In spite of all the crudities and high school hallway chatter, there was good reason to be optimistic.
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No. What spoke to me were the references to "crudities, doubts, and confusions," for nothing came as close to characterizing what my life had become as those three words.
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In a news environment that's saturated with fleeting outrages, false equivalences, and fluctuating poll numbers, it's easy to lose sight of the fact that Republicans aren't just ratifying a new set of policy ideas and crudities.
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But both do aim to correct and refine what they believe are some of the crudities in the current interpretations, which have had the unintended effects of reviving a Southern view of the Constitution and of blurring in their own ways the differences between the societies of the North and the South.
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The title page of Coryat's Crudities, printed in 1611. ''''' is a travelogue published in 1611 by Thomas Coryat of Odcombe, an English traveller and mild eccentric.
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Reginald Scot listed Tom in his Discoverie of Witchcraft (1584) as one of the creatures used by servant maids to frighten children, along with witches, dwarfs, elves, fairies, giants, and other supernatural folk. Title page Coryat's Crudities Tom was mentioned by James Field in Coryat's Crudities (1611): "Tom Thumbe is dumbe, until the pudding creepe, in which he was intomb'd, then out doth peepe." The incident of the pudding was the most popular in connection with the character.
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02 Nov. 2010 . It is commonly thought that the writers of the Gospel of Matthew and Gospel of Luke used Mark as a source, with changes and improvement to peculiarities and crudities in Mark.
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Oxford Dictionary of National Biography, Oxford University Press. Accessed 30 Nov 2014. Crudities was only twice reprinted at the time, so the first edition is quite rare today. Later, "modern" facsimiles were put out, in 1776 and 1905, which included the later trip to Persia & India.
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An Italian actress was reported as early as 1565–66; see Rennert, Spanish Stage, p. 140. Thomas Coryate, in Coryate's Crudities, noted actresses in Venice in 1611; see Halliday, Shakespeare Companion, p. 22. For amateur precedents, see: Tempe Restored; The Shepherd's Paradise. Hughes was the mistress of the English Civil War general Prince Rupert of the Rhine.
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In its heyday the scuola was an important patron of music, employing musicians such as Giovanni Gabrieli. Gabrieli took on the post of organist in addition to his work at St Mark's, and he composed music specifically for the location. A contemporary account of how the music impressed an English traveller was published in Coryat's Crudities (1611). In 1958 Stravinsky's Threni was premiered at the scuola with the composer conducting.
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Errico Petrella by Francesco Gonin Petrella was born at Palermo, capital of the Kingdom of Sicily. A conservative of the Neapolitan school, he was the most successful Italian composer, second only to Verdi, during the 1850s and 1860s. He also earned the latter's scorn for his compositional and dramatic crudities, which nonetheless played well on the stage. Petrella was a popular composer in his day, both of opera buffa and more serious work.
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Over the full course of his playwriting career, Brome distinguished himself as a writer of city comedies that are strongly rooted in contemporary London. The early play The Novella provides a very rare instance in which Brome exploits a non-English location. For its setting in Venice, Brome drew material from Thomas Coryat's famous 1611 travelogue Coryat's Crudities, among other printed and manuscript sources of information.Robert Boies Sharpe, "The Sources of Richard Brome's The Novella," Studies in Philology Vol.
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Arthur Amaratunga who hailed from a small village was inspired to make a truly Sinhala film, after watching Rekava, that avoided the crudities common in popular film of the time. He subsequently came across a collection of stories by P. K. D. Seneviratne broadcast over the radio as Kurulu Bedda which were fitting to his goal. He contacted Seneviratne and got him to write a film script based on the work. Amaratunga operated under limited resources.
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Poems 1807, p.128 He wrote several more elegies besides and joined with fellow wits in making fun of Thomas Coryat’s Crudities (Poems 1807, pp.11–12). Verse letters indicate the Court circle of royal favourites and their dependents among whom he moved, being addressed to John Mordaunt, 1st Earl of Peterborough, George Villiers, 1st Duke of Buckingham, and Thomas Aylesbury. His more original subjects are accounts of journeys: the burlesque "Journey to France" (Poems 1807, p.
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According to these notes, some kind of monument for the deceased children existed in the church. The childbirth and the children in the vessel. Print of 1620 In the late 16th century, the theme was taken up by a Spanish song writer, who sang about the fate of madama Margarita and imputed her 360 children survived and their silver baptismal vessel was later exhibited in a church. The legend is also mentioned in Edward Grimeston's General History of the Netherlands of 1609, in Thomas Coryat's Crudities of 1611 and in John Stow's Annales.
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Fire in Tarot symbolizes conversion or passion. Many references to fire in tarot are related to the usage of fire in the practice of alchemy, in which the application of fire is a prime method of conversion, and everything that touches fire is changed, often beyond recognition. The symbol of fire was a cue pointing towards transformation, the chemical variant being the symbol delta, which is also the classical symbol for fire. Conversion symbolized can be good, for example, refining raw crudities to gold, as seen in The Devil.
