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"crenelated" Definitions
  1. furnished with crenelations, as a parapet or molding, in the manner of a battlement.
"crenelated" Antonyms

232 Sentences With "crenelated"

How to use crenelated in a sentence? Find typical usage patterns (collocations)/phrases/context for "crenelated" and check conjugation/comparative form for "crenelated". Mastering all the usages of "crenelated" from sentence examples published by news publications.

At the top of the tower is a crenelated roof deck.
The gray, crenelated clumps look little like mountains, and more like elephants on fire.
Inspired, he decided to erect a fortress with crenelated towers to house his weaponry.
In addition felt could be cut and sandwiched together for flowerlike decorations and crenelated edges.
INDOORS: The three-story house is shingled with brownstone trim, a crenelated turret and a tower.
Crenelated spires have scalloped molding tucked along their doorways, and there are deep grout lines between bricks.
It swirls around, filling and then abandoning the crenelated space, whose protrusions add their own suggestion of violence.
Most everything else is a single-family residence — shingled, stuccoed, glass-walled, flat-roofed, crenelated or gingerbread-trimmed.
It is about two miles southeast of the Idaho state capitol building; downtown is visible from the crenelated roof.
If it doesn't — well, all the newly laid concrete and crenelated arch work and marble in Carrara won't change that.
The squares of Krakow, like so many European cities, now have Zara and H&M in their ornate and crenelated buildings.
Snipers studied crowds from the crenelated roofs of the castle, watchful for those who might want to kill the royal family.
Generations of the family owned it, for 400 years, gradually transforming the sprawling fortress with round crenelated towers into an elegant home.
With crenelated walls, barrel-vaulted hallways and tall windows, the 203th-century prison was designed to enlighten its occupants, including Al Capone.
Behind San Quentin's brooding crenelated walls, the art studio offers a pu-pu platter of metallic-color paints and variegated drawing pencils.
Now, the citadel has been returned to its original purpose as a military stronghold, with government troops perched behind its crenelated walls.
A crenelated wall of books encircles my bed, its tottering towers looming ever taller, always on the verge of collapsing onto oblivious sleepers.
It includes a single-story, three-bedroom main house with a castle-like crenelated parapet, a contemporary two-bedroom beach bungalow and two additional dwellings.
Known as the Gothic Table Fountain, it resembles a tiny Gothic cathedral, decorated with traceried arches, crenelated terraces, pinnacles, and miniature gargoyles ready to spit out water.
From the heights, they can look down into La Perla's rabbit warren of houses, shoehorned between the 16th-century crenelated fortress El Morro and another Spanish citadel.
We're in the angsty post-teen territory of MTV and CW, with a central character on antidepressants and get-togethers in dark New York bars rather than crenelated aeries.
Beyond them, authentic monuments like the crenelated Kale Fortress, with sixth-century foundations, the minimalist Museum of Contemporary Art and the domed St. Clement of Ohrid Church crowded the vista.
And an especially awe-inspiring sight is a two-part map of Norway, showing its wildly crenelated coastline, which was made around 1850 by Peter Andreas Munch, Edvard Munch's uncle.
A Greek flag flutters atop the crenelated battlements of the circular White Tower, but the structure was actually built by the Ottomans, who captured Thessaloniki from the Byzantine Empire in 1430.
As the former home of the Seventh Regiment of the National Guard, this crenelated fortress can be seen as the expression in brick and granite of an intersection of money and weapons.
We were passing by some of the most expensive real estate in Britain, architecture inspired by feverish dreams of lost golden ages: vast mock-Tudor mansions, fake castles with crenelated concrete battlements.
I feared that civil war in Yemen in recent years had laid waste to that fairy-tale ideal of crenelated mud-walled cities set in a belt of blue date palm, full of cool and shade.
A meal might end with Balkan treats like ruske kape, cylindrical cakes that call to mind Russian hats, chocolate on top with coconut clinging to the sides; and tullumba, batons of crenelated dough soaked in sugar syrup.
In these enormous abstractions, container lids, crenelated aluminum, and metal food containers, among other metallic detritus, have all been further distressed by the artist, then reformatted and collaged into layers, and mounted onto canvas and wooden board.
CreditCreditNadav Kander for The New York Times On one of my first meetings with Philip Pullman, he led me to the crenelated tower of Exeter College, in Oxford, and pointed out the room he lived in as a student.
" Cyrus explains, "In advance of the Princess's visit we studied the interior of Versailles Palace, and we were struck by the way the light penetrated the building through the windows, each one set in relief with an ornate crenelated surround.
Kremlin analysts stress that its red, crenelated walls conceal not a well-oiled machine but a hornet's nest of interests and influences competing to dominate an Erector Set of ad hoc policies and sudden opportunities, many of them highly lucrative.
Visitors to the Park Avenue Armory, the crenelated citadel that takes up an entire city block on the Upper East Side, are accustomed to seeing its cavernous Drill Hall retrofitted with bleachers and sales booths, dance floors, even tennis courts.
Visitors to the Park Avenue Armory, the crenelated citadel that takes up an entire city block on the Upper East Side, are accustomed to seeing its cavernous Drill Hall retrofitted with bleachers and sales booths, dance floors, even tennis courts.
Threading through rivers and canals in a long, slim, open-air boat, you'll have front-row seats for a historical survey of the city, from the crenelated battlements of the medieval Gravensteen Castle to the Baroque-era fish market to 19th-century textile factories and socialist headquarters.
The Banqueting House, Gibside, near Newcastle upon Tyne A roofless shell when the Landmark Trust acquired it in 1981, this three-room crenelated 18th-century Gothic folly is a short drive from both the city of Newcastle upon Tyne and Antony Gormley's massive Angel of the North sculpture, with its 54-meter wingspan.
The article captured Trump in "Master Builder" mode, detailing his plans to build a stadium in New York for the Generals and a 60-story castle for himself, with "six cylinders of varying heights with gold-leafed, coned and crenelated tops to be built at 60th Street and Madison Avenue," Geist wrote.
The turrets have crenelated parapets and loophole vertical gun slots. .
It resembles a medieval castle with crenelated parapets and towers.
The east and north walls of the courtyard are topped with a crenelated parapet.
It is built of limestone. It has corner towers and a "boldly crenelated front vestibule". With .
Often mists from the Elbe rose mystically to engarland the crenelated castles here and there on the heights.
It also features a crenelated parapet and turrets. and Accompanying photos It was listed on the National Register of Historic Places in 1969.
The central block has a hipped roof, with corbeled crenelated parapets on the projecting sections, with a simple cornice on the non-projecting sections. Crenelated polygonal chimneys rise from the southeast side of the main block. The two wings, which project from the ends of the northwest (front) facade, had mansard roofs. At the center of the front facade is the main entrance.
Crenelated rooftops and red ochre The main courtyard Villa St Ignatius was one of the earliest, and possibly the first, buildings in Malta to display the Gothic Revival style. It includes crenelated rooftops and pointed Gothic-style arches. The street-facing forecourt included a louvered balcony, but this was demolished in 2017. By the early 20th century, the building was painted in a distinctive red ochre () with white trims.
The axial sculpture is somewhat coarse. The axial plications are crisp and regular. It is transversely spirally ribbed. The ribs are elevated, subequal, crenelated, articulated with reddish brown.
Roughcast stucco was later covered by siding. Neighboring houses have eclectic architectural styles ranging from Italianate to crenelated Tudor Revival. The garden is named after Lorrie Dunington-Grubb.
A unique copper piece was discovered at the Emmons Cemetery Site in Fulton County, Illinois. It is a wooden by by copper covered object shaped like a human face with a crenelated crown-like decoration on its forehead. It resembles the small human face that makes up part of the headdress of Malden plate A (including the distinctive crenelated crown-like structure) and archaeologists believe it was in fact part of a real headdress.
The stamens are arranged in a single sequence with filaments which supports the anther. Stamen number varies between 8, 11, and 13. Stamens are surrounded by a crenelated disc nectary.
Architectural details include the oriel window, a replica of the original which was removed along with the balcony in 1912, a large quartzite arch, the corner door, and a crenelated cornice.
It has a large drill hall. The building features a crenelated tower and narrow recessed windows with stone lintels. It was added to the National Register of Historic Places in 1984.
It features a projecting stone entryway with Tudor arched opening, stone surrounds, and a crenelated parapet. Note: This includes The building was added to the National Register of Historic Places in 1989.
Mediterranean Archaeology and Archaeometry. Vol. 11, No. 2. 55-78. Obelisk Tomb Crenelated tombs (see crenelation) are popular within Nabataean architecture. There are several variations of crenelation, wavering in number of tiers.
In the language of heraldry, the coat of arms has been described as featuring "below [the castle with crenelated towers argent] a dragon of sinople devouring a man and covered with scales of gold".
The 1927 portion has a stepped-parapet roofline with concrete coping, while the mill's 1929 part has concrete coping and a simple, crenelated roofline. It was added to the National Register of Historic Places in 1991.
Above the door is a high crenelated platform. The exterior of the door is decorated with embossed stone shields. The original gate had a ramp entrance. This was changed to steps when the door was constructed.
Goldhill, Simon, Jerusalem: city of longing, Harvard University Press, 2008, p.149 The arched gate is decorated with crenelated stonework. The New Gate was built at the highest point of the present wall, at above sea level.
The church was designed in the Gothic Revival style. The limestone building sits on a differently-coursed limestone foundation. The main building has a prominent water table. The northeast corner of the church features a crenelated square tower.
A Baroque round tower was built over the cistern in the 17th century. Today the cistern can be reached by tunnel from the residential wing. In the 17th century a crenelated ring wall was added to the castle.
The church building was constructed from 1867 to 1870. It is a Gothic Revival built of dressed dolomite. It is dominated by a tall, square, crenelated corner tower. It rises in three stages, which are separated by belt courses.
In the towers are "apartments": four in the East and six in the West. The thickness of the walls is 1 meter. The frontage of the South east bored of 15 windows. The walls as well as the towers are crenelated.
This has led historian Stuart Reid to characterise them as "defensible rather than defensive".S. Reid, Castles and Tower Houses of the Scottish Clans, 1450–1650 (Botley: Osprey, 2006), , pp. 12 and 46. They were typically a tall, square, stone-built, crenelated building.
