416 Sentences With "canzone" | Random Sentence Generator

Martucci composed "La Canzone dei Ricordi," his only significant vocal work, in 1887 for voice and piano and orchestrated it in 1898.

Prima di uscire, Regeni ascoltò la canzone dei Coldplay "A Rush of Blood to the Head" — e mandò un messaggio a Vitynska.

Comprised of Gianluca Ginoble, Piero Barone and Ignazio Boschetto, Il Volo came to fame in 2009, winning the Italian singing competition Ti lascio una canzone.

The Italian Song Festival (Festival della Canzone Italiana) is held annually in Sanremo, a quaint seaside resort near the French border, and is by far the most popular television event of the year.

Come for the live music, which migrates to the courtyard in warmer months and ranges from jazz jam-sessions and Italian hip-hop to the theatrical song-and-prose performance known as teatro-canzone.

This Chicago program included the orchestra's first performance of Martucci's "La Canzone dei Ricordi" ("The Song of Memories"), a 30-minute song cycle, featuring the mezzo-soprano Joyce DiDonato, who learned of the piece from Mr. Muti, who coached her through it.

Ernesto Bassignano. "Luberti, Marco". Gino Castaldo (ed.). Dizionario della canzone italiana.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

Gino Castaldo (ed. by). Dizionario della canzone italiana. Curcio Editore, 1990.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990-2013.

Enzo Giannelli. "Cheli, Alberto". Gino Castaldo (edited by). Dizionario della canzone italiana.

Enzo Giannelli. "Christian, Gloria". Gino Castaldo (edited by). Dizionario della canzone italiana.

Fabrizio Stramacci. "Astarita, Tony". Gino Castaldo (edited by). Dizionario della canzone italiana.

Enzo Giannelli. "Artegiani, Giampiero". Gino Castaldo (edited by). Dizionario della canzone italiana.

"Savio, Totò". Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990.

"Schola Cantorum". Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990.

Fabrizio Zampa. "Leonardi, Sergio". Gino Castaldo (edited by). Dizionario della canzone italiana.

Enzo Giannelli. "Caroli, Germana". Gino Castaldo (edited by). Dizionario della canzone italiana.

Enzo Giannelli. "Panzeri, Mario". Gino Castaldo (ed. by). Dizionario della canzone italiana.

Gianfranco Baldazzi. "Fougez, Anna". Gino Castaldo (edited by). Dizionario della canzone italiana.

Stefano Mannucci. "Ladri di Biciclette". Gino Castaldo (edited by). Dizionario della canzone italiana.

"Fabi, Claudio". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

"Cheli, Alberto". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

"Isa Barzizza". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

"Donida, Carlo". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

"Minellono, Cristiano". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

"Sastri, Lina". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

"Panella, Pasquale". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

"Fasano, Gianfranco". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

"Hermanos Rigual, Los". Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 959-960.

Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990.Giorgio Dell’Arti, Massimo Parrini.

Fabrizio Zampa. "Gilda". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 954-5.

"Boswell, Simon". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. p. 205.

"Christian, Gloria". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. p.375.

He produced such television programs as Ballando con le Stelle and Ti lascio una canzone.

Viale della canzone is a 1965 Italian musical film directed and written by Tullio Piacentini.

Antonio Virgilio Savona; Michele Lo Straniero. "Cherubini, Bixio". Gino Castaldo (edited by). Dizionario della canzone italiana.

Antonio Virgilio Savona; Michele Lo Straniero. "Maggio, Famiglia". Gino Castaldo (edited by). Dizionario della canzone italiana.

"Danilo Rea". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 1441–2.

"Maggio, Famiglia". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 959-960.

"Fogli, Riccardo". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 690–1.

The Spanish canción and the Italian canzone refer to songs generally and not specifically to art songs.

Enrico Deregibus (edited by). Dizionario completo della Canzone Italiana. Giunti Editore, 2010. pp. 341-2. .Alessia Pistolini.

31, the outlines appear following the poem. Starting in ch. 31, containing the third canzone, which follows Beatrice's death; Dante says he will make the canzone appear "more widow-like" by placing the structural division before the poem. Dante maintains this order for the remainder of the book (Musa 63).

Szulc) # Parle-moi de ma mere (G. Bizet) # La mia canzone (P. Tosti) # Pecche (G. Pennino) # Cielo turchino (C.

Antonio Astarita (14 April 1939 – 15 April 1998), best known as Tony Astarita was an Italian Canzone Napoletana singer.

"Nuova Compagnia di Canto Popolare". Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 1210–1214.

Literally "song" in Italian, a canzone (, plural: canzoni; cognate with English to chant) is an Italian or Provençal song or ballad. It is also used to describe a type of lyric which resembles a madrigal. Sometimes a composition which is simple and songlike is designated as a canzone, especially if it is by a non-Italian; a good example is the aria "Voi che sapete" from Mozart's Marriage of Figaro. The term canzone is also used interchangeably with canzona, an important Italian instrumental form of the late 16th and early 17th century.

Dizionario della canzone italiana. Curcio Editore, 1990. Starting from the mid-1970s she made sporadic appearances in films and on television.

Questo pazzo, pazzo mondo della canzone is a 1965 Italian musicarello film written and directed by Bruno Corbucci and Giovanni Grimaldi.

In 2008, at the age of 13, Faustini appeared on the Italian show Ti Lascio Una Canzone (Leaving You a Song).

Haltof (2002), p. 24. In Italy, whose once vibrant film industry had become moribund by the late 1920s, the first talkie, La Canzone dell'amore (The Song of Love), also came out in October; within two years, Italian cinema would be enjoying a revival.See Nichols and Bazzoni (1995), p. 98, for a description of La Canzone dell'amore and its premiere.

Notable among these local traditions was the Canzone Napoletana—the Neapolitan Song. Although there are anonymous, documented songs from Naples from many centuries ago,Vajro, p. 17 the term, canzone Napoletana now generally refers to a large body of relatively recent, composed popular music—such songs as "'O Sole Mio", "Torna a Surriento", and "Funiculi Funicula".

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. He was a usual collaborator of Antonio Amurri and Dino Verde.

Composizioni is the second solo album by pianist Giovanni Allevi. The musician performed Piano Karate at the 59th Festival della canzone italiana.

Dizionario della canzone italiana. Curcio Editore, 1990. He debuted at 15 years old recording some songs for a small local label.Enzo Giannelli.

Mirna Doris (28 September 1940 – 27 March 2020) was an Italian Canzone Napoletana singer, mainly successful in the second half of the 1960s.

On only four occasions has the name used for the official logo of the contest not been in English or French: when Italy hosted the contest in and the contest used the Italian names Gran Premio Eurovisione della Canzone and Concorso Eurovisione della Canzone respectively; at the and contests held in the Netherlands, the contest used the Dutch name Eurovisiesongfestival.

Gloria Christian (born 24 June 1934) is an Italian Canzone Napoletana singer, mainly successful between the second half of the 1950s and the 1960s.

Franz Liszt based the Canzone from the Années de pèlerinage, supplement Venezia e Napoli, on the offstage gondolier's song "Nessun maggior dolore" from this opera.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. In 1968 Cini got his major hit with the Patty Pravo's song "La bambola".

In 2010, 2011 and 2012 he returned to TV as a judge in the children talent series Ti lascio una canzone, presented by Antonella Clerici.

As it was traditionally associated with the zampogna, or large-format Italian bagpipe, it became known as Canzone d'i zampognari the ("Carol of the Bagpipers").

Dizionario della canzone italiana. Curcio Editore, 1990. In 1955, she starred in Valentina, which is considered the first genuine stage musical comedy produced in Italy.Gianfranco Baldazzi.

Dizionario della canzone italiana. Curcio Editore, 1990. In 1960 the couple were involved in a car accident and Chiesa died shortly later under the knife.Gianfranco Baldazzi.

Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990. In 1970 he composed and directed Orfeo 9, which is considered the first Italian rock opera.

Reger himself played Canzone for the Welte Philharmonic Organ. In the edition of Reger's complete works by the Max-Reger-Institute, they were published in volume 6.

Were made video clips of the songs "Compagna Teresa" (directed by Mauro Lovisetto),. "La canzone di Tom" (directed by Mauro Lovisetto). and "Carrarmatorock!" (directed by Angelo Camba).

"Yume no Naka de ~We are not alone, forever~" and "Toki no Canzone", a remake of the 1983 film's theme song, written and sung by Yumi Matsutoya.

Canzone d'Amore is a studio album from Swedish country and pop singer Kikki Danielsson, released in mid 1989. The album reached #48 place at the Swedish album chart.

Dizionario della canzone italiana. Curcio Editore, 1990. Norton was the first musical endorser for Apple computers. Her first album, Under Ground, had an Apple logo on the front.

"Lojacono, Corrado" in Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio, 1990. In 1957, Lojacono reprised his musical studies and graduated from the Accademia Internazionale Musicale in Rome.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. Rendine debuted as a composer in 1947, and got his first success in 1948 with the song "A Zingarella".

The same year they started appearing in a number of RAI television shows, where they blue material encountered some censorship issues.Enzo Giannelli. "Gufi". Gino Castaldo (ed.). Dizionario della canzone italiana.

Dizionario della canzone italiana. Curcio Editore, 1990. In a few years she established herself as a star in the revue genre, working several times with Macario, Totò and Wanda Osiris.Gianfranco Baldazzi.

Dizionario della canzone italiana. Curcio Editore, 1990. pp.69-70. He tours with his band, going under the name of Enzo Avitabile & Bottari. Bottari is a traditional rhythm from southern Italy.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. Since the mid-1990s Fasano specialized in songs for children, and several of his songs won the Zecchino d'Oro festival.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. In 1987, Bono entered the newcomers competition at the 37th edition of the Sanremo Music Festival with "Nel mio profondo fondo".

Switzerland competed at the Eurovision Song Contest 1991, held in Rome, Italy. The Swiss entry was Sandra Simó with the Italian song "Canzone per te" (A song for you), composed by Renato Mascetti.

Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990. Lionello had his breakout in 1960 as presenter of the RAI Saturday night musical show Canzonissima together with Lauretta Masiero and Aroldo Tieri.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. Cozzoli was also a songwriter, and some of his compositions participated to the Festival di Napoli and to the Sanremo Music Festival.

"Amare" is a 1979 hit Italian popular song by Mino Vergnaghi written by Sergio Ortone, Piero Soffici, and Pietro Finà. The song won first prize at the Sanremo Music Festival 1979.L'Europeo - Volume 49, Issues 1-8 1993- Page 75 "1979 Arrivò primo Mino Vergnaghi con «Amare», su cui pochi puntavano."L'Espresso - Part 1 - Page 230 1984 "Nel 1979 il Festival della canzone italiana (29. edizione) viene vinto da un carneade, Mino Vergnaghi, con una canzone scipita come lui: "Amare”.

Stanze di vita quotidiana is an album of Italian singer-songwriter Francesco Guccini. It was released in 1974 by EMI Italiana. The title means "Stanzas (rooms) of today's life": each song is entitled "Canzone of...", and deals, often with pessimistic of melancholic tone, with aspects of life, such as solitude, old people who had got lost, sadness, fear of death etc. The "Canzone delle osterie di fuori porta" is one of Guccini's most appreciated songs, always executed during his concerts.

This is one of the most popular poem - "Canzone" (Song) - of Giacomo da Lentini. The italian text is from "I poeti della Scuola siciliana. Vol. 1: Giacomo da Lentini", Milano, Mondadori, 2008, 47-49.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 959-960. He made his film debut in 1942 and had a very prolific career even if often cast in character roles.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp.439-40. His activities as composer, arranger, and producer began in the late 1980s for Eugenio Finardi's album Il vento di Elora.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp.790-1. In 1968 French singer Claude Francois also had a major hit with it under the French title "Jacques a Dit".

It includes duets with Noemi in "La promessa", with Saverio Grandi in "Cortili lontani" (In courtyards away) and a collaboration with Solis String Quartet in "La mia canzone per te" (In my song for you).

At the 1891 Exposizione Triennale of the Brera Academy, he exhibited: Una vecchia canzone. ‘‘Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.’’, by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 552.

Although originating in France, the yé-yé movement extended over Western Europe. Italian singer Mina became her country's first female rock-and-roll singer in 1959.Nessuno. In TV esplode Mina. Galleria della canzone site.

Song of Spring (Italian: Canzone di primavera) is a 1950 Italian melodrama film directed by Mario Costa and starring Leonardo Cortese, Delia Scala and Tamara Lees.Sorrenti p.21 The film's sets were designed by Alberto Boccianti.

Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990. The same year he got another hit with "Fratello in amore", a song dedicated to his friend Alessandro Momo, deceased that year in a motorcycle accident.

In 1974 and 1975, he was a member of New Trolls Atomic System.Discografia Nazionale della canzone italiana. Discografia.dds.it. Retrieved on 2013-02-08. De Piscopo released his first solo album, Suonando La Batteria Moderna, in 1974.

Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990. In 1964 Lo Vecchio made his professional debut as a songwriter with the song "Era troppo bello", which was performed by Wilma Goich and won the .

The track "Suffocation", in the 1980 album See You Later by Greek composer Vangelis, was inspired by the Seveso disaster. Another song, "Canzone per Seveso", in the 1976 album Ullàlla by Antonello Venditti, was written for Seveso.

Love Song (Italian: Canzone d'amore) is a 1954 Italian musical film directed by Giorgio Simonelli and starring Claudio Villa, Maria Fiore and Walter Santesso.Chiti & Poppi p.77 The film's sets were designed by the art director Saverio D'Eugenio.

"Balla Linda" is a song by Italian musician Lucio Battisti released on 20 April 1968read on line on Discografia Nazionale della Canzone Italiana With this song Battisti participated in the Cantagiro 1968 where he obtained a good success.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 784-6. After the death of his mother, he was put in a boarding school where he started showing his artistic skills in composing brief poems.

Dizionario della canzone italiana. Curcio Editore, 1990. He became first known in 1963, when he started a twenty years-long collaboration with composer Giorgio Gaslini. In 1973 his sax solo suite "Dedicated to Picasso" received much critical acclaim.

"Malafemmena" () is a song written by the Neapolitan actor Totò (Antonio de Curtis) in 1951. It has become one of the most popular Italian songs, a classic of the Canzone Napoletana genre, and has been recorded by many artists.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp.374-6. In 1956, she participated to the radio musical contest "La bacchetta d'oro", which got her an early popularity and a contract with the label Vis.

Anna Melato Anna Melato (born 18 May 1952 in Milan) is an Italian actress, singer and voice actor. She sang Nino Rota's Canzone arrabbiata and El Tunin. She is the sister of Mariangela Melato. She currently resides in Rome.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 959-960. Maggio also appeared in several films, winning the Nastro d'Argento Award for Best Supporting Actress for her performance in Luigi Zampa's Be Sick... It's Free.

Dizionario della canzone italiana. Curcio Editore, 1990-2013. . In 1945 he entered the stage company of Erminio Macario, as the musical attraction in the revue Venticello del sud. The same year he started recording several albums for La Voce del Padrone.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. pp. 814-5. In 1957 he started composing songs, often being credited as Arfemo, and his collaborations included Mina, Gigliola Cinquetti, Frankie Avalon, Giorgio Gaber, Santo & Johnny and Orietta Berti.

Rodolphe Kreutzer used the melody in 1816 in the music for the ballet Le Carnaval de Venise choreographed by Louis Milon.Pasquale Scialò, Francesca Seller: Passatempi musicali: Guillaume Cottrau e la canzone napoletana di primo '800. Guida Editori, 2013, , p. 135 ().

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. p. 672. He graduated in composition and piano at the conservatory of his hometown, and after the First World War he moved to Turin where he studied composition under .

The duo consisted of Francesco "Franco" Romano (born in Naples on 26 July 1946) and Francesco "Franco" Calabrese (born in Naples on 10 March 1943).Nicola Sisto. "Franco IV e Franco I". Gino Castaldo (edited by). Dizionario della canzone italiana.

In 1960, Mina made her Festival della canzone italiana in Sanremo debut with two songs. She turned to slow emotional love songs for the first time. The song "È vero" ("It's True") reached #8 on the Italian charts.Sanremo 1960 (10ª Edizione).

The Song of the Heart (Italian: La canzone del cuore) is a 1955 Italian melodrama film directed by Carlo Campogalliani and starring Milly Vitale, Alberto Farnese and Dante Maggio.Parish & Canham p.44 The film's sets were designed by Ivo Battelli.

After becoming part of a punk band, Facchinetti became a presenter of the Italian satellite television channel Hit Channel 102.5, directed by the record producer and talent scout Claudio Cecchetto. The jingle for his TV programme, "La canzone del capitano", was also used during Canale 5's quiz show Passaparola. After being released as his debut single under the pseudonym DJ Francesco, "La canzone del capitano" became a hit in Italy, peaking at number three on the FIMI Singles Chart for four consecutive weeks and being certified gold. His second single, "Salta", became another top 20 hit in Italy.

Due to the fast tempo and tongue-twisting lines, the piece is often noted as one of the most difficult baritone arias to perform. In the pre-interview segment he noted the difficulty of the piece, as did the judges after the performance. For the Las Vegas Week, Classical Singers performance (July 6) Quale's voice was compromised by illness but his overall performance of an abridged version of "La donna è mobile" ("Woman is fickle"), the cynical Duke of Mantua's canzone from Giuseppe Verdi's opera Rigoletto (1851), helped him advance to the Quarterfinals.Episode 511 The canzone is famous as a showcase for tenors.

Filipino singer Charice Pempengco recorded a version of the song on her debut release, the self-titled Charice EP released in May 2008. Korean singer SunMin has a cover of the song on her mini album Cover Girl, released in Japan, August 2008. The Italian variety TV show, Ti Lascio Una Canzone alumna Sonia Mosca covered the song on the compilation album Ti Lascio Una Canzone - La Compilation, released in May 2009. In 2012, the song is performed on the TV musical series Glee in episode 17 of season 3, "Dance with Somebody", by Chris Colfer (as his character Kurt Hummel).

The track was released in Italy in November 2000 on digipak CD. Two versions of the song were released with the CD containing two previous Morandi tracks; 'Canzone Libera' and 'Voleva Farti Innamirare'. The CD references that Alexia appears courtesy of Sony Music.

In 2009 Miodio released the single Evoluzione Genetica which they performed at Wind Music Awards 2009. Late in 2009 they entered the revamped Newcomers' section of 2010 Festival della canzone italiana, with the new single called "Perdo contatto". (in English: Lose contact).

Gino Castaldo (editor), Il Dizionario della canzone italiana, 2 vols. Armando Curcio, 1990. It was a number one hit in Italy, Germany, Austria, and Switzerland, and sold over five million copies by the end of 1967. Rosso was awarded a gold disc.

Dizionario della canzone italiana. Curcio Editore, 1990. p. 672. First at EIAR and later at RAI, he directed the symphony orchestras of Milan, Naples and Turin. He served as the official conductor at the first editions of the Sanremo Music Festival, together with .

Between 1956 and 1958 Raimondi was leading vocalist in the Gian Stellari Orchestra. In 1960 she entered the competition at the Festival di Napoli with the song "Canzone all'antica". In the later years she slowed her activities, focusing her career on live performances.

Forstner performed 6th on the night of the contest, following Switzerland's Sandra Simó's with Canzone per te and preceding Luxembourg's Sarah Bray with Un baiser volé. At the close of the voting the song had received nul points, placing last of 22.

One of the publications issued in 1615 was Ricercari, et canzone. This work returned to the old-fashioned, pure style of ricercar. Fast note values and triple meter were not allowed to detract from the purity of style.Silbiger, Alexander, ed. Frescobaldi Studies.3.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990-2013. In 1989 the band was put under contract by EMI, and entered the newcomer competition at the 39th edition of the Sanremo Music Festival with the manifesto song "Ladri di Biciclette", being eliminated.

Celso Valli (born 14 May 1950) is an Italian composer, conductor, arranger and record producer. Born in Bologna, Valli studied at the Conservatorio Giovanni Battista Martini. He made his official debut collaborating with Drupi in his 1978 album Provincia.Aa. Vv. Dizionario della canzone italiana.

Dizionario della canzone italiana. Curcio Editore, 1990. In 1965 he formed a band with whom he performed in the music halls of the Adriatic coast. In 1968 he moved to Perugia to study medicine, and there started performing in the piano bars of the city.

Dizionario della canzone italiana. Curcio Editore, 1990. pp. 1442–3. In 1934 he started composing, debuting with the song "È finito il bel tempo che fu". Starting from the second half of the 1930s Redi was one of the most successful songwriters of his time.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. Despite good reviews, they encountered little success with their first album Forse le lucciole non si amano più (Polydor, 1977, reissued 1994 with bonus track) and disbanded in 1980 after releasing two further singles.

