673 Sentences With "crenellated" | Random Sentence Generator

The canvas's crenellated bottom edge could be four little feet.

Paintings such as "Through Blue" (1963), with its bifurcating blue rivulets spilling around crenellated brown fields, resemble imaginary topographies.

We drove through a labyrinthine market in Hamar Weyne, a quarter of narrow streets lined with ancient crenellated walls.

Thick, with cinnamon sugar and a crenellated crunch, they're plain old fantastic churros, with no need to imitate anything.

Moorish doorways, crenellated watchtowers, Scottish Baronial turrets, Manueline sea monsters — an inkling of what awaits lies only steps from Sintra's railway station.

In another scene, Sepúlveda appears in triplicate in front of a crenellated wall, the center figure donning a loose dress, flanked by two versions of herself in a jaguar costume.

Perched on a hill, surrounded by olive groves, its crenellated tower visible a mile away, the Castello di Magona reflects its noble lineage: In the 26s, it was the residence of Leopold II, the last reigning grand duke of Tuscany.

The DIA has noted that its puppet most closely resembles the version of Kermit on The Muppet Show, which debuted in 1976, except for its double crenellated collar (emphasis theirs), which bears more resemblance to a version of Kermit seen on Sesame Street in 1969.

The team contends that these bear more than a passing resemblance to the networks of bacteria that live in hydrothermal vents—towering, crenellated structures that form in the deep ocean above the boundaries between tectonic plates, where superheated mineral-laden water spurts up from beneath the seabed.

Rather than hewing to an ideal beauty – the solution most often taken by artists to embody an abstraction – to depict "Italy," Valentin selects one of his usual models, but makes her majestic, transformed like a teenager on prom night, with a crenellated headdress, elaborate armor, and an abundance of red drapery.

The parapet is crenellated and inscribed with "GOBLIN TOWER: REBUILT 1894".

It is a redbrick building with stone dressings and a crenellated tower.

Rooms on the upper floor opened via French windows with green-painted cedar shutters onto a crenellated open balcony. The veranda was also enclosed by shutters. The flat roof, which was accessible from below and surrounded by a crenellated parapet, gave a panoramic view of the Adelaide plains from the sea to the Adelaide Hills and beyond. Even the chimneys were crenellated, reinforcing the popular epithet "castle".

The top of the tower is crenellated and on each corner are diagonal buttresses.

It has a crenellated parapet. The church has two bells, dating from 1596 and 1837.

These are in two storeys with mullioned windows. The west front has a massive appearance with a three storey bay to the north. This has mullioned and transomed canted windows, a crenellated parapet and a pyramidal roof. To its right is an octagonal four-storey crenellated tower.

The two lodges, built in the same crenellated style as the house survived to the 1960s and were used as dwellings.

The new walls had a continuous wall walk and were crenellated. Most of the circuit was protected by an external ditch.

The parapet of the north aisle consists of stone openwork with crocketed pinnacles; the parapet of the south aisle is crenellated.

The church is of Bath stone and Ancaster stone ashlar. The church has narrow buttresses and a crenellated tower with clock.

On one corner of the top of this tower is an asymmetrically placed octagonal turret which is also crenellated. This forms a major feature of Iandra and is complemented by the numerous, tall, Medieval looking chimneys. On either side of the tower is a dormer. A crenellated parapet runs down at least one side of the house.

The second stage has two-light windows with a clock face on the west side and a blank clock-face panel to the south. The third stage has bell openings, above which is a string course with gargoyles. On the top is a crenellated parapet with eight crocketed pinnacles and a wind vane. The south wall is also crenellated.

These three-storey towers had strong splayed bases, with arrow slits below the crenellated parapet. A portcullis was added to the main gate.

The side-chapels of the choir are surmounted by a crenellated parapet with arrow-slits giving the cathedral the look of a fortress.

Above these are two-light bell openings; the parapet is crenellated. The parapet of the north aisle is plain; that of the south aisle is crenellated. On the west gable of the chancel is a bellcote. The south wall was rebuilt during the early part of the 16th century, and a tribute to St. Oswald was engraved in latin along the cornice.

The Coat of Arms shows Argent with three crenellated fasces of sand. The official status of the coat of arms remains to be determined.

A reconstruction stone wall turret (with flat roof and crenellated viewing platform) has been built as part of the stone wall reconstruction at Vindolanda.

It features heavy stone sills and lintels and a crenellated parapet. Note: This includes The building was added to the National Register of Historic Places in 1988.

The upper stage contains a two-light louvred bell opening on each face. At the top of the tower is a moulded cornice and a crenellated parapet.

It was designed by the Des Moines architectural firm of Proudfoot, Bird and Rawson and was built in 1901. The Gothic Revival style building features a crenellated corner tower.

The parapet at roof level is 'crenellated' providing ups, 'merlons' and downs, 'crenels', to allow defenders to hide behind the merlons while firing arrows or guns through the crenels.

The Central Fire Station is built to a Historicist design. With its crenellated gables, ogival gates and tower, the main source of inspiration is Medieval North Italian castle architecture.

The building is surrounded by a park, enclosed by a crenellated wall with a cover and flanked by two semicircular bodies, with an arrowslit in the center of each.

The entire church is crenellated. On the north side of the tower is a sculpture of Saint Christopher and on the south side one of the Blessed Virgin. It has diagonal buttresses and an octagonal south-west turret, a Tudor-arched west window, small arched ringers' windows on the north, west and south faces, a clock on west face, and two-light belfry windows with stone louvres. Its top is crenellated with eight crocketed pinnacles.

The building's design includes Tudor arched entrances, lancet windows, projecting bays, and a crenellated tower. The building was added to the National Register of Historic Places on March 15, 1984.

It was again restored in 1908 by Alfonso Rubbiani. It consists of a brick rectangular building, crenellated on the top, with ground story awnings. The interior has 15th-century frescoes.

It features projecting end bays with one- story entrances, brick piers, and a crenellated parapet. Note: This includes The building was added to the National Register of Historic Places in 1986.

The structure is enclosed by four circular towers. The rear façade incorporates the grand staircase. The brick walls are crenellated. The front opens onto parkland; access is by a double staircase.

Dr. Jacob Geiger House-Maud Wyeth Painter House, also known as the United Missouri Bank, is a historic home located at St. Joseph, Missouri. It was designed by the architecture firm of Eckel & Aldrich and built in 1911–1912. It is a 2 1/2-story, Gothic Revival style masonry building with a three-story crenellated tower and a two-story crenellated tower. It features an arcaded porch and a four-bay bow window with gargoyles.

The First United Methodist Church, originally the Booneville Methodist Episcopal Church South, is a historic church building at 355 North Broadway Avenue in Booneville, Arkansas. It is a two-story brick building with Late Gothic Revival styling, built between 1910 and 1911 for a congregation founded in 1868. It has a gabled roof with a crenellated parapet and a buttressed tower topped by crenellated parapets. The church was listed on the National Register of Historic Places in 2011.

Most of the remaining windows are square-headed with three rounded lights. The tower is ashlar. It has diagonal buttresses and a crenellated parapet. It has a turret with a spiral staircase.

The outside walls are of flint and limestone with some chequer work and sarsen, and are crenellated. The roofs are lead and slate. Inside are a number of monuments and monumental brasses.

The castle is a square, crenellated, six storey limestone tower house. On the top floor of there are the remains of stilts used by archers. There are also two barrel vaulted rooms.

The house was built in stages and has an irregular plan. It is constructed in ashlar and coursed rubble coal measures sandstone with crenellated parapets with pinnacles. It has pitched slate roofs.

The crenellated 3-stage tower, has merlons pierced with trefoil headed arches set on a quatrefoil pierced parapet. The church has been designated by English Heritage as a grade I listed building.

The clerestory windows are of double cusped lancets. There is a tall crenellated south porch with flushwork arcading and diapering. It has niches left and right. There is a similar north porch.

The stadium is built of rough rubble limestone obtained from a WPA project nearby. Its design was influenced by Medieval Gothic architecture, featuring arched entries, high crenellated walls, and unusual corner towers.

It features a central entrance with arched opening and stone surround and a crenellated brick parapet. Note: This includes The building was added to the National Register of Historic Places in 1988.

It features a projecting stone entryway with Tudor-arched opening, stone openings, and a crenellated parapet. Note: This includes The building was added to the National Register of Historic Places in 1988.

St. Margaret's, Rochester – geograph.org.uk – 1346237 The West end is dominated by the medieval stone tower. The stone is random laid ragstone with flint dressings in parts. The tower is crenellated with three stages.

The Castle is built from pre-cast black copper-slag blocks from Reeve's foundry at Crew's Hole. Designed in Gothic Revival style, the building is symmetrical in plan with crenellated circular towers at each corner that link two-storey blocks to form a square courtyard. The front and back blocks have larger crenellated entrance towers with moulded archways through. Above the front arch is a blank panel with ogee head and a two-centre arch on the second storey with perpendicular tracery.

The west corners have five-stage diagonal buttresses. It has a crenellated parapet with pinnacles. At the north-east corner there is a vice (spiral stair). There are two-light belfry louvres with hood moulding.

In the middle stage are small windows, above which are clock faces and bell openings. On the summit is a crenellated parapet. The tower is about high. The chancel east window is in Perpendicular style.

The lighthouse was built in 1793-96 and the "light" was a coal fire at the top. In 1842-43 the uppermost crenellated parts were replaced with the present lantern. Coal was replaced with rapeseed oil.

There are two-light windows in the chancel and the east window is a large three-light window in the Arts and Crafts style. Like the tower, the aisle, nave, porch and chancel walls are crenellated.

The gate across the road signifies the toll payable for use of the route. There were miscellaneous buildings on the large site, to the right of the road. The crenellated brick gatehouse dates from the 15th century.

The municipality's beginning as a Roman outpost with a castrum is expressed through the crenellated gateway. Electoral Mainz's ascendancy over the area, known to have been in force by 1292, is recalled by the Wheel of Mainz.

According to Dunkin.Dunkin pp37-38. the original castle-like manor house was probably square in shape with fortified crenellated walls surrounded on all sides by a deep moat. Access was by a drawbridge on the northern side.

The charge in Freudenberg's civic coat of arms is variously interpreted as a castle or a town gate. If the later is the case, it might heraldically be described thus: In azure a crenellated town gate Or with two crenellated towers Or. In either case, the town's current arms, granted in 1911 and confirmed in 1970, are based on the town's oldest known seal, from 1473. This seal's colours were not known; the blue and gold seen today are the colours of the old princely house of Nassau-Siegen.

The top of the tower has a crenellated parapet, with crocketed pinnacles at each corner. In the middle of the east gable is a shallow porch, flanked by angled buttresses and surmounted by a crenellated corbelled parapet. This houses a pointed-arch hoodmoulded doorway into the church. There are tall lancet windows to either side of the doorway, and a large traceried window above it; most of these were blocked to allow for the installation of the galleries within the church, with only the top sections of the central traceried window retaining its glass panes.

The New York City Landmarks Preservation Commission started holding hearings in 1992 to consider designating the site as landmark. Landmark status was approved in 2008. A commemorative plaque installed in the main entrance lobby calls out the "crenellated tower", "massive brick piers", and "saw-tooth skylights" as significant architectural details. Landmarks Commission Chairman Robert B. Tierney was quoted in the official announcement as saying: Detail of the tower The announcement also cited a "monumental arcade", the "Gothic-inspired details", and the "crenellated parapet of the central tower" as significant architectural features.

Built in 1785 in neo-Gothic style, Bretforton Hall is a Grade II listed property, standing in opposite the manor. Notable features include a full octagonal 3-storey Gothic tower with crenellated parapet, ogee headed windows and battlements.

It is a 3 1/2-story, nine bay, "T"-shaped building with a combination flat-top and slate gable roof and a projecting, crenellated entrance tower. It was listed on the National Register of Historic Places in 1988.

The main house is "L" shaped. The west front is Elizabethan and has five bays as does the north front. Each is surmounted by hipped and crenellated roofs. The west front includes a door with paired Roman Doric pilasters.

In addition to a rectangular building near the river bank, these had crenellated walls that extended up to or into the river like pincers, thus protecting a landing stage or berthing bay for cargo ships and river patrol boats.

The church features a three-story crenellated bell tower and round arched windows and openings. The congregation was established in 1824. Note: This includes and Accompanying photographs It was listed on the National Register of Historic Places in 2014.

It features two projecting entrances with stone surrounds, a central entrance with arched opening, a two-story projecting bay window, and a crenellated parapet. Note: This includes The building was added to the National Register of Historic Places in 1988.

To the east of the church is a brick presbytery in Gothic style, with a crenellated porch. To the southeast of the church is the former school. This has a tower with a pyramidal spire containing triple arched bell openings.

Crenellated battlements adorn the eleven-metre tall tower, which is constructed from squared-dressed stone. It has a plinth and an unreadable plaque. The interior has a stone built spiral staircase of thirty- nine steps. There is also a viewing platform.

Frielendorf's civic coat of arms might heraldically be described thus: In gules a crenellated tower argent with two small arrow slits, on a three-knolled hill vert, flanked by two rye stalks Or, before the tower a bill hook sable.

To evoke the impression of a medieval castle, the walls incorporate buttresses, parapets, crenellated moulding, corbelled stonework and crenellated towers flanking its troop door. The distinguishing characteristics include double or triple Tudor gothic arches and projecting surround at the front entrance, defence towers, and wall treatments which step out at the corners. To convey an image of solidity and impregnability, the building have small narrow windows, Bartizans, and small Turrets complete with firing slits. Armouries constructed in 1920s and 1930s reflect the popularity of Colonial Revival (1890s+) styles derived from simplified French colonial architecture of the Baroque era.

The west tower has six stages. It has angled buttresses on the west side and a crenellated parapet. There is a turret on its north-east corner, which has a spire. The belfry louvres have trefoiled two-light openings with square heads.

The church consists of a chancel, vestry, three-bay nave and south chapel. The chancel has a wagon roof with plastered barrel vault. The crenellated three-stage tower is supported by diagonal buttresses. Inside the church is a hexagonal Jacobean style pulpit.

It features a projecting stone entryway with Tudor arch, stone beltcourse and cornice, and a crenellated parapet. Note: This includes It was added to the National Register of Historic Places in 1988. The school's hierarchy structure is led with Principal Mrs. Susan Rozanski.

The inner courtyard within the rectangular enceinte is an example of medieval military architecture. Attached to the enceinte, the crenellated keep, with its round walk, today houses exhibitions."CHÂTEAU DE MAUVEZIN - MUSÉE GASTON FÉBUS", Tourisme Hautes-Pyrénées web site. Retrieved 28 November 2018.

H. G. Wells refers to "good hock" in A Modern Utopia, Chapter 6, Section 1. George Orwell writes in Homage to Catalonia Ch. XII in 1938 that "It has four crenellated spires exactly the shape of hock bottles", referring to Sagrada Família.

The biconical shell shows spiral lirae, with or without strong axial ribs. The protoconch contains 1½ - 2 smooth whorls. The distinct shoulder angle is usually very strong and crenellated by axials (when present). The columella shows a thin callus but no pleats.

Next to the temple is the rectory, of a very austere Gothic style, almost archaeological, adorned by a set of crenellated windows and, at the same time, by a certain asymmetry that gives it, within its severity, a slight air of modernist style.

The transepts lie to the north and south. There is a porch in the middle of the south wall. The central, square tower is of one stage and has two belfry lancet arches on each side. It has a crenellated parapet with gargoyles.

The tower has diagonal buttresses and three stages. Its parapet is crenellated. It has two-light belfry louvres and a two-light west window. The aisles have three-light windows in the Perpendicular style and the nave clerestory has smaller two-light windows.

Above this is a rib vault decorated with twelve carved bosses. Over the west arch is a three- light Perpendicular window. In the top stage are three-light louvred bell openings on each side. The parapet is crenellated, with corner pinnacles and statues.

The Gothic Revival style church was designed by architect Thomas U. Walter. The red brick church has a gable roof and features a crenellated entrance tower and lancet windows. The original church was listed on the National Register of Historic Places in 1972.

Aerial pitchers are noted for retaining highly developed wings, which may be up to 15 mm wide with fringe elements up to 13 mm long. The peristome is rarely crenellated in upper pitchers. Otherwise, aerial traps are morphologically similar to their terrestrial counterparts.

The Martinsville Telephone Company Building was built in 1927, and is a one-story, flat roofed, Tudor Revival style "oriental brick" and limestone building. It features a crenellated parapet. It housed a telephone exchange until 1957. Note: This includes and Accompanying photographs.

The outer walls of the castle have full-height slender turrets at the changes in direction. Corbel tables support part of the battlements. The walls contain arrow slots, and in the gatehouse is a garderobe. The flat roof has a crenellated parapet.

The tower is a circular, two-storey building constructed of sandstone. On top of the tower is a crenellated parapet. On the south-west elevation is a planked and studded oak door built into a Gothic-style arch. There are also three Gothic-style windows.

The church is L-shaped and faces north onto First Street. The main block contains its nave. A smaller gabled ell contains the sacristy and extends toward Wardwell Avenue at the left rear. At the left front of the church is a crenellated tower.

The crenellated three-stage tower has merlons pierced with trefoil headed arches set on a quatrefoil pierced parapet. The church has been designated by English Heritage as a Grade I listed building. The church has six bells, the heaviest at 16/17cwt. The no.

The old emblem of the municipality is formed by a crenellated tower, topped by a crown (gold on blue) with the motto "Virtus addidit". It incorporates the coat of arms of the Asinari family, lords of San Marzano between the thirteenth and seventeenth centuries.

Its large lintelled fireplace is a secondary insertion, so the fireplace in this room must originally have been in the centre of the floor. The roof above is modern, while the parapets are crenellated in the Irish style with loopholes, alure, machicolation and weeps.

This triple arrangement was unusual in its time, and Classical triumphal arches have been suggested as an influence.Fawcett, p.50 The gatehouse was dismantled gradually, and was consolidated in its present form in 1810. At each end of the crenellated curtain wall was a rectangular tower.

Cruden, p.146 Inside are five fireplaces, and large side windows lighting the dais end, where the king would be seated. It is across. The original hammerbeam roof was removed in 1800, along with the decorative crenellated parapet, when the hall was subdivided to form barracks.

Château d'Orcher The Château d'Orcher is a castle in the commune of Gonfreville-l'Orcher in the Seine-Maritime département of France. Built to protect the mouth of the River Seine, it includes an imposing square crenellated tower. In the 18th century it was transformed into a residence.

The mid-15th century, three stage crenellated west tower is constructed of local stone and has four Crocketed Pinnacles. The granite setback buttresses are terminated by crockets. The west door of the tower is a Four-centred arch with hoodmould and label stops. The tower is high.

The tower has corner buttresses, a curvilinear west window and smaller louvred windows on all faces at the bell- stage. A clock face is on the south side. The clerestory windows are pitched dormers. The tower, chancel and transept are crenellated and the chancel has crocketted finials.

Inside the Fortaleza Ozama, Colonialzone-dr.com Black slaves and pirates were usually jailed in the fortress. During the 1900s, the ex-presidents Jacinto Peynado and Horacio Vásquez did some time in the prison. In 1937, under the leadership of Rafael Trujillo, the outside walls were crenellated.

The building was designed in a Tudor/Gothic Revival style. A classic example of armoury design, Mewata has features deliberately bringing to mind a medieval fortress or castle, including four square corner towers, four smaller six sided towers, and buttresses with turrets and a crenellated roofline.

A three-storey red brick structure, the design of Huntsmoor House is unusual, topped with a crenellated tower featuring carved shields and a flagpole. The central section is flanked by two arched windows that rise through two storeys, with a Tudor style exposed beam gable above.

The St. Luke's Protestant Episcopal Church is a historic Episcopal church located in Seaford, Sussex County, Delaware. It was built in 1843, and reconstructed in 1904. It is a two-story, brick Gothic Revival style building. It has a one-story chancel and crenellated three-story tower.

Most of the building is of darker shades with trim in lighter shades. Nominally two stories in height, the rightmost bay has a square tower with crenellated parapet. The building, which is now in private hands, was listed on the National Register of Historic Places in 1978.

Guildhall and Stonebow, Lincoln from south Stonebow, Lincoln from south, c. 1784 The Stonebow is built from the local limestone. The exterior has crenellated parapets on both sides. South front has a roll moulded segmental central arch flanked by single round buttresses with canopied niches containing figures.

It is built in Norman and Decorated styles, consisting of chancel, nave, and aisles, with attached chapels and south porch, and a low crenellated west tower with three bells. The church was partly restored in 1873.Cox, J. Charles (1916) Lincolnshire pp. 195, 196; Methuen & Co. Ltd.

The flanking guardhouses have crenellated roofs. The external central arch is surmounted by a round marble relief of the Roman Catholic IHS Christogram in a Sun. The interior wall has an icon of the Madonna. On the corner of nearby buildings plaques announce entry into the Contrada of Tartuca.

On each side of the pale is a sprig of lavender proper (in its natural colour). Crest Three sprigs of lavender on a wreath or and vert entwined by a mural coronet (wall-like crenellated crown, indicative of municipal status). Motto "Mitcham Faeste Gestandeþ" - Mitcham stands fast (Old English).

On the north and south sides are clock faces and on the west side is a bullseye window. Above these are two-light bell openings. At the top is a moulded cornice, and a crenellated parapet with crocketted pinnacles. Other than the tower, the church is in Perpendicular style.

Castles of the Clans: The Strongholds and Seats of 750 Scottish Families and Clans. pp. 76–87. . The foundation stone was laid in October 1746. These dates makes it one of the earliest Gothic Revival buildings, together with Strawberry Hill House. Originally, all the roofs were flat and crenellated.

It has been built on the traditional plan of a polygonal base. The pagoda rises up in "a series of crenellated semi-circular terraces overlooking the river". It is now fully gilded (pictured). The pagoda is now a very distinct landmark on the shores of the Irrawaddy River.

The surviving stone nut is of cast iron with wooden teeth. The upright shaft is partly wooden and partly cast iron. The great spur wheel is cast iron, it has a cast iron crown wheel underneath. The tower has been truncated by one storey and the top is crenellated.

Three sides of the tower have clocks and there are three-light, arched belfry louvres on all sides. The Gothic- style nave has a crenellated parapet and a copper roof. It has five three- light windows in its north and south walls. The windows are arched, with tracery.

At the east end of the nave are two octagonal rood turrets, each terminating in a spirelet. There are three three- light windows along both sides of the chancel. The east window, dating from 1897 but in Perpendicular style, also has three lights. The chancel has a crenellated parapet.

Like its generally contemporary Porta Romana, the gate has a double set of portals. Each gate has a crenellated roofline. The gate was erected in 1326 to a design by Minuccio di Rinaldo (Moccio). Cenni storico-artistici di Siena e suoi suburbii, Volume 2 By Ettore Romagnoli, page 77.

Additions were built in 1931 and 1954. It features entrances with arched stone surrounds, brick piers with terra cotta capitals, and a crenellated battlement with four small towers. Note: This includes The building was added to the National Register of Historic Places in 1988 as the Thomas Creighton School.

Hilchenbach's civic coat of arms might heraldically be described thus: The shield in azure a wolf statant Or langued gules, the crest a crenellated castle with three crenellated towers argent. The arms were last approved in this form on 13 April 1970. The first version of the coat was approved in 1911 by German emperor Wilhelm II. The wolf charge refers to the charge in preserved examples of the old Hilchenbach jurymen's seal, which had the circumscription "S. der scheffen von helchenbach" ("S" stood for Siegel – seal – and the rest is archaic German for der Schöffen von Hilchenbach – of the Jurymen of Hilchenbach), and which appears on documents from 6 October 1477 and 17 November 1485.

A rear addition was built in 1953. It features stone arched entryways, stone two-story bay, and crenellated battlement with four small towers. Note: This includes The school was named after Temple University dean Laura H. Carnell. The building was added to the National Register of Historic Places in 1988.

It features a projecting central entrance with floral and heraldic plaques in the spandrel, decorative panels, and a crenellated parapet. Each register contains three openings with limestone sills and lintels. A limestone dripcourse appears over the basement openings. The projecting end registers feature window bands with ornamental panels between the floors.

The impressive relief design on the top of the walls is also in the form of crenellated parapet with pinnacles. There is also a bell in one of the towers. It also has lancet windows and doorways. The interior, which originally had Italian icons, was destroyed in a fire in 1930.

The most spectacular features of Ichan Kala are its crenellated brick walls and four gates, one at each side of the rectangular fortress. Although the foundations are believed to have been laid in the tenth century, present-day walls were erected mostly in the late seventeenth century and later repaired.

Tyack noted the "lively Rococo plasterwork" of the flat ceiling.Tyack, p. 165 In the early 19th century the east and west sides of the hall were crenellated, and the roof was re-slated. A clock was installed on the external wall of the hall in 1831 by the principal Henry Foulkes.

Richardson, Tantallon Castle, p.19 The front of the gatehouse was rebuilt, and the East Tower strengthened. Wide-mouthed gun holes were punched through the landward walls of the tower, and a crenellated parapet was added to the curtain wall.The Listed Building Report for Tantallon dates the repair works to 1556.

This style can often be seen combined with crenellated door and window surrounds made of locally produced red or blue brick. Caerau had a significant role in the war effort, both through its continuous production of coal and also its acceptance of large amounts of children evacuees during World War II.

A crenellated brick tower built by John Corfield in 1791 gave its name to Castle Hill House, built in 1840 near Forge Farm on the Domas road. A stone bridge over the brook was built by Thomas Carline in 1843. The parish of Harley was amalgamated with neighbouring Kenley in 1939.

Its crenellated tower originally had glazed windows encircling its three sides. These were later bricked in. When completed, The Bar Building was the tallest structure between New York City and Albany, NY. Since 1990, the building's penthouse has been the location of J.J. Sedelmaier Productions, Inc., an animation and design studio.

Inwood house was built in 1881 by the Welsh industrialist Thomas Merthyr Guest on the site of an earlier house. The circular crenellated water tower was retained, as was the small doric Temple of Laocoon and an Oriental Summerhouse. Guest married the writer Lady Theodora Guest who died here in 1924.

It was opened on 30 June 1843. There are two crenellated side towers and a recessed centre, which is two storeys high, with three bays divided by buttresses. In the centre are heraldic beast finials. There are three windows between the buttresses with 'Perpendicular' tracery and a central four-centred doorway.

Typically, the rhinarium is crenellated (wrinkled, crackled, or embossed), which may, in theory, increase its sensory area, but there are many exceptions and variations among different mammalian taxa, and also variations in the innervation and sensilla of the rhinarium, so such generalized speculation should be treated with caution regarding this matter.

A hundred-foot-high (30 m) tower rises from 12 feet (4 m) above the main entrance on the western facade. Inside its crenellated top is a bell. The front entrance doubles as the Wayside Chapel. Inside the plate glass doors, the church's sanctuary divides its pews with three aisles.

A rectangular keep, the castle has four storeys and rounded corners. The castle originally would have had a defensive barmkin of which there is no remnant. Its crenellated parapet is thought to have been built in the late 19th century when the castle had been sold on by the Mortons.

The main entrance has an iron portico believed to be unique in the United States, with octagonal posts supported a pair of arches. A crenellated parapet rings the roof. The interior of the house, following a center-hall plan, retains original woodwork, plaster, and ironwork, the latter featuring a freestanding staircase.

The footprint of the 1914 building is rectangular with a gabled roof. The facade is dominated by a large lancet window with wood tracery. Below the window twin entrance doors inside gothic arches are framed by a crenellated parapet. The 1968 addition is in the Brutalist style and has four floors.

To the left is a crenellated tower with traceried pebbledashed panels instead of bell openings. Further to the left is the former Sunday school, with two gables, each of which contains a three-light window. On the rear of the building is a date stone carrying the date of 1836.

Tudor Manor is a historic apartment building at 524 Sheridan Square in Evanston, Illinois. The brick three-flat was built in 1916. Architect Louis C. Bouchard designed the building in the Tudor Revival style. The building's design includes multiple large bay windows, an arched entrance, a crenellated roofline, and multiple ornate chimneys.

All the reform was eliminated during the restorations of Francisco Íñiguez, although by the existing photographic documentation, it is known that there was a slender tower that now appears with a crenellated finish inspired by the aspect of the Mudéjar church, and in the 18th century culminated with a curious bulbous spire.

Built to the same height, the roofs of the towers and the tops of the walls formed a broad, crenellated walkway all the way around the fortress.Anderson, p. 208. Each of the six newer towers had underground "cachots", or dungeons, at its base, and curved "calotte", literally "shell", rooms in their roofs.

There is also a slate-hung bell-turret with a small spire. The windows, inserted in the 13th century, are Early English-style lancets. The roof is an old, but not original, king post structure. Interior fittings include a "rustic" altar rail with a crenellated upper surface, dating from the 17th century.

The church consists of a three-bay nave and chancel. The south porch has been converted into a vestry and the north chapel into an organ bay. The crenellated two stage west tower is supported by diagonal buttresses. The oldest of the five bells in the tower dates back to around 1450.

The tower of the Palazzo Zabarella The Palazzo Zabarella is a medieval, fortress-like palace with a crenellated roof-line, and corner tower, located on Via San Francesco 27 in the center of Padua, Italy. The building now houses the Fondazione Bano, and serves as a locale for cultural events and exhibition.

It would eventually house Marine inmates as well. The central crenellated tower, roofed in copper, was erected in 1912. Lieutenant Commander Thomas Osbourne assumed command in 1917. Called "the Father of Naval Corrections," Osbourne and 2 others went undercover in the prison to see what changes needed to be made, including living conditions.

The entrance to the church has a neo- Gothic Rose window and a round window above it. The entrance portal has sculptures of angels. The main tower and four small towers have small domes, which are replacements of the traditional onion domes commonly seen in Russia. The walls are striped and crenellated.

The court seal from the early 14th century, on the other hand, showed a two-key charge quite similar to the one in today's arms, thus providing the model for the coat of arms now borne by the town. The crenellated tower on top of the escutcheon was only “rediscovered” much later.

Pinnacles, gables, crenellated towers, stained glass, plain glass and leaded light windows harmonised in a testimony to Norton's visionary skills and balance, and Plucknett's craftmanship. The interiors of the vast house were just as breathtaking. 'Norton's creation was quite extraordinary. He had combined the Gothic beauty of holiness with a reverence for nature.

The pitcher lid or operculum is ovate to triangular, growing to 5 cm in length by 3 cm in width. It has an acuminate apex and a truncate to auriculate base. The lid is noted for commonly exhibiting irregular, highly crenellated margins. Two prominent appendages are often found on the lid's lower surface.

There is a tower on the north west side of the church and the church is made of Bargate stone. The top of the tower is crenellated and there is a porch under the tower. There is a traceried window above the entrance. The transepts are gabled and also have traceried windows.

The tower dates from about 1500, however the south porch and vestry are much more recent, dating from 1841. The crenellated three-stage tower has merlons pierced with trefoil headed arches set on a quatrefoil pierced parapet. On the stonework are hunky punks which show heraldic features. St Peter's has six bells.