1925), Boiler House (c. 1903-1904), and Waste House (1903-1904). The original mill was designed by Stuart W. Cramer and features a four-story tower capped by fancy corbelling and crenelated parapets. The building is located in the North Charlotte Historic District.
The top half of the coat of arms is azure with a silver crenelated wall, flanked by two towers of the same, with two gold lions facing away from each other, holding silver swords. The bottom half is in gules, with four gold bezants (coins).
Above these are two modern rectangular windows. Before reaching the crenelated parapet, there is a course of brickwork marking the level. Inside the archway, the rib vaulting matches the dimensions of the arches and is built in two bays. There is a portcullis groove.
St. Paul's stone and wood entrance tower, unchanged from its original form, lacks some of the original wooden corner pinnacle details noted at Trinity's original stone and wood tower. Both Trinity and St. Paul's lack their original wood crenelated nave roofline balustrades as well.
A dentilled cornice runs just below the roofline. The tower, and all but the east roofline, are crenelated at the top. Additionally machicolation supports the flared top of the tower. Diapered brick spells out "1881", the year of construction, in one of the entablatures.
A day beacon existed on the island since the 19th century. The lighthouse construction began in 1902, and was finished in 1903. The original architecture included a crenelated gallery and an old-style lantern room. The building included bedrooms and a kitchen area for the lighthouse keepers.
The gate is made of quarry stone. The top of the gate was crenelated with loopholes for firing weapons. There are four Chinese characters carved on the rock outside the gate by Qing Dynasty scholar Pan Yongqing depicting the beauty of Chin Shan Yen Hui Chi Temple.
Strepsigonia placida is a moth in the family Drepanidae. It was described by Charles Swinhoe in 1902. It is found in Myanmar and on Peninsular Malaysia and Borneo. Adults are uniform pinkish grey, both wings with very indistinct, outwardly-curved, crenelated grey antemedial and postmedial lines.
An auditorium addition was built in 1930. It features a central two-story bay window, stone surrounds, and a crenelated parapet. It was used as an "observation school" for teacher education and training. Note: This includes The building was added to the National Register of Historic Places in 1988.
The main structure is composed of a long two-story block intersected by a gabled two-story wing, with a crenelated four-story octagonal tower at the northern angle of that junction and a crenelated three-story square brick tower at the southwestern end of the main block. See also: Washington Irving gave yellow bricks from the Old Dutch Church of Sleepy Hollow to outline the construction date on the wall above the door. The interior, also essentially little altered from the 19th-century scheme, contains a number of well-proportioned areas on the first floor. On the second floor, eight rooms are accessible from the main hall which extends the full length of the house.
The Bishops House consists of two narrow ranges with a narrow courtyard. The front of the building on the south side is crenelated. The arrangement of the rooms inside has been changed many times over the years. It still includes features from the 15th century including a doorway and oak screens.
St. Mary's Chapel was added at the same time as the Classroom/Gymnasium addition. It too was designed in the late Gothic Revival style. Constructed in brick, the chapel features a square bell tower on the south side that is crenelated at the top. The bargeboards are flared at the gable ends.
The First Baptist Church is a historic church building in Muskogee, Oklahoma. The church was built in 1903 and was the first church building for the African-American population of Muskogee County. It was built in a Romanesque Revival style. It features two asymmetrical, crenelated towers and a steeply pitched gabled roof.
Cedar Grove Lutheran Church is a historic Lutheran Church located at Batesburg-Leesville, Lexington County, South Carolina. It was designed by architect Louis H. Asbury built in 1926–1927. It is a Late Gothic Revival style brick building. It features a crenelated belfry topped by a multi- faceted metal shingle-clad spire.
The tower on the east side was crenelated at the top. The entrance itself was white glazed terra cotta. The façade featured different window shapes, such as a rose window, pointed arch chapel windows, gothic outlined and tracery windows and simple multi-paned casements. Lewis Hall was designed by architect Edward Lerch.
12 and 46. They were typically a tall, square, stone-built, crenelated building; often also surrounded by a barmkin or bawn, a walled courtyard designed to hold valuable animals securely, but not necessarily intended for serious defence.S. Reid, Castles and Tower Houses of the Scottish Clans, 1450–1650 (Botley: Osprey, 2006), , p. 33.
It consists of a two-story administration building with an attached drill shed. The building features three engaged irregular towers; a five-story octagonal tower, two-story square tower with hipped roof, and two-story tower with crenelated parapet. See also: The Gloversville Armory was listed on the National Register of Historic Places in 1995.
It had diamond-shaped leaded windows and crenelated roof edges. An examination for application was opened on July 15, 1856, with 158 applicants; 114 were admitted. A second examination was held and eleven others were admitted. The school was officially organized on October 8, 1856, and Charles A. Dupee was named the first principal.
Saint Luke African Methodist Episcopal Church is a historic church at 900 New York Street in Lawrence, Kansas, United States. It was built in 1910 and added to the National Register of Historic Places in 2005. It is mainly a one-story building in plan. It has two crenelated towers, one tall and the other tall.
Above are crenelated walls with windows. Outside awaiting Christ are two boys in red and blue tunics holding olive branches in their hands. Jesus rides on the donkey side-saddle in eastern fashion, approaching from the left. He has a halo with a cross, red hair, and beard, a teal tunic and a dark blue mantle.
The shallow, gable roof features a narrow wood cornice. The three-stage central tower on the main facade includes the primary entry on the lower level and a belfry at the top. It is capped with a crenelated parapet. The door at the primary entrance is deeply recessed within a four-centered arch with a tracery-window transom.
The sandstone building consists of a three-bay nave, two-bay chancel, three-bay north and south aisles and a porch on the south side. The two-stage west tower has a crenelated parapet and is supported by four corner buttresses. The stained glass includes a window by Charles Eamer Kempe. The octagonal font dates from the 15th century.
The mansard roof is marked by steeply hipped pyramidal towers with pressed-tin cresting. The interior retains exemplary pressed-tin ceilings and some original woodwork. A wooden staircase with Eastlake-type details rises to the general courtroom on the second floor. The adjoining Brewster County Jail is distinguished by a crenelated brick parapet wall, suggesting "a fortress- like impregnability".
The homes of Kern Place are unique in architecture and some were built by residents themselves. One of the better known homes is the Paul Luckett Home located at 1201 Cincinnati Ave. above Madeline Park, and is made of local rock. It is known as "The Castle" due to its round walls and a crenelated rooftop.
The coat of arms of Linz developed from the seal image, which was used as emblem since 1242. It showed the open city gate flanked by two crenelated towers on rocky ground. From 1288 on, the gate was shown standing on water. The coat of arms shows a red plate on which stands a castle with twin towers.
The white, ovate-conic shell measures 1.8 mm. The nuclear whorls are moderately large, obliquely deeply immersed in the first post- nuclear whorl, the peripheral portion only of the last volution projects above the edge. The four post-nuclear whorls are moderately rounded, and the shoulders are strongly crenelated. They are marked between the sutures by four spiral keels.
After being signed by Batista, the thirty imprisoned rebels were freed. They served 22 months in prison.. The battle damage to the Moncada Barracks was quickly repaired by the military. After the revolution, the fortress was converted into a school on January 28, 1960. Three weeks earlier, Fidel Castro personally drove the bulldozer that demolished the crenelated outer walls.
The Lansing Grand Trunk Western station is a single story, rectangular Jacobethan style red-brick building on a gray ashlar foundation. It measures 33 feet wide and 107 feet long. The main entrance is housed in a two-story, ten-foot square brick tower which is topped by a crenelated parapet. The roof is covered with red tile, and has overhanging eaves.
Visayan torta mamón The characteristic round cupcake-like shape of mamón Mamón is a very light chiffon or sponge cake known for its soft and fluffy texture. It is traditionally baked in crenelated tin molds which gives it a characteristic cupcake-like shape. It is typically slathered in butter and sprinkled with white sugar and grated cheese. Mamón is commonly eaten for merienda.
Warren Armory is a historic National Guard armory located at Warren, Warren County, Pennsylvania. It was built in 1909, and is a 2 1/2-story, brick building with a gambrel roof in the Romanesque style. The drill hall is located on the second floor. It has a projecting central entrance bay, stone sills and lintels, brick turrets, and a crenelated parapet.
It featured a four-stage, crenelated clock tower. Also on the property was the contributing Sunday School building built in 1926–1927. Note: This includes and Accompanying 10 photographs The church was demolished October 21, 2008.Muessig, Ben, "Green Church is gone", The Brooklyn Paper, October 23, 2008 It was listed on the National Register of Historic Places in 1999.
It features a crenelated corner tower, recessed entryways, a rose window, roof dormers, and a shorter tower toward the back of the church that is capped by a spire. The larger tower was also designed to have an upper tower and a spire, but they were never built. Five of the stained glass windows are from Louis Comfort Tiffany's studio.
The First Presbyterian Church is a Late Gothic Revival-style basilica plan historic church located at 212 North Bonner Street in Ruston, Louisiana. Built in 1923–24, its walls are Flemish bond brick trimmed with limestone. It has a side tower with a crenelated top and a needled spire made of sheet metal. It a crenellated proch topped by a lancet window.
Tympanum The west front is dominated by the central perpendicular great west window. Above the window the dripstone terminates in a small carved head at each side. The line of the nave roof is delineated by a string course above which rises the crenelated parapet. Below the window is a blind arcade interrupted by the top of the Great West Door.
Until the 1930s it was the home of the descendants of the Count of Sanvitale. The crenelated walls and asymmetric towers are surrounded by an arcaded town. Adjacent to the castle are gardens and a courtyard. The optical chamber (camera ottica) has an optical system that projects to an inside wall a view of the town through mirrors and a prism.
The Frederick Armory is one of a series of similar armories built for the Maryland National Guard in the early 20th century. The building explicitly copies features of medieval fortifications, with crenelated blocks at either end of a buttressed drill hall. It was listed on the National Register of Historic Places in 1985. The armory is now a city recreation center.
The Garvin Rock Church is a historic church at Love and Williams Streets in Garvin, Oklahoma. Also known as Old Rock Church, it was built in 1910 and added to the National Register in 1980. It was an impressive church for its small town, when completed in 1910. It is about in plan, with three crenelated towers, the tallest of which stands tall.
