It is sometimes difficult to know whether Ronaldo actually wants that kind of collectiveness.
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That period of the city's indie rock glory is sometimes called Torontopia, which is the marriage of music and community with a philosophical injection of sorts about collectiveness.
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Like, we're tapped into a collectiveness and we're remembering things a lot more collectively and with a lot more longevity, I think, which stands in strange, it feels incongruous considering how much stuff we're consuming on a day to day basis.
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To support collectiveness and promote reciprocity among its members, the Founders of the OLE drew up Statutes (23/10/1919) and Regulations according to which collective life is hierarchized, safeguarded and developed within the Order.
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Thus, creating a feeling of collectiveness which reinforces social bonds. This feeling is initiated when there is Group cohesiveness, for example, when individuals share the same life experience the sense of group occurs.Kunin, Seth Daniel. Religion: The Modern Theories.
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OED Online. Oxford University Press. Retrieved April 18, 2013. In contrast to anthologies, whose aim is to give a selective and canonical view of literature, miscellanies were produced for the entertainment of a contemporary audience and so instead emphasise collectiveness and popularity.
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The Muria prioritize collectiveness. They are divided into five phratries: the Nagvans (Snake Race), Kacchimvans (Tortoise Race), Bakravans (Goat Race), Baghvans (Tiger Race), and Bodminkvans (Fish Race). They are not allowed to eat their totem animal, and must mourn it if one dies.
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His emphasis on good governance as the military's contribution in society was achieved through a responsive government while at the same time insuring the participation and collectiveness of the society, all directed to address the root and social causes of insurgency. This paradigm led him and his command to receive significant praises and recognitions.
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Emotionally, chi is predominantly associated with stubbornness, collectiveness, stability, physicality, and gravity. It is a desire to have things remain as they are; a resistance to change. In the mind, it is confidence. When under the influence of this chi mode or "mood", we are aware of our own physicality and sureness of action.
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Psychoanalysis can be adapted to different cultures, as long as the therapist or counselor understands the client's culture. For example, Tori and Blimes found that defense mechanisms were valid in a normative sample of 2,624 Thais. The use of certain defense mechanisms was related to cultural values. For example, Thais value calmness and collectiveness (because of Buddhist beliefs), so they were low on regressive emotionality.
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EAAK consists of several schemas (special term to define an independent, direct democratic collectiveness). Each EAAK schema has a relevant independence of organisation, political decision-making and activity. All schemas co-ordinate in a regularly organised co-ordinating assembly (twice a year), while local gatherings take place time by time. A basic political choice of a schema, which separates it from a political parties is the so-called non-representative structure of the schema as well as the importance of consensus when making decisions.
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For example, in 2011 following the Fukushima power plant disaster, the frustratingly enigmatic phrase used by Japanese officials before the explosion regarding the possibility of meltdown - "the possibility of recriticality is not zero" (Sairinkai no kanōsei zero de wa nai) - became the top phrase of the year. In the same year, the kanji indicating 'bond' (i.e. familial bond or friendship) became the kanji of the year, expressing the importance of collectiveness in the face of disaster. In Norway, the Word of the year poll is carried out since 2012.
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Rauschenberg collected discarded objects on the streets of New York City and brought them back to his studio where he integrated them into his work. He claimed he "wanted something other than what I could make myself and I wanted to use the surprise and the collectiveness and the generosity of finding surprises. [...] So the object itself was changed by its context and therefore it became a new thing." Rauschenberg's comment concerning the gap between art and life provides the departure point for an understanding of his contributions as an artist.
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Nyokum is a festival celebrated by the Nyishi tribe of the Indian state of Arunachal Pradesh. The Word Nyokum has been derived from the combination of two words - Nyok means land (earth) and Kum means collectiveness or togetherness. Therefore, the Nyokum festival may very well be interpreted as inviting all the Gods and Goddesses of the universe, with the Nyokum Goddess as the principal deity, to a particular venue at a particular time. The festival is commonly celebrated by the people from all class and walk of life for better productivity, prosperity and happiness of all human beings.
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He described his ideal system as "a political situation in which there is both centralism and democracy, both discipline and freedom, both unity of purpose and personal ease of mind and liveliness to facilitate the socialist revolution". While the system advocates contradiction, Mao believed the state above all could provide the masses with the tools for their own expression, but his own brand of self-expression was wholly manufactured, built largely on replacing traditional practices and artifacts of Chinese culture with his own. Through this, transformation of the people towards an internal party collectiveness was possible. Notably, Mao's authoritarianism was rooted in a collective bottom-up style of empowerment.
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Firenze Lai Ching Yin (Chinese: 黎清妍; born 1984) is an artist, an illustrator, an editorial designer and the co-founder of Hulahoop Gallery of Hong Kong. She is a graduate from the painting program of Hong Kong Art School (HKAS). Her works frequently depict anonymous figures as subjects, and explore the issues of psychological landscapes, the mind and body, human relationships, collectiveness, and social experiences and space. Her paintings were exhibited in various international locations including the 10th Shanghai Biennale (2014), the 2015 New Museum Triennial, and the 57th Venice Biennale (2017), as well as different local venues such as Para Site and Tai Kwun Contemporary.
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On December 25, 2013 the intro page of TVXQ's official website was changed to a teaser photo for an upcoming album, which was announced to be called Tense. S.M. Entertainment confirmed that the album would be released in the traditional CD and digital mediums on January 6, 2014, and that official physical sales would begin selling on January 7, 2014. In an interview with Oh My News, it was explained that Tense represented the phrases "anxiety", "tension", and "on the edge", signifying TVXQ unwavering collectiveness and strength in their performances and music throughout the years. Tense also has a similar pronunciation to "tenth". On December 26, 2013, the day of TVXQ's tenth debut anniversary, a sixteen-second teaser trailer for the music video of "Something", the album's first lead single, began airing on television and other broadcast media around South Korea.
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Individual footprints and the collectiveness of social groups carry culture and symbolic materiality that can strongly complement a dynamic urban environment. Urban projects then need to be elastic and open to constant transformations, innovative ways to create inclusive areas and represent the local features that empower social relations and spatial experience. Beautifying and modernizing the city should not come at the expense of losing its national and local “touch” to fit global conventions, but push against social demand and constrictions in a way that sustainable and efficient projects are motivated and a homogeneous society can coexist. Architectural projects and landscaping need to push for the maximization of spaces, opportunities and economic investments in a strict frame of ethics that allows all members of the population an access to dignified qualities of life with healthy environments with ample opportunities for cultural, artistic, educational and professional recreation.
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Amusement from instruments of folk art has been a school of noble and patriotic education of the people. It was at the same time a preserver and developer of cultural heritage of the people in centuries, it has been an archive of folk memory of history of the pas generations. Although, not a highly educated people, it had its poets, prose, writers, humor artists, orators and its bright actors, although a part of them remained anonymous; it had the generous composers and dancers. The folklore art of the word, sounds of rhythms and dancing and musical instruments has been a powerful force of cohesion, amongst some other essential occurrences, which held this collectiveness as united, preserving it not to disintegrated and absorbed by cultures of other cultures or invading peoples The folk genius not only has he created and interpreted musical works, but he has also produced and still continues to produce them.
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