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501 Sentences With "traditional song"

How to use traditional song in a sentence? Find typical usage patterns (collocations)/phrases/context for "traditional song" and check conjugation/comparative form for "traditional song". Mastering all the usages of "traditional song" from sentence examples published by news publications.

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The ceremony is usually accompanied by traditional song and dance and is supposed to ease nerves.
The company's founder, Potri Ranka Manis, directs, using traditional song and dance to enact the tale.
For an encore, he played his own frenetic, impish arrangement of "Dragon Dance," a traditional song.
The Swedes are all dressed in white garb and prone to bursting into traditional song and dance.
The album is still strange, but hews closer to more traditional song structures (and a truly unfortunate drum sound).
The group also attended a traditional song performance in the stunning Saint-Etienne church, not far from the villa.
So, how do you balance your warm feelings for a traditional song or movie with whatever cringe factor it may sometimes produce?
The biggest being that the lyrics come from "Pretty Saro," which is a traditional song, though Dylan certainly puts his own spin on it.
There was, like, a point right at the end of working on the song where it was suddenly, like, much more traditional song structure.
In the dining room, a TV perched high on one of the walls is constantly playing a YouTube stream of traditional song and dance.
So when that is all followed by Green Day or Kings of Leon playing proper instruments and traditional song structures, it just sounds, well, bland.
Protesters in a Beirut feminist march earlier this month chanted the lyrics of a traditional song that's sung to a girl on her wedding day.
Zuma, who has never lost the ability to rouse a crowd with traditional song and dance, still retains some popular support, especially in his Zulu heartland.
After reading the names of Barkley veterans who died over the years, Laz removed his hat, and a bugler played taps, the traditional song of military funerals.
It doesn't take more than a few minutes to light the flames, recite the blessings, and sing a traditional song or two, but it's a memorable tradition.
It's also a not-so-distant cousin to 22, A Million—an album that defied definition through its non-traditional song structure, minimalism touching busy production, and vast swathe of influence.
On "Djolin," Gurrumul sings an explosive manikay — or traditional song cycle — celebrating the musical instruments of Yolngu culture, his overdubbed vocals piled on top of each other in a radiant mass.
"I wish to sing a traditional song with our traditional instruments in front of Trudeau," he said, adding that he hopes the Canadian PM "praises me for it -- if I ever met him."
In 1955, "Ain't It a Shame" became a No. 20073 hit for Pat Boone as "Ain't That a Shame," while Domino's arrangement of a traditional song, "Bo Weevil," was imitated by Teresa Brewer.
At midnight, the music struck up: a rough, ready opus on accordions and drums, and we all sang the occasion's traditional song, whose words I knew, more or less, from the Lomax film.
It is its own medium, and the music being made specifically for it is becoming its own style, breaking down the traditional song format into components and amplifying the loudest and stickiest parts.
When older Poles are leading the party, it's only a matter of time before everyone breaks out singing "Sto lat," a traditional song proposing that the participants live to be 100 years old.
To misquote the traditional song "Rule Britannia," clearly "America does not rule the waves," and the bases from which Iran's attack boats sneaked out to make their attacks remain intact, untouched by any U.S. retaliatory action.
Where 2013's Trouble Will Find Me existed in a lush fog, Sleep Well Beast strips the music to a molecular level, with added flourishes of glitchy programing, murky melodies non-traditional song structures, and ambient spaces.
"Water Is Wide/Wusuli Boat Song," a Scottish song intertwined with a traditional song from China's Hezhe people, has their two voices and instruments calling and blending across cultural distances that sound much closer on purely musical terms.
I think what keeps us balanced is that we write in the full traditional style and that's natural to us, we don't have to consciously make an effort to write a traditional song, that's something that comes naturally to us.
The overnight get-together will include traditional summer-camp activities, like archery and canoeing, alongside the maybe less-traditional song stylings of The Time Life Pizza Collection, a musical duo boasting an impressive repertoire of over 100 pizza-themed cover songs.
By noon, things had calmed and the farmers gathered a little distance away from the police, shouting that the cops should be ashamed about those who they were protecting, before singing a traditional song with tear gas-countering maalox around their eyes.
"Sooho" means "protection" in Korean; "rang" comes from the Korean name for tiger, "ho-rang-i," as well as the folk song "Jeong-seon A-ri-rang," the traditional song of the Gangwon Province, which is where the Olympics will take place.
The record defies traditional song structure—a rare and bold move compared to the most popular emo bands of the time, who built their careers on teenage lyricism and anthemic choruses—with nearly half of the tracks clocking in at over five minutes long.
I think its greatness has something to do with the fact that it pooh-poohs traditional song structure and opens at the exact moment a song should peak, but I can very much see Carly Rae Jepsen wailing over these beautifully programmed drums and it going straight to the top of the charts.
Among those elements were the manipulation of vocals and the tweaking of more traditional song structures, as well as one that's specifically known as the drop — the moment in a dance track where the music coils around itself, building and building until it bursts, then unspools in a glorious, tempestuous release as the beat kicks in (in "We Found Love," the drop comes about a minute and seven seconds into the song).
Yunupingu) # "7 Sisters" (M. Yunupingu) # "Minga Minga" (Traditional song, arranged by M. Yunupingu, Y. Yunupingu) # "Tears For Law (Garrathiya Run)" (M. Yunupingu, Daniel Watson) # "Baru" (Traditional song, arranged by G. Yunupingu, Mununggurr) # "Belief In The Future" (Kellaway, M.G. Yunupingu, C. Holt) # "Nyinga Nyinga" (Traditional song, arranged by G. Yunupingu, Mununggurr) # "Our Land" (M. Yunupingu, Kellaway) # "Yarryurru" (Traditional song, arranged by G. Yunupingu, Mununggurr) # "Treaty 98" (M.
The song features sample of scottish traditional song "Scotland the Brave".
Amici Its root dates back to the traditional song "Annie Lisle".
All songs written by Grails, except Track 1, which is a Traditional song.
Bambera () is a cante, one of many traditional song forms associated with flamenco.
"Darla dirladada" is a traditional song, originating from the island of Kalymnos in Greece.
Songs second traditional song, "All the Pretty Horses", is followed by Irving Berlin's "Russian Lullaby". "Do You Love an Apple" is credited Kevin Burke, Tríona Ní Dhomhnaill, Mícheál Ó Domhnaill, Paddy Keenan, Dónal Lunny, and Matt Molloy. The album closes with a third traditional song, "Go Tell Aunt Rhody".
35; UK, no. 41 # "Sail Away from Norway" (1977) – Crosby wrote lyrics to go with a traditional song.
Mine Bengidzakiwe is a traditional song sung in native ceremonies in Swaziland, which became a local hit in 2007.
Finally, the song "Ninna nanna" is the Italian version of "Mary Hamilton", an English traditional song also recorded by Joan Baez.
"Cocaine Blues" is a Western Swing song written by T. J. "Red" Arnall, a reworking of the traditional song "Little Sadie".
"Foi Na Cruz" is based partly upon the traditional Brazilian Protestant hymn of the same title. The title translates roughly as "It Happened on the cross". "The Good Son" - the opening chant is based loosely upon the African-American traditional song "Another Man Done Gone". A recording of this traditional song, by Odetta, later appeared on Original Seeds Vol.
Guruwiwi won the 2015 National Indigenous Music Award in the Traditional Song of the Year category, with East Journey, for Mokuy & Bonba.
Ngā Mōteatea, collected by Sir Āpirana Ngata, is an important collection of traditional song lyrics. Māori culture group at 1981 Nambassa festival.
"Don't Forget Your Old Shipmate" is a naval traditional song that was sung by British Royal Navy sailors in the Napoleonic Era.
Jo Ann saves Donny from the beating crowd, and the act ends to the sounds of the traditional song "Auld Lang Syne".
In the early 1990s Sanchez mixed synthesizer with a traditional song from the Solomon Islands. This was the starting point of Deep Forest.
The song has been in Bosnia since Ottoman times. The exact authors are unknown and Moj dilbere is considered to be a traditional song.
"Lasagna" is a song by "Weird Al" Yankovic. It is a parody of "La Bamba", a traditional song popularized by Ritchie Valens and Los Lobos.
Factory Girl is a traditional song. It has been performed by The Roches, The Chieftains with Sinéad O'Connor, Margaret Barry, Rhiannon Giddens, and Eric Burdon.
This follows with traditional song and dance. In modern times, the festival has become less common, and is typically for entertainment purposes, rather than spiritual ones.
Like Robert Burns, Tannahill collected and adapted traditional songs, and "The Braes of Balquhither" may have been based on the traditional song "The Braes o' Bowhether".
A cover version of the song "Bein' Green", usually associated with Kermit the Frog, is included, as is a take of the traditional song "Purple Heather".
"Nessun Dorma" (Italian- Opera Aria) 6\. "Two Different Worlds" (English- Pop) 7\. "Panis Angelicus" (Latin- Sacred Song) 8\. "Non Ti Scordar Di Me" (Italian- Traditional Song) 9\.
Brown worked on two pieces, playing hurdy-gurdy on the traditional song Barbara Allen and a new composition, "Crowlink", created in collaboration with guest artist Matthew Shaw.
" Pictures from Life's Other Side" is a traditional song popularized by Hank Williams under the pseudonym "Luke the Drifter." It was released on MGM Records in 1951.
See: From 1982 to at least 1989 he jointly produced with Steve Roud a quarterly newsletter titled "Folk Song Research: A Newsletter for Researchers of Traditional Song".
Independent Music Awards 2012: "A..dios" - Best World Traditional Song"11th Annual Independent Music Awards Winners Announced!" Independent Music Awards, 2 May 2012. Retrieved on 4 Sept. 2013.
"An Alarc'h" ("The Swan") is a Breton traditional song. It is found in the 1839 collection Barzaz Breiz.Théodore Hersart de la Villemarqué, Barzaz Breiz. Franck, 1846, p. 380.
The most famous traditional song of Yorkshire is On Ilkla Moor Baht 'at ("On Ilkley Moor without a hat"), it is considered the unofficial anthem of the county.
In 1888 it was acquired by the Cruddas family, and it is currently owned by the Braithwaite family. Some commentators suggest it is the location for the traditional song "Waters of Tyne".
Today, many women in Sudan see Al-Tagtaga as a feminist icon in their country. There are more women "Hawa's Babes" following her lead and performing traditional song and dance on television.
He was operator in MECON. He learned traditional song from his father. He had started singing songs from his childhood. He sang first song in stage in 1960 at the age of twelve.
Dueto Las Voces del Rancho () is a Norteño band. It is a duo whose members are Edgar Rodriguez and Mariano Fernandez. They play many traditional song styles, but with a uniquely contemporary style.
After the first verse, there is no similarity in the lyrics. "Tell It to Me" :Another traditional song of unknown authorship, it is often known as "Cocaine Blues".Tullos, Long Journey Home, p.
It was followed by the State Dance Ensemble of Armenia in 1958. In 1963, the Berd Dance Ensemble was formed. The Barekamutyun State Dance Ensemble of Armenia was founded in 1987 by Norayr Mehrabyan. The Karin Traditional Song and Dance Ensemble founded in 2001 by Gagik Ginosyan is known for revitalizing and performing the ancient Armenian dances of the historical regions of the Armenian Highlands,History of Karin Traditional Song and Dance Ensemble such as Hamshen, Mush, Sasun, Karin, etc.
The traditional Song Fight! logo. The new logos now fit color schemes, varying between concurrent fights. Song Fight! is a weekly online songwriting and recording competition in which amateur artists are openly invited to participate.
The traditional song used near the end of the film, while the adult monk is climbing the mountain, is called "Jeongseon Arirang", sung by Kim Young-im. The film score was composed by Ji Bark.
A traditional song of the Unionist and Loyalist communities is The Sash, which may be considered offensive or at least distasteful by the Nationalist communities, particularly when it is used to threaten or incite violence.
It consists of eleven stanzas, which Scott admitted was "greatly too long" (Letters, vol. 9, p. 350), with a refrain copied from the traditional song Jockey's Escape from Dundee.For this song see Thomas D’Urfey, ed.
Bernard Shaw, Volume 3: The Lure of Fantasy by Michael Holroyd, Chatto and Windus, London (1991) The title of the play is taken from the first line of the traditional song "The Vicar of Bray".
The traditional singer Paddy Tunney relatesPaddy Tunney, The Stone Fiddle – My Way to Traditional Song, Appletree Press, 1991, p. 152 how Colum wrote the song after returning from a literary gathering in Donegal with Herbert Hughes and others. Tunney suggests, however, that it would be more accurate to say that Colum simply added additional lyrics, not the melody, to an original traditional song that by then had generated many variations throughout Ireland. Tunney himself collected one version from an Irish singer called Barney McGarvey.
Yedid's piano traces the rhythm for about two minutes, then starts improvising on the scale. About a minute later Barihun improvises on top of Yedid's piano for about two minutes, then concludes with the traditional song.
Grundy, however, wrote that while "his take on traditional song-and-dance shtick is proficient, his clean-cut blandness and myriad talents can sometimes collide in an unpleasant, teeth-grating manner". He considered the show forgettable.
There Was Once a Loyal Hussar () is a 1929 German film directed by Carl Heinz Wolff and starring Grit Haid.Holmstrom p. 239 It takes its title from the opening line of the traditional song "The Faithful Hussar".
Jansch and Briggs had some resemblance to each other and were often mistaken for brother and sister. It was Briggs who taught Jansch the traditional song "Blackwaterside" which he recorded on his Jack Orion album in 1966.
The album opens with a medley of the traditional song "The Raggle Taggle Gipsies" and the harp tune "Tabhair dom do Lámh", which would be the opening track of Planxty's self-titled album released the following year.
Contest of traditional music of kings, in which crews participate inscribed interpreting a "sing of kings". It will be valued that it is a traditional song and the authenticity of the piece; besides the tuning and the difficulty.
