust money grabber." Briggs has claimed that Ken was jealous of Mike because he was rich and successful while Ken was not, and Roache has claimed that the reason Ken disliked Mike was because he was a self-centred and self-made individual.
Television researcher Helena Robson has discussed the appeal of soap operas and suggested that "many soap stories are never finally resolved and conflicts between characters may run throughout the programme's history". She used the "undying hatred" between Mike Baldwin and Ken Barlow (William Roache) as an example of this, suggesting that viewers "welcome the sense of stability this offers although the element of change offers as much enjoyment for viewers." It was suggested in an ITV documentary in 2006 that Ken and Mike's hatred was a clash of cultures: "Barlow the lefty do-gooder versus Baldwin, the cut-and- thrust money grabber." Briggs has claimed that Ken was jealous of Mike because he was rich and successful while Ken was not, and Roache has claimed that the reason Ken disliked Mike was because he was a self-centred and self-made individual.
Credits include The Man from Mukinupin, On Our Selection, Traitors, Hamlet, No Names, No Packdrill, Cut and Thrust, Frankie & Johnny in the Claire De Lune, for the STC: Navigating (Dir: Marin Potts) The Breath of Life, Woman in Mind, for the MTC: Grace, (Dir: Marion Potts), Madagascar, (Dir: Sam Strong) and The Heretic, (Dir: Matt Scholten). In 2014 she appeared in a critically acclaimed production of The Beauty Queen of Leenane (Dir: Declan Eames) for the Kin Collective at 45 Downstairs. In 2015 and 2016 Noni performed in a one-woman play, Mother, (Dir: Matt Scholten), written for her by Daniel Keene, on a national tour produced by If Theatre & Regional Arts Victoria. Mother received two Helpmann Awards nominations for Best Performance by a Female Actor in a Play and Best Regional Touring Production for If Theatre.
The 1845 sword enjoyed a long service life and was used successfully in colonial wars all over the world, often winning the praise of British soldiers who used it to defend their lives. However, in 1892 proponents of the theory that thrust should be used exclusively over cutting for swords prevailed and the cut and thrust blade was replaced by a straight dedicated thrusting blade with a thick, fullered, dumbbell section and a very acute narrow tapered point. Unburdened by the design compromises of a requirement to cut well, this was a triumph of academic theory over real world experience, but was generally well received (Robson reports on its good performance against the Dervishes in the Sudan. It was during the Sudan campaign when a young Winston Churchill sheathed his (cavalry) sword before the charge and used his then shockingly modern Mauser Broomhandle semiautomatic pistol).
After leaving the sport, Hulme led the GPDA (Grand Prix Drivers' Association) for a brief period, but the cut and thrust nature of the post was ill-suited to his gentlemanly nature and he did not fill the post for very long. He then retired to New Zealand, returning to touring cars to race occasionally in the Benson & Hedges 500 race at Pukekohe Park Raceway in the late 1970s first in Chrysler Chargers then later a Volkswagen Golf, partnering Stirling Moss on occasion for the 500 kilometre endurance format. Hulme began racing regularly again in 1982 with amateur racer Ray Smith, building up a team with the Holden Commodore V8 capable of winning the New Zealand Production Car Series for Group A touring cars in 1983/84. Hulme also started racing in Australia, racing in the team of former European compatriot Frank Gardner's JPS Team BMW, which included second in class at the 1984 Bathurst 1000.
The book consists of five sections, covering the longsword, dussack (a training weapon not unlike the Messer), rapier (in Meyer's case, a single-handed sword utilised for both cut and thrust), dagger and wrestling, and polearms including the quarterstaff, halberd and pike. In general, the system described in Meyer's book generally flows from, and uses the terminology of, the German school of swordsmanship as set down by Johannes Liechtenauer, though Meyer's civilian system with the rapier also bears some resemblance to contemporary Italian swordplay, including Achille Marozzo. In common with earlier German sources, Meyer's system gives pride of place to the longsword, which is both the first weapon discussed, and the weapon treated in most detail, forming an exemplar- teaching tool for the rest of the system. However, the rapier, dagger and polearm techniques and devices described in Meyer's book do not appear to concede much to sporting considerations, featuring as they do the thrusts omitted from the longsword section, as well as a range of possibly lethal fight ending techniques.
Throughout its run in Australia, NASCAR never ventured west of Adelaide and never went off the mainland which limited its audience (though this didn't stop Tasmanian drivers from competing, such as the winner of the first two Australian championships, Robin Best). It was at Oran Park in 1995 where 1993 500cc Grand Prix motorcycle World Champion, American Kevin Schwantz, made his NASCAR debut. Schwantz won that race at Oran Park driving a Chevrolet Lumina and later went on to be a regular in the NASCAR Busch Series in the United States, chose to "cut his teeth" in the more relaxed Australian championship to gain valuable experience rather than jump straight into the cut and thrust of the more professional American series. Occasional forays onto other circuit began during the 1990s, first to Eastern Creek Raceway in Sydney before also racing as a support category at the Bathurst 1000 with the cars regularly being faster than the V8 Touring cars on the Mount Panorama Circuits 1.1 km long Conrod Straight, reaching over , though overall lap times were approximately 10 seconds per lap slower than the made for road racing V8 tourers.
Being monarchist, Alf's Imperial Army often battles groups of self-proclaimed Republicans. One example is The Battle for Oamaru, which took place in October 2000, when the Army fought against a motley but determined band of about 40 New Zealand Green Party members calling themselves "Green Republicans" who assembled in Oamaru under Field Marshal Keith Locke, their Commander in Chief. According to the Greens, all those on the Alf side "committed suicide". Alf's Imperial Army has battled against many different groups, including political parties,Origins of Alf's Imperial Army – Wizard of New Zealand"Time Marches On" Christchurch Press 25 August 2003 the NZ Police, student clubs"Mock Battle" Chaff 27 July 1988 and student hostels,"Annual Pacifist Warfare" Otago Daily Times 10 May 2007 The Outward Bound organisation,"Wizcorp Eyes Cosmic School" Evening Post (Wellington) October 1987 community organisations,"Army Gathers in Defence of Naseby" Otago Daily Times 28 April 2003"Coast Prepares for War" Daily News (Taranaki) 7 March 1990 Sea Cadets,"Humour Wins in Battle of Pacifists" Waikato Times 20 May 2002 schools,"Paper-cut and Thrust of War" Nelson Mail 17 October 2007 TV stations, nudists,"Zany Holiday Capers at Mapua" Christchurch Star 27 December 1988 and of course other pacifist warfare groups.
In 1845, the pipe backed blade was replaced by Henry Wilkinson's design. This was a slightly curved cut-and-thrust blade, generally of the same length of the previous pattern, however the new blade featured a single, wide fuller and a flat back, rather than the pipe back, with a symmetrical spear-point rather than the quill-point. In essence it was a curved backsword blade with an improved point. It was a slightly heavier and more robust blade than the 1822 pipe-back. This new blade was also carried over onto cavalry, engineers and artillery officer's swords in 1845 and to naval officer's swords in 1846. The hilt remained essentially unchanged from the 1822 pattern, although there was a tendency for brass guards after 1845 to be made somewhat thicker and more robust than previously. The hinged guard flap, which had been standard (if not universal) from 1822, started to disappear in the 1850s, to be replaced by a solid brass guard almost universally after around 1860. This change to the hilt is sometimes referred to as the '1854 pattern', but it was not technically a 'pattern' and the change seems to have happened at the end of the 1850s generally.

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