It is known as "The Castle" due to its round walls and a crenelated rooftop. One of the buildings, the Hoover House, was deeded to the University of Texas at El Paso (UTEP) in 1965 and serves as the residence of the president of UTEP. The Cincinnati Entertainment District is part of Kern Place, and includes bars, restaurants and other businesses.
Barrington Apartments is a property in Fargo, North Dakota that was listed on the National Register of Historic Places in 1989. It was built in 1923 in Tudor Revival and Elizabethan Revival style, and was designed by Joseph E. Rosatti and built by Anderson & Olson. The listing included one contributing building on a property of less than . It has a crenelated parapet.
The building also features an oriel window with a crenelated parapet. The building housed the Iowa Falls Sentinel for over 20 years. It began as the Eldora Sentinel in 1857, relocated to Iowa Falls in 1865, and was bought out by its competitor, the Hardin County Citizen, in 1927. The building was individually listed on the National Register of Historic Places in 1993.
The entire roof line is attractively crenelated, as is the office building in front. The tall chimney in front is a relic of the Confederate Powderworks and has no manufacturing function. It is not known why so much effort was put into appearance, and the King Mill which followed shortly is quite austere. The interior is typical of any other textile mill of the period (HAER, 8).
Before reaching the crenelated parapet, there is a course of brickwork marking the level. On the South face above the centre point of the arch is some protruding brickwork of three shields hanging from a line. These are located in between two recessed windows that have been bricked up and a third smaller bricked up window above. These are enclosed by a line of brickwork resembling gables.
It sits on a raised basement. It features a Classical limestone center entrance surround, a central two-story bay window, decorative panels, crenelated parapet, and a projecting entrance bay. It was used as an "observation school" for teacher education and training. Note: This includes The building was added to the National Register of Historic Places in 1988 as the Henry C. Lea School of Practice.
It was originally argued that Irish tower houses were based on the Scottish design, but the pattern of development of such castles in Ireland does not support this hypothesis.Barry, p.223. A tower house would typically be a tall, square, stone-built, crenelated building; Scottish and Ulster tower houses were often also surrounded by a barmkyn or bawn wall.Toy (1985), p.224; Reid, p.33.
The limestone stele is engraved with towers, crowning battlements and separating a crenelated wall fortification below, where there is an archway in the lower of perhaps three registers. At least one row of divine symbols appears in an upper register. A human figure dressed in an ornate fringed robe and a high crown of feathers, faces a ship. A standing nude figure has been intentionally chiseled away.
Tallentire Hall is a lovely old manor house with a crenelated tower that dates back to the 13th century. The south wing, adjacent to the tower is Elizabethan while the majority is early Victorian. The Hall is not open to the public apart from occasional charity fundraising events. There are a number of other interesting properties including an old school house and chapel near the Hall gates.
City walls of Fez (northern section). The entire medina of Fez was heavily fortified with crenelated walls with watchtowers and gates, a pattern of urban planning which can be seen in Salé and Chellah as well.Penell, C.R. Morocco: From Empire to Independence; Oneworld Publications, Oct 1, 2013. pp.66-67. City walls were placed into the current positions during the 11th century, under the Almoravid rule.
In 1892, Edward Drinker Cope renamed Ceratosaurus nasicornis Marsh 1884 into Megalosaurus nasicornis. This had been largely motivated by a desire to annoy his rival Othniel Charles Marsh and the name has found no acceptance. In 1896, Charles Jean Julien Depéret named Megalosaurus crenatissimus, "the much crenelated", based on remains from the Late Cretaceous found in Madagascar. In 1955 this was made a separate genus Majungasaurus.
The aqueduct is over high inside and is lined with concrete. The only evidence of the aqueduct is in the various crossing bridges and syphons where the route goes across other bodies of water. Most of the exposed sections of the aqueduct have crenelated walls and towers. The bridge over the River Wharfe at Barden Beck is now used by walkers on the Dales Way.
On either side two engaged octagonal towers rise to crenelated parapets. The entrance itself is a recessed segmental arched sally port with a pair of paneled oak doors below a tripartite transom. Stepped gabled ends project from the hipped roof shingled in asphalt with standing seam metal. The tall, narrow windows have iron grilles on the first story, matched in the rectangular basement windows.
The thrust forces from these are transferred into the sandstone bedrock via further 5 ton trachyte thrust blocks set in concrete. Each anchor pit is surmounted by a small crenelated turret, with an access cover adjacent. This allows access to the bottom of the pit via a full height access ladder. One of the significant construction tasks was the excavation of drainage tunnels for the pit.
Baker Presbyterian Church is a historic church in Gothic Revival located at 3015 Groom Road in Baker, Louisiana. Built in 1905, the one-story clapboard church and the two-story crenelated bell tower are almost intact since the time of their construction. with three photos and two maps With . The church was added to the National Register of Historic Places on March 1, 1990.
The building's design was based on a similar building at the University of Uppsala in Sweden, which was the alma mater of many of the college's early faculty. The dome, however, was not part of the building's original design. The building in Uppsala features a crenelated octagon-shaped tower. A dome was believed to be more American, and so it was chosen to top the building.
The former Trinity United Methodist Church is a gray limestone, Gothic Revival church measuring 125 feet by 110 feet. The main facade has a gabled, two-story entrance pavilion with a recessed entrance located between a plain extension and a crenelated tower with belfry. On the side, there is a shallow, gabled transept with a large window, and a projecting entrance between the church and attached chapel.
First Presbyterian Church of Ontario Center is a historic Presbyterian church located at Ontario Center in Wayne County, New York. It was built in 1914 and is a Tudor Revival style concrete block church cast to resemble rusticated masonry. It is roughly square in plan and topped by a cross gable roof. The front facade features a massive square corner tower capped with a crenelated parapet.
The tower was constructed with a crenelated parapet though the pinnacles were removed in 1967. The patron of the church was Walter Spencer- Stanhope in the late 1700s and early 1800s. The church also had a parsonage attached to the church however the parsonage was demolished as part of construction work to build the M1 motorway. In 1963, the church was granted grade I listed status by English Heritage.
S. Reid, Castles and Tower Houses of the Scottish Clans, 1450–1650 (Botley: Osprey, 2006), , pp. 12 and 46. They were typically a tall, square, stone-built, crenelated building; often also surrounded by a barmkin or bawn, a walled courtyard designed to hold valuable animals securely, but not necessarily intended for serious defence.S. Reid, Castles and Tower Houses of the Scottish Clans, 1450–1650 (Botley: Osprey, 2006), , p. 33.
First Presbyterian Church is a historic Presbyterian church located at 2nd Street and 3rd Avenue NW in Hickory, Catawba County, North Carolina. It was built in 1905–1906, and is a Romanesque Revival-style church sheathed in granite. The front facade features square towers of unequal height. Attached to the church in 1928, is a three-story granite block Education Building with a flat roof and crenelated cornice.
The tower was constructed by the Metropolitan Water Board (now the MWRA), after the City of Quincy joined the system in 1897. Dexter Brackett was the supervising engineer for the project. It is built from local Quincy granite, and is in diameter and in height. Although now closed to the public, the crenelated tower roof is accessible via a spiral staircase located between the steel tank and inside tower walls.
The Dartmouth is a historic apartment building in Indianapolis, Indiana. It was built in 1890 and is a large six-story, nine-bay-by-twelve-bay building faced in two shades of center-scored, salt-glazed brown brick. It features two three-sided projecting bays, limestone accents, and a crenelated parapet. Note: This includes , , , and Accompanying photographs It was listed on the National Register of Historic Places in 1983.
Utica Armory is a historic National Guard armory building located in Utica in Oneida County, New York. It is a structural steel structure with brick curtain walls built in 1930 for Troop A, 121st Cavalry, and designed by State architect William Haugaard. It consists of a two-story administration building with an attached three story drill shed. The administrative building features Tudor inspired towers, turrets and crenelated parapets.
St John's distinctive Great Gate follows the standard contemporary pattern employed previously at Christ's College and Queens' College. The gatehouse is crenelated and adorned with the arms of the foundress Lady Margaret Beaufort. Above these are displayed her ensigns, the Red Rose of Lancaster and Portcullis. The college arms are flanked by curious creatures known as yales, mythical beasts with elephants' tails, antelopes' bodies, goats' heads, and swivelling horns.
The well; the modern park headquarters is under the square towers The existing fortifications were largely improved under the reigns of Charles V and Charles VI; they financed the outworks with royal taxes. The modifications were completed under Louis XI (1461 – 1483). Along with the castle, the village was also fortified: a crenelated rampart, high with turrets, was built. The defence was completed by a 15 m large ditch (50 feet).
View of the Portals in the Plaza de la Virgen Blanca in 1833, Vitoria-Gasteiz. View of the Portals in the Plaza de la Virgen Blanca by Spanish painter Juan Ángel Sáez in 1855. The Portals or Arcs of Vitoria-Gasteiz were Medieval crenelated towers that fortified the entrances to a street of the city of Vitoria-Gasteiz (in Basque Country in Spain). This tower had a gateway in its center.
The frieze is supported by a stylized Doric crenelated brick pilaster. The second floor facade has verandahs supported by a projection of brick cornices with ornamental ironwork fern design ledge. The doors are topped by corniced rain-stopper. On October 17, 2003, the late Archbishop Legaspi opened the Bishop Domingo Collantes Library with a 30,000-book collection and can sit 100 readers in its 280 sq. m. hall.
This face is similar to an artifact found in a burial in Fulton County, Illinois known as the Emmons mask, a copper covered cedar head with galena painted forked eye motifs and the distinctive crenelated device. This wooden head is thought to be an actual headdress piece worn similarly to how it is portrayed on plate A, and even has holes for attaching it to a headdress in this position.
Woods Hall, completed in 1868. Woods Hall was the first new building on campus following the Civil War. Constructed from 1867 to 1868, the four-story brick structure was built with a Gothic Revival arcade on the ground floor, end facades in the Gothic Revival style with a crenelated roof, and cast iron galleries on the central upper floors. Initially known simply as "the barracks," it was used as a dormitory.
The west (front) facade features a three-part projecting entrance pavilion flanked by four-bay sides. At the corners are square bastions with crenelated parapets in terra cotta. The entrance pavilion has octagonal bastions flanking smooth rusticated limestone voussoirs around a large sally port. Both side elevations have nine asymmetrical bays, with round-arched windows in the second and third stories and double-hung casement windows at street level.