Yunupingu, Stuart Kellaway) # "Dots On The Shells" (M. Yunupingu, Neil Finn) (featuring Jim Kerr) # "Rrama" (Traditional song, arranged by Galarrwuy Yunupingu, Milkayngu Mununggurr) # "Djäpana (Sunset Dreaming)" (M. Yunupingu) # "Written On A Bark" (M. Yunupinggu, Kellaway) # "Tribal Voice" (M.
Retrieved January 8, 2013. winning a BBC Radio 2 Folk Award for Best Traditional Song. This was followed in 2014 by xoa, for which Mitchell re- recorded a number of her older songs using only guitar and vocals.
The "East African Song School" or "Okot School poetry" is now an academic identification of the work following his direction, also popularly called "comic singing": a forceful type of dramatic verse monologue rooted in traditional song and phraseology.
The lyrics of the anthem are established by law. The melody of the anthem in most parts follows the melody of the Finnish traditional song Karjalan kunnailla. Since December 2001, the Russian text is the only official one.
The traditional song Ide Mile Lajkovačkom prugom (Mile walks down the Lajkovac railway) is about the town; it is a staple of Serbian folk repertoire, with versions recorded by Tozovac, Lepa Lukić, Šaban Šaulić, Braća Bajić and many others.
Ray Galbraith Fisher (26 November 1940 – 31 August 2011) was a Scottish folk singer. The Scotsman has called her "perhaps the best-known Scots folksinger of her generation", and The Guardian, "one of Britain's great interpreters of traditional song".
The new album incorporated more traditional song structures, and mixed Gainforth's vocals higher so that the lyrics could be more easily understood."Sully: Bright Lights". Exclaim!, February 1, 2002. A fourth album was planned and announced, but has never been released.
"Mister Garfield" is a traditional song sometimes credited to Ramblin' Jack Elliott. The song talks about the assassination of U.S. President James A. Garfield by Charles Guiteau at the Baltimore and Potomac Railroad Station in Washington on July 2, 1881.
The songs are, for the most part, short acoustic guitar driven numbers and bear little resemblance to Focus material (Havermans did not write for the band). The lyrics are in English, apart from the traditional song "The Humpbacked Flute Player".
Stefanos Chalis is also attested as a poet, singer and lyre player. According to one theory, it is claimed that Chalis is the creator of the famous traditional song Cretan song Pote tha kani xasteria (When will the sky clear).
"Summer Snow" was released as a single by the Norwegian soprano Sissel Kyrkjebø and Zamfir in 2000. It is based on the traditional song "The Water Is Wide". The single also includes the song "Seven Angels" with Sissel and Zamfir.
Fred Gerlach (August 26, 1925 – December 31, 2009) was an American folk musician and luthier, perhaps most famous for his recording of the traditional song "Gallows Pole", which Led Zeppelin guitarist Jimmy Page credited with inspiring his own band's version.
Mine Bengidzakiwe is a traditional song whose composer is anonymous. The song is still sung in Swaziland's ceremonies. The direct translation of the title is "I was drunk". It concerns a typical African homestead where a husband has two wives.
He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat.
Many versions can lay an equal claim to authenticity. The influential folklorist Cecil Sharp felt that these competing variants of a traditional song would undergo a process of improvement akin to biological natural selection: only those new variants that were the most appealing to ordinary singers would be picked up by others and transmitted onward in time. Thus, over time we would expect each traditional song to become aesthetically ever more appealing — it would be collectively composed to perfection, as it were, by the community. Literary interest in the popular ballad form dates back at least to Thomas Percy and William Wordsworth.
Battlefield Band were winner of "Best Live Act" at the inaugural Scots Trad Music Awards in 2003. In 2011, they were winner of "Best Band" at the Scots Trad Music Awards 2011. Battlefield Band's "Compliments to Buddy McMaster" (a track from its album Dookin' released in 2007) was nominated for the 7th Annual Independent Music Awards for World Traditional Song of the year. They also have been nominated for the 11th Independent Music Awards "World Traditional Song" category for its recording of "A' Bhriogais Uallach" ("The Pompous Trousers"), a track from their album Line-up released in 2011.
Beginning in 1921, music from outside of the region became popular, especially after the advent of films with sound and the popularization of cowboy movies. Among the province's noted country musicians was Harry Martin.Susan H. Motherway. The Globalization of Irish Traditional Song Performance.
Underneath the Stars is the fourth studio album by English folk musician Kate Rusby, released on 11 August 2003 on Pure Records. In a 2007 interview, Rusby noted that "The Blind Harper", which appears on this album, is her favourite traditional song.
There was little studio shooting. To shoot outdoor scenes, the filmmakers used blimped cameras (cameras with internal soundproofing), which were a recent innovation. The film featured the traditional song "Bury Me Not on the Lone Prairie", hummed and sung by Richard Arlen.
"Here's a Health to the Company" is an Irish traditional song, based in the long history of emigration from Scotland and Ireland. Its strong tune has also been used for other Irish traditional songs and for the American anthem, "The Liberty Song".
The song The Weasel Goes Out to Lunch is an arrangement of the traditional song Pop Goes the Weasel but adapted with dissonant harmony suggesting a style of Avant-garde jazz inspired by the 1964 album Out to Lunch! by Eric Dolphy.
The opening track 'Teri Deewani' is a love song mixing themes of love and devotion. 'Jana Jogi De Naal', is a Sufi/folk song. Its lyrics are taken from separate works of Kabirdas and Bulle Shah. Similarly 'Naiharwa' is a traditional song written by Kabirdas.
The main axis of Lingyin follows a traditional Song dynasty five-hall Chan sect structure. The main axis stretches up the Lingyin Hill. However, the five-hall axis is a recent recreation. Only the front three halls are a part of the Qing dynasty axis.
The genres represented in the Waywords and Meansigns Opendoor Edition are quite diverse, ranging from metal and industrial to folk and jazz. Many of the tracks are experimental; some recordings adhere to fairly traditional song formats while others offer audiobook-like readings with ambient accompaniment.
Shalom Aleichem (, 'Peace be upon you') is a traditional song sung by Jews every Friday night upon returning home from synagogue prayer. It signals the arrival of the Jewish Sabbath, welcoming the angels who accompany a person home on the eve of the Sabbath.
The group recorded their debut CD in 2005.new.music.yahoo.com It was a showcase of traditional Dalmatia songs as well as newly written material. One of the most powerful songs on the CD was the traditional song In the Field. The song's arrangement was written by Josip Versic.
"Roll in My Sweet Baby's Arms" is an American traditional song. It seems to have developed from lyrics in the cowboy song "My Lula Gal",Logsdon, Guy. The Whorehouse Bells Are Ringing and Other Songs Cowboys Sing, pp. 154 ff. 1995 reprint of UIP (Champaign), 1989.
In the version of the traditional song "Poor Paddy" by The Pogues, this railway is mentioned in the verse for 1843: > In eighteen hundred and forty three, > I broke my shovel across me knee; > I went to work for the company, > on the Leeds and Selby Railway.
Chandler decided to take Hendrix with him to England in September 1966, where he would subsequently turn the guitarist into a star. Rose re-recorded "Hey Joe" in the 1990s, re-titling it "Blue Steel .44" and again claimed the song as his own arrangement of a traditional song.
The show featured traditional song and dance numbers, poetry, and sketch comedy. The orchestra was directed by George Lisle. The first Mee-Ow Show ran April 12, 13 and 14, 1974setting the stage for what would become one of the longest running student-created improvisational shows in the U.S.
Lavani () is a genre of music popular in Maharashtra, India. Lavani is a combination of traditional song and dance, which particularly performed to the beats of Dholki, a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre.
Musical instruments used in Uttarakhand music include the dhol, damoun, turri, ransingha, dholki, daur, thali, bhankora and masak baja. Tabla and harmonium are also used but to a lesser extent. The main languages are Kumaoni and Garhwali. Example of a traditional song sung by Kumaoni girls in Uttarakhan.
The album focused more on the rock elements and traditional song structure. In October of 2017, Hotel Books released "Equivalency" via InVogue Records to critical acclaim. Hotel Books has toured the USA, Europe, Asia, and Australia, playing with a variety of notable acts, including Defeater, Counterparts, and Title Fight.
Cherry Ripe is a 1921 British silent romance film directed by Kenelm Foss and starring Mary Odette, Lionelle Howard and Roy Travers.Low p.347 The film is based on the 1878 novel of the same title by Helen Mathers which is itself named after the traditional song Cherry Ripe.
The song was written by Sid Tepper and Roy C. Bennett and published by Gladys Music, Inc. It is based on the traditional song "Greensleeves", which Presley requested to rework for him. The first version the songwriters made (in 1967) was titled "Evergreen", but Elvis never recorded it.
"The Parting Glass" is a Scottish traditional song, often sung at the end of a gathering of friends. It was purportedly the most popular parting song sung in Scotland before Robert Burns wrote "Auld Lang Syne". It has also long been sung in Ireland, enjoying considerable popularity to this day.
111 Discos Uruguayos by Andres Torron (Spanish - page 128; English - page 283) These followed traditional song formats, but with bolero and Latin American inspired arrangements and the start of Roos's definitive personality. A year later (1982), Roos followed with Siempre son las cuatro, with a rougher and darker quality of tone .
In 2009, he released his second Christian devotional album entitled Parishudhan. It had eleven tracks – "Vazhiyum Sathyavum Nee Thanne (Vijay Yesudas), "Mullukal Kuthi" (Chithra), "Ariyathe Polum" (G. Venugopal), "Neethimanayavane" (Sujatha), "Traditional song" (Louis), "Mazhayum Veyilum" (Rimi Tomy), "Oru Viral Sparshathal (Sudheep), "Loka Palaka" (Chithra), Neethanthamam (Vijay Yesudas), and "Kannukalil Theliyum" (Manjari).
His poems were becoming increasingly popular. He relied on folkloric elements and popular, traditional song-like verses. Among his longer works is the epic "János Vitéz" (John the Valiant; 1845). The poem is a fairy-tale notable for its length, 370 quatrains divided into 27 chapters, and for its clever wordplay.
The double album, Karavan (Caravan), was recorded in Cyprus and produced by Saša Habić. Part of the album lyrics were written by Kanjevac, and part by Predrag Milosavljević. The album featured Generacija 5 guitarist Dragan Jovanović on acoutic guitar as guest. The album featured a cover of traditional song "Petlovi" ("Roosters").
In June 2002, Walt Disney Pictures released their animated feature film, Lilo & Stitch, which prominently featured two songs performed by Hoʻomalu along with The Kamehameha Schools Children's Chorus: a traditional song called "He Mele No Lilo" and an original song written by Hoʻomalu especially for the film, "Hawaiian Roller Coaster Ride".
The dance format associated with Lavani is known as Tamasha. Lavani is a combination of traditional song and dance, which particularly performed to the enchanting beats of 'Dholaki', a drum-like instrument. The dance is performed by attractive women wearing nine-yard saris. They are sung in a quick tempo.
Nearly all of the album's tracks were cover versions of notable Christmas and holiday tunes. Among these covers was songs such as Elvis Presley's "Blue Christmas" and the traditional song "Silent Night". Also contained in the album were two medleys of holiday songs. These tracks were featured on side two of the record.
Carnwath is mentioned twice in the traditional song We're No' Awa' Tae Bide Awa', also known as Carnwath Mill. So we had a hauf an' anither hauf, And then we had anither, When he got fou' he shouted "Hoo! It's Carnwath Mill for ever." For we're no' awa' tae bide awa' , etc.
James Barr (1779–1860) was a Scottish composer who composed the tune which inspired the tune now used for the Australian traditional song "Waltzing Matilda."Who'll Come A Waltzing Matilda with Me? National Library of Australia. Born in Tarbolton in South Ayrshire, Barr taught music and worked for a publisher in Glasgow.
Recording live direct-to-disc on the first electrical sound recording system from the 1920s, they performed a version of "The Coo Coo Bird" a traditional song that Martin learned from the 1960s folk music group The Holy Modal Rounders.MacMahon, Bernard (September 28, 2016). "An Interview with Bernard MacMahon". Breakfast Television (Interview).
Sejdefu majka buđaše is a traditional song that is believed to have originated in Sarajevo centuries ago, while the region of Bosnia was a part of the Ottoman Empire. The exact author is unknown. Over the centuries, the song spread amongst the Bosniak populations in Podgorica and the Sandžak regions of Montenegro and Serbia.
"Taba Naba" is a children's song originating in the Torres Strait Islands just north of the continent of Australia. This song is usually accompanied by a "sit-down dance" where the "dancers" perform traditional movements corresponding to the lyrics. The song is a traditional song in Meriam Mir, a language of the Torres Strait Islanders.
The father-daughter dance is a tradition that is also frequently performed at weddings. The girl and her father dance to a slow-jazz or traditional song while everyone sits and watches. This is usually the first song of the night. Sometimes, girls also added a mother- daughter dance as a dedication to her mother.
In 1976, the band recorded an instrumental arrangement of the Scottish traditional song "Loch Lomond", retitled "Fling Thing", which has appeared in their stage act over the years. The title refers to the Highland Fling. Young occasionally provides backing vocals along with Malcolm on songs such as "T.N.T." and "Dirty Deeds Done Dirt Cheap".
The fact that she moved away from her own roots in a geographical sense made her look back at them with a renewed interest. She started to get to grips with traditional song from Valencia "Cant d’estil" through the great singer-songwriter Josep Aparicio ‘Apa’ and went on to perform different television series' soundtracks too.
In the festival, many dance teams dance to music composed based on a Japanese traditional song, "Sōran Bushi". Members of the dancing teams wear special costumes and compete on the roads or stages constructed on the festival sites. In 2006, 350 teams were featured with around 45,000 dancers, and over 1,860,000 people visited the festival. the Sapporo Summer Festival.