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No other engraving has been attributed to Copley. A self-portrait, undated, depicting a boy of about seventeen in broken straw hat, and a painting of Mars, Venus and Vulcan, signed and dated 1754, disclose crudities of execution which do not obscure the decorative intent and documentary value of the works. Such painting would obviously advertise itself anywhere. Without going after business, for his letters do not indicate that he was ever aggressive or pushy, Copley was started as a professional portrait-painter long before he was of age.
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In 2011, a Bengali film named Baishe Srabon released which was directed by Srijit Mukherjee. The plot of the movie revolved around the same mysterious serial killings in Kolkata, which took place during the period of 1989. In the movie, the assassin is shown to brutally murder and the victims mostly belonged to the ignoble and the plebeian league of the society; either prostitutes, anti-socials or street dwellers. However, the climax of the movie saw the serial killer shooting himself after confessing all his crudities, which, in fact, is a clear deviation from the actual incident.
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Nelly Nichol Marshall was born in Louisville, Kentucky, May 8, 1845. She was the daughter of Gen. Humphrey Marshall, who was distinguished as a statesman, diplomat, lawyer, and soldier; and Frances E. (McAllister) Marshall. Her education, which had been conducted with singular care and advantage, was interrupted by the vicissitudes of the civil war around her Henry County home. From her earliest childhood, Marshall’s intellectual development was remarkable, and her first compositions, which included the crudities that mark the early efforts of all young writers, foretold that mental power and strength which later won for her so many admirers.
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The Irish Times correspondent wrote, "The Dawn, in spite of various crudities, is as thrilling a show as ever I want to witness, and its amateur cast gives it a freshness which is all too rare." It was contrasted with Ourselves Alone, which had portrayed "clean-limbed police" with the IRA men shown as "tough hombres"; The Dawn, on the other hand, depicted the Black and Tans as "too scoundrelly for words" and was liable to make Unionist viewers squirm.The Irish Times (Tuesday, August 25, 1936), page 4. Cooper received an award from Cork Film Festival in the late 1970s.
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Later in her 1950 publication of The Artist in Each of Us, Cane retracted the statement that studio walls should be bare suggesting walls should be adorned with children's artwork. Sometimes some of the most “living” of the children's artwork would adorn the walls, those that she identified of being full of rhythm, color, and honest crudities that exemplified the effort put into them (1931a). Other decorations were used for specific directives and were typically brightly-colored materials that were used for stimuli. In her writing Cane referenced use of richly colored crayons and chalks, tempera paint, and charcoal believing they made the work, “more broad and individual”.
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As a publisher, Stansby's most significant work was certainly the 1616 Jonson folio, which represented the first instance of a collected edition of the stage plays of a contemporary dramatist.Mark Bland, "William Stansby and the Production of The Workes of Beniamin Jonson, 1615-16," The Library, 6th series, Vol. 20 (1998), pp. 1-33. He also published Thomas Coryat's famous travelogue Coryat's Crudities (1611), and Thomas Lodge's translation of the works of Seneca (1614, 1620). George Sandys's translation of the Metamorphoses of Ovid came from Stansby's presses in 1626.James McManaway, Studies in Shakespeare, Bibliography, and Theater, New York, Shakespeare Association of America, 1969; reprinted Association of University Presses, 1990; pp. 86-7.
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Hacking discusses the history of probability.. Here is a quote from page 17 of the book, which describes the basic model the author uses to try to understand probability: It is better to expose the crudities of one’s model at the start, than to conceal a methodology in banal phrases. I am inviting the reader to imagine, first of all, that there is a space of possible theories about probability that has been rather constant from 1660 to the present. Secondly, this space resulted from a transformation upon some quite different conceptual structure. Thirdly, some characteristics of that prior structure, themselves quite forgotten, have impressed themselves on our present scheme of thought.
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Also Jonathan Root, Halliburton-- The Magnificent Myth, p. 70 et passim Blow out you bugles, detail on Memorial Arch (by John M. Lyle) at Royal Military College of Canada However in 1919, Lord Alfred Douglas (in the afterword of his “Collected Poems”) wrote: “never before in the history of English literature has poetry sunk so low. When a nation which has produced Shakespeare and Marlowe and Chaucer and Milton and Shelley and Wordsworth and Byron and Keats and Tennyson and Blake can seriously lash itself into enthusiasm over the puerile crudities (when they are nothing worse) of a Rupert Brooke, it simply means that poetry is despised and dishonoured and that sane criticism is dead or moribund.
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Three of the most well-known adventurers and explorers who attended Oxford are Walter Raleigh, one of the most notable figures of the Elizabethan era, T. E. Lawrence, whose life was the basis of the 1962 film Lawrence of Arabia, and Thomas Coryat. The latter, the author of "Coryat's Crudities hastily gobbled up in Five Months Travels in France, Italy, &c;'" (1611) and court jester of Henry Frederick, Prince of Wales, is credited with introducing the table fork and umbrella to England and being the first Briton to do a Grand Tour of Europe.Michael Strachan, "Coryate, Thomas (c. 1577–1617)", in Literature of Travel and Exploration: an Encyclopedia, 2003, Volume 1, pp.