Retrieved on May 28, 2009Charice Comes Out As Gay 2013-06-03 at billboard.com. Retrieved on June 6, 2013 Later that same month, Zyrus was again invited to sing at the Ti lascio una canzone show as a special guest.La stabiese Sonia Mosca questa sera all'Ariston di Sanremo at stabiachannel.it. Retrieved on May 25, 2009Ti Lascio una Canzone / Dopo Charice Pempengco, domani, 30 maggio la festa finale at ilsussidiario.net. Retrieved on June 3, 2009 The first major concert for Zyrus was called Charice: The Journey Begins, presented to a sold- out crowd on June 27 at the SMX Convention Center, SM Mall of Asia in the Philippines.

The same year, he released the song "Champagne" that was a big hit in Italy, Germany, Spain and Brazil. He won the Festival della canzone italiana again in 1976, with the song "Non lo faccio più" ("I won't do it anymore"). In 1991, he represented Italy at the Eurovision song contest, coming in 7th place with the song "Comme è ddoce 'o mare" ("How sweet is the sea"), sung in Neapolitan. As of 2006, Peppino di Capri is the performer with the most appearances (15) at the Festival della canzone italiana, his last appearance being in 2005, singing "La Panchina" ("The little park bench").

Saint Paul's first public performance was in 1962 at the Festival della canzone italiana, also known as the Sanremo Music Festival, in Italy. She went by the name of 'Tanya' and performed the ballad "I colori della felicità". Adopting the stage name Lara Saint Paul, she performed in the 1966 Festival delle Rose with the song Il pieno and was a finalist in the 1967 Festival della Canzone Napoletana for her performance of Te faie desidera'. Her first big success arrived when she returned to the Sanremo Music Festival in 1968 as one of the two performers of the song Mi va di cantare.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990-2013. In 1990, after touring with Vasco Rossi as opening act, the group won the Festivalbar competition and peaked the Italian hit parade with the song "Sotto questo sole", a duet with singer-songwriter Francesco Baccini.

The Italian term canzon, plural canzoni, as used by Gabrieli and others, derives from the French word “chanson,” and soon after Gabrieli’s time it was fully drawn into the Italian language as canzona, plural canzone. English uses this second Italian form, with canzonas as the plural.

A new single, extract of Bianco e nero, was released on June 24, "In un giorno di sole", getting two nomination for the Premio RTL 102.5 – Canzone dell'estate (RTL 102.5 Award – Summer Hit). On September 22 she released the fourth single from Bianco e nero, titled "Riderai".

Born in Viareggio, Giovanna started playing the guitar during her high school years, and after a year at the university she eventually decided to abandon her studies and to move to Milan to pursue a music career.Nicola Sisto. "Giovanna". Gino Castaldo (edited by). Dizionario della canzone italiana.

PFM's influential 1979 arrangements (originally released on Fabrizio De André in Concerto - Arrangiamenti PFM) for "Amico fragile", "La canzone di Marinella" and "Il pescatore" were reproduced almost verbatim, although Di Dio's guitar is still more prominent in the new versions than Franco Mussida's in the 1979 ones.

The album was generally well received by critics. Allmusic said it had been "much praised", while the website Ondarock said it was maybe the most musically refined album of Guccini's career. The song "Canzone delle domande consuete" received the 1990 Targa Tenco for the best song.

Cesare Andrea Bixio (11 October 18965 March 1978) was an Italian composer. He was one of the most popular Italian songwriters of the 1930s, 1940s, and 1950s. Bixio was born in Naples, Italy. His hits included Vivere; Mamma; Parlami d'amore, Mariù; La mia canzone al vento, and many others.

Maurizio Targa. Hit Parade Italia In December, her performance at the Sei giorni della canzone festival of Milan was described by the La Notte newspaper as the "birth of a star".Guido Gerosa Nascono le stelle a Porta Garibaldi [Birth of a star at Porta Garibaldi]. La Notte.

Ancora ancora ancora Galleria della canzone. In Italian. Retrieved 28 June 2007 Her last concert appearances, a series of thirteen fully booked concerts at La Bussola in 1978, were cut short due to her illness. Mina gave her last public performance on 23 August 1978 at the Bussoladomani theatre.

Reproduction of the Carroccio during the historical parade of the Palio di Legnano 2015 Since the Carroccio is a signum, in modern times it has become a symbol of ideas, hopes and different meanings, very often as anti-tyrannical propaganda during the period of the Signorias, up to Romanticism and the Risorgimento, where it became the symbol of the struggle against the occupation foreign. Important promoters of these ideas were Massimo d'Azeglio, Giovanni Berchet, Amos Cassioli, Francesco Hayez. Giosuè Carducci first and Giovanni Pascoli then recalled, with the Canzone di Legnano and Canzone del Carroccio, the splendours and splendours of medieval Italian comunes, concepts that were later taken up also by the writings of Gabriele D'Annunzio.

Malay in September 2009 With his 1963 poem "Prachanda Baidyutik Chhutar" ("Stark Electric Jesus"), which prompted the government's actions against the Hungryalists, Roy Choudhury introduced Confessional poetry to Bengali literature. The poem defied traditional forms (e.g., sonnet, villanelle, minnesang, pastourelle, canzone, etc.), as well as Bengali meters (e.g., matrabritto and aksharbritto).

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. In 1983 Rivale won a selection organized by Domenica in that put up for grabs a place in the 32nd edition of the Sanremo Music Festival, and eventually won the main competition with the song "Sarà quel che sarà".

Dizionario della canzone italiana. Curcio Editore, 1990. Following the success of the song for a few years they focused their activities in Europe and particularly in Italy, where they appeared in several television shows and were entered into the competition at the 14th edition of the Sanremo Music Festival.Dario Salvatori.

Dizionario della canzone italiana. Curcio Editore, 1990. She started working in amateur dramatics at very young age, and she made her professional debut while still being a high school student, notably working with the stage companies led by Ruggero Ruggeri, Elsa Merlini and by the brothers Eduardo, Peppino and Titina De Filippo.Gianfranco Baldazzi.

Dizionario della canzone italiana. Curcio Editore, 1990-2013. . In 1981, she was put under contract by Dischi Ricordi and adopted the stage name Diana Est. Shorty later, she made her record debut with "Tenax", an Italo disco song written by Enrico Ruggeri whose lyrics were partly in Italian and partly in Latin.

Mango is one of the best-known artists who fused pop with world and mediterranean sounds, albums such as Adesso, Sirtaki and Come l'acqua are examples of his style. The Neapolitan popular singer, Massimo Ranieri has also released a CD, Oggi o dimane, of traditional canzone Napoletana with North African rhythms and instruments.

Zum zum zum Galleria della canzone. In Italian. Retrieved 27 June 2007 The orchestrations were scored by the conductors Bruno Canfora and Augusto Martelli. "Sacumdì Sacumdà", Mina's talking and laughing version of Carlos Imperial's bossa nova "Nem Vem Que Não Tem", narrowly escaped a ban by RAI because of its irreverent lyrics.

Enrico Deregibus. Dizionario completo della Canzone Italiana. Giunti Editore, 2010. () From this year on, he started to dedicate his attention to the world of jazz, in particular in Rome, collaborating with musicians such as Tony Scott, Giulio Capiozzo and Jimmy Owens. Caporaletti's research activity in musicology started at the end of the 1970s.

Dizionario della canzone italiana. Curcio Editore, 1990. In 1974 he started his professional career co-founding the progressive band Pierrot Lunaire, where he served as composer, vocalist, guitarist and sitarist. After the group disbanded, Chiocchio became producer and artistic director of the record company IT, and collaborated with the label Una sors coniunxit.

Girolamo Conversi (fl. 1572–1575) was an Italian composer of the late Renaissance. His music, which was popular from the 1570s through the 1590s, was noted for its combination of the light canzone alla napolitana with the literary and musical sophistication of the madrigal. He appears to have written only secular vocal music.

The turning point in Guccini's career was in 1972 thanks to the album Radici (roots), about the perpetual search for one's origins. This was also conveyed by the image on the front cover of the album, portraying Guccini's grandparents and their siblings next to their old mountain home. Radici contains some of his most renowned and popular songs, like "Incontro", "Piccola Città", "Il vecchio e il bambino", "La Canzone della bambina portoghese", "Canzone dei dodici mesi", and "La locomotiva", based on a real event and dealing with themes of equality, social justice and freedom, with a style similar to the anarchic music of the end of the 19th century. In the same year Guccini brought Claudio Lolli, a young singer-songwriter, to his record label, EMI Italiana.

He exhibited at Livorno Una canzone d' amore; at Genoa Una canzone; in Naples La toelette di nozze; in Rome Baptism of Montecassino; Rebecca; L'Ambasciata dì matrimonio (once found in the Ministry of Justice of Rome); I regali alla sposa; and Un Racconto, once found in the Hall of the Provincial Council of Naples with a reproduction of the Baptism of Montecassino; Gioie intime, exhibited at Milan; Conforto e lavoro, exhibited at Venice. In the Council Hall of the town of Terlizzi in the Province of Bari, he painted allegorical figures. In a further Naples Exposition, he exhibited among others: Un cliente di merito, a Pompeian Scene, and Un negoziante di stoffe. ‘‘Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.’’, by Angelo de Gubernatis.

The Song of Love (Italian: La canzone dell'amore) is a 1930 Italian romance film directed by Gennaro Righelli and starring Dria Paola, Isa Pola and Elio Steiner. It was the first Italian talking film. Alessandro Blasetti's film Resurrection was actually shot first, but delays meant that it was not released until 1931.Molitnero p.

Dizionario della canzone italiana. Curcio Editore, 1990. In 1933 he composed an opera, Donna Lombarda, inspired by a popular folk ballad. From then, with the exceptions of Messa a 5 voci and Saul, he focused his activities on composing musical scores for over 100 films, often collaborating with filmmakers Vittorio de Sica and Alessandro Blasetti.

Alfred Einstein, The Italian Madrigal Princeton, 1949Cardamone. D. The Canzone villanesca alla napolitana: Social, Cultural and Historical Contexts. Variorum Collected Studies Series Instead moresche are related to villanella and villanescas, stylized village songs for three to five voices. The significant difference relates to their texts – parodying the Italian spoken by African slaves in Italy.

In 2000 her song "Tre passi indietro" received the first prize and the "Special Award best composition" at the "International Festival of Songwriting", held in Switzerland.La voce delle donne: Susanna Parigi In 2003 Susanna Parigi was finalist at the "Festival della Canzone d'Autore" in Recanati. Susanna Parigi currently teaches at the Bonporti Conservatory of Trento.

"Canzone per te" ("A song for you"), written by Italian composer Sergio Endrigo and sung by Brazilian singer Roberto Carlos, was the Italian entrant to and winner of the 1968 edition of the Sanremo Music Festival. On the night of the contest, held in Sanremo, Italy, the song was performed by both Endrigo and Carlos.

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990-2013. Caroli had the peak of her career between the late 1950s and the early 1960s, when she participated to the most important Italian musical events of the time, including Canzonissima, Festival di Napoli and the tenth edition of the Sanremo Music Festival.

Dizionario della canzone italiana. Curcio Editore, 1990. pp.583-4. Between 1963 and 1970 Doris entered the main competition at the Festival di Napoli, winning the competition in 1968 and in 1969 with the songs "Core spezzato" and "Preghiera a 'na mamma". During her career Doris also participated in several editions of Un disco per l'estate, Canzonissima and .

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990-2013. After a series of singles characterized by ironical and mischievous lyrics, in the second half of the 1980s Chiarello opted for a more mature repertoire, and in 1988 she won the Un disco per l'estate festival with the song "Ma che bella storia d'amore".

Canzoni is the twenty-seventh album released by Lucio Dalla. It was issued in 1996 by Pressing Recrds and distributed by BMG Ricordi. The release of the album was anticipated by the single "Canzone", written by Dalla with Samuele Bersani. The album has reached the 1st place in the Italian charts with over 1,300,000 copies sold.

The Festival della Canzone Napoletana ("Festival of Neapolitan Song"), commonly known as the Festival di Napoli, is a Neapolitan song contest. The first edition was held in 1952 and the last in 2004. From 1952 to 1970 the show was broadcast on RAI and from 1998 to 2004, in a differently spirited version, by Rete 4.

The second movement, predominantly in C-sharp minor, is based primarily on one sweet but sad melody and is far more subdued than the first movement. This movement was transcribed and expanded from an Elegy for flute and piano, composed in 1959 for the flautist Manfred Ibel. It was published in 1962, as Canzone (Elegy), Op. 38a .

La Canzone Popolare - Giovanna Daffini In 1962 she recorded the song "Alla mattina appena alzata", a version of Bella Ciao, for the musicologists Gianni Bosio and Roberto Leydi.Giovanna Daffini: "Alla mattina appena alzata", from the CD: Giovanna Daffini: L’amata genitrice (1991) She died at Gualtieri (Reggio Emilia), where she had spent much of her life, in 1969.

In the second chorus, "story" is replaced by "night", and the choruses mention two lives tainted, hit and sculpted by heaven. According to an interview with Bubola in the final DVD (Poesia in forma di canzone – "Poetry as songs") of the 8-DVD 2011 documentary series Dentro Faber (De André's nickname) about his life and works, he and De André accurately chose the word "Heaven", instead of "God", in order not to wrap a religious vision into the song, per De André's wishes. Bubola also explained the "two lives" line as a reference to the fact that the original RAI documentary (for which the song was written) was also about the unsolved murder of 21-year-old aspiring actress Wilma Montesi.Dentro Faber, DVD 8: Poesia in forma di canzone.

This was Moritaka's first collaboration with Tsutsumi after the success of her 1989 cover of "17-sai", which Tsutsumi originally co-wrote for Saori Minami in 1971. The resulting composition was a kayōkyoku ballad with Canzone Napoletana influences. The B-side is "Itsumademo", which was used as the ending theme of the 1991 anime TV series Mischievous Twins: The Tales of St. Clare's.

Canzone in maschera (Song in the mask): it was the first ever game of Sarabanda. The competitor had to guess a song of his favorite singer, widely revisited by Saraband in such a way as to make it difficult to guess. Three songs were performed (one for each competitor). If the competitor guessed, he earned a point, otherwise it remained at zero.

However, one of the competing bands quit the contest and Marlene Kuntz reentered successfully. Marlene Kuntz released their debut album Catartica in May 1994, followed by Il vile in 1996. In 2001, Marlene Kuntz was nominated for Best Italian Act at the 2001 MTV Europe Music Awards. In 2012, they took part to Sanremo Music Festival with the song Canzone per un figlio.

Dizionario della canzone italiana. Curcio Editore, 1990. The band was entered into the main competition at the 26th edition of the Sanremo Music Festival, going to the finals and eventually ranking ninth with the song "L'ho persa ancora". The competed in the festival two more times, in 1979 and in 1981, with the songs "Il diario dei segreti" and "Guerriero".

She produced illustrations for the manuscript of D'Annunzio's Canzone del Sangue. During the war, Zandrino carried out some propaganda illustration work. In 1917 she created a famous series of postcards, featuring illustrations of women. She continued with similar work during the 1920s and 1930s, also producing posters in the same Art Nouveau style; some of her work was in an erotic vein.

Born in Vignola, Modena, at 16 years old, while making her accountancy studies, Musiani started singing in the dance halls of her region. In 1966, after taking part in a singing contest with a cover version of The Monkees' "I'm a Believer", she was put under contract by CBS."Paola Musiani" in Gino Castaldo (edited by). Dizionario della canzone italiana.

To Milan, in 1881, he sent: Sempre allegra (see below) and Lady with Teacup. While at the Promotrici of 1883 at Milan and Rome: Prega and La canzone dei nostri tempi. At the 1888 Exposition of Fine Arts of Bologna he exhibited Quiescat and the Church of the Gerolamini of Naples. In 1897 at Milan, he exhibited Inside the Church of San Severino.

Dizionario della canzone italiana. Curcio Editore, 1990. In 1963 he won the Castrocaro Music Festival, and in 1964 he entered the competition at the Sanremo Music Festival with the song "Sabato sera", which was also a moderate success on the Italian hit parade. The same year he also participated at Un disco per l'estate and at the Festival di Napoli.

Images is an album by the Italian singer and songwriter Lucio Battisti. It was released in September 1977 by RCA Victor. The album is a collection of five songs from his previous album, Io tu noi tutti, and two of his classic songs ("Il mio canto libero" and "La canzone del sole"). All of the songs were translated into English by Peter Powell.

Istituto Matteucci biography. He was able to return to Rome in 1859, when Domenico Morelli gave him a letter to allow him to work in the studio of Achille Vertunni. A year later he returned to Naples, which was in patriotic ferment. Among his works exhibited in Naples were Canzone d' amore, L'ultima Messa, Le cieche operaie, and Vino e donna.

Cox, Virginia. Lyric Poetry by Women of the Italian Renaissance. The Johns Hopkins University Press, 2013. Her most unusual publication, which was printed in 1598 by Giovanni Battista Bellagamba in Bologna, is Orazione della Signora Isabella Cervoni da Colle al santissimo, e beatissimo padre, e Signor Nostro, Papa Clemente Ottavo, Sopra l’impresa di Ferrarra, con una canzone della medesima, a[‘] Prencipi Cristiani.

Dizionario della canzone italiana. Curcio Editore, 1990. The company discovered and launched many artists, including Iva Zanicchi, Fred Bongusto and I Giganti, as well as recording established artists such as Fausto Leali and Michele. Notably, singer Mina had several major hits with Ri-Fi between 1963 and 1967, including "Città vuota", "È l'uomo per me", "Un anno d'amore" and "E se domani".

Gino Castaldo (edited by). Dizionario della canzone italiana. Curcio Editore, 1990. Among his major hits, "Non ti scordar di me", a cover version of a famous Beniamino Gigli song, "Bambina", which won the Verde section at the 1968 Festivalbar, and "Whisky", the theme song of the TV-series Sheridan, squadra omicidi, later included in the musical score of The Sunday Woman.

Each stanza consists of three alternate rhymes and one double rhyme, following the ABABABCC rhyme scheme. The form is similar to the older Sicilian octave, but evolved separately and is unrelated. The Sicilian octave is derived from the medieval strambotto and was a crucial step in the development of the sonnet, whereas the ottava rima is related to the canzone, a stanza form.

"Auschwitz" is a song composed by Francesco Guccini , and performed by Equipe 84.Discografia Nazionale della Canzone Italiana Although the song was written by GucciniFrancesco Guccini, Un altro giorno è andato: Francesco Guccini si racconta a Massimo Cotto, Firenze, Giunti Editore, 1999, p. 59, . it was credited to Lunero and Maurizio Vandelli as the author was not a member of the SIAE.

Ernesto De Curtis (4 October 1875 – 31 December 1937) was an Italian composer.An excerpt from Ettore de Mura, ed. 1969. Enciclopedia della canzone Napoletana. Born in Naples, the son of Giuseppe De Curtis and Elisabetta Minnon, he was a great-grandson of composer Saverio Mercadante and the brother of poet Giambattista De Curtis, with whom he wrote the song "Torna a Surriento".

This highly philosophical canzone was extremely influential, and it was commented upon by authors including Dino del Garbo, pseudo-Giles, Giles of Rome, Marsilio Ficino, Pico della Mirandola, Iacopo Mini, and Fracesco de Vieri (see Enrico Fenzi, La canzone d'amore di Guido Cavalcanti e i suoi antichi commenti, Melangolo, 1999). While this has very little to do with modern psychology, Guido's philosophy of spiritelli was part of the guiding principles of Arabic medicine, considered very advanced in Dante's time. The merit of such philosophy in Cavalcanti's verse is its ability to describe what goes through the poet's mind in a very detailed, personal manner, creating sensuous, autobiographic poetry. This is revolutionary compared to the rhetoric and academic-seeming manner of the Sicilian and Neo-Sicilian Schools that had preceded the Dolce Stil Novo and, perhaps, a sign of the changing times.

Radici ("Roots") deals mainly with Guccini's rediscover of his youth, symbolized by the cover's picture, portraying his grandparents and family. The family's house in Pavana, on the Tuscan Apennines, is in fact the theme of the title-track. "Il vecchio e il bambino", the last track, is one of the most famous Guccini's ballads, as well "La locomotiva", describing a failed suicide attack by a 19th-century Bolognese anarchist against a luxury train; the latter song has since then ended all singer's concertoes. "Piccola città" is about Guccini's youth in Modena, where his parents had moved after World War II. A notable poetical effort is present in songs such as "Canzone della bambina portoghese" and "Canzone dei dodici mesi", while "Incontro" deals with the melancholy of a late rendez-vous between Guccini and an old friend.

Manfred Porsch at Studio from RATOM-Edition Manfred Maria Porsch (born 14 April 1950 in Vienna) is a composer of Austrian contemporary worship music and a teacher. Manfred Porsch comes from the Focolare Movement. In 1971 and 1972 he toured with Gen Rosso. In 1983 he won the first prize at the "World Festival of the Religious Song", the "Rassegna Mondiale della Canzone Religiosa Populare" in Rom.

Dizionario della canzone italiana. Curcio Editore, 1990. Put under contract by the label Phonocolor in the late 1950s and adopted his stage name, he initially specialized in cover versions of American songs, and particularly in the repertoire of Ray Charles. Foster got his first hit in 1963, with the song "Eri un'abitudine" (Can't Get Used to Losing You), which ranked #5 on the Italian hit parade.