He was Curator of Canadian Folklife at the Canadian Museum of Civilization/Canadian Museum of History from 2001 to 2015.When Two Careers Are Better Than One, by Randy Ray, undated. Accessed January 9, 2008. He has written on traditional song, Canadian sports and cultural heroes, and the folklore of Canadian foods such as the butter tart.
The "Deep Ellum Blues" is an American traditional song. The title of the tune refers to historical African-American neighborhood in downtown Dallas, Texas, known as Deep Ellum, and a home to music legends Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely. Sometimes the song's title is spelled "Deep Elem" or "Deep Ellum".Pask, Kevin.
If no one is dressed as Mary and Joseph, the procession generally carries a nativity scene. Las Posadas generally serves as a way to maintain community bonds with the neighborhood. In one variation, the procession arrives at a house and divides in two. One half remains outside and sings a traditional song to ask for shelter.
Bristol-based duo The Insects were commissioned to write the score for the series. The first episode features the traditional song "She Moved Through the Fair" sung by Elizabeth Fraser, plus the Anglican hymn "Immortal, Invisible, God Only Wise" at the ploughman's funeral. Another recurring song is "The Reaper's Ghost", composed by Richard Dyer-Bennet in 1935.
Redžepova performed A bre babi sokerdžan, a Macedonian Roma traditional song. It was the first time a song in Romani was aired by the station. Redžepova won the contest, beating 57 other schools and winning 9,000 dinars. When Redžepova 's parents learned about her success, they were upset and reluctant to let her follow a musical career.
Pa'gellu dance performance in Tana Toraja. Traditional song and dance at a funeral in Tana Toraja. Torajans perform dances on several occasions, most often during their elaborate funeral ceremonies. They dance to express their grief, and to honour and even cheer the deceased person because he is going to have a long journey in the afterlife.
Sheeran revealed he took inspiration from the 1970s Irish folk band Planxty. According to Entertainment Weekly Jodi Walker, the song is "touch reminiscent" of "The Parting Glass", an Irish traditional song that is a bonus track in Sheeran's debut album, +. The themes in The Hobbit are present in the song's lyrics, which refer to "fire, mountains and brotherhood".
Irish Molly-o is a traditional song of Scots-Irish origin. Widely popular in North America in the early 19th century, it was first published by A.W. Aunner in Philadelphia around 1830 and later in New York City by Kennedy. Both "The Hat My Father Wore" and "The Sash My Father Wore" were adapted from this song.
Irish composer Lance Hogan wrote the soundtrack. The main theme, "Annì’s Lullaby", which we wrote with Dave Kenny, is sung by Irish vocalist Anna Jordan, daughter of the famous director Neil Jordan.Choosing her own direction: Anna Jordan's cinema debut It was inspired by "Ninna nanna di Carpino", a traditional song from Carpino, an Italian town close to Foggia.
"Epona" is the name of the horse goddess Epona of the Gallo-Roman religion. "Triad" is a track formed of three sections; "St. Patrick" is a traditional song that refers to St. Patrick who spent six years in captivity after he was captured by the Celtic people. "St. Patrick" lyrics were adapted from ancient hymn "Deus Meus Adiuva Me".
A variant of the dance called Pakiring is practiced by the people of Mindanao, Sulu and Sabah. The dance emphasizes the movement of the hips (kiring-kiring), to mimic the movement of a butterfy. It is also called kendeng-kendeng in Tagalog speakers of Central Luzon. Throughout the Philippines, a traditional song called Kiriring Pakiriring often accompanied this dance.
Consistent with the Hawaiian subsistence economy, anybody who helped could share in the catch. Hukilau Beach, in Lā'ie, is named after the technique, which has been used there for centuries. A festive beach gathering is also known to local Hawaiians as a hukilau, and there is a traditional song and dance known as the hukilau, a scattered line dance.
"Molly and Tenbrooks," also known as "The Racehorse Song," is a traditional song of the late 19th century. One of the first recordings of the song was the Carver Boys' 1929 version called "Tim Brook."Wolfe 1996, p. 42. The song was recorded by Bill Monroe and His Blue Grass Boys on October 28, 1947 but not released until 1949.
Tripoli, Beautiful Land of Love (Italian: Tripoli, bel suol d'amore) is a 1954 Italian comedy war film directed by Ferruccio Cerio and starring Alberto Sordi, Lyla Rocco and Fulvia Franco.Chiti & Poppi p.376 It takes its title from a traditional song of the same name which features prominently on the soundtrack. The plot draws some inspiration from that of The Three Musketeers.
The following traditional song was once often sung at Williams sporting events, but its current use is limited. : Yard by yard we'll fight our way : Thro' Amherst's line, : Every man on every play, : Striving all the time. : Cheer on cheer will rend the air, : All behind our men. : And we'll fight for dear old Williams : And we'll win and win again.
"If I Prove False" is a single by folk artist Cara Dillon. The single was released in conjunction with the release of her first full length DVD The Redcastle Sessions. The song became a live favourite for the singer during 2007 when she toured with guitarist and singer John Smith. The single is a duet with him, and is a traditional song.
"McCafferty" is a traditional song which originated as a street-ballad about Patrick McCaffrey, executed in 1862 for the killing of two of his officers.Preston Mercury, 16 September 1861 It is particularly popular in Ireland, where McCaffrey came from, and was recorded by The Dubliners. In the British army it was believed that to sing the song was a chargeable offence.
However, he will always be remembered as great singer with unique, subtle and lyrical voice. Beside songs composed for his studio albums, he will also be remembered as outstanding performer of Bosnian traditional song - Sevdalinka. Some of his interpretations are inducted in National Music Register. He recorded songs for Bosnian and Serbian radio and TV archive, written and composed by Sevdah legends.
"Fèy" is a traditional Vodou folk song in Haiti. In Haitian Creole, "fèy" means "leaf", and the lyrics of the song describe a leaf falling from a tree. Like many traditional songs in Vodou folklore, the lyrics of "Fèy" can hold many meanings, both religious and political. At least two mizik rasin bands in the 1990s sang adaptations of the traditional song.
The music for the episode was provided by series composer Jeff Russo. The opening scene also features the main theme of the 1996 film, composed by Carter Burwell. The traditional song "Didn't Leave Nobody but the Baby" is played during the end credits, in reference to the Coens' film O Brother, Where Art Thou?, in which it was also featured.
Celina González Zamora (16 March 1929 in Jovellanos, Matanzas – 4 February 2015) was a Cuban singer-songwriter, who specialized in "música campesina", traditional music of the Cuban countryside. She is best known for co-authoring A Santa Bárbara with her partner Reutilio Domínguez.not the traditional song Santa Bárbara bendita. Her recording of it was a hit, as was Celia Cruz's version.
The song is centered on Egyptian mythology, in which the narrator compares herself to Queen Cleopatra since she's "queen of denial" by her significant other (a play on words of The Nile River). A guitar solo in the chorus takes the melody of the traditional song The Streets of Cairo, or the Poor Little Country Maid, a song traditionally associated with Egyptian culture.
Arthur Argo (1935–1981) was a Scottish traditional folk musician, promoter and collector and the great grandson of Gavin Greig. Argo came from a family with a rich traditional song heritage. Argo worked alongside Hamish Henderson collecting field recordings from the North East of Scotland and beyond. Argo, was a promoter of the work of Scottish folk artists and their music.
"Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with guitarist Bob Weir singing lead vocals. It was frequently played live by the Dead. The 1977 album Terrapin Station featured a studio recording of the song.
The traditional song "Burrito Savanero" they covered with a twist and a few adjustments. They also appeared in the TV shows Remi and Maria Susema. In the show Remi they appeared five times and in Maria Susema they appeared two times. In both shows they sang the songs "Subete a Mi Moto", "Contigo Se Ira", "Ven al baile" and "Boogie Boogie".
Others referring to his blues guitar on the performances concluded that Rodgers "plays as entertainingly as he sings". Rodgers became the best-selling country act of 1929.Other labels started to look for artists that sounded like him to replicate his success. Though it was at the time already considered a traditional song, Prince Albert Hunt claimed that Rodgers copied his record.
Lo Boièr ("The Oxherd", also known as Le Bouvier in French) is an Occitan traditional song. It was popular in Languedoc during the Late Middle Ages, being particularly associated to the religious movement of Catharism. It might have developed during the Albigensian Crusade, when Cathar beliefs were declared forbidden. Along with Se Canta, it is possibly the most known old Occitan song.
"The Foggy Dew" as the name of an Irish traditional song first appears in Edward Bunting's The Ancient Music of Ireland (1840),Bunting, Edward: The Ancient Music of Ireland (Dublin: Hodges & Smith, 1840), tune no. 150, p. 109; facsimile reprint, Dublin: Waltons, 1969. where the tune is different from that mostly sung today (also different from the lament and the rebel song below).
The katakata is a long traditional song narrating the lives, loves, and historical backgrounds of people who lived during early times. The Yakan believed that such stories originated from people who lived in another world. The katakata is sung only at night, at a big gathering with food served by the host or hostess. The singing, in episodes, may last for several nights.
Sister is the fourth studio album by American alternative rock band Sonic Youth. It was released in June 1987 by SST Records. The album furthered the band's move away from the no wave genre towards more traditional song structures, while maintaining an aggressively experimental approach. Like Sonic Youth's previous records, Sister was not successful at the time of its release.
The narratives of traditional songs often also remember folk heroes such as John Henry or Robin Hood. Some traditional song narratives recall supernatural events or mysterious deaths. Hymns and other forms of religious music are often of traditional and unknown origin. Western musical notation was originally created to preserve the lines of Gregorian chant, which before its invention was taught as an oral tradition in monastic communities.
The performance played 18 January to 4 February. The band were again on stage as live musicians. The songs were composed by Boff Whalley and the band created specifically for the show, except for the traditional song 'It's the same the whole world over'. The company cast well-known comedian Phill Jupitus alongside actors Dean Nolan, Harry Hamer (former band member), Kyler Goodie, and Lisa Howard.
"Castle of Glass" uses electronic elements from the band's previous studio album, A Thousand Suns. Loudwire noted in their Living Things review that the song features "very different electronic elements and unique sounding samples that the band have added to their musical palette." Yet is one of the most direct that the band has done, with a traditional song structure and a melody reminiscent of country music.
The "modern-leaning" production consists of multilayered guitars, keyboards and programmed beats. The song derives its minimalist sound from several vintage and organic elements, including layered synths, drum machines, and heavy bass, among others. It also makes use of a supple bassline and pummeling percussions. "Lights Up" eschews traditional song structures and is composed of several breakdown pre-choruses and post-choruses with a single chorus.
Fellows released an instrumental album, Mood X, his first solo release, on RPM in 1997. He also began managing the band Gomez that year after discovering them. He later helped the band Little Glitches, and was said to be working on a more traditional song-based solo album. In July 2008, he posted five songs recorded in the mid-1990s on his Myspace page.
Music Class in Bilkent Erzurum School Band The Bilkent Erzurum School Band is an activity of the music club. The Band was founded in 2008. The Turkish National Anthem, Youth Anthem, Jazz and Blues based songs, traditional song, and some popular songs are generally included in the repertoire of the Bilkent Erzurum School Band. The Band was led by Conductor Janusz Szprot for 3 years.
Molly begins to record their neighbors, a little girl and her mother who live nearby. She encounters paranormal forces in the house and at work, where she hears a man singing the traditional song "Lovely Molly." The next day, Molly's boss shows her the surveillance camera footage, which seems to show Molly being sexually assaulted by an unknown force. Molly becomes hysterical and is sent home.
On Do Right Woman she returns the favour by singing one of his songs, "Turn a Deaf Ear". The first traditional song on the album is "The Garton Mother's Lullaby", which was re-recorded in 2005 on Full Circle. On "Returning" she sings the last verse in French. The album is named after her cover of Do Right Woman, Do Right Man, originally recorded by Aretha Franklin.
The Folklore Society (FLS) is a London-based learned society devoted to folklore, including folktales, traditional song and dance, folk plays, childlore, folk religion, etc. The society fosters the research and documentation of folklore worldwide. The society publishes the journal Folklore. It is one of the earliest English- language journals in the field of folkloristics, first published as The Folk- Lore Record in 1878.
He was offered a Yuan post and ordered to convince the remaining Song forces to surrender. Wen refused and suffered for 4 years in a military prison before his execution in 1283. The idea of working for a government that his people traditionally viewed as "barbaric" was incompatible with his traditional Song values. During this time he wrote the famous classics "Song of Righteousness" (), and "Passing Lingdingyang".
Good News is the first album of Christmas music released by American country music artist Kathy Mattea. It was released in late 1993 on Mercury Records. "Mary, Did You Know?" and "What a Wonderful Beginning" were both covered by Kenny Rogers (the former, as a duet with Wynonna Judd) on his 1996 Christmas album The Gift. "Brightest and Best" is the only traditional song covered here.
Jessico is the sixth album by Argentine rock group Babasónicos. The band embraced more traditional song structures in Jessico in comparison to their previous albums, sacrificing experimentation and psychedelia for a more direct style. This has brought criticism from certain circles, who think that this album lacks the originality that characterized Babasónicos from their previous output. It was considered a regular radio-friendly pop album by many.
The song Am Bothan a Bh'Aig Fionnghuala ("Fionghuala's Bothy") is a traditional song recorded by the Bothy Band in 1976.Lyr Req: Fionnghula (Bothy Band), the Mudcat Café Bothy Culture is the second studio album by Scottish Celtic fusion artist Martyn Bennett. It was released in 1998. Marion Zimmer Bradley used bothies as a pattern for shelters at Hellers mountains in her Darkover novels.
Jeongeup, like many cities in Korea, had a hyanggyo, or Confucian school, where people were trained in Confucian ways. This building is a tourist attraction today, but is not open to the public. Jeongeup is known for a traditional song from the Baekje Kingdom era, known as Jeongeup- ga. The song tells the tale of the lamenting heart of a woman waiting for her peddler husband’s return.