St. Luke's Church, is a historic Episcopal church located in Baltimore, Maryland, United States. It is a Gothic Revival-style church that follows the dictates of the Ecclesiological Society reflecting English medieval building principles. It is composed of a tall nave, flanked by side aisles below a clerestory, and features a crenelated tower with lancet windows. Rose windows exist at the west end of the nave and along the clerestory.
At the time of the French Revolution all the statues were destroyed. A small number of genuine pieces are now included in the collections of the city museum. The crenelated facade is topped off with little turrets and the roof is decorated with its own little crests and dormers. In 1766 the door on the left side of the building's facade was repositioned to make the overall effect more symmetrical.
South facade and cast iron veranda The main facade house consists of three bays, over two stories. There is a central, ground floor portico flanked by two canted, crenelated bay windows. The south facade conists of four bays, covered by a two-storey, cast-iron veranda, installed in the early 19th century. Pollard and Pevsner, believe the ironwork was likely produced at the Coalbrookdale foundary, which at the time was owned by Hannah Rathbone's father.
The Leo Ellis Post #22, American Legion Building is a historic American Legion building located at 804 Grant St. in Princeton, Mercer County, Missouri. It was built in 1935, and is a rectangular reinforced concrete structure faced in brick. It measures 30 feet by 32 feet, and features a crenelated parapet is capped by pre-formed concrete blocks. (includes 6 photographs from 1996) It was added to the National Register of Historic Places in 1996.
Parrotfishes are known for the bioerosion that they cause. The stoplight parrotfish (Sparisoma viride) is an "excavator" and degrades the surface of coral colonies, but Scarus vetula is a "scraper", causing erosion of carbonate materials from corals but to a lesser extent than S. viride. Both species have robust jaws with crenelated margins and strong jaw muscles, and large individuals of S. vetula can do considerable damage to corals as they scrape off their food.
Crenelated tombs were created in order to represent fortifications, creating a symbol of cities, strength, military power. Later, under Achaemenid Persians, the fortification context was removed, giving a greater scope to a sign of kingship and authority Several tombs feature obelisks on their exterior. Obelisks are a narrow tapering monument, often used to represent the Nephesh, specific leaders, and gods of monolithic societies. They are often found in Near Eastern and Egyptian architecture.
The principal ridges are placed near the suture of each whorl, both above and below, leaving a broad flattened space in the middle and a narrow excavated space below the suture, thus imparting a tower- like appearance to the shell. The upper whorls are also marked with numerous short and fine longitudinal ribs, which cross the ridges and make them crenelated. The spire is elevated. The apex is semiglobose, prominent and slightly twisted.
This design was built on the Washington Avenue site in 1936, replacing its 1927 building. The 1936 building is modeled after the Chicago Water Tower, with octagonal buttresses, crenelated towers, and a parapet wall. The founders later claimed that this design was the first successful use of porcelain as a building material. The success of the White Castle building method spurred other Wichita-area entrepreneurs to manufacture portable steel buildings as well.
Ettenheim's coat of arms The coat of arms of Ettenheim displays a castle in red, with an open gate and three towers (one domed) topped with crosses, upon a field of white. This pattern was designed in 1901 by the after a seal from 1545, though the tincture was decided in 1973. Since 1370, local town seals had depicted a Gothic structure with three towers and a crenelated wall, a reference to Ettenheim's defenses.
Simnel cake Conventionally 11, or occasionally 12, marzipan balls are used to decorate the cake, with a story that the balls represent the 12 apostles, minus Judas or Jesus and the twelve apostles, minus Judas. An early reference to decorating with marzipan balls appears in May Byron's Pot-Luck Cookery but with no mention of the modern story, and her version may well be derived from earlier styles, which were sometimes crenelated.
More modern methods involve bibingka being baked in an actual oven inside a caldero or ordinary cake pans. The result lacks the distinctive smoky smell of charcoal but is otherwise the same, especially if banana leaves are also used to line it. Mass-produced bibingka in Philippine bakeries are also made using characteristic tin molds that give them a crenelated shape similar to large puto or puto mamon (cupcakes). Bibingka is best served hot.
British aerial photograph of German trenches north of Thiepval, France taken during World War I on 10 May 1916. The crenelated appearance of the trenches is due to the presence of traverses. A traverse in trench warfare is an adaptation to reduce casualties to defenders occupying a trench. One form of traverse is a U-shaped detour in the trench with the trench going around a protrusion formed of earth and sandbags.
The aisles are low with a high level celestry and the Sanctuary and Chancel at the western end were substantially extended in the 1890s and 1960s. There are a number of fine stained glass windows from various periods. A high Nave and stained glass window above the gallery by John Hardman and Co dominate the western end. The brick and stone crenelated tower marks the original west end prior to the addition in the 1960s of a Narthex.
The company constructed this style of building from 1924 to 1929. Note: This includes White Castle Building No. 8, in Minneapolis, Minnesota, originally built in 1936 and remodeled (photo in infobox above), is an example of the chain's buildings with prefabricated white porcelain enamel on steel exteriors. The building measured by and was made to resemble the Chicago Water Tower, with octagonal buttresses, crenelated towers, and a parapet wall. The success of White Castle led to numerous imitators.
St. Andrew's Church is an actively used Anglican Church. The building is made from stuccoed brick with a crenelated tower and sits on —that includes a cemetery and a rectory—abutting the Liffey River. The building was begun in 1843 by Thomas Reibey as a school for the town. He had the building converted to a church in 1845; Reibey donated the church's land and funded the building of the rectory and later purchase of the church's organ.
The old Wadena Fire and City Hall is a rectangular, two-story building of red brick with concrete details. The center of the ground floor façade is dominated by a large, semicircular arch with a raised concrete keystone. This is flanked by symmetrical doors with corbeled concrete lintels topped by smaller arched windows. The second floor is topped by a dentillated false cornice, a decorative panel of bricks in a herringbone pattern, and a crenelated parapet.
The main entrance was flanked by an imposing marble gate giving way to a central court and to the building's floors. A crenelated cornice ran the entire surface of the roof complete with bartizans flanking the corners; a layout reminiscent of Medieval European castles. In the central axis of the main facade stood a large ornate gable decorated with volutes surrounding a clock. The structure had a surface area of 3500 square cubits and contained close to 80 rooms.
The tower was linked to the external walls of the palace, and further secured by its moat, which was connected to the River Thames by a channel. The top of its walls were crenelated, and in order to prevent potential intruders there were no windows on the outside of the tower at the ground floor level.; The keeper would have worked from the first floor, and Edward's treasure itself was kept on the second floor, in locked chests.
The main church building incorporates the original chapel built on the site. It is an asymmetrical one-story building on a partial basement with granite walls topped by a gabled slate roof. The lancet arched windows have limestone molding and tracery, while the tower and buttresses are trimmed with bluestone coping. At the center is a 55-foot-tall () square crenelated tower with a louvered vent on all four sides between two bluestone courses and flat roof.
Struy Church Struy is the place to gain access to the nature reserve of Glen Strathfarrar and four Munros. The road is private and only a limited number of cars are allowed to access through the gate.Strathfarrar - A finer glen by far, 10 December 2008, Strathspey Herald, Retrieved 26 March 2017 Erchless Castle lies about than 1.5 km north-east of Struy. The turreted and crenelated building was built in about 1600 and modified in 1790 and 1895.
The Saginaw Armory is a three-story castellated Late Gothic Revival brick structure with a large raised basement and an attic above. The building is topped with a stone-capped parapet wall (originally crenelated) and five-sided towers on each corner. On the main facade, a central entrance bay extends from the mass of the building, and contains a recessed entrance within a round arch. Above, a segmental arch rises two stories, containing a window in each story.
In late 1983, the bank was acquired by Norstar Bancorp and became Security Norstar Bank. In 1987, the bank was fully integrated into Norstar and dropped the "Security" from its name. The first headquarters of the bank was demolished and replaced by the Rochester Riverside Convention Center. The second headquarters, a mid-century modern building with a unique crenelated roof on both the tower and connected banking office, still functions as the downtown Bank of America branch.
Bel Air Armory is a historic National Guard armory located at Bel Air, Harford County, Maryland. It was constructed in 1915 of Port Deposit granite. The building consists of the main block, five bays by three, two stories over a raised basement, and the "drill hall" to the rear of the main block. The front elevation is detailed to recall Medieval fortifications and features two projecting hexagonal towers which rise to three stories and are topped by crenelated battlements finished in stone coping.
The Piazza was only formalized in the 19th century with the addition of a tall loggia (1887) designed by Archimede Vestri. Behind the loggia is screened the medieval Palazzo Ballati with its tall crenelated tower. In number 15 Piazza Indipendenza is the Teatro dei Rozzi designed in 1816 by Alessandro Doveri and enlarged in 1874. The piazza itself was enlarged in the early 19th century by demolition of the church of San Pellegrino; hence it was previously called Piazza San Pellegrino.
John Heaton rebuilt the house at Bedfords as a two-storey brick mansion rendered with cement, and resided there until his death in 1818. Upper Bedfords (previously Earls) was also rebuilt during this time in a crenelated style, including a tower which has often caused it to be mistaken for a church. It was at this time (c. 1777) that the lane which had run from Broxhill Road to Lower Bedfords Road and going past Bedfords was closed by the owner.
Vibration from the instruments on masts atop the tower contributed to the structural problems. In 1908, the original tower was demolished and a new reinforced three-story late Gothic Revival concrete tower, 20 feet 6 inches wide and 32 feet 8 inches high was constructed in its place. The concrete construction of the tower was chosen specifically to provide the maximum amount of stability and durability in the event of high winds. The tower has a crenelated top and a cornice containing dentils.
At the roofline the cornice is machicolated between a corbeled string course. The two-story southwest tower has narrow windows with stone sills, flared brick lintels and a conical roof. The taller northwest tower has similar windows that get much shorter on the third and attic stories, topped by a crenelated parapet and machicolated cornice. On the north and south facades of the drill shed, brick pilasters separate the windows, given a similar treatment to those on the first story.
To collect these revenues and to control his vassals, the archbishop had a baillif and Villerouge was in the centre of the bailiwick. The archbishops of Narbonne tried to fortify this place which is imposing in its robustness. The large tower or keep of the south-eastern corner comprises three superimposed rooms, with very thick walls, in which staircases were arranged, leading to a crenelated terrace. The structure was certainly built in the 12th century, perhaps in the third quarter.