Ananuri Bridge (, ananuris khidi) is a bridge over the Aragvi River in 45 miles west of Tbilisi, capital of Georgia. The bridge links the Georgian Military Road which goes through the scenic historical Ananuri Castle Complex consisting of two castles joined by a crenellated curtain wall. It is visible from the Ananuri Castle.

Tower in 1986, showing spire stump The church is constructed of flint with ashlar dressings under slate roofs. The four-stage tower has with set-back buttresses and two-light belfry windows. There is a crenellated flushwork parapet. There is a remaining stump of an octagonal copper-clad spire formerly with a balcony.

The west tower has angled buttresses and three stages; the upper stage has three-light belfry louvres, with perforated stone screens. The tower has crocketed pinnacles at its corners and a stair turret to the north corner. The central steeple has two-light belfry louvres and a crenellated parapet. The spire is octagonal.

It had towers only at the northern corners. Mixed stone and brick lines are the result of the 18th- century reconstruction, when three multilevel towers were added. The walls are fortified with bastions and towers of different size and shape and crowned with crenellated parapets. They are equipped with embrasures and roundels.

It is of three stages buttressed on the external corners to the full height. The tower is topped by a crenellated parapet, with gargoyles, and a stone-built spire added in 1892. The bell openings are pointed and have louvres. There is a window at the western side, on the lowest stage.

A six-panelled leaded window is located above each double door. All entrances to the church are flanked by columns either side which support a decorative gable. The steeply-pitched roof of the church is clad with Wunderlich terracotta tiles. Along the ridge of the roof is a concrete crenellated ridge capping.

The hall is constructed from ashlar with a hipped slate roofs in the Tudor Gothic style. The highlights of the exterior are the three storey tower porch which has a crenellated turret. The crenellations are continued right round the hall and are an eye-catching feature. The roof has eight significant chimney stacks.

The single-story south porch is Perpendicular and features a crenellated parapet, diagonal buttresses and large carved grotesques at each corner. The south doorway is Norman. The jambs have circular nook-shafts topped by leafy capitals. The arch has a dog-tooth pattern and a beak-head at the apex and terminals.

The castle was built in the 12th century by the barons of Beynac (one of the four baronies of Périgord) to close the valley. The sheer cliff face being sufficient to discourage any assault from that side, the defences were built up on the plateau: double crenellated walls, double moats, one of which was a deepened natural ravine, double barbican. Keep The oldest part of the castle is a large, square-shaped, Romanesque keep with vertical sides and few openings, held together with attached watch towers and equipped with a narrow spiral staircase terminating on a crenellated terrace. To one side, a residence of the same period is attached; it was remodelled and enlarged in the 16th and 17th centuries.

The tower sits forward of the main body of the church. It features buttresses on its three exposed corners that have stone caps at each of their descending levels. The four top corners of the tower are marked with stone pinnacles. In between the cut stone cornice is crenellated with dressed stone on top.

The teleoconch contains six whorls. The first one is convex and finely ribbed. The others are biangular, the height of which exceeds half the width. They are separated by linear and wavy sutures, ornated with thick ribs, spaced apart, forming two knots crenellated by the two angles which share the height in three equal spaces.

Knights feature the sculpted head and neck of a horse. Kings, the tallest pieces, top the column with a stylised closed crown topped with a cross pattée. Queens are slightly smaller than kings, and feature a coronet topped with a tiny ball (a monde). Rooks feature stylised crenellated battlements and bishops a Western-style mitre.

Bonifels is a historic home located at Ridgway Township in Elk County, Pennsylvania. It was built in 1898 by N.T. Arnold and is a large -story, "T" shaped stone mansion. It features hipped roofs with hipped roofed dormers, a conical tower, and a crenellated stone tower. It is owned by the Elk County Country Club.

Michael Nungesser, Das Denkmal auf dem Kreuzberg von Karl Friedrich Schinkel, see references for bibliographical details, pp. 73 and 75. . The octagonal, , crenellated bastion-like socket building is adorned with Silesian granite and sandstone covering the brick substructures.Michael Nungesser, Das Denkmal auf dem Kreuzberg von Karl Friedrich Schinkel, see references for bibliographical details, p. 75\. .

The castle, which has been modernised within, has a crenellated parapet, which may be a later addition. It has one open round turret at one corner and two conically capped turrets at two others. The castle, which has four storeys and an attic, is built of red rubble. It is a category B listed building.

Bramhope Tunnel is on the Harrogate Line between Horsforth station and the Arthington Viaduct in West Yorkshire, England. Services through the railway tunnel are operated mainly by Northern. The tunnel was constructed during 1845-1849 by the Leeds and Thirsk Railway. It is notable for its length and its Grade II listed, crenellated north portal.

Its antenna shows a basicerite bearing an acute, ventrolateral tooth. Its mouthparts are the same as for Alpheus tricolor: its incisor process bearing less than 10 teeth. The epipodial plate on the coxa of its third maxilliped bears thick, blunt setae. Its merus is slightly crenellated on the mesial margin, and contains no teeth.

Palazzo Massimo di Rignano (then Colonna) the present aspect of the palace is due to the architect Carlo Fontana and shows a gate with vegetal decorations, four floors, a modern attic and a crenellated tower-observatory. The left corner of the palace was cut in 1939, during the opening of Via del Teatro di Marcello.

The fortified bridge as depicted on a map from 1600. Up until the 1750s, the bridge's fortifications were repeatedly improved. The parapet was strengthened with crenellated stone walls in 1517, and the northern parapet was expanded to a covered battlement with a double layer of embrasures in 1625–30.Furrer, 8; Hofer, 200–203.

The Smyth Tower is located in eastern Manchester, on the west side of the Manchester VA facility on the north side of Smyth Road. The tower is high, with walls thick, built out of locally gathered fieldstone. Its outside diameter is . It has a basement level high, and three floors topped by a crenellated parapet.

Merlons of Alcazaba of Almería in Almería, Spain A merlon is the solid upright section of a battlement (a crenellated parapet) in medieval architecture or fortifications.Friar, Stephen (2003). The Sutton Companion to Castles, Sutton Publishing, Stroud, 2003, p. 202. Merlons are sometimes pierced by narrow, vertical embrasures or slits designed for observation and fire.

St Andrew's in constructed of stone; its roofs are stone slate and copper. The plan consists of a nave with a square tower to the west and a chancel to the east. North of the chancel is a vestry. The tower is crenellated with four-stage buttresses at its corners and has a moulded plinth.

This had a metal roof supported by grouped wooden columns. There was a wing toward the right terminating in a polygonal bay with a crenellated parapet. There was a tall, stuccoed brick chimney at the junction of the main block and the bay. The bay had a one over one light window on each facet.

The aisles and chancels are also crenellated. In the south wall of the tower have been re-set some Saxon and Norman carved stones. The north chapel is known as the Blessed Sacrament Chapel (it was formerly the Helsby Chapel) and the south chapel is known as the Lady Chapel (formerly the Kingsley Chapel).

The tower is crenellated, and features what Nikolaus Pevsner describes as "handsome capitals of the three-bay arcade". Each of the four side of the three-stage tower has demi-figures of angels. The nave was rebuilt in 1869 by Benjamin Ferrey, in red sandstone with hamstone dressings, reusing the stone from the original building where possible.

The community's municipal coat of arms might be described as: Or, on a three- knolled hill vert a crenellated tower gules, therein the Hessian shield. The coat of arms recalls the Wittelsberg Schanze, who served the Hessian Landgraves by watching over traffic on the road running through the Ebsdorfer Grund between areas belonging to the Ecclesiastical Principality of Mainz.

The rusticated masonry façade with a sparing use of Venetian Gothic and Richardsonian Romanesque details and the square corner bell tower with a crenellated parapet embellished with gargoyle gutter-spouts reveal Richardson's training. Fine stained glass may be from Tiffany studios, or may be by John LaFarge, the architect's father, which would make them even rarer.

Formerly in its walls were embrasures, but these have been blocked and are only visible from the exterior. A circular staircase of 23 steps leads to the upper chamber, which has four embrasures in its walls. Above this is a raised fighting platform overlooking the entrance to the tower. The top of the tower is crenellated.

The church is built in sandstone with a grey slate roof. Its plan consists of a nave and chancel in five bays with a west porch and a north vestry. At the west end is a stone bellcote with a crenellated parapet and two-light bell-openings. On top of the bellcote is a short square concave spire.

South Bend Brewing Association is a historic brewery complex located at South Bend, St. Joseph County, Indiana. The main plant was built in 1905, and is a large, irregularly shaped brick building with a four-story section. It features square corner towers and a crenellated parapet. A one-story, glass paneled storefront was added in the 1950s.

St. John's Episcopal Church is a historic Episcopal church on E. Main Street in Battleboro, Edgecombe County, North Carolina. The church was built in 1891, and is a one-story, board-and-batten frame building with a steep gable roof. It features lancet windows and a tower with crenellated top and pyramidal spire. The church was consecrated in 1896.

The whole is surrounded by ramparts with a round walk. The crenellated wall is built with irregular material, with large stones forming the corners and openings. Tour Régine :The Tour Régine, closest to Cabaret, (Régine Tower) is the most recent fortress and the smallest. It consists of a round tower, surrounded by a small curtain wall which has collapsed.

The coat of arms is composed of a crenellated tower, which represents the city with its Ghibelline past; flanked by two golden lions rampant, for its free and valiant citizenry and topped by an eagle, symbol of the privileges obtained by the Holy Roman Empire, which is holding a pig aloft, symbol of the achieved prosperity.

Marott's Shoes Building is a historic commercial building located at Indianapolis, Indiana. It was built in 1899–1900, and is a seven-story, four bay, rectangular, Tudor Revival style building faced in white terra cotta. It has large Chicago style window openings on the upper floors. It features Tudor arched windows on the top floor and a crenellated parapet.

The lake is fan-shaped, spreading to the south but narrowing up to the north. The mountainous lakeshore is highly crenellated, with numerous bays and inlets. Lake Yamdrok freezes in winter. Like mountains, lakes are considered sacred by Tibetan people, the principle being that they are the dwelling places of protective deities and therefore invested with special spiritual powers.

The Pine State Creamery is a former dairy products factory in Raleigh, North Carolina. It is a Moderne style building, built in 1928. It is a two-story, five bay by six bay, flat-roofed reinforced concrete building in cream-colored brick. It features a crenellated parapet at the roofline and a three-story corner tower.

It is built of rock–faced sandstone and has three side towers with turrets. The keystone on its horseshoe–shaped archway features a portrait of a bearded man thought to be Rhodes. Its crenellated parapet has a carved cartouche in the centre featuring a wheatsheaf, fleece and fish – the heraldic device of the Leeds and Thirsk Railway.

The stone building has a tile roof and shingle spire. It consists of a nave with aisles, chancel, north chapel and south porch. The west tower has a crenellated parapet and spire. The interior includes a font which may date back to the 12th century, however it was refashioned in the late 19th or early 20th century.

From the roof of the crenellated turret of the castle, it is possible to see beyond the Irish coast as far eastward as Wales. The building is surrounded by of gardens which had a number of sylvan walks. A 'secret' tunnel at the bottom of the garden originally gave access to Killiney beach but now is sealed off.

At the southwest corner is a tall brick tower, mainly separate from the main block. The entrance has a series of asymmetries to the structure. The peaked windows on the second floor are mullioned; the roofline crenellated, as are parts of the fences on the town- side. The northern side has an elevated terrace above the grounds.

In the grounds, the only certain survivor from the medieval period is the small crenellated drum tower. Its original purpose is unknown. It adjoins a substantial wall that may also have origins in the 13th century. The other garden walls have unknown dates of origin but mostly pre-date around 1730, when the stables were built.

Mount Washington Presbyterian Church was a former church located on Broadway and Dyckman Street in Inwood, Manhattan, New York City. It was built in 1844 and enlarged 1856. It was a fine example of a timber Carpenter Gothic church with crenellated tower and spire. The church was demolished sometime before its publication (1967) in Lost New York.

Grey Towers was a crenellated mansion with 85 acres of grounds on Hornchurch Road in Hornchurch, England. It was built in 1876 and brought into public use as the New Zealand Convalescent Hospital during the First World War. In the interwar period Hornchurch was developed as a suburb and Grey Towers was demolished to be used for housing.

The Castle is often described as an African version of the Bavarian Castle in a very grand 19th-century Romanesque revival style. It has a baronial styled hall, coupled with dungeons and towers lined with crenellated walls. The castle also has a big “knight’s hall” and a landlords (masters) residence and several other rooms over its three floors.

The most prominent feature on the house is the four-story Gothic tower. The top of the tower and ridges are crenellated and finished with notched battlements. Other important features include a third floor balcony with a gabled arch and a stepped gable with a Palladian window. A porch with carved stone columns surrounds the first floor.

It was designed by St. Louis architect W.T. Ingraham and has a crenellated parapet. With five photos. It is a Recorded Texas Historic Landmark. It was designed to serve as the courthouse of Robertson County, Texas, but the county seat was moved to Franklin shortly before the building was completed, and it never did serve as a courthouse.

Water lily in Thiruvananthapuram N. nouchali is a day-blooming nonviviparous plant with submerged roots and stems. Part of the leaves are submerged, while others rise slightly above the surface. The leaves are round and green on top; they usually have a darker underside. The floating leaves have undulating edges that give them a crenellated appearance.

A crenellated roof was added to the building, providing the current revival castle aspect. The castle belonged to the Visconti di Cislago until the 18th century. The marriage of the last female member of the Visconti di Cislago to a Castelbarco led the castle in the hands of the bridegroom's family. Their descendants assumed the surname of Castelbarco-Visconti.

Between them is the main entrance, a round arch with heavy iron gates and paneled double doors with stone steps and walls. They are topped with a stone projection on corbels and a crenellated parapet. In the brick above the entrance is the regimental motif in terra cotta, a shield over an eagle with draped flags.

An outer court was built to the south side of the original castle, with its own towers and an additional gatehouse which formed the new entrance to the castle. These new defences were less strong than those of the original inner court, and indeed the eastern gatehouse was not crenellated at the time.Kightly, p.11; Pounds, p.266.

Second floor interior The current building was built in 1864 to a Historicist design by Johan Daniel Herholdt. It consists of two storeys over a cellar and is built in red brick with decorative details in yellow brick. There is a crenellated tower on the main facade. The interior is decorated by Georg Hilker and Constantin Hansen.

The book George Alfred Townsend describes the monument: > In appearance the monument is quite odd. It is fifty feet high and forty > feet broad. Above a Moorish arch sixteen feet high built of Hummelstown > purple stone are super-imposed three Roman arches. These are flanked on one > side with a square crenellated tower, producing a bizarre and picturesque > effect.

Brick Presbyterian Church is a historic Presbyterian church in Perry, Wyoming County, New York. The Gothic Revival-style church was built in 1909 of randome ashlar Pennsylvania limestone. It consists of a central octagonal structure housing the sanctuary surrounded by wings that give the structure a cruciform appearance. It features a massive square crenellated bell tower.

The cathedral is a nesting site for peregrine falcons, which use a crenellated turret at the base of the spire. Three female and one male chick were hatched in April 2009. During the nesting season live video of the chicks is shown inside the cathedral and on the website.Mid Sussex Times article on the Sussex peregrines.

St Mary's is built in red sandstone ashlar with a slate roof. Its plan is a rectangle in five bays with a west tower, a northwest vestry, a northeast gabled projecting chapel, and a south porch. The tower is square with corner buttresses and a crenellated parapet. It has a west door with a window above it.

Over the years additions and alternations were made to the building as the congregation grew. In 1915 a new pipe organ and the room it is housed in were built. At the same time crenellated parapets were added to the east elevation of the side aisles. The tower and spire was raised from three to four stories around 1920.

The Castello di Decima is a fortified building in Rome (Italy), in the frazione Castel di Decima. It is a structure closed by four arms, with a crenellated entrance accompanied by a tower. In the center, there is an internal courtyard with a circular fountain. Inside the castle rises the small church of Sant'Andrea apostolo in Castel di Decima.

The various openings to the kilns have rounded or pointed Gothic arches formed from bricks. The now lost crenellated 'battlements' construction was similar to other kilns such as those at Yeo Vale on the Torridge, south-west of Bideford and those at Torrington.Minchinton, Walter (1974), Devon at work: Past and Present. Pub. David & Charles; Newton Abbot. .

The rebuilt bergfried In 1853 the gatehouse, the bridge across the moat and the fortifications were rebuilt for Ludwig Maria Cron. The bergfried was rebuilt as a crenellated tower 26 metres high, with four corner turrets. In 1875-79, a new Gothic building was built on the site. The architect for both was the mayor, Eberhard Soherr.

250px The Home Economics Building is a two-story Collegiate Gothic classroom building, built in 1939. Its walls are cut stone, and are topped by a crenellated parapet, which obscures the tar roof. A tall entrance tower rises at the center, with a multipane lancet window at the second level and a recessed entrance at the first.

The church sits on an elevated piece of land at Upper Wanborough. It is constructed of chalk-stone rubble with stone tile roofs. Its plan consists of a four-bay nave with aisles, and porches to the north and south; a very short transept is apparent internally. The tower to the west has three stages and is crenellated.

They are all two stories tall and follow a cross-shaped plan. Decorative elements in the Tudor revival style include half timbering, crenellated towers and entrances trimmed in carved stone. The exteriors of the buildings were designed by James E. Cooper and George T. Santmyers designed the interiors. Parks and Baxter served as the landscape architects.

Ruins of Rocksavage in 2007 The design of the Elizabethan mansion was a quadrangle of four bays in the local red sandstone, built around a central courtyard, and was symmetrical but not classical.de Figueiredo & Treuherz, p. 6 The main entrance was a gateway flanked by octagonal towers with domed tops and bridged by a crenellated wall.de Figueiredo & Treuherz, p.

Gates were placed symmetrically along the walls. The principal gate was traditionally located at the centre of the south wall. Gatehouses were generally built of wood and brick, which sat atop a raised and expanded section of the wall, surrounded by crenellated battlements. A tunnel ran under the gatehouse, with several metal gates and wooden doors.

Another view Roodstown Castle is a rectangular tower house of four storeys with small turrets at diagonally opposed corner: a spiral stairway in the SE and garderobes in the NW. The castle contained a vaulted ground-floor cellar or storage space, a murder-hole, a crenellated parapet, chemin de ronde. The upper floors have large ogee windows and fireplaces.

The east bay projects forward, is canted, and has a crenellated parapet. The central bays are gabled. All the window have stone frames with mullions and transoms. The entrance porch is in ashlar sandstone and over it is an inscription that includes the date of construction of the house, over which is a coat of arms.

The top stage contains a two-light bell opening in each face. The parapet is crenellated. The north wall of the nave contains, from the west, a 14th-century blocked doorway, a 12th-century round-headed window, and a three-light window with a segmental head. In the north wall of the chancel is a single lancet window.

This dates from 1490, and was built in front of an earlier wide-arched vehicular entry. It is constructed in red sandstone and has three storeys, with string courses between the storeys. It is surmounted by a crenellated parapet. The lower 1½ storeys of the front aspect are occupied by a pointed arch, above which are three narrow windows.

Bad Driburg's civic coat of arms might heraldically be described thus: In azure a crenellated town wall and gate over which a crenellated tower Or, above the wall sinister a Latin cross Or. This tower has been a symbol of Driburg for almost 800 years, and it can even be seen on the "Driburg Pfennig", which was struck in 1215, and of which only two examples are known today. The cross stands for Paderborn, to which Bad Driburg once belonged. A similar coat of arms in gules (red) rather than azure (blue) was granted on 6 July 1908, but in 1973, the red was changed to blue, and the cross, formerly a cross pattée, became a Latin cross. This newer version was approved by the Regierungspräsident in Detmold on 9 May 1973.

The tower and spur wall are built in sandstone rubble. The tower is about high, and the wall is long, just over wide and about high. An archway in the city walls leads to 44 stone steps on the way down to the tower. The wall is crenellated; this may be the only surviving example of medieval crenellation on the city walls.

The church was constructed of Coffeyville brick in the Gothic Revival style. It features a central tower with a spire that is flanked by two shorter towers that are crenellated at the top. The building measures 137 by 64 feet. The year after the church was dedicated St. Pius X established the Diocese of Oklahoma City on August 23, 1905.

The brewery has been noted by architectural historians for its crenellated towers and Gothic designs, both of which are still intact today. The Schmidt sign that was originally on the connector to the silos was redone with LED lights and replaced the Landmark sign during renovations. Some of the brewery's old tanks were incorporated into the new design as lighting fixtures.

Torre de la Atalaya So named because since it was a watchman notice of any incident that may occur in the vicinity. It is a square tower on whose crenellated terrace rises other smaller circulated. On the same the were located the watchman; It is so small that there is only space for one man. Adjoining the tower found another smaller cylindrical.

The Church's main features are a 27 ft square, 84 ft high bell tower, the eastern tower house, and ornate 16th Century east and west windows. Major renovations were undertaken on the building in 1805. The Tower had, at one time, a wooden spire and belfry, which has not been restored. Crenellated parapets suggest that this was a fortified structure.

The exterior is constructed of blocks of Bedford limestone. The tower is crenellated across the top, and features finials on three of the corners and a copper-covered lantern topped by a cross on the fourth. The main entrance of the church is deeply recessed within a Gothic arched opening. The original wooden doors matched the tympanum area's inset panels above the doors.

The L-plan castle has been altered many times since its construction. The crenellated parapet was added in 1804 and the castle was extended in the 1830s. The interiors include a Roman Catholic chapel. In the grounds of the castle is the Balblair Stone, a Pictish symbol stone, carved with the figure of a man, which was moved here from Kilmorack in 1903.

The entire station area was extensively protected in 1864–66 by crenellated walls. The Moselle railway bridge connected the freight yard to the passenger station on the other bank of the Moselle. The rise of the economically important district of Lützel was the direct result of the construction of the station. In 1889, most of the workforce was employed in the rail system.

At the west end of the church is a four-light window flanked by buttresses, above which is a quatrefoil window. On the apex of the gable is a cross. There are three-light windows in the transepts and chapel, and the vestry has two four- light windows. The east window has five lights and a crenellated transom, and is flanked by buttresses.

The scene is the platform of a half-destroyed crenellated castle tower. Beyond, the countryside, on the left a cell with a grill facing the audience; down stage a trap-door covering an entrance from the tower to the platform. A door leads to the inside of the castle. Boutefeu, the squire of Croquefer, surveys the countryside through a telescope.

The castle is open to visitors. Its collection includes more than 1,300 pikes, muskets, swords and other weapons. The 13th Duke and his family live in private apartments occupying two floors and set between two of the four crenellated circular towers. Recent renovations included the installation of the house's first central heating, powered by burning wood- chips from the family's forestry holdings.

The fortifications consist of two castles joined by a crenellated curtain wall. The upper fortification with a large square tower, known as Sheupovari, is well preserved and is the location of the last defense of the Aragvi against the Shanshe. The lower fortification, with a round tower, is mostly in ruins. Within the complex, amongst other buildings, are two churches.

The church is built in red sandstone with grey slate roofs. Its plan consists of a four-bay nave with a north aisle, a chancel with a north vestry, and a half-timbered gabled north porch. The two- stage tower has a short spire within its crenellated parapet. It has diagonal buttresses and, on the west face, a four-light window.

A crenellated stone tower is located on the north corner. A parish room and sacristy are located in the extensions along Church Street from the western corner. A stone porch with an extension projects from the east wing, providing the main entrance. Above the entrance on the wing is a lancet window, like those flanking the porch and running along the west elevation.

The arch was supported by voussoirs made of "irregular rubble stone", without a keystone. There was also no stone giving the date or other construction information. The approaches were flanked by wing walls constructed of riprap stones, and the spandrel walls were topped by parapets made of "rough, crenellated stones". The bridge's road deck rested directly on the top of its arch.

The First Presbyterian Church is a Late Gothic Revival-style basilica plan historic church located at 212 North Bonner Street in Ruston, Louisiana. Built in 1923–24, its walls are Flemish bond brick trimmed with limestone. It has a side tower with a crenelated top and a needled spire made of sheet metal. It a crenellated proch topped by a lancet window.

Harmony Church is a historic Methodist Episcopal church located at Millsboro, Sussex County, Delaware. It was built in 1891, and is a one-story, wood frame building covered with asbestos siding and in the Late Gothic Revival style. It has a two-story wing and sits on a rock-faced, concrete block foundation. It features a two-story crenellated tower.

The species nasal is similar to Harpalus rufipes, but it differs in the number of teeth which are crenellated on the median part. The second segment of antenna have 2 setae while it has none on the first one. Its tergum have 4 and 6 setae which appear in transverse rows. It has 2 teeth in front of retinaculum which are directed inward.

The Joseph Mitchell House is a Gothic, single-family home in Philadelphia, Pennsylvania. It is part of the Tulpehocken Station Historic District. Samuel Sloan allegedly designed this example of a Gothic villa, a style Andrew Jackson Downing popularized. The exterior has a crenellated tower, a slate roof, gingerbread trim and Queen Anne mullioned windows, and the facade is made from Wissahickon schist.

There is a string course above with a single remaining carved animal gargoyle in east and west tower faces. Additionally there is a crenellated parapet. The nave has a continuous rounded string course at sill level and timber ribbed barrel roof with brattished wall-plate. There is a round-headed tower arch with a 19th century timber vestry screen below.

The nave includes arcades of tall piers with carved angels at the tops supporting arches and windows. The west tower houses bells which have been added to and recast, mostly by Rudhall of Gloucester, over the centuries. The three-storey south porch has carved oriel windows and crenellated parapets topped by decorative pinnacles. The interior is a profusion of pannelling in the chambers.

The fountain front has three Gothic arches and a crenellated roof. The roof spans a tank fed by water traveling for kilometers to reach the city. The structure was so large, due to multiple use: to get drinking water for men and, separately, for animals, and to wash clothes, especially the textiles made by Arte della Lana (Guild of Wool-makers).

Testing in the 1960s revealed that the cast-iron had an unusually high tensile strength. This was probably specified by Telford because, unlike in traditional masonry arch bridges, some sections of the arch are not in compression under loading. At each end of the structure there are two high masonry mock-medieval towers, featuring arrow slits and miniature crenellated battlements.

The parish church is dedicated to Saint James the Great. It was originally a chapelry of Sherborne Minster. Most of it was built in the fifteenth century although the square tower was built local of rubble with freestone dressings about two hundred years earlier. The tower's upper storey has a crenellated parapet which was added as part of the main fifteenth- century development.

Broughton McDonald Church in Edinburgh Archibald Elliot (August 1761 – 16 June 1823) was a Scottish architect based in Edinburgh. He had a very distinctive style, typified by square plans, concealed roofs, crenellated walls and square corner towers. All may be said to derive from the earlier local example of Melville Castle by James Playfair. Many of his works have been demolished.

Praetorian Palace, Tito Square The external staircase facing Tito Square was completed in 1447. In 1481, Giovanni Vitturi replaced peaked gothic windows with semicircular renaissance ones. The arms of the city governors on the facade attest to the fact that the balustrade was not completed until the beginning of the 16th century. The center of the crenellated portico features a statue of Justice.

The church's façade was built alongside the shortening of its nave in 1854. When the population decreased in the 1840s due to the return of the Isabtang to Sabtang, the rear portion of the church was closed. Today, ruins of the abandoned portion of the church can still be seen. It also has a crenellated bell tower supported by unusual buttresses.

This meant the Dining Hall was now too small for the numbers. That had been anticipated in the Gray Young era but in 1953 the council commissioned Salmond & Burt to prepare plans to extend the hall, estimated at £2,500. The work was completed by July 1957. The extension reaches into the quadrangle courtyard, terminating in a crenellated bay window with stained lead lights.

The Guns of Navarone focuses on World War II, and provides only limited information about the early history of Navarone. The novel describes the castle at Vygos, 2 miles on the coast road to the east of Navarone town, and ascribes its construction to the Franks. The castle is small, essentially a manor house built around crenellated towers.MacLean, 232, 248.

It was constructed in Lias ashlar stone with slate roofs and has a nave with clerestory, north and south aisles, north and south transepts, a west tower, chancel, south porch and south vestry. The tower is Perpendicular and has five stages. It is approximately tall and has a crenellated parapet and set back buttresses topped by crocketed pinnacles.Pentin p.53.

There is a stair turret at the south east corner, and a crenellated parapet. There is a three-light west window under a pointed arch head, with a moulding. There are two-light belfry louvres with moulding. The nave and aisles have three- light windows with stone mullions In the south wall of the chancel there are two two-light windows.

A rectangular block 40m by 60m built of local rubble stone masonry with quoins of limestone. An unusual feature is that crenellated parapets hide slate roofs. The stables have an octagonal clock-tower with a weathervane. The stable block loft is also an important breeding roost for the rare Greater Horseshoe Bat (Rhinolophus ferrumequinum) and numbers have been recorded at Slebech since 1983.

Start Point is one of twenty nine towers designed by James Walker. The lighthouse is in the gothic style, topped by a crenellated parapet. The main tower is built of tarred and white-painted granite ashlar with a cast-iron lantern roofed in copper. The tall circular tower is high with a moulded plinth and pedestal stage and two diminishing stages above that.

The short sections of crenellated wall with ball finials which extend out either side of the villa were symbolic of medieval (or Roman) fortified town walls, and were inspired by their use by Palladio at his church of San Giorgio Maggiore in Venice and by Inigo Jones (1573–1652) (Palladio produced woodcuts of the Villa Foscari with crenellated sections of walls in his I quattro libri dell'architettura in 1570, yet they were never built). To reinforce this link, two full-length statues of Palladio and Jones by the celebrated Flemish-born sculptor John Michael Rysbrack (1694–1770) are positioned in front of these sections of wall. Palladio's influence is also felt in the general cubic form of the villa with its central hall with other rooms leading off its axis. The villa is a half cube of by by .

St. Oswald's Church, Malpas from the southwest It is built in red sandstone with lead roofs. The tower dates from the 14th century and is just over high with diagonal west buttresses, angled east buttresses, and a southeast octagonal turret. The nave and chancel are crenellated. At the south-west corner is a porch which leads into a six-bay nave with north and south aisles.

A crenellated stone wall of coursed rubble encloses it and it is entered by an iron gate. Within the wall, arranged in two rows, are the graves of members of the Scott family. The memorials date from 1851 to 1962 and include including that of Simon Scott who died in 1858. A number of those buried were born on Taromeo in the 1840s and 50s.

Former Vanderburgh County Sheriff's Residence is a historic jail and sheriff's residence located in downtown Evansville, Indiana. It was built in 1891, and is a 2 1/2-story, rusticated limestone building modeled after Schloss Lichtenstein. It features a central round tower or "keep", stepped gables, crenellated roofline, and turrets. Note: This includes It was added to the National Register of Historic Places in 1970.

The brass lectern is dated 1518. The benches date from about 1500, or earlier, and are carved with pierced patterns, tracery, figures of saints in niches, crenellated buttresses, animals and poppyheads. In the north aisle is a monument to Sir Henry Kervil who died in 1624. It consists of an alabaster tomb chest on which lie the recumbent effigies of Sir Henry and his wife.