The canso or canson or canzo () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing coblas esparsas. The canso became, in Old French, the grand chant and, in Italian, the canzone.

Fischer's compositions are usually written for intimate groups of human voices and instruments. His "Spinoza-Vertalingen" for soprano and chamber ensemble composed on a 17th- century Dutch translation of Baruch Spinoza's text has been performed in the Netherlands and Hungary. For women's choir, he composed "Zigeunerlied" (Goethe), "La Malinconia" (Umberto Saba), "29. Canzone di Petrarca", "Sait gesund" with a Yiddish text and "A nay kleyd" (Rokhl Korn).

Gaia's first "international gig" came in 2011 when she appeared on the popular Italian TV show Ti Lascio Una Canzone. She took on Tina Turner's “Proud Mary” and left the audience shouting "bellissimo!". She won the prestigious Sanremo Junior Music Festival a year later in her category when she was just nine years old. There, she sang "One Night Only", from the hit film Dreamgirls.

Renato Carosone (; born Renato Carusone; January 3, 1920 - May 20, 2001) was an Italian musician. He was a prominent figure of the Italian music scene in the second half of the 20th century. He was also a modern performer of the so- called canzone napoletana, Naples' song tradition. His biggest successes in Italy were: 'O Sarracino, Caravan Petrol, Tu Vuò Fà L'Americano, Maruzzella and Pigliate na pastiglia.

Information about Gasparo Zanetti's life is limited to his known works. In 1626 he published a two-part version of an original three-part canzone by Rivolta. Zanetti became known for his important legacy, compiled by him in a work for violin students which he published in 1645 with Carlo Camagno in Milan. In the early 19th century, rediscovered the work and printed a second edition.

In the 1960s, he belonged to the Italian Nuova canzone politica and became active in the magazine Nuovo Canzoniere Italiano. As a writer he started publishing some works in the 1980s/1990s, including three novels, and as a journalist. With his brother, Luciano, he wrote for Il Grandevetro, and worked at l'Unità and Liberazione. His brother was political activist Luciano Della Mea (1924–2003).

The group formed in 1974 in Rome. Between 1976 and 1977 they had three singles charting between the fifth and the seventh place on the Italian hit parade. In 1980 the group entered the main competition at the Sanremo Music Festival with the song "Più di una canzone". The group disbanded in 1985, with the members pursuing solo careers as producers, composers and musicians.

On 29 October 2019 the single "Magnifico donare", written by Virginio, was published. It is the soundtrack for the homonymous advertising campaign promoted by Italian Blood Volunteers Association (AVIS), aimed at raising awareness on the importance of blood donation. Then, on 22 November, the single "L'ultima canzone del mondo" entered into radio rotation. The song sees among the authors the signature of the songwriter Mahmood.

Dizionario della canzone italiana. Curcio Editore, 1990. The same year, she also competed at the World Popular Song Festival in Tokyo, with the song "C’è ancora cielo". Produced by Pooh, in 1986 she won the Newcomers section of the Sanremo Festival with the song "Grande grande amore", and she came back to the Festival two more times, competing in the "Big Artists" section in 1987 and 1990.

Stefano's canzone Pir meu cori alligrari, is the only work of the Sicilian School that is preserved in both Sicilian (which has five vowel sounds) and Tuscan (which has seven). Gian Maria Barbieri reported to have found it in a "libro siciliano", probably an Occitan chansonnier from Sicily, and copied it. This copy was first printed in 1790 by Gerolamo Tiraboschi. The original has since been lost.

Dizionario della canzone italiana. Curcio, 1990. In the following years Lolita took part in some of the most important musical events in Italy, including Un disco per l'estate and the 23rd edition of the Sanremo Music Festival. With her career declining in the second half of the 1980s she moved to Lamezia Terme, where she continued to perform in live events achieving some local success.

Andreas Kalvos (, also spelled Andreas Calvos; commonly in Italian: Andrea Calbo; 1 April 1792 – November 3, 1869) was a Greek poet of the Romantic school. He published five volumes of poetry and drama - Canzone... (1811), Le Danaidi (1818), (1818), Lyra (1824) and New odes (1826). He was a contemporary of the poets Ugo Foscolo and Dionysios Solomos. He was among the representatives of the Heptanese School of literature.

Son of an accomplished violinist, Arturo Prestipino Giarritta,Autori Vari (a cura di Gino Castaldo), Dizionario della canzone italiana, ed. Curcio, 1990; alla voce Presti Pino, di Dario Salvatori, pag. 1391 Presti began studying piano and music theory at the age of 6. When he was 17, he started his career performing as vocalist and bass guitarist in clubs as well as working in recording studios as an instrumentalist.

The earliest Italian popular music was the opera of the 19th century. Opera has had a lasting effect on Italy's classical and popular music. Opera tunes spread through brass bands and itinerant ensembles. Canzone Napoletana, or Neapolitan song, is a distinct tradition that became a part of popular music in the 19th century, and was an iconic image of Italian music abroad by the end of the 20th century.

"to military glory"] is a > quotation from the aria Non più andrai at the end of the first act of > Mozart's Marriage of Figaro), White and Black ("Woman is fickle" is an > allusion to the famous canzone La donna è mobile from the beginning of the > third act of Verdi's Rigoletto), and The Moon ("Earth's the right place for > love" is a quotation from "Birches" by Robert Frost).

Dizionario della canzone italiana. Curcio Editore, 1990. pp. 694-5. During the 1970s, the club actively contributed to the launch of several artists' careers, particularly singer-songwriters, including Antonello Venditti, Francesco De Gregori, Rino Gaetano, Mimmo Locasciulli, Stefano Rosso, Gianni Togni, Sergio Caputo, , Grazia Di Michele, Mario Castelnuovo. Cesaroni also created a "Folkstudio" record label which released debut albums of artists who regularly performed in the club such as and Locasciulli.

Dizionario della canzone italiana. Curcio Editore, 1990. pp. 1470–1. In 1979 he made his solo debut with the album David Riondino, and the same year he was the opening act in a series of concerts by Fabrizio De André and Premiata Forneria Marconi. In 1980, following his second album, Boulevard, with arrangements by Shel Shapiro, he focused on his live activity, where he mixed improvisation, music and cabaret.

Moreover, he sonorized some period films live, and duetted with the singer Chiara Civello in Gino Paoli's song "Senza Fine", captivating the auditors in the auditorium Parco della Musica-Sala Sinopoli and the entire TV audience. On 12 September 2016 the song "L'Alba dei Tram – Canzone per Pasolini" was chosen by a jury of 210 journalists as a finalist for the Premio Tenco for the category "Best song of the year".

Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake.

Dizionario della canzone italiana. Curcio Editore, 1990. They were initially produced by Mina, and debuted in 1969 with the single "Amori miei", a cover version of "Oh Happy Day" which premiered at the . During their career Domodossola took part in the 1971 edition of Un disco per l'estate, and in 1970 and in 1974 they entered the main competition at the Sanremo Music Festival with the songs "Ciao anni verdi" and "Se hai paura".

"Cerasella" is a 1959 Canzone Napoletana song composed by Enzo Bonagura, Danpa (Dante Pinzauti) and Eros Sciorilli. The song, with a double performance by Gloria Christian and Wilma De Angelis, was presented at the seventh edition of the Festival di Napoli and then got an immediate commercial success, peaking at sixth place on the Italian hit parade. The song, a portrait of a naively mischievous teenager, was described as "fresh and light-hearted".Enzo Giannelli.

L'Orfeide is an opera composed by Gian Francesco Malipiero who also wrote the Italian libretto, partly based on the myth of Orpheus and incorporating texts by Italian Renaissance poets. The work consists of three parts – La morte delle maschere (The death of the masks), Sette canzoni (Seven songs), and Orfeo, ovvero L'ottava canzone (Orpheus, or The eighth song). It received its first complete performance on 5 November 1925 at the Stadttheater in Düsseldorf.Sadie (1992) Vol.

Then, there are track like Chiedi di me, Una canzone da cantare avrai, Angelina, Lu, I '70, Un'apertura d'ali talk about Renato's memories and friends of the past (like Lucio Dalla, Giancarlo Bigazzi and Angelina, the concierge of the palace where Renato lived as a young man). On 1 March 2013, the first single from the album, "Chiedi di me", was released. The album was certified platinum by the Federation of the Italian Music Industry.

This was followed by an appearance on This Morning on 15 October. Lewis performed the song live on the fourth series of The X Factor on 20 October 2007, and also made appearances on several other TV and radio shows such as T4, GMTV and Loose Women. Lewis also performed the song at the Festival della canzone italiana on 29 February 2008, and on German entertainment show Wetten, dass..? on 1 March 2008.

These books include his instrumental works for recorderunusual for Venetian music at the time, although Giovanni Picchi also wrote for the instrument. The initial publication date of Riccio's Primo Libro is unknown, but the reprint dating from 1612 survives. The majority of the first book is allotted to vocal works, but in the revised edition two new instrumental canzonas are appended. One is his first known piece for recordera canzone for two flautini.

Mario Da Vinci, stage name of Alfonso Sorrentino (14 March 1942 – 10 May 2015) was an Italian Canzone Napoletana singer and actor. Born in Naples, the son of a fisherman, during his career which he started in the 1960s Da Vinci recorded 13 albums and over sixty singles. Da Vinci participated four times at the Festival di Napoli, winning the 1981 edition with the song "’A mamma". His variegated career included television, theatre and films.

Gino Latilla, Pino Rucher, Carla BoniBorn as Carla Gaiano in Ferrara, Boni had worked on RAI, the Italian State Radio and television network, as a singer since 1951. She sang the Italian version of song Johnny Guitar. In 1953 she won the Festival della canzone italiana with Flo Sandon, singing "Viale d'Autunno". In 1955 Boni won the "Festival di Napoli" with the song "'E stelle 'e Napule", which she sang with her husband, Gino Latilla.

Jacques le Roux won in 2010 the „Ulrich-Burkhardt-Förderpreis“ of the South Thuringia State Theatre Meiningen, which declared him as the artist of the year 2010. 2016 he was nominated for the Austrian Music Theatre Price for his interpretation of Peter Quint in Benjamin Britten’s “Turn of the Screw”. After his recording of Bellini's Canzone di Camara, the south German newspaper stated that Jacques le Roux is a musical event of world ranking.

Cervoni was the daughter of the poet Giovanni Cervoni (1508-after 1582), who wrote frequently for the Medici court and published with Giorgio Marescotti in Florence. Like her father, in her early work Cervoni concentrated on praise of the Medici family. Her first poem on record is the 1590 “Canzone . . . sopra ’l felicissimo Natale del Ser[enissi]mo Prencipe di Toscana,” which can be found in manuscript form in the National Central Library (Florence).

Earlier in 1958, Domenico Modugno had caused astonishment by raising his hands in the air during his performance of Nel blu dipinto di blu ("Volare"). In Mina's first TV appearances she further broke with tradition by shaking her head, hands, and hips to the rhythm. The writer Edoardo Sanguineti recalled the Italian public's first encounter with the enthusiastic singer as: TV host Mario Riva named her one of the urlatori (screamers),Coriandoli. Galleria della canzone.

An example was her performance of "Sacumdì Sacumdà" on air after RAI had expressed their displeasure with the song's lyrics about a girl's encounter with the Devil. Other songs that RAI initially banned as immoral were "Ta-ra- ta-ta" (dealing forthrightly with smoking),Mina - Fumo blu (Ta ra ta ta ta ta) Musica e memoria. In Italian. Retrieved 21 January 2008 "La canzone di Marinella", and "L'importante è finire" (alluding to sex without love).

In Italy she performed at the Festival della canzone italiana. Following promotion in Europe she headed to Japan where she performed at the Japan Music Festival. In November 2002, she headed to North America, where she performed the song for the first time at the 2002 Country Music Awards on November 6. In New York the song was performed on The Late Show on the album release day (November 19) and The Today Show.

"Ho visto un re" ('I have seen a king') is a song with text composed by Dario Fo and music by Paolo Ciarchi (credited in the first edition in Ernesto Esposito under the pseudonym Omicron ) and performed by Enzo Jannacci, which was first published in 1968, in the 45rpm Ho visto un re / Bobo Merenda Discografia Nazionale della Canzone Italiana in the recording of the song the orchestra is directed by Luis Bacalov.

Dizionario della canzone italiana. Curcio Editore, 1990. In 1961 he started a 7-years-long collaboration with the Teatro Stabile in Genoa, where he got large critical acclaim, particularly for his performances in Zeno's Conscience, which he later also played in a television adaptation, and in Carlo Goldoni's The Venetian Twins, which he performed in 33 countries including in Broadway. Lionello had a long relationship, from 1978 until his death, with the actress Erika Blanc.

Meo Abbracciavacca () was an Italian poet from Pistoia who died in 1313. Dante Gabriel Rossetti translated two of Abbracciavacca's poems into English in his work titled The Early Italian Poets From Ciullo D'Alcamo to Dante Alighieri (1100-1200-1300): Canzone. He will be silent and watchful in his Love (translation of original Italian verse starting "Madonna, vostra altera canoscenza") and Ballatta. His Life is by Contraries (translation of verse starting "Per lunga dimoranza").

The ensemble was typically made up of neys, flutes, and mandolins, variously complemented by violins, violoncellos, lutes, guitars, trombones and castanets. More traditional saz elements such as ouds, neys, kanuns and zills generally accompanied these instruments. The compositions performed featured makams closer to the melodic structures, keys and chords as defined by a western understanding of scale, i.e. major and minor, and generally were of peşrev, saz semâ'î, canzone, köçekçe and oyun havası performances.

The strangeness of its music and dramatic structure and its deliberate break with the verismo style popular at the time caused an uproar at the premiere which nearly drowned out the performance.Cooke (2005) pp. 138–139 In 1919, Malipiero started composing Orfeo, ovvero L'ottava canzone, which was to become Part III, and finished it shortly before the premiere of Sette canzoni. Part I, La morte delle maschere was the last to be composed and was completed in 1922.

Carolina Victoria Benvenga (born January 10, 1990) is an Italian actress and television presenter. Her prominent work to date has included a lead role in the television series I liceali, as the daughter of the show's main character, and a supporting role in the 2010 romantic comedy film Una canzone per te. As of late 2012, Benvenga was hosting two national Italian television programs: La posta di Yoyo on Rai Yoyo, and Tiggì Gulp on Rai Gulp.

In the same year Gaetano appeared on Rai Radio 1 radio programme Canzone d'Autore (Songwriters). During the programme, emerging musicians are invited to comment on their own songs. The programme was called "E cantava le canzoni", a title taken from the fourth album of the singer. On the same album is the now notorious "Nuntereggae più", and Gaetano was asked to discuss it because of the numerous political references and the long list of names in the lyrics.

Il Musichiere (The Musician) aired on Saturdays from 1957 to 60 on the then-named Programma Nazionale, but ended after host Mario Riva accidentally fell from the stage and subsequently died. Sarabanda (Sarabande), a similar program, aired from 1997 to 2004 and 2005 on Italia 1, in 2009 on Canale 5 and in 2017 again on Italia 1. Name that tune - Indovina la canzone (Name that tune - Guess the song) has been on air from September 2020 on TV8.

Abraham 1968, pp. 69–70. For his texts, Arcadelt chose poets ranging from Petrarch (and his setting of a complete canzone, as a set of five interrelated madrigals, was the predecessor of the vogue for madrigal cycles), Pietro Bembo, Sannazaro, to Florentines Lorenzino de'Medici, Benedetto Varchi, Filippo Strozzi, and Michelangelo himself, to others such as Luigi Cassola of Piacenza, a now-obscure writer who was among the most often-set poets of the early madrigalists.Einstein, Vol. I p.

"La canzone mononota" is a 2013 single by Elio e le Storie Tese. Elio e le Store Tese participated with this song to the Sanremo Music Festival 2013, achieving the second place and winning the Critics' Award "Mia Martini", the award for the best arrangement and the Radio and TV Press-Room award. Faithfully complying with its title, which translates to The One-Note Song, most of the song is sung on one note, i.e. C or Do.

"Canzone" appears to be an original composition for the film and is used in the scene where Cuza triumphantly brings the Talisman to the surface. None of the other tracks were included in the actual film score. A rerecorded version of "The Challenger's Arrival" was released on the album Tangerine Dream Plays Tangerine Dream in 2006, and in 2007, "Ancient Powerplant" was included in the Ocean Waves Collection, available for download from the Tangerine Dream website.

Since the poems of the troubadours were very often accompanied by music, the music of the tornada would have indicated the end of the poem to an audience.Levin 1984, p. 297. Comparatively, the Sicilian tornada was larger, forming the entire last strophe of the song or ballad being performed (canzone), and varied little in terms of its theme—typically a personification of the poem, with a request for it to deliver instructions from the poet.Levin 1984, p. 299.

La Vita Nuova contains 42 brief chapters (31 for Guglielmo Gorni) with commentaries on 25 sonnets, one ballata, and four canzoni; one canzone is left unfinished, interrupted by the death of Beatrice Portinari, Dante's lifelong love. Dante's two-part commentaries explain each poem, placing them within the context of his life. The chapters containing poems consist of three parts: the semi- autobiographical narrative, the lyric that resulted from those circumstances, and brief structural outline of the lyric.Until ch.

The villanelle became one of the most popular forms of song in Italy around mid-century. The music of the early villanella (known as the canzone villanesca) is invariably for three unaccompanied voices. The first composers of villanelle were the Neapolitans Giovanni Domenico da Nola and Giovan Tomaso di Maio; later composers, no longer from Naples, included Adrian Willaert, Luca Marenzio, Adriano Banchieri, Orlande de Lassus, Eva Dell'Acqua (title only, and not musically related), and others.

He was the author of a small volume, La Camorra, about organized crime in Naples, serialized in five installments in 1897 in Il Mattino. He wrote the poem "Canzone 'e Ciccio Cappuccio," immortalising the legendary Camorra chief Cappuccio when he died in 1892. Canzone 'e Ciccio Cappuccio, by Ferdinando Russo, Il Mattino, December 9, 1892 His fame and knowledge of the slums and underworld of Naples was such that Emile Zola wanted him as an escort in his descent in the belly of the Neapolitan labyrinth in 1894. The first novel of Russo, written as a feuilleton in 1907 and published by Treves (Memorie d’un ladro - Memoirs of a thief), was based on the costumes of the Camorra underworld. The same year he published Origini, usi, costumi e riti dell’Annorata soggietà (Origins, customs, traditions and rituals of the "Honoured Society") in collaboration with Ernesto Serao, which was a combination of an essay, journalistic investigation and historical reconstruction with portraits of famous Camorristi and popular sonnets on the subject.

In 1960, De André recorded his first two songs, Nuvole barocche ("Baroque Clouds") and E fu la notte ("And There Was Night"); in 1962, he married Enrica "Puny" Rignon, a Genoese woman nearly ten years older than him. That same year the couple had their first and only son, Cristiano, who would follow in his father's footsteps and become a musician and songwriter as well. In the following years De André wrote a number of songs which made him known to a larger public, soon becoming classic hits: La guerra di Piero ("Piero's War"), La ballata dell'eroe ("The Hero's Ballad"), Il testamento di Tito ("Titus's Will"), La Ballata del Michè ("Mickey's Ballad"), Via del Campo (literally "Field Street", a famous street in Genoa), La canzone dell'amore perduto ("The Song of the Lost Love"), La città vecchia ("The Old [side of] Town"), Carlo Martello ritorna dalla battaglia di Poitiers ("Charles Martel on His Way Back from Poitiers", written together with actor Paolo Villaggio, one of De André's closest friends), and La canzone di Marinella ("Marinella's Song").

He experienced a resurgence in his career when he hosted "Novecento" on RAI, which led to re- hosting the popular Sunday-afternoon show named "Domenica In" and the "Festival della canzone italiana". In the 1970s, he helped establish and work for the Catania-based private channel "Antenna Sicilia". In 1987, he hosted "Festival" on Mediaset after a controversy with RAI president, Enrico Manca. However, years later he worked again for RAI; his show "Serata d'Onore" having been broadcast on Rai Due.

Born in Leonessa, Cherubini was a descendant of composer Luigi Cherubini. He started composing poems and lyrics during the World War I, in which he enlisted as a volunteer. After working several years in Rome as a Poste italiane employee, in 1927 he moved to Milan to focus on songwriting. Around this time he formed a successful professional relationship with Cesare Andrea Bixio, with whom he wrote classics such as "Tango delle capinere", "La canzone dell'amore", "Violino tzigano", "Trotta cavallino", "Mamma".

They are serious, brief, irregular lyrics, in which neither the amatory nor the complimentary tone is by any means obligatory. Some of these pieces contain as few as six lines, one as many as fourteen, but they average from nine to eleven. In the majority of examples the little poem opens with a line of six syllables, and no line extends beyond ten syllables. The madrigal appears to be a short canzone of the Tuscan type, but less rigidly constructed.