Mönsheim's municipal coat of arms shows a white, crenelated tower with a pointed roof on a green three- crested hill upon a field of red. This pattern was created in 1930 on the advice of the and was informed by the earliest town coat of arms, dated to 1598. The fortified tower, a motif that has represented Mönsheim since the 19th century, is a reference to a nearby keep given to the town in the 15th century by Duke Eberhard I.
To an extent, a turret's height would be influenced by the design of the roof. Both the Rudge Cup and the Amiens Skillet exhibit a design indicative of Hadrian's Wall. Incorporated within the design are features thought to represent turrets, and these are shown with a crenelated area around the top. This design would require a viewing platform probably of flagstones, but these would lead to inherent difficulties in keeping the turret's interior dry, especially in the wetter climate of the time.
The school's many turrets and towers led to the architect Nathaniel Wales describing it in 1890 as "a semi-ecclesiastical building" in the "Domestic Tudor style of medieval architecture". The building, though castle-like, is not truly castellated although some of the windows are surmounted by crenelated ornament. Its highest point, the dominating tower, is decorated by stone balustrading. The tower has turrets at each corner – an overall composition more redolent of the early 17th-century English Renaissance than an earlier true castle.
Two shed-roofed additions run the length of the north and south profiles. The lychgate and bell tower, both of which open to North Division Street and were added later, are to the north and south respectively. The lychgate has a wooden gabled top. The 16-foot (4.8 m) square tower is faced in similar stone to the nave, and has Gothic louvered vents below its crenelated roofline and stepped buttresses at the corners from the bottom of the vent to ground level.
The fire station in 2014 Another significant structure is the fire station, a rustic, Mediterranean-style building with sandstone walls, crenelated parapets, and an asymmetrical corner tower. It was designed by E.A. Harrison and stands on the northwest corner of the railyard complex, near the intersection of First and Second streets. Built in 1920, it is the oldest surviving fire station in Albuquerque. The building has been designated an Albuquerque historic landmark and is thus protected from alteration without city approval.
The structure clearly hearkens to the architecture of medieval castles of Europe with its crenelated parapets and towers. It was constructed with 4,000 coral block walls from the same limestone source used to build Kawaiahao Church and the Cathedral of Our Lady of Peace and has a slate roof. It is surrounded by rooms once used by the guards as a mess hall, kitchen, dispensary, berth room, and lockup. Iolani Barracks was originally built a block behind (mauka, or inland of) Iolani Palace.
The Smith–Collins House was located at 323 Palisade Avenue. Built in 1854, it was the oldest building in the district at the time it was listed. It was a two- and-a-half-story High Victorian Gothic house with many bays, sided at first in clapboard and later stucco. alt=An ornate house on a hillside, seen from the air Its most striking feature was a three-story crenelated entrance tower on the northeast corner with a round-arched entrance and windows.
The Evanston Towers are a historic apartment building located at 554-602 Sheridan Square in Evanston, Illinois. It was built in 1924 and designed by Anthony H. Quitsow. The "E"-shaped building was designed in the Tudor Revival style and has two courtyards, a crenelated tower on the north side, entrances with Tudor arches, and limestone decorations. Early advertising for the apartments billed them as "among the finest in Evanston" due to the building's design, amenities, and views of Lake Michigan.
The Masonic Temple in downtown Casper, Wyoming is a Masonic hall, built in 1914 during a boom time initiated by the development of the Salt Creek Oil Field. Located on a corner site, the temple remains essentially as it was designed by Casper architect Homer F. Shaffer. The four story light-colored brick building rests on a raised basement and is topped by a crenelated parapet. The original windows have been replaced with vinyl units but retain the one-over-one appearance of the originals.
At the lower level is the western portal with a depressed Tudor arch, recently restored, above which rises a traceried window framed by a brick course. The tower rises in two stages, the first having a square-topped mullioned window in the Tudor style. The belfry level has a large rounded-headed opening with Classical details, including rusticated voussoirs, Ionic pilasters and a brick entablature. The tower is topped by a crenelated parapet, and pinnacles in the Tudor style dating from the 19th century.
The Museo Nacional de Costa Rica is the national museum of Costa Rica, located in the capital of San José. It is located at Calle 17, between Central and Second Avenue, Cuesta de Moras, in the Bellavista Fortress, a crenelated, ochre-colored building opposite the Legislative Assembly of Costa Rica. The fortress was built in 1917 and was originally a military barracks: the exterior walls still have many bullets lodged in them from the country's 1948 civil war. It became the site of the museum in 1950.
The Glover Mausoleum had been completed on the banks of the Tombigbee in 1845, with the burial of many family members in and around it. Finally the city established its main burial ground, Riverside Cemetery, selling plots to the public in 1882. A circular Gothic Revival-style amphitheater, complete with a crenelated roof-line, was completed in 1859 north of town in Webb's Bend at the fairgrounds. The fairgrounds and its buildings covered approximately and hosted a variety of events until the outbreak of the Civil War.
The tower was named for a legendary king of Norway, Olaf Sacred, who confirmed Christianity in Scandinavia and was later canonised. The foundation of the tower is made of stone laid without application of a building solution; the tower walls are composed of stones cemented with use of a strong solution and revetted by boulders. The tower is rectangular (size is 15.5 х 15.6 meters), with walls 4.5 meters thick. The tower top has a crenelated wall on which a wooden gallery for defenders was erected.
The Methodist Church, Bodmin Street was opened on 28 April 1910 as the United Methodist Church. A Grade II listed building, it was built in 1909–1910 in the Early English style by two local building firms, Samuel Parsons (also the architect) and William F. Glover. The church, on the site of an earlier chapel of about 1876, retains its appearance, but with the addition of a two-stage octagonal crenelated tower with spire. At the base of the tower there is a two-light window.
Coughton Court () is an English Tudor country house, situated on the main road between Studley and Alcester in Warwickshire. It is a Grade I listed building. The house has a long crenelated façade directly facing the main road, at the centre of which is the Tudor Gatehouse, dating from 1530; this has hexagonal turrets and oriel windows in the English Renaissance style. The gatehouse is the oldest part of the house and is flanked by later wings, in the Strawberry Hill Gothic style, popularised by Horace Walpole.
The outer edge is oblate-convex in the upper part but substantially swollen on the fifth and sixth ribs, which show a white appearance, and protrudes on the aperture. The aperture is thickened on the last rib, crenelated on the sharp outer lip and furnished inside with 5 denticulate folds. The subsutural sinus cuts rather deep into the thickening of the outer lip, where it expands and becomes rounded.Hervier R.P. (1897), Descriptions d'espèces nouvelles provenant de l'Archipel de la Nouvelle Calédonie (suite); Journal de conchyliologie t.
Whitefish Bay National Guard Armory was located at 1225 East Henry Clay Street, on six acres of land at the southwest corner of Henry Clay Street and Ardmore Avenue, in Whitefish Bay, Wisconsin. The red brick building with crenelated top and central tower was called "the finest armory in the state". Inside were well-lit classrooms off wide terrazzo corridors, double staircase with ornate ogee window, gymnasium, kitchen, and lounge with beamed ceiling and mammoth fireplace. Built in 1928, it was designed by prolific local architect Herbert W. Tullgren.
Within four months after the Great Fire of 1901 destroyed that building, plans for the present church were under way. According to a September, 1901 newspaper report, the Romanesque Revival style structure was estimated to cost $18,000. Architectural details such as arched window and door openings, art-glass windows, a bell tower, contrasting brick quoins, and a crenelated parapet contribute to its handsome design. The building was completed in 1905 and was designed by architects J. B. Carr & Co. of Birmingham and Francis J. Norton of Jacksonville & Chicago.
Clonony Castle in Ireland, a 16th-century tower house Tower houses were a common feature of British and Irish castle building in the late medieval period: over 3,000 were constructed in Ireland, around 800 in Scotland and over 250 in England.Emery (1996), p. 26. A tower house would typically be a tall, square, stone-built, crenelated building; Scottish and Ulster tower houses were often also surrounded by a barmkyn or bawn, a walled courtyard designed to hold valuable animals securely, but not necessarily intended for serious defence.Toy (1985), p.
It was opened as a museum in February 2002. The building was restored prior to its opening, and a new entrance was built, designed by Japanese architect Arata Isozaki, in a process that included firing 100,000 bricks to match the original ones. The museum, which opened in spring 2002, has almost three acres of exhibition space, a media library, auditorium, classrooms and a restaurant. Visitors descend by escalator to the basement lobby, adorned by a Sol LeWitt mural, then rise again to the exhibition spaces on the ground floor, within the crenelated brickwork.
The Survey of London described the interior as having "...a predictable eclecticism of style, ranging from Jacobean in the long hallway containing an oak open-well staircase with twisted balusters and wide handrail to Adamesque in the double drawing-room at the front. The fittings include fine marble chimneypieces in a late-eighteenth-century manner. A room on the first floor may originally have been used as a chapel." The London: North edition of the Pevsner Architectural Guides describes Mortimer House as "a picturesque composition", highlighting its "Tudor chimneys with crenelated pots and stone mullions".
Unitarian Church of Buffalo The sanctuary and building was completed in 1906 on land donated by John J. Albright, who built the Albright–Knox Art Gallery in Buffalo, NY completed in 1905. In 1908, Col. Charles Clifton paid the remaining $25,000 of the mortgage on the church building on the condition that the pews would be forever free. The church is designed in a Gothic Revival style with walls and tracery in the arched windows of Indiana limestone, a crenelated turret, and oak doors decorated with wrought-iron fleur-de-lis.
The failure was serious, the moral effect disastrous. Bou Zian exploited his victory and sent burning letters to the AURES and ZIBAN people ... Arrived in front of the zone called Zaatcha the French met a bastioned wall, crenelated, preceded by a ditch of 7 meters wide and 1 to 3 meters deep filled with water. Colonel Carbuccia in charge of this mission was surprised by the topography of the ground and the resistance which opposed him in the middle of a dense vegetation. The struggles and fights continued for 7 months without stopping.