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Serendib Productions responded to the artistic mood in the air in 1965 with Saravita starring a comedic actor, Joe Abeywickrema, for the first time in Sri Lankan cinema. It dealt with slum life and the criminal element within it and was awarded most of the national awards that year for film. Titus Thotawatte who had broken away from Lester James Peries after Sandesaya directed Chandiya the same year avoiding overt crudities prevalent in the action genre made within the country. G. D. L. Perera with his Kala Pela Society headed in a radically different way in this period dealing with rural life with his first film "Sama" Siri Gunasinghe's Sath Samudura released in 1966 was the biggest critical success in the wake of Gamperaliya.
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260px Cooke's play was performed by Queen Anne's Men at the Red Bull Theatre in 1611. The play satirises Coryat's Crudities, the travelogue by Thomas Coryat published in that year. The company's leading clown, Thomas Greene, played the role of Bubble in the play, and his rendering of Bubble's catch phrase "Tu quoque" (Latin for "you also" or, colloquially, "the same to you"), repeated through the play, captured the audience's fancy. The play was performed twice at Court, on 27 December 1611 and 2 February 1612 (Candlemas night), before King James I and Queen Anne; Greene, representing his troupe, received a payment of £20 for the two performances on 18 June 1612 (which shows how long the players sometimes waited for money from their royal patrons).
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It is a translation of Antonio de Torquemada's, Le Jardin Flores Curiosas. The book was published by Ferdinando Walker in 1600 and dedicated to Thomas Sackville, 1st Earl of Dorset who had been made Lord High Treasurer after the death of William Cecil, Lord Burghley in 1598. Walker states in his introduction "and keeping it by him many years, as judging it utterly unworthy of his own name, did lately bestow the same upon me, with express charge howsoever I should dispose thereof, to conceal all mention of him: wherein I should have done both him and my self too much wrong in obeying him." Lewknor was one of Prince Henry's circle and contributed Old Wormy Age, a humorous panegyric verse, to the preface of Thomas Coryat's Coryat's Crudities: Hastily gobled up in Five Moneth’s Travels published in 1611.
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When Vincenzo Galilei first attacked Zarlino in the Dialogo of 1581, it provoked Artusi to defend his teacher and the style he represented. In 1600 and 1603 Artusi attacked the "crudities" and "license" shown in the works of a composer he initially refused to name (it was Claudio Monteverdi). Monteverdi replied in the introduction to his fifth book of madrigals (1605) with his discussion of the division of musical practice into two streams: what he called prima pratica, and seconda pratica: prima pratica being the previous polyphonic ideal of the sixteenth century, with flowing counterpoint, prepared dissonance, and equality of voices; and seconda pratica being the new style of monody and accompanied recitative, which emphasized soprano and bass voices, and in addition showed the beginnings of conscious functional tonality. Artusi's major contribution to the literature of music theory was his book on dissonance in counterpoint.
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In his advice to other SF writers, Orson Scott Card states that there are no hard-and-fast rules for the use of profanity in SF stories, despite what may have been expected of writers in the past. The onus is squarely on the writer to determine how much profanity to use, to enquire as to each publisher's limits, and to think about the effect that the use of profanity will have on the reader, both in perceiving the characters and in possibly being offended by the story as a whole. Card urges those writers who do decide to omit profanity from their stories to omit it completely. He regards the coinage of tanj ("There Ain't No Justice") by Larry Niven as a "noble experiment" that "proved that euphemisms are often worse than the crudities that they replace", because they make the story look silly.
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John Evelyn, in his Diary for 22 June 1664, mentions a collection of rarities shown to him by "Thompson", a Roman Catholic priest, sent by the Jesuits of Japan and China to France. Among the curiosities were "fans like those our ladies use, but much larger, and with long handles, strangely carved and filled with Chinese characters", which is evidently a description of the parasol. In Thomas Coryat's Crudities, published in 1611, about a century and a half prior to the general introduction of the umbrella into England, is a reference to a custom of riders in Italy using umbrellas: > And many of them doe carry other fine things of a far greater price, that > will cost at the least a duckat, which they commonly call in the Italian > tongue umbrellas, that is, things which minister shadowve to them for > shelter against the scorching heate of the sunne. These are made of leather, > something answerable to the forme of a little cannopy, & hooped in the > inside with divers little wooden hoopes that extend the umbrella in a pretty > large compasse.
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Despite his criticism of Islam, Goel writes that he is not opposed "to an understanding and reconciliation between the two communities. All I want to say is that no significant synthesis or assimilation took place in the past, and history should not be distorted and falsified to serve the political purposes of a Hindu-baiting herd."Goel, Sita Ram, The Story of Islamic Imperialism He argues that the Muslims should evaluate the Islamic history and doctrines in terms of rationalism and humanism "without resort to the casuistry marshalled by the mullahs and sufis, or the apologetics propped up by the Aligarh and Stalinist schools of historians", just as the European Christians did centuries earlier with Christianity. He believed that the "average Muslim is as good or bad a human being as an average Hindu", and warned: :Some people are prone to confuse Islam with its victims, that is, the Muslims, and condemn the latter at the same time as they come to know the crudities of the former.
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