Through his study of Averroës, and perhaps due to his native temperament, Cavalcanti held the pessimistic view that humans were limited in the sort of ultimate attainment they could achieve. The intellect could never be brought into a harmony based on reason with bodily desires. This affinity for the ideas of Averroës would have lent to his reputation that he was an atheist. The crowning achievement of Guido's poetic career is his masterpiece, the philosophical canzone Donna me prega (A lady asks me).

Opera is integral to Italian musical culture, and has become a major segment of popular music. The Canzone Napoletana—the Neapolitan Song, and the cantautori singer-songwriter traditions are also popular domestic styles that form an important part of the Italian music industry, alongside imported genres such as jazz, rock and hip hop from the United States. Italy was also an important country in the development of disco and electronic music, with Italo disco being one of the earliest electronic dance genres.

These songs often had a satirical and/or nonsense take. Their most popular hits include "La canzone intelligente" ("The intelligent song", a satire about songwriting) and "E la vita, la vita". From the mid 1970s through the first half of the 1990s, Pozzetto enjoyed a prolific career in film, where he became famous for his trademark pronounced Milanese accent and for his shy and stuttering way of speaking. In the mid 2000s, following almost two decades of separation, he reunited with Ponzoni.

Born in Rome, Sabani made his television debut in the late 1970s as an impersonator: his most famous imitations included those of Adriano Celentano and Mike Bongiorno. From 1983 to 1986 he hosted the Italian version of the show The Price Is Right (OK, il Prezzo è Giusto!) along with (and later succeeded by) Italian singer Iva Zanicchi. He participated at Festival di Sanremo in 1989. His best-known song was A me mi torna in mente una canzone (1983).

Sophie also sings that the phrase "Let's both leave on that ship" is something she could not say in real life but finds easy to sing. Sophie also recorded an Italian language version of the song, entitled "Una canzone". "Une chanson c'est une lettre" was performed fourteenth on the night, following Turkey's Semiha Yanki with "Seninle Bir Dakika" and preceding Finland's Pihasoittajat with "Old Man Fiddle". At the close of voting, it had received 22 points, placing 13th in a field of 19.

The canzone is typically hendecasyllabic (11 syllables). The congedo or commiato also forms the pattern of the Provençal tornado, known as the French envoi, addressing the poem itself or directing it to the mission of a character, originally a personage. Originally delivered at the Sicilian court of Emperor Frederick II during the 13th century of the Middle Ages, the lyrical form was later commanded by Dante, Petrarch, Boccaccio, and leading Renaissance writers such as Spenser (the marriage hymn in his Epithalamion).

"Balocchi e profum'" sheet music cover, 1928. "Balocchi e profumi" is a 1928 Italian song composed by E.A. Mario. Originally launched by Gennaro Pasquariello, it was popularized by Anna Fougez, as to become a classic in the repertoire of Italian café-chantant artists. Described as "Canzone- Feuilleton", the melodramatic lyrics tell the story of a vain mother who ignores her daughter's requests for a toy, until the little girl is seriously ill; the mother soon buys the toys, but it's too late.

They performed in Belgrade in 1960 with Quincy Jones And His Orchestra, and in 1962 and 1963 at Friedrich Shtadt Palace in Berlin. From 1963 to 1983, Ivanova worked in various variety shows which included French chansons, evergreens, Russian romances, Bulgarian folklore and Italian canzone. She also shared a stage with Gilbert Bécaud and Udo Jürgens. Her music was banned in her home country, and she even was imprisoned and sent to a labor camp for promoting retrogressive sound and obscene behavior.

The Sanremo Music Festival 1968 was the 18th annual Sanremo Music Festival, held at the Sanremo Casino in Sanremo, province of Imperia, Italy, between 1 and 3 February 1968. The show was presented by Pippo Baudo, assisted by actress Luisa Rivelli. According to the rules of this edition every song was performed in a double performance by a couple of singers or groups. The winners of the Festival were Sergio Endrigo and Roberto Carlos with the song "Canzone per te".

Title page of Canzone Sopra La Porcellina ("Song on the Piglet") by Giulio Cesare Croce, Bologna, 1622 Pigs have been important in culture across the world since neolithic times. They appear in art, literature, and religion. In Asia the wild boar is one of 12 animal images comprising the Chinese zodiac, while in Europe the boar represents a standard charge in heraldry. In Islam and Judaism pigs and those who handle them are viewed negatively, and the consumption of pork is forbidden.

Regnart was born at Douai, one of five brothers. His first documented appearance is in 1560 as a tenor at the Hofkapelle in Prague under Habsburg ruler Archduke Maximilian; Regnart claimed to have worked there since 1557. In 1564 his first works were published; he moved to Vienna and then Italy, where he studied from 1568 to 1570. The first fruits of these studies, Il primo libro delle canzone italiane, would be published in 1574, with many subsequent volumes to follow.

The new version includes the track "Straordinario", selected to compete in the Sanremo Music Festival 2015. "Straordinario" placed fifth in the main competition and became a top-ten hit in Italy. In Autumn 2015, Galiazzo also became a judge on the Italian talent show Ti lascio una canzone, with Lorella Cuccarini, Fabrizio Frizzi and the music composer Massimiliano Pani. In December 2016, it was announced that Chiara would compete in Sanremo Music Festival 2017, performing the song "Nessun posto è casa mia".

Loretta Goggi (; born 29 September 1950) is an Italian, singer, actress and TV host. Goggi is also an acclaimed singer and her records have always entered the italian pop charts. She reached second place at the 1981 Festival della canzone italiana with the song Maledetta Primavera, her biggest pop hit. Her sister Daniela Goggi is an artist as well, with who co-founded the music disco act Hermanas Goggi, who reached success in the latin markets at the end of the seventies.

Inspired by Giovanni Gabrieli's canzone, the work showcases Nordheim's historical leanings, as well as his occupation with space as a parameter of music. Nordheim's spatial concerns, coupled with his focus on death and human suffering, are brought together in what is arguably his most famous work, Epitaffio per orchestra e nastro magnetico (1963). Written in memory of the Norwegian flautist Alf Andersen, who died that year at a very young age, the work incorporated Salvatore Quasimodo's poem Ed è sùbito sera.

In 2004, he wrote the new edition of Il Gioco dei 9 (Hollywood Squares) which was hosted by Enrico Papi. He was one of the producer of "L'Isola dei Famosi" 3 (Celebrity Survivor), Musicfarm 2 and 3, and Amici di Maria De Filippi 6. He is working with Italian director Roberto Cenci and a group of producers, to create "Dal Lago di Garda Stasera mi butto" for Italian television station Raiuno, 2008 and 2009 format Ti lascio una canzone (Leavin' you a song).

She proposed on Christmas Day in front of friends and family. They married at the Church of St Stefano on Capri in a quiet ceremony, before honeymooning in Rome. She lived on her beloved Isle of Capri for the remainder of her life, at her home La Canzone Del Mare, a swimming and restaurant complex which Fields' home overlooked. It was favoured by many Hollywood stars during the 1950s, with regular guests including Richard Burton, Elizabeth Taylor, Greta Garbo and Noël Coward.

Eddy Anselmi, Festival di Sanremo. Almanacco illustrato della canzone italiana, edizioni Panini, Modena, alla voce Squadra Italia Engages as a composer, in fact, is the author of the music of some songs, including: Ciento appuntamente (1969), Passione Eterna (Eternal Passion) (1972) and Eternamente tua (Eternally Yours) (1973), three of its major topics. whose lyrics were written by Enzo di Domenico. In 1997, Merola went into coma when he was hospitalized for three weeks at the hospital Vecchio Pellegrini of Naples.

The creators of the main roles, including Aureliano Pertile, never recorded anything from the opera, although Ernesto Badini (the first John Plake) and Palmiro Domenichetti recorded the "duetto dei beoni". The "Canzone dell'orso" was done by Nino Piccaluga, who sang the work in Turin and Trieste, while both that and "No, non sono un buffone" was recorded by several other singers including Francesco Merli and Alessandro Valente. In 2000, it was recorded with José Carreras and chorus and orchestra of the Liceu, Barcelona, published by Koch-Schwann.

"Accarezzame" (Neapolitan for "caress me") is a song composed by Nisa and Pino Calvi. The song premiered at the 1954 edition of the , performed by Teddy Reno. The song, a portrait of a romantic approach in a wheat field, went to be a classic of the Canzone Napoletana, and it was later covered by numerous artists, including Nilla Pizzi, Ornella Vanoni, Gigliola Cinquetti, Roberto Murolo, Peppino di Capri, Fausto Cigliano, Fred Bongusto, Perez Prado, Natalino Otto, Peter Van Wood, Iva Zanicchi, Massimo Ranieri, Fausto Papetti, Achille Togliani.

Three of the songs recorded for the album had previously been successes for Nomadi and Equipe 84: "Noi non-ci saremo", "L'antisociale" and "Auschwitz". The latter was translated and sung in English by Equipe 84, as well as by Rod MacDonald in his 1994 album Man on the Ledge. Another song from the album, "In morte di S.F.", later renamed "Canzone per un'amica", was recorded by Nomadi in 1968. From 1965 onward, Guccini spent 20 years teaching Italian at the off-campus Dickinson College, in Bologna.

In 1953, he participated with "Old Boot Vecchio Scarpone " starring Gino Latilla. A vocal quintet with Giorgio Consolini, won third in the standings and became an important hymn in the Alps. In 1954, he participated with " Canzone da due soldi " starring Katyna Ranieri and Achilles Togliani that ranks second. One of his largest successes came in 1961 with "Al di là" on a text by Mogol, played by Betty Curtis and Luciano Tajoli's song that rose to fame in 26 countries around the world.

Canto XXXI opens with the Malatesta family motto Tempus loquendi, tempus tacendi ("a time to speak, a time to be silent") to link again Jefferson and Sigismondo as individuals and the Italian and American "rebirths" as historical movements. Canto XXXV contrasts the dynamism of Revolutionary America with the "general indefinite wobble" of the decaying aristocratic society of Mitteleuropa. This canto contains some distinctly unpleasant expressions of antisemitic opinions. Canto XXXVI opens with a translation of Cavalcanti's canzone Donna mi pregha ("A lady asks me").

The song peaked at number 13 of Billboard Hot Dance/Electronic Songs and at number 15 of UK Singles Chart. In October 2018, he collaborated with Italian singer Eros Ramazzotti for the song "Per le strade una canzone", from the album Vita ce n'è. On January 13, 2019, the singer joined with Wisin, Alejandra Guzmán and Carlos Vives as coaches of the first Spanish season of La Voz by Telemundo. After five years since "8", on February 1, 2019 his 10th studio album "Vida" was released.

Petrarch uses Ovid's Metamorphoses to convey themes of instability, and also sources Virgil's Aeneid. Petrarch inherited aspects of artifice and rhetorical skill from Sicilian courtly poetry, including that of the inventor of the sonnet form, Giacomo da Lentini.The Development of the Sonnet, 14-15. In addition, the troubadours who wrote love poems concerned with chivalry in Provençal (in the canso or canzone form) are likely to have had an influence, primarily because of the position of adoration in which they placed the female figure.

Sandra Studer (born 10 February 1969, Zürich) is a Swiss moderator and singer who represented Switzerland in Eurovision Song Contest 1991, which was held in Rome, Italy. Performing with the stage name Sandra Simó, she came fifth with her song, Canzone Per Te ("A Song For You"), which she sang in Italian (. She is now a major Swiss television personality, under her real name, Sandra Studer. Simo had previously appeared in the 1990 Swiss Eurovision heat with the song "Lo so" which was placed last.

Le più belle canzoni italiane interpretate da Mina is a compilation album by Italian singer Mina, released in 1968. The album was composed by the same tracks of 1969 album I discorsi (except for the songs "E se domani" and "La musica è finita", replaced by "I discorsi" and "La canzone di Marinella"). The tracks for this album were chosen by the readers of the Italian magazines "Amica", "La Domenica del Corriere" and "Tribuna illustrata" and the album itself was included to those magazines as a gift.

Ranieri was born in Follonica in 1925. She had her first hit in 1954 at the Sanremo Music Festival with the song "Una canzone da due soldi". Ranieri enjoyed great success singing "Ti guarderò nel cuore", the Italian vocal version of the theme song of the 1962 film Mondo Cane and the subsequent English vocal version known as "More". She performed this song at the 36th Academy Awards in 1964, becoming the first, and thus far only, Italian singer to perform at the Academy Awards.

The 2009 Jeux de la Francophonie games closing ceremony took place in BIEL, downtown Beirut, on 7 September. The festivities were opened with a classical concert led by conductor Harout Fazlian, followed by a folkloric African music concert specially composed for the occasion. Eliya Francis and Cynthia Samaha interpreted Mozart's opera Bastien und Bastienne, and the following set by Canzone Napoletana was also interpreted by Francis. A large Zorba ring preceded the concert of the Lebanese pop artist Ragheb Alama accompanied by belly dancers.

The Sanremo Music Festival 2014 (64° Festival della Canzone Italiana di Sanremo 2014) was the 64th annual Sanremo Music Festival, a televised song contest held at the Teatro Ariston in Sanremo, Liguria, between 18 and 22 February 2014 and broadcast by Rai 1. Fabio Fazio and Italian comedy actress Luciana Littizzetto presented the show, which was based on the same rules adopted for the previous contest. Competing artists were split in two different sections—Big Artists and Newcomers. The Big Artists section included 14 established Italian artists.

Dolcenera nel paese delle meraviglie is the fourth studio album by Italian singer Dolcenera, released on 18 February 2009. It is her first album released on Sony Music Italy. The lead single from the album, "Il mio amore unico", became the most successful single by Dolcenera so far, peaking at number five on the Italian Singles Chart and reaching the top spot on the Italian airplay chart. The album also spawned the singles "La più bella canzone d'amore che c'è" and "Un dolce incantesimo".

Conversi's music is distinguished by its marriage of the lightness of the Neapolitan villanella, also known as the canzone alla napolitana, with the more serious and literary character of the madrigal. The combination was successful, and Conversi's music was reprinted often during the late 16th century; his music appeared in anthologies as far away as England. His first collection, a book of canzoni alla napoletana for five voices originally published in 1572, went through no less than seven reprints before 1589.Shindle/DeFord, Grove onlineEinstein, vol.

"Canzone per te" ("A song for you") was the Swiss entrant to the Eurovision Song Contest 1991, sung in Italian by Sandra Studer (who performed with the stage name Sandra Simó). The song was composed by Renato Mascetti. On the night of the contest, held in Rome, Italy, the song was performed 5th of 22 entries, following Greece's Sophia Vossou with "I Anixi" and preceding Austria's Thomas Forstner with "Venedig im Regen". At the close of the voting it had received 118 points, placing 5th.

Just 50-years old, Di Fiore, Potere camorrista: quattro secoli di malanapoli, p. 96 he died on December 5, 1892, from a heart attack while he was having dinner. The king of Naples ('‘o rre 'e Napole) was dead, according to an obituary in the Neapolitan daily newspaper Il Mattino. La morte di Ciccio Cappuccio, Il Mattino, December 6, 1892 Three days after his death, Ferdinando Russo, a popular poet of the period, published a poem "Canzone 'e Ciccio Cappuccio" in Il Mattino, immortalising the legendary Camorra chief.

Ramazzotti's 14th studio album Vita ce n'è was released on 23 November 2018 in some of the European markets including Italy, Germany, Belgium and the Netherlands. The album contains duets with Alessia Cara on the track called "Vale per sempre" as well as a duet with Luis Fonsi on the track called "Per le strade una canzone". In its first week of release, Vita ce n'è entered the Italian album chart at No.1, in Germany at No.7. During his 25-year career he has sold over 55 million records worldwide.

In 1990 Guccini released Quello che non..., which continued in the style of Signora Bovary. Songs included in the album are "Quello che non" and "La canzone delle domande consuete", which received the Club Tenco best song of the year award. Three years later, he released Parnassius Guccinii referencing a subspecies of butterfly which was named in his honour. The song "Farewell", included in the album, is a homage to Bob Dylan's "Farewell, Angelina", featuring its instrumental introduction and citing a verse ("The triangle tingles, and the trumpet plays slow").

Italy will participate in the Junior Eurovision Song Contest 2015 in Sofia, Bulgaria after winning in its first appearance in the 2014 contest. They had initially selected their act through the national final Ti lascio una canzone on 12 September 2015, were Chiara and Martina Scarpari had won. However, on 17 September 2015, it was announced that there were technical issues in the voting, and the final would be re-run on 19 September 2015. The Scarpari sisters went on to win the re-run final, and would still represent Italy at the 2015 contest.

The Sanremo Music Festival 2013 (63° Festival della Canzone Italiana di Sanremo 2013) was the 63rd annual Sanremo Music Festival, a televised song contest held at the Teatro Ariston in Sanremo, Liguria, between 12 and 16 February 2013 and broadcast by Rai 1. The show, presented by Fabio Fazio with Italian comedy actress Luciana Littizzetto, featured two different competitions. The Big Artists section included 14 established Italian artists, competing with two songs each. During the semi-finals, a song for each artist was eliminated as a result of votes received by public and journalists.

Red Moon (Italian: Luna rossa) is a 1951 Italian melodrama film directed by Armando Fizzarotti and starring Renato Baldini, Maria Frau and Leda Gloria.Pasquale Scialò Sceneggiata: rappresentazioni di un genere popolare Page 162 2002 "E qualcosa del genere accadeva con Luna rossa (1952, regia di Armando Fizzarotti, ancora con Renato Baldini ed ancora con Claudio Villa, voce cantante fuori campo), quando il bianco e nero del film, in perfetto sincrono con la canzone del ..." It takes its title from a popular song.Marlow-Mann p.44 It was shot on location in Naples.

After performing as the opening act for The Beatles in their 1965 tour of Italy, Peppino and his group attempted, with moderate success, to break out of the European market. Their work was well received, particularly in Brazil, thanks to the large Italian immigrant community in the country. The 1970s saw Peppino with a new band, the New Rockers. He won the prestigious Festival della canzone italiana ("Festival of Italian song", better known as the San Remo Festival) in 1973, with the song "Un grande amore e niente più" ("A great love and nothing more").

Later that year, Roberto Carlos became the first and only Brazilian to win the Festival of San Remo (Italy), with the song "Canzone Per Te", Sergio Endrigo and Sergio Bardotti. The singer would definitely change his style in 1969. The album Roberto Carlos was marked by a greater romanticism instead of the traditional themes typical of the Jovem Guarda youth. Among the successes of this LP are "As Curvas da Estrada De Santos", "Sua Estupidez" and "As Flores do Jardim de Nossa Casa", all partnerships with Erasmo Carlos.

Fake Chemical State is the second solo album by Skunk Anansie lead vocalist Skin. Released on 20 March 2006, the album was produced by Gordon Raphael and Skin herself, except for the first single "Alone in My Room" which Skin produced with former Mansun lead vocalist Paul Draper. The track "Take Me On" features Italian music group Marlene Kuntz with whom Skin previously collaborated on the track "La canzone che scrivo per te" for their album Che cosa vedi. The album was re-released in Italy on 17 November 2006.

Francesco Facchinetti (born May 2, 1980), also known under the mononym Dj Francesco or as Oz, is an Italian DJ, producer, singer, musician and TV presenter. He rose to fame as a singer during the summer of 2003, when he released his debut single, "La canzone del capitano", which became a hit in Italy. Before retiring from his music career in 2007, he released three studio albums, and he competed in the Sanremo Music Festival three times. He is the founder of Italian EDM trio "We Are PresidentS".

Guillaume-Louis Cottrau (10 August 1797 in Paris – 31 October 1847 in Naples) was a French composer and music publisher. Arrived in Naples with his father who served Joachim Murat, the King of Naples, Cottrau undertook the publication of Passatempi Musicali, a collection of Neapolitan songs, some of his composition. Thanks to this, the canzone Napoletana crossed the borders of the kingdom and reached great diffusion and popularity abroad. One of his themes was taken up by Franz Liszt for his Tarentelle napolitaine included in the Années de pèlerinage.

McKenzie, p. 212. Though Chiaro has been placed with the guittoniani, followers of Guittone d'Arezzo, before, only in the canzone Valer voria s'io mai fui validore does Chiaro address Guittone directly. When deviating from the trobar leu into more difficult and complex construction he is usually conversing with guittoniani, such as Pallamidesse Bellindoti or Rinuccino, with Monte Andrea, his most common correspondent, or with Finfo del Buono. Chiaro had a correspondence with "Dante" according to the manuscripts, but this is regarded now as probably Dante da Maiano, in 1283.

Curcio Editore, 1990. They started performing under their birth names in the early 1960s, in music halls and clubs of Amalfi Coast. Initially the duo had a repertoire of cover songs, mainly classics of the Canzone Napoletana, rearranged in a modern beat style. In 1968, shortly after adopting their stage name and starting to record original songs, they got a large success with the song "Ho scritto t'amo sulla sabbia", which reached the first place and stayed sixteen weeks in the top ten of the Italian hit parade.