View of the castle from the main tower. The building is square in shape, is composed of a crenellated walls strengthened by three towers. In defense of the main stands one of the towers that were accessed by a drawbridge, later replaced by a brick bridge. The tower is about 30 meters tall and consists of four floors, of which the first three are cross vaulted.

It is an octagonal tower with a crenellated parapet and is symmetrical in design. The observatory stands at the top of a hill above sea level. The tower is high and is more than half a mile () from the racecourse. It has three storeys with square windows on the upper floor, and was fully renovated by Banff & Buchan District Council (now Aberdeenshire Council) in 1983.

Originally the mill consisted of three large buildings, two for grinding wheat and corn and the third for malting barley. The fire in the 1860s left just the malting house extant. The main mill is an eleven-bay 7 storey structure, and has a crenellated parapet. When the building was recommissioned in the 1990s to produce electricity a concrete block turbine house was added.

Church of St. Mary, Avington The Anglican village church dedicated to St. Mary was founded by Margaret, Marchioness of Canarvon (d. 1768), with construction costs defrayed by her husband, James Brydges, 3rd Duke of Chandos. It was constructed 1768–71 in red brick to a design by an unknown local architect. The exterior Georgian architecture and crenellated tower echo the style of nearby Avington Park.

The Birmingham and Fazeley Canal and the Tame mark the eastern boundary. The canal can be crossed by a footbridge of simplified, white-painted lightly crenellated form. The village is on the Heart of England Way, a footpath which can also be used by off-road bicyclists. A very old version of St Peter's church church crumbled and was severely damaged by a storm in 1792.

Three windows are placed on the north wall, the fourth serves as the aisle west window. Between the two north wall western windows is a simply moulded and slightly pointed door opening with hood mould and label stops, and a carved finial above. Within is a face-hinged oak door. The north aisle parapet is deeply crenellated to the same style as the tower battlements.

St Bede's is built in red sandstone with a slate roof. Its plan consists of a west tower, a nave with a clerestory, north and south aisles, a chancel and a south porch. The tower has angle buttresses and gargoyles, and is crenellated. The windows in the nave are paired lancets, those in the clerestory have trefoil heads, and the tracery in the chancel windows is curvilinear.

Other churches include the Anglican St James Church and St. Michael and All Angels, Swanmore. There are also Baptist, Methodist, United Reformed and Elim churches in the town. Ryde Castle Ryde Castle, situated on the Esplanade, was built about 1840 as a private house in crenellated style and is now a hotel. It was heavily damaged by a fire in 2012 and underwent major restoration in 2013.

B. Nichols and Sons, London 1857), I, pp. ccclvi-vii; A. Saint and G. Darley, The Chronicles of London (London 1994), pp. 60-61. Although the cityscape is compressed, a plain square tower, crenellated, with paired belfry windows and a pyramidal roof is shown in the correct position on the west side of Wood Street, among houses just north (i.e. forward) of the Cheapside Cross.

The main facade has a single-story porch across its width, supported by three Ionic columns. The entrance, on the left side, has a single door with a large pane of glass, and is topped by a transom window. On the right side is a two-sided projecting bay section. The house's most prominent exterior feature is a crenellated tower which rises above the entry.

The stone building has a slate roof. It consists of a chancel, four-bay nave, three-bay north aisle, two-bay organ chamber, four-bay south aisle and a two-bay south chapel with a porch. The two-stage crenellated west tower is supported by diagonal buttresses. Inside the church is a font with a Norman base of Purbeck Marble with an Italian marble bowl.

The architect Francis Thompson (architect) dressed the pylons at either end as barbicans, with crenellated turrets, arrow slits and bartizans to complement the adjacent Conwy Castle. Unusually, the tubes were completed onshore before being attached to pontoons, floated along the river and jacked into position between the abutments. The bridge was officially opened in 1849. The bridge endorsed the construction of the larger Britannia Bridge.

The Pagoda is built on the edge of the Irrawaddy River (it is Myanmar's largest commercial waterway), within the walled city of Pagan (a large capital city of the Burmese Kingdom between the 11th and the 13th centuries), over a series of crenellated terraces. The river takes a bend at this location. It acted as a guide landmark to navigators. It was built amidst a huge bush.

City wall Khiva is split into two parts. The outer town, called Dichan Kala, was formerly protected by a wall with 11 gates. The inner town, or Itchan Kala, is encircled by brick walls, whose foundations are believed to have been laid in the 10th century. Present- day crenellated walls date back to the late 17th century and attain the height of 10 meters.

The former Franklin County Jail is a historic building at 3rd and River Streets in Ozark, Arkansas. It is a two-story masonry structure, built out of native sandstone. It is roughly cubic in shape, with a flat roof obscured by a crenellated parapet, and its entrance set in a Romanesque arch. It was built in 1914, and has been rehabilitated to house professional offices.

Ancient legends describe an underground link with Castelvecchio, Castel Montone and Camollia, which was later covered with rubble and used construction materials. The vestment on the cross of Travaglio is entirely in stone, gray, with a crenellated crowning, affixed after the shortening. Nowadays the tower and its apartments are privately owned by a noble Senese family and they rent it for events and celebrations.

Initial construction took place in 1867. The first permanent building was the South Wing Cell Block, which served as a cell block until 1927 when it was demolished. Started around the same time, North Wing Cell Block or as it is more commonly known, Cell Block One, was completed in 1886. North Wing stood five stories tall, built from granite with the tops of the walls crenellated.

The top of the tower is crenellated and the bell openings have straight heads. Internally the arcade has octagonal piers. The transverse tower arches are almost circular and have continuous chamfering. The furnishings are in "characteristic Douglas" style and include not only the reredos, organ case, stalls, pulpit, lectern, font cover and pews, but also the hymn board, the alms box and an umbrella stand.

St. James Memorial Chapel is a former Episcopal chapel located on the grounds of Howe Military School, in Howe, Indiana. It was built in 1902, and is a one- story, Tudor Revival style brick building sheathed with a limestone veneer. It measures 152 feet by 64 feet, and has additions made in 1909, 1914 (Mother's Chapel), and 1955. The building features a two-story, crenellated corner tower.

Balrothery Tower is a three-storey square plan rubble stone crenellated tower house built c. 1500. It has Trefoil headed openings with limestone surround and square headed openings with brick-dressed openings. In the northwest corner is a turret with spiral stairway. The top storey of the main tower has a two-light window at each face and the east face has a bell-cote.

The castle is built on a projecting rock terrace. It incorporates some of the fabric of the original castle on the north and east sides, but is mainly a late-nineteenth century construction. There are three storeys and an attic; the building is rubble, dressed with ashlar sandstone. Features include crowstep gables, bartizans (small turrets) with water spouts on the two western corners, and a crenellated parapet.

Cromer Hall was built in a variant of the Gothic Revival style, dubbed "Tudor Gothic" by architectural historian Nikolaus Pevsner; it is constructed in flint, with stone dressings and a slate roof. Additions were made in 1875. The building has an asymmetrical plan and has sections of two and three storeys. The central three-storey section is crenellated at the parapets with molded copings.

The exterior features a mixture of the Richardsonian Romanesque style and the Late Gothic Revival architecture and consists of reddish brown brick on a sandstone foundation. The belltower features crenellated battlements and was added in 1907. The facade contains arched windows; the stained glass windows were purchased by the Busy Bee Sunday School class and were brought into town on the O.R.&W.; Railroad.

However, there was official and practical discouragement of soldiers (and officers) who wished to marry while young. Following a report by the Royal Commission into the Sanitary Condition of the Army, which sat from 1857 to 1861,Holmes (2001), p.280 many new barracks were built, healthier and more spacious than previously. Most of these were in a crenellated gothic style and many are still in use.

William Swinden Barber FRIBA (29 March 1832 – 26 November 1908), also W. S. Barber or W. Swinden Barber,Journal of proceedings of the Royal Institute of British Architects. 1879/80 London, RIBA, 1880 p. 79 "William Swinden Barber (Halifax)" was an English Gothic Revival and Arts and Crafts architect, specialising in modest but finely furnished Anglican churches. The Barber churches often had crenellated bell-towers.

Water also collected through another access in the northwest. There are a number of bent entrances (both from the village and castle gates) to slow down invaders in the event they breached the gates. A series of narrow "killing zones," notably, in the triple gate on the village-side of the castle, extensive crenellated battlements and curtain walls also enhance the natural defensibility of Marvão's rocky escarpments.

Its most prominent feature is a four-story octagonal tower, topped with a Gothic Revival crenellated parapet. The single-story front porch is also topped by crenellations, with rounded-arch openings flanked by square columns. The interior features elaborate woodwork, with a fine marble fireplace in the parlor. The island was purchased by Jay Cooke in 1865, and the house was built soon afterward.

The cathedral is masonry building composed of blonde-colored bricks with pink mortar joints. The bricks are set in a Common bond pattern and every sixth course features Flemish headers. The tall tower and spire are located on the north side of the east elevation. There are two shorter towers on the southeast and northwest corners on the west façade that have flat roofs and crenellated parapets.

Its "most unusual feature is the defensive stepped false front façade including a crenellated parapet composed of crenels and merlons, which appear again above the stone portico below. The parapet obscures the wood shake covered gable roof behind it." It was commissioned by Jacques Pacheteau. In its construction W.A. Harrison of St. Helena was in charge of carpentry, and the masonry work was done by Bennasini & Maggetta.

St John's Church The Anglican Church of St John the Baptist was built in 1833-34; the architect was James Trubshaw. It was built of locally quarried stone and has a slate roof; it has a west tower with a crenellated parapet. In 1901 the chancel was extended by J. Beardmore, making room for choir stalls. The church is a Grade II listed building.

In the middle stage on the south side is a lancet window. The bell openings have two lights, and the parapet is crenellated with corner pinnacles. To the southeast of the tower is a stair tower that terminates in a polygonal turret. Both aisles have a two-light west window, three two-light windows along the side walls, and a three-light east window.

Wilson School is a historic school building located at Mannington in Marion County, West Virginia, United States. It was built in 1912, and is a two- story, rectangular brick building with a raised basement. The symmetrical building has a flat roof and crenellated parapet with Collegiate Gothic detailing. The school closed in 1979, and is now occupied by the West Augusta Historical Society Museum.

St. Columba's School is a historic school building located at Schenectady, Schenectady County, New York. It was built in 1923, and is a three-story, reddish-brown brick building in the Collegiate Gothic style. It features white Indiana limestone buttress amortizements, pinnacles, and a crenellated parapet. The school closed in 1974, and since 1976 the building has housed the local Boys and Girls Club.

A two-stage square tower rises above the entrance, with lancet-arched louvered openings high on the first stage, and on the second, belfry stage. The stages are demarcated by crenellated parapets. The interior of the church is relatively simple, with semi-boxed pews arranged in three groups, and the pulpit at the far end of the sanctuary. There is a loft area above the entrance vestibule.

It consists of a two-story, hip-roofed administration building with an attached -story, gable-roofed drill shed, spanning open space of . Both sections are built of load bearing brick walls sitting on a brownstone foundation. The building features a five-story octagonal tower at the northwest corner and a three- story round tower at the northeast corner. They feature tall, narrow windows and crenellated parapets.

St. Peter's Episcopal Church is a historic Episcopal church located at 400 W. Wall Street in Harrisonville, Cass County, Missouri. It was built in 1895, and is a one-story, cruciform plan, Tudor Gothic Revival style church. It is constructed of yellow-beige, quarry faced limestone. It features stick work and pseudo half timbering; a square, shingled cupola; lancet windows; and a crenellated parapet.

The capless mill stood for many years with a crenellated top but in 1972 Rayleigh Urban District Council launched an appeal to restore the mill as a landmark. By the autumn of 1974 a new cap and sails had been made and fitted by millwrights John Lawn and Philip Barrett-Lennard. In 2005, restoration work costing £340,000 was funded by the Thames Gateway South Essex Partnership.

Though Bambata pottery itself was first recorded by Arnold and Jones in 1918 and 1919, its origins and associations started to be investigated after Jones's (1940) and Schofield's (1941) researches. Bambata pottery is associated with the Later Stone Age and the Iron Age. Pottery materials dated back 2100 B.P and known for the thinness of the samples, stamp decoration, crenellated lips and unusualness of herringbone patterns.

The gate was built in 1327-1328 by Agnolo di VenturaArtistic Guide to Siena and Its Environs, Societa Editrice Fiorentina, Florence (1908), page 28. and Agostino di Giovanni, and has a crenellated roofline with machicolation in front gate. The gate is complex, with two separate portals, separated by a small inner court, with the inner gatehouse taller than the outer one. The large arches are faced with travertine marble.

Oak Ridge Apartments is a historic apartment building at 1615-1625 Ridge Avenue in Evanston, Illinois. The three-story brick building was built in 1914. Architect Andrew Sandegren, who also designed several Chicago apartment buildings, designed the building in the Tudor Revival style; Sandegren would go on to live in the building. The building features projecting entrance bays, an open central courtyard, and a crenellated roofline with projecting gables.

Like the lock, it is Grade II listed. At the south-east corner of the lock is a building dating from 1815, which was originally constructed to house air compressors for Congreve's boat lift. It was subsequently used as the lock keeper's cottage, and by 2010 had become a Starbucks coffee shop. The building was extended in 1975, when it was also stuccoed, and a crenellated parapet was added.

The fort had four crenellated walls enclosing a yard. Living quarters had been built around the edges and provided the base for border guards and Italian army armoured car patrols. A track ran south from the fort, just west of the frontier wire and the border, to Sidi Omar, Fort Maddalena and Giarabub. The fort changed hands several times during the Western Desert Campaign (1940–1943) of the Second World War.

Bilboa is located on the boundaries of County Laois, Carlow and Kilkenny.Rootsweb The little settlement at Bilboa was originally based around coal and coal mining. Of the early mining village, only the church remains. Bilboá's Anglican church is a detached three-bay Tudor Revival Church of Ireland church, built 1846, with crenellated entrance tower and granite dressings including clasping buttresses on octagonal plans having pinnacles and hood mouldings to openings.

Palazzo Marsili-Libelli, Siena The Palazzo Marsili Libelli is a Gothic style urban palace localized on Via di Città #136-142, in the Terzo di Città, in the city of Siena, region of Tuscany, Italy. The palace is adjacent to the taller Palazzo Marsili with a crenellated roofline and mullioned second and third story windows, and which stands at the corner of Via di Città and Via del Castoro.

The meetinghouse is constructed of clay tiles with a brick veneer on the exterior. The building's main gable is oriented on a north-south axis, with a smaller front gable that sits asymmetrically on the east side. It contains the main entrance into the building. Behind the entrance is a short square bell tower with a crenellated parapet and pairs of elliptical arched openings on each side of the bell chamber.

Church interior The National Register of Historic Places listing for the New Castle Historic District describes Immanuel Episcopal Church as a "stuccoed stone, 5 bay, center aisle church with clipped gable roof, and stone and frame spire with clock". The current appearance of the building is mostly due to architect William Strickland, who was responsible for the transept and crenellated tower. The reconstructed roof, steeple, and interior also follow Strickland's design.

St. Luke's Episcopal Church, also known as The Rock Church, is a historic Episcopal church located at 604 Morgan Road in Eden, Rockingham County, North Carolina. It was built in 1926, and is a one-story Mission Gothic style solid masonry church. It has a gabled roof that is intersected by gabled transepts and a pointed arch tracery stained glass window. It features a three-stage crenellated corner tower.

First Baptist Church is a historic Southern Baptist church located at 401 S. Scales Street in Reidsville, Rockingham County, North Carolina. It was built in 1918, and is a Late Gothic Revival style brick church. It has a three bay wide front facade with crenellated towers of unequal height and a three-part tracery stained glass window. It was home to an African-American Baptist congregation until the mid-1970s.

Mt. Sinai Baptist Church is a historic Baptist church located at 512 Henry Street in Eden, Rockingham County, North Carolina. It was built in 1921, and is a two-story, Late Gothic Revival style brick church. It sits on a raised basement and it has tall gable front flanked by square two-stage crenellated bell towers incorporated at each corner. It features pointed arch tower windows and brightly colored stained glass.

Palazzo Corvaja. Palazzo Corvaja (sometimes spelt Palazzo Corvaia) is a medieval palace in Taormina, Sicily, Italy, dating from the 10th century. It was principally built at the end of the 14th century and is named after one of the oldest and most famous families of Taormina, which owned it from 1538 to 1945. On four main floors and constructed around a courtyard, the Moorish Gothic palazzo is crenellated.

Swete's watercolour of the east end shows the surviving arrangement of crocketed finials projecting outward on corbels over the string course with canopied niches containing much weathered statues of St George and the Archangel Michael.Listed building text The north wall is topped for only part of its length with a crenellated parapet.Listed building text Fragments of 14th- century stained glass, showing three figures, survive in the present chapel anteroom.Pevsner, p.

Caedmon's cross on the west side of the churchyard A Norman church was built on the site around 1110 and added to and altered over the centuries. The tower and transepts are from the 12th and 13th centuries. The tower is square and crenellated, as are the walls. One of the oldest parts of the church is the quire which has three round-headed windows at its east end.

The wall was between six and eight metres high, including the parapet, about three meters thick at the base. It was made from two walls of large ashlar-faced limestone blocks, reinforced with an infill of rough-hewn stone rubble and mortar. The wall was topped with a crenellated two-metre wide chemin de ronde. Portion of curtain existing in rue Clovis, showing the ashlar facing and rubble core construction.

Spink Arms Hotel, also known as the Lionel Artis Center, is a historic hotel building located at Indianapolis, Indiana. It was built in 1919, and consists of two eight-story, brick towers linked by a one-story connector. It is in the Tudor Revival style and features twin four-story oriel windows on each tower and a crenellated parapet. Behind the building is a four-story parking garage constructed in 1922.

When it began operation, it had the greatest length of track () in the world under single management. There are two principal depot buildings in the district. The "Camden Depot" stands on John Street, and the "Tower Depot", now little more than a pair of crenellated towers, stands on Mary Street. These two buildings were completed in 1850, and in the area between, two warehouses were built in the following decade.

First Church Congregational is a historic church at Pleasant and Stevens Streets in Methuen, Massachusetts. The stone Gothic Revival structure was built in 1855 for Methuen's first congregation, established in 1729. Its first meeting house was on Daddy Frye's Hill, but moved to the present location in 1832. The present building features granite walls, a slate roof, and a tower with crenellated top and typical Gothic lancet windows.

The village has two castles, the Old Castle and the New Castle. The Old Castle dates from the Middles Ages, and it belonged to the Counts of Valperga. It has kept two towers, one of which is crenellated and features several brick Gothic windows. The New Castle underwent a lot of refurbishment work over the centuries until 1796, when the House of the Counts of Valperga- Rivara became extinct.

Later, she transforms into a black dog. Three Madonnas also appear walking and crawling amid the desert throughout the video. As the song progresses, the sky darkens, and the singer levitates from the ground. Her form then changes to a shiny black liquid, which runs along the desert floor and appears to be absorbed by the tattooed hands of another version of herself, curled up on the crenellated ground.

Saint Paul's Episcopal Church is a historic Episcopal church located at Watertown in Jefferson County, New York. The church was built in 1889-1891 and is Romanesque Revival–style edifice. It is a one-storey, asymmetrically massed building of random course ashlar stone of light grey color. It features a three-story square stone tower with a crenellated top and round battlements at the corners and square ones in the center.

St. John's Episcopal Church and Rectory is a historic Episcopal church at 15 St. John's Street in Monticello, Sullivan County, New York. It was built between 1879 and 1881 and is "L" shaped in plan, consisting of the church and an attached chapel. It is built of quarry-faced, randomly laid coursed stone. The church features a tall, engaged corner three stage entrance tower with a crenellated top.

The house has two tall brick chimneys, each of which has a projecting course, and a crenellated top. The house was built c. 1855 by James Emery, and it was, at the time of its listing in the National Register of Historic Places in 1974, still in the hands of his descendants. The only significant alteration to the exterior has been the removal of the uppermost stage of the tower.

The coat of arms for the Diocese of Davenport was designed after the arms used by members of the Davenport family in England. The family's arms are described as, "Argent (white or silver), a chevron sable (black) between three cross crosslets fitchée of the second." The diocesan shield maintains the use of the silver color and the black cross crosslets fitchée. The black chevron is replaced with a black crenellated tower.

The Edgar Allen Library was replaced by a new main library (now Western Bank Library) in the late 1950s, and the Rotunda is currently used as the Registrar and Secretary's Office. The Rotunda has a partly glazed pyramidal roof and a crenellated parapet. It is a 2-storey building with a basement. There is a circular arcade inside the Rotunda with compound piers and transoms containing portraits of university benefactors.

It was built in 1926 and is a ten-story, 125-foot- tall building. Above the tenth floor is a two-story, recessed penthouse. The penthouse floors are enclosed with a crenellated parapet which originally housed the short lived "City Club" as well as the structure's water-tank. It is a steel-frame building clad in face brick and cement with Neo-Gothic and Art Deco terra cotta ornamentation.

It is one of a distinctive group of four local steeples which move from a square tower to an octagonal spire by means of a broached octagonal belfry. The bell louvres are Decorated Gothic, and the whole structure is approximately high. The large square tower is approximately high and square; it has three unequal stages and diagonal buttresses. The upper-most stage has a crenellated parapet and crocketed pinnacles.

The old seal and today's civic coat of arms have their roots in the late 12th century. Heraldically, the arms might be described thus: In azure a town gate and tower argent – with roof gules surmounted by two finials or – flanked by crenellated town walls argent. The town's official blazon describes the roof as "tile-red" – not truly "gules" (i.e. red). The arms can be traced back to 1577.

It is three storeys tall, and is made in the neo-Tudor style of sandstone lined with Indiana freestone. Made of sandstone are the Gothic details, the crenellated, square tower, the four corner turrets at the sides, the buttresses supporting the two wings, as well as the oriel window located above the ogival doors. It is similar to Westmount City Hall in that both have a Tudor influence.

Walls of Theodosius II at Constantinople, built 408–413, to increase the area of land protected by the original Constantinian walls. Note the massive crenellated towers and surviving sections of wall. The walls actually consisted of a triple curtain, each one overlooking the other. They proved impregnable to even the largest armies until the introduction of explosive artillery in the later Middle Ages An example of late Roman fortification.

Whilst the Tower has the usual diagonal buttresses, crenellated parapet and crocketted pinnacles, it is more remarkable for its extremely unusual Oriel Window at the same level as the ringing chamber. The present clock mechanism was installed in 1898 to commemorate Queen Victoria’s Diamond Jubilee the previous year. The faces were restored in the early 1970’s. The Church was extensively restored in 1867-69 by J. L. Pearson.

With origins in the 12th century, the Château de Gannat is a typical 14th century defensive castle, built on a square plan flanked with four machicolated towers, linked by high crenellated walls. Originally, the castle was outside the town walls and surrounded by water; it is now a feature of the town centre. By the 16th century it was uninhabitable. and much of it was dismantled in 1566.

Beeston was connected to the mains water supply in 1876. Anglo Scotian Mills on Wollaton Road by James Huckerby (1892), shown in 2006 The crenellated listed building of the Anglo Scotian Mills remains on Wollaton Road to the north of the town centre. It is a solitary reminder of the former dominance of silk and lace mills on the skyline. The buildings have been converted into apartments by a developer.

The (Old) Orangeburg County Jail, also known as The Pink Palace, is a historic jail located at Orangeburg, Orangeburg County, South Carolina. It was built between 1857 and 1860, and is a two-story, rectangular, cement-covered brick building in the Late Gothic Revival style. It features a crenellated main tower and corner turrets. General William Tecumseh Sherman’s troops burned the building in February 1865; it was subsequently restored.

Old Pickens Jail, also known as Pickens County Jail, is a historic jail located at Pickens, Pickens County, South Carolina. It was built in 1903, and is a two-story, brick building with a two-story crenellated tower. It was expanded in 1928 to provide additional space for the cellblock. The jail closed in August 1975, and has since been used as a historical museum and art gallery.

The high school building was designed by architect Charles C. Hartmann and built in 1929. James B. Dudley Senior High School is a three- story, "U"-shaped, brick building with Classical Revival and Collegiate Gothic design elements. It has a one-story slightly projecting entrance portico with Doric order columns (added in the mid-1970's), a stepped parapet, and crenellated stair towers. The gymnasium was attached in 1936.

Dorset County Museum is on High West Street in Dorchester, Dorset. Built from Portland stone in approximately 1881, it was designed by architects G R Crickmay and Son from Weymouth. The building is two storeys high with a slate roof, it has two stringcourses on the gently sloped walls, with hood moulds over the windows and a crenellated parapet. The frontage includes a 2-storey bay with 7 transom windows.

In medieval castles, they were often crenellated. In later artillery forts, parapets tend to be higher and thicker. They could be provided with embrasures for the fort's guns to fire through, and a banquette or fire-step so that defending infantry could shoot over the top. The top of the parapet often slopes towards the enemy to enable the defenders to shoot downwards; this incline is called the superior talus.

William Henry Harrison School is a historic school building located in the Yorktown neighborhood of Philadelphia, Pennsylvania. It was designed by architect Irwin T. Catharine (1883–1944) and built in 1928–1929. It is a three-story brick building, nine bays wide on a raised basement in the Late Gothic Revival-style. It features a one-story, stone entrance pavilion with a Tudor-arched opening and a crenellated parapet.

Everett School, also known as St. Joseph Christian School, is a historic school building located at St. Joseph, Missouri. It was built in 1909, and is a two-story, "E"-plan, Colonial Revival style brick building on a raised basement. It features a crenellated parapet and central bay topped by a large projecting metal arch with prominent keystone. Also on the property are the contributing gymnasium and power plant.

Draws the attention the monumentality of the gate, escorted in turn by the two crenellated towers that made faithful squires in its past defensive duties. This gate had its two fronts unequal in architecture, as belonging Doric to the outside and Ionic on the inside. In each of those appeared four columns on pedestals, two on each side of the arch, which had of light 4'18 m. and 7.52 m.

Above the smaller windows is a narrower section with three large multi-segment windows, above which is a yet narrower section, forming a square tower and the highest storey of the building. The tower is crenellated and has one large multi-segment window, a flagpole without a flag in the centre, and a crenellated stone structure projecting from the right corner that resembles a crow's nest in that it could be used as a lookout point. In front of the building is a lawn that separates an embankment from a planted area. Steps lead down from the central part of the building to a war memorial, which is in the form of a bronze statue of a First World War uniformed British soldier looking backwards and pointing up towards the left, standing atop a white stone plinth that has a relief of the heraldic achievement of the city of Nottingham, an inscription on a plaque, and a relief of the lozenge of Dame Agnes Mellers.

The inset door, projecting plinth and 'v'-necked rusticated vermiculation (resembling tufa) were all derived from the base of Trajan's Column. The short sections of crenellated wall with ball finials which extend out either side of the villa were symbolic of medieval (or Roman) fortified town walls and were inspired by their use by Palladio at his church of San Giorgio Maggiore in Venice and by Inigo Jones (1573–1652) (Palladio also produced woodcuts of the Villa Foscari with crenellated sections of walls in his I quattro libri dell'architettura in 1570, yet in reality they were never built). To reinforce this link two full-length statues of Palladio and Jones by the celebrated Flemish-born sculptor John Michael Rysbrack (1694–1770)This attribution has been lately challenged by Richard Hewlings. See Richard Hewlings, "The Statues of Inigo Jones and Palladio at Chiswick House" in English Heritage Historical Review, Volume 2, 2007, 71–83.

It is believed that this omission is because Magnis was not actually on the Wall but was south of the Vallum, having been originally built to guard the Stanegate. The patera is 56mm high, with a diameter of 100mm; the handle length is 90mm. Below the inscription a red, crenellated, line depicts (figuratively) a wall and seven towers. The base is decorated with rectangles, possibly depicting masonry foundations, coloured in blue and green enamel.

Castle Garde, originally built by the O'Briens, was restored in the early 1800s by Waller O'Grady, to a design of the architects James Pain and George Richard Pain. The design offers many notable features such as the circular keep, square-plan tower, and crenellated parapets. The carved statues, inside the gate house, are particularly fine and unusual features, representing Bacchus, Venus and Athene. The stone head to the main door represents Brian Boru.

The Elms is a two-storey house built on an L-shaped plan, of red brick, with a sandstone front façade. There are three bays at the front, the left-hand of which is gabled. Both the left and right bays have small turrets on either side of the upper windows; the left turrets are topped with pinnacles, the right with crenellated caps. The central front entrance has a porch with marble columns.

Bancroft Tower is located northwest of downtown Worcester, in Salisbury Park, a public park located west of Park Avenue and south of Drury Lane. It is a two-story stone structure, built out of boulders and cobbles, with a rock-faced granite exterior. It is asymmetrical in plan, with crenellated square towers at the corners and a taller off-center circular tower in between. To the right of that tower is an arched gate.

In the lower stage is a two-light west window in Perpendicular style that dates from the 1902 restoration. On the south side is a niche with a trefoil head for a statue. At a higher level on the north and south sides are windows, again with trefoil heads. In the upper stage of the tower are paired lancet bell openings, above which is a crenellated parapet; these all date from 1756.

Aldus Chapin Higgins House In 1921, Higgins commissioned Grosvenor Atterbury to design a house modeled after the Compton Wynyates estate in England. It is an eclectic structure 2-1/2 stories in height, with its exterior finished in stucco, brick, and stone. It consists of two roughly rectangular wings, set at right angles to each other and joined by a central octagonal entry. The octagonal tower is crowned by a crenellated battlement.

The palace changed through many hands over the centuries; coats of arms on the walls include those of the Piccolomini and Bandinelli. Other names for the palace have included Petroni and Grottanelli-de' Santi. A plaque indicates palace rebuilt in 1425, by Capitano Pietro Salimbeni Benassai. In 1854 it underwent a reconstruction which, hoping to give the palace an antique look, led to addition of crenellated roofline, and rings for tying up horses.

The church of Santissimo Crocifisso (the Holy Cross) is the first church of Calatabiano and it was inaugurated on 4 March 1484. Its Gothic architecture include a massive crenellated bell tower and two ogival entrances, west and south. Inside the church there is a statue of St. Philip of Agira (patron saint of Calatabiano). In the bell tower, on the west wall, is a 16th-century fresco of the Madonna and Child.

The western building, a mosque, faces the tomb. The Taj Mahal complex is bordered on three sides by crenellated red sandstone walls; the side facing the river is open. Outside the walls are several additional mausoleums, including those of Shah Jahan's other wives, and a larger tomb for Mumtaz's favourite servant. The main gateway (darwaza) is a monumental structure built primarily of marble, and reminiscent of the Mughal architecture of earlier emperors.

Saint Elizabeth's Church is a small Gothic Revival church located one block east of the Tecumseh Downtown Historic District and across East Chicago Boulevard from the Dr. Samuel Catlin House. It is constructed with a wood frame, over which is a veneer of locally gathered fieldstone. The church has a symmetrical facade with a gable roof and a partly projecting central square tower with crenellated parapet. Two large stained glass windows flank the tower.