In Taracena there is the 17th century Church of the Immaculate, in a very simple Renaissance style. In Usanos, there is the 13th-century Romanesque church of the Assumption, considerably remodeled in later periods and which features a crenelated tower. Other types of monuments that are also noteworthy are the Iriépal laundry, work of 1910 in historicist style with funding from the Jose Santa María de Hita Foundation, and Iriépal (1858) and Valdenoches (1656) funds. Throughout all the villages there are examples of Castilian mansions, quite modest compared to those in the cities.
The Beach Tower located in Jenkins Lane car park, Waterford is a 15th century crenelated building which is part of the city defences. It was built on a rocky outcrop overlooking the River Suir and forms a natural defensive position.The Ancient and Present State of the County and City of Waterford, By Charles Smith (1746) pp. 169 The Beach Tower which was part of the medieval defences of the City of Waterford, Ireland The tower is an excellent observation post with uninterrupted views both upriver to Granagh Castle and downriver beyond Reginald's Tower.
He is clad in a black cloth robe, trimmed with fur, and wears a black cap which partly covers his ear. In the background are meadows and trees ; on the left, a castle with a crenelated bridge ; a cavalier is watering his horse at the stream, which flows past it into a wide river.An old man, Berlin Royal Museum, portrait, 529C description in Hans Memlinc catalog pp. 67 and 102, by William Henry James Weale, 1901 The female half was purchased by Leo Nardus and eventually sold by F. Kleinberger to the Louvre in 1908.
Bezalel Art School, 1913 Built by a wealthy Arab in the 1880s, with a crenelated stone wall mirroring the wall around Jerusalem's Old City, the building stood empty until 1907, when the complex was purchased by the Jewish National Fund for Boris Dov Schatz, who envisioned opening an art school there.Artistic flavor, Jerusalem Post The building became the country's first public museum. Schatz's collection later formed the basis of the Israel Museum, which opened in 1965. The Jerusalem Artists House mounts changing exhibitions of Israeli art, featuring the work of both new and established artists.
The present villa, with its faux-crenelated towers, was built atop a prior 17th-century palace first erected by Orazio d'Acunto. The Englishwoman Luisa Dillon Strahan, Marchesa di Salza,Notizie del bello dell'antico e del curioso della città di Napoli, Volume 5; by Carlo Cerano; Curated by Giovanni Battista Chiarini; Stamperia di Agostino di Pascale, Naples (1860); page 639-642. acquired the property in 1842, and named the house Rocca or Castle Matilde, after the name of her eldest daughter, Matilde. Subsequently it was further refurbished by the next owner, George Wightwick Rendel.
The present castle, which replaced an earlier stone keep, is constructed almost entirely from the local Carboniferous limestone, except for some of the Tudor architectural features such as window frames, which are made from imported Cotswold stone. Although originally a Norman stronghold the castle maintains a mixture of architectural styles as modifications were made to the structure over successive centuries. Entry to the inner ward is across a dry moat that had a barbican and gatehouse. The front of the castle had three D-shaped towers and crenelated walls.
Alban Towers' exterior comprises Limestone Tracery, bas-relief panels and brick, and has much Gothic-inspired ornamentation, including arched balcony openings, gargoyles, and rising spirals on the roof. The main entrance on Massachusetts Avenue features a crenelated porte-cochere with carved spandrels and corbel stones supporting its gothic arches. Also featured on the porte-cochere are six carved heads; five of medieval males and the sixth of an aviator inspired by Charles A. Lindbergh's historic flight. The grand lobby is spacious and designed using Tudor ideals, featuring Tudor strapwork and plaster ceilings.
Old Stone Castle, Fort Porter Fort Porter was constructed between 1841 and 1844 at Buffalo in Erie County, New York and named for General Peter Buell Porter. The site was bounded by Porter Avenue, Busti Avenue and the Erie Barge Canal. It was initially a square masonry two-story redoubt, 62 feet square, with crenelated walls surrounded by large earthworks and moat. The fort was considered the largest masonry "blockhouse" ever built; it burned in November 1863. The "castle" had been built in 1836 as a home for Col.
Gibson's descriptions of interiors and of the built environments of Tokyo, Russia and London were singled out as impressive, and The Village Voices review remarked that "Gibson expertly replicates the biosphere of a discussion board: the coffee-shop intimacy, the fishbowl paranoia, the splintering factions, the inevitable flame war". Lisa Zeidner of The New York Times Book Review elaborated: > As usual, Gibson's prose is ... corpuscular, crenelated. His sentences slide > from silk to steel, and take tonal joy rides from the ironic to the earnest. > But he never gets lost in the language, as he sometimes has in the past.
Front façade. Virginia House is a large, asymmetrical, two-story long rectangular stone building with massive sandstone walls, small medieval windows, characterized by two high Dutch gables that date to the 1620 remodeling of the Thomas Hawkins-era Priory in Warwickshire, England. The adjacent cross-gable roofs and crenelated balustrade over the carriage entrance provide a horizontal cross-axis on either side of the gabled central bays. Two rear ells of the house project into the garden terrace, one of them containing the two-story cathedral-ceilinged library, and the other a drawing room and the master bedroom wing.
Constructed of Montreal limestone, the original Royal Vic is distinguished by its crenelated structures and romantic turrets framing generous sun porches at the corners of its imposing medical and surgical wards. Snell's aesthetic plans for the Royal Vic were inspired by the Scottish baronial style of the Royal Infirmary of Edinburgh. From a medical perspective, his design of the Royal Vic was influenced by the ideas of Florence Nightingale as a Pavilion Hospital, in which the separation and isolation of both patients and diseases were thought to discourage the spread of infection.Restoring Women's History Through Historic Preservation.
Fifth Street Baptist ChurchThe only example of ecclesiastical architecture in the district is the Fifth Street Baptist Church at 1007-1013 Fifth Street (118-5318-0053). Built in 1929 to replace an earlier building, the church displays elements of the Gothic Revival style. The building's gable end fronts Fifth Street, and is anchored by a pair of staggered height crenelated towers (the taller, right-hand tower features a stuccoed round recessed panel at the top). The three-bay façade is built of brick laid in a running bond, and is fenestrated by arched stained glass windows.
With of floor space, the Palais is the largest Gothic palace in all of Europe and, due to its many architectural merits, one of the most important in the world. These merits were highlighted by Viollet-le-Duc, author of “Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle” (Dictionary of French architecture from the 11th to the 16th century), who referred extensively to the Palais, including the thickness and height of its towers, the strength of its crenelated walls, the use of arcs for support on its façades and its ability to withstand heavy and drawn-out sieges.
The exterior walls of the pavilion are covered in windows and made of natural Florida cypress stained to resemble the surroundings plant life. The cypress is grooved vertically to give the appearance of individual tree trunks. The sloping roof of the pavilion is composed of tongue-and-groove yellow pine and copper to mimic the look of medieval cathedrals. The front door is made of maple with inlaid Gothic patterns in cherry and an ornamental architrave of crenelated mahogany. The floor is made of three shades of travertine marble arranged in a geometric pattern based on the building’s structure.
The Classical Revival style Victorian building was commissioned by Charles F. Willoughby's Boston Cyclorama Company to house the Cyclorama of the Battle of Gettysburg, a 400-by-50 foot cyclorama painting of the Battle of Gettysburg. It was designed by Charles Amos Cummings and Willard T. Sears. The central space is a 127'-diameter steel-trussed dome which, when it was built, was the largest dome in the country after the United States Capitol building. Visitors entered through the crenelated archway, proceeded along a dark winding passage, and then ascended a winding staircase to an elevated viewing platform.
Blouet, 1831, v. I, p. 12 They found there the famous fortified and crenelated surrounding walls of Epaminondas in a perfect state of preservation. There were two monumental portals in the wall, one of which, having a lintel or architrave of an extraordinary 6 meters in length, was described by Blouet as "perhaps the most beautiful in all of Greece".Blouet, 1831, v. I, p. 40. This enclosure initially allowed them to delimit the site and to "give a general plan of Messene with the most meticulous and precise topographic details." Then, they proceeded to the proper excavation of the archaeological site.
Belfry of Tournai The belfry () of Tournai, Belgium, is a freestanding bell tower of medieval origin, 72 metres in height with a 256-step stairway. This landmark building is one of a set of belfries of Belgium and France registered on the UNESCO World Heritage List. Construction of the belfry began around 1188 when King Philip Augustus of France granted Tournai its town charter, conferring among other privileges the right to mount a communal bell to ring out signals to the townsfolk. The tower in its original form was evocative of the feudal keep, with a square cross section and crenelated parapet.
The new church retained the wide > proportions, Georgian nave and a new apsidal chancel and tower were added. > The windows were remodelled and an exterior crenelated parapet and new roof > added. The Historic England summary states that the church features a "wide nave with lower and narrower chancel, west tower flanked by gallery stair turrets and with west narthex" and that the exterior is "in a lavish free Perpendicular style". The wall paintings were executed by Alfred Octavius Hemming in 1898, when six tubular bells for the tower were added, and new stained glass was inserted.
The church is constructed in red sandstone with grey slate roofs. Its plan is cruciform, and consists of a three-bay nave with a south porch, single-bay transepts, a two-bay chancel, a sacristy in the corner of the chancel and the north transept, and a west tower. The tower has three stages in Perpendicular style, with an octagonal northwest stair turret, and a crenelated parapet. In the bottom stage is a three-light west window and a statue of Saint Chad in a niche, single-light trefoil-headed windows on the north and south sides of the middle stage, and two-light bell openings in the top stage.
Bellevue-Stratford Hotel, Philadelphia (1902-04), in 1976 G. W. & W. D. Hewitt was a prominent architectural firm in the eastern United States at the turn of the twentieth century. It was founded in Philadelphia in 1878, by brothers George Wattson Hewitt (1841–1916) and William Dempster Hewitt (1847–1924), both members of the American Institute of Architects. The firm specialized in churches, hotels and palatial residences, especially crenelated mansions such as Maybrook (1881), Druim Moir (1885–86) and Boldt Castle (1900–04). The last was built for George C. Boldt, owner of Philadelphia's Bellevue-Stratford Hotel (1902–04), G.W. & W.D. Hewitt's most well-known building.