The Grateful Dead played the song "Samson & Delilah" from the mid-1970s and throughout their career. The song is a traditional song, cataloged by Alan Lomax in his encyclopedic "Folk Songs of North America" which Bob Weir learned from Reverend Gary Davis. Dave Van Ronk also sings the song on his "Folksinger" album. The lyrics cover some parts of Samson's history, notably his fight with the lion.
In the 20th century, western style classical music has been introduced, and mixed with traditional elements by some composers. Later on the full palette of Pop and Rock music has also been adopted by younger musicians. The Mongolian Waltz is a dance unique to Mongolia. Typically, one mounted horseman and one mounted horsewoman circle each other in time to a traditional song, which speeds up as it progresses.
A shorter (3.37) recording of this song is included on the third CD of the album BBC Radio 2 Folk Awards 2009. Ward's version of "Maids When You're Young", a traditional song which was popularised by The Dubliners, was nominated for best traditional track at the BBC Radio 2 Folk Awards 2012. It was included on the first CD of the album BBC Radio 2 Folk Awards 2012.
The annual independence celebrations display a variety of traditional song and dance. Since 1997, there have also been weeks of Creole festivals, such as "Creole in the Park" and the "World Creole Music Festival". Dominica gained prominence on the international music stage when in 1973, Gordon Henderson founded the group Exile One and an original musical genre, which he coined "Cadence-lypso". This paved the way for modern Creole music.
The composer Benjamin Britten set several of de la Mare's verses to music: de la Mare's version of the traditional song Levy-Dew in 1934, and five others, which were then collected in Tit for Tat.Walter de la Mare (lyrics) and Benjamin Britten (music), Tit for Tat (1968). Retrieved 12 February 2020. The American composer Theodore Chanler used texts from de la Mare's story "Benighted" for his song cycle 8 Epitaphs.
Kamaruddin Razal, a reviewer from Gua.com.my praised such ability by saying,"The mellowness and melisma of her vocals in phrasing the melody and the rhythm of this traditional song can't no longer be denied." Nur Aqidah Azizi of New Straits Times also shared the same sentiment. She commented that Siti has "made it look as if little effort was needed to bring such beautiful performance to the song".
Sheridan made a complete recording of Madama Butterfly with the La Scala orchestra during 1929–30 on gramophone records, also a number of recordings of operatic duets with the tenor Aureliano Pertile, as well as arias from selected operas by Michael William Balfe, Arrigo Boito, Giacomo Puccini, Giuseppe Verdi and Richard Wagner. She also recorded various Irish traditional song arrangements by Balfe, John William Glover, Thomas Moore and others.
Hasmik Harutyunyan (; born December 26, 1960 in YerevanՀԱՍՄԻԿ ՀԱՐՈՒԹՅՈՒՆՅԱՆ (Armenian)) is an Armenian folk singer. She is the leading member of the Shoghaken Folk Ensemble and directs the Hayrik Mouradian Traditional Song and Dance Children's Ensemble. The music of the Shoghaken Ensemble is featured on the soundtrack of the film Ararat. Harutyunyan's Armenian Lullabies was recognized by the New York Times as an outstanding world music CD in 2004.
He described Limited Edition as "an eclectic collection of traditional songs, electrified blues and songs written with my wife Camilla, rich in Rickenbacker 'jingle jangle.' The unifying factor is the Rickenbacker electric 12-string guitar sound." He also played banjo, and, on the blues-oriented tracks "Saint James Infirmary" and "James Alley Blues", an Epiphone Elitist "Byrdland" guitar. Another traditional song, "Shady Grove", combines folk and hip hop.
"(I'm Gonna Run to) The City of Refuge" is a gospel blues song recorded in 1928 by Blind Willie Johnson, with backing vocals by Willie B. Harris, who may have been his first wife. It is an adaptation of the traditional song "You Better Run". The earliest known recording of the song (titled "You Better Run") was by Wiseman Sextette, 1923. Also lists other recordings of the song.
In 1973 he appeared in the musical remake of Lost Horizon, the last occasion on which he took his traditional song-and-dance persona to the big screen. His novelty dance number from Small Town Girl (1953) was featured in That's Entertainment, Part II (1976). In 1978, he played swindler Warren Custer in the episode "The Two-Million-Dollar Stowaway" of the NBC crime drama series The Eddie Capra Mysteries.
A Madrigal Dinner or Madrigal Feast is a form of Renaissance dinner theater often held by schools and church groups during the Christmas season. It is set in the Middle Ages and is generally comedic in nature. The meal is divided into courses, each of which is heralded with a traditional song. A play is performed between the courses, and a concert of choral music concludes the festivities.
The valravn takes the child away, and tears into the chest of his won wager and consumes the blood contained within the child's heart. As a result, the valravn transforms into a knight. This traditional song was reinterpreted by the electro-folk band Sorten Muld and became a hit for them in 1997, under the title Ravnen. Other accounts describe valravns as monsters that are half- wolf and half-raven.
Paddy's rendition of the traditional song "Trim the Velvet" was the signature tune of the long-running radio program A Job of Journeywork. By the mid-1960s, however, Canny decided the band's demands were too much of a distraction from his farm (which he considered his primary occupation), and he left the band in 1965.Champion fiddle player whose style was critically acclaimed. The Irish Times, 5 July 2008.
The score heard in Hard Boiled was created by jazz musician Michael Gibbs. During promotional screenings, the score for the film was different and was described as "very haunting music" by film scholar Bey Logan. This score could not be used as the production crew could not get the rights to the music. Other songs featured in the film, include "Hello" by Lionel Richie and the traditional song "Mona Lisa".
It is Prigent's first experience combining Breton lyrics and electronic music. Quimper Cathedral, one of the stops of Tro Breizh. Prigent released his second album, Me 'zalc'h ennon ur fulenn aour (I keep in myself a golden spark), in 1997. He wrote all the lyrics except for the traditional song Ar rannoù that appears in the Barzaz Breiz, and most of the musics, using both traditional instruments and electronic sounds.
The film has lyrics and music composed by several leading masters in the field while the background score was composed by Bijibal. The first line of the song "Thaamara Poonkaavanathil Thaamasikkunnoley" has been mentioned in the novel by Basheer himself. An oral traditional song of the Muslims in Kerala, the song's lines were supplemented with lyrics penned by K. T. Muhammed. It has been sung by legendary singer K. J. Yesudas.
Malahki Thorn - Ordo Rosarius Equilibrio Interview on Heathen Harvest In the initial years, the band incorporated sadomasochism live on stage as wellInterview with Tomas Petterson on Kogaionon, by Metal Maniacs. A wide range of instruments are used, including acoustic guitars, percussion and piano, together with various sound-aggregating devices combined with projected imagery. Lyrics are delivered, typically by Petterson himself, in a performance including spoken word and traditional song.
Feldstein told HitQuarters: "We had an artist that had never had a hit on radio. It was a non-traditional song; it didn't sound like a Timbaland or Benny Blanco record. So we had to approach the market in an interesting way." Feldstein came up with the idea of creating a video designed to go viral and brought in experienced music video director Diane Martel to shoot it.
The second track is "Sloop John B", a cover of the traditional song made famous on Pet Sounds by the Beach Boys. Thomas has argued elsewhere that Pet Sounds is the greatest album of music ever recorded. "Petrified" was recorded at Bushflow Studio in Akron, Ohio, and features a clarinet solo by Ralph Carney. An ensemble version of the track appears on the Pere Ubu album Song of the Bailing Man.
The lyrics of "Christina the Astonishing" are based on the life of Christina Mirabilis, a 12th-century woman generally regarded as a Christian saint. "When I First Came to Town" is based partly on Karen Dalton's recording of the traditional song "Katy Cruel". Dalton's version was later issued on Original Seeds Vol. 1. Cave later claimed the songs were heavily influenced by street beggars he saw in Brazil.
"Hemlängtan" was originally a poem by Dan Andersson, set to music by Gunnar Turesson. Here it is arranged by Karlsson, Hazelius and Linder and performed by Karlsson (vocals), Hazelius (cittern, vocals), Lisa Rydberg (violin), Henrik Cederblom (dobro) and Linder (percussion, vocals). "Resan till Österlandet" is a traditional song, with verse 2 added by Karlsson. It was arranged by Karlsson and performed a cappella by her, Isaksson and Will Mark (vocals).
"Let Me Love You" contains sampling of an Algerian traditional song, which was later made famous even more famous by "Abdel Kader" (1993). DJ Rebel sampled the musical refrain from it into his new single, with new English language lyrics written by Mohombi and Shaggy. Shaggy and Mohombi previously worked together in "I Need Your Love" (2014), credited to Shaggy, Mohombi, Faydee and Costi, a hit that received commercial success.
Currently "Cochise" by Audioslave is played whenever the Bruins enter the ice. "Joker and the Thief" by Wolfmother is played before the opening faceoff. Conversely, after every Bruins' win at the TD Garden (as with the NESN-covered Boston Red Sox when winning a baseball game at Fenway Park), "Dirty Water", by The Standells, is played. During the month of December, the team uses "The Nutcracker", a traditional song with the Bruins.
In 2004, he had a huge success with the traditional song "Jean Johnny Jean" written by Gildas Arzel. The song appeared in Voisine's album Coup de tête. Over the years, he has continued alternating between recording both French and English-language albums. His French language work and concert tours have continued to enjoy success in Europe (especially France) and Quebec, while his English-language recordings are a frequent mainstay of Canadian adult contemporary radio.
"Riding Down from Bangor" was a poem written by Louis Shreve Osborne in 1871 while attending Harvard. At some early point, Osborne's poem was set to music. It was recorded as a traditional song in 1934 by Frank Crumit and in 1950 by the husband and wife duo Marais & Miranda. It is the same poem as "The Harvard Student", also titled "The Pullman Train" (attributed to Louis Shreve Osborne, 1871) by Doney Hammontree.
"Ida Red" is an American traditional song of unknown origins that was made famous in the upbeat 1938 version by Bob Wills and his Texas Playboys. Wills' Ida Red served as the primary inspiration for Chuck Berry's first big hit Maybellene. It is chiefly identified by variations of the chorus: :Ida Red, Ida Red, I'm a plumb fool 'bout Ida Red. Verses are unrelated, rather humorous, and free form, changing from performance to performance.
Dylan had learned the tune from the singing of the Clancys and Makem. In 1998, the traditional words were set to a new, different melody (reminiscent of Mo Ghile Mear, another Irish traditional song) by Irish composer Shaun Davey. In 2002, he orchestrated this version for orchestra, choir, pipes, fiddle, and percussion to commemorate the opening of the Helix Concert Hall, Dublin, Ireland. His version appears in the film Waking Ned Devine.
Lee Ju-hwan(; April 10, 1909 - December 2, 1972) was an Ingan-munhwage of Korean traditional song, Gangtok, which is the 41st Important Intangible Cultural Properties of Korea. He is also a master of gasa, which is Korean traditional literature that is an intermediate form of poetry and prose and Lee Ju-hwan is designated as Ingan-munhwage of 30th Important Intangible Cultural Properties of Korea gasa either. He used Sonam (; as a pseudonym.
After the termination of his contract with Columbia, Hardin signed with GM Records. He had previously attempted to record "Shiloh Town" during the aborted Nashville sessions in 1968. The song was based on a traditional song, recorded previously by Richie Havens. The track "Blues on the Ceiling" was erroneously credited to Hardin and "While You're on Your Way" and "Never Too Far" were re- workings of his songs from his first album.
Chinese press praised the US band for their action-packed live performances including People Daily. With a growing fanbase in China, in October 2011, PaperDoll returned for their 3rd tour aptly titled NY2CN: Can't Stop It!!!, named after their single "You Can't Stop It". Partnering with Loft Records in Tianjin, PaperDoll released an English/Chinese CD with 14 songs including a remake of Chinese traditional song "Moon Represents My Heart" in China.
Several interpretations of the legend have been made in many different formats. Welsh antiquarian Griffith John Williams related and discussed the story in his book Y Llenor (1928). The Welsh language novel ' (1881) by is based on the story. The story of the Maid of Cefn Ydfa is commemorated in the traditional song Bugeilio'r Gwenith Gwyn (Tending the white wheat), and in an opera by Welsh composer Joseph ParryThe Welsh Academy Encyclopaedia of Wales.
"Careless Love" is a traditional song, with several popular blues versions. It has been called a "nineteenth-century ballad and Dixieland standard". The death referenced in an old version was the son of a Kentucky governor. Although published accounts have cited 1926 as the copyright date, W. C. Handy copyrighted "Loveless Love" in 1921 under Pace & Handy Music Co. A recording by Bessie Smith titled "Careless Love Blues" was very popular in 1925.
Soldier Soldier is a British television drama series. The title comes from a traditional song of the same name - "Soldier, soldier won't you marry me, with your musket, fife and drum?" - an instrumental version of which was used as its theme music. Created by Lucy Gannon, produced by Central Television and broadcast on the ITV network, it ran for a total of seven series and 82 episodes from 10 June 1991 to 9 December 1997.
"Marche Lorraine" is a French patriotic song, composed by Louis Ganne in 1892 on the occasion of the XVIIIe Fête Fédérale de Gymnastique de France. The lyrics are by Octave Pradels (1842-1930) and Jules Jouy (1855-1897). The melody recalls the traditional song "En passant par la Lorraine". Originally belonging to the revanchist movement of late 19th century France, the Marche Lorraine has since become a standard of the official French military repertoire.
Born as Marie Joséphine Kama in Brazzaville, Congo, Dabany's parents originated from the Bateke people in Haut-Ogooué region in what is now southeastern Gabon. Dabany grew up in a musical family and began to sing at an early age to her father's accordion accompaniment, while her brother played guitar. From there her path led to the church choir in Brazzaville and on to traditional song performances. Her mother was a traditional singer.