"Venedig im Regen" (English translation: "Venice In The Rain") was the Austrian entry in the Eurovision Song Contest 1991, performed in German by Thomas Forstner. The song was performed sixth on the night (following Switzerland's Sandra Simo with "Canzone per te" and preceding Luxembourg's Sarah Bray with "Un baiser volé"). At the close of voting, it had received no points, placing 22nd (last) in a field of 22. The song is a ballad, with Forstner singing about a chance sighting of a beautiful woman on a rainy day in Venice.

In spite of its title, the box is actually far from complete, as it only includes De André's thirteen official studio albums, as well as a two-track CD single featuring "Il pescatore" and "Una storia sbagliata". De André's live albums, all of his early production originally released on the Karim label, Mina's virtual duet with De André on "La canzone di Marinella" and "Titti" are not included in the box. "Titti" had its first CD release in 2005, within the greatest hits and rarities collection In direzione ostinata e contraria.

Many songs from the album were subsequently covered by The Manhattan Transfer. Bertè became engaged to tennis champion Björn Borg in 1988, and they were married in September 1989. Bertè has had numerous notable performances at the Sanremo Music Festival, also known as the Festival della canzone italiana. Her first appearance was in 1986 with a rock song called "Re", for which she wore Versace and dressed like a pregnant woman. In later years the Critics' Award at Sanremo was called the Mia Martini after Bertè's sister, who won the first Award offered in 1982.

He then returned to take up the chair in literature in Bologna, where he died Zoppio took an active part in the grammatical disputes that arose during his lifetime between the literary figures of Italy. He declared his support for Annibal Caro in the famous dispute begun by his famous canzone De gigli d'oro and was also one of the defenders of Petrarch and Dante. In this, he acted as a humanist with a love of the language of his birthplace. In Difesa del Petrarcna,Zoppio, Difesa del Petrarcna, p.

The following year, Moro competed once again in the Sanremo Music Festival, performing the song "Non è una canzone". During the semi-final, he also performed the song with Spanish band Jarabe de Palo, but he failed to qualify for the final night of the competition. The song was included in the album Ancora Barabba and peaked at number 17 on the Italian FIMI Top Digital Download. In November 2011, Moro debuted as a TV personality, presenting the programme Sbarre, a docu-reality about Italian prisons broadcast by Rai 2.

His family moved to Naples when he was eight. In 1871, he enrolled at the Accademia di Belle Arti and studied with Domenico Morelli. In 1877 at Naples, he exhibited a painting titled: A peaceful interruption; in 1883 at Milan: Orazione and 'Accordo difficile, He submitted four paintings the same year at Rome, including Canzone allegra, which depicts an old man squatting on a stool, playing guitar and singing to a bed-ridden convalescent girl. In 1884 at Turin, he exhibited: Nello studio; in 1887 at Venice: Una partita d'onore and Lezione di musica.

"Musik klingt in die Welt hinaus" ("Music resounds in the world") was the Swiss entrant to the Eurovision Song Contest 1990, composed by Cornelia Lackner and performed by Egon Egemann in German. On the night of the contest the song was performed 12th (following Denmark's Lonnie Devantier with "Hallo Hallo" and preceding Chris Kempers & Daniel Kovac with "Frei zu leben"). At the close of the voting it had received 51 points, placing 11th in a field of 22. It was succeeded as Swiss representative by Sandra Simó with "Canzone per te".

Petrarch's sonnets were dedicated solely to Laura. She is thought to be an imaginary figure and a play on the name Laurel, the leaves with which Petrarch was honored for being the poet laureate and the very same honor he longed for in his sonnets as a “Laurel Wreath”. The name game has a further layer: "L'aura" is also "gold", the colour of her hair. In the allegorical canzone 323 (Standomi un giorno solo a la fenestra), we see that the mysterious phoenix has a head of gold.

The Italian pastorale Tu scendi dalle stelle, sometimes called "Carol of the Bagpipers" (Canzone d'i zampognari), is a widely popular Christmas carol by St. Alfonso Liguori, and Pietro Yon's Gesù bambino is another. The Swedish poet and performer Carl Michael Bellman's song collection Fredman's Epistles contain several pastorales, including Liksom en Herdinna, högtids klädd (Like a Shepherdess, Solemnly Dressed), which begins with a near-paraphrase of the start of Nicolas Boileau-Despréaux's French guide to the construction of pastoral verse.Britten Austin, Paul. The Life and Songs of Carl Michael Bellman: Genius of the Swedish Rococo.

Petula Clark has never recorded "Anyone Who Had a Heart" in English, feeling that both Dionne Warwick and Cilla Black have definitively rendered the song in its original language. Italian singer Mina performed a version of "Quelli che hanno un cuore" to an unprecedented Italian viewing audience of twenty million watching an episode of the Canzonissima series, orchestrated by Bruno Canfora for an ensemble of 400 musicians on 14 December 1968.Zum zum zum Galleria della canzone site. Retrieved June 27, 2007Puntata 12 del 14 dicembre 1968 (episode 12 on December 14, 1968). minamazzini.

After Ti Lascio una Canzone On 15 November 2014, he won the Junior Eurovision Song Contest 2014 with his song Tu primo grande amore which garnered a total of 159 points, just twelve points ahead from Bulgaria's Planet of the Children who placed second. He was Italy's first ever entrant at the competition and also the only male solo singer in the entire competition. He then made an appearance in the subsequent contest in Bulgaria. He read out the Italian votes and handed the trophy to the winner.

A canzone, which he addressed to Louis XIII on the birth of the dauphin, is said to have been rewarded by Cardinal Richelieu with a gold chain or collar worth 1000 crowns; this reward was not given, as some have asserted, for the famous sonnet beginning, "Sudate o fuochi, a preparar metalli;" and which was parodied by Crudeli in one beginning, "Sudate o forni, a preparar pagnotte," (Sweat, O ye ovens! in preparing cakes!) Achillini's poems were published at Bologna in 1632. He also printed a volume of Latin letters.

Maria Annina Laganà Pappacena, best known as Anna Fougez ( 9 July 1894 – 11 September 1966) was an Italian actress and singer. Born in Taranto, at 6 years old Pappacena became orphan of both her parents, and was adopted by her aunt. She was a child prodigy, debuting as a café-chantant singer aged eight, and at 9 years old she was already a star, performing as a canzone napoletana singer in Milan, Paris and Naples. She adopted her stage name as a tribute to French singer Eugénie Fougère.

It is considered improper for the lesser hendecasyllable to use a word accented on its antepenultimate syllable (parola sdrucciola) for its mid-line stress. A line like "Più non sfavìllano quegli òcchi néri", which delays the caesura until after the sixth syllable, is not considered a valid hendecasylable. Most classical Italian poems are composed in hendecasyllables, including the major works of Dante, Francesco Petrarca, Ludovico Ariosto, and Torquato Tasso. The rhyme systems used include terza rima, ottava, sonnet and canzone, and some verse forms use a mixture of hendecasyllables and shorter lines.

La Leggenda del Piave (), also known as La Canzone del Piave (), is an Italian patriotic song written by E. A. Mario after the Battle of the Piave River in June 1918. In September 1943 the future king of Italy Umberto II chose it as the new national anthem replacing the Marcia Reale. It remained the official anthem of Italy until October 1946, when the new Italian Republic selected Il Canto degli Italiani in its stead. Today, the song is popular in Italy and played by a military band on National Unity and Armed Forces Day (November 4).

Born in Pavia, Bardotti studied piano for seven years and graduated from conservatory with a degree in Theory and Solfeggio. After having performed in nightclubs with the stage name Sergio Dotti, he moved to Rome, employed by RCA for his literary branch. His first song as lyricist was "La nostra casa", which was released as B-side of the Gino Paoli's hit "Sapore di sale", launching his musical career. Shortly later Bardotti started a long collaboration with Sergio Endrigo, which among other things got them the winning of the 1968 Sanremo Music Festival with the song "Canzone per te".

Canzone 'e Ciccio Cappuccio, by Ferdinando Russo, Il Mattino, December 9, 1892 He was succeeded by Enrico Alfano.Camorrist Told All To Win His Bride, The New York Times, March 6, 1911 Other sources mention that after the death of Cappuccio, Giuseppe Chirico, 'o Granatiere (The Grenadier), from the Porta San Gennaro neighbourhood was elected. He was defeated in a zumpata – a kind of ritual initiation knife duel – by Totonno 'o pappagallo (The Parrot) – so-named for his beak parrot nose – who took over the reign before being defeated by Alfano. Consiglio, La camorra a Napoli, p.

Giovanni Marradi, 1888 Giovanni Marradi (1852–1922) was an Italian poet born at Livorno and educated at Pisa and Florence. At the latter place he started with others a short-lived review, the Nuovi Goliardi, which made a literary sensation. He became a teacher at various colleges, and eventually an educational inspector in Massa Carrara. He was much influenced by Carducci, and became known not only as a critic but as a charming descriptive poet, his principal volumes of verse being Canzone moderne (1870), Fantasie marnie (1881), Canzoni e fantasie (1853), Ricordi lirici (1884), Poesie (1887), Nuovi canti (1891) and Ballati moderne (1895).

Ferro's interest in music was born when he received a toy keyboard as a present, which was used to compose his first songs when he was seven. He later started taking guitar and piano classes at a local conservatory of music. When he was 16 years old, he joined a gospel choir and during the same years, he started performing in piano bars and karaoke contests. In 1997, Ferro participated in the "Accademia della Canzone di Sanremo", a music contest created with the purpose to choose the contestants of the Sanremo Music Festival, but was eliminated during the first stage of the competition.

"Sapore di sale" is a song written and originally recorded by Gino Paoli. The song was released as a single in June 1963 by RCA Italiana.Discografia Nazionale della Canzone Italiana The song was the biggest hit of Paoli, but also one of the evergreen classics of Italian music.Gino Paoli see Cantanti Italiani The song had also attended the 1963 edition of Cantagiro, where he had not obtained a successful result; Il Cantagiro - Sito ufficiale: Storia on the contrary he obtained an extraordinary success of sales and in August 1963, the 45 rpm reached number one on the Italian charts.

In 1986 he released the album Pupo in the USSR, a major success that sparked his fame in Eastern Europe. Pupo Biography by Stacia Proefrock The following year he won the international children's song festival Zecchino d’Oro as the author of "Canzone amica" ("Friend song"). Pupo toured extensively on international stages , and in 1991 he released his first and to date only live album, Canada's Wonderland, recorded in Toronto.Pupo In 1992 he competed for the fourth time at the Sanremo Music Festival, this time under his birth name, with the spiritual "La mia preghiera" ("My prayer").

In 1989 Francesco d'Avalos tried to start a revival of Martucci's music by recording four CDs with major works including the two piano concertos, two symphonies, and La canzone dei ricordi. These discs were distributed by ASV Records and later by Brilliant Classics. In 2009, to mark the centenary of Martucci's death, Naxos Records released a series of CDs devoted to his orchestral music, featuring the Symphony Orchestra of Rome conducted by Francesco La Vecchia. In 2011 Riccardo Muti and the Chicago Symphony Orchestra featured Martucci's Nocturne, Op. 70, No. 1 during the orchestra's tour of Europe.

This work was praised by the professor Niccolo Barabino of Florence. Leoni was utilized to make designs for porcelain and for documents given in memory of occasions, for example by the Società Filarmonica Fiorentina to Madame Hastreiter, after a charity concert. Cavaliere Civelli commissioned from him covers for his edition of La Vita Nuova by Dante, which he decorated on parchment, in a style from the 1500s, reproduced with chromolithography. He also completed in similar style the Canzone di Cino da Pistoia to Dante, on Death of Beatrice, offered to the queen of Italy in occasion of the centenary of Beatrice Portinari.

The play was presented at the "International Festival of Edinburgh". In 1996 she cooperated with Arrigo Cappelletti, Lucio Terzano and Vittorio Marinoni to the project "Fasi Comunicanti", for which she recorded an album. She also created with Arrigo Cappelletti a duo bringing on stage unreleased songs of him for which she wrote the lyrics. In the same year she created with pianist Mell Morcone the "Wesuvio Swing Quartet", ensemble dedicated to reinterpreting classical and modern songs of the Neapolitan music. With Mell Morcone and Stefano Corradi Daniela re-elaborated and proposed some classics of the Italian canzone d’autore.

Seborga's characters are part of the drama of life, for better or for worse. They have no chance of escape without risking betrayal and of therefore becoming an accomplice of society. For Seborga automation is a danger, namely the risk of bloodshed by the techno-industrial society to which he opposes the moral rigor of Piero Gobetti which refers to civil commitment. Seborga also approached poetry, his first collection of poems was published in 1965 with the title "Se avessi una canzone", is dominated by the sea, the sun, the wind, rich olive border valleys and vineyards as wild as its inhabitants.

Willaert's work in the religious genre established Flemish techniques firmly as an important part of the Venetian Style. While more recent research has shown that Willaert was not the first to use this antiphonal, or polychoral method — Dominique Phinot had employed it before Willaert, and Johannes Martini even used it in the late 15th century – Willaert's polychoral settings were the first to become famous and widely imitated. With his contemporaries, Willaert developed the canzone (a form of polyphonic secular song) and ricercare, which were forerunners of modern instrumental forms. Willaert also arranged 22 four-part madrigals for voice and lute written by Verdelot.

The Neapolitan tarantella is a courtship dance performed by couples whose "rhythms, melodies, gestures, and accompanying songs are quite distinct" featuring faster more cheerful music. A notable element of popular Neapolitan music is the Canzone Napoletana style, essentially the traditional music of the city, with a repertoire of hundreds of folk songs, some of which can be traced back to the 13th century. The genre became a formal institution in 1835, after the introduction of the annual Festival of Piedigrotta songwriting competition. Some of the best-known recording artists in this field include Roberto Murolo, Sergio Bruni and Renato Carosone.

This might possibly explain the fact that Ficino championed the manuscript and enthusiastically endorsed it before its publication. Early in his career, Pico wrote a Commento sopra una canzone d'amore di Girolamo Benivieni, in which he revealed his plan to write a book entitled Poetica Theologia:Butorac p.357 Pico's Heptaplus, a mystico- allegorical exposition of the creation according to the seven Biblical senses, elaborates on his idea that different religions and traditions describe the same God. The book is written in his characteristic apologetic and polemic style: On Being and the One (), has explanations of several passages in Moses, Plato and Aristotle.

Cover of Luigi Tenco 1964 single "Ho capito che ti amo" / "Io lo so già" on Jolly Records "Ho capito che ti amo" is an Italian language song written by singer-songwriter Luigi Tenco, with music arranged by Ezio Leoni, and released on the Italian record label Jolly in September 1964 as Side A of a 45 rpm side B being "Io lo so già".Discografia Nazionale della Canzone Italiana - HO CAPITO CHE TI AMO/IO LO SO GIÀ "Ho capito che ti amo" meaning 'I realized that I love you' also appeared on Luigi Tenco's self-titled 1965 album Luigi Tenco.

More useful for garnering an understanding of Catalan and Occitan literature of the period, is Lorenç' escondig (escondit), which cannot be connected to the Consistori or its competitions. Moltes de vetz, dompna, ·m suy presentatz, as it begins, describes how certain jealous men (lauzengiers) told his lady that Lorenç was bragging that she loved him, a discourteous violation of the secrecy of love. Lorenç denies the charge in a way clearly inspired by Petrarch's fifteenth canzone, which begins S'i'l dissi mai ("If I ever said that").Ernest H. Wilkins (1950), "A General Survey of Renaissance Petrarchism," Comparative Literature, 2:4 (Autumn), 332.

Mario Trevi Canzone Napoletana is what most people think of when they think of Neapolitan music. It consists of a large body of composed popular music—such songs as 'O sole mio, Torna a Surriento, Funiculì funiculà, etc. The Neapolitan song became a formal institution in the 1830s through the vehicle of an annual song writing competition for the yearly Festival of Piedigrotta, dedicated to the Madonna of Piedigrotta, a well-known church in the Mergellina area of Naples. The winner of the first festival was a song entitled Te voglio bene assaie; it was composed by the prominent opera composer, Gaetano Donizetti.

"Per un vecchio bambino" (meaning "For an old child") is dedicated to Vecchioni's father. "Canzone per Sergio" is instead named after Vecchioni's brother, a notary in Lipari. "L'ultimo spettacolo", is a long ballad beginning with a slow motif about Homer's heroes, but finishing with more dramatic lyrics describing the departure of Vecchioni's wife to meet her lover. The episode of the singer accompanying her to the platform of the train to Turin will reappear in several of his future songs, such as "Vorrei" (in the album Robinson) and Montecristo (in the Lp with the same name).

In keeping with the group's support of Scottish football club Hibernian, "I'm on My Way" was played amidst jubilant scenes at Hampden Park, immediately after Hibernian's victory in the 2007 Scottish League Cup Final. Kikki Danielsson has covered the song with lyrics in Swedish, written by Ulf Söderberg. This version was named "Jag är på väg", and is on her album of 1989, Canzone d'Amore,Information at Svensk mediedatabas and her compilation album of 2006, I dag & i morgon. Scottish trials cyclist, Danny MacAskill, used the song as the soundtrack for his cycling stunt video of January 2020, Danny MacAskill's Gymnasium.

The sceneggiata has its roots in cheap, popular theatrical performances, and scholars believe that economic considerations were decisive in its development.Pasquale Scialò, La canzone napoletana, Newton, 1994, pag.45-48 This is also true of the genre's most commonly identified forerunners, such as the works of Pasquale Altavilla (1806-1875), who developed many of his comedies around successful songs to appeal to a larger audience. After World War I, the Italian government increased the taxation of variety shows, thus causing many authors to devise a mixed type of show that would complement songs with dramatic acting, in order to circumvent such duties.

The pop music of Croatia generally resembles the canzone music of Italy, while including elements of the native traditional music. Croatian record companies produce a lot of material each year, if only to populate the numerous music festivals. Of special note is the Split Festival which usually produces the most popular summer hits. Seasoned pop singers in Croatia include: Meri Cetinić, Mišo Kovač, Ivo Robić, Vice Vukov, Milan Bačić, Arsen Dedić, Vinko Coce, Zdenka Vučković, Darko Domjan, Tereza Kesovija, Gabi Novak, Ivica Šerfezi, Oliver Dragojević, Tomislav Ivčić, Doris Dragović, Radojka Šverko, Maja Blagdan, and many others.

She also hosted the daily program Telegatti Story and the morning show A tu per tu, aired by Canale 5, along with Maria Teresa Ruta. In 2000, she returned to RAI and began hosting La prova del cuoco, the Italian version of Ready Steady Cook. She successfully hosted until 2008, when she took a leave of absence to give birth to her first child. During the 2000s (decade) has hosted also other programs for Rai 1, including Campioni per sempre: Galà dello Sport 2000, the Sunday show Domenica in, Adesso sposami, Il ristorante, Il treno dei desideri, Affari tuoi, Ti lascio una canzone and Tutti pazzi per la tele.

Retrieved on February 25, 2009Oprah's Oscar After Party: Charice Sings "Fingerprint" at oprah.com. Retrieved on February 28, 2009 Zyrus then debuted a new original song, "Fingerprint", composed by Robbie Nevil and produced by David Foster,The Other Side of Charice at mb.com.ph. Retrieved on March 16, 2009 and then appeared in April in the season premiere of Ti lascio una canzone, an Italian musical variety show televised from Teatro Ariston in the city of Sanremo.Charice, una voce da vera star at tgcom.mediaset.it. Retrieved on 09-April-2009 Zyrus performed "I Will Always Love You", "I Have Nothing", "The Prayer", and "Listen",Charice captures Italians' hearts anew at abs-cbnnews.com.

In the opening night of the Sanremo Music Festival 1995, shortly after the beginning of the show a man, Pino Pagano, sat on the edge of the gallery of the theater showed the intention to commit suicide jumping below: he was eventually stopped by Baudo himself amid the applause of the audience. In 1997, he signed again to Mediaset, but his shows "La canzone del secolo" and "Tiramisù" had very little success. In 1999, Baudo was asked by Rai Tre to host a new prime time program, "Giorno dopo Giorno", it is now called "Novecento". In 2002, he hosted the Festival di Sanremo, after the 2001 edition had been a fiasco.

The title track was an abstract description of Guccini's life in Bologna, which referenced Borges and Barthes; it also mentioned the "three heroines of Italian song", Alice, Marinella and Lilly, three women from songs by Italian singer-songwriters De Gregori, De André and Venditti. Other notable tracks were "Canzone quasi d'Amore", characterised by existential poetry, and "Il pensionato", about an old neighbour of Guccini, focusing on the sad psychological situation of some old people. Guccini's next album, Amerigo was released in 1978. The most popular song was "Eskimo", but Guccini claimed the highest point was the title track, a ballad about an emigrant uncle of his.