The chancel with its side chapels--all c1325-1350 except north chapel early 15th century--are string-coursed: chancel east wall entirely ashlar; south chapel walls ironstone with east wall ashlar above; and north chapel ashlar with ironstone at its east half below a window cill band that continues onto the east wall of chapel and chancel. The chapel parapets are deep crenelated repeats of the tower battlements. At the east wall the parapets follow the angled roof line of both chapels and meet a plain coped gable at the east chancel wall. Four pinnacles define the corners of the chapels and the edge of the chancel gable.
The original stone and wood tower was 100 feet from the base at grade to its roof, and was capped with four corner frustums of elongated octagonal pyramids, each finished at their top with a decorative termination, iron-work, and vane, making their height 30 feet above the shallow roof of the tower. There were four other pinnacles, 20 feet high, placed between the pyramids and connected to the corner by a crenelated balustrade 7 feet high. There were five windows on each side of the building, and one just around each corner on the back end elevation, all twelve of which were 26 feet high and 8/1/3 wide.
The spire is in Late Renaissance style. Decorative details are a crenelated battlement, that acts as a stronghold, the "Old Thomas" (), that is winding on the top of the tower (the copy of the original from 1530 is in the Tallinn City Museum ()), vane with three eggs, that are held by the simple rock lion and gargoyles decorated with the heads of dragons on the western gable. The Old Thomas is wearing the clothing of a 16th-century city guard. He can be named the symbol of Tallinn and even poems are dedicated to him. The Old Thomas is holding a flag, that has 1996 written on it.
Approximately 500 metres long, this enclosure was pierced by two gates defended by drawbridges (la Porte de la Pêcherie o the Saône et la porte de la Lanterne) and protected by ten towers. A crenelated walk and five stone booths allowed soldiers to watch at the top. The main wall was separated by a 22-metre ditch from another two-metre wall located to the north. In the fourteenth century, a third structure built into the slope was added, then, at the beginning of the 15th century, a new structure was built on the Saint Sébastien hilltop, consisting of a mound of earth protected by wood towers.
The fort at al-Ukhaydir, built from dressed stone, was one of the smallest on the Hajj route. The square structure measured roughly on each side and consisted of three stories, topped by crenelated battlements. Its arched gateway was on the northern end, and on top of it was a projecting, cube-shaped machicolation laying on four, two-tier corbels. At the ground floor there were at least eight gun slits, two of them on either side of the machicolation, a projecting turret on the northeastern corner of the fort, one immediately east of the gateway, two on the west wall and two on the southern wall.
That the eventual design for the chapel avoided the temptation towards eclectic over- adornment sometimes associated with excesses of romantic mediaevalism, for which the derogatory term Gothick can be used. By satisfying the Abney Park Cemetery Company Directors' preference for a low gothic style, William Hosking helped focus visual attention on the chapel's one elaborately designed elevation – the crenelated and decorated south elevation. This facade was set between two octagonal stair turrets, with newell staircases inside, illuminated by simple oculus windows. These led to dramatic viewpoints over Dr Watts' Walk, as well as to an internal viewing platform above an ogee arch with trefoil panels and quatrafoil.
View of the gardens and the villa when it was owned by Count Angelo Griffoni Sant'Angelo (engraving c. 1820–1825, by Finoli Bassano) Villa Albergoni is located on a plateau near the Adda river, in a marshy area that was politically difficult to control on the border between the Republic of Venice and the Duchy of Milan. The early document "Desegnio di Crema et del Cremasco", published in Venice between 1482 and 1497, describes Crema as a fortified village with crenelated houses and an isolated watchtower. The powerful Milanese Vimercati family settled in Crema, probably in the 13th century, and the fiefdom of Moscazzano was entrusted in 1499.
Château de Rully At the end of the 14th century, the castle consisted of a square keep, three round corner towers and one flanking tower. All the elements are connected by curtain walls with a covered round walk, and crenelated at the top. There was a and protective broad, deep moat surrounding the base, as well as a single drawbridge, the location of which is still visible on the southern face. In the 15th century, the Saint-Leger family added, on the east, north and west of the interior courtyard, a succession of buildings with splendid oak woodwork, supporting the corbelling of the round walk which was covered with flat Burgundian tiles.
Plate A, the only anthropomorphic human-headed avian plate in the Wulfing cache, measures in length by in width and weighs . The human head has the Forked Eye Surround motif, Beaded Forelock, ear-spool, Hand Over Mouth motif, and occipital hair knot associated with the "Birdman" of the Mississippian Art and Ceremonial Complex (M.A.C.C.). Among Mississippian copper plates, the naturalistic depiction of the human head of Plate A most closely matches the treatment of the human figures of the Etowah Rogan plates. It also has an elaborate headdress with what may be feathers and a smaller agnathous human face with a forked eye surround motif, ear spools, and a distinctive crenelated crown-like device.
In 1210 and by order of King Peter II of Aragon "The Catholic" moved at his side the grain market, thereby giving rise to germ that later became and still is the Central Market of Zaragoza."Histories of the Puerta de Toledo of Zaragoza" eszaragoza.blogspot.com It was flanked by two imposing crenelated towers and its monumental arch closed with iron gates. Since 1440 its two towers became Royal Prison, which it was previously located in the Puerta Cinegia, and in 1556 in Cárcel de Manifestados it was more directed towards political prisoners prison and oppressed by the regime that ruled until it ruled that they had stopped with or without cause, with justice or without enough justice.
82 The northern approach to Gibraltar as seen in 1567; in the 17th century the tall towers for archers were pulled down and replaced with bastions for cannon The fortifications had only relatively thin crenelated walls, which were insufficiently strong to counter artillery bombardments. They were lined with many tall towers for archers, but could not be used to mount cannon. Don Luis Bravo de Acuña, the governor of Gibraltar, produced a report for the king recommending a series of changes to the territory's fortifications. A series of new batteries was built along the Line Wall, each named after saints, and a New Mole (later renamed the South Mole) was built to provide additional protection to ships in the harbour.
Built on a small island of nearly 1 hectare (2.4 acres), the fortified perimeter of Fort de Santo António occupied a rectangular area of approximately 420 m2, with an additional area of 390 m2, where the cistern and some exterior structures were located. A chapel was also built at an unknown date.Fortim de Santo António The fort was completely abandoned following the departure of the Portuguese in 1961 and the structure continued to deteriorate, with large sections of the stone wall eventually collapsing. In 2015, to keep out trespassers and prevent further erosion of the island which was threatening what was left of the fort, a high rectangular wall — crenelated to suggest a medieval origin — was hastily built around the perimeter of the fort.
Drawing of Stimson House from Los Angeles Times, 1896 When Stimson House was built in the 1890s, the Los Angeles Times described it as "the costliest and most beautiful private residence in Los Angeles," a building "admired by all who see it." More than a hundred years later, the Times said: "From the front, the 3-story house resembles a medieval castle, with brick chimneys standing guard like sentries along the roof and an ornate four-story crenelated tower on the northeast corner, a noble rook from a massive chess board." With its $150,000 cost, it was the most expensive house that had been built in Los Angeles at the time. From the day it was built, the 30-room house was a Los Angeles landmark.
The structure is a triple-arched gate that makes use of Moorish architectural forms, with pointed horseshoe arches and a crenelated top. Both the inner and outer facades are covered in polychrome tiles featuring arabesques and Moroccan geometric motifs, with the outer facade predominantly blue and the interior facade predominantly green-ish. Strangely, the actual doors of the gate seem to close and lock from the outside; perhaps an indication that the French administration saw it partly as a means of controlling the movement of the inhabitants inside the medina. Beyond the gate, a small square ringed by shops and restaurants today gives access to both Tala'a Kebira and Tala'a Seghira, the main streets of the city leading towards the Qarawiyyin and the heart of the medina.
Sasanian relief of boar-hunting on domestic elephants, Taq-e Bostan, Iran A medieval Armenian miniature representing the Sasanian war elephants in the Battle of Avarayr in 451 AD War elephants were used in Iranian military history, most notably in Achaemenid, Seleucid and Sasanian periods. The elephants were Asian elephants, and were recruited from southern provinces of Iran, and Pakistan but also possibly Western Asiatic elephants from Syria and western-most Iran. The men (excluding the driver) sat in a large tower from which troops would fight. The elephant itself would normally be armed with thin plate armour (the Sassanids used chain mail as well as thin plate armour) and would bear a large crenelated wooden howdah on its back.
During French occupation, the network of roads was developed with the mosque as the central landmark, in the ville nouvelle. To the west and south of the mosque is a notable rose garden, and across Avenue Houmman-el-Fetouaki is the small mausoleum of the Almoravid emir Yusuf ibn Tashfin, one of the great builders of Marrakesh, consisting of a simple crenelated structure. In the mosque's esplanade, which backs onto Jemaa el Fna, the ruins of the first Kutubiyya Mosque can be seen. A part of the perimeter of the Ksar al-Hajjar, the original stone fortress built in 1070 by Abu Bakr ibn Umar, the Almoravid founder of the city, was also uncovered on the northern side of the original mosque.
The keep Located in the north-east angle of the enclosure, the keep is actually the former citadel of the medieval closed-town and the heart of the medieval defensive system, forming a small castle on its own isolated from the rest of the site. In origin it was made up of three main towers linked by curtain walls - to the south, the tour Duchesse Anne, to the north the tour du Donjon, to the west the tour Azénor. The main entrance was from the west, formed of a crenelated gate and a drawbridge across the moat separating the citadel from the rest of the castle-town. This collection of works formed a polygonal courtyard, at 2.2m below present ground level, housing a well, oubliettes and several underground rooms.
Door of the Sea was denominated Primitively and also Main door of the Villa. The waters of the bay, in fact, came very close to them, because what is now the Plaza de San Juan de Dios and was Plaza Real, was almost occupied by the Bay-Caleta Canal and that was the real pier and port commercial of Cádiz . The channel, when going blind, became small lagoons or gaps (whose name was given to the current street Plocia ), the second of which was blinded to 1628 while the other did it towards 1618, remaining as a kind of shipyard for small ships and ships. The bay side entrance had a ravelin and was flanked by two large crenelated cubes, using castramentation of the time, and on the right was placed the clock that the Cabildo had built a watchmaker of Osuna.