Others also refused to convert to Christianity because of the belief that Christian missionaries were there to destroy the Igbo religion. Christians attacked the traditional song music and dance of the Igbo religion as they deemed it immoral. This set the stage for religious conflict between the Igbo and the Christians, which might have led to the inference that African traditional religions were rooted in anti-Christian belief. Elders were merely protecting their traditions.
Preferred terms are Forn Sed ("Old Custom") or Nordisk Sed ("Nordic Custom"). Attention is rather given to traditional song, dance, folk music and festivals. Critics refer to the folketro movement as funtrad (for fundamentalistisk traditionalisme, "fundamentalistic traditionalism"). Not to be confused is the "radical traditionalism" of the New Right, which invokes national mysticist or occultist notions of a pan-Indo-European tradition rather than the focus on regional customs advocated by folketro.
It didn't matter what race or sexual orientation you came from because dance music was all about embracing our differences and creating a homogeneous vibe. The music was built heavily on traditional song structures and much heart and soul. DJs played whatever it took to get the party going and the music was never predictable. It is with this classic spirit and enthusiasm that New York City's Mr. V targets today's dance music world.
It features "Never Tire of the Road", Irvine's tribute song to Woody Guthrie, alongside mainly self-penned material celebrating some of his other heroes: Raoul Wallenberg, James Connolly, Emiliano Zapata, Michael Dwyer, Douglas Mawson, Aeneas Mackintosh and Sinclair Lewis. The only other traditional song is "Allan McLean". The sleeve notes of "Love To Be With You" show a faded, black & white photo of Vida, the heroine of his song from ten years earlier: "Rainy Sundays".
In modern times with the advent of Christianity, this festival has lost its spiritual significance and solemnity. It is simply celebrated by the youth these days as a festival of traditional song and dance. The end of the Okoroshi festival leads to the dawn of the harvesting season, which is celebrated as Iri ji ohuru (new yam festival). During this period full-grown yam tubers, corn, pumpkin, and melon are harvested and enjoyed.
Son ar chistr ("The song of the cider" in the Breton language, "Ev Chistr ’ta Laou!" originally) is a traditional song of Brittany, whose words in Breton were written in 1929 by two Morbihan teenagers Jean Bernard and Jean-Marie Prima. The melody became known by the interpretation of the famous Breton singer Alan Stivell in the 1970s and in 1977 by the Dutch band Bots under the name "Zeven dagen lang".
Each participant, usually a child, will have a turn at hitting the piñata, which is hung from above on a string. The participant is blindfolded, given a wooden stick, and then spun a number of times. As the participants works to hit the piñata, another moves it to make it harder to hit. There is a time limit to any one person's attempts, which is marked out by the singing of a traditional song.
Another music hall hit was "Take Me Back to Dear Old Blighty" (1917). The song is sung by Cicely Courtneidge in the 1962 film The L-Shaped Room. The term was also referenced in the song "All American Alien Boy" by Ian Hunter ("I'm just a whitey from Blighty"), from the 1976 album of the same name. Folksinger Ian Robb's album Rose and Crown features a topical parody of the traditional song "Maggie Mae", about the Falklands War.
Ach, wie ist's möglich dann also known as Treue Liebe (True/Loyal Love), is a German now-traditional song. Friedrich Wilhelm Kücken (1810 - 1882), a German composer and conductor, claimed to have composed the tune, and that it was later modified "probably by Silcher" ("wahrscheinlich von Silcher her") and given the general name Thüringer Volkslied ("Thuringian folksong"). Its popularity helped Küchen get chosen for the court of Grand Duke Paul Friedrich von Mecklenburg-Schwerin.Gaynor G. Jones, "Friedrich Wilhelm Kücken".
"The Road to the Isles" is a famous Scottish traditional song. It is part of the Kennedy-Fraser collection and it appeared in a book entitled 'Songs of the Hebrides' published in 1917, with the eponymous title by the Celtic poet Kenneth Macleod. The poem is headed by the statement 'Written for the lads in France during the Great War'. The impression is given by the notes appended to the book that the author was Kenneth Macleod himself.
Katie Cruel is a traditional American folksong, likely of Scottish origin. As a traditional song, it has been recorded by many performers, but the best known recording of the song is by Karen Dalton on the album In My Own Time. The American version of the song is said to date to the Revolutionary War period.Ken Goldstein, liner notes to Sandy Paton, The Many Sides of Sandy Paton, sound recording (Elektra Records, 1959) cat. no. 148.
Some find it hard to imagine that electric accompaniment for traditional song, as successfully purveyed by Fairport Convention and Steeleye Span, could have developed quite as it did without the pioneering Anthems in Eden. All these recordings strove to marry a deep love and understanding of the English folk music heritage with a more contemporary attitude to musical settings. Anthems in Eden was followed by Love, Death and the Lady, also co-credited with Dolly, in 1970.
Alberstein is a champion of liberal causes. Throughout her career she has been an activist for human rights and Arab-Israeli unity. In 1989, Alberstein's song Had Gadya (a spin-off on a traditional song Chad Gadya, which is sung at the Passover seder) in which she criticizes Israel's policy towards Palestinians, was banned by Israel State Radio. The song was later used in the film Free Zone by director Amos Gitai in Natalie Portman's 7-minute crying scene.
The town situated below Castle Duckula is home to many peasants who live in constant fear of the count, despite his harmless current incarnation. A recurring joke in the series and associated books is that "the peasants are revolting". Their local pub is called "The Tooth and Jugular,". The regulars are often seen singing a variation of the traditional song "One Man Went to Mow a Meadow!" replacing the words "mow a meadow" with "kill a vampire".
According to the NME, "Lotus Flower" combines the electronic instrumentation of Radiohead's fourth album Kid A (2000) with the "sonic warmth" of their seventh album In Rainbows (2007). The song features Yorke's "Prince-like" falsetto over syncopated beats and a "propulsive" synthesised bassline. Though the main beat is in common time, the handclaps are in quintuple meter, creating a metric dissonance. "Lotus Flower" has a more traditional song structure than other songs on The King of Limbs.
University of Illinois at Champaign-Urbana Library website. Retrieved 31 December 2010. Common meter hymns were interchangeable with a variety of tunes; more than twenty musical settings of "Amazing Grace" circulated with varying popularity until 1835, when American composer William Walker assigned Newton's words to a traditional song named "New Britain". This was an amalgamation of two melodies ("Gallaher" and "St. Mary"), first published in the Columbian Harmony by Charles H. Spilman and Benjamin Shaw (Cincinnati, 1829).
Rant and Roar is an album by Great Big Sea. Released in 1998 only to the USA, it is a compilation of some of the tracks from Up and Play also by Great Big Sea. This album was created because the band wanted to expand beyond their mostly Canadian fan base. The album's title comes from the first line of the traditional song "The Ryans and the Pittmans", which is generally more well known than the song's actual name.
It is believed this practice dates to Roman times. A positive organ having this configuration has been reconstructed recently by Van der Putten and is housed in Groningen, and is used in an attempt to rediscover performance practice of the time. In Iceland, the traditional song style known as tvísöngur, "twin-singing", goes back to the Middle Ages and is still taught in schools today. In this style, a melody is sung against itself, typically in parallel fifths.
It was the first known application in pansori of gwonmasung (a chant sung by palanquin bearers). Other cases of deoneum are: "Namwongol playboy" in "Chunhyangga" was sung by Dal Yeo-gye, incorporating the first application of gyeonggi minyo (a Korean traditional song originating in the Seoul and Gyeonggi area) in pansori. "Song in Prison" in "Chunhyangga" sung by Song Heung-rok, which is the first time Jinyang rhythm (a slow rhythm used in pansori) was applied in pansori.
The town hosts the annual Common Riding, which combines the annual riding of the boundaries of the town's common land with the commemoration of a victory of local youths over an English raiding party in 1514. In March 2007, this was described by the Rough Guide publication World Party as one of the best parties in the world. People from Hawick call themselves "Teries", after a traditional song which includes the line "Teribus ye teri odin".
Jota Vaqueira, traditional song in Paḷḷuezu The Asturian spelling Ḷḷ ḷḷ, called "che vaqueira" is used where l.l has sometimes been used if it is imposible to write ḷḷ. It can be a voiceless retroflex affricate [tʂ], a voiced retroflex plosive [ɖ] or a voiced retroflex affricate [dʐ], and it corresponds to standard palatal lateral approximant /ʎ/, dritten Ll ll and called "elle". The latter spelling is current in publications of the Paḷḷuezu literary revival that has been underway since approximately 2006.
Bati is a market town in the southern part of Wollo, in the Oromia Zone, between the Ethiopian highlands and the Great Rift Valley. The musical mode named after it is used in praise songs for rulers and sages, as well as in yearning songs for a beloved. Two tracks in the album are composed in this mode: Bati and Birtukane. "Bati" is a traditional song, telling of a man longing for his beloved woman, and going after her to Bati.
Due to the prolonged situation in the Lebanon region, Karam's 2005 album was postponed from originally being released in June, then July and then finally postponed until November 2005. However, Karam released another single in late July called Bhebak Walaa which was an upbeat, contemporary/traditional song typical of Karam's usual work. It was a fairly big hit, hitting number one on many internet and radio charts. On 6 September 2005, Karam released the video for Bhebak Walaa, directed by Salim el-Turk.
Also during this time, she recorded a version of the often covered traditional song "Gloomy Sunday", for the German WWII feature film drama Ein Lied von Liebe und Tod (released under the international title, Gloomy Sunday). In 2000, Nova released yet another live album entitled Wonderlust. Over the years, Nova has written and recorded over 120 songs. With the release of South (2001), she returned to the international spotlight with an appearance on the soundtrack of the John Cusack movie Serendipity.
The songs of the film are penned by Manoj Tapadia and Sahil Sultanpuri. The score is composed by music director Nithin R Shankar, who has previously composed music for the 2007 film Bombay to Goa. Sahil Sultanpuri brings his first song "Dhakku Makum", Tapadia has previously written songs of the films Manorama Six Feet Under and Cheeni Kum, both of 2007. The song "Dhakku Makum" features the popular Marathi traditional song "Yere Yere Pausa" which is sung by Zanai Bhosle, Asha Bhosle's granddaughter.
During the recording process, Lorde stated that Frank Ocean's 2016 album Blonde inspired her to eschew "traditional song structures." She frequently listened to Paul Simon's 1986 album Graceland while riding subways in New York City and on taxi rides on the way home from parties in her hometown of Auckland. She cited the 1950 science fiction short story "There Will Come Soft Rains" by Ray Bradbury as inspiration for much of Melodramas story, relating it to her own realities she faced.
Moji was first made into a port by Suematsu Kenchō with the financial backing of Shibusawa Eiichi in 1889. It was chiefly used for the transportation of coal, though there is a traditional song about the sale of bananas imported into Moji from Southeast Asia which survives to this day (Banana no tataki-uri). An Imperial decree in July 1899 established Moji as an open port for trading with the United States and the United Kingdom.US Department of State. (1906).
Jones is described as being "high on cocaine" (the song even makes a double entendre of advising Jones to "watch his speed"). It was inspired by the story of an actual engineer named Casey Jones. The engineer's exploits were also sung of in an earlier folk song called "The Ballad of Casey Jones", which the Grateful Dead played live several times. The Grateful Dead's song bears no resemblance whatsoever to the actual train wreck, nor do most versions of the traditional song.
Despite numerous songs mentioning Casey Jones, there has never been a song that tells the story accurately (although Johnny Cash's version of the traditional song comes closer than most). "Casey Jones" has received significant airplay on progressive rock, album-oriented rock, and classic rock radio stations over the years, and so is one of the Dead's songs that is more recognizable by non-Deadheads. The song was released as a downloadable track for the game Rock Band on March 4, 2008.
Dúrcal began her artistic career by participating in various radio song festivals and competitions, secretly supported by her paternal grandfather, who always believed in her talent and became her first fan. In 1959, with the approval of her parents, she participated in the television program Primer Aplauso, broadcast by Televisión Española. The theme that she chose for the contest was the traditional song "La sombra vendo". Luis Sanz, a Madrid manager who watched the show, was impressed by her talent and personality.
Thomas "Tommy" Makem (4 November 1932 – 1 August 2007) was an internationally celebrated Irish folk musician, artist, poet and storyteller. He was best known as a member of the Clancy Brothers and Tommy Makem. He played the long- necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sang in a distinctive baritone. He was sometimes known as "The Bard of Armagh" (taken from a traditional song of the same name) and "The Godfather of Irish Music".
Their debut album, From Here, was released in September 2015 on their own record label, From Here Records. It features Ewan MacColl’s song 'Champion at Keeping Them Rolling', the traditional song The Blacksmith, and Copper Family’s Hard Times of Old England alongside new song Me N Becky, a story of the 2011 London riots, looting, remorse and jail. The Guardian Newspaper described it as 'A powerful and original debut'.Stick in the Wheel: From Here review – folk revivalists with punk attitude.
He was also nominated twice in the Best Traditional Song category for Early One Morning and Lord Bateman. Moray recorded and released the single Sprig of Thyme in May 2004, and in the autumn appeared on the Oysterband's Big Session Volume 1 album. This gained yet more Folk Award nominations in 2005, including one for Cuckoo's Nest, which was sung, produced and mixed by Moray. After a long gestation period, Moray's eponymous second album was released on 1 May 2006.
More Sokol Pie (English: Behold a Falcon is Drinking) is a traditional song from Macedonia, particularly popular in Bulgaria and North Macedonia. There are several version of this song. Probably the earliest record of an early version of this song was in 1837, by Serbian author Petar Petrović Samopodlužanin. The song was recorded by Podlužanin from a Bulgarian immigrant in Serbia and in the text there are Serbian language influences made either by the person recording or by the person relating the lyrics.
"Charles Guiteau" (LAWS E11) Roud 444 is a traditional song about the assassination of US President James A. Garfield by Charles J. Guiteau. It is based on another old ballad, "James A. Rogers". The song is told from the point of view of the assassin himself. For a while, it was believed that Guiteau wrote the song himself, possibly because of the poem "I am Going to the Lordy", which Guiteau actually did write on the day of his execution.