Grace A.M.E. Zion Church is a historic African Methodist Episcopal Zion church located at 219-223 S. Brevard Street in Charlotte, Mecklenburg County, North Carolina. It was built in 1901–1902, and is a Gothic Revival style brick church. The front facade features two crenellated entry towers of unequal height with matching Gothic arched entrances. It is one of the oldest of the remaining African American churches associated with Charlotte's historic black districts.

Listed building text It has undergone considerable restorations. The south side contains four bays, the most westerly being for a first floor arched entrance door reached via an external staircase. The crypt underneath has square headed windows whilst the walls of the chapel above were given in the 19th century three gothic style pointed windows. The parapet above is crenellated and on the merlons survive weathered sculpted reliefs of the Dinham arms.

It has a central two- centre archway front and back with similar small windows on both sides. Above the string course are round flushwork panels and the crenellated parapet is raised above the entrance. Much of the freestone carving and dressings supposedly came from the city's demolished medieval gateways and St Werburghs Church, rebuilt by James Bridges in 1758—61. The building has been designated by Historic England as a Grade I-listed building.

1909: 61. The church is built in the Victorian Gothic style with a buttressed square tower with a crenellated cap and stone corner pinnacles. The tight massing, is relieved by the addition of a side garden, attached chapel, and handsome brick and shingle parish house.MHC inventory form On April 6, 2008 the Church of the Ascension parish signed a joint covenant with St. John's / St. Stephen's Parish and St. Mark's Episcopal Parish.

In English cuisine, battalia pie (obsolete spelling battaglia pye) is a large game pie, or occasionally a fish pie, filled with many small "blessed" pieces, beatilles, of offal, in a gravy made from meat stock flavoured with spices and lemon. The dish was described in cookery books of the 17th and 18th centuries. Confusion with words for battle led to the pie being crenellated, or shaped to resemble a castle with towers.

The former State Armory building is located in downtown Springfield, on the south side of Howard Street west of Main Street. The construction of its front section is primarily granite, with decorative elements of brick and brownstone. It has towers that are and tall with crenellated brick battlements and a parapet connecting the two front towers. The mass of the building is directly on Howard Street, and historically loomed over its neighbors.

The Church of St John the Baptist in Hatch Beauchamp, Somerset, England, was built in the Norman period and has been designated as a Grade I listed building. The church has a crenellated 3-stage tower from about 1500. It displays crocketed pinnacles, a pierced parapet with quatrefoils and arcades in the merlons and gargoyles. The church has diagonal buttresses to support the tower whereas, in other churches, angle buttresses are the norm.

In the churchyard, to the south of the church, is a sundial dating from the late 17th or the early 18th century. It consists of a baluster on a square step; the gnomon is missing. In the east wall of the churchyard is a former sandstone hearse house, of which only the façade remains. It dates from the early 19th century, it has a pointed entrance and a cornice, and is crenellated.

Located about 12 km outside the medieval city of Kilkenny it is a well preserved and restored Norman Tower House. Most of the bawn (outer) wall and some ancillary structures also survive in addition to the main tower. A pitched roof has been added over the centre of the tower, though the open-air walk along the tower's crenellated battlement has been preserved and is still accessible. A narrow spiral staircase connects the four stories.

The castle comprises a three-storey tower house with a garret. Much of the surviving stonework can be dated to the early 15th century; some alterations and additions can be attributed to the end of the following century. Although missing its roof, the castle's walls are virtually intact up to the height of the gables and parapet. The crenellated parapet and the remains of two cap-houses survive at the upper level.

The walls were supported by square pillars, spaced roughly apart, linked by a row of arches for support. These were buried underneath a talus, and they supported the main wall, which had a number of arrow slits in it. A second arcade supported a crenellated parapet, where defenders could stand. A large ditch was dug in front of the walls, and in places this could be flooded with water to form a moat if needed.

The Castle Apartments were designed by the El Paso firm of Trost & Trost with George P. Hill. It was a U-shaped, two-story building with a central courtyard opening onto Central Avenue. The front elevation was symmetrical with two projecting entrance bays on each of the side wings and one in the center, all topped with triangular pediments. Other ornamentation was restrained, consisting of simple stringcourse and cornice moldings and a subtly crenellated parapet.

The history of Montricoux was particularly marked by the founding of the Knights Templar by Vaour commandery in the thirteenth century. In Montricoux, the Templars first built the tower and a castle, which they joined with the monastery. The dungeon was much higher than it is now, and included a low vaulted room with no opening behind the narrow loopholes on the south façade. Above, there were three floors and a crenellated platform.

In the upper stage are two-light bell openings, and at the summit is a crenellated parapet with gargoyles. The nave has doors on the north and south sides, the north door containing the Norman fragments. Along the sides of the nave are two- and three-light square-headed windows. In the chancel are two re-set lancet windows dating from the late 12th or early 13th century, and a three-light east window.

Behrens design referenced the neo-classical, with metal strapping on the piers of the gable end either side creating a rusticated appearance. David Watkin describes it as a "temple of power". Similarly, Tom Wilkinson likens it to an "up-to-date edition of the Parthenon". Factory design at that time was either unpretentious steel and glass, or a "crenellated castle-cities" with a dowdy coat of historicist design, hiding the technology within.

The town hall does not have a recorded architect but was built in 1910. Within two years, it had been converted to a cinema and it remains a privately-run cinema a century later. John Newman, in his Kent: Northeast and East Pevsner, calls the Carlton as "an extraordinary mélange of disparate motifs". A central, crenellated clock tower is flanked by two- storey, gabled wings with chimneystacks with an "outsized" Tudoresque appearance.

The House at 2212 Commonwealth Avenue, in the Auburndale section of Newton, Massachusetts, is a rare local example of domestic Gothic Revival architecture. The two story wood frame house was built c. 1845, and is distinguished by its board-and-batten siding, oriel window, crenellated porch decoration, and bracketing in the eaves. It appears to be based on one of the panel's in Andrew Jackson Downing's The Architecture of Country Houses, which espoused the style.

The sanctuary has two sets of pews divided by a broad center aisle. A serpentine balcony supported by iron columns covers the northern third, with a glazed screen creating a narthex. At the south end, a pulpit and lectern front a dais with Communion table in front of a dossal curtain is set in a crenellated Tudor Gothic wooden surround between two sets of organ pipes. On either side are the choir risers.

The Taj Mahal complex is bounded on three sides by crenellated red sandstone walls, with the river- facing side left open. The garden-facing inner sides of the wall are fronted by columned arcades, a feature typical of Hindu temples which was later incorporated into Mughal mosques. The wall is interspersed with domed chhatris, and small buildings that may have been viewing areas or watch towers.Koch, p209-213 Outside the walls are several additional mausolea.

A well-known local tourist attraction, Hampden Bridge carries Moss Vale Road (B73) across the Kangaroo River in the picturesque Kangaroo Valley, southwest of Sydney. The bridge is located in an undulating river valley terrain, with a sheer sandstone face on its northern side and sandy inclined riverbank on the southern side. The river flows westward under the bridge. The bridge features four large Victorian Gothic Revival crenellated turrets made of locally quarried sandstone.

The castle plan had trapezoidal form, with four or five vertices. Today only the north wall is visible, between the King's Battery and the Queen's Battery. Also preserved, though hidden by vegetation, is the East-West wall and a circular tower in the southwestern edge, which was probably crenellated. The entrance to the fortification was through a barbican: a small defensive system that consisted of a series of entrance halls before the front door.

The church has a Romanesque Revival design with an auditorium plan, a common style for church buildings built in Mississippi at the time. The building features a four-story tower on the north side topped by a crenellated pyramid roof, stained glass rose windows on three sides, and a cross gabled roof with a corbelled parapet. Accompanied by photos. The church was added to the National Register of Historic Places on July 30, 1992.

Built over an Iron Age dun on a small islet in Loch Scolpaig, the Gothic-style folly has an octagonal footprint and appears as a two-storey structure surmounted by a crenellated parapet. The tower is surrounded by a low stone wall that was probably constructed at the same time. The original dun has disappeared entirely. Today the tower is open to the elements and serves as a nesting place for birds.

From the outside, Coimbra's old cathedral looks like a small fortress, with its high, crenellated walls harbouring few, narrow windows. This menacing appearance is explained by the belligerent times in which it was built. There is a tower- like structure in the middle of the western façade with a portal and a similar-looking upper window. Both portal and window are heavily decorated with Romanesque motifs of Arabic and Pre-romanesque influences.

200px The Union Church, also known as Union Congregational Church, is a historic United Church of Christ church building located in Avon Park, Florida. Construction began in 1890 and the first services were held in the not-quite-completed structure on September 11, 1892. The church was built on land donated by the founder of Avon Park, Oliver Martin Crosby, and his wife. Later the original crenellated bell tower was replaced with a steeple.

Walter's Mill was first mentioned in 1845 and is thought to have been built by the Arnold brothers of Paddock Wood, Kent. The mill was working by wind until 26 July 1911, when it was burnt out. The mill was refitted and driven by a gas engine, at that time having a crenellated top, which was removed in the early 1930s. the mill building was converted and extended to form a house in 1962.

The mosque is a large structure and reflects a building style that incorporates parts of traditional architecture with popular architectural elements in 1960s Shepparton. The brickwork is of a white cream colour. Atop on all sides is a crenellated parapet that contains some decorative brown infill brickwork and the roof has 4 small domes. There are vertical pointed lancet windows on one side and rectangular windows on the other, all with white frames.

Pen-y-Lan Hall is a two-storey, stuccoed and castellated Tudor-Gothic Revival-style building. The front of the house has an attic behind a parapet with symmetrical castellated chimney stacks at the ends of the building. The crenellated two-storey front porch projects from the facade and is two bays wide. The rear side of the hall is much the same as the front, albeit four bays wide with three castellated chimney stacks.

Aerial photograph of the castle Askerton Castle was built in the parish of Askerton in Cumbria around 1290.Emery, p.185. Originally the castle was an unfortified manor, but in the late-15th century Thomas Lord Dacre, the second Baron, built two crenellated towers on either end of the hall range, probably with the aim of increasing the living space in the property rather than simply for reasons of defence.Emery, p.186.

Louis Haish portico Rosebank is a two-storey Victorian Italianate villa with a tower, asymmetrical planning and neoclassical details. Constructed of rendered brickwork with string courses, heavily framed windows and doors of semicircular heads with keystones, fluted pilasters, cornices and ornamental eaves brackets. There are also some crenellated walls attached to the tower and the end of the verandah. The property has both front and rear gardens, the latter relatively densely planted.

The façade of complex resembles a crenellated medieval fortress with a statue of Saint Teresa of Ávila above the main gate; however the large cruciform church building behind this has three naves and is noted for its light interior. In the side chapels are two large oil paintings by Francisco Cossio depicting the "Apotheosis of Saint Teresa" and the "Apotheosis of the Order". The prominent dome of the church is covered in multicoloured mosaic tiles.

The design incorporates a large, unobstructed drill hall with exposed steel trusses, its gallery and supporting arcades. The decorative Flemish style parapets, towers, crenellated turrets and a low wide arched entrance, reminiscent of a fortified gate show very good craftsmanship. Edwardian Baroque 1901-1922 armouries incorporate distinguishing features such as red brick with a stone foundation, stone sills, window surrounds and decorative shields which contribute to a powerful image of stability and stateliness.

These typical Gothic- style influenced meetinghouses are characterized generally by either an asymmetrical or symmetrical facade which is dominated by a square Norman architecture-style entrance tower; Gothic or Romanesque arches or a combination of the two, are used throughout the building. The Murray Second Ward Meetinghouse fits this description well; it has an asymmetrical facade dominated by an entrance tower with a crenellated parapet, and tall, Gothic (pointed) arch windows framed in wood tracery.

Castellated nut A car hub, with the central nut hidden behind a castellated nut cover that is locked against rotation using a cotter pin. The effect is similar to using a castellated nut. A castellated nut, sometimes referred to as a castle nut, is a nut with slots (notches) cut into one end.. The name comes from the nut’s resemblance to the crenellated parapet of a medieval castle. Castellated nuts are sometimes referred to incorrectly as castigated nuts.

The Gerald House is set on the northwest side of Main Street (United States Route 201) on the fringe of Fairfield's central business district. It is a two-story building with a prominent centrally-placed three-story round tower that has a crenellated parapet. The building is fashioned out of concrete blocks that are finished to resemble rusticated stone. Its roof is flat, and the main roof originally had a parapet similar to that of the tower.

Portions of the roof are decorated with vergeboard, finials, and crenellated parapets. The interior features elaborate mahogany woodwork, and is predominantly Gothic Revival in character (matching the building's exterior), although the main parlor is more Greek Revival in character. Original furnishings and Morrill family possessions remain in the house, from the furniture to linens and kitchen implements. The interior walls have seen only minimal alterations, which have generally been limited to maintenance such as new coats of paint.

The church stands on Main Street in the historic core of the village of Pannal, at about 85 metres above sea level. Pannal is a "straggling linear" village among farms, woods and former quarries. The crenellated church tower is a significant landmark locally.Harrogate Borough Council: Pannal conservation area character appraisal Retrieved 5 January 2014 The church stands opposite Pannal Hall, which from 1724 was the seat of the Bentley family: landowners whose memorials line the walls of the chancel.

The church is built of red sandstone and is approximately square in plan. Its floor is at the level of the adjacent Watergate Row and the church is entered by a flight of seven stone steps on the south face. At the west end there is an embraced tower that rises one stage above the roof, with a clock and a bell opening of two lights. The top is crenellated, with crocketed pinnacles and a pyramidal slate spire.

Like many other parts of Persepolis, the Tachara has reliefs of tribute-bearing dignitaries. There are sculptured figures of lance-bearers carrying large rectangular wicker shields, attendants or servants with towel and perfume bottles, and a royal hero killing lions and monsters. There is also a bas-relief at the main doorway depicting Darius I wearing a crenellated crown covered with sheets of gold. The Tachara is connected to the south court by a double reversed stairway.

Government House is a Gothic Revival two-storey building with crenellated battlements, turrets, detailed interiors, extensive cellars and a porte-cochère at the entrance. An open cloister on the east elevation forms a verandah room which is supported by Gothic arches and forms an open balcony above. The ground floor contains twelve rooms and the first floor contains thirteen bedrooms. It is built of stone with a slate roof, timber floors, unpainted cedar joinery and a stone- flagged verandah.

Damascus Gate is flanked by two towers, each equipped with machicolations. It is located at the edge of the Arab bazaar and marketplace in the Muslim Quarter. In contrast to the Jaffa Gate, where stairs rise towards the gate, in the Damascus Gate, the stairs descend towards the gate. Until 1967, a crenellated turret loomed over the gate, but it was damaged in the fighting that took place in and around the Old City during the Six-Day War.

Of Arab origin, it dates from around the 10th century, although important modifications were made during the Christian era. It had great relevance in the defense of the city during the Middle Ages, to be the place through which people and goods entered. The gate is a gateway in a bend, typical of Hispanic-Muslim military engineering, and its main consists of a horseshoe arch located between two square towers and crenellated with arrowslits on its sides.

The major feature is the central entranceway in the main facade. The slightly arched entrance at ground level allows access to the inner courtyard, and then above is an upper floor, boldly square in its dimensions; there is a projecting label mould just above the arch of the entrance. On the top of this upper floor is a crenellated parapet and a pyramidal roof. All the roofing is clad with asbestos cement shingles and some rafters are exposed.

The Amanda K. Alger Memorial Methodist Episcopal Church is a historic church at 303 Maple Avenue in Eaton, Colorado. It was built in 1925 and was added to the National Register in 2006. It was deemed significant > as an excellent example of the Late Gothic Revival style. The church > exhibits many of the characteristic elements of this early twentieth century > style including the steeply pitched roof, arched windows with tracery, > vaulted ceilings, quatrefoil elements, crenellated parapet, and simpler > detailing.

The north and east sides are fully crenellated but the crenellations on the south wall are only above the two western bays. The chancel is lower and narrower than the nave and is gabled. The east window is arched with three lights and Perpendicular tracery. In the north wall of the chancel is a three-light straight-headed window and in the south wall there is a similar window with a priest's door to its west.

Avondale is a two-storey brick and tile building which has external timber detailing in the Federation style. The brickwork is a dull brown with re grain features and the roof is gabled and hipped with bellcast detailing over the verandah. The verandah is two-storey on two sides with cast iron posts and balustrade with geometrical coloured tile paving on the ground level. A crenellated parapet exists over the front on the gabled front wing.

A battalia pie was so named because it was filled with beatilles, small blessed objects (from Latin beatus, blessed) such as, according to the Oxford English Dictionary, "Cocks- combs, Goose-gibbets, Ghizzards, Livers, and other Appurtenances of Fowls (1706)".Oxford English Dictionary, "Battalia pie". It is not connected with Italian battaglia, battle, but it was regularly confused with that meaning, and battalia pies were built with crenellated battlements around the edges, and sometimes as castles complete with towers.

The Aldus Chapin Higgins House is located northwest of downtown Worcester, on the north side of the Worcester Polytechnic Institute campus, overlooking Institute Park to the north. It is an eclectic structure 2-1/2 stories in height, with its exterior finished in stucco, brick, and stone. It consists of two roughly rectangular wings, set at right angles to each other and joined by a central octagonal entry. The octagonal tower is crowned by a crenellated battlement.

For a written description, see Ganay 1953, p. 20. The southeast facade is framed by two towers: a square pavilion to the right and a large round medieval tower to the left (the Tour d'Amboise). Both towers and the corps de logis are surmounted by protruding crenellated parapets, supported by ranges of corbels. The steep roof of the corps de logis has six dormers of a markedly different design than those found on the northwest side.

The periphery is arched, briefly depressed at the beginning of the siphonal canal, is thickened on the last rib which is usually white. The outer lip is crenellated and the inside is crisscrossed with six strong folds. The ronded subsutural sinus opens quite widely in the thick part of the outer lip between the first and the third cord. Hervier R.P. (1897), Descriptions d'espèces nouvelles provenant de l'Archipel de la Nouvelle Calédonie (suite); Journal de conchyliologie t.

It is topped by a crenellated parapet. The main entrance is located at the base of the tower, in a Gothic-arched opening with heavy oaken double doors with book-leaf panels. The building was constructed in 1903, and is an early work of architect Ralph Adams Cram, then early in a distinguished career. Cram was a native of New Hampshire, and was during his career a major proponent of renewed interest in Gothic Revival architecture.

It bears rounded basal lobes and an obtuse to abruptly rounded apex. It is often curled upwards and may be crenellated at the margins. The presence of appendages is variable in upper pitchers: the lid may possess a pair of appendages as in terrestrial pitchers or may lack them completely. Where these appendages are present, the basal one is hook-shaped and up to 8 mm long and the apical one filiform and up to 12 mm long.

The Church of St Mary in Kingston St Mary, Somerset, England, dates from the 13th century and has been designated as a Grade I listed building. The nave and arcades date from the 13th century. The tower is from the early 16th century and was reroofed in 1952, with further restoration 1976–1978. It is a 3-stage crenellated tower, with crocketed pinnacles with bracketed pinnacles set at angles, decorative pierced merlons, and set back buttresses crowned with pinnacles.

Closeup of the crenellated top, March 2010 The structure was a functioning water tower from 1920 until 1957. The tower was pictured each year from 1929 to 1946 in the World Book Encyclopedia as an early example of reinforced concrete. It was listed in 1975 as Missouri's first American Water Landmark by the American Water Works Association, and is on the National Register of Historic Places. The 12-sided tower is tall, with walls thick, and a capacity of .

TCI Umbria p. 94. A further section down the Corso was built in 1429-43, still keeping to the Gothic tripartite fenestration, to house the Collegio del Cambio, the "money exchange" that was the financial center of Perugia. The perimeter of the roof was originally crenellated all around, less for actual defensive purposes than as a symbol of Perugia's independence. Significantly, the crenellations were removed in 1610, when Perugia had submitted at last to papal armies.

The cubical building is made of solid rusticated stonework, with two rows of two-lighted Gothic windows, each with a trefoil arch. In the 15th century, Michelozzo Michelozzi added decorative bas-reliefs of the cross and the Florentine lily in the spandrels between the trefoils. The building is crowned with projecting crenellated battlement, supported by small arches and corbels. Under the arches are a repeated series of nine painted coats of arms of the Florentine republic.

First Methodist Episcopal Church, South is a historic church at 503 West Commercial Street in Ozark, Arkansas. It is a 1-1/2 story stone structure, with a steeply pitched gable roof and a pair of square stone towers flanking the front-facing gable end. The taller left side tower has belfry stage with grouped round-arch openings on each side, and both towers have crenellated tops. The church was built in 1909 for a congregation organized in 1871.

The Pawtucket Armory is an historic armory building at 172 Exchange Street in Pawtucket, Rhode Island. One of the major works of William R. Walker & Son, it was built in 1894–5. Built of red brick with granite and limestone trim, it has a distinctive main block, with crenellated towers at the corners, and is prominently sited near Pawtucket's central business district. It has a Richardsonian Romanesque entry, recessed under a round archway with wrought iron gates.

Sparta First Presbyterian Church is a historic Presbyterian church located at Groveland Station in Livingston County, New York. The building is a simple but sophisticated combination of Arts and Crafts principals and freely styled Tudor Gothic detailing executed with modern building materials. It was constructed in 1915-1916 and is composed of a large principal gable block with a gabled wing. It features a crenellated tower rising a full story above the ridgeline of the roofs.

Looking north along St John's Street, with the gatehouse of St John's College on the west side of the street and the tower of the college chapel behind. St John's College is located on the west side of the street, hence the name. The college has an impressive crenellated gatehouse entrance and the tower of the chapel dominates the scene at the north of the street. A medieval church, All Saints Jewry, stood in St John's Street.

Stidham United Methodist Church is a historic Methodist church located at Shadeland, Tippecanoe County, Indiana. It was built in 1912–1913, and is a 1 1/2-story, co-axial plan Gothic Revival style brick building topped by a steeply sloped gable roof. It features a crenellated bell tower with masonry buttresses and an American Craftsman style plain wood portico. Note: This includes and Accompanying photographs It was listed on the National Register of Historic Places in 1992.

St. John's Church is a freestanding cruciform-plan Evangelical Protestant church built of limestone with pitched slate roofs, cut limestone copings and cross finials. The building features limestone walls with cut-stone string courses and lancet window openings. It has a crenellated parapet to the tower with carved pinnacles set on the buttresses, and with clock faces to the top stage. The lancet openings to the tower has cut-stone louvres from the lower stage to the upper stage.

The community's arms might be described thus: Gules a wall embattled with two end towers with pointed roofs argent and with closed gate Or, above which a tower with a double cupola of the second. The crenellated wall stands for the fortress church estate, which has the parish church's quire tower rising above it. The tinctures red and silver are Hesse's state colours. The coat of arms was approved in 1954 by the Hesse Interior Ministry.

New York State Armory , also known as "The Arsenal," is a historic National Guard armory building located at Ogdensburg in St. Lawrence County, New York. It is a rectangular, two story structure built of ransom ashlar block with central pavilions projecting on its north and south elevations. The main facade features a central pavilion with a tower rising above the roofline and terminating in a corbeled and crenellated parapet. It was designed by noted Syracuse architect Horatio Nelson White.

This "Indo- Persian kind of garden", as Bosworth called it, had crenellated of walls of beige bricks on three sides, with octagonal towers, all covered in cream- colored stucco scored with a diamond pattern. Bosworth may have been inspired by the Agra Fort in northern India. The fourth side of the garden was open to views of the Hudson. The main entrance was a large rectangular limestone gate topped by a relief of Artemis by Ulric H. Ellhusen.

The crenellated wall of the outer bailey was much lower than today. On the plateau of this outer ward were almost certainly a number of wooden domestic and residential buildings. The original gate of the outer ward was slightly wider, but situated on the same spot as the present entrance. Originally the castle track led around the north and east sides of the castle and met the one coming from the gate in the outer bailey.

Roman mausoleum of Córdoba. The Roman mausoleum of Córdoba is an ancient structure in the Jardines de la Victoria, Córdoba, Andalusia, southern Spain. It is a funerary monument of cylinder-shaped that corresponded to a group of funerary monuments of the Republican era, built in the 1st century AD. It was discovered in 1993 during archaeological excavations. It includes the chamber tomb that housed the Urn, as well as remains of the basement, cornices, and crenellated parapet.

However, the view of its impressive mixture of steeply pitched, parapeted gables, longitudinal ridgelines, and crenellated octagonal towers, has been masked by later development on the campus. In plan the main building complex has two long, perpendicular wings meeting at the Great Hall, which is T-shaped. This corner presents a strong face to visitors on the main driveway. A parapet coping is still visible to indicate where the 1863 end to the Great Hall was situated.

St. Mary's is set on the south side of South Shore Road, directly opposite its junction with Kimball Road. It is a cruciform structure, built of stone and stucco, with the long axis set parallel to the road. It has classic Late Gothic features, including buttresses along the nave and at the corners of the transepts, and a crenellated central tower at the crossing point. The nave features a raised roof section with Gothic-arched clerestory windows.

The parapets are richly decorated with quatre-foil piercings with central Maltese crosses and tri-foil pattern railings above with a crenellated top rail. The mainly cast iron parapet ribs have a wrought iron central section of . The central pier stands high and the bridge was built higher than its predecessor so that the Halifax and Ovenden Joint Railway could pass underneath the northern end. North Bridge Station was just east of the bridge, extending under it.

The First United Methodist Church, originally the Methodist Episcopal Church, South is a historic church building at 205 North Elm Street in Paris, Arkansas. It is a two-story brick building with Late Gothic Revival styling, built between 1917 and 1928 for a congregation founded in the early 1870s. It is the congregation's fourth sanctuary, its first three having succumbed to fire. It has a gabled roof with corner sections and a tower topped by crenellated parapets.

The Lawrence Light Guard Armory is a historic armory building at 92 High Street in Medford, Massachusetts. The three-story granite and brick building was built in 1891 to a design by Shepley, Rutan and Coolidge. The Romanesque Revival building has massive granite quoins on the corners, a granite course between the first and second floors, and granite lintel sections above its windows. The entrance, centered on the north facade, is flanked by round turrets with crenellated tops.

Son's Chapel is a historic church at 5480 East Mission in Fayetteville, Arkansas. It is a single-story rustic fieldstone structure, with front-gable roof and a squat square tower set off to one side. Built between 1933 and 1937, the building is an interesting and unusual mix of Gothic and Romanesque styles, with windows set under Romanesque arches, and the tower with a crenellated parapet. The church is the second for the congregation, which was established c.

United Workers Cooperatives, also known as Allerton Coops, is a historic apartment building complex located at 2700–2870 Bronx Park East in Allerton, Bronx, New York City. The complex includes three contributing buildings and five contributing structures. The Tudor Revival style buildings were built during two construction campaigns, 1926–1927 and 1927–1929 by the United Workers' Association. The buildings feature half timbered gables, horizontal half-timbered bands topped with sloping slate roofs, corbelled and crenellated towers, and picturesque chimneys.

The town hall is a roughly rectangular structure, covered by a roof that is gabled at one end and hipped below a very small gable at the other end. At the northern corner stands an octagonal four-story tower topped by a crenellated parapet. The interior of the building has two levels: the upper level houses an auditorium space with a stage at one end, with a balcony area that has been converted for use as offices. The basement level houses additional offices.

George L. Brooks School is a historic former school building located in the Haddington neighborhood of Philadelphia, Pennsylvania. It was designed by Henry deCourcy Richards and built in 1919, encompassing part of the original walls of the 1902 edifice that had been destroyed by fire. It is a three- story, five bay, stone and brick building on a raised basement in the Late Gothic Revival-style. It features a slightly projecting entrance bay with Gothic arched entryway and a crenellated parapet.

Khan Murjan The Khan Murjan () is a building in the souq of Baghdad, Iraq. The structure was first built in the 14th century as a caravanserai, an inn for traveling merchants, whose center was a hall more than high. The crenellated arches of brick and perforated windows make this a notable piece of architecture. The building was reputedly in a state of disrepair for over two centuries, with waist-high flood water from the Tigris standing in the famous hallway.

Yeotown House, Goodleigh. Remodelled in neo-gothic style circa 1807 by Robert Newton Incledon (1761-1846) and demolished within his lifetimeFice, J.E., History of Goodleigh, A North Devon Village, Barnstaple, 1982 Neo-gothic gatehouse of demolished Yeotown House. The crenellated block at left with projecting windows is a later addition. Now known as Ivy Lodge, a farmhouse Yeotown was a historic estate situated in the parish of Goodleigh, North Devon, about 1 1/2 miles north-east of the historic centre of Barnstaple.

In N. viridis the front portion of the peristome is raised and crenellated; such a structure is not found in N. alata. The pitcher lid of N. viridis is also distinctive, being heavily domed and having a prominent keel or keeled appendage on the basal midline of the lower surface. Nepenthes alata, by contrast, usually bears a triangular appendage or reduced keel, and does not have a domed lid. There are also notable differences in the development of the ventral pitcher wings.

The church, however, was not consecrated until the 1 February 1914. This was done following the decision by (now Sir) Henry Bate to give the church and land to the Rector and his wardens as a gift on 21 January. The church at Chapel Street at Laurier Avenue, which was designed 1898-99 by Alfred Merigon Calderon, is of Gothic revival design.Alfred Merigon Calderon The church features a crenellated tower with a nine-bell chime, and no fewer than fourteen stained glass windows.

The house was built from dressed ashlar, an uncommon building material for Tudor Revival houses; it is one of only two ashlar Tudor Revival houses in Evanston. The house's roof has a steep main gable with a parapet along with several smaller gables and dormers with a similar design. The entrance porch is supported by columns and covered by an overhang with bracketed eaves. An octagonal tower with ornamental griffins and a crenellated battlement rises to the left of the entrance.

Key Memorial Chapel, formerly the Roman Catholic parish church of Saint Philip the Apostle, is a historic Roman Catholic chapel located at 150 E. Sharpe Street in Statesville, Iredell County, North Carolina. It is considered within the Roman Catholic Diocese of Charlotte. It was built in 1898, and is a small one-story, two bay by four bay, Late Gothic Revival style brick building. It features a large, pointed arch stained glass window and a two-story tower with crenellated parapet.

The large brick belltower within the same complex dates from the reign of King Levan of Kakheti (1520-1574). The lower three stories served as a residence, each floor with a fireplace. The staggered placement of bricks on the exterior façade to form geometric patterns indicates the cultural influence of Safavid Persia, as does the pointed arch over the entrance. The Ninotsminda complex is surrounded by a fortification, with corner towers and a crenellated curtain wall, dating from the 16th-17th centuries.

The double chamfered pointed tower arch springs from double octagonal responds--half-piers attached to walls supporting an arch-- with octagonal capitals. A 20th-century wooden Perpendicular screen with double doors separates lower part of the tower arch from the nave. The tower interior is unrendered, and within it, at the south-west, is a pointed arch doorway with oak door leading to the upper stages. The chancel arch is double- chamfered on both sides with part-octagonal responds and crenellated capitals.

St. Philip Neri Parish Historic District is a historic Roman Catholic church complex and national historic district located at Indianapolis, Indiana. The district encompasses five contributing buildings: the church, rectory, former convent and school, school, and boiler house / garage. The church was built in 1909, and is a Romanesque Revival brick church with limestone trim. It features two- and three-story crenellated corner towers, a rose window with flanking round arched windows, and Doric order columns flanking the main entrance.