Carlo Donida began his musical career as a pianist of the musical group "The Dandies". He was then hired as an arranger by Casa Ricordi, which at that time had just created a pop music section. Entered into the "songbooks," he decided to put on paper pentagramma, his first songs, with the assistance of Gian Carlo Testoni wherein the songs "Tell Me I Love You" and "Under the Almond Tree" debuted on the radio and received warm reception from the public. Then came the binomial Donida - Pinchi that gave rise to such hits as Vecchio Scarpone ("Old Boot") and Canzone da due soldi ("Song of Two Money") which had international success.

In December 1990, Punkreas released the demo Isterico, their self-made debut record, containing the single "Il vicino", that quickly became a success and the flagship song of Italian ska core. Many live shows followed Isterico and in 1992 United Rumors of Punkreas was published, excellent forebear of Paranoia e Potere, maybe the band's best record. Paranoia e Potere gave Punkreas celebrity, putting them among the most well-known Italian punk bands. The analog recording, easily noticeable listening to their songs, made their music more aggressive and homogeneous; songs well recognized even today, such as "Acà Toro," "La Canzone del Bosco" and "Tutti in Pista" are part of this record.

The crowning achievement of Cavalcanti's poetic youth is his canzone Io non pensava che lo cor giammai in which he embodies his philosophical thoughts in a vernacular masterpiece. An analysis of two passages from this fifty-six line poem reveals his core ideas on love. Influenced by Averroës, the twelfth century Islamic philosopher who commented on Aristotle, Cavalcanti saw humans with three basic capacities: the vegetative, which humans held in common with plants; the sensitive, which man shared with animals; and, the intellectual, which distinguished humans from the two lower forms. Averroës maintained that the proper goal of humanity was the cultivation of the intellect according to reason.

Cavalcanti's canzone, Pound's touchstone text of clear intellection and precision of language, reappears with the insertion of the lines "In quella parte / dove sta memoria" into the text. Canto LXIV covers the Stamp Act and other resistance to British taxation of the American colonies. It also shows Adams defending the accused in the Boston Massacre and engaging in agricultural experiments to ascertain the suitability of Old-World crops for American conditions. The phrases Cumis ego oculis meis, tu theleis, respondebat illa and apothanein are from the passage (taken from Petronius' Satyricon) that T.S. Eliot used as epigraph to The Waste Land at Pound's suggestion.

Discografia Nazionale della Canzone Italiana – HO CAPITO CHE TI AMO/IO LO SO GIÀ In Argentina, "Ho capito che ti amo" was the soundtrack of the popular soap opera El amor tiene cara de mujer. In 1966, suffering through a period of compulsory military service, he released Un Giorno Dopo L'Altro (One Day after Another) for RCA. The military service did not stop him from traveling to Argentina together with Gianfranco Reverberi to meet the fans of El amor tiene cara de mujer. How he actually managed to arrive in Argentina while his passport was still in possession of the Italian Army is unclear.

Lucky Day which reflects on the disability of his daughter, who has Angelman syndrome, was shortlisted for the Forward First Collection Prize, the Jerwood Aldburgh Prize and the Whitbread prize. Rays (Carcanet), containing many love poems as well as variations on the sonnets and canzone of Louise Labé and Guido Cavalcanti was shortlisted for a Scottish Book Award. In 2010 he published The Island (Two Ravens Press) a novel about a father and young daughter who, as an act of revenge, steal a car. It draws on characters who first appeared in his short story collection A Boy in Summer (Neil Wilson / 11:9, 2002).

The Neapolitan moresca à 3 appeared only "after the canzone villanesca alla napolitana à 3 had gained a secure foothold"Donna Cardamone cited in introduction to Complete madrigals. 2. Madrigals a 4, greghesche a 4, 5, and 7, Volume 2 Andrea Gabrieli and can be considered a development of the villanesca from bucolic to more raucous subject matter; in text, language and musical idiom. Chronologically, moresche belong the last years of Renaissance polyphonic song before monody and Baroque polyphony, and also on the cusp of change from the dominance in Italy of Flemish masters such as Adrian Willaert to native Italians such as Andrea Gabrieli.

Griselda Andreatini, better known by the stage name Gilda Mignonette (28 October 1890 in Naples - 8 June 1953), was a Neapolitan singer of international fame in the early 20th century. She began her career as a singer in theatrical revue shows, where she became a popular "sciantosa" (i.e., a diva), but later dedicated herself mostly to the canzone napoletana genre, recording with major labels such as Columbia and HMV, and touring intensively abroad. In the mid-1920s, she moved to New York, where she reached the apex of her international popularity with Neapolitan classics such as A cartulina 'e Napule ("Postcard from Naples") or E l'emigrante chiagne ("And the emigrant cries").

After Bissi's parting ways with EMI, the label and its Dutch mid-price subsidiary Disky Communications have continued to capitalise on the rights to her back catalogue, issuing a large number of hits compilations in various price ranges under titles like I grandi successi di Alice, Collezione, Le signore della canzone, Made in Italy, Studio Collection, The Best of Alice, Collezione Italiana etc., again mainly including early 1980s hits. The year of 2006 alone saw EMI releasing no less than four of these best of packages in Continental Europe, Scandinavia and Japan. Bissi's following five-year tenure on the Warner Music label has also resulted in the release of unapproved compilations.

Often works designated as such are canzoni da sonar; these pieces are an important precursor to the sonata. Terminology was lax in the late Renaissance and early Baroque music periods, and what one composer might call "canzoni da sonar" might be termed "canzona" by another, or even "fantasia". In the work of some composers, such as Paolo Quagliati, the terms seem to have had no formal implication at all. Derived from the Provençal canso, the very lyrical and original Italian canzone consists of 5 to 7 stanzas typically set to music, each stanza resounding the first in rhyme scheme and in number of lines (7 to 20 lines).

On the final night of the song contest, held on 16 February 2013, "L'essenziale" finished in first place, receiving 36% of votes in the last round of the competition, beating the remaining entries within the top three: Elio e le Storie Tese's "La canzone mononota" and Modà's "Se si potesse non morire". That same night, an internal jury also selected Mengoni among the other participants to the festival as the Italian entry in the Eurovision Song Contest 2013. The artist selection was exclusive from the competition, the results of which were not directly related to Mengoni's selection; the song that he would sing would be determined at a later date.

The poem, written when she could not have been older than fifteen, is addressed to Christina of Lorraine on the birth of her son, Cosimo II de' Medici. She first published in 1592, with a second canzone to Lorraine on the occasion of Cosimo II's baptism. Her subject matter shifted in the middle of the 1590s, when she began to focus less on the familial milestones of the Medici family, and more on the political and religious upheavals of the period. This is evident in her canzoni dedicated to Henry IV of France and Pope Clement VIII in 1597, both of which celebrated the French king's conversion from Protestantism to Catholicism.

The song is a classical ballad, describing the wonders of the world as seen by a child. Boccara recorded the song in five languages, French, English (as "Through the Eyes of a Child"), German ("Es schlägt ein Herz für dich", translated: "A Heart Beats for You"), Spanish ("Un día, un niño", translated: "A Day, a Child") and Italian ("Canzone di un amore perduto", translated: "Song of a Lost Love"). The song was succeeded as (joint) Contest winner in 1970 by Dana singing "All Kinds of Everything" for Ireland. It was succeeded as French representative at the 1970 contest by Guy Bonnet with "Marie-Blanche".

On April 14, 1934 the company changed its name to Società Anonima Iniziative Turistiche (SAIT). In October of the same year, due to the death of Cavalier De Santis, the shares passed to his wife Maria Strambini who in the early months of 1935 sold them to Cavalier Angelo Belloni who took over the management. The Casinò di Sanremo closed its doors on 10 June 1940. Still, undamaged by the war and two German and allied occupations; the Casino resumed its activities seven months after the end of World War Il. The Casinò di Sanremo has been, for many years (until 1976) home of the Festival della canzone italiana.

Il Volo is the self-titled debut album from the pop-opera trio Il Volo, formed on the Italian singing competition Ti lascio una canzone. The album, produced by Humberto Gatica and Italian singer-producer Tony Renis, was released in Italy on November 30, 2010 and in the United States on May 17, 2011. It reached the top spot in the Austrian Albums Chart and it was certified Platinum in Italy by the Federation of the Italian Music Industry. The Spanish edition of the album received a nomination for Best Pop Album by a Duo or Group with Vocals at the 12th Latin Grammy Awards in 2011.

Passione chronicles the rich Neapolitan musical heritage, tracing the influences of European, African and Arabic cultures, while touching on the Canzone napoletana (Neapolitan song) tradition. The film features dozens of contemporary solo performers and ensembles who are currently established on the city's music scene, including Fiorenza Calogero, Pietra Montecorvino, James Senese, Peppe Barra, Fausto Cigliano, and Rosario Fiorello. The film also explores the city's music history with archival footage and accounts of such historic artists as Enrico Caruso, Sergio Bruni, Massimo Ranieri, and Renato Carosone. Passione is the fourth film directed by Turturro, who is primarily known for his film and television acting roles.

The Sanremo Casino hosted the Sanremo Music Festival between 1951 and 1976. In the aftermath of World War II, one of the proposals to revitalize the economy and the reputation of Sanremo was to create an annual music festival to be held in the city. During the summer of 1950, the administrator of the Sanremo Casino, Piero Bussetti, and the conductor of the RAI orchestra, Giulio Razzi, rediscussed the idea, deciding to launch a competition among previously unreleased songs. Officially titled "Festival della Canzone Italiana" (Italian song festival), the first edition of the show was held at the Sanremo Casino on 29, 30, and 31 January 1951.

The traditional Neapolitan mandolin is tear-shaped with a bowl back and a uniquely cut and shaped front (sounding board); it has eight strings paired into the four violin tunings of g, d', a', and e'. The strings are played with a plectrum, producing the rapid and characteristic tremolo sound as the plectrum moves rapidly over unison strings. In that configuration, the Neapolitan mandolin started to be manufactured widely in Naples in the mid-18th century. In spite of the modern vision of the mandolin as a quaint vehicle for older, traditional popular music such as the Canzone Napoletana, the instrument has a classical history.

To elude this sentence he went to Florence, where he was attached to the household of Carlo di Calabria. His freethinking and plain speaking had made him many enemies; he had attacked the Commedia of Dante, and the Canzone d'amore of Guido Cavalcanti. But according to Ernst Cassirer's The Individual and the Cosmos in Renaissance Philosophy, he died at the stake for his attempt to determine the nativity of Christ by reading his horoscope (page 107). The physician Dino del Garbo was indefatigable in pursuit of him; and the old accusation of impiety being renewed, Cecco was again tried and sentenced for relapse into heresy.

In New York, he sang at the Madison Square Garden, at the Brooklyn Academy of Music and at the Kenkiol Theatre. He also participated in a tour in Europe and worked side by side with other Italian artists such as, Luciano Tajoli, Nilla Pizzi, and Claudio Villa. In 1995 he recorded an album with Zeus Record, a record making company, where he sang Pino Daniele's songs. In 1997 he was invited by Paolo Limiti in the show Ci vediamo in Tv"Ci vediamo in TV" and in 2001, Piero Chiambretti and Fabio Fazio invited him to the Festival della canzone italiana to represent the Neapolitan song genre.

Parnassius Guccinii was released in 1993, three years after Guccini's last studio album, Quello che non.... The title is a reference to a butterfly subspecies discovered in 1992 by an Italian entomologist, which was named Parnassius mnemosyne guccinii after the singer-songwriter. The front cover also features an image of the butterfly. "Canzone per Silvia" was dedicated to activist Silvia Baraldini, while "Nostra signora dell'ipocrisia" (Our lady of hypocrisy) was a criticism of Silvio Berlusconi. The track "Farewell" was inspired by and a reference to "Farewell Angelina" by Bob Dylan, quoting one line ("the triangle tingles, and the trumpet plays slow") and featuring the same instrumental introduction.

Pucci was the first person to design a one-piece ski suit.The history of the one piece ski suit Although there had been some experiments with stretch fabrics in Europe before the war, Pucci's sleek designs caused a sensation, and he received several offers from American manufacturers to produce them. Instead, he left the Air Force and set up an haute couture house in the fashionable resort of Canzone del Mare on the Isle of Capri. Initially, he used his knowledge of stretch fabrics to produce a swimwear line in 1949, but he soon moved onto other items such as brightly coloured, boldly patterned silk scarves.

Fabrizio Zampa, "Mina a colazione: Pappa di latte, vecchi brani, i figli e tante note", Il Messaggero del 18 ottobre 1995 Other songs which received favourable reviews were Per te che mi hai chiesto una canzone written by Philip Trojani, who also duets with Mina on the Mario Luzzatto Fegiz, "Mina, tutta casa e Pappa di latte", Corriere della Sera del 18 ottobre 1995 and the Italian-Neapolitan Sulamente pe' parlà.Marco Mangiarotti, "Mina: quei vecchi biscotti inzuppati nella nostalgia", Il Giorno del 18 ottobre 1995 Massimiliano Pani is credited to writing two beautiful love songs Se finisse tutto così and Torno venerdì. These are included among the unpublished tracks, but they have actually been recorded by Pani.

In 1998 Walt Disney Pictures chose her to perform in the Italian version of the American animated film Mulan, where she performed the songs "Riflesso" and "Molto Onore Ci Darai". In 1999 she performed the song "In Your Eyes", written by Silvio Amato, theme music of the movie Senza Movente (Warner Bros.) then she participated in Gino Landi’s tv show "Tiramisù" presented by Pippo Baudo, broadcast on Canale 5. In 2000 she participated as the lead singer in the five episodes of Pierfrancesco Pingitore's TV show "La Canzone del Secolo" presented by Pippo Baudo, broadcast on Canale 5. In 2004 she composed and recorded the theme song for "Prima o Poi", a quiz show broadcast on Rai 2.

Pausini performing during the Festival Teatro-Canzone, in memory of Italian singer Giorgio Gaber, on 21 July 2007. In November 2006, Pausini released the album Io canto / Yo canto, consisting of covers of Italian pop rock songs. On the album liner notes, Pausini wrote: "here is the music I listen to when I'm at my saddest, or when I feel a moment is special, the songs I used to sing as a young girl when I first started performing, and above all those which taught me to love music, and how music can move you so deeply, regardless of its genre or style". The album also features duets with Tiziano Ferro, Juanes and Johnny Hallyday.

Pages from the printed Magnificat of the Vespers, a page from the alto partbook (left), and the corresponding page from the continuo partbook (right) The Vespro della Beata Vergine, Monteverdi's first published sacred music since the Madrigali spirituali of 1583, consists of 14 components: an introductory versicle and response, five psalms interspersed with five "sacred concertos" (Monteverdi's term),Whenham (1997), pp. 16–17 a hymn, and two Magnificat settings. Collectively these pieces fulfil the requirements for a Vespers service on any feast day of the Virgin. Monteverdi employs many musical styles; the more traditional features, such as cantus firmus, falsobordone and Venetian canzone, are mixed with the latest madrigal style, including echo effects and chains of dissonances.

Dolcenera during a concert in Sanremo (Province of Imperia, Liguria) in 2009 In 2009 she signed a recording contract with Sony Music and she published her fourth studio album, titled Dolcenera nel paese delle meraviglie. The first single from the album, "Il mio amore unico", was performed during the 59th Sanremo Music Festival, competing in the "Artists" section, but it failed to reach the final. Despite the competition's outcome, the single was strongly aired by Italian radios, reaching the first position in the airplay chart and peaked at number 5 on the Italian Albums Chart. The other singles from the album are "La più bella canzone d'amore che c'è" and "Un dolce incantesimo".

Later, during his Dadaist phase, Schulhoff composed a number of pieces with absurdist elements. Anticipating John Cage's 4′33″ by more than thirty years, Schulhoff's In futurum (part of Fünf Pittoresken for piano, written in 1919) is a silent piece composed entirely of rests, with the interpretative instruction "tutto il canzone con espressione e sentimento ad libitum, sempre, sin al fine" ("the whole piece with free expression and feeling, always, until the end"). The composition is notated in great rhythmic detail, employing bizarre time signatures and intricate rhythmic patterns. Schulhoff's work is itself predated by humorist Alphonse Allais's nine-measure silent work of 1897 Funeral March for the Obsequies of a Deaf Man.

It came in second place at the Sanremo Music Festival in 1952. It went on to be a worldwide hit, has been translated into forty languages, and inspired the title of a movie with Walter Chiari. Dictionary of Italian Song (Il dizionario della canzone italiana), by Gino Castaldo and various authors , editor Armando Curcio under Mario Panzeri and Enzo Giannelli (published by Curcio , 1990 ) , p. 1,279 Papaveri e Papere at L'enciclopedia di Sanremo: 55 anni di storia del festival dalla A alla Z, Gremese Editore, 2005 pages 92, 75, 116, 129, 229, 165, 154, 251, 156, 121 English lyrics were by Bob Musel and the song was published by Chappell's of London.

Born in Messina, the son of a couple of Neapolitan actors and singers, Rondinella started his career as a singer after World War II, following failed attempts to pursue a military career and a career as a boxer. He first emerged as the winner of a contest for "New Voices" organized by Radio Napoli, and in a short time he became one of the stars of Canzone Napoletana. A real-life friend of Totò and Eduardo De Filippo, Rondinella also had a prolific career as a stage and film actor, with a peak in the first half of the 1950s. His younger brother Luciano also had a career of actor and singer.

Zyrus launched his debut single "Note to God", also credited under his former name Charice, with a performance on The Oprah Winfrey Show on May 18, 2009. This number served as the final act of Oprah's "Search for the World's Smartest and Most Talented Kids"; a year-long series which showcased kids with outstanding skills and talents from across the globe. On May 30, 2009, Zyrus sang the song on the popular Italian television show, Ti lascio una canzone. On December 27, 2009, he appeared on the grand finale of Singapore Idol as a guest performer and sung two of his signature songs, a medley of songs from The Bodyguard and "Note to God".

Together with Dorelli, Loretta also play in the sit- com Due per tre, a series produced in three seasons, broadcast on Canale 5 on sunday afternoon between 1997 and 1999. In the summer of 1997 she also hosting the Rai 1 variety La zanzara d'oro, a talent show dedicated to the discovery of new comic actors, in which she is supported by actor Enzo Iacchetti. On Mediaset she leads with Mike Bongiorno four editions of the musical program Viva Napoli aired on Rete 4 (from 1998 to 2002), where she duets with many competitors on very popular Canzone Napoletana repertoire. She had also won the second edition of 1996 as a competitor.

The several pieces which Verdelot wrote for Machiavelli's play, while called canzone, are considered to be the earliest madrigals.McClary, 38–56. In addition to siding with the Florentine Republic, Verdelot was most likely a supporter of martyred reformer Girolamo Savonarola. This is shown by several of his works: his setting of In te domine speravi, based on the psalm which was the subject of that man's last writing before he was burned at the stake; and the use of the tune most closely associated with the monk, Ecce quam bonum, the song which unified his followers during his final conflict, and which appears in the inner voices in Verdelot's motet Letamini in domino.

Verdelot, along with Costanzo Festa, is considered to be the father of the madrigal, an a cappella vocal form which emerged in the late 1520s from a convergence of several previous musical streams (including the frottola, the canzone, the laude, and also including some influence from the more serious style of the motet). Verdelot's style balances homophonic with imitative textures, rarely using word-painting, which was largely a later development (though a few interesting foreshadowings can be found). Most of his madrigals are for five or six voices. Verdelot's madrigals were hugely popular, as can be inferred from their frequency of reprinting and their wide dissemination throughout Europe in the 16th century.

In 2007, D'Agostino released Lento Violento ...e altre storie, a compilation which contains two CDs and his new 35 Lento Violento songs. Most important "hits" of the album are "Cammino" (a collaboration with Dimitri Mazza) and "Vorrei Fare una Canzone" (a collaboration with Gerolamo Sacco) according to YouTube views. After some months, he released the compilation La musica che pesta under the name "Lento Violento Man", which contains two CDs for a total of 38 unmixed tracks. From 2005 until January 2010, he had radio programs, on the Italian Radio m2o Musica allo Stato Puro (in English: "Music at the Pure State"), called "Il Cammino di Gigi D'Agostino" and "Quello che mi piace ".

This album gained the second prize at Targa Tenco (an award given every year since 1984 by the Tenco Club. It is assigned by a jury of journalists and experts in art music and it is considered one of the most prestigious awards of Italian music), as best debut album. Maldestro has also been included in the Club Tenco album dedicated to De André. In 2017 he competed in the Sanremo Music Festival with the song "Canzone per Federica" (Song for Federica), finishing second among the "Newcomers" and winning the Critics' Award of the Italian Song Festival "Mia Martini" for that section, the Lunezia Award, the Jannacci Award, the Assomusica Award and the Best Videoclip Award.

Scene 1: The gypsies' camp The gypsies sing the Anvil Chorus: Vedi le fosche notturne / "See! The endless sky casts off her sombre nightly garb...". Azucena, the daughter of the Gypsy burnt by the count, is still haunted by her duty to avenge her mother (Canzone: Stride la vampa / "The flames are roaring!"). The Gypsies break camp while Azucena confesses to Manrico that after stealing the di Luna baby she had intended to burn the count's little son along with her mother, but overwhelmed by the screams and the gruesome scene of her mother's execution, she became confused and threw her own child into the flames instead (Racconto: Condotta ell'era in ceppi / "They dragged her in bonds").