"See See Rider" is a traditional song that may have originated on the black vaudeville circuit. Its is similar to "Poor Boy Blues" as performed by Ramblin' Thomas. Jelly Roll Morton recollected hearing the song as a young boy some time after 1901 in New Orleans, Louisiana, when he performed with a spiritual quartet that played at funerals. Older band members played "See See Rider" during get-togethers with their "sweet mamas" or as Morton called them "fifth-class whores".
Cris and Curt Kirkwood of the Meat Puppets joined to perform three Meat Puppets songs with Nirvana. The set ended with a performance of the traditional song "Where Did You Sleep Last Night", following the arrangement of blues musician Lead Belly, whom Cobain described before the song as "his favorite performer ever". After the band finished, Cobain argued with the show's producers, who wanted an encore. Cobain refused because he felt he could not better the performance of that song.
The story of Pillarguri has been popularized in poems and songs, including a traditional song from the area. Pillarguri first appears in written form in Sagn, samlede i Gudbrandsdalen om Slaget ved Kringen, 26de August 1612 written during 1838 by Hans Peter Schnitler Krag, the minister in Vågå. Prillarguri became more commonly known in the 1880s from a novel by the popular Norwegian author Rudolf Muus. Pillarguri appeared as well in poetry by Edvard Storm, Henrik Wergeland, and Gerhard Schöning.
Oodgeroo Noonuccal (1920–1995) was a famous Aboriginal poet, writer and rights activist, credited with publishing the first book of verse by an Aboriginal author, We Are Going (1964). Sally Morgan's novel My Place (1987) was considered a breakthrough memoir in terms of bringing Indigenous stories to a wider audience. The talents of playwrights Jack Davis and Kevin Gilbert were recognised. Poetry by Indigenous poets, including traditional song-poetry – ranging from sacred to everyday – has been published since the late 20th century.
Tolhurst abruptly left the band after the second Sunbury festival, briefly joining Mississippi, before forming The Dingoes in Melbourne, with singer-harmonicist, Broderick Smith. Soon after, both Bird and Blanchflower also left Country Radio. Quill, Bolton and Du Bois were joined by Adelaide guitarist-songwriter Russ Johnson (ex-Mississippi) – effectively swapping places with Tolhurst. In May 1973 that line-up recorded the group's fourth single, a country-rock restatement of the traditional song, "Bound for South Australia", which did not chart.
In the latter town, current celebrations feature singers and musicians, attired in colonial dress, who begin their night's journey at the local American Legion Hall. They make their way through all the restaurants, bars, nursing homes and high school gyms, ending at midnight at the Knights of Columbus Hall. Translation of the words of the traditional song, La Guignolée: > Good evening master and mistress, > And all who live with you. > For the first day of the year, > You owe us La Guignolée.
Still later, he occasionally recorded with guitar. It wasn't until Bellamy's eighth album in 1975 that he recorded any of his own compositions. In the same year he recorded a collection of Rudyard Kipling's Barrack Room Ballads (see below). Having mastered the art of putting new words to a traditional song and his own words to a traditional tune, he wrote a ballad-opera, The Transports, in 1973, but it took him 4 years to find a company willing to produce it.
According to the film, the tune to which we sing the hymn "Amazing Grace" today was appropriated from the tune of an African song. But in reality, more than twenty musical settings of "Amazing Grace" circulated with varying popularity until 1835 when William Walker assigned John Newton's words to a traditional song named "New Britain", which was itself an amalgamation of two melodies ("Gallaher" and "St. Mary") first published in the Columbian Harmony by Charles H. Spilman and Benjamin Shaw (Cincinnati, 1829).
Kagura is a sacred dance performed at festivals and celebrations throughout the prefecture. Shonai kagura is a festive dance that has been practiced for over 200 years and is representative of Oita Prefecture. Another kagura, the Ondake-style Kagura, was nationally designated as an "Important Intangible Folk Cultural Property" in 2007. There is also traditional song and music known as "gaku" that is performed in the Kunisaki Peninsula Area and is accompanied by characteristic dances such as the Yoshihirogaku in Musashi Town.
Misalucha received the Aliw Award for Best Female Performance in Music Lounges, Bars, Clubs & Restaurants for consecutive years, 1999-2002. In 2002, she received Aliw "Entertainer of the Year." In addition, she won two Katha awards—Best Folk Song Vocal Performance and Best Traditional Song Vocal Performance for "Kasal Sa Kaluluwa" (2002). Misalucha released her fourth studio album entitled, Loving You in June 2003 with the singles "Tila" (written by Liza Diy) and "Malaya Ka Na" (written by Jimmy Antiporda).
The Weavers held several reunion concerts in 1980, shortly before Hays' death, which were documented in the film The Weavers: Wasn't That a Time! (1982). Hellermen, writing under the name of Fred Brooks, arranged "Green Grow the Lilacs" on Harry Belafonte's 1959 album, Love is a Gentle Thing. The song was based on a traditional song of Irish origin that was widely sung in the US in the 19th century with different lyrics. Hellerman wrote two original verses and adapted the chorus.
Gilbert and Lewis formed Dome during Wire's 1980–1984 hiatus. Over its first three albums, Wire's music had progressed from rapid-fire punk rock to moody, ambitious post-punk. Dome continued the experimentation, often abandoning traditional song structures in favor of found sounds, melodic fragments, and what critics Steven Grand and David Sheridan described as "lurching mechanical noises infrequently keeping a vague beat". Between 1980 and 1981 Dome released three studio albums: Dome (1980), Dome 2 (1980) and Dome 3 (1981), on its own Dome Records label.
Biography at Woody Guthrie official site, p.5. Accessed 15 March 2011 Although the intended documentary film was not completed until 1949, Guthrie's songs were recorded in Portland, Oregon in May 1941. The tune for "Grand Coulee Dam" is based on that of the traditional song, "The Wabash Cannonball".Jeff Brady, Woody Guthrie's Fertile Month on the Columbia River, NPR Music. Accessed 15 March 2011 Guthrie's recording was reissued on the Folkways album Bound For Glory in 1956, Bound For Glory LP at Discogs.com.
A feminist transfer student from Vassar College named Claire Hazard wishes to join the all-male a cappella singing group called The Whiffenpoofs, who are not amenable to the idea of adding a woman to their group. The title of the play is a reference to the lyrics of "The Whiffenpoof Song", a traditional song of Yale, which the Whiffenpoofs sing at the end of each of their performances. In February 2018, the Whiffenpoofs tapped Sofía Campoamor to be the first female member of the group.
The album was seen as a departure from their more hardcore-sounding songs and took a more experimental approach, and also more traditional song structures. During this period, These Arms Are Snakes also released a number of split releases. They released Pelican / These Arms Are Snakes, a split release with Pelican through Hydra Head. A limited edition 12-inch split with Cook's side project Russian Circles was released on tour, and a split with Tropics, Meet Your Mayor / Future Gets Tense was also made in limited quantities.
Lindberg uses Cree Poetic Aesthetics throughout her novel with the use of traditional song, Cree Language, Cree law, and humor. In Cree Poetic Aesthetics, Lindberg uses the technique of narrative to give identity to Indigenous people in Canadian literature. The way in which Lindberg constructs her sentences, translates Cree language, inserts politically charged words, and uses self-reflection of the main character demonstrate many of the linguistic tools that re-claim Indigenous identity. Lindberg uses Plains Cree language by translating Cree into English in footnotes.
The three Makem brothers were born in Drogheda, County Louth, Ireland and grew up in Dover, New Hampshire, where the family moved to in the mid 1970s. Their father, Tommy Makem, was one of the most famous Irish musicians in the world, first as a member of The Clancy Brothers and Tommy Makem and later as a solo act. Tommy's mother was the singer and traditional song collector Sarah Makem. The Makem Brothers' elder sister Katie Makem is also a performer, although she does not tour professionally.
Michel Sanchez came up with the idea of mixing the native Baka pygmy spoken word with modern music after hearing on-site recordings of these tribes conversing. Along with Eric Mouquet they created the project Deep Forest. Their first self-titled album (nominated for a Grammy) was released in 1992, with "Sweet Lullaby" being the smash single which would put Deep Forest on the musical map (UK Top 10 hit). The song "Sweet Lullaby" is adapted from a traditional song from the Solomon Islands.
The third song is "Semua bisa bilang", a famous Indonesian song in the 1970s. Balawan rearranged this song with European gipsy jazz bossanova styles with accordion and violin, with Balawan's soft singing style reminiscent of Chet Baker. "Sesaat Kau Hadir" is another famous Indonesian hit from the 1980s, rearranged with a mix of many Balinese instruments (gangsa, kendang, cengceng). A famous Balinese traditional song, "The Dances of Janger", with an extra introduction, showcases Balawan guitar playing with two gangsa players, technically a very difficult song to play.
The final judging of the competition took place with a public performance of the short- listed pieces on 30 April 2008. The short-listed composers were: Derek Lawrence, Gerard Le Feuvre, James Taberner and a joint composition by Kevin Porée and Matheson Bayley; the traditional song "Beautiful Jersey"/"Man Bieau P'tit Jèrri" was also included in the shortlist. The winner of the competition was declared to be "Island Home" composed by Gerard Le Feuvre. A Jèrriais version of the English lyrics will be provided.
Blake Boldt of Engine 145 gave the song a "thumbs up", saying that it "might be the most traditional song you hear on country radio in 2011." Amy Sciarretto of Taste of Country called it "a tender, lovelorn ballad that tugs unmercifully at your heart strings." Giving it four stars out of five, Matt Bjorke of Roughstock praised the production and Young's "pliable" singing. In 2017, Billboard contributor Chuck Dauphin put "Tomorrow" at number nine on his top 10 list of Young's best songs.
The purpose of the weir on the river was to keep water levels high for these mills, one of which gave rise to the traditional song "Miller of Dee", which reflects the attitude of the happy miller who was granted a monopoly on grinding. It also prevents the salty tidal waters from entering the Dee fresh water basin. Chester's port flourished under Norman rule. In 1195 a monk, Lucian, wrote 'ships from Aquitaine, Spain, Ireland and Germany unload their cargoes of wine and other merchandise'.
Two themes were created by Sakimoto for Selvaria; the first theme "A Valkyria Awakened" had Sakimoto making use of traditional classical music and nonsensical chorus work to emulate the group's mythical status, and an arranged version called "Signs of the Valkyria" which would communicate Selvaria's tragic past. Military base themes made heavy use of brass instruments, and the character theme for the Darcsans was modelled in Israeli music. A key vocal theme is "A Love Passed On". Sakimoto created the track as a "Gallian traditional song".
Warrell arranged the tune for his own University of Bristol Madrigal Singers, and performed it with them in concert on December 6, 1935. That same year, his elaborate four-part arrangement was published by Oxford University Press, under the title "A Merry Christmas: West Country traditional song". Warrell's arrangement is notable for using "I" instead of "we" in the words; the first line is "I wish you a Merry Christmas". It was subsequently republished in the collection Carols for Choirs (1961), and remains widely performed.
Some of the songs first associated with his band, such as the traditional song "Careless Love" and "My Bucket's Got a Hole in It", are still standards. Bolden often closed his shows with the original number "Get Out of Here and Go Home", although for more "polite" gigs, the last number would be "Home! Sweet Home!". One of the most famous Bolden numbers is "Funky Butt" (later known as "Buddy Bolden's Blues"), which represents one of the earliest references to the concept of funk in popular music.
Francis M. "Frank" Warner (April 5, 1903 - February 27, 1978) was an American folk song collector, singer, musician, and YMCA executive. He and his wife Anne Warner (born Elizabeth Anne Locher, October 18, 1905 - April 26, 1991) collected and preserved many previously unpublished traditional song versions from the eastern United States, including "Tom Dooley", "He's Got the Whole World in His Hands", "The Days of Forty-Nine", and "Gilgarrah Mountain", a New Hampshire version of the song more widely known as "Whiskey in the Jar".
"Kulenyane" was the first traditional song to be played on urban radios stations which used to shun traditional music. The song's popularity saw the late South African DJ Bujo Mujo (deceased in 1 January, 2015) reproducing "Kulenyane" as a house song, while another renowned South African gospel musician, Solly Moholo, bought the rights of the song to make his own "Mokhukhu" version of it. "Khudu" won the Song of the Year and Best Video of the Year awards at the Botswana Music Union awards in 2010.
The Mae Shi explained the group's inspiration to write the song in a statement. The group felt Bale's outburst was irrational and was motivated to write a piece about it. The Mae Shi emphasized in their statement that this was not a traditional song associated with their group's normal work, but rather a homage to Bale. The Mae Shi drummer Brad Breeck commented in an interview that the band decided to make a song about the incident late in the evening of February 2, 2009.
S. Immigration Law, Irish Immigration and Diversity: Cead Mile Failte (A Thousand Times Welcome)," in Georgetown Immigration Law Journal, Vol. 6 Issue 4 (1992): 750. In most cases, Irish newcomers were sometimes uneducated and often found themselves competing with Americans for manual labour jobs or, in the 1860s, being recruited from the docks by the US Army to serve in the American Civil War and afterward to build the Union Pacific Railroad. This view of the Irish-American experience is depicted by another traditional song, "Paddy's Lamentation.
The "Coast of High Barbary" is a traditional song (Roud 134) which was popular among British and American sailors. It is most frequently sung as a ballad but can also be a sea shanty. It tells of a sailing ship that came across a pirate ship off the Barbary Coast and defeated the pirates, who were left to drown. An earlier version of the ballad is found in the Stationers’ Register for January 14, 1595 and tells the story of two merchant ships, the George Aloe and the Sweepstake, both sailing to Safee.