The Khairy Pasha Palace was built in the 1860s by Khairy Pasha, Minister of Education in the Khedivate of Egypt. The residence was part of the early development of a new Downtown Cairo district, north of the historical commercial and government centers of Old Cairo and the Cairo Citadel that were the city's core for centuries and millennia. It was designed the neo-Mameluk style, and the completed tall and striking mediaeval Islamic faux crenelated palace inspired a regional design style.Downtown Cultural Center Its Mamluk mediaeval Egyptian revival style, along with Moorish Revival and other traditions of Islamic Revival architecture, were integrated with European Beaux-Arts, Second Empire, and Art Nouveau style influences were used throughout modernizing Cairo in creating the vision of the 19th-century ruler Khedive Ismail, who commissioned the new downtown district's 'Paris on the Nile' design.
The Processional Way, which has been traced to a length of over half a mile, extended north from the Ishtar Gate and was designed with brick relief images of lions, the symbol of the goddess Ishtar (also known as Inanna) the war goddess, the dragon of Marduk, the lord of the gods, and the bull of Adad, the storm god. Worshipped as the Mistress of Heaven, Ishtar represented the power of sexual attraction and was thought to be savage and determined. Symbolized by the star and her sacred animal, the lion, she was also the goddess of war and the protector of ruling dynasties and their armies. The idea of protection of the city is further incorporated into this gateway design by the use of crenelated buttresses along both sides to this entrance into the city.
One version of what is believed to be the town's oldest town seal, which the council used, and which dated from the first half of the 14th century, set the pattern with its elements for various civic coats of arms down to the present day. The coat of arms symbolizes, with its crenelated wall and the towers within and each side, a town that was already strongly fortified by 1409. The two shields in the centre form the coat of arms of the Electorate of Saxony with the Saxon arms on the right, whose gold and black stripes recall the Ascanian rulers' house colours with the Rautenkranz or crancelin (literally "rue wreath"; see the Saxony article for more) across them symbolizing the town's founder Duke Albrecht II since 1262, when it appeared in his arms. The shield on the left is the Wittenberg district's arms.
Emmons mask, left side reconstructed Head of Malden A, showing headdress Another rare object from the site is the Emmons mask, a fairly unusual piece of carved red cedar believed to have been deposited in the grave sometime between 1200–1400 CE. The piece measures by by and was once adorned with sheet copper and paint made from galena, a lead ore. It is shaped like a human face with a crenelated crown-like decoration on its forehead. The paint encircles the eyes and forms two points down on the cheeks, making the forked eye motif, a design imitating the markings of the peregrine falcon and associated with the Chiefly Warrior Cult of the Southeastern Ceremonial Complex. The piece resembles the small human face that makes up part of the headdress of Malden plate A, an anthropomorphic avian themed Mississippian copper plate found in southeastern Missouri.
Victoria and Albert. Retrieved : 2011-03-17 The trophy is formed from modelled and cast silver components which were assembled together to create the final piece.Garrards & Co. Retrieved : 2012-08-16 The Eglinton Trophy has a Hallmark and is therefore silver and not silver plate, it rises from a wide crenelated base on the sides of which are located the shields bearing the coats of arms of the fourteen Knights of the Tournament; a fifteenth shield is blank and four of the shields are in alcoves that extend from the base, accompanied by swords, quills, coronets, laurel leaf crown, etc. The 4 foot 8 inch (140 cm) trophy rises up as a highly ornate Gothic pulpit sitting beneath a pinnacled canopy under which Jane Georgiana, Lady Seymour, the Queen of Beauty stands in the act of placing a wreath upon the brow of the Earl of Eglinton, Lord and victor of the Eglinton Tournament.
He rented Lansdowne House in London until 1893. That year he purchased a country estate, Cliveden in Taplow, Buckinghamshire, from the Duke of Westminster. In 1899, William Waldorf Astor picked up British citizenship, which drew him further away from American history. To disappear from public view, in the summer of 1892, Astor faked his own death by having his staff report to American reporters that he had died, apparently from pneumonia."W.W. Astor is Dead: A Sketch of His Career and Estimate of His Vast Estate", New York Herald-Tribune, 12 July 1892 However, the ruse was soon discovered, whereupon Astor was mocked in the press. In 1895 he built a gothic mansion on London's Victoria Embankment at Two Temple Place overlooking the River Thames. He commissioned architect John Loughborough Pearson to design a $1.5 million building, a "crenelated Tudor stronghold"Kaplin, Justin. (2007). When the Astors Owned New York: Blue Bloods and Grand Hotels in a Gilded Age.
Two of the most elaborate extant examples in the Deep South are the Chapel of the Cross at Annandale Plantation and St. Mary's Chapel at Laurel Hill Plantation, both Episcopalian structures in Mississippi. In both cases the original plantation houses have been destroyed, but the quality and design of the churches can give some insight into how elaborate some plantation complexes and their buildings could be. St. Mary Chapel, in Natchez, dates to 1839, built in stuccoed brick with large Gothic and Tudor arch windows, hood mouldings over the doors and windows, buttresses, a crenelated roof-line, and a small Gothic spire crowning the whole. Although construction records are very sketchy, the Chapel of the Cross, built from 1850 to 1852 near Madison, may be attributable to Frank Wills or Richard Upjohn, both of whom designed almost identical churches in the North during the same time period that the Chapel of the Cross was built.
The first level was allocated for strategic reserves of provision, second level was inhabited including some living areas devoted to utility rooms, third level retained cannons. Reinforcing security of the fortress on the side of mount Cherche inlet, a moat was dug out and two stone bastions constructed. All the inside area of fortified perimeter was taken by thirty-four wooden structures of affluent town dwellers, where their most valuable possessions were secured due to prolonged subsistence on the front line, rainwater stone collector, nine magazines packed with provisions, living headquarter constructed out of durable wood, St. Michael's chapel, and other utility structures as dungeon, bakery, sentinel shack, etc. Kremenets Castle's complex design was conceived on the principles of early Gothic defence architecture that implied two dead-end lower decks, minimum of decorations, simplicity of geometrical spans, merlon battlement with its crenelated parapet of wood scaffolding covering the whole length of fortress walls.
He carried out restoration work on the castle and built up a new Jacobethan-styled range around the south and east sides of the castle. Waugh also constructed the crenelated gatehouse and clocktower at the entrance to the courtyard, and the Jacobethan-styled family pier by the sea below the castle. The commercial venture was a failure and Waugh fled his creditors to Spain in 1857. After a period of ownership by a Mr Faulkner, who continued the pottery scheme, the property was eventually resold in 1873 to the politician and lawyer George Cavendish-Bentinck for £30,000, who furnished the castle with an extensive collection of Italian Renaissance sculpture.; Cavendish-Bentinck closed the pottery works and gave the island as a family home to his son, William, paying for the castle to be extensively renovated; William and his wife Ruth moved into it in 1888.; Cavendish- Bentinck died in 1891 with extensive debts, forcing William to sell the castle and island to Major Kenneth Robert Balfour.
This copper plate has a birds body but a human head wearing an elaborate headdress which includes what may be feathers and a smaller human face with the distinctive crenelated crown-like structure and a forked eye surround. Archaeologists believe the Emmons mask may in fact be part of such a headdress, and it has holes that would have allowed it to have been attached in such a fashion. A similar piece (including the crenelations) was found at the Etowah site in Georgia, but it is described as a "rattle" and it slightly more resembles the severed heads held by figures on the Rogan plates found at the site by John P. Rogan in the 1880s. A large cache of carved cedar heads was also found in the "Great Mortuary" at Spiro in Oklahoma, although these lack the distinctive crenelations and some of these vary in size enough that some of them may actually be wooden versions of long-nosed god maskette ear decorations.
The defences of tower houses were primarily aimed to provide protection against smaller raiding parties and were not intended to put up significant opposition to an organised military assault, leading historian Stuart Reid to characterise them as "defensible rather than defensive".S. Reid, Castles and Tower Houses of the Scottish Clans, 1450–1650 (Botley: Osprey, 2006), , pp. 12 and 46. They were typically be a tall, square, stone-built, crenelated building; often also surrounded by a barmkyn or bawn, a walled courtyard designed to hold valuable animals securely, but not necessarily intended for serious defence.S. Reid, Castles and Tower Houses of the Scottish Clans, 1450–1650 (Botley: Osprey, 2006), , p. 33.S. Toy, Castles: Their Construction and History (New York: Dover Publications, 1985), , p. 224. They were built extensively on both sides of the border with England, and James IV's forfeiture of the Lordship of the Isles in 1494 led to an immediate burst of castle building across the region.I. D. Whyte, and K. A. Whyte, The Changing Scottish Landscape, 1500–1800 (London: Routledge, 1991) , p. 76.
Franklin Street Presbyterian Church and Parsonage is a historic Presbyterian church located at 100 West Franklin Street at Cathedral Street, northwest corner in Baltimore, Maryland, United States. The church is a rectangular Tudor Gothic building dedicated in 1847, with an addition in 1865. The front features two 60 foot flanking octagonal towers are also crenelated and have louvered belfry openings and stained glass Gothic-arched windows. The manse / parsonage at the north end has similar matching walls of brick, heavy Tudor- Gothic window hoods, and battlements atop the roof and was built in 1857. This church was incorporated in 1844 by a group of men from the First Presbyterian Church then located at the northwest corner of East Fayette Street and North Street (now Guilford Avenue) in downtown (later relocated in 1854 to West Madison Street and Park Avenue in Mount Vernon-Belvedere neighborhood after selling their previous third church building of 1790-95 to the Federal Government which built a U.S. Courthouse there [to 1889, replaced again 1932] dedicated in 1860 by 16th President James Buchanan).
Under the Water Act 1973 ownership passed from Manchester to the North West Water Authority; this was privatised (as North West Water) in 1990 and a subsequent merger created United Utilities, a private water and waste water company, which now owns and manages the reservoir and its catchment area. Keswick is now supplied with Thirlmere water (via a water treatment works at Bridge End to the north of the dam), and (as of 2017) it is intended to also supply West Cumbria from Thirlmere by 2022, thus allowing cessation of water abstraction from Ennerdale Water. The crenelated building housing the original 'straining well' at the northern end of the tunnel under Dunmail Raise (made redundant by a water treatment plant at the southern exit of the tunnel under the Raise) which began operation in 1980 ) is now a Grade II listed building.first listed in 1985 The new water treatment plant has permitted greater public access to the lake, and the views across the lake from the roads on either side have been restored by the selective felling of non-native trees between them and the lake shore.

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