Another daughter and coheiress married Robert Eyre and inherited Holme in 1658. The original entrance front to the south has three storeys and three bays, the central one projecting to create a full-height entrance porch, and the outer bays having canted bay windows to second-floor height. The windows are transommed and mullioned and the parapets are crenellated. To the rear is a plainer three-storey four-bay block and to the right a late 17th-century lower block of three bays.

A clone of the old castle was built towards the east and the two were conjoined by a new building housing the entrance hall, main stairway and gallery corridor. The drawing room and morning room were on the first floor of the replica wing. The ground fell away at the rear of the buildings and an extra basement level was added there. Circular towers, arched windows with hood moulds and crenellated parapets above bold corbelling were all incorporated into the design.

The church grounds are raised above the surrounding footpaths and contained on all sides by early limestone retaining walls with sloping concrete copings, once surmounted by a small picket fence. A pair of circular crenellated gate pillars exist at the main northeast entrance and are constructed of random rubble limestone matching the walls adjacent. The garden contains some mature trees and a fine-grained Celtic cross memorial set on a stylobate of three steps and engraved with an inscription and traditional Celtic motifs.

The listing indicates that the tower was probably built in the mid 1500s, with additions in 1841/1842. In 1896 the tower was linked to the house with a "low corridor". The "crenellated low wall" was rebuilt in 1895, although earlier repairs were apparent, through the use of stones from the 16th and 17th century. BONSHAW TOWER AND HOUSE AND COURTYARD WALLS LB3489 By the 21st century, the property was still owned by members of the Irving family and was the family home.

The building was soon purchased by CRM Properties, which demolished the richly decorated enclosed courts and left three buildings separated by parking lots. As of 2015, one large L-shaped building houses anchor Bed Bath & Beyond, Goose Island Brewery (the only original tenant remaining), plus a furniture retailer and real estate offices on upper floors. Two smaller buildings house Patagonia and GapKids. The building's pair of crenellated, four-story towers still face Clybourn, but much of the structure between them was demolished.

The four-storey tower has a corbelled saddle, corner buttresses, and triple arcades to the lower storey. The interior has polychrome brick patterns and bath stone dressings on red bricks. The stilted low-pitch chancel roof has stellar-pattern ribs and crenellated wall plates; the nave roof is steeper with wall posts to the main trusses. John Newman described the new church as "one of Butterfield's finest churches, big boned and austere outside, highly charged in the polychromatic patterning of its interior".

Heraldically, Romrod's civic coat of arms might be described thus: In Or a stone wall with a crenellated tower sable, below the tower and before the wall an inescutcheon, therein the Lion of Hesse (in azure a lion rampant striped nine times silver and gules, armed Or and langued gules). The golden shield with the wall and tower has its roots in Romrod's old knightly family. The Lion of Hesse, of course, refers to Hesse, to which Romrod has belonged for centuries.

Originally a country estate, the Moorish-style mansion was built in 1927 by Major Cyril Ramsay-Hill, a rancher, former officer in an Indian regiment, and sometime Hollywood actor. It was based on his grandmother's home in Seville, Spain. The crenellated and domed building features minarets, and contains an "inner courtyard, fountains, squash court, swimming pool, and polo grounds". During the colonial era, "The Djinn Palace" was "where things usually were very lively" for the Happy Valley set, according to Ulf Aschan.

Canastota Methodist Church, now known as Greystone Community Center, or Greystone Castle, is a historic Methodist church at Main and New Boston streets in Canastota in Madison County, New York. It was built in 1909 and is a large, asymmetrical building built of Pennsylvania white marble. It reflects the influence of the Richardsonian Romanesque style in its heavy, horizontal massing, wrought-hewn masonry construction and broad, round arch door and window openings. A tower has a crenellated turret at the top.

The outside of the structure is an example of Italian medieval architecture with Gothic influences. The lower story is stone while the upper crenellated stories are made of brick. The facade of the palace is curved slightly inwards (concave) to reflect the outwards curve (convex) of the Piazza del Campo, Siena's central square, of which the Palace is the focal point. At the top of this facade is a huge round flat bronze plate [Christogram], the symbol used by Saint Bernardino.

The sides of the chariot were built to resemble fortified stone work, giving the impression of small, mobile buildings, causing terror on the battlefield. In Europe the castle or tower appears for the first time in the 16th century in Vida's Ludus Scacchia, and then as a tower on the back of an elephant. In time, the elephant disappeared and only the tower was used as a rook. In the West, the rook is almost universally represented as a crenellated turret.

This structure is flanked by two equal blocks some 23 feet east and west (external) containing side chambers about 18 feet square internally, with rib vaults supporting domed brickwork ceilings, and with upper rooms. They stand to the north: the south end of the central block projects. Their walls were probably crenellated and their roofs crossed into the central roof. The central passage floor level was about 6 inches below present ground level, and that of the side chambers lower.

Giovanni Fontana (Melide, 1540 – Rome, 1614) was a Dominican friar and late- Mannerist architect, as well as brother of Domenico Fontana. Fontana built one of the most important rural villas of the Roman Campagna in 1601-1605 for the Aldobrandini family. Castello di Torrenova was originally a medieval farmhouse that Fontana enlarged and embellished with Renaissance details and crenellated walls. Next to the castle a small late Renaissance church was built for Saint Clement, the patron saint of the Aldobrandini Pope, Clement VIII.

The tower has buttresses on the north and south sides only which are in line with the east and west faces, and there are similar buttresses at the east end of the church. The clock face is on the east wall of the tower and on the other sides of the tower are three-light louvred bell openings. The top of the tower is crenellated with a pinnacle surmounted by a crocketted finial at each corner. The windows have Perpendicular tracery.

The battery was obsolete by 1912, and sold on and houses were erected on top, and now the site has an odd appearance with only the curtain wall and ornate crenellated gatehouse surviving. This gateway was designated a Grade II listed building in 1988. Liscard and Poulton railway station on the Wirral Railway opened to passengers in 1895. Consisting of a single island platform in a cutting, it was part of a branch line with Seacombe railway station as its terminus.

The building exhibits eclectic architectural influences, including Romanesque Revival windows, crenellated Gothic battlements, and early Christian or Tudor massing. Decorative round- arched Romanesque openings complement the bell tower and the design carries over to the main level windows. Each opening is highlighted with painted wood mullions and cusps that form a pair of arches with circular openings surrounded by brick. The only structure in Miles City designed by the firm, the design bears similarities to Brynjulf Rivenes’ Presbyterian Church on Main Street.

In 1786 he purchased the grant as bailiff and keeper of Taunton Castle in the names of his sons and his nephew. He put on a new roof, inserted many windows and recast many other details all round the castle. During the 18th and 19th centuries the Great Hall was used for public meetings. The outer ward is now occupied by two hotels, which have been crenellated, in order to be in keeping with the genuine battlements of the inner ward.

The castle was built as a manor house by Sir John de Broughton in 1300 at a location where the confluence of three streams created a natural site for a moated manor. The house was sold in 1377 to William of Wykeham, Bishop of Winchester, and has remained in the same family since that time. The original house was crenellated by Sir Thomas Wykeham in 1406. In 1451 it passed by inheritance to the Fiennes family, Barons Saye and Sele.

Zvolen Castle in Slovakia strongly inspired by Italian castles of the fourteenth century Surviving examples of medieval secular architecture mainly served for defense. Castles and fortified walls provide the most notable remaining non-religious examples of medieval architecture. Windows gained a cross-shape for more than decorative purposes, they provided a perfect fit for a crossbowman to safely shoot at invaders from inside. Crenellated walls (battlements) provided shelters for archers on the roofs to hide behind when not shooting invaders.

Town Mills were crenellated to form an "eye-catcher" when viewed up the picturesque Torridge valley from Castle Hill, Great Torrington, which Lord Rolle had also castellated to recall the ancient castle. The original Annery kiln had been built prior to Lord Rolles's canal and the Great Torrington lime kilns; it is unlikely to have had the crenellations. A typical Quatrefoil. Annery was well built, with local mortar-cemented stones, a rubble infill and firebricks lining the kilns' combustion chambers.

The First Presbyterian Church is a historic church at 200 North Second Street (corner of Second and Quay) in Dardanelle, Arkansas. It is a roughly rectangular masonry structure, built out of buff-colored brick and light stone trim. Its front facade consists of a pair of quoined and crenellated tower- like sections flanking a four-column pedimented gable portico, which shelters the entrance. Built in 1912–14, it is locally distinctive for its Classical Revival architecture, and for its Akron Plan interior.

Their construction programme was begun in 1812 and was originally intended to run for ten years, but it was abandoned on Napoleon's abdication in 1814. Of the 160 model works originally planned (106 on the Atlantic coast, and 54 in the Mediterranean), only 12 towers were completed by 1814, including six in Finistère around the roadstead of Brest (listed below). Louis-Philippe of France attempted to emulate Napoleon and complete this defence chain in 1846 with a set of standardised crenellated guardhouses.

A section of the remaining walls runs along the north-west part of the gardens and extends further along Marygate to Bootham. The walls were constructed in 1266 and increased in height and crenellated in 1318 under a royal licence from Edward III. Originally there was a defensive ditch along the outside of the walls. The walls include several towers, not all of them dating from the medieval period; the semicircular tower near the gatehouse is a 19th-century reconstruction.

In 1826 he was recognised as a baronet, the heir of Sir James Nicolson, 7th Baronet, who had died in 1743. Brough Lodge was built in the Gothic Revival style, with crenellated walls and bartizans at the corners. Details in Classical and Moorish styles were added to the facades and screen walls, as well as a brick- built chapel. Around 1840, Sir Arthur Nicolson constructed a folly, known as The Tower, on a small hill to the north-east of the lodge.

The exterior from the east. Brown recognized the inherent medieval quality of walls covered in uncut coal and capitalized on this theme by adding turrets, crenellated walls, and spired roofs. Ten flags with the names of the ten coal-donating counties adorned the roof, along with two Coal Palace flags and two large American flags. The primary entrance to the building was through two archways along the northern side, though four semi-circular turrets on the ground floor also contained doors.

Dover Town Hall is set near the eastern end of Dover's town common, just southeast of the town's public library. It is a single-story wood frame structure, with a front-facing gable roof, clapboard siding, and stone foundation. A tower projects slightly from the front (south-facing) facade, with a three-level first stage topped by a louvered belfry and a crenellated and pinnacled top. Windows are rectangular sash, and are topped by blind lancet-arched louvers, as are the belfry openings.

A castellanus (or castellatus) (from latin castellanus, castle) is a cloud that displays at least in its upper part cumuliform protuberances having the shape of turrets that give a crenellated aspect. Some of these turrets are higher than they are wide; they have a common base and seem to be arranged in a line. The castellanus characteristic is particularly obvious when the clouds are observed from the side (i.e., from a vantage point on a line perpendicular to the line of orientation).

In Hatch Beauchamp the Norman Church of St John the Baptist has a crenellated 3-stage tower from about 1500. It displays crocketed pinnacles, a pierced parapet with quatrefoils and arcades in the merlons and gargoyles. The church has diagonal buttresses to support the tower whereas, in other churches within this group, angle buttresses are the norm. The buttresses, which finish in the belfry stage, support small detached shafts which rise upwards to form the outside subsidiary pinnacles of each corner cluster.

Portal of the church. All the dependencies of the monastery (church, cloister, orchard, bread factory (silo), warehouses, labor fields, etc.) are surrounded by a wall with eight crenellated cubes. In the 16th century, the entrance was refurbished by ennobling the door in whose pediment an image of the Virgin can be seen. In 1771 the door was enlarged with an upper body that presents another pediment adorned with the jug of lilies, symbol of purity always related to the Virgin Mary.

Claremont Teachers College was Western Australia’s first post-secondary teaching institution. It opened in 1902 and closed in 1981, when it became a College of Advanced Education and later a campus of Edith Cowan University. The building is on land between Goldsworthy, Princess and Bay Roads in the western Perth suburb of Claremont. It is a large two storey limestone building set in extensive grounds, with a distinctive square crenellated tower, and was entered in the Register of the National Estate in 1987.

The first resident, Governor George Gipps, did not move in until 1845. Government House, with its setting on Sydney Harbour, has a garden area of and is located south of the Sydney Opera House, overlooking Farm Cove. It was designed in a romantic Gothic revival stylecastellated, crenellated, turreted and is decorated with oil portraits and the coats of arms of its successive occupants. Additions have included a front portico in 1873, an eastern verandah in 1879 and extensions to the ballroom and governor's study in 1900–01.

Many coins that could be attributed to him are small in number and due to uncertainty, many are often attributed to Narseh. Because many of the coins are attributed to him are smoother than usual the details of his crown are faint. It is believed that he is depicted wearing a gold crown with a crenellated lower rim and two large deer horns or at least replicas of them attached on each side. The Sasani sphere sits between the horns on the front of the crown.

The Bigelow Carpet Mill complex is located just south of downtown Clinton. Most of the complex is bounded on the north by Union Street, the south by Pleasant Street, and the west by School Street, with one building on the west side of School Street. The complex includes six brick buildings, ranging in height from two to five stories. Two of the buildings exhibit a measure of commercial Italianate styling, with round-arch windows and brick corbelling, and distinctive crenellated and corbelled towers in two locations.

Whichever way the keys are arranged, they symbolize Saint Peter, who was the patron saint of the Electorate of Trier, to which Wittlich belonged until 1794. The current tinctures were the ones borne by Trier, whereas the ones in the Coffee Hag image were those borne by the House of Wittelsbach. The town's first great seal, from the time just after Wittlich had been raised to town, showed a crenellated tower over an open gate between two turrets, each with a roundle high on its wall.

S. J. Nissen Building, also known as S. J. Nissen Carriage Repository and Repair Shop, S. J. Nissen Company Wagonworks, Kester Machinery Company, and Black Horse Studio is a historic factory building located at Winston-Salem, Forsyth County, North Carolina. The original 1893 primary structure is a three-story Romanesque Revival style brick building with a basement and sub basement. It features two crenellated front towers (one square and one octagonal) and round-arched windows. A two-story addition with basement was added in 1953.

The Castle was designed by Stanford White and built in 1892 as a dwelling for Whitelaw Reid after he returned from Paris after serving as the 28th United States Minister to France. Frederick Law Olmsted was hired to landscape his estate. Reid Hall occupies the footprint of the previous property owner Ben Holladay's Ophir Hall, which burned down and was rebuilt by Reid with the massive granite crenellated mansion. The building was expanded in 1912 by McKim, Mead & White with a large library wing and guest cottage.

The Arroyo Grande IOOF Hall is a building in Arroyo Grande, California, that was built in 1902. The building housed the town's chapter of the Independent Order of Odd Fellows, which was established in 1887. The order planned a two- story building with a storefront on the first floor; the building is one of the tallest in downtown Arroyo Grande. The sandstone building was designed in the Romanesque style and features segmentally arched windows and doors and a crenellated parapet with a large merlon in the center.

The Winchester Soldiers' Monument is located in a residential area north of the commercial Main Street area of Winsted, at the southern end of Crown Street. The park in which it is set is atop a circular hill, which is grassed down to the park drive, paths and a few trees dotting its interior. A low stone retaining wall lines the parking area on Crown Street. A square entrance arch with crenellated top provides access to one of the paths leading to the main monument.

18th century brass candelabra The church was rebuilt on the foundations of the original church in hammer-dressed sandstone in the Gothic Revival Perpendicular style. The church has a six-bay nave and two-bay chancel under a continuous roof with a clerestory and crenellated parapet. The bays have three-light aisle windows with rectilinear tracery and hoodmoulds, the clerestory windows have two-light flat-headed arches. There are octagonal pinnacled piers at the east corners of the chancel, either side of the five-light east window.

The nave clerestory is also a Perpendicular addition. The tower and the clerestory are crenellated. Monuments in St Giles include some early 14th century effigies in the chancel: of a recumbent knight on the north side, and of a civilian with two wives or daughters on the south. In the late 19th century the church was restored under the direction of two Gothic Revival architects: the chancel and south aisle in 1870 under William White and the nave and north aisle in 1886 under John Loughborough Pearson.

Clytha Castle is a crenellated stone folly with gothic windows set on a rounded hill, amid chestnut groves, overlooking Clytha Park and the River Usk. It was built in 1790 by William Jones of Clytha Park in memory of his wife, Elizabeth Morgan. William Jones engaged John Davenport, an architect based in Shrewsbury to design the castle, built "for the purpose of relieving a mind sincerely afflicted by the loss of a most excellent wife". A tablet set into the walls of the folly records this dedication.

In the eighteenth century, the property became the residence of the Count of Peñalba who renovated it to suit his tastes. The Palace has L-shaped plan and is marked by three solid towers, which are not crenellated, adding to the monumental elements of the building and leading to its appearance of strong defenses. Of the three towers, the two oldest are the square ones and the most recent is rectangular. The last one was added as a housing area in the nineteenth century.

The church is constructed in gritstone and has a stone slate roof. Its plan consists of a four-bay nave with a clerestory and a chancel in one range, north and south aisles, a south porch, and a west tower. The tower is in three stages with diagonal buttresses, a southeast stair turret, and a moulded crenellated parapet. In the two lower stages are Perpendicular-style west windows, those in the bottom stage having three lights, and those in the middle stage two lights.

The former Torrington Fire Department Headquarters building is located on the west side of downtown Torrington, on the south side of Water Street near its junction with John Street. It is a two-story brick Romanesque Revival structure, two stories in height. The main facade is three bays wide, with rectangular equipment bay openings on the ground floor, and paired round- arch windows on the second. A belltower rises at the left corner, with an open round-arched belfry topped by a corbelled and crenellated roof.

The James Robert Williams House is a historic house located at 310 E. Main St. in Carmi, Illinois. The house was built in 1896 for James Robert Williams, a U.S. Representative and political ally of William Jennings Bryan. Prominent residential architect George Franklin Barber designed the red brick house in a blend of the Romanesque Revival and Queen Anne styles. The house has three corner towers, two with crenellated tops and one with a double bell roof; the towers cause the building to resemble a castle.

Old Main is located on the north side of the Knox College campus, south of South Street between Alumni Hall and George Davis Hall. It is a three-story masonry structure, built out of brick with limestone and concrete trim. It is designed in part to resemble England's Hampton Court Palace, with a pair of projecting polygonal towers topped by crenellated parapets flanking its main entrance. The entrance is itself in a projecting section, in a rounded-arch opening set beneath a tall Gothic-arched window.

This strategy was enforced because in 1204, the armies of the Fourth Crusade successfully circumvented Constantinople's land defences by breaching the Golden Horn Wall. Another strategy employed by the Byzantines was the repair and fortification of the Land Wall (Theodosian Walls). Emperor Constantine deemed it necessary to ensure that the Blachernae district's wall was the most fortified because that section of the wall protruded northwards. The land fortifications consisted of a wide moat fronting inner and outer crenellated walls studded with towers every 45–55 metres.

In later years, other nearby buildings surpassed the Chanin Building in height (including the Chrysler Building, diagonally across Lexington Avenue and 42nd Street), and so the observation deck was closed in the mid-20th century. Close-up of the embrasures at the Chanin Building's crenellated top The top of the building was used as a transmission site for WQXR-FM starting on December 15, 1941, when it was relocated from Long Island City in Queens. In 1965, the transmitter was moved to the Empire State Building.

Palmer Fire School, also known as Firemen's Hall, is a historic school complex for firefighters located at Charlotte, Mecklenburg County, North Carolina. The complex consists of the 1940, one-story, rock-faced assembly hall and the 1938, six-story, red-brick training tower. The assembly hall is a Late Gothic Revival style building, five bays wide with a stuccoed, crenellated parapet and projecting end bays. Its construction was funded by the Works Progress Administration (WPA) and was the only drill school for firemen funded by the WPA.

The community’s arms might be described thus: Bendy wavy sinister argent and azure a crenellated tower party per bend gules and Or royally crowned, thereover a mullet of six counterchanged. The tower stands for Herzberg Castle. The mullet of six (six-pointed star) recalls the knightly order of the Sternerbund (Stern is German for “star”), who had an important stronghold in the castle. The tinctures gold and red come from the arms borne by the Barons of Dörnberg, who held the castle beginning in 1477.

Most of the medieval stonework, is made from limestone taken from quarries around Dundry and Felton with Bath stone being used in other areas. The two-bay Elder Lady Chapel, which includes some Purbeck Marble, lies to the north of the five-bay aisled chancel or presbytery. The Eastern Lady Chapel has two bays, the sacristy one-bay and the Berkeley Chapel two bays. The exterior has deep buttresses with finials to weathered tops and crenellated parapets with crocketed pinnacles below the Perpendicular crossing tower.

The enclosed courtyard in the form of an irregular triangle plan, encircled by square merlons with sills and battlements. The perimeter of the walls, reinforced by square and cylindrical plant towers, extends and completely covered by a battlement defended by crenellated parapet. To the west, is a line of walls that accompanies the mountainous cliffs, reinforced by large, rectangular towers. This line of walls is broken by the Cerca Gate, Talhada Gate and the watchtower of Jogo da Bola, terminating in the southwest by the Facho Tower.

Suffolk Manor Apartments is a historic apartment building located in the Ogontz neighborhood of Philadelphia, Pennsylvania. It was built in 1930, and is a six-story, 138 unit, steel frame and brick building on a stone foundation in the Tudor Revival style. It is in an "H" plan form, with five sections, 84 feet, 6 inches, deep, and 328, 8 inches, wide. It features a crenellated parapet, half timbering with stucco infill, stone buttressing, and a main entrance with heavy oak double doors in an Elizabethan arch.

Most of the stained glass in the side windows was manufactured by J&R; Lamb Studios, of New York and New Jersey, and includes mining and patriotic motifs in addition to traditional religious imagery. The church is home to 1944, 3-manual, 10-rank. M.P. Moller (Opus 7088), 737-pipe pipe organ, which received a replacement console in 2005. Today the crenellated towers and magnificent stained glass window of St. John's provide an example of the Norman style of the Episcopal Church in the United States.

The former Wellington Piano Case Company Building is located on the west side of Green Street, a short way north of the junction of Massachusetts Routes 12 and 13, north of downtown Leominster. The building consists of three large sections, all of brick construction. The original central block is a four-story structure, finished in pressed red brick with granite sills, and a corbelled cornice. Windows are set in segmented-arch openings, and a six-story square tower with crenellated top projects near its center.

The crenellated western tower is decorated by a clerestory, a tableau of the crucifixion and a statue of the Sacred Heart. The interior consists of an aisled nave with rounded sandstone piers and pointed Gothic arches which leads up to a distant sanctuary bathed in a mystical gloom. The wooden buttresses spring from corbells high on the walls in support of the open roof. The quasi-moorish arch and strainer beam is a result of the renovation as seen in a comparison with the original archway.

Surrounding the tower on the front is a single-story porch supported by thick columns, also fashioned out of concrete blocks, and sporting a crenellated parapet. A wood frame addition extends to the rear of the main block. Amos Gerald (1841-1913) was born in nearby Benton, and settled in Fairfield in the 1860s after traveling to the American West. He is principally known for establishing more than a dozen electric trolley systems across the state of Maine, and establishing the state's first electric power plant in Fairfield in 1886.

The symbolism of the short stretch of crenellated parapet on the roofline above the front-door, one of the most potent aspects of the old defensive fortress, has been disarmed and cancelled-out by the almost jarring sight of a covering of yet more playful amorini. A more deliberately dissonant juxtaposition would be hard to imagine, yet that is what Sir Richard ordered to be erected. Sutton is clearly a house with a message to proclaim, which would not have been, could not have been, missed by its visitors.

To the right of the main entrance, there is a plaque with an inscription in Armenian that indicates the Armenians who settled in the town in 1688 built the Baroque-style church in 1733 and that it was blessed in 1772 by Antal Bajtay, Catholic bishop of Transylvania, in honor of the Nativity of Mary. Work was overseen by an Armenian-rite priest and primarily funded through contributions from religious associations. The church is surrounded by a crenellated and fortified wall that now includes the fifteen Stations of the Cross.

In August 2011, Israel restored the turret, including its arrowslit, with the help of pictures from the early twentieth century when the British Empire controlled Jerusalem. Eleven anchors fasten the restored turret to the wall, and four stone slabs combine to form the crenellated top. Directly below the visible gate there is an older gate, believed to have been built in the early first or second centuries CE.Hillel Geva and Dan Bahat, Architectural and Chronological Aspects of the Ancient Damascus Gate Area, Israel Exploration Journal, Vol. 48, No. 3/4, Jerusalem 1998, pp.

The projecting sections have polygonal towers with crenellated tops at the corners, with similar lower towers at the eastern end of the structure and at the junctions between the sections. The tower at the western end of the structure is square with angled corners, and matches in height the entrance towers. left VMI was founded in 1839, and is the first and best-known of the nation's state-funded military academies. Most of the institute's early buildings were demolished during the American Civil War, with only a portion of the barracks building surviving.

An old picture from the congregation Later the church served as a center of social and religious activities during World War I and World War II. It was designed by architect Robert Mills in the Romanesque style. Mills was also Presbyterian, and was an elder in the First Presbyterian Church in Columbia, SC. The church sanctuary was built in 1809–12. The church was finished and dedicated in 1812 in Classical style. The church was significantly changed in 1847 to incorporate Romanesque round- arched windows and doors and crenellated parapet walls.

It is in a late Perpendicular style with flying buttresses and crocketed pinnacles decorating a crenellated and pierced parapet. The new church was completed just a few years before Bath Priory was dissolved in 1539 by Henry VIII. Major restoration work was carried out by Sir George Gilbert Scott in the 1860s, funded by the rector, Charles Kemble. The choir and transepts have a fan vault by Robert and William Vertue, in the 1860s, completing the original roof from 1608. The nave was given a matching vault in the 19th century.

The original tower was built entirely of stone and designed for defense against unwelcome visitors, because the area was considered "bandit country," with no organized law enforcement agency at the time. The top of the tower was crenellated, giving it a fortress-like appearance and providing some protection to the defenders. However, an earthquake in 1868, severely damaged the tower, and it needed to be mostly rebuilt. The rebuilt tower had a wood top that imitated the former castellated stone and the vertical wood surfaces covered with shingles.

It is topped by a crenellated parapet. The front-facing gable has a large rose window at its center, while a side gable facing Corey Street has a triptych of three tall and slender stained glass windows. Connected to the main church building via a breezeway is an older church building, designed by Alexander Wadsworth Longfellow Jr. in 1890 and now serving as a parish hall. The West Roxbury congregation was founded in 1712, when the colonial legislature authorized a parish in the western part of Roxbury (then a separate community from Boston).

A residence for the bishop apparently existed in the 5th century, just south of the cathedral. A more imposing palace for the bishop was built in the 11th and 12th centuries, which housed the bishop, the dozen canons and a dozen beneficiers. In the 13th century a separate building was built for the canons. The palace of the bishop was relatively small: 6.5 metres by 5 metres, and three storeys high, with a vaulted hall on the second floor and a terrace on the roof with a crenellated wall for defence.

The Church of St Mary Magdalene, Newark, is a large Gothic church, with aisled and clerestoried nave and chancel, transepts, and a single tower topped by a spire, at the western end. On the south side is a two-storey porch with a library over it. There is a vestry to the side of the south chancel aisle. The exterior has crenellated parapets, except, on the south aisle, where the west end terminates n a large gable and is set with a tall window, making the west front asymmetrical.

The restoration of Herod's Gate was completed in June 2010, whereupon a reinauguration ceremony was held attended by the Old City's Nawar mukhtar, Abed-Alhakim Mohammed Deeb Salim. The restoration work at Damascus Gate, lasting more than a year and completed in August 2011, involved the reconstruction of part of a crenellated turret damaged in the Six-Day War. The project, lasting a total of five years, was declared complete in September 2012 after restoration work performed at Lions' Gate – the seventh and last gate to be restored – was concluded.

Admiralty Bay is a large indentation in the northern coast of New Zealand's South Island. It lies close to the northernmost mainland point of the Marlborough Sounds, immediately to the south of D'Urville Island. The bay, one of the larger of numerous bays in the crenellated coast of the sounds, is wide at its mouth and extends south. The peninsula into which it cuts is almost bisected by the bay, with a narrow isthmus only some wide lying between the bay's southernmost extent and Hallam Cove to the south.

It was a former monastic property, originally belonging to Great Malvern Priory, and since leased out by the Crown. On the death of his father in 1587, Bromley inherited an extensive property in Worcestershire, including his seat at Holt Castle, a crenellated manor house (not to be confused with the medieval fortress of Holt Castle in Wales) and lands in Shropshire and Montgomeryshire. Initially, Bromley expanded his estates considerably. He completed the purchase of the manor of Holt, which had long been divided and only partly acquired by his father.

Architectural features of interest include the church's south-west portico, a crenellated structure with sculpture that is a major masterpiece of Romanesque art. This reflected an expansion of image carving both in scope and size, and extended the use of sculpture from the sanctuary to the public exterior.Hearn, M.F., Romanesque Sculpture, Cornell University Press, 1985 The tympanum depicts the Apocalypse of the Book of Revelation. Supporting the tympanum, a trumeau features a statue of the Prophet Isaiah, an outstanding example of Romanesque sculpture, comparable to the work at Santo Domingo de Silos.

The moat was situated at a distance of about 20 m from the outer wall. The moat itself was over 20 m wide and as much as 10 m deep, featuring a 1.5 m tall crenellated wall on the inner side, serving as a first line of defence. Transverse walls cross the moat, tapering towards the top so as not to be used as bridges. Some of them have been shown to contain pipes carrying water into the city from the hill country to the city's north and west.

Crenellated, the three floors are constructed of wood, and interconnected by wood staircases. Compounding the citadel, is an inner face that follows the walled perimeter, hexagonal and irregular, with battlement and broken arch gateway, substantially oriented to the east. The second line of walls, are longer and encompasses the citadel, extending to the south to the lower elevations. To the east, between many segments of the walls of the Porta da Vila or Porta dos Figos are other lateral towers, named the Porta de Aguião, Porta do Norte and Porta dos Fogos.

The keep is enclosed by the later curtain wall, which wraps around the east, south and west sides of the keep. The east and south sides form the "artillery house", begun by the 8th Earl of Douglas in 1447 and representing a sophisticated artillery defence for its time. It faces the higher ground to the east of the river, from where an attack was most likely to come. It has round towers on its three corners, which are provided with three gun ports on two levels, with a crenellated parapet on the third level.

Similar spires are in each corner of the tower above a crenellated parapet. A clock face is set at the top of the south facing side of the tower. It bears a dated stone, 1895, but it is uncertain whether this date applies to the clock itself or if the final stage of the tower was added in that year. The inscribed bell was made by Thomas Mears II. The single- storey harled session house and vestry are sited on the opposite side at the rear elevation of the church.

A remnant of the short Visigothic occupation of the hilltop The vaulted Moorish windows of the Palace of Balconies The castle consists of an irregular polygon implanted on a hilltop overlooking the community of Silves, comprising four towers and seven crenellated posts, linked by walls with ardaves. Two gates, the principal one between two towers and the Traitor's Gate carved into the northern wall. Alongside the principal gate is the guardhouse, constructed with a vaulted ceiling, and covered in tiles. Within its courtyard are various subterranean structures, with accesses at soil level.