The literary critic Paolo Jachia commented: "Guccini's enormous poetic and cultural effort has been opening the best tradition of Italian poetry to Dylan-esque ballads". Other songs included in the album are "Canzone per Silvia", dedicated to Silvia Baraldini, and "Acque", composed for Tiziano Sclavi's movie Nero. It was three years until he released his next album, D'amore di morte e di altre sciocchezze, which achieved significant commercial success. Tracks included are "Cirano", inspired by the play Cyrano de Bergerac; "Quattro stracci", about the ending of the relationship with Angela (the same woman to whom Farewell was dedicated); "Stelle" about the feelings of powerlessness men feel when looking at the starry night sky; "Vorrei", dedicated to his new partner, Raffaella Zuccari, and "I Fichi", a farcical song.

Vinicio Capossela Vinicio Capossela (born 14 December 1965) is an Italian singer-songwriter. Capossela is renowned for the highly original and poetic lyrics of his songs. Many of them draw from traditions of Italian folk music, especially those of his parent's native Irpinia, part of the Campania province. Some of his songs — especially in the album Marinai, profeti e balene ("Sailors, Prophets and Whales") — are inspired on world themes and legends (Canzone a manovella, Medusa) and world literature, such as Homer (Calypso, La lancia del pellide), Samuel Taylor Coleridge (Santissima dei naufragati), Joseph Conrad (Lord Jim), Herman Melville (Billy Budd, La Bianchezza della Balena), John Fante (Accolita dei rancorosi), Oscar Wilde (Con una rosa), Alfred Jarry (Decervellamento) and Geoffrey Chaucer (Corvo torvo).

Eurovision tv - Extra Nena Swedish host conductor Anders Berglund conducted the song; he also played accordion during the song because there was no accordionist in the orchestra. The song was released as a single in Europe both in its Serbian language and in English as "We Can't Have Our Love Anymore"; as well as in French as "Je t'embrasse par mes chansons" and Italian as "Ti bacio con ogni canzone". Discogs - Extra Nena It was also released as part of an EP titled Evrovizija '92 / Malme, this contained all four versions of the song. The song was also contained on her album Pesmo Moja Kreni (Song of My Love), released in 1992.. This was the final entry for Yugoslavia in the Eurovision Song Contest.

The Festival della canzone italiana di Sanremo (Italian song festival of Sanremo) is the most popular Italian song contest and awards ceremony, held annually in the town of Sanremo, Liguria, and consisting of a competition amongst previously unreleased songs. Usually referred to as Festival di Sanremo, or outside Italy as Sanremo Music Festival, it was the inspiration for the Eurovision Song Contest. It is the music equivalent to the Premio Regia Televisiva for television, the Premio Ubu for stage performances, and the Premio David di Donatello for motion pictures. The first edition of the Sanremo Music Festival, held between 29 and 31 January 1951, was broadcast by RAI's radio station Rete Rossa, and its only three participants were Nilla Pizzi, Achille Togliani, and Duo Fasano.

Zukofsky's major work was the epic poem "A"—he never referred to it without the quotation marks—which he began in 1927 and was to work on for the rest of his life, albeit with an eight-year hiatus between 1940 and 1948. The poem was divided into 24 sections, reflecting the hours of the day. The first 11 sections contain a lot of overtly political passages but interweave them with formal concerns and models that range from medieval Italian canzone through sonnets to free verse and the music of Bach. Especially the sections of "A" written shortly before World War II are political: Section 10 for example, published in 1940, is an intense and horrifying response to the fall of France.

Their first hit was 1966's "Come potete giudicar" (How Can You Judge, which was actually the cover of Sonny Bono's "The Revolution Kind"), anthem of the Italian beat generation, which exemplifies the clash between hippies and conservatives. In the wake of this success i Nomadi came into contact with a young and then unknown writer, Francesco Guccini, who would go on to give them other successes: "Noi non ci saremo" ("We Won't Be There"), "Dio è morto" ("God is Dead"), "Canzone per un'amica" ("Song for a Friend"). Their great success continued in the following years. Hits included "Io Vagabondo" ("I, Vagabond"), "Un pugno di sabbia" ("A Fistful of Sand"), "Un giorno insieme" ("One Day Together"), "Tutto a posto" ("Everything Settled"), "Voglio ridere" ("I Want to Laugh").

Croatia is known for its specific Dalmatian folk music sound which mixed with various forms of popular music is represented at the festivals held on the Adriatic coast, such as the Split Festival and formerly the Opatija Festival. This style of music is similar to the Italian Canzone and the Sanremo Music Festival and some of its most notable act are Oliver Dragojević and Mišo Kovač. One of the most notable festival solo singer was Vice Vukov, who represented former Yugoslavia at the Eurovision Song Contest 1963 and 1965, before being accused of croatian nationalism during the Croatian Spring and subsequently persecuted by the Yugoslav authorities. Other eminent festival performers include: Tereza Kesovija, Doris Dragović, Jasna Zlokić, Meri Cetinić and formerly the group Dubrovački trubaduri.

Ritratti ("portraits") was released on February 20, 2004, four years after Guccini's last studio album, Stagioni. It consists of nine songs, three of which are portraits of historical figures: "Odysseus" and "Cristoforo Columbo", in which Guccini focuses on the theme of travel through the voices of Ulysses and Columbus, and "Canzone per il Che", the second Guccini's song in honour of Ernesto "Che" Guevara after "Stagioni", included in the album of the same name. "Piazza Alimonda" is about the demonstrations at the 2001 G8 Summit in Genoa and the death of Carlo Giuliani during the riots. There are several literary references throughout the album,especially in "Odysseus", which references the Odyssey, the Canto 26 of Dante's Inferno, and "A Zacinto", a poem by Foscolo.

In the fall of 2012 she became publicly known for her role as Benedetta Ferraris-Costa in the miniseries Questo nostro amore (This our love) broadcast on Rai 1 and also starring Neri Marcorè and Anna Valle. She appeared in the official music video for Modà in the song Se si potesse non morire (If you could not die) which placed third in the Festival della Canzone Italiana di Sanremo (San Remo Festival of Italian Songs) in 2013 and which was the soundtrack to the film White as Milk, Red as Blood where she starred as Silvia. In the same year she starred in a short LGBT-themed film called Ad occhi chiusi (Eyes closed).Storia di un amore 'diverso': 'Ad occhi chiusi' di Lisa Riccardi, cinemio.

One of Merola's most renowned movies was Zappatore, where he plays a father who worked tirelessly to make his son into a lawyer, only to have his son turn his back on him. On the occasion of the Festival of Sanremo 1994, along with Nilla Pizzi, Wess, Wilma Goich, Manuela Villa, Tony Santagata, Jimmy Fontana, Gianni Nazzaro, Lando Fiorini, Rosanna Fratello and Giuseppe Cionfoli, is part of Team Italy, cosituitosi 's event, and sings the song Una vecchia canzone italiana (An old Italian song), will affect a disc of the same name that contains 12 tracks including one sang together and the other individually by each member of the group, Merola an occasion to affect an unreleased track Acqua salata Blu (salt water blue).

The Sanremo Music Festival 2015 (65° Festival della Canzone Italiana di Sanremo 2015) was the 65th annual Sanremo Music Festival, a television song contest held at the Teatro Ariston in Sanremo, Liguria, between 10 and 14 February 2015 and broadcast by Rai 1. The show was presented by two previous winners of the festival, singers Arisa and Emma, along with Spanish television presenter and model Rocío Muñoz Morales, and director of the show Carlo Conti. The Big Artists section included 20 established Italian artists, competing with a song each, while 8 artists performed in the Newcomers' section. On 13 February 2015, Giovanni Caccamo won the Newcomers' section with "Ritornerò da te", also receiving the "Emanuele Luzzati" Award, the Critics' Award "Mia Martini", and the Press, Radio, TV & Web Award "Lucio Dalla".

The melody and original lyrics for the hymn were written by Alphonsus Liguori, a prominent Neapolitan priest and scholastic philosopher (later canonized) who founded the Redemptorist missionary order. In 1732, while staying at Convent of the Consolation, one of his order's houses in the small city of Deliceto in the province of Foggia in southeastern Italy, he wrote the Christmas song that begins "You come down from the stars" entitled "Little song to Child Jesus". This version with Italian lyrics actually came after the original song written in Neapolitan entitled "For Jesus' birth" and that begins ' (When the child was born) and sometimes referred to as the "Carol of the Bagpipers" (Canzone d'i zampognari). Since that time, the "Little song to Child Jesus" became a widely popular Christmas carol in Italy.

Italian music: The diverse regions of Italy are home to dozens of varieties of folk music. By the 1950s, their popularity was declining rapidly and a group of musicians and musicologists founded organizations like Istituto de Martino and Nuovo Canzoniere Italiano to help preserve folk cultures. The following decade saw a revival of a number of traditions, including Ciccio Busacca's fusions of Sicilian folk styles, central Italy's jazzy modern folk, pioneered by Canzoniere del Lazio, the re- appearance of the lira through the work of Re Niliu, the popularization of diverse genres of northern Italian music and some of the work of world-famous tenor Enrico Caruso, who revitalized Naples' canzone napoletana tradition. In contrast to many other countries', Italy's roots revival has resulted in very little mainstream success.

Di volpi, di vizi e di virtù, published in 1995 includes among others the work of Roberto Vecchioni for "Canzone d'amore sprecato" (Wasted love song), Edoardo Bennato playing harmonica, Roberto Roversi's songs "Maledettamericatiamo" and "Ma se guido una Ferrari" (But if I drive a Ferrari), and one of their biggest hits, "Ballando al buio". In the spring of 1997 they released Dammi 5 minuti, which included "Un volo d'amore" (A love flying), the story of two young lovers killed in the Bosnian conflict. In 1998, Stadio released Ballate fra il cielo e il mare (Ballads between the sky and the sea), a thematic collection that included new versions of their love songs. The disc was reissued in February 1999 with the addition of the song "Lo zaino" (The backpack), written by Vasco Rossi.

Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life.

L'insulto delle parole is the fourth album released by the Italian singer Susanna Parigi. It was published in 2009 by Promo Music. The album sees the participation of the quartet of arches Arkè String Quartet (excluded a Jacques Brel's song cover, “La canzone dei vecchi amanti”, that was arranged by Vince Tempera). The album includes a video clip that collects the testimonies of Pino Arlacchi, Corrado Augias, Lella Costa, Cesare Fiumi, Kaballà, Leonardo Manera, Andrea Pinketts e Bruno Renzi, to which Marco Travaglio has joined successively, about the topic of the title of the album: the excessive and often gross use of the language and the manipulation of the dictionary, changing the name to things and facts or altering of the essence maintaining the name, generating so the constant insult of the truth.

The group formed in Naples in October 1974, but it was officially launched in February 1975 under the production of Giancarlo Bigazzi and Totò Savio. They got an almost immediate huge success, with several singles charting on the Italian hit parade. Characterized by a style which mixes Neapolitan tradition and melodic pop-rock, they got their biggest hit in 1976, peaking at the third place on the Italian hit parade with Tu, ca nun chiagne, a cover version of a 1915 Canzone Napoletana classic. In 1977 the group entered the main competition at the Sanremo Music Festival with the song Miele, which sold 1 million copies. They attended at the popular music competition Festivalbar three times, scoring three smash-hits: M'innamorai (1975); Vai (1976); Concerto in La Minore (dedicato a lei) (1978).

This virtuosity, inventiveness, and humor are all in full dazzle with "A Foin Lass Bodders Me," his translation of Guido Cavalcanti's "Donna Me Prega," a 13th- century canzone which Ezra Pound had translated several times. Pound had muted the poem's intricate rhyme scheme, reasoning that English was rhyme-poor next to Italian, and that lines "with the natural swing of words spoken" in the latter would sound stilted and artificial in the former. Zukofsky's solution was to substitute a Brooklyn vernacular for standard English, and transform a philosophical lyric into a dramatic monologue. In this way he managed to preserve every aspect of the poem's technical intricacy, down to the leap- frogging internal rhymes; what might otherwise have seemed an excess of artifice is resolved within the boozy virtuosity of the poem's swaggering speaker.

In 1940 Auden wrote a long philosophical poem "New Year Letter", which appeared with miscellaneous notes and other poems in The Double Man (1941). At the time of his return to the Anglican Communion he began writing abstract verse on theological themes, such as "Canzone" and "Kairos and Logos". Around 1942, as he became more comfortable with religious themes, his verse became more open and relaxed, and he increasingly used the syllabic verse he had learned from the poetry of Marianne Moore. Auden's work in this era addresses the artist's temptation to use other persons as material for his art rather than valuing them for themselves ("Prospero to Ariel") and the corresponding moral obligation to make and keep commitments while recognising the temptation to break them ("In Sickness and Health").

Born in Naples on April 26, 1954, began his career at age 19 as part of an RAI orchestra conducted by maestro Gianni Desideri, Without the transmission Senza Rete on Rai Uno in Naples, with the agency ATAF Antonio Fusco and Franco Baldi. In 1981 he participated in the Festival of Naples with the song Doce e amaro.Antonio Sciotti - Cantanapoli. Enciclopedia del Festival della Canzone Napoletana 1952-1981, Luca Torre editore (2011) Become friends with Nino D'Angelo, who wrote two songs for Nardi, the first and the second LP Ricordi and Illusione, containing other songs written by him on the issues of melodic song and Neapolitan love, in a period in which he went to fashion's song "jacket" given in vogue a decade before by the likes of Mario Merola, Pino Mauro and Mario Trevi.

Rime del cav. Marini (1674) Marino originated a new, "soft, graceful and attractive" style for a new public, distancing himself from Torquato Tasso and Renaissance Petrarchism as well as any kind of Aristotelian rule. His new approach can be seen in the Rime of 1602, later expanded under the title La lira (The Lyre) in 1614, which is made up of erotic verse, encomiastic and sacred pieces, arranged either by theme (sea poems, rustic poems, love poems, funereal poems, religious poems) or by verse form (madrigal, canzone). They often hark back to the Classical traditions of Latin and Greek literature, with a particular fondness for the love poems of Ovid and the Dolce stil nuovo tradition of Italian verse, showing a strong experimental tension with anti-Petrachan tendencies.

Born in Reggio Calabria on 22 May 2000, the sisters Chiara and Martina Scarpari showed a natural love of music since their early childhood. Chiara and Martina's singing talent was noticed first by their grandfather, who five years earlier encouraged them to follow their passion. Three years later they met their mentor, Christian Cosentino, who raised the bar even higher and encouraged them to sing and compete on an international level. After the victories in some local contests, in 2014 Chiara and Martina debuted on the Rai1 prime time talent show for teens ‘Ti lascio una canzone.’ After two winning nights, they qualified for the final night and earned third place. The twins released their first single, ‘Sempre insieme,’ and represented Italy at the New Wave Junior contest, where they were the runners- up, missing victory by only one point.

Ti lascio una canzone (English: Leavin' you a song) was an Italian music talent show for aspiring singers aged 7 to 15, all of which were required to cover the most beloved songs in the history of Italian pop music. The songs covered in the program, which represent the true stars of the show, are “golden oldies”. They are symbolically “left” for us, in what amounts to a musical heritage, to be interpreted by the singers of tomorrow, in order to ensure that the melodies and lyrics which have provided the background music to past generations are not lost. The songs are covered by young singing talents, who interpret the best loved songs of Italian pop music during each broadcast. Italian and international singing guests become part of “story” of the evening’s broadcast, enlarging the musical panorama covered by that particular episode.

In Parma, Raimondi gathered prominent pupils: Antonio Costa from the Academy of Fine Arts of Florence, Tommaso Aloysio Juvara from the Academy of Fine Arts of Naples, Ludovico Bigola from the Albertina Academy of Turin, Odoardo Eichens from the School of Fine Arts of Berlin. When the 1860 decree of the minister Luigi Carlo Farini fused into one the Academies of Fine Arts of Parma, Modena, and Bologna; Parma was recognized as still being the premier school of engraving of the three. He also painted, mainly watercolors; again sometimes reproducing masterworks, but also portraits and genre works such as Canzone d’amore and Alla toilette, displayed at the 1852 exhibition at the Academy of Fine Arts of Parma. Among his masterworks are his portraits of Paolo Toschi and Vittorio Emanuele II, and his La Baccante from a painting of Annibale Carracci.

In 2009, Piero Barone, Ignazio Boschetto and Gianluca Ginoble were among the teens competing in the Italian televised singing competition Ti lascio una canzone, held at the Teatro Ariston in Sanremo and broadcast by Rai 1. During the first episodes, they performed several songs as solo artists. Among the others, Gianluca Ginoble's rendition of "Il mare calmo della sera", originally by Andrea Bocelli, won the first episode of the show, and later came in first place during the final held on 2 May 2009. Director and creator of the show, Roberto Cenci, had the idea to put them together, with the purpose to create a trio similar to The Three Tenors (Plácido Domingo, José Carreras and Luciano Pavarotti). During the fourth episode of the show, they performed together for the first time, singing Neapolitan classic song "’O sole mio".

In particular, Pound's studies of Romantic literature had led him to an admiration of the condensed, direct expression that he detected in the writings of Arnaut Daniel, Dante, and Guido Cavalcanti, amongst others. For example, in his 1911–12 series of essays I gather the limbs of Osiris, Pound writes of Daniel's line "pensar de lieis m'es repaus" ("it rests me to think of her"), from the canzone En breu brizara'l temps braus: "You cannot get statement simpler than that, or clearer, or less rhetorical". These criteria—directness, clarity and lack of rhetoric—were to be amongst the defining qualities of Imagist poetry. Through his friendship with Laurence Binyon, Pound had already developed an interest in Japanese art by examining Nishiki-e prints at the British Museum, and he quickly became absorbed in the study of related Japanese verse forms.Arrowsmith, Rupert Richard (2011).

According to declarations by the lyrics' author Mogol, the day in which the story takes place (and therefore the song title) is an ordinary day, which was chosen for no particular reason. However, it was noted that the date of September 29 coincides with the birthday of his wife of the time, Serenella;29 settembre, Mogol: "Una canzone moderna, il primo vero 'salto' di Lucio", Adnkronos Spettacolo this aspect could suggest an autobiographical nature of the text, almost a public confession of an infidelity made by the author. Mogol, however, argues that it was a coincidence, which he realized only one day after having written the lyrics. He said he regrets not having dedicated the song to her from the beginning, while his wife (who knew Mogol's proverbial inattention) understood that the tribute was not intentional and in fact did not thank him.

In these pieces, > David Felder proves himself not only as a composer that knows how to > concentrate and use the subtle nuances of the instruments, but also as a > composer that can use at the same time an extreme sense for the right > balance between different tension-fields. November Sky (1992), for flute, > incorporates the addition of a NeXT Computer to bring to reality a multi- > layered, enhanced, sound-variability; (it is) an "in and out swelling" Lied > of more than 16 minutes of duration in contrast exchange of joyfulness and > melancholy. The movement for string quartet, Third Face (1988-98), startles > through its unpretentious aggressiveness and drama, in which the few quiet > passages contribute to the intensification of the climax rather than the > relaxation. With Canzone XXXI (1993), Felder devotes himself to the > refreshingly direct manner of the Brass Music of the 16th-century Venetian > tradition.

Ugo Foscolo describes in his works the passion and love for the fatherland and the glorious history of the Italian people; these two concepts are respectively well expressed in two masterpieces, The Last Letters of Jacopo Ortis and Dei Sepolcri. Vincenzo Monti, known for the Italian translation of the Iliad, described in his works both enthusiasms and disappointments of Risorgimento until his death. Giovanni Berchet wrote a poetry characterized by a high moral, popular and social content; he also contributed to Il Conciliatore, a progressive bi-weekly scientific and literary journal, influential in the early Risorgimento that was published in Milan from September 1818 until October 1819 when it was closed by the Austrian censors; its writers included also Ludovico di Breme, Giuseppe Nicolini, and Silvio Pellico. Giacomo Leopardi was one of the most important poets of Risorgimento thanks to works such as Canzone all'Italia and Risorgimento.

The yearning title-track was another strong accusation, this time against drugs, but it achieved an outstanding success anyway. Other famous pieces in the album were "Compagno di scuola" ("Schoolmate") and the long ballad "Lo stambecco ferito" ("The Wounded Ibex"), the story of a corrupt Northern Italian tycoon. Venditti continued to deal with front-page matters in his next LP, Ullàlla (1976), whose "Canzone per Seveso" was about the industrial accident in July that year. Political involvement, however, had side-effects on Venditti's inspiration in the late 1970s, marked in Italy by the growing menace of terrorism and by the strategia della tensione: some events (like the public booing of his friend De Gregori by politicized fans during a show) forced him to rethink his way of being a public personality. Sotto il segno dei pesci ("(Born) Under Pisces", 1978) contained more personal and intimate themes.