In front of the Circassians Charity Association in Amman, 1958. In 1932 Jordan's oldest charity, the Circassian Charity Association, was established to assist the poor and grant scholarships to Circassians to study at universities in Kabardino-Balkaria and the Adygea Republic. The Al-Ahli Club, founded in 1944, promoted Circassian engagement in sports and social and cultural events in Jordan and other countries, while the establishment of the Folklore Committee in 1993 helped promote Circassian traditional song and dance. Today, an estimated 17% of the Circassian community in Jordan speak Adyghe.
In 1985 The Pogues took it full circle by restoring all the Irish references. Because variants proliferate naturally, it is naïve to believe that there is such a thing as the single "authentic" version of a ballad such as "Barbara Allen". Field researchers in traditional song (see below) have encountered countless versions of this ballad throughout the English-speaking world, and these versions often differ greatly from each other. None can reliably claim to be the original, and it is possible that the "original" version ceased to be sung centuries ago.
98-99 It was derived from the name of the seminal Blue Grass Boys band, formed in 1939 with Bill Monroe as its leader. Due to this lineage, Bill Monroe is frequently referred to as the "father of bluegrass". Ralph Stanley on April 20, 2008, in Dallas, Texas Bluegrass style of music dates from the mid-1940s. In 1948, the Stanley Brothers recorded the traditional song "Molly and Tenbrooks" in the Blue Grass Boys' style, arguably the point in time that bluegrass emerged as a distinct musical form.
Abner Wingate Jay (July 15, 1921 - November 4, 1993) was an American multi- instrumentalist from Georgia, best known for performing eccentric, blues infused folk music as a one man band. His idiosyncratic lyrics and style have led some to consider his work outsider music; he considered himself to be "the last working Southern black minstrel". Reviewer Jon Dale has described his recordings as "one of the most individual takes on traditional song form to have risen from the 20th century". Jon Dale, Review of Abner Jay: One Man Band, Dusted, December 3, 2003 .
To coincide with the 19th century setting of the film, some traditional song material was utilized for the soundtrack. "When the Saints Go Marching In" is an old gospel hymn that has become a jazz standard associated with the traditional hot jazz of New Orleans. It is paired in a medley with "Down by the Riverside", another traditional gospel song dating back to the relevant time period. Both are in the public domain, and the team of Giant, Baum, and Kaye captured the publishing for Freddy Bienstock and Presley's manager, Colonel Tom Parker.
He also had a theory that the origins of a festival dated back to pre- Christian times, though it is unclear at what time the stargazy pie became part of the festivities. Morton Nance wrote the (now) traditional song sung on Tom Bawcock's Eve, played to the local tune "wedding March". The Legend of Tom Bawcock is a Christmas cantata currently underway by composer and arranger Matt Jelf and actor Bernadette Moran. The work is for children's choir, narrator and piano and will be premiered at Chichester Cathedral in December 2020.
"Still Hanging 'Round" is the fifteenth single by Australian pub rock band Hunters & Collectors, released on 1 February 1988. It was released as the second single from Hunters & Collectors' fifth studio album What's a Few Men?, which peaked at No. 48 on the Recorded Music NZ. The B-side, “John Riley”, is a remake of a traditional song, the original version is by B. Gibson and R. Neff. "Still Hanging 'Round" was covered by Cloud Control on the tribute album, Crucible – The Songs of Hunters & Collectors (September 2013).
The original sociopolitical emphasis is now replaced by mystical overtones, and their industrial hardcore with a far less revolutionary synthpop. The cover features a picture of the Virgin Mary with the Holy Child. The first track, "Il Testamento del Capitano", is a live performance of a traditional song-chorus by the Alpini, an elite mountain warfare unit of the Italian Army, that was booed by the spectators. "Fedele alla lira?" is a reply to the fans that nicknamed them “CCCP fedeli alla lira” when the band signed for Virgin in 1987.
The last track revealed the impact of Balkan folk music on mandolinist Andy Irvine. The traditional song "The Blacksmith" concludes with Irvine playing "Blacksmithereens", a tune reflecting the influences he gathered during his travels in Eastern Europe. Although Planxty is nominally the first album by the band, all four members performed together on Christy Moore's previous album Prosperous, which opened with the same song, "Raggle Taggle Gypsy/Tabhair dom do Lámh". An earlier recording of "Sí Bheag, Sí Mhór" had been included as a b-side to Planxty's first single, "Three Drunken Maidens".
However, the lyrics to the song, written by Leud Prasomsap, offer a contrast to the mood evoked by the jaunty tune: : What a miserable life, so alone : No one cares for me : I'm so alone, so lonesome I could die. A traditional song, "Kamsuanjan" ("The Moon Lament"), was arranged with new lyrics by Wisit's wife, Siripan Techajindawong. She and arranger Sunthorn Yodseethong won the Phra Suraswadee ("Golden Doll") prize for best song from the Entertainment News Reporters Association of Thailand. The song's tune was taken from Thomas Moore's The Last Rose of Summer.
The Blaydon area is the origin of the well-known traditional song "Blaydon Races", written by local musician and showman George 'Geordie' Ridley in 1862. The town's athletic club - the Blaydon Harriers - organise a road running race (called the Blaydon Race) every year on 9 June. The route of the race follows the route outlined by Ridley in his song. The traditional starting point lies outside Balmbra's pub in Newcastle's Bigg Market, and the race follows a course along Scotswood Road before crossing the River Tyne and ultimately finishing in Blaydon town centre.
Portland consists of nine tracks, five of which are medleys. The first track consists of three reels: "Maudabawn Chapel", was written by Ed Reavy, was learned from Martin Byrnes; "The Wild Irishman" was learned from Michael Coleman, and "The Moher Reel" was learned from Lucy Farr. "Éirigh A Shiúir" is a traditional song that Ó Domhnaill learned from his aunt Neilí, a renowned singer who had a vast repertoire of Irish and English songs. The song is bout a shepherd who invites his true love to elope with him.
In 1957 he received royal consent to name the ensemble Les Troubadours du Roi Bauduoin in honour of the Belgian king Baudouin I. In the same year Haazen and the Baluba people of Kasai and Katanga began developing the Missa Luba from collective improvisations on traditional song forms. It was first celebrated at the Catholic mission of St. Bavo in Kamina on 23 March 1958.Marc Ashley Foster, "Missa Luba: A New Edition and Conductor’s Analysis", Doctor of Music Arts Thesis, University of North Carolina at Greensboro, 2005, pp. 1 and 11.
Festival in Vingis Park (2014) The Lithuania Song Festival (also called The Song Celebration) is a massive traditional song and dance festival.Lithuania's song festival - education in Soviet-era living conditions - EN.DELFI Since regaining the Independence in 1990, the event has gained the status of the national celebration. The most recent event took place between 30 June and 6 July 2018. The 2018 edition of the Song Celebration was dedicated to the Centenary of the Restoration of the independent state of Lithuania and took place in Kaunas and Vilnius.
"In My Time of Dying" is based on a traditional song that Bob Dylan recorded on his debut album in 1962. The track was recorded live, with Page later adding further slide guitar overdubs. The arranging and structuring was led by Bonham, who worked out where the various stop / start sections in the track should be, and how the group would know where to come back in. The very end of the song features his off-mic cough, causing the rest of the group to break down at that point.
Burnley and Helmond have a small following who regularly make an overseas journey to visit each other's matches. A frequently sung chant since the early 1970s is "No Nay Never", an adaptation of the traditional song "Wild Rover", which has lyrics to offend main rivals Blackburn Rovers. In the early 1980s, a hooligan firm known as the Suicide Squad emerged from within Burnley's fanbase. The local police and the club jointly established "Operation Fixture" in 2002, a scheme aimed to tackle hooliganism in and around Turf Moor, with more arrests, more bans and quicker convictions.
The installation's shape is meant to mimic the sound waves of a traditional Mi'kmaq water song, that "gives thanks for the rivers and oceans." This traditional song was gifted to Claus by Tracey Metallic, Glenda Wysote-LaBillois and Victoria Labillois of Listuguj, all Pugwalesg singers. Claus also pays homage to the Haudenosaunee's wampum belt; she stresses the continuity and unification of rivers, similar to the coexistence principles and symbols of the wampum belt. ;"Cloudscape" (2012) "Cloudscape" is a suspended installation and solo exhibit at the Modern Fuel Artist-Run Centre, Ontario.
Shirley Collins and her older sister, Dolly, grew up in the Hastings area of East Sussex in a family which kept alive a great love of traditional song. Songs learnt from their grandfather and from their mother's sister, Grace Winborn, were to be important in the sisters' repertoire throughout their career. On leaving school, at the age of 17, Collins enrolled at a teachers' training college in Tooting, south London. In London she also involved herself in the early folk revival, making her first appearance on vinyl on the 1955 compilation Folk Song Today.
The Manticore Vaults Volume 1 (song introduction) A single melody containing multiple modulations within itself is repeated over and over in ever more thickly layered arrangements, starting from a quiet Hammond organ making a flute-like sound over a snare drum, and building up to a wall of sound – Maurice Ravel's famous Boléro uses a similar effect. There is also a quote from the British traditional song "Girl I left Behind Me". "Abaddon's Bolero" is replete with overdubs. Almost every time an instrument comes in, another overdub follows.
Backed by this new energy, Ferré began to smash traditional song structures to explore spoken word and long monologues. With a very precise work on the voice (rhythm, speech) and rhetorical writing derived from the prose of poet Arthur Rimbaud, Ferré ritualized his speaking in an incantatory and dramatic fashion.Céline Chabot-Canet, Léo Ferré : Une voix et un phrasé emblématiques, L'Harmattan, 2008. In 1975 Ferré conducted successively Orchestra of the Institut des Hautes Études Musicales in Montreux, the Orchestre Philharmonique de Liège, and the Pasdeloup Orchestra at the Palais des congrès de Paris.
Included are a new live acoustic version of "One Brown Mouse" and a live performance of the traditional song (attributed to Henry VIII), "Pastime with Good Company". In September 2007, Jethro Tull released CD/DVD Live at Montreux 2003. The concert was recorded on 4 July 2003 and featured, among others, "Fat Man", "With You There to Help Me" and "Hunting Girl", with the longest unchanged line-up: Anderson, Barre, Perry, Noyce and Giddings. In February 2010, the band were commemorated with a Heritage Award by PRS for Music.
The song was performed for the first time in 1934 at the annual Jamboree in Frankston, Victoria, at which the Baden-Powells, founders of the Scouting and Guiding movements, were present.Adelaide Sunday Mail newspaper 1982 www.anzagl.org Despite its "Aussieness", the song is well-known and performed around the world, particularly in the United States, Canada, New Zealand and the United Kingdom, where the Girl Guide movements in those countries have adopted it as a traditional song. It is included with other folk songs from around the world in the Girl Guide Song Book.
Discography of Sam Collins (musician) by Stefan Wirz. His version also follows the traditional style. His is the first to name the woman in the story, Little Nora, and he refers to the Midnight Special's "ever-living" light: In 1934 Huddie William "Lead Belly" Ledbetter recorded a version of the song at Angola Prison for John and Alan Lomax, who mistakenly attributed it to him as the author. However, Ledbetter, for his Angola session, appears to have inserted several stanzas relating to a 1923 Houston jailbreak into the traditional song.
The producer, Barrie Gavin, wanted the music to be similar in concept to Erik Satie's Gymnopedies: in the words of the composer, the pieces were to be "like a sculpture viewed from different angles in a changing light." The pianist who performed Images for the TV series was Michael Finnissy. Images comprises eight preludes, two "songs" (The Cockfight: a traditional song and Song 2), a set of variations, eight interludes and a postlude (Postlude: The Keel Row). In concert, the order of the pieces is not fixed and is left for the performer to determine.
"(Straight to Your Heart) Like a Cannonball", with "Old Old Woodstock" as the B-side, was the third single from the album and only reached number 119, just outside the Billboard Hot 100. The album was reissued on CD in 1990 by Polydor Records. Another CD reissue was released in 1997 by Polydor and Mercury Records. The 29 January 2008 reissued and remastered version of the album, released on CD, contains an alternative extended (5:32) take of "Wild Night" and a reworked cover version of the traditional song "Down by the Riverside".
She won a Phra Suraswadee ("Golden Doll") film award for best song from the Entertainment News Reporters Association of Thailand for her arrangement of the traditional song, "Kamsuanjan" ("The Moon Lament") in Tears of the Black Tiger. Siripun graduated in journalism and mass communications from Thammasat University and took a job as a copywriter for advertising agencies in Thailand. She continues to work as a copywriter as her main source of income, in between writing books. "If I had a choice, I'd just be a writer," she said in a 2007 interview.
Qongqothwane is a traditional song of the Xhosa people of South Africa. It is sung at weddings to bring good fortune. In the western world it is mainly known as The Click Song, a nickname given to the song by European colonials who could not pronounce its Xhosa title, which has many click consonants in it. The Xhosa title literally means "knock-knock beetle", which is a popular name for various species of darkling beetles that make a distinctive knocking sound by tapping their abdomens on the ground.
The band initially focused on melding experimental sounds with melody. A staple of early performances was a fully improvised song (designated "X") randomly inserted into the set list, and which often featured several homemade instruments, including the "juggophone", "shatterophone", "topophone", and "pyrophone", which utilized the sounds of beating water jugs, breaking bottles, clinking pot tops, and micing fireworks, respectively. They also made frequent use of the sounds of a signal generator. Gradually, Foxhole integrated slightly more traditional song structures and held to typical instruments, dispensing mostly with the use of gimmick instrumentation.
Very little Irish music composed before 1700 survives. Some airs from this period are preserved in manuscript, the Fitzwilliam Virginal Book being one of the more notable examples. A reference to Callen O Costure Me/Cailin O Chois tSuire Me in William Ballet's book of lute music in the late 16th century is the first known record of an Irish traditional song written in musical notation. Irish traditional tunes were recorded in Playford's The Dancing Master (mid 17th century), and Durfey's Pills to Purge Melancholy (late 17th century).