Carrollcliffe, now the Castle Hotel & Spa, and also having been known as Axe Castle, is a building in Tarrytown, New York which was constructed to resemble a European castle, with crenellated towers. It is now a hotel, a member of the Historic Hotels of America. It is built of stone in 1897 and 1910, and has towers and turrets. It was originally named Carrollcliffe and was built for "General" Howard Carroll, a journalist, playwright and businessman, with intention that it should be reflect Norman castles in Wales, Scotland and Ireland.

Lomax African Methodist Episcopal Zion Church is an historic African Methodist Episcopal Zion church located at 2704 24th Rd. South in Arlington, Virginia. It was built in 1922, and is a one-story, three bay by six bay, brick church building on a parged concrete foundation. It features two unequal-sized crenellated towers and brick buttresses along the facade and side elevations in the Late Gothic Revival style. Also on the property are two contributing resources, including a cemetery dating from circa 1894, and a parsonage built in 1951.

It was square in shape, long and wide, and its walls had a thickness of at their base. With a height of , its top, accessible through a wooden staircase, held a commanding view over the central plain of Attica and the surrounding mountains. The north side of the tower had a small, square turret that projected from the wall, atop which "beacon-fires could be kindled which would be visible from Acrocorinth" in the Peloponnese. Old sketches from the late 17th century on also show that the tower was crenellated.

The Hiram Masonic Lodge is located in downtown Franklin, on the east side of 2nd Avenue South, between Main and Church Streets. It is a three-story brick building with Gothic Revival features. The front facade is five bays wide, with a false front extending above the gabled roof to a crenellated parapet with pyramid-topped posts and a central gable. Windows on the facade are narrow lancet-arches, set in two-story round-arch panels in the outer bays, and in a lancet-arched bay in the center.

During the cooler past, glaciers carved many deep fiords, the most famous (and most visited) of which is Milford Sound. Other notable fiords include Doubtful Sound and Dusky Sound. The retreat of the glaciers after the ice age left behind U-shaped valleys with sheer cliffs and as a result Fiordland's coast is steep and crenellated, with some of the 15 fiords reaching as far as inland. The southern ranges of the Southern Alps cover most of Fiordland National Park and combined with the deep glacier-carved valleys present a highly inaccessible landscape.

Large sandstone crosses surmount the gable tops of both the central and subsidiary bays, which are demarcated by angled buttressing extending to pinnacles. The northern and southern faces of the church consist of the transverse elevation of the aisles and, set back from these, the elevation of the nave. These elements are punctured with openings of geometric tracery featuring twin lancets and quatrefoil above. Concealing the roofs are parapets; over the aisle roof the parapets are moulded with protruding miniature gabled pinnacles and to the nave the parapet is crenellated with similar protruding pinnacles.

The dues were payable irrespective of whether or not the vessel actually passed within the range of the light or the time of passing. The lighthouse was lavishly restored by James Walker, exhibiting two of his characteristics: a decrease in diameter and a solid parapet (as seen at his Trwyn Du Lighthouse). The stone-built gallery was wide and bracketed out on corbels with a crenellated parapet. A new cast-iron lantern, in diameter, was glazed with square panes around a dioptric light with mirrors, later replaced by a lens.

The ground floor is dominated by the main entrance, a bold Roman arch emblazoned with the company name in large bronze lettering, which leads into a "magnificent" barrel vault. On either side of the entrance are several small windows "protected by handsome iron grilles." A simple belt course separates the ground floor from the next four floors, which are slightly recessed and divided into four rows of four rectangular windows with crowned arches. The top section of the building consists of a row of small attic windows, spaced between brick corbels supporting a crenellated parapet.

The strong house above the ruins on the southern side The site turned into a large complex with multiple buildings spread over a square of around . The earliest known plan of the structure was made in 1873. The complex had a single entrance on the east façade, topped by a pediment, that leads to a central paved courtyard surrounded by buildings. A crenellated watchtower and gun platform looks over the Atlantic Ocean on the south side; this was initially also used as a gunpowder store and prison and later became the administrator's residence.

The Device Forts emerged as a result of changes in English military architecture and foreign policy in the early 16th century.; During the late medieval period, the English use of castles as military fortifications had declined in importance. The introduction of gunpowder in warfare had initially favoured the defender, but soon traditional stone walls could easily be destroyed by early artillery.; The few new castles that were built during this time still incorporated the older features of gatehouses and crenellated walls, but intended them more as martial symbols than as practical military defences.

The front of the three-storey building is divided into three tiers of panels with traceried heads. Above the right of centre entrance arch are three carved panels bearing the coats of arms of the Abbey and of King Edward IV. The building is pannelled and stone faced, with the stone work resembling that normally created in wood at the time of its construction. The stone columns reflect the arrangement of halls and chambers within the building. In front of the roof gables is a crenellated parapet with a small bell tower above.

The initial coat of arms of Pranckh shows two crenellated cross-beams in silver. The crest consists of red and-silver mantling with a pair of red horns on the right and a pair of silver horns left, which on their outsides are crested with colour-changing combs. The coat of arms of the Barons von Pranckh zu Pux was formed by the marriage between Friedrich von Pranckh and Anna von Pux, and officiated by Emperor Ferdinand II. in 1628. The coat arms is quartered and shows the baronial crown.

The Jewel Tower is a 14th-century surviving element of the Palace of Westminster, in London, England. It was built between 1365 and 1366, under the direction of William of Sleaford and Henry de Yevele, to house the personal treasure of King Edward III. The original Tower was a three-storey, crenellated stone building which occupied a secluded part of the Palace and was protected by a moat linked to the River Thames. The ground floor featured elaborate sculpted vaulting, described by historian Jeremy Ashbee as "an architectural masterpiece".

Thirty-one brass cannon were moved to the north-facing crenellated terrace of the fort from nearby Cumberland Lodge in the early 19th century. The cannon were made by Andrew Schalch at the Royal Brass Foundry in Woolwich in 1729–1749. The cannon were fired for King George IV's birthdays and other royal birthdays until 1907, with the cannonfire being answered by a miniature frigate situated on Virginia Water in the early years of their operation. The last Bombardier situated at the fort was Master Gunner Turner of the Royal Artillery.

The Lighthouse has a stepped-base designed to discourage the huge upsurge of waves that had afflicted earlier lighthouses on the site and reduce the force of the water at the bottom of the tower. Austere vertical walls, instead of the usual graceful lines of other rock towers, are probably an economy measure. The tower has a crenellated stone parapet, in preference to iron railings on the gallery, and narrows in diameter above the half-way point. These are features used by Walker in his other lighthouse designs.

Cove Creek High School, also known as the Cove Creek Elementary School, is a historic high school building located at Sugar Grove, Watauga County, North Carolina. It was built by the Works Progress Administration in 1940–1941, and is a two-story, Collegiate Gothic style stone building. It is seven bays wide and features slightly projecting square stair towers and a crenellated roof parapet. It was designed by Clarence R. Coffey, an apprentice of Frank Lloyd Wright, and constructed by local artisans and laborers using local stone and wood sources.

In 1902, a property owned by Dr Cox, adjoining the "Our Lady, Star of the Sea" church was rented by St Aloysius' College for £225 and a few years later bought by the college for £4,500. The area bounded by Jeffrey Street, Clapham Rise (Upper Pitt St) and Campbell St (Kirribilli Ave) was small – about three quarters of an acre. The building with its crenellated tower and lace iron balconies was set in picturesque surroundings and commanded an unimpeded view of the Harbour. St Aloysius' College in Kirribilli was opened on 2 February 1903.

The demolition material was used to build a villa at Obere Klinge No. 4 in Coburg, which quite accurately reproduced the appearance of the old Schloss Ketschendorf in every way and by using the original porches with its classical columns from the old Schloss. This villa is therefore also called the Altes Ketschendorfer Schloss. The new castle, with an almost square ground plan, was built from sandstone and red brick as a textbook example of Gothic Revival castle style in the Coburger Land. All four sides are flanked by octagonal crenellated towers.

The viewing platform, which has a crenellated parapet and offers a view over the surrounding countryside, is reached by a 205-step spiral staircase at the corner furthest from the entrance. The brick tower has Chilmark stone dressings and is surmounted by an embattled parapet. The 'front' (south-east) face of the tower has a Gothic-arched entrance door, a statue of King Alfred, and a stone panel bearing an inscription (see below). This is the face that most visitors see first when walking from Stourhead garden or from the nearby car park.

He had an uneasy relationship with the citizens of Wells, partly because of his imposition of taxes, and he surrounded his palace with crenellated walls, a moat and a drawbridge. John Harewell raised money for the completion of the west front by William Wynford, who was appointed as master mason in 1365. One of the foremost architects of his time, Wynford worked for the king at Windsor, Winchester Cathedral and New College, Oxford. At Wells, he designed the western towers of which north-west was not built until the following century.

The minaret of the Great Mosque with its crenellated balustrade. A French Prefectorial decree of 29 November 1856 permitted the Ottoman Embassy in Paris to construct a special enclosure that was reserved for the burial of Muslims in the 85th division of the Parisian Cemetery of the East, called Père Lachaise. The enclosure measured about 800 square meters, and in it the Ottomans built a structure labeled as a 'Mosque,' in order to give shelter to funerary services and the prayers for the deceased. It was thus the first mosque constructed on Parisian territory.

The top of the kilns was flat and large enough to allow for some storage of culm and limestone. Like Lord Rolle's kilns at Rosemore, Great Torrington and his nearby Town Mills they were at a late date crenellated with castle-like battlements,the History of Weare Giffard. an eccentric decorative feature probably added by John Rolle, 1st Baron Rolle (d.1842), of Stevenstone, lord of the manor of Great Torrington, builder of the Rolle Canal and partner in the building of Half-Penny Bridge with Mr Tardrew of Annery.

This Palazzo del Podestà, as it was originally called, is the oldest public building in Florence. This austere crenellated building served as model for the construction of the Palazzo Vecchio. In 1574, the Medici dispensed with the function of the Podestà and housed the bargello, the police chief of Florence, in this building, hence its name. It was employed as a prison; executions took place in the Bargello's yard until they were abolished by Grand Duke Peter Leopold in 1786, but it remained the headquarters of the Florentine police until 1859.

Defensive wall of the castle Constructed from the end of the 14th century, and enlarged in the 15th and 16th centuries, this manor house had originally a defensive function, as witnessed by the crenellated curtain wall which still exists. Under the Reformation, it served as a place of worship for the Protestants established in the Guérande peninsula. For this reason, it was attacked and pillaged on 11 May 1589 by the Catholic League. In 1699, some time after the Revocation of the Edict of Nantes, the manor was seized and sold to a Catholic family.

The dorsal (carinal) spines are small but robust, 1-1.2mm long, end in a truncated, sometimes channelled or otherwise crenellated point, and are arranged in a rough stripe down the top of each arm. These spines are affixed to the dorsal plates of the exoskeleton, and on the skin appear to occupy the centre of a low, broad, slightly convex bump. The dorsolateral spines are somewhat larger and widely spaced. The marginal spines are even wider spaced and somewhat larger, 1.7-2mm long, and the plates below the margin bear two shorter, robust spines each.

There are 35 buildings in the National Register historic district built between 1907 and 1919, the most notable being the castle-like Winehaven Building adorned with crenellated parapet and corner turrets. Also within the district is the Winemaster's House (Building 60), which became the Commanding Officer's residence, and the Village of Point Molate, a row of turn-of-the- century cottages used to house Winehaven and military families. The Navy continued to operate the fuel depot during the Korean War and Vietnam War until it was decommissioned in 1995.

Both the main tower and the extension have a pitched roof and crow-stepped gables, and the original tower has a restored parapet which is crenellated. There is a machicolated projection at the east end of the north wall, at parapet level, although its defensive value would have been limited, as it was not placed above the entrance. It is, however, more likely that this feature is a Garderobe. A turnpike stair leads from the north entrance to the parapet, where there is a cap-house from which the attic may be entered.

Nappa Hall Nappa Hall Nappa Hall is a fortified manor house in Wensleydale, North Yorkshire, England, described by English Heritage as "probably the finest and least-spoilt fortified manor house in the north of England". It stands east of Askrigg, overlooking pastures leading down to the River Ure. A single-storey central hall sits between two towers, a four-storey western tower and a two-storey eastern tower. The four-storey tower has a turret, lit by slit vents, for a spiral staircase that climbs to crenellated parapets.

The Church of St Mary in Kingston St Mary on the Quantock Hills dates from the 13th century but the tower is from the early 16th century and was reroofed in 1952, with further restoration 1976–8. It is a 3-stage crenellated tower, with crocketed pinnacles with bracketed pinnacles set at angles, decorative pierced merlons, and set back buttresses crowned with pinnacles. The decorative "hunky-punks" are perched high on the corners. There may be so named because the carvings are hunkering (squatting) and punch (short and thick).

At the base of the tower, there is an entrance porch, lobby and two service rooms, all having crenellated parapet walls, painted white with blue trim on the bottom from the outside. The porch has a trachyte floor and steps, a cedar entrance door and etched glass panels and sidelights. The lobby has a tiled floor and trachyte steps, and the other rooms have asphalted floors and cedar windows. Housing at the site includes the head lighthouse keeper's residence, and two assistant keeper's cottages (a duplex), which are available for overnight rental.

It was also during this period that Crawshay had built a home, which became known as Cyfarthfa Castle. The buildings were erected in 1824, at a cost of £30,000 (equivalent to £2,104,964.72 in 2007 ). They were solidly and massively built of local stone, and designed by Robert Lugar, the same engineer who had built many bridges and viaducts for the local railways. It was designed in the form of a "sham" or mock castle, complete with crenellated battlements, towers and turrets, in Norman and Gothic styles, and occupied by William Crawshay II and his family.

The tower has a crenellated parapet at the top, and houses a clock and bell which were also used in the building this one replaced. The church building is the third (all located on the same site) to be used by the Methodist congregation which was established in 1815 under the tutelage of Rev. John Adams of Poland. After deciding in 1909 that a new building was needed, William Deering, son of a local judge, contributed $16,000 to its construction, with the rest of the construction cost raised by subscription.

A square tower with buttresses rises at one of the crooks of the T, with a low crenellated battlement below the octagonal spire. The interior features a variety of stone types in the construction of the floors and columns, and has heavy chestnut timbers in the roof framing. The southwest entrance arch is carved with examples of the workers' tools used in the Samuel Colt's factory. The church was commissioned in 1866 by Elizabeth Jarvis Colt, and serves as a memorial to her husband Samuel, who died in 1862, and two of their infant children.

It can be seen that the style of the buildings changed from the 1520s without being sure of the designer's name: chapel of the canon Gaillard Roux or of the tomb, crenellated tribune of the canons' sacristy, fences of the choir and the roundabout. In 1529, Georges d'Armagnac was appointed Bishop of Rodez. On 8 December 1521, the new Prior of Saint-Côme-d'Olt obtained from Guy de Castelnau, bishop of Périgueux, to enlarge the church Saint-Côme-Saint-Damien. On 12 December 1521, gave Salvanh the price he would pay for repairing the church.

The parapet is decorated on its upper edge and on a string course below with a vertical lined pattern which creates a subtle crenellated silhouette. The skillion roof to the Council Chambers has sloping parapets at each end which conceals it to the east and separates it from the gable roof over the hall and skillion roof over the bio box behind the facade. The hall roof is hipped at its southern end and has a ventilated gablet at each end. The hall is entered via stairs to a vestibule with ticket office.

The church is built of red sandstone. It has a symmetrical plan with a tower at the west end, a nave of 3½ bays, north and south aisles, north and south two-bay chapels, and a three-bay chancel with a sanctuary. The north porch is dated 1715 and the south porch 1724. The tower is in three stages and has diagonal west and square east buttresses, a three- light west window, a clock on the north and south faces, two-light belfry windows and a crenellated parapet.

Raine Island Beacon, 1983 Raine Island Beacon is a substantial structure about high with a base diameter of , and is visible for 13 nautical miles. Constructed of good quality coral limestone trimmed to produce a continuous curve inside and out, its cylindrical form decreases in diameter in four steps upwards and is topped by a crenellated parapet. A lightning conductor of wrought copper is fitted from top to bottom of the east face. The only opening in the walls is a semi- circular arched doorway surmounted by the standard inscription VR and date: 1844.

There are many Roman archaeological sites throughout the central area of the city. The baths themselves are about below the present city street level. Around the hot springs, Roman foundations, pillar bases, and baths can still be seen, however all the stonework above the level of the baths is from more recent periods. Bath Abbey was a Norman church built on earlier foundations. The present building dates from the early 16th century and shows a late Perpendicular style with flying buttresses and crocketed pinnacles decorating a crenellated and pierced parapet.

Fort Capuzzo () was one of the forts built near the border with Egypt and the frontier wire, part of a system of frontier control built in the early 1930s. The Via Litoranea Libica ran south from Bardia to Fort Capuzzo, west of the port of Sollum in Egypt, then east across the frontier, down the escarpment to the coast. The fort was built with four crenellated stone walls around a yard, with living quarters on the edges. A track ran south from the fort, just west of the frontier wire and the border, to Sidi Omar, Fort Maddalena and Giarabub.

The fortifications of the town of Rhodes are shaped like a defensive crescent around the medieval town and consist mostly in a modern fortification composed of a huge wall made of an embankment encased in stone, equipped with scarp, bastions, moat, counterscarp and glacis. The portion of fortifications facing the harbour is instead composed of a crenellated wall. On the moles towers and defensive forts are found. They were built by the Knights Hospitaller of Saint John by enhancing the existing Byzantine walls starting from 1309, the year in which they took possession of the island after a three-year struggle.

It also has a massive stone octagonal stair tower, which contains a stone and wrought-iron spiral staircase and is crowned by a crenellated parapet and a small, round, stone-roofed structure from which one can exit onto the roof of the main tower. The house's roof is constructed of overlapping flagstones secured by iron pins, the only roof of this kind in America. The property is owned by Baltimore City, although it is located in Baltimore County. The city ran a children's museum in the building until 1996, when it moved to the Inner Harbor area and was renamed "Port Discovery".

Michala) were added a new choir and, around 1400, two side aisles. Building work was also carried out on St Peter's Church (na struze), which has not been preserved. To the west of the parish Church of St Wenceslas at Zderaz (), King Wenceslas IV had built, starting in 1380, on a promontory overlooking the river, a small Gothic castle, probably with two storeys and vaulted chambers, which also had a five-storey tower and at least two crenellated walls. As part of the project in which the castle church was built, there also followed, before 1399, a Gothic rebuilding of St Wenceslas' Church.

They hired a new architect Ralph Adams Cram, whose nave and west front would be continued in French Gothic style. Enoch Grand Lodge, Brooklyn The other prime commission in New York City was the Fourth Presbyterian Church (1893-94), now Annunciation Greek Orthodox Church, at West End Avenue and West 91st Street on the Upper West Side, a tribute to their joint master. The rusticated masonry façade with a sparing use of Venetian Gothic and Richardsonian Romanesque details and the square corner bell tower with a crenellated parapet embellished with gargoyle gutter- spouts reveal Richardson's training.

North of the original castle there was a courtyard formed by the castle and crenellated walls outside with wide and deep ditches below. These ditches remain but the walls were replaced in the 16th century by rectangular buildings. At the east and west corners of the north facade there are two round towers, less high than the others, but topped like them with machicolations. There is a door between these two towers above which are the Arms of Calvimont carved on a large stone: they have lain since 1793 a few steps in front of the door.

The castle of Peñaranda de Duero, located in Peñaranda de Duero, Spain, is a well preserved Gothic castle in Burgos province. The castle originally dates from the 10th century but reforms by Counts of Miranda del Castañar in the 15th century changed much of the building. Today the castle stands at the start of a defensive wall that formerly surrounded the town, of which only the crenellated arch of "Las Monjas" still stands. The castle was an important point on the fortified line which existed between the medieval Christian Kingdom of Castile and the Moor state of Al Andalus during the 10th century.

The new house was of brick with stone dressings. The main block was three storeys high, and seven bays wide, with a projecting three-bay central pediment. Two flanking side pavilions were planned but may not have been completed. In the early 19th century, Sir Stephen Richard Glynne, 8th Baronet inherited the estate. In 1809 to 1810, he had the house enlarged, and the exterior completely remodelled in a crenellated Gothic Revival style, by the London architect Thomas Cundy the elder, although the Georgian interiors were preserved. He died prematurely and Sir Stephen Glynne, the 9th Baronet was left to make further improvements.

The resultant house, which survives today, was described by Pevsner as "Austere Tudor relieved by romantic crenellated chimney- stacks".Pevsner, Nikolaus & Cherry, Bridget, The Buildings of England: Devon, London, 2004, p.193 Above the front door is a datestone inscribed "1850" with the initials "CAB", with the arms of Bentinck and the family's motto Craignez Honte ("fear disgrace"Montague-Smith, P.W. (ed.), Debrett's Peerage, Baronetage, Knightage and Companionage, Kelly's Directories Ltd, Kingston- upon-Thames, 1968, p.896).Listed building text He purchased the lordship of the manor of Bovey Tracey from William Courtenay, Earl of Devon.

The church (dedication unknown) is a small building of stone; the nave may date to the 11th century. Later renovations have resulted in the mainly perpendicular style of the mid-14th to 16th centuries, still visible in the chancel and the western tower. The church as it now stands consists of chancel, nave, south porch and a crenellated western tower containing three bells, two of which were cast by Alfred Bowell of Ipswich in 1926, and one from 1574 cast by S II Tonni. They hang in their original oak frame with evidence a fourth bell may once have been present.

All Souls Church, also known as All Souls Unitarian Universalist Church of Braintree, is a church on the National Register of Historic Places, it is located at 196 Elm Street in Braintree, Massachusetts. The building is a large fieldstone structure, in a cruciform plan with a square tower that has a crenellated top. The gable ends are decorated with bargeboard, and the entrance is set under a gabled entry porch below a large window with Gothic tracery. The church was designed by Boston architect Edwin Lewis and built in 1905 for a congregation organized in 1900; it is Braintree's first stone church building.

The entrance to each gateway is protected by a masonry screen or barbican erected a few metres away from the moat in front of the entrance. It is 17.5 m (57 ft 5 in) in length, 5.2 m (17 ft) thick, 1.5 m (1 ft 8 in) in height, raised on a low plinth, and battering to the top. The summit is crowned by crenellated battlements on three sides only, the inner side facing the gate being left open and free. Access to the top could be gained by means of ladders, no other means of going up having been provided.

During May 1846, groundwork for the bridge commenced. On either shore, the underlying bedrock was levelled close to the river’s low water level for the foundations of the towers. For additional support, timber piles were driven at the south east corner of Conwy Tower where the masonry is seated on a wooden platform roughly 600mm below the low water level. The project's architect, Francis Thompson, dressed the pylons at either end as barbicans with crenellated turrets, arrow slits and bartizans to complement the adjacent Conwy Castle that had stood on the promontory since the late 13th century.

J. Williams Beal, architect for Harriswood Crescent, Walnut Avenue Congregational Church, and Eliot Church, was the primary architect used in the Charles Street Church located at 551 Warren Street. Beal was a graduate of MIT in 1877 and he became a pioneer in the structural use of concrete. Other individuals important in the construction of the Church include Alfred Bright as mason, and Melzar W. Allen as carpenter. The building has a L- shaped plan and remains mostly intact from when it was built It features a crenellated square tower with a high, hipped roof and gargoyles on top.

In 1853 a baptist chapel on the road was purchased by the Primitive Methodists and in 1882 they rebuilt the chapel in its current form. The street is dominated by the four-storey Anglo Scotian Mills building built in 1892 in the crenellated gothic style by the architect James Huckerby for F Wilkinson as a lace and shawl factory. It is Grade II listed In 1932 the development along the road was such that it became necessary to renumber the houses. As an example, the terrace of 12 houses between Middleton Street and Clinton Street numbered 63 to 85 became 101 to 123.

The Decorated Gothic north aisle was added later in the 13th or early in the 14th century and the Perpendicular Gothic clerestory was added to the nave in the 15th century. St Olave's before 1865. The nave had a clerestory, the tower had no steeple but was crenellated and the chancel had a square-headed east window In 1865 the church was restored and the bell tower was rebuilt inder the direction of the Oxford Diocesan architect and Gothic Revivalist G.E. Street. He also had a new, wider chancel arch built and had the original Norman arch relocated against the north wall.

Burgwald's civic coat of arms has some unusual divisions. The crenellated wall and the line of fir trees are, as the German blazon describes them, not charges, but rather divisions of the shield, although most observers would see a castle wall and a line of trees (things, rather than dividing lines). According to the blazon, the only charge is the cross of the Order of St. John in the shield's lowest division. The shield's colours are blue, green and silver – blue for the sky, silver for a castle's battlements and the cross, and green for the treetops.

Blazon of Pitt Meadows, BC The announcement of the Letters Patent for Pitt Meadows, and Grant of Arms, Supporters, Flag and Badge was made on March 12, 2005, in Volume 139, page 688 of the Canada Gazette. The Arms consist of the colours purple and gold, its heron emblem and a band running parallel to the edge of the shield which represents the dykes which protect the lands of the municipality. The crenellated outer edge represents gearwheels and refer to the historic Hoffman garage. The horizontal bands symbolize the CP railway line around which the District grew.

The many various architectural styles represented in the building is seen in the medieval inspired crenellated corner tower, Norman arches, North German gothic styles, blind windows with pointed arches and portico supported by columns. There are also renaissance elements in the design, for example the staircase's orientalic/antique and geometric mosaics with meanders. The overall style of the building is reminiscent of the palatial buildings erected on Strandvägen in Stockholm and in the Stenstaden in Sundsvall at the same time. In 1984, the building was declared a historic building and thereby protected from demolition or major alterations.

Fields one and four show the original coat of arms, with two crenellated cross-beams in silver against a red background. Fields two and three show three slanted spearheads in silver (the boar spears of the von Pux family) against red background. The first helmet shows the original crest of Pranckh, with red and silver mantling, a pair of buffalo horns, red on the right and silver on the left, with black tufts of feathers on the outside. The second helmet represents the Pux family and shows a closed vol in red with three slanted spearheads in silver over red-silver mantling.

The church is built in red sandstone with flattish roofs concealed by parapets. The plan consists of a tower at the west end, a six-bay nave with north and south aisles, a chancel with a polygonal east apse, a vestry to the north and a south porch. The tower has four stages, is crenellated and has diagonal buttresses and a west door. Above this is a four-light window, two-light bellringers' windows on the north and south faces, an empty niche on the west face, a clock with faces to all sides and paired two-light bell openings.

The design was for a tall crenellated tower to be sited on South Nab, a promontory overlooking the River Wharfe (, ). In 1884, the Duke of Devonshire (Lord Frederick's father) notified the committee that objections to the planned tower had been received and that it "would be detrimental to the landscape of the district and mar the beauty of the outline". On the basis of this and also the Duke's own opinion about the unsuitability of the design and location, the committee resolved to find another solution. Worthington and Elgood came up with a different design, this time for a fountain.

There is a crenellated tower resembling a rook chess piece on the escarpment immediately above and to the East of the village, visible from the main road. It performs the function of a ventilation shaft (the first of six) for the Chipping Sodbury Tunnel on the main railway line from South Wales, via Bristol Parkway to London Paddington. This line was opened in 1903 as part of the Great Western Railway, which runs through the village and under the hill above it. Trains used to stop at Chipping Sodbury and Badminton stations, which were closed following the Beeching cuts.

Its buff brick facades have limestone and terra cotta trim and feature central entrance towers with Oriel windows and crenellated parapets, Tudor-arched entrances, label moldings, and large window groupings. The style of Erasmus Hall evolved over the years so that the most recent buildings are simpler, with less ornamentation, but retain the general characteristics of the earlier ones, giving a sense of unity to the entire composition. The first buildings would be constructed along Flatbush Avenue, with others added over time, as the need became clear and funds became available.Charles B.J. Snyder, “Annual Report, 1906,” 299.

The library building is a fieldstone structure, roughly divided into three sections. The most prominent section is the crenellated tower, which projects forward and left of the bulk of the building, and has three narrow casement windows on the front, staggered in height. To its right, in the center of the main facade, is an arched entrance bay, topped by an elevated parapet with crenellations and flanked on the right by a narrow casement window and a buttress. To the far right is a section lower in height, also topped with crenellations, dominated by a large many-paned window.

A fine view of Étampes is obtained from the Tour Guinette, a keep (now ruined) built by Louis VI in the 12th century on an eminence on the other side of the railway. Notre-Dame du Fort, the chief church, dates from the 11th and 12th centuries; irregular in plan, it is remarkable for a fine Romanesque tower and spire, and for the crenellated wall which partly surrounds it. The interior contains ancient paintings and other artistic works. St Basile (12th and 16th centuries), preserves a Romanesque doorway, and St Martin (12th and 13th centuries), has a leaning tower of the 16th century.

The washbasin, designed by John Chapple, has a dragon tap, and cisterns for hot and cold water covered with crenellated towers. The Marchioness's scarlet and gold bed is the most notable piece of furniture in the room, modelled on a medieval original drawn by Viollet-le-Duc. Crook described the bed as being "medieval to the point of acute discomfort". The bedroom is Moorish in style, a popular inspiration in mid-Victorian interior design, and echoes earlier work by Burges in the Arab Room at Cardiff Castle and in the chancel at St Mary's Church at Studley Royal in Yorkshire.

Paterson was the first place in the state to apply for the construction of an armory under a law passed in 1889, and is built on ground which was originally 12 city lots and transferred to the state by Passaic County. The laying of the cornerstone of the Paterson National Guard Armory took place on Memorial Day in 1894, built for the state's Second Regiment. Completed in 1896, the 53,800-square-foot crenellated three story brick and steel armory is situated on 1.2 acres in Downtown Paterson., and has been compared to a fortress or castle.

It has two storeys and attic, 6 wide bays; 2-bay piended > projecting wing to front (west) elevation with porch in left re-entrant, a > single-storey addition with 5 long multi-pane windows in right re-entrant > and bow window to centre of wing; it has crenellated parapets, 5 piended > dormers with decoratively carved wood jambs; 2 stair windows to rear; > 12-pane and lying pane glazing; end and ridge stacks; slate roof. Interior: > projecting front wing (circa 1780) contains dining room at ground floor and > drawing room above. Original ornate plaster ceiling in drawing room.

Kentmere Hall Kentmere Hall is famous for its tower house; a fortification built for status in the 13th – early 14th centuries – ostensibly to guard against raiding parties from Scotland. Similar towers occur elsewhere in Cumbria and other northern English and southern Scottish counties. Kentmere Hall's tower has walls, tunnel- vaulted ceilings, a crenellated roof with turrets and a spiral staircase; all built out of local stone. The farmstead to the east of it shows signs of many building phases and changes, in common with many other significant Lake District valley bottom medieval and post-medieval buildings such as Dalegarth Hall in Eskdale.