The discography of the Sanremo Music Festival winners includes all the winning singles of the annual Festival della Canzone Italiana, an Italian song contest better known as the Sanremo Music Festival, held in the Ligurian city of the same name since 1951 and broadcast by RAI. As of 2020, the Festival has awarded 70 songs, but from 1953 to 1955, from 1957 to 1971, in 1990 and in 1991, each entry was performed by two different acts, resulting in two different releases for each winning song, for a total of 90 singles. Between 1959, when the first singles chart was introduced in Italy, and 1996, 21 Sanremo Music Festival winning songs reached the top spot of the Musica e dischi Singles Chart. In the following years, eleven other winning singles topped the official chart compiled by the Federation of the Italian Music Industry since 1997.

His letter to Michiel of 20 March 1524, reporting on the state of art in Naples, and works there by Netherlandish painters, was published by Fausto Niccolini, in L'arte napoletana del Rinascimento (Naples) 1925:161-63. It is translated in Carol M. Richardson, Kim Woods and Michael W. Franklin, Renaissance Art Reconsidered: An Anthology of Primary Sources (2007:193-96). His major poem was the Canzone intitulata Aragonia. To him Jacopo Sannazaro and Benedetto Cariteo addressed verses, in Latin and the vernacular, and Sannazaro entrusted his Arcadia, which had circulated in manuscript since about 1485, but of which corrupt pirated editions appeared at Venice (1502) for a carefully corrected printing by Sigismondo Mayr (1504),(Brigham Young University) Renaissance texts: Sannazaro in which Brian Richardson has detected revisions that brought the language closer to Boccaccio and Petrarch, so that it lost many of its southern dialect forms.

The 28-page piece, addressed to Pope Clement VIII, includes a lengthy oration praising the pope for his peaceful takeover of the city of Ferrara earlier that year, and a canzone that forcefully criticizes both Henry IV of France and Philip II of Spain for their continuous fighting. Cervoni finishes her poem with a call for the princes of Europe to put down their arms and form a league in support of Clement's ambitions to fight again the Ottoman Empire. Cervoni was also inducted into the prestigious Accademia degli Affidati in Pavia, most likely between 1598 and 1600—a rarity for women writers of any age in the period.Among the very few women to be invited to join the various literary academies of the period, the legendary Isabella Andreini was inducted into another Pavian academy, the more famous Accademia degli Intenti, at nearly the same time as Cervoni.

With his song "Bevo" ("Drink"), in 1960, he won the Burlamacco Gold, a music competition in Viareggio. His first participation in the Festival of Sanremo came in 1961 with "Lady luna" ("Lady moon"), written by Armando Trovajoli and Dino Verde. His first single with RCA is "Non te ne andare" ("Don't go"), released in 1963 and written by Gianni Meccia and Lilli Greek. In 1965, Fontana had his major success with "Il mondo" ("The world"), a song composed by Fontana and Carlo Pes, and arranged by Ennio Morricone, with lyrics by Gianni Meccia, which reached the top of the charts in Italy and other countries in Europe and charted in Latin America as well. The same year, he made his debut as an actor, appearing in two musicarelli, which are movies heavily featuring musical numbers, titled Viale della canzone ("Avenue of song") and 008 Operazione ritmo ("008 Operation rhythm").

In the 1991-92 season she moved to Telemontecarlo where she presented the late night variety Festa di compleanno, broadcast every day from monday to friday, where in each episode, the birthday of a famous person was celebrated. In the same year she released her latest studio album, Si faran ... canzone, recorded for the Fonit Cetra label, which is presented during the show: among the most important tracks on the disc there are Storie all'italiana (song that was also used as the initials of the program) and Temporale. Between the end of 1992 and the beginning of 1993 she returned to Rai again, conducting the Rai 2 variety specials Il canzoniere delle feste, aired in the early evening during the Christmas period. In 1996 Johnny Dorelli proposed her to share with him the theater show Bobbi sa tutto, awarded with the Golden Ticket for the highest theatrical rank of 1996.

Petrarch made the story in the Metamorphoses the dominant myth of the longest poem in the sequence, Canzoniere 23. This poem is a virtuoso sequence of a half dozen Ovidian myths, from Apollo and Daphne to Actaeon and Diana, offered up as figuration of the poet's own subjective experience; it has become known as the canzone della metamorfosi, a sustained “lyricization of epic materials,” which effectively rewrites Ovid's long poem as erotic and professional autobiography. This incorporation of the Metamorphoses into lyricism has momentous consequences for the following history of Petrarchanism, whereas poets such as Pierre de Ronsard and Barnabe Barnes, used each of the Ovidian myths as a figure for achieved sexual intercourse. Within the lyric sequence, such evocations play against the expectation of female unattainability, which is also one of Petrarch's legacies, and contribute powerfully to Petrarchanism's reputation for shameless and often bizarre sensuality.

Guccini's first experience as actor was in the 1976 movie Fantasia, ma non-troppo, per violino, directed by Gianfranco Mingozzi, in which he played Giulio Cesare Croce, a poet who narrates the history of Bologna. He then appeared in: I giorni cantati, a 1979 movie directed by Paolo Pietrangeli, which featured two of Guccini's songs in its soundtrack, "Eskimo" and "Canzone di notte n°2"; Musica per vecchi animali, a 1989 movie directed by Umberto Angelucci and Stefano Benni; Radiofreccia, the 1998 directorial debut of singer-songwriter Luciano Ligabue; Ormai è fatta, the 1999 movie directed by Enzo Monteleone. In the 2000s he acted in three movies directed by Leonardo Pieraccioni, Ti amo in tutte le lingue del mondo (2005), Una moglie bellissima (2007) and Io & Marilyn (2009). Guccini wrote the soundtrack of the 1977 movie Nenè, directed by Salvatore Samperi, and his song "Acque" featured in the soundtrack of Nero, the 1992 movie directed by Giancarlo Soldi.

Mentions of this Casella in documents probably include a mention (Casella dedit sonum, i.e. "Casella set [this] to music") in Codex Vaticano 3214 that he set to music a madrigal by Lemmo da Pistoia, and a mention of him in a sonnet by Niccolò de' Rossi. From what is said of him in Purgatorio, 2nd canto, it appears that he was a friend of Dante, that he died before 1300 and that he set to music poetry by Dante himself, namely the canzone Amor che ne la mente mi ragiona found in Dante's Convivio and possibly some other short poems by Dante, and from specifically line 107 in the 2nd canto, it may be possible to infer that the amoroso canto ("amorous song") that Dante connects with Casella is a specific indication that Casella's music was (at least in part) in the monodic style which accompanied Occitan lyric poems, or Italian lyric poems in the Occitan manner.

"Une petite française" is a mid-tempo ballad, with Torr describing herself as an average Frenchwoman, rather than the cosmopolitan types more commonly associated with that country. She confides that she is no Marilyn, she never reads about her own life in the magazines, she doesn't own a Rolls, she doesn't consider herself an idol, she hasn't read Pascal, she rarely visits Paris, she hasn't changed her name, she leads a quiet provincial life with her children - she just happens to be country girl from Provence who likes to sing. She asks her audience to be the judge of whether she should have left her home for a career in music. Torr recorded the song in five languages; French, Italian ("La mia canzone", translated: "My Song"), Spanish (with the same title as the French original, "Une petite française"), German ("Die schönsten Blumen blühen auf dem Land", translated: "The Most Beautiful Flowers Bloom in the Countryside") and English ("I'm Just a Simple Country Girl from France").

While Pisano wrote sacred music in a sober, homophonic style, probably intended to be used during his tenure as maestro di cappella at Ss. Annunziata, it was as a composer of secular music that he was most influential. Pisano is arguably the first madrigalist. In 1520, Venetian printer Ottaviano Petrucci published his Musica di messer Bernardo Pisano sopra le canzone del Petrarcha, a collection of settings of Petrarch influenced by the literary theories of Pietro Bembo; while the pieces in the collection were not yet called "madrigals", they contained several features recognized in retrospect as distinctive of the genre: the set serious texts, the placement of words and accents was done carefully, and they contained word-painting. This publication was also the first collection of secular music by a single composer ever to be printed; previous publications, in the brief two decades since moveable type had first been used for printing music, had been anthologies only.

Ancora is the 1981 debut LP of Italian singer Eduardo De Crescenzo following his triumph with the title song "Ancora" at the Festival di Sanremo.Enrico Deregibus Dizionario completo della Canzone Italiana 8809756258 2010 Page 150 "Dotato di una voce suggestiva e graffiante, Eduardo De Crescenzo, nato a Napoli l'8 febbraio 1951, è stato tra i pochi a ... solista al Festival di Sanremo 1981 con Ancora, interpretata in maniera intensissima e inserita nell'omonimo album."Ezio Guaitamacchi 1000 canzoni che ci hanno cambiato la vita 2011 8858617428 "EDUARDO DE CRESCENZO. Ancora. Genere: POP Autori: FRANCO MIGLIACCI, CLAUDIO MATTONE Album: ANCORA (RICORDI, 1981) l Festival di Sanremo è reduce da anni di buio pesto, in cui il divario tra la realtà della kermesse e " All the tracks are compositions with lyrics by Franco Migliacci and music by Claudio Mattone, which are co-published by Jubal/Easy Records Italian which also served as the album's production company.

Franco Faccio in later life Faccio's second opera, Amleto, one of the many operas based on William Shakespeare's Hamlet, was written for Genoa's Teatro Carlo Felice and was given its première on 30 May 1865. The cast included some of the finest singers of the day. As Ashbrook notes, while its "innovatory libretto" was written by Boito, there was "dismay at the score's paucity of melody", but he does add that Ophelia's funeral march, the "Marcia Funebre", "[won] general approval". However, the critics were unanimous in their praise of the promise shown in the young composer and, in the following contemporary accounts, the audience appears to have shown its pleasure at what they had heard. On 31 May, the Gazzetta di Genova wrote: :The opera was generally applauded at the end of the first act, at Ofelia and Amleto’s duet, at the finale of the second act, at Ofelia’s canzone in the third, and at the funeral march of the fourth.

This song by Dario Fo was born as a "folk song sham" written on purpose to put it in the show "Ci ragiono e canto",Andrea Pedrinelli, La canzone a Milano dalle origini ai nostri giorni, Hoepli, Milano, 2015 which was composed of a number of folk songs, derived from extensive research on Italian popular songs.Giangilberto Monti, Ho visto un re, short online notes The show was presented for the first time in Turin April 16, 1966 at Teatro Carignano. Ho visto un re is a satire against power. The narrative voice is that of some peasants who sing and point out that all powerful (the King, the Emperor, the Bishop, the Cardinal, the rich people) as they are touched their interests, even minimally, they start to cry. In contrast, the peasants, even when they are deprived of essential things, have to laugh because their «cry hurt the king it hurts the rich people and the Cardinal, they become sad if we cry».

Luigi Mercantini (20 September 1821 – 17 November 1872) was an Italian poet and writer, who took part in the movements for the Italian unification in the late 19th century. He is better known for his poem "La spigolatrice di Sapri", depicting the ill-fated expedition led in 1857 by Carlo Pisacane against the Kingdom of Naples, which was also translated into English by Henry W. Longfellow with the title The Gleaner of Sapri. Mercantini is also known for writing the lyrics of the patriotic hymn Canzone Italiana, better known as the Garibaldi Hymn, since it was commissioned in 1858 by Garibaldi himself to the poet, as the official battle song of his "Cacciatori delle Alpi" volunteer corps who joined in the Second Italian War of Independence the following year. The hymn's music was composed by his musician friend Alessio Olivieri, and proved hugely popular among Italians at home and abroad, famously being recorded by Enrico Caruso around the outbreak of World War I and again used as battle hymn of some brigades of the Italian resistance movement during World War II.

Through his travels, Judah was well-acquainted with many Italian humanists and with the Neapolitan Court. Some say he may have met Giovanni Pico della Mirandola while in Florence and composed for him a discourse on the “Harmony of the Skies.” If so, he also probably associated with Elia de Medigo, teacher of Pico della Mirandola, Yohanan Alemanno (a Jewish writer influenced by the Medici court and mysticism and author of Song of songs), Giovanni Pontano, Mario Equicola and monk Egidio da Viterbo. Leon was surrounded by humanists interested in the topic of Love. The Chancellor of Florence, Marsilio Ficino commented on Plato’s Symposium (1474–75), while Girolamo Benivieni composed his Canzone d’amore (1486), which Pico della Mirandola analyzed soon after. Equicola’s Libro della natura d’amore (1495), Pietro Bembo’s Asolani and Francesco Cattani da Diacceto’s De amore were published while Judah was writing. Abravanel’s Dialoghi is regarded as the finest of these works. Menéndez Pelayo describes it as the most monumental work of Platonic philosophy since Plotinus's Enneads.

Like other teams, the team also have a history of adopting or adapting popular songs of the day to fit particular events, themes, players or personas. These have included serious renditions of theatre and movie classics such as "The Bells are Ringing," along with more pun-laden or humorous efforts, such as chanting former player Paolo Di Canio's name to the canzone "La donna è mobile" by Giuseppe Verdi, or D.I. Canio to the tune of Ottawan's "D.I.S.C.O.", or the chant of "Who Let The Potts Out?" to the tune of Baha Men's "Who Let the Dogs Out?" when Steve Potts could be seen warming up to come on as substitute late on in his career, or "That's Zamora" to the tune of Dean Martin's 1953 "That's Amore" in honour of former striker Bobby Zamora. Other former players to be serenaded include Christian Dailly with vastly- altered lyrics to Frankie Valli's "Can't Take My Eyes Off You", Joe Cole and Carlton Cole with Spandau Ballet's "Gold" song title sung as "Cole" and Luděk Mikloško.

Convivio (; The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a major stage of development for Dante, very different from the visionary world of the Vita nuova (although like the earlier work it too is a medium for the author’s evolving sense of artistic vocation and philosophical-spiritual quest). This difference is reflected in how the two works use the prosimetrum format: in the Vita Nova there is a complex interrelation and intertwining between the prose and the poetry, while in the Convivio large blocks of prose have an autonomous existence apart from the poems; the content of the poetry is not amplified or edited in the prose so much as commented upon prosaically, to serve as points of departure for the various subjects that the Convivio discusses.

All songs were newly arranged by keyboardist, programmer and composer Luciano Luisi in a rock/hard rock style, with hints of prog rock and electronica. Described by Luisi on the documentary video Filming Around Tour, on the bonus DVD bundled with the original 2009 release, as "a cross between rock, metal, power pop and Emerson, Lake & Palmer", the new arrangements were, according to Luisi and Cristiano De André, a way to distance De André Junior's live performances from his father's studio and live recordings (which Luisi views as sacred and untouchable), while at the same time bringing them closer to Cristiano's own sensitivity.Filming Around Tour documentary film All songs feature a prominent electric guitar, heavily distorted and often processed, played by Osvaldo Di Dio, as well as Luisi's vintage-sounding keyboards and synths. The only exceptions are a 3-song, fully acoustic medley on the second volume, and "La canzone dell'amore perduto", at the end of the same volume, performed by De André Jr. on piano, backed by a soft guitar accompaniment by Di Dio and a double bass part by Davide Pezzin.

On 25 November 2004 she performed at The Sugar Club in Dublin, accompanied by Mark Harris (piano), Carlo Cantini (strings) and Ivan Ciccarelli (percussions). In 2005 she re- entered the Sanremo contest with “Echi d’infinito”, she was awarded first prize in the “Women” category, and third in overall classification. In 2005, together with both the Chorus Sant'Ilario di Rovereto and the Chorus of Valle Dei Laghi di Padergnone she became the character of the “Echi d’infinito” project, a recovery of Alpine pop songs and also of her own songs accompanied only by human voice. She is frequently touring with different kinds of concerts: "Sacrarmonia", a concert dedicated to sacred music of the world; "Tribute to Amalia Rodrigues", a concert committed to the Portuguese fado and its more famous performer, "Four steps for Broadway", a recital devoted to the most popular Broadway musicals (“Tonight”, “Over The Rainbow”, “Summertime”); and the Stralunato Recital Concert where she performs her most meaningful and famous songs. In 2007 she participated once again in Sanremo with the song "Canzone fra le guerre" (written in collaboration with Cristian Carrara), which was ranked in tenth place in the end.

From the second half of 1606, Salviati began to immerse himself in study: for ten hours a day he kept himself away from other people and neglected his usual activities, buying many books. He first perfected his knowledge of Greek and Latin through the reading of the classics, initially under the guidance of Giulio Libri, member of the Accademia della Crusca with the nickname 'Abburattato' ('Sifted'), However he soon abandoned these Peripatetic teachings and embraced the views of Copernicus and the new natural philosophy. After a long period of disputes with his uncle he finally decided, in 1610, to withdraw from involvement in the family business in order to devote his time to natural philosophy. On 7 July 1610 Salviati himself became a member of the Accademia della Crusca (founded by his ancestor Lionardo Salviati) with the nickname of 'Affidato' ('Trusted') His ceremonial membership spade bears the image of a Roman spearhead from which hangs a bundle of wheat with the motto "sotto 'l qual si trionfa" taken from a line in Petrarch's Canzone XLIX ('O solid shield for the oppressed peoples / against the blows of Death and Fortune / under whom we triumph').

But it was Benedetto Croce who released her first historically documented biography and provided a critical essay, re-evaluating her place in Italian literature.. Croce praised her poetry for its "passionate immediacy" and "immersion in emotion", very different from the prevailing style of that time, which he considered "precious and artificial".. According to Paul F. Grendler's Encyclopedia of the Renaissance in association with The Renaissance Society of America, her work is an "impressive prefigurement of Romanticism" and he states: "no other poet prior to Isabella di Morra infused such personal depth into poetry, bringing new drama to the lyric precisely because it so closely addresses the tragic circumstances of her life", contributing "to the development of a new sensibility in poetic language, one grounded in a kind of life writing that raises the biographical, the political, the familial, and the personal to a genuinely lyric stature". She is cited as a precursor to Giacomo Leopardi due to similar themes, feelings and life experiences. Her poetry is also considered a possible influence on Torquato Tasso. as it is eerily echoed in his poem Canzone al Metauro (A Poem for Metauro, 1578).

Dentro Faber, DVD 8: Poesia in forma di canzone. All of the tour dates were very successful in terms of ticket sales and of popularity, although some of De Andre's early "purist" fans viewed his move into rock as selling out, or simply as De André "pandering" to a more contemporary music style in order to have a broader appeal. However, music critics at the time, comparing the tour to Bob Dylan "going electric" in 1965, lauded the tour itself, and its resulting live albums, for their great originality, and praised De André's audacity in going beyond the commonly accepted "minimal" attitude of 1970s singer-songwriters (according to which the number of instruments which were played alongside the singing, and the quality of the playing itself, had a much lesser importance than the lyrics) and "dressing up" his songs in beautiful musical arrangements, which thus became just as relevant as his lyrics.As told by De André and Guido Harari in their book Una goccia di splendore: un'autobiografia per parole e immagini ["A drop of brightness: an autobiography for words and pictures"], published posthumously by Rizzoli in 2010.

The musical forms then in common use — the frottola and the ballata, the canzonetta and the mascherata — were light compositions with verses of low literary quality. Those musical forms used repetition and soprano-dominated homophony, chordal textures and styles, which were simpler than the composition styles of the Franco-Flemish school. Moreover, the Italian popular taste in literature was changing from frivolous verse to the type of serious verse used by Bembo and his school, who required more compositional flexibility than that of the frottola, and related musical forms. The madrigal slowly replaced the frottola in the transitional decade of the 1520s. The early madrigals were published in Musica di messer Bernardo Pisano sopra le canzone del Petrarcha (1520), by Bernardo Pisano (1490–1548), while no one composition is named madrigal, some of the settings are Petrarchan in versification and word-painting, which became compositional characteristics of the later madrigal. The Madrigali de diversi musici: libro primo de la Serena (1530), by Philippe Verdelot (1480–1540), included music by Sebastiano Festa (1490–1524) and Costanzo Festa (1485–1545), Maistre Jhan (1485–1538) and Verdelot, himself.

Unusually for a De André album, most of the songs on it were never performed live by the author, the only song regularly featured in his live sets being the fast, country-flavoured "Un giudice". In an interview excerpt included within the eighth and last DVD (Poesia in forma di canzone - "Poetry as songs") of the 2011 eight-disc documentary series Dentro Faber (i.e. Inside Faber, about his life and works), De André stated that most of the songs on the album were either too poetical, something which the singer- songwriter felt would not translate well in a live context, or too musically complex to play live; he cited "Un ottico" as an example of the latter, as that song features four sections in different tempos and includes overlapping vocals (originally recorded by De André singing the same lines twice, with a heavy delay effect), displaying a progressive rock influence. In 2005, the entire album was faithfully remade by singer-songwriter and multi- instrumentalist Morgan, who also re-arranged the various excerpts of classical music (particularly from Vivaldi's Four Seasons) featured on the original album.