It has high-style Gothic Revival features including a buttressed square tower with a crenellated flat top, and a large Gothic-arched stained glass window at the center of the street-facing facade. The altar is made of white marble from Proctor, Vermont, and has terra cotta inlays. The parish hall has a Stick style decorative application at the top of its street- facing gable, and has stepped corner buttresses rising to pinnacles at the corners. with The Holy Trinity congregation was organized in 1824, and originally met in the church next door, which it shared with several other congregations.

The derelict building was restored and opened as a business centre in 1990. The New Testament Church of God also on Nursery Street is a Grade II listed building built by Flockton, Lee & Flockton it was financed by Anne and Elizabeth Harrison, who stipulated that it should be an exact copy of Christ Church in Attercliffe (1826) and therefore has an old-fashioned look with thin pointed buttresses, a crenellated parapet and a square tower."Pevsner Architectural Guides - Sheffield", Ruth Harman & John Minnis, Gives details of buildings. The now closed Sheffield Ski Village occupied the former site of the Parkwood Springs estate.

The chapel has the nave and chancel in one, the north doorway, with a chamfered arch, is original. Alterations were made to the west doorway and the roof in the 15th century, in a Perpendicular Gothic style, with a crenellated wall plate and blank shields. The unusual tracery in the large two-light windows, originally dating from the 14th century, may have been added in the 17th century. One of the west windows is 17th century and repairs to the hospital are recorded in 1600, 1635 and 1649, the last for damage to the main hospital range, north of the chapel, during the English Civil War.

Velpius became a bookseller in Leuven in 1564, and in 1565 was licensed as a "sworn bookseller" to the University of Leuven. Around 1567 he married Catherine Waen, daughter of the Scottish expatriate bookseller John Waen. In 1570 Velpius was examined and certified as a printer, his certification specifying that he knew Latin, French and Flemish, and a little bit of Greek. For his work in Leuven he used two printer's marks: a large one with a crenellated tower, an angel of vengeance above it and the figures of Justice and Peace embracing before the gates, with the motto Justitia et pax osculate sunt. Psal. 84.

Piazzale degli Uffizi Florence contains several palaces and buildings from various eras. The Palazzo Vecchio is the town hall of Florence and also an art museum. This large Romanesque crenellated fortress-palace overlooks the Piazza della Signoria with its copy of Michelangelo's David statue as well as the gallery of statues in the adjacent Loggia dei Lanzi. Originally called the Palazzo della Signoria, after the Signoria of Florence, the ruling body of the Republic of Florence, it was also given several other names: Palazzo del Popolo, Palazzo dei Priori, and Palazzo Ducale, in accordance with the varying use of the palace during its long history.

Within the civil architecture, the Castle of Commitment stands out, whose origin is due to the knights of the Hospital Order. For years the site was used not only as a castle but also as a convent, along with the neighboring church of Santa María. In the 19th century the castle almost disappeared, because during the War of Independence, the French troops blew up the convent and also, in the Carlist wars, it was involved in various combats, even being burned down. Currently, there is hardly any element of the fortress — a wall with a crenellated top with voussoirs decorated with shields — as well as the basements of the fortress.

The view from Barnweil Hill looking south Robert Snodgrass senior in 1855-7,Close, Page 54 built a square plan Gothic tower from polished sandstone ashlar blocks, 3-stage, wide at the base, high,Cuthbertson, Page 148 with a pinnacled parapet. Base course; string courses; corbelled, shouldered band course between 2nd and 3rd stages; machicolated, crenellated parapet with thistle-finialled, conical-capped circular angle pinnacles and ball-finialled, ogee-capped square-plan wallhead pinnacles. Diagonally-boarded timber door in Tudor-arched, roll-moulded doorway with hoodmould to the south-east elevation; similar inscription recesses at other elevations. Round-arched recesses at 2nd stage; paired round-arched recesses at 3rd stage.

The north side of the church The church sits in a small churchyard with the River Medway to the west, the remnants of the college, including its gateway, to the south, the Archbishop's Palace to the north-west and the palace's tithe barn to the north-east. The medieval wall on the north and west sides of the churchyard and the Monckton War Memorial in the churchyard are both separately listed as Grade II structures. The church is built of rag-stone in the Perpendicular style with buttressed walls and a crenellated parapet. The tower is on the south-west corner and is tall.

Charles Luxmoore carried out substantial alterations to Stafford Barton, most notably the addition of a crenellated West Wing in which he installed a very large decorative plaster ceiling of circa 1600, removed from an Elizabethan house in Barnstaple, and other architectural items taken from nearby recently demolished historic houses.Cherry and Pevsner (2002:338) He also indulged a penchant for building secret panels and cupboards, discovered later on by subsequent owners (see below). From his explorations Luxmoore brought back tropical plants, which he grew in the mild Devon climate.Zuckermann (1971:12) He kept a prestigious historical harpsichord made by the 18th century Italian builder Vincentio Sodi.

Westcheap in 1639, engraved 1809 after La Serre 1639, showing (mid-left) the crenellated south frontage, and possibly the tower, of St Peter's church In 1633 St Peter's acquired its own copy of John Stow's Survey of London (presumably in Anthony Munday's edition of that year), so that the description it contains was a muniment of the church when it was yet standing. They also bought "a book of Bishop Jewell", presumably the Apology of the Church of England. An Inventory was taken in the same year.Simpson, 'Parish of St Peter', p. 257. In 1634 Sir Martin Lumley (Lord Mayor 1623–24) was buried in the church.

La Serre, L'Historie de l'Entree de la Reine Mere dans la Grande Bretagne (London, 1639), 'Entrée Royalle de la Reyne Mère du Roy Très Chrestien dans la Ville de Londres' ('Politics, Literary Culture & Theatrical Media in London, 1625–1725' website: from the Folger Shakespeare Library). The crenellated corner of the church with flat roof appears to the left of the Cheapside Cross and below-right of the blue-topped spire. Votier was of Puritan outlook: his wife's brother was stepfather of Edward Rawson of Massachusetts, and the second husband of Margaret, sister of John Wilson of Boston.Chester, 'Memoir of the family of Taylor', p.

The principal features of the facade are designed to evoke a fortified castle: circular towers flank the entrance, and the towers and the front facade are topped by a crenellated parapet. The armory was individually listed on the National Register of Historic Places in 1979, and included in the Lynn Common Historic District in 1992. A total of five Holman K. Wheeler structures in Lynn are listed on the National Register. In August 2018, Massachusetts Governor Charlie Baker signed into law a bill approving the sale of the armory to a non-profit organization that plans to renovate the facility into apartments for military veterans.

The first tower at this location, a structure formed of three crenellated towers, was built, most sources say, around 1128, although at least one states that it was built in 1161. At the time it sat close to the main coastal road, called the Via di Francia, which more recent documents describe as passing between it and the sea. When it was constructed the tower was fairly far from the city; it was only in the seventeenth century that it became part of the so-called "Cerchia Seicentesca", part of the seicento, the walls of Genoa. It has remained a part of the system until today.

Santa's Candy Castle, located in Santa Claus, Indiana, is a tourist attraction that uses the traditions and decorations from Christmas as its theme. Dedicated on December 22, 1935, the castle was originally sponsored by the Curtiss Candy Company of Chicago, creators of the Baby Ruth and Butterfinger candy bars. Designed by artist Emil Straus, the red-brick building has all the elements of a castle including a crenellated tower, a turret, and a rotunda. Santa Claus Town was the vision of Vincennes entrepreneur Milton Harris, who saw the potential of Santa Claus, Indiana’s unique name after its post office had been featured in Robert Ripley’s famous Believe It or Not cartoon.

The Parkview Apartments is a historic apartment building at 300 West 13th Avenue in Pine Bluff, Arkansas. It is a two-story masonry structure, built out of buff brick. It is a U-shaped building, with Classical Revival features, including a projecting cornice and a crenellated parapet at the center of the U. Built in about 1925, this twelve-unit building was then the largest apartment building in the state in terms of total square footage. Parkview Apartments was the work of O.C. Hauber, a businessman who played a major role in the growth and development of Pine Bluff in the early 20th century.

Lendal Tower was originally a circular building of in diameter, with a rounded turret to house a wooden spiral staircase, to which a 17th–century rectangular extension on the south-east of the structure has been added. The building is of Magnesian limestone some of which is thought to be from the nearby St Mary's Abbey which was dissolved in 1539 and later used as a source of stone for several buildings in the city. The tower has crenellated walls which were added in 1846 and a copper roof which has been converted into a roof terrace. The brickwork of the internal structure was used to support the 18th–century engines.

In the 2014–2016 excavations carried out in the west side of the Castle, a crenellated corridor belonging to a second defense system adjacent to the wall of the Castle (between the polygonal and rectangular towers) was uncovered. The excavations in 2017–2018 in the southern part of the Castle located its bathhouse on the second storey. The bathhouse is well preserved, with a cold room (frigidarium), dressing room, warm room (tepidarium), hot room (caldarium), hypocaust and furnace (praefurnium). Excavations were also carried out on the north-west of the mound at the centre of the site, where houses of the Zengid and Ayyubid periods, pottery, coins etc.

The building was originally two stories high with a crenellated top. Toward the waterfront, the base of the cavity wall was made very thick, almost 2,5 metres at the base and about 0,75 centimetres at the top, while the other side was considerably thinner with much larger openings. In 1589-1590, the original crenellation was rebuilt into a third floor topped by a cone shaped roof, and the present white grouting was added to the façade. In the 1620s King Gustavus Adolphus begun to donate parcels of land on Riddarholmen to prominent members of the Swedish nobility, and the islet was gradually transformed into the palace laden location it still is.

The body and tower of the church and were the only parts completed resulting in a curiously proportioned building. St Mary's consists of a central nave, flanked by side aisles, a shallow sanctuary and a large tower on the eastern, entrance facade. The nave and aisles are expressed on the exterior of the church with distinct purple Bangor slate gabled roofs; the height of the aisle roofs allowing the loftier nave to be naturally lit by clerestory windows. The tower, projecting through on the south eastern corner of the building, is surmounted by an octagonal spire protruding above a crenellated parapet through which eight spired pinnacles project.

The asymmetric facades show additions over the centuries, but retain some of the crenellated castle look that is typical for a palace outside the city walls. With the passing of the Salviati family, the estate to have changed hands many times in the last two hundred years and were owned by the Borghese princes, the English Vansittart, the tenor Mario Da Candia, and Gustavo Hagermann in the 19th century.I dintorni di Firenze: nuova guida -illustrazione storico-artistic; Tipografia galletti e Cocci, 1881, page 101. It is said that in this palace, Veronica Cybo, the wife of the Duke Salviati, consumed with jealousy, stabbed to death the Duke's mistress, a Caterina Canacci.

The coat of arms of Cantabria has a rectangular shield, round in base (also called Spanish shield in heraldry) and the field is party en fess. In field azure, a tower or crenellated and masoned, port and windows azure, to its right a ship in natural colours that with its bow has broken a chain sable going from the tower to the dexter flank of the shield. At the base, sea waves argent and azure, all surmounted in chief by two male heads, severed and haloed. In field gules, a disc-shaped stele with geometric ornaments of the kind of the Cantabrian steles of Barros or Lombera.

The original Louvre was nearly square in plan (seventy-eight by seventy-two metres) and enclosed by a 2.6-metre thick crenellated and machicolated curtain wall. The entire structure was surrounded by a water-filled moat. Attached to the outside of the walls were ten round defensive towers: one at each corner and the centres of the north and west walls, and two pairs flanking the narrow gates in the south and east walls. In the courtyard, slightly offset to the northeast, there was a cylindrical keep (the Donjon or Grosse Tour), which was thirty metres high and fifteen metres in diameter with walls 4 metres thick.

The parapet of the roof was crenellated with nine wide embrasures, and the embrasures facing out across the river were constructed flush with the floor of the roof, giving the bombards plenty of room to fire.; The embrasures facing away from the river, however, had sloping cills rather than open positions, and the windows in the tower facing towards the city were rectangular and relatively unprotected.; The entrance to the tower itself was not fortified, as the tower was not expected to be defended from a direct attack by land. The tower was designed to be able to maintain a garrison when required and was well furnished.

It is buttressed and crenellated, with mock portcullises built into the round arches above the doorway and windows. The interior walls are lined with a carved wooden dado with Celtic designs, and there is a rubble fireplace surmounted by a heraldic panel depicting St Andrew; the chimney above the fireplace is disguised externally to look like a turret. Built into the walls of the enclosure around the kirk are memorials for members of the Brown family, including James Brown himself, who died in 1920. The building is maintained by a charity, the Kirkandrews Kirk Trust, and used for ecumenical religious services, weddings and private functions.

In 1859, concordant with a rising movement to restore medieval remnants in Italian cities, the architect Giuseppe Mengoli, replaced the mediaeval cassero with the present one by connecting it with two crenellated arches to the two lateral cylindrical great towers, giving it its present castle-like form.Bologna Welcome, official tourist site of Commune. About nine of the original twelve gates remain in the third set of circumvallating 14th-century walls (Cerchia del Mille) of Bologna. These include the Porta Maggiore (or Mazzini), Porta Castiglione, Porta Saragozza (this article), Porta San Felice, Porta delle Lame, Porta Galliera, Porta Mascarella, Porta San Donato, and Porta San Vitale.

The Oaklands estate house was built in 1835-36 to a design by Richard Upjohn, then in the early stages of his illustrious career. with The Oaklands mansion house stands overlooking the Kennebec River, west of River Road and south of Cottage Road, on the larger Oaklands estate, and is accessed by dirt roads from the north and east. The house has a two-story main block with hip roof, and a 2-1/2 story ell extending to its west. It is built out of ashlar granite, and features a crenellated parapet around the roof edge, and a projecting bastion-like turret at one corner.

The Allen Steinheim Museum is a historic building and former museum located on the campus of Alfred University at Alfred in Allegany County, New York. It is a crenellated stone structure built from 1876 to 1880 to house the "mineral, geological, natural, and man-made curiosities" of Alfred University's second president Jonathan Allen. The building was originally started by Professor Ida Kenyon, who wished to make a private residence that resembled the castles of her native Germany. The building is constructed of over 8,000 rock specimens that were combined to form the walls of the structure and 700 samples of local and foreign wood to combine the internal framework.

Ringshall is close to Ashridge House, a former stately home that is now in use as a management college. A crenellated Gothic Revival stone gatehouse stands in Ringshall at an entrance to the Ashridge estate which was probably designed 1808-1813 by James Wyatt, architect of Ashridge House. Ringshall lies on the edge of the Ashridge Commons and Woods, an extensive a country estate of dense woodland which is managed by the National Trust. Moneybury Hill, a woodland next to Ringshall, is especially noted as it was landscaped by the celebrated English landscape architect Capability Brown between 1759 and 1768 for the Francis Egerton, 3rd Duke of Bridgewater.

The Exchange Street Historic District is an industrial and civic historic district roughly along Exchange, Front and Fountain Streets in Pawtucket, Rhode Island. The area is located just north of Pawtucket's downtown, and includes seven buildings and the Exchange Street Bridge, which spans the Blackstone River. The seven buildings are sandwiched between the river to the west, Broadway to the east, Blackstone Avenue to the north, and Front and Exchange Streets on the south. The most prominent buildings in the district are the 1926 William E. Tolman High School, sited high above the river just north of Exchange Street, and the Pawtucket Armory, built in 1895 and featuring crenellated towers.

He had an uneasy relationship with the citizens of Wells, partly because of his imposition of taxes, and surrounded his palace with crenellated walls, a moat and a drawbridge. The three-storey gatehouse, which dates from 1341, has a bridge over the moat. The entrance was protected by a heavy gate, portcullis and drawbridge, operated by machinery above the entrance, and spouts through which defenders could pour scalding liquids onto any attacker. The drawbridge was still operational in 1831 when it was closed after word was received that the Palace of the Bishop of Bristol was subject to an arson attack during the Bristol riots.

To the south west of the village, a Roman Road runs across Flamborough Rigg, through the village and across the moors to the north. Its is thought that the road is Wade's Causeway, which connected the Roman camps at Malton and Cawthorne with the east coast. The Ken Ather Outdoor Centre, Stape, formerly a school Also to the south west is the Keldy Castle estate, which was requisitioned from the Reckitt Family during the Second World War as an army camp. The castle (actually a stately home with crenellated walls) was destroyed in 1950 after being declared surplus to the requirements of the owners.

St Rufus Church, also known as Keith Parish Church, is a Church of Scotland church in Keith, Moray, that was built in 1816. Designed by James Gillespie Graham in the Perpendicular Gothic style, it has crenellated walls, traceried windows and a tall bell and clock tower at its west end. The doorway leading into the nave from the entrance lobby is an unusual war memorial, listing the names of parishioners who died in the First World War on one side, and in the Second World War on the other. St Rufus was built to replace a medieval church of the same name, which was demolished shortly after St Rufus was completed.

Sala dei Vizi e delle Virtù The Castello di Masnago is a castle, now a civic art museum, located atop a hill on Via Cola di Rienzo number 42 in Mantegazza Park in the quartiere of Masnago of the town of Varese, region of Lombardy, Italy. The oldest part of the castle is an 11th-century crenellated tower, much rebuilt over the centuries. On the ground floor, there is a frescoed room, the Sala degli Svaghi, and in the first floor two exhibition rooms – Sala dei Vizi and delle Virtù. Some of the latter frescoes pertain to the 15th-century school of Bonifacio Bembo.

The Charles and Theresa Roper House, also known as Hilan Castle, is a historic residence located in Newport, Oregon, United States. Built in 1912–1913 to evoke a castle in the Scottish Highlands, it features such Medieval-inspired elements as a crenellated parapet, mullioned windows, a rounded corner tower, and a cantilevered turret. It is one of very few examples of the Castellated Gothic Revival style in Oregon, other than local armories. Its first owners, both English immigrants, were locally notable figures: Charles Roper was a professional photographer whose work comprises an important documentary record of central Lincoln County in the 1910s and 1920s.

The existence of Castell Moel in the 15th century is confirmed by a poem by Lewis Glyn Cothi, "I Nicolas Ryd o Castell Moel." The castle stands on a plateau overlooking the River Towy, and the overgrown remains are now thought to be of a late medieval L-plan hall house, once owned by the Rede family. The main eastern block is a first floor hall and set in the re-entrant angle, is an adjoining high stair turret. The western block is a two-storey wing, with a porch and a cellar and the walls of the castle, once supported a crenellated parapet.

The Walled Garden - which is surrounded by a crenellated walls with octagonal towers - is based on the Indo-Persian gardens of antiquity, called Paradise gardens or charbaghs. Like those ancient gardens, it is divided into quadrilateral sections by waterways, a concept based on the four gardens of Paradise or Eden mentioned in the Qur'an and the Bible. In the Bible, the four rivers of Eden were the Pison, the Gihon, the Tigris and the Euphrates, while the two trees were the Tree of Life and the Tree of Knowledge of Good and Evil. In Islamic scripture, Paradise (jannah) had four rivers: water, milk, honey and wine, and the Tree of Life.

It was first built in 1253, just after the foundation of the city, and was one of the earliest examples of a gallery in the architecture of the Margraviate of Brandenburg. An ambulatory hall was built to replace the original choir and a polygonal entrance hall with a sandstone entrance arch built onto the north transept, both between 1360 and 1370. The nave was expanded as a five-bayed construction in the 15th century with painted ceilings in the side bays and a 14-storey new tower façade built around 1450. An eight-pointed cupola was added to the north tower and a crenellated edge to the south tower.

The rampart of the Cité de Carcassonne in the Aude department of France. Originally constructed in the 4th century AD by the Romans, they were largely rebuilt in 1240 and heavily restored in the 19th century. After the fall of the Roman Empire in Europe, there was a return to the widespread use of earthwork ramparts which lasted well into the 11th century, an example is the Norman motte and bailey castle. As castle technology evolved during the Middle Ages and Early Modern times, ramparts continued to form part of the defences, but now they tended to consist of thick walls with crenellated parapets.

Simpson's Place, c. 1800. Historical records show that the site belonged to the "Bankewell" (aka "Banquelle" or "de Banquelle") family as far back as 1302 (during the reign of Edward I) with John de Bankewell holding a charter of free warren to his lands there. His descendant Thomas de Bankewell is recorded as dying as a fief in 1352 (during Edward III's reign). The land eventually passed to the Clark family, and during the reign of Henry V (1413–1422) William Clark applied for a license to build a fortified manor house with crenellated walls and a deep moat (the latter being recorded as "supplied and nourished with a living spring").

Ingatestone Hall, May 2003 Plan of Ingatestone Hall showing the additions and demolished sections The building comprises three wings (north, east and south) around a central court. It was built by Sir William Petre 1539–1556 around a central courtyard in English bond brick and includes features typical of Tudor , including stepped gables and tall, ornate chimney pots. Within the courtyard, a prominent feature is a tall crenellated turret containing an octagonal staircase. In the late 18th century Robert Petre, 9th Baron Petre moved back to the other family property, Thorndon Hall, which was being rebuilt in the Palladian style by the architect James Paine.

The historian of Barnstaple Joseph Gribble wrote in 1830 concerning the River Yeo: "This stream... forms one of the most prominent objects of attraction from the late splendid but now desolate and forsaken mansion of Yeotown".Gribble, Joseph Besly, Memorials of Barnstaple: Being an Attempt to Supply the Want of A History of that Ancient Borough, Barnstaple, 1830, p.555 Today there survives only one of the large imposing castellated gate house lodges, with two square towers either side of the tall gothic arched entrance way, to which was later added a farmhouse with crenellated gable-end to match with bay- window. It is now a grade II listed building known as Ivy Lodge.

It is unusual, among other things, for showing the Four Evangelists on a side in a hilly landscape with a horizon, which creates the illusion of each of the four being in his own room. The landscape lines the horizon line with shadowy, almost silhouetted, trees in front of a rosy evening sky. Through the differing transparencies of the paint, sketches are visible which show that an architectural background in the form of crenellated walls was originally planned. The Evangelists are depicted with white halos in different stages of life from youth to old age and also as personifications of the four temperaments, wearing loose white togae in the manner of ancient philosophers.

The house has aesthetic and technical significance, embodying the materials and planning vision of Walter Burley Griffin and Marion Mahony Griffin. The house is a diminutive yet perfectly proportioned example of W B Griffin's work, using his patented knitlock concrete, ribbed and gracefully crenellated, yet grounded in the earth through the use of heavy rusticated protruding stone corner piers. The unique roofing and flooring systems also sat the house closer to ground level than more commonly elevated houses. The house is technically unusual and significant, being the last Griffin-designed house to be built in Castlecrag, and exhibiting a form of knitlock benefitting from the introduction of galvanising for its steel reinforcing.

Nerine humilis, commonly known as dwarf nerine, is a species of flowering plant in the subfamily Amaryllidoideae of the family Amaryllidaceae, native to the Cape of South Africa. Growing to tall, it is a variable (polymorphic) bulbous perennial with narrow leaves appearing at the same time as umbels of 1-12 slender, crenellated flowers in shades of pink, in autumn. It is a summer dormant deciduous species, meaning that the top growth disappears for a period during summer months. Plants can be found in large colonies in their native habitat, the Fynbos of the Cape Floristic Region, appearing to respond well to the frequent fires in the area. The Latin specific epithet humilis means “dwarf” or “low-growing”.

The lands once served as the churchyard for Hettenheim's mediaeval Saint Stephen's Chapel (Stephanus- Kapelle), which between 1720 and 1724 was forsaken in favour of the then newly built parish church in Leidelheim. Jewish graveyards – Next to the Warriors’ Grove lies the older of the municipality's two Jewish graveyards (18th century); the newer one was laid out in the 19th century on the boulevard that leads to Tiefenthal. Alte Schule – Unusual is the Alte Schule, or “Old School”, built in the late 19th century with a crenellated tower; it now serves as the “house of clubs”. Municipal festival hall – The spacious Gemeindefesthalle came into being in the 1920s and was renovated about 2000.

As such Harts Buildings satisfy this criterion on a State level. The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales. There are a number of dwellings and terraces dating from a similar period remaining in The Rocks, however, these vary in scale and detail and do not have the distinctive crenellated parapet. The buildings are relatively rare in that they respond to the site and retain evidence of the earlier topography and rocky ledges of The Rocks which can be interpreted in the way the buildings step down the slope of Essex Street and by the cut rock base of the buildings along the Gloucester Street frontage. Nos.

Every 12 July many of them celebrate by lighting a bonfire in the centre of the estate. In 2007 there was a legal threat over the inclusion of hundreds of tyres in the bonfire with the fear that excessive toxic fumes would be emitted, however it was not possible to establish who had been involved in placing them there, and the bonfire was allowed to go ahead. On the Ballycraigy estate is a memorial garden dedicated to Billy Wright, leader of the Loyalist Volunteer Force paramilitary organisation. Ballycraigy Manor, a country house with a tower and crenellated battlements was built here in 1869, the residence of James Chaine, a businessman involved in shipping and a Conservative Party politician.

The Green, 1876–1900 High Coniscliffe covers and is located between Coniscliffe Moor to the north with its ridge and furrow meadow, and the River Tees to the south. It has a village green on the south side of the A67, but most of the village is along the north side of the road which is called The Green at that point. St Edwin's church is on the south side of the road, backing on to a small cliff and the River Tees, and facing the green and the road. The cliff itself is walled, towered and crenellated in places, and in the mid−19th century the village was surrounded by quarries.

In 1790 Southampton was a spa town whose popularity led to the construction of several country houses in the surrounding area, one of which was at Midanbury, situated on the summit of a hill to the east of the town. Known by a variety of names (Midanbury House, Midanbury Heights and Midanbury Lodge among them), the house was built by Mr T Leversuch. A writer in 1878 praised the beauty of the countryside, and the "exceedingly fine" views from the Midanbury Heights. The opening of the toll- free Cobden Bridge in 1883 enabled the townsfolk to travel across the river where Midanbury House, with its castellated lodge and crenellated gateway, particularly captured the imagination.

Academic Hall and the Gymnasium were both constructed in a variant of the Romanesque Revival style. Decorative features of these buildings include crenellated gables and parapets, distinctive corbel tables and bartizans supported by corbeled culs- de-lampe. Academic Hall was constructed of structural concrete and steel beams supported on iron columns and faced with buff brick and limestone over a concrete foundation. Academic Hall is capped with a hipped roof of red asbestos shingles and a large, gabled skylight because the building was designed to be fireproof, all interior features, window casings, doors and moldings, except for some wooden and cork floors which rest directly on concrete, were clad in molded copper.

Like much of the surrounding area, Ruardean has historically been relatively poor; the 1831 census records 127 families, with half the population employed in agriculture and 160 people on poor relief. Today, St. John the Baptist's Church, dating from 1111 AD, is the village's centrepiece and main landmark, including a nave, chancel, tower and spire added in the 14th century and a chapel added in 1798. A manor house which once stood in the field behind the church was crenellated in 1310 to become Ruardyn Castle but this was largely destroyed by Oliver Cromwell's troops in the English Civil War. Ruardean's Congregationalist minister in the early 19th century was Reverend John Horlick.

The Robinson Plantation House is a historic house in Clark, New Jersey built around 1690 on territory that was part of the Elizabethtown Tract, and was once part of Rahway. It was added to the National Register of Historic Places in 1974 as Seventeenth Century Clark House. The 17th century frame house is characterized by its rubble stone foundation and massive fireplace foundation in the cellar, chamfered and carved summer beam, steeply pitched roof, crenellated chimney, diamond-paneled casement windows and broad overhanging corner pendants. A circa 1957 addition on the back contains modern utilities and the house was occupied as a residence until 1973, after which it became the Dr. Wm. Robinson Plantation & Museum.

Battlements on the Great Wall of China Drawing of battlements on a tower Decorative battlements in Persepolis Battlements of a tower of Bam Citadel, Iran A battlement in defensive architecture, such as that of city walls or castles, comprises a parapet (i.e., a defensive low wall between chest-height and head-height), in which gaps or indentations, which are often rectangular, occur at intervals to allow for the launch of arrows or other projectiles from within the defences. These gaps are termed "crenels" (also known as carnels, or embrasures), and a wall or building with them is called crenellated; alternative (older) terms are castellated and embattled. The act of adding crenels to a previously unbroken parapet is termed crenellation.

Bath and North East Somerset has 663 Grade I listed buildings, one of the highest concentrations in the country, covered by about 100 English Heritage listings. The oldest sites within Bath are the Roman Baths, for which the foundation piles and an irregular stone chamber lined with lead were built during the Roman occupation of Britain, although the current building is from the 18th century. Bath Abbey was a Norman church built on earlier foundations, although the present building dates from the early 16th century and shows a late Perpendicular style with flying buttresses and crocketed pinnacles decorating a crenellated and pierced parapet. The medieval era is represented by the remains of the city walls in Upper Borough Walls.

William Chamberlayne inherited the castle in 1826 and built a crenellated tower on the south-east end of the property the following year, inspired by a proposal by the antiquarian Horace Walpole that the castle be made habitable.; ; ; A description of the castle around this time suggested it stood "in the midst of a thicket of trees, on a little hill close to the beach" and formed "a striking object seen from the water". It became popular with artists, and J. M. W. Turner visited and sketched the castle and its new tower, probably in 1832.; George Hunt leased the castle in 1841 and it was turned into a private house under the supervision of the architect George Guillame.

The palace was commissioned by Henry VIII on the site of a former leper hospital dedicated to Saint James the Less. The new palace, secondary in the king's interest to Henry's Whitehall Palace, was constructed between 1531 and 1536 as a smaller residence to escape formal court life. Much smaller than the nearby Whitehall, St James's was arranged around a number of courtyards, including the Colour Court, the Ambassador's Court and the Friary Court. The most recognisable feature is the north gatehouse; constructed with four storeys, the gatehouse has two crenellated flanking octagonal towers at its corners and a central clock dominating the uppermost floor and gable; the clock is a later addition and dates from 1731.

Archibald Elliot's St Paul's Chapel (prior to the 1892 extension) St Paul's and St George's Church is a noted structure in the early part of Edinburgh's New Town, and stands out as one of the few Gothic Revival buildings in an area largely made up of Georgian Neoclassical architecture. The Scottish architect Archibald Elliot began work on the new church of St Paul in 1816. Designing it in a Perpendicular style on a nave-and-aisle floorplan, he modelled the building on King's College Chapel, Cambridge, complete with crocketted pinnacles and buttresses and four octagonal turrets on the corners, inspired by those on St Mary's Church, Beverley in Yorkshire. The exterior sandstone is richly decorated with Gothic strapwork and topped with a crenellated parapet.

Steinheim's civic coat of arms might heraldically be described thus: In argent a wall with three crenellated towers, the middle tower higher than the two flanking, gules, in the wall below the middle tower a gate Or. Steinheim's oldest town seal, from the 15th century, shows the wall with the three towers, but not the gate. The wall and towers have figured on all seals since that time, but some seals showed the gate, and others did not. Arms were officially granted the town on 23 March 1908, and showed only the wall and towers, not the gate. On 22 March 1971, the town adopted a new coat of arms whose composition was roughly the same, but it included a narrow green chief (stripe across the top).

There is a 17th-century bell in the west wall of the tower in a plain arch opening; the top of the wall is crenellated. Behind the parapet at the top of the tower, there is a short spire in the shape of a pyramid, made from wood and covered in slates. The south porch has been described as "unusually long"; it measures 11 feet 6 inches by 8 feet 9 inches (3.5 by 2.7 m) and has been used as a vestry since the external doorway was blocked off and converted into a window. The 14th-century doorway from the nave into the vestry has a pointed head in a square frame, and was described in the 1937 survey as having an "unusual design".

The windows took on a later Gothic form, while small balconies and coats of arms in stone were added to decorate the main front. The principal tower, which in 1700 had been topped by a domed Welsche Haube, similar to an onion dome, was crenellated, while a ruined tower was left in romantic ruins. On 26 August 1819, Ernest's first wife, Princess Louise, gave birth in the house to Prince Albert of Saxe-Coburg and Gotha (1819 – 1861).Winslow Ames, Prince Albert and Victorian Taste (1968), p. 5 On 19 September 1819, Albert was baptized in the Marble Hall into the Lutheran Evangelical Church with water from the local river, the Itz,Stanley Weintraub, Albert: Uncrowned King (London: John Murray, 1997), p.

The knitlock wall sections have curved ribbing similar to vertical fins, which are accented by ribbed concave crenellations. The crenellated parapet elements rise gracefully and monumentally above the roofline, bringing a castle or church-like suggestion to the exterior through gothic style elements. The 70 degree angled window pane settings create chevron patterns on the french doors and windows, adding further decorative interest to the facade, and reminiscent of a pointed arch motif (another gothic style marker). Chevron motifs and vertical fins are also characteristic of the Inter War Art Deco style, but Burley Griffin's use of rusticated stone and his philosophy of creating a building in harmony with the landscape resulted in a fusion of grace with earthy ambience at the Duncan House.

Aberpergwm House before the 1876 remodelling By 1850, the house was ‘playfully crenellated’ with a central pediment” In 1876, the house was remodelled by Morgan Stuart Williams, who later went on to restore St Donat's Castle This ‘overwhelmed’ the work of 1850, and included the addition of a new front range dominated by a ‘remarkable top heavy Elizabethan gallery across the whole front’ of 94 feet. The gallery was added in the spirit of the ancient Glamorgan halls, such as Llantrithyd Place. A further castellated wing was added along the hill. In 1868, Williams had rejected earlier plans by John Norton for a new house in Gothic style with a tower. Williams, by rejecting Norton’s Victorian High Gothic appeared to be playing safe.

In many species, the rhinarium has a mid-line groove (cleft)the philtrumand a wrinkled (crenellated) surface.Lund University Faculty of Science Department of Biology Mammalian Rhinarium Group The rhinarium is a separate sense organ: it is a touch-based chemosensory organ that connects with a well-developed vomeronasal organ (VNO). The rhinarium is used to touch a scent-marked object containing pheromones (usually large, non-volatile molecules), and transfer these pheromone molecules down the philtrum to the VNO via the nasopalatine ducts that travel through the incisive foramen of the hard palate. It also acts as a wind-direction detector: cold receptors in the skin of the rhinarium detect the orientation where evaporative cooling is highest, as determined by the wind direction.

According to an issue of Macmillan's Magazine from 1899: > The Porthaus were an ancient family of Béarn, taking their name from one of > the old porthaux or portes (small frontier towers resembling the peel-towers > of the British Border) with which the French and Spanish Pyrénées were > studded. Clearly the Porthaus accepted this interpretation of their name, since the blazon of their arms (without tinctures, as the source is a seal) was: A lion rampant and in chief two towers crenellated, masoned and inflamed, one to the dexter and the other to the sinister.Un lion rampant, accompagné en chef de deux tours ouvertes, crenélées, maconnées et allumées, l'une au canton dextre et l'autre au canton senestre. These arms were granted to the Porthaus on November 24, 1674.

Walls were topped with battlements which consisted of a parapet, which was generally crenellated with merlons to protect the defenders and lower crenels or embrasures which allowed them to shoot from behind cover; merlons were sometimes pierced by loopholes or arrowslits for better protection. Behind the parapet was a wall walk from which the defenders could fight or move from one part of the castle to another. Larger curtain walls were provided with mural passages or galleries built into the thickness of the walls and provided with arrowslits. If an enemy reached the foot of the wall, they became difficult to see or shoot at directly, so some walls were fitted with a projecting wooden platform called a hoarding or brattice.

Plan of Stokesay Castle—A: south tower; B: solar block; C: hall; D: north tower; E: well; F: courtyard; G: moat; H: gatehouse Stokesay Castle was built on a patch of slightly rising ground in the basin of the River Onny.; It took the form of a solar block and hall attached to a northern and southern tower; this combination of hall and tower was not uncommon in England in the 13th century, particularly in northern England. A crenellated curtain wall, destroyed in the 17th century, enclosed a courtyard, with a gatehouse - probably originally constructed from stone, rebuilt in timber and plaster around 1640 - controlling the entrance. The wall would have reached high measured from the base of the moat.

St Rufus has been described as "a fine example of a more or less complete and original early 19th century church interior, on a grand scale". The main internal doorway into the nave from the entrance lobby at the east end incorporates an unusual war memorial. The outer sides of the recessed double doors bear polished panels, listing men from the parish who died in the First World War; the inner side of the same doors bear similar, albeit smaller and less elaborate, panels recording those who died in the Second World War. The doors are surrounded by a wooded frame with recessed, traceried panels; above, there is a frieze in the form of a crenellated parapet with quatrefoil tracery.

The south side of St Rufus Church, showing four of its five arch-pointed windows, with the tower rising in the background St Rufus Church is mainly rubble-built, with sandstone ashlar detailing, and a slate roof. Its five-bay north and south sides are buttressed, with crenellated walls and hoodmoulded pointed-arch windows with transoms and tracery and coloured glass, and with wide crowstepped gables at either end. Attached to the middle of the west gable is a square tower, which rises to a height of in four stages, each stage narrower than the one beneath it. In the southern face of the bottom stage is a large, pointed-arch hoodmoulded entrance, with chamfered edges and a fanlight above the doors.

Gregory VII also sent him as legate to Spain and in reward for his services exempted St. Victor's from all jurisdiction other than that of the Holy See. The abbey long retained contact with the princes of Spain and Sardinia and even owned property in Syria. The polyptych of Saint Victor, compiled in 814, the large chartulary (end of the 11th and beginning of the 12th century), and the small chartulary (middle of the 13th century), containing documents from 683 to 1336, document the economic importance of the abbey in the Middle Ages. Blessed Guillaume Grimoard, who was made abbot of Saint-Victor on 2 August 1361, became pope in 1362 as Urban V. He enlarged the church and surrounded the abbey with high crenellated walls.

Inside the church, which has three naves, are some well preserved paintings, one of these attributed to Matteo Rossetti, and two statues: the "Madonna with Child" in polychrome terracotta by Benedetto Buglioni, and a wooden statue of the patron saint, attributed to the sculptor Matteo Civitali. The church square at the entrance of the old town features two oratories, dedicated to the Holy Name of Jesus and the Nativity of Mary, located respectively on the left and right of the main building. The two oratories were in the past seats of various religious companies, but are currently being used as storage space. The church is dominated by a bell tower in crenellated stone with a clock, which has recently been restored with help by the community.

This building, the northern section of which survives, was designed by Van Brunt & Howe; it has six stories and is of brick with stone ornamentation and stone courses on the upper floors, and white-painted stone with brick courses on the first floor. A balcony extends across each of the two main facades, on Broadway and 10th Street. The building originally had a crenellated parapet inscribed with "Coates House" on both main facades, and turrets or belvederes at the corners; these have been removed, as have the chimneys. It originally formed a rectangle around a central courtyard; the four-story east side, which housed services such as laundry and storage and rooms for employees, was later mostly demolished, leaving a U-shaped building.

Bad Laasphe's civic coat of arms might heraldically be described thus: In sable a town wall with open gate tower argent flanked by two crenellated towers argent, between which an inescutcheon in argent two pallets sable. A stamping of the town's seal from the 14th century has been preserved, which shows the same composition as the arms shown here. The inescutcheon (smaller shield within the main one) bears the same arms as the town's former overlords, the Counts of Wittgenstein. When the arms were revised in 1908, the town came up with another composition which looked the same, but the inescutcheon, owing to a misunderstanding, was rather different, being quartered with two opposite quarters showing in gules (red) a castle argent (silver), and in the two other quarters the Wittgenstein pallets.

The mansion was built between 1917 and 1921 and is considered a severe and modern approach to the late Gothic Revival style of architecture. The front facade of the two and one-half story building has medieval half-timbered rhythmical design across the upper stories, crenellated bays and Tudor arches, as well as strapwork ornament, yet all of these elements of Tudor-Gothic design have been subjected to a simplicity or severity of design that is a uniquely 20th century approach to the use of these traditional design motifs. The construction is of poured concrete and steel and a rubble base of tile covered by stucco, and the house is built on a two-foot concrete foundation. All wooden floors are anchored to timbers laid in concrete over masonry units supported by reinforced concrete beams.

18th century view of Pilton (left) and Barnstaple (right), divided by the small River Yeo, flowing into the broad River Taw (foreground). Left: St Mary's Church, Pilton; Pilton Bridge over the River Yeo. The centrally placed crenellated white mansion house appears to represent Pilton House, built in 1746. Right: St Peter's Church, Barnstaple, with spire; Barnstaple Long Bridge over River Taw. UndocumentedMuseum of Barnstaple and North Devon has no information, whether regarding provenance, date, or subject matter, on this very large painting hanging on the wall of the first floor, which dominates the staircase of the museum building in Barnstaple 18th century (?) oil painting now in the Museum of Barnstaple and North Devon Bull Hill, Pilton Bridge over River Yeo at northern end of Pilton Causeway linking towns of Barnstaple and Pilton.

Official noticeboard displayed on site Excavations in Harran from 2012 to 2013 have focussed on the walls, the mound in the centre of the city and the Castle (kale). In 2012 and 2013, the Şanlıurfa Museum Directorate, with Professor Mehmet Önal (Professor of Archaeology at Harran University) acting as consultant, carried out excavation works for restoration purposes on the western part of the city wall, uncovering the walls, towers and bastions. In excavations in the northern part of the Castle, a gallery and crenellated corridor were discovered on the west side. Near the south-east gate, a Greek inscription was found set in a wall and the remains of an inscribed pink marble ambo were found in the spolia infill of a wall in of the main west entrance-tower.

Belmont Methodist-Episcopal Church is a historic church building, located in the Belmont neighborhood of Roanoke, Virginia. The building currently (2019) belongs to the Metropolitan Community Church of the Blue Ridge, who acquired the building in 2003 and use it as their sanctuary. It was built as a Methodist Episcopal church between 1917 and 1921, and is a three-story, brick, late Gothic Revival-style church. It features a tall bell tower, complex roof form, steeply-pitched gables and parapets, large pointed arch windows, crenellated corner towers, buttresses, cast-concrete quatrefoils, and other detailing. and Accompanying four photo Capacity within sight and hearing of the pulpit is 1,000, as the original auditorium (seats 440) was enlarged with an adjoining parlor (75), an adult assembly room (260), and a gallery (225).

Walpole's Gothic house at Strawberry Hill was begun in 1749, expanded in 1760, and completed in 1776. Thus the comparatively early date of 1765 for Tong Castle to be erected in this fairly rare style would today have made Tong of the highest architectural grading class. The crenellated towers and pediments coupled with the paned, rather than traditional Gothic leaded, windows crowned by ogee curves are typical of this style, as too are the generous bay windows with circular windows and cruciform motifs in the upper levels. The later 19th-century Gothic tended to be more ecclesiastical and sombre in mood, with dark rooms lit by lancet windows while the earlier Gothic had larger windows and a "joie de vivre" of design not found in later versions of the style.

In 1859, Professor Joshua L. Chamberlain purchased the home for $2,100 after renting an apartment in the building for two years with his wife Frances Caroline Adams and their two children. After Chamberlain had returned from serving in the Civil War, in 1867 the family sold part of their property to Eldridge Simpson and moved their entire house down the street to the corner of Maine and Potter streets so that it faced east. After the move, several architectural changes were made to the exterior, including the addition of a crenellated trim and chimneys decorated with Latin, Greek and Maltese crosses. When Chamberlain was chosen as the president of Bowdoin College in 1871, he decided that rather than moving into the President's House on Federal Street he would renovate his own home to accommodate guests.

The Long Gully Bridge, also known as Northbridge, Suspension Bridge, and Cammeray Bridge, is a concrete arch road bridge that carries Strathallen Avenue across Flat Rock Creek and Tunks Park, and connects the suburbs of Cammeray, in the North Sydney Council local government area to its south, with Northbridge in the City of Willoughby local government area to its north, in Sydney, New South Wales, Australia. Privately-built to promote residential development in the suburb of Northbridge and beyond, the bridge opened in January 1892 as a steel suspension bridge finished in Sydney sandstone with crenellated turreted towers. The bridge was transferred to the Department of Main Roads in 1935 and, in 1939, was rebuilt as a reinforced concrete two rib arch bridge, with the sandstone towers kept.

They had two sons, William St. Andrew (1882–1958), who inherited the Hooton Pagnell estate, and John Ralph Patentius (born 1892) who inherited the Frickley estate. On Willam's father's death in 1890, the couple also inherited Healey Hall in Northumberland, and in 1899 they purchased the estate of Ederline in Argyllshire. Lych gate given by Warde-Aldam to Hooton Pagnell church Mining of coal on the various estates, including at Frickley Colliery in South Elmsall (named after the Warde-Aldams' Frickley estate), brought a great deal of wealth to the couple. Julia took a keen interest in the houses and estates, most significantly at Hooton Pagnell hall, which she remodelled substantially, giving its current crenellated gothic appearance, and added the East wing, as well as a gatehouse building in a gothic style.

Well- preserved and partially inhabited, the manor-house stands next to a large pond. This feudal Breton ensemble still has its fortified enceinte with towers and crenellated walls that protected it from the armed gangs and pillagers who were operating in the region during the Hundred Years' War and later during the Wars of Religion of the 16th century. Built around 1330 by Sylvestre Josso, squire of the Duke Jean III during the turbulent period of the Breton War of Succession in the 14th century, it passed next by a powerful alliance to the Rosmadec family and served as a residence for dignitaries such as a bishop, sénéchaux and the governors of various Breton towns. In the late 18th century it became the property of the Le Mintier de Léhélec family who still live there today.

Sarzanello consists of both crenellated walls with towers typical of the medieval period but also has a ravelin like angular gun platform screening one of the curtain walls which is protected from flanking fire from the towers of the main part of the fort. Another example are the fortifications of Rhodes which were frozen at 1522 so that Rhodes is the only European walled town that still shows the transition between the classical medieval fortification and the modern ones. Fortifications also extended in depth, with protected batteries for defensive cannonry, to allow them to engage attacking cannon to keep them at a distance and prevent them bearing directly on the vulnerable walls. Suomenlinna, a sea fortress from 18th century in Helsinki, Finland The result was star shaped fortifications with tier upon tier of hornworks and bastions, of which Fort Bourtange is an excellent example.

The Taj Mahal (; , ) is an ivory-white marble mausoleum on the southern bank of the river Yamuna in the Indian city of Agra. It was commissioned in 1632 by the Mughal emperor Shah Jahan (reigned from 1628 to 1658) to house the tomb of his favourite wife, Mumtaz Mahal; it also houses the tomb of Shah Jahan himself. The tomb is the centrepiece of a complex, which includes a mosque and a guest house, and is set in formal gardens bounded on three sides by a crenellated wall. Construction of the mausoleum was essentially completed in 1643, but work continued on other phases of the project for another 10 years. The Taj Mahal complex is believed to have been completed in its entirety in 1653 at a cost estimated at the time to be around 32 million rupees, which in 2020 would be approximately 70 billion rupees (about U.S. $916 million).

In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. Bath and North East Somerset has 663 Grade I listed buildings, one of the highest concentrations in the country, covered by about 120 Historic England listings. The oldest sites within Bath are the Roman Baths, for which the foundation piles and an irregular stone chamber lined with lead were built during the Roman occupation of Britain, although the current building is from the 18th century. Bath Abbey was a Norman church built on earlier foundations, although the present building dates from the early 16th century and shows a late Perpendicular style with flying buttresses and crocketed pinnacles decorating a crenellated and pierced parapet.

Etal Castle was built around 1341 by Robert Manners in the village of Etal, after Robert was granted a licence to crenellate by King Edward III in order to defend the location against the Scots.; The Manners family had owned the manor since at least 1232. Residential tower (left), showing the lighter sandstone used in the upper levels, and the gatehouse (right) The earliest part of the castle was its residential tower. This tower may have been built around 1341 on the site of an older, unfortified house owned by the family on the same site, incorporating part of the structure into the new, crenellated tower. Alternatively, the central tower may have been built at some point between the late 13th and early 14th centuries, complete with crenellations, in which case the licence from Edward III served only to allow Manners to extend the perimeter fortifications.

Science writer Sandhya Ramesh noted that large bodies have greater thermal inertia, meaning the bantha's large body would be more difficult to heat them up compared than those of smaller animals, making it well suited to survive in Tatooine's harsh environment. Marcus Schneck of The Patriot-News has noted the bantha shares similarities to the domestic yak, a bulky, hairy animal used by humans for transportation and food. Bantha horns grow a new segment each year, and the strength of a given creature's horns are indicative of its health and environment: thick, crenellated usually signify that the bantha is well fed and healthy, while thin, cracked, or underdeveloped horns indicate the bantha is unhealthy due to drought or famine. Male banthas develop thicker and longer horns than females, and males typically complete two horn spirals over the course of their lifetimes, while females usually only complete one.

St Mary's church The parish church, St Mary, dates back to around 1100 and is a Grade I listed building. It has 14th and 15th century windows and crenellated parapets, 16th century south porch, 17th century tower and 19th century work throughout show continuous development of the building. On 1 April 1978 the ownership of the Rector's Glebe Land, in Shrawley, which consisted of 128 acres of land and a small wood was transferred from the Rector's ownership to that of the Diocese of Worcester, in line with the rest of the UK. In the autumn of 1978 the ecclesiastical Parish of Shrawley was amalgamated with that of the neighbouring parish of St Michael's, Great Witley, together with its chapel in Little Witley, to form a single parish of Shrawley and The Witleys and with Abberley to form a united Benefice. Shrawley church is in the Stourport Deanery.

The area was small – about three-quarters of an acre, however, the building with a crenellated tower and lace iron balconies was set in picturesque surroundings and featured an uninterrupted view of the Harbour. St Aloysius' College officially commenced classes here on 2 February 1903, with fewer than 50 students.Wyalla, St Aloysius' College Before long enrolments again increased and additional accommodation became an urgent need. A wooden building was hastily erected, housing classrooms and study hall until it was replaced in 1907/1908 by a three-storeyed brick building later known as the "Junior School". As student numbers increased, additional rooms again became necessary and in 1913/1914 a new wing was constructed on the eastern side of the original residence. In 1916 a property opposite the College, known as "Wyalla", came on the market. Money was eventually borrowed and Wyalla became the "Senior School".

The town wall, which was built in the early 13th century and some of whose parts are open to the public, was expanded and strengthened in the 14th century, and with 16 defensive towers – among them the Hospitalgassenturm (“Hospital Lane Tower”), the Steingassenturm (“Stone Lane Tower”), the Katzenturm (“Cats’ Tower”) and the Ochsenturm (“Ox’s Tower”), which is crenellated and has an octagonal top tower, making it a type of butter-churn tower (Butterfassturm) – is the best preserved girding wall anywhere on the Rhine Gorge. There was planning to open further sections to the public in 2006. “Saint” Werner's Chapel is nowadays more properly known as the Mutter-Rosa-Kapelle, since its consecration to Werner has been rescinded and Werner has been stricken from the roll of saints. The chapel is now named after Rosa Flesch, the founder of a Franciscan order in the 19th century.

Coat of arms of Erlangen Blazon: "Divided and split at the top; in the front in silver a red eagle turned to the left, golden crowned and guarded, red tongued with golden clover stems and a breastplate quartered by silver and black; in the back in silver a golden crowned and reinforced, red tongued black eagle with a golden neck crown, clover sticks and the golden capital letters E and S on its chest; below in blue over a silver crenellated wall a double-tailed golden crowned, red tongued lion." This is the small town coat of arms. If the three parts of the coat of arms are shown on separate plates, above which the customs bracken head with black and silver helmet covers can be seen, then it is the large city coat of arms. Coat of arms explanatory note: The lion in the lower part of the coat of arms stands for the old town of Erlangen.

The large masses and wall decorations of the skyscraper are reminiscent of pre-Columbian architecture, the pure geometries of the stepped temples and the pureness of form found in Mayan and Inca building. The twelve office floors are crowned by a crenellated border, where the most ornate decorations on the cladding are concentrated. The tapered, stepped tower on the top is also faced with white marble slabs, which form a zigzag pattern in relief on the sides and around the edge of the summit; it is visible from everywhere in the city and rendered instantly recognizable due to its rectangular clock with four black dials (one on each side of the tower), and whose shining hands mark the exact time and are an urban signal in the city. Due to its height, its imposing volumes and the immediate recognizability of its architecture, the Clock Tower Building has possessed a powerful urban identity since it was built.

This may arise from a common misunderstanding about heraldry, in which left and right – or sinister and dexter – are told from the armsbearer's point of view, not the viewer's.“Dexter” explained by Parker“Sinister” explained by Parker The example of the arms shown at the town's own website shows the crenellated (“embattled”) tower on top of the escutcheon;Description and explanation of Wittlich’s arms however, the example at Heraldry of the World shows the arms without this.Wittlich’s arms at Heraldry of the World This same webpage also shows a coat of arms for Wittlich which apparently appeared in the old Coffee Hag albums. It might be described as “Argent two keys per saltire, the wards to chief, the one in bend sinister surmounting the other, azure.” In other words, the field tincture was silver (“argent”) instead of red (“gules”), and the keys were not only blue instead of silver, but also crossed to form an X (“per saltire”).

Of particular importance is the presence of the first Gothic style cottage built by Richard Wynne, the larger Victorian cottage Yarrawa / Old Wynstay, and the 1923 sandstone house that demonstrate progressive development of the site by the Wynne family from the late 19th to the early 20th century. The garden elements such as the stone and wrought iron gates, crenellated rubble dry stone walling and stables, Turkish Bath House and collection of specimen trees, avenues, dell and sunken garden demonstrate extraordinary richness rare in gardens of this period.National Trust, 1994, modified, Read, S., 2004 Wynstay has historic significance due to its association and establishment by Richard Wynne, a prosperous merchant who became a prominent citizen of Victorian Sydney, whose descendants continue ownership of the property.Register of National Estate (from nominators), modified Read, S., 8/2004 Wynstay Estate was listed on the New South Wales State Heritage Register on 12 April 2002 having satisfied the following criteria.

The design involved a symmetrical main frontage with thirteen bays facing the east gate of the castle; the central section of three bays featured an arched doorway with a triple Gothic window on the first floor; the roof was crenellated and there were octagonal corner turrets. Internally, the principal rooms in the building were the two courtrooms, one for hearing criminal cases and the other for hearing civil cases, both approximately square, decorated with wainscot panelling and located on the first floor. There was also a grand jury room containing an ornate fireplace guarded by lions bearing shields. In March 1872 the courthouse was the venue for the trial and conviction of William Frederick Horry, accused of murdering his wife: Horry became the first person to be executed in the UK using the "long drop" method of execution, a technique developed by William Marwood which was faster and therefore considered more humane than the previous method, and which was subsequently universally used.

In 2007-08 construction started on two large buildings beyond the stadium's outfield walls -- a 757-room Hilton Baltimore hotel north of the stadium occupying a two-city-block area and a high-rise apartment building, both completed in 2009--which have blocked views of the city's skyline from most sections of the grandstand. The Baltimore Sun said on April 21, 2008, "There's just a glimpse of the Bromo Seltzer Tower's crenellated top just to the right of the new Hilton Baltimore Convention Center hotel ... something's drastically different at Oriole Park this year ... the sweeping view of downtown Baltimore that fans have enjoyed for the past 16 seasons has changed considerably..." Sportswriter Peter Schmuck complained, "the big, antiseptic convention hotel ... looms over Camden Yards ... [and] has blocked out the best part of the Baltimore skyline". A Washington Post columnist called it a "cruel cubist joke on a previously perfect ballpark", although others said they were pleased with new construction downtown as indicative of urban revitalization.

According to Ammianus Marcellinus According to historian Khodadad Rezakhani, the ruler described by Ammianus Marcellinus, who is not named specifically as Shapur II, could alternatively be the Kidarite ruler Peroz. In particular, Shapur's traditional headgear is a crenellated crown, and is very different from the one described by Ammianus Marcellinus. The headgear with ram's horn would rather correspond to that of Peroz as seen on many of his coins in the Sasanian style. Ammianus Marcellinus also mentions that the king, whom he assumes to be Shapur, was called "Saansaan" and "Pirosen" by the Persians, which could actually refer to "Šāhanšāh Pērōz", the ruler of the eastern Hunnic tribes (Chionites, Gelani, and Sagistani).“Persis Saporem saansaan appellantibus et pirosen, quod rex regibus imperans et bellorum victor interpretatur.” (Amm. Marc. XIX.2.11) “The Persians called Sapor “Saansaan” and “pirosen,” whish being interpreted is “king of kings” and “victor in wars.” (Ammianus, Roman Antiquities, 1935: 481) in Pērōz also displays such a headdress on his coinage.

This was built in 1992 by Lady Margaret Fortescue, on the site of the former Sham Village, in memory of her only brother Viscount Ebrington, who was killed in action with the Royal Scots Greys at the Battle of El Alamein in Egypt, in 1942, aged 21, and whose mural memorial marble tablet can be seen in the Fortescue Chapel in Filleigh Church. Due to his loss, on the death of his father the 5th Earl in 1958, the family titles passed by law to the latter's younger brother, but in the absence of an entail, the Castle Hill and Weare Giffard estates he was free to bequeath to his two daughters. The tower, made from local stone, consists of three stories and is crenellated on top. It was designed by Hal Moggridge who had organised much of the reparatory landscaping work following the great storm of 1990, and was built by Graham Davey.

The manor is held of the > Bishop of Bath & Wells of the King, service unknown, annual value £20.Cal. > Inq.p.m. 6–10 Henry V, no.933, p.333 Olveston Court, view of remnant of moat and crenellated wall, situated immediately to the left of the gatehouse as depicted above by Loxton It is likely the Hundred Court of Langley, under the hereditary jurisdiction of the Denys's, met within the precincts of Olveston Court, which would also have had its own manorial court. The Denys family had lived in Glamorgan, S. Wales during the 13th. & 14th. centuries, most lately at Waterton, near Ewenny Priory, Coity Lordship.Chantler, P. History of the Ancient Family of Dennis of Gloucestershire, South Molton, 2010. The family, it seems, temporarily moved to Olveston Court from Siston in 1422, when the widow of Sir Gilbert Denys(d.1422) obtained Siston as her dower, passing a life interest in it to her younger 2nd. husband John Keymes.

The German blazon reads: In Silber auf goldenem Dreiberg ein schwarzer Zinnenturm, belegt mit silbernem Schildchen, darin ein roter Zickzackbalken. The municipality's arms might in English heraldic language be described thus: Argent in base a mount of three Or upon which a tower embattled of five sable charged with an inescutcheon of the field with a fess dancetty of three gules. The black, crenellated (“embattled”, that is, with battlements) tower is a representation of the 23 m-tall keep, the dominant feature of Castle Kerpen and the seat of the Imperial Lordship of Kerpen (first documentary mention in 1136). On the keep's wall is an inescutcheon bearing the arms once borne by the Counts of Kerpen (1136–1400), heraldically “Argent a fess dancetty of three gules” (that is, a silver field upon which a horizontal zigzag red stripe with three peaks). The “mount of three” stands for the local mountains. This charge is called a Dreiberg in German heraldry, which literally means “three-mountain”, and the local mountains do indeed number three: the Weinberg (553 m), the Höhenberg (505 m) and the Ko-Berg (482 m).

The castle was built towards the end of the 13th century and was transformed into a mansion in the mid 18th century. The first records of the house are to be found in the Domesday Book, described as being owned and occupied by Sir Mauger the Vavasour (a vavasour is a type of feudal liegeman). Hazlewood was then inhabited by descendants of the Vavasours for over 900 years. During the Second Barons' War (1264–1267) the chapel was burnt down by a rival branch of the Vavasour family. It was rebuilt in 1283 by Sir William Vavasour and in 1290 fortified and crenellated. In 1217 Robert Vavasour was Sheriff of York and his statue was placed above the door of York Minster in recognition of the fact that he gave stone from his Tadcaster quarry to maintain the cathedral. Sir William Vavasour was High Sheriff of Yorkshire for 1548 and 1563 and MP for Yorkshire in 1553. His son John Vavasour was host to Mary, Queen of Scots on the night of 27 January 1569, when she passed through Wetherby en-route between Bolton Castle and Tutbury Castle.

With substantial completion of construction in 2008, there were complaints that views of the city's skyline are now blocked from most sections of Oriole Park at Camden Yard's grandstand. The Baltimore Sun said on April 21, 2008, "There's just a glimpse of the Bromo Seltzer Tower's crenellated top just to the right of the new Hilton Baltimore Convention Center hotel ... something's drastically different at Oriole Park this year ... the sweeping view of downtown Baltimore that fans have enjoyed for the past 16 seasons has changed considerably..." Sportswriter Peter Schmuck complained, "the big, antiseptic convention hotel ... looms over Camden Yards ... [and] has blocked out the best part of the Baltimore skyline". A Washington Post columnist called it a "cruel cubist joke on a previously perfect ballpark", although others said they were pleased with new construction downtown as indicative of urban revitalization. Baltimore Mayor Sheila Dixon said at a July 18 news conference that an 18% increase in room night bookings in Baltimore's hotels through 2017, as of the fiscal year ending June 30, 2008, compared to the previous year's, confirmed the city's decision to move forward with the hotel development project as a means of bolstering Baltimore's convention business.

The 16th-century moulded stone priest's door was deliberately damaged during the English Civil War The present church was begun in about 1399 and is built of squared and coursed slatestone with ashlar to the tower. The nave, south aisle and chancel were extensively restored by architect Samuel Hooper of Hatherleigh in 1878-80. Beside the chancel is the north chapel (the "Orleigh Chapel" - one of the oldest surviving parts of the church along with the tower) featuring several interesting wall monuments while the nave has a south aisle and porch. The east end of the south aisle is connected via a 16th-century moulded stone priest's door carved with decoration of leaves, branches and shields (partially deliberately damaged during the English Civil War) leading to a late 19th-century passageway with a crenellated wall. At the end of this passage is located the former 15th- century parish schoolroom (said by some to have been a chapel dedicated to St. Stephen) restored in 1880 and used today as a parish hall. This large room is fitted with a Perpendicular-style east window dating to the restoration of 1880 and a two-bay south front with a pointed-arched doorway of 1880 and two 15th-century two-light cinquefoiled windows.