The song was adapted by Gaughan from a traditional song attributed to James Hogg. The historic version of the song can be found in The Jacobite Relics of Scotland by James Hogg, published in 1819. Quoting a local Borders press article on the festival of the same name, Lori Watson notes that: "I've heard Dick himself acknowledge, 'when I came across it, it didn't have his name on it but Hogg's fingerprints are all over it'". Gaughan changed some lyrics and replaced the tune but the song's message is essentially the same.
With the support of a Toronto Arts Council grant, L'Hirondelle composed four round dance songs from an urban Aboriginal perspective. This led to her consultancy and eventual co-storyteller in residence role, along with other projects with the Meadow Lake Tribal Council. L'Hirondelle received another Toronto Arts Council grant in 2015, this time to return to the idea of composing using traditional song forms for Indigenous language retention. She and Andrew Lee were part of the First Nations / Second Nature exhibit at the Audain Gallery in Vancouver in 2012.
An illuminated globe suspended in the centre was lowered with Australia, upside down, highlighted in red, and on top of the world. Notably, Melbourne City Council's Mayor, Lord Mayor John So was included in the proceedings, to rapturous applause of the crowd, who continued to cheer as his name was read out throughout the ceremony. The Commonwealth Games Ceremonial Flag was lowered by workers representing the Emergency Services of Victoria to the backing of a Wurundjeri Indigenous traditional song performed by the Gondwana Voices, a national youth choir.
Albert Ayler heard her in a dining club and introduced her to Bernard Stollman, the owner of the experimental jazz label ESP-Disk. Her most influential albums, Sings (1965) and College Tour (1966) were made for this label. Her best known recording is a nearly fourteen minute version of the traditional song "Black Is the Colour (Of My True Love's Hair)" (from Sings), which is rendered in a haunting, anguished wail. In the late 1960s, she spent time in Europe and then left the music world to raise her son (born in 1969) in California.
A girl who was crying while recounting the story of her separation from, and return to, her home had moved them greatly. After Enya had written a melody for the song, the two imagined the scenario of the girl saying goodbye at the train station, "waiting until it's all over". "Lothlórien" is an instrumental in reference to the Elvish kingdom mentioned in The Lord of the Rings novels and adaptations. The album's second traditional song, "Marble Halls", is an aria from the 1843 opera The Bohemian Girl by Irish composer Michael William Balfe.
Roberts later regained the composing credit, but a share of the publishing income was retained by the Los Angeles publishing company. Other sources (including singer Pat Craig) claim that Roberts assigned the rights to the song to his friend Valenti while Valenti was in jail, in order to give him some income upon release. Rights to the song were administered from 1966 into the 2000s by the music publisher Third Story Music (now Third Palm Music); there the author is listed as Billy Roberts. Singer Tim Rose recorded the song in 1966, and it was credited as a traditional song.
The album saw the band continue to expand their musical reach past the traditional Irish roots it had been founded on, and was only their second full-length album without a single traditional song. The album featured the track "Tuesday Morning", which was the band's first Top Twenty hit since "Fairytale of New York." With MacGowan departed, his singing and songwriting duties fell to the other members. While Spider Stacy took the role of lead vocalist, much of the songwriting fell to Jem Finer, who along with Terry Woods had previously been the most prolific songwriter apart from MacGowan.
In eleven verses, he vividly recalls these happy times, naming many of the people who were part of his transition from actor to musician, leading to his touring days with Sweeney's Men and up to his departure "for the Pirin Mountains" in the spring of 1968. Paul Brady then joins LAPD to perform "The Jolly Soldier/The Blarney Pilgrim", which he and Irvine recorded on their 1976 album Andy Irvine/Paul Brady. Mozaik are joined by brothers George and Manoli Galiatsos, who performed "In Foreign Lands", a traditional song in time from Evros in Western Thrace and sung in Greek.
For example, it is much easier for listeners to discern the pitch of a single note played on a piano than to try to discern the pitch of a crash cymbal that is struck. The melody to the traditional song "Pop Goes the Weasel" thumb A melody (also called a "tune") is a series of pitches (notes) sounding in succession (one after the other), often in a rising and falling pattern. The notes of a melody are typically created using pitch systems such as scales or modes. Melodies also often contain notes from the chords used in the song.
"Ik heb een potje met vet" ("I've got a jar of fat") is a traditional song in the Dutch language. It was traditionally sung by soldiers, popularised in 1974 by the Dutch band Hydra with three verses added to the chorus, and now is very popular for singing during long walks and bus journeys. The song is also popular amongst lesbians because potje is the diminutive of pot, originally a swearword for lesbian, but successfully reappropriated as a word for proud self-identification. It can be seen as the Dutch version of the similar English song "99 Bottles of Beer".
"The Legend of Wenlong" is an ancient folk story of Han Chinese origin, that was early on adopted by several people groups in Southern China including the Zhuang. It is also known by the name of the associated Chinese opera Liu Wenlong and the Water-chestnut Mirror. It is now a traditional song of the Zhuang people that is sung at the Dragon Boat Festival in some places. 'The lost Nanxi opera version of Liu Wenlong and the Water-chestnut Mirror is the source of the versions found among the Zhuang, Dong, Buyi, Maonan and Mulao peoples of Southern China.
Tyack played his own material with a new ensemble, featuring Naomi Hart on cello and Richard Tomlinson (who now records as Voice of the Seven Woods) playing guitar and cornet. The mini LP that followed, David Tyack with Richard Tomlinson and Naomi Hart contained some new compositions, new arrangements of tracks from Am Deister, a cover of Townes Van Zandt's "Colorado Girl" and the traditional song "Rock Island Line" (which, unusually, Tyack sang), all recorded as live in a studio. D.O.T. also released their first album Across Shawcroft in October 2001. 2002 saw Tyack collaborating, writing and recording for several releases.
Jack Johnson incorporates an "upbeat street-corner" shuffle into his version of "Rudolph the Red Nosed Reindeer" (Johnny Marks, Robert L. May), just over two minutes in length. The traditional song "God Rest Ye Merry Gentlemen" is performed as a duet by the Barenaked Ladies and Sarah McLachlan. Following is a string of original songs, including "Bizarre Christmas Incident" by Ben Folds, "What a Year for a New Year" by Dan Wilson and Neil Finn's "Sweet Secret Peace". "Winter Wonderland," "Have Yourself a Merry Little Christmas" and "Bizarre Christmas Incident" were recorded previously for fans but had not been released commercially.
Traditional recordings included "Greenback Dollar", which he probably learned from Clarence Ashley while on the medicine show circuit, and "Lonesome Old River Blues", which he recorded with the Smoky Mountain Boys in the 1940s. Acuff and the Crazy Tennesseans recorded "Wabash Cannonball"—another traditional song—in 1936, although Acuff did not provide the vocals on this early recording. The better-known version of the song with Acuff providing the vocals was recorded in 1947. In 1979, Opryland opened the Roy Acuff Theatre, which was dedicated in Acuff's honor (it was demolished in 2011 after suffering extensive damage in the 2010 Tennessee floods).
Irvine also covered the English folk song "Dance to Your Daddy", along with the Irish traditional song "Reynard The Fox", which celebrates a fox chase that took place in 1793. Terry Woods brought the well-known American ballad "Tom Dooley" and also the southern ballad "The House Carpenter", based on a recording by Clarence Ashley. Woods also composed new music for "My Dearest Dear", a song by Peggy Seeger. Moynihan and Irvine learnt the slip jig "The Exile's Jig" from a group of traditional musicians based in Dublin called Ceoltóirí Chualann, led by Seán Ó Riada.
Humphries, p. 27. He was not replaced; the other male members covered his vocal parts. The album featured a guest appearance by Birmingham folk fiddler Dave Swarbrick on a recording of "A Sailor's Life", a traditional song brought to the band by Denny from her folk club days. The recording of this track marked an important turning point for the band, sparking an interest in traditional music in Ashley Hutchings that led him to detailed research in the English Folk Dance and Song Society Library at Cecil Sharp House; this theme would become the basis for their next, much more ambitious, recording project.
The air ached with the pain and joy of loving. It was the time that turned my mother to songs of love and longing. She put aside the hoops that held the cloth, where her needle and thread had wrought the most exotic rosebuds, open flowers and intricate patterns, and wove with her voice arabesques of sound that bested the embroidery. She sang me for the first time that exquisitely beautiful song: As I Roved Out, or The False Bride.”The Stone Fiddle: My Way to Traditional Song, Gilbert Dalton, Skerries, Co. Dublin, in 1979, p. 78.
Cornwallis's strategy to conquer the south, Benedict Arnold joins the British, French troops under Gen. Rochambeau reinforce Washington's army, Gen. Nathanael Greene reclaims the south, the Battle of Yorktown, the British surrender # "Are We to Be a Nation?" (1783-1788): Creating the new nation, Washington resigns his commission, Noah Webster standardizes American English, Shays' Rebellion, the Confederation Congress, Alexander Hamilton and James Madison envision a new system of government, the Constitution, Bill of Rights and formation of a central government American singer-songwriter James Taylor sings the traditional song "Johnny Has Gone for a Soldier" during the end credits.
Having spent much of the past decade working on two musicals, The Seduction of Ingmar Bergman and the forthcoming movie musical Annette, a collaboration with French director Leos Carax, the Mael brothers set out to return to a more traditional song-oriented, rather than narrative, pop format for their next Sparks release, their interest in making such an album stoked by their recent collaboration with Franz Ferdinand. They worked on the album over a 10-month period, starting at the beginning of 2016 and ending in October, with most of the recording done in Russell Mael's home studio in Los Angeles.
1 and 2 incorporated less traditional song structures, with stream- of-consciousness lyrics, whereas 3 and 4 would begin to cement his lo-fi indie rock style. Following the numbered albums, Toledo began attending classes at Virginia Commonwealth University, releasing the Sunburned Shirts EP during his first semester. The Sunburned Shirts EP would later be partially combined with his fifth LP, 5, to create his first titled album, My Back Is Killing Me Baby, released in March 2011. Songs culled from 5 would later appear on the b-sides compilation album Little Pieces of Paper with "No" Written on Them.
Another dance performed during the fairs and accompanied by song is the Chanchari, in which both men and women participate. Folk songs are usually traditional and are sung particularly by the women, who work very hard in the fields from morning till night in all kind of weather. During the month Chaitra the women of the village gather at a central place and sing traditional song which generally relate deeds of heroism, love and the hard life which they have to lead in the hills. In the district, fairs, festivals, religious and social gatherings are the main occasions for recreation and amusement.
On 26 October 2009 saw the release of My Dying Bride's new EP/DVD, Bring Me Victory. Except for the title track and its video, it also includes a doom metal cover of the traditional song Scarborough Fair, a cover of "Failure" by Swans and a live version of Vast Choirs (originally from As the Flower Withers), performed at Graspop 2008. To commemorate the 20th anniversary of My Dying Bride's existence, the album Evinta was released on 30 May 2011. Evinta featured some previous My Dying Bride material re-worked as neo-classical and ambient songs.
A priest translated the Latin on the certificate as saying she was a year old when she was baptised in 1897. Lamebull was a fluent speaker of the Gros Ventre language, spoken by only a handful of other people. She taught the language at Fort Belknap College, and helped develop a dictionary using the Phraselator when she was 109. The Hays Education Resource Center on the Fort Belknap Reservation was named the 'Kills At Night Center' in her honor and at the naming ceremony Terry Brockie, an A'aninin (Gros Ventres) language teacher sang her a traditional song in the A'aninin language.
Song is the second album by English pop act It's Immaterial, released in June 1990 by Siren Records. Reduced to a duo of John Campbell and Jarvis Whitehead, It's Immaterial recorded the album with producer Calum Malcolm in his Castlesound studios in Pencaitland, Scotland, having chosen him for his keyboard skills and work with the Blue Nile. With Malcolm, the duo spent a lengthy time recording the record with meticulous sessions that incorporated extensive homemade sampling, including some samples recorded outdoors. The album features a synthesised, evocative sound with flowing, repetitive musical patterns and songs which ignored traditional song structures by forgoing choruses.
Among the Chukchi and Yupik of eastern Siberia, there was a longstanding shamanistic ritual of "thanksgiving" to the hunted polar bear. After killing the animal, its head and skin were removed and cleaned and brought into the home, and a feast was held in the hunting camp in its honor. To appease the spirit of the bear, traditional song and drum music was played, and the skull was ceremonially fed and offered a pipe. Only once the spirit was appeased was the skull be separated from the skin, taken beyond the bounds of the homestead, and placed in the ground, facing north.
It is also the birthplace of the traditional song Dalit, a poetic chant for the patrons of a certain barrio or town. For centuries, the Church of the Our Lady of the Assumption served as the bastion of the Catholic faith all over the province. It served as the central church: a cathedral-like church serving as a primus inter pares among the Poblacion churches of Bulakan. After the erection of the Diocese of Malolos, its former glory slowly faded as the focus turned to the cathedral of the neighboring town Malolos: a church erected 2 years later in 1580.
Some suggest that "Golmammad" is an homage to Gol Mohammad, the hero of the story of Kelidar, written by the notable Iranian writer, Mahmoud Dolatabadi. However, in interviews, Namjoo has stated that "Golmammad" has been based on a traditional song from Sabzevar and that he didn't have the hero of Kelidar in mind at the time of writing it. The song "Adam-e Pooch" is a cover version of "Nahang" (The Whale) by the late Ebrahim Monsefi, an Iranian musician and singer from Bandar Abbas, Iran. Namjoo dedicated the album to his brother, Mahmoud Namjoo: To his art filled with respect for life.
"The Bus Stop Song" (also known as "A Paper of Pins") is a popular song. The title references the movie, Bus Stop, in which it was introduced. A traditional song, it was orchestrated by Ken Darby in 1956 but a version (called The Keys of Canterbury) was known in the 19th century and Alan Lomax collected it as "A Paper of Pins" in the 1930s. It is best known in a recording, made on July 17, 1956, by The Four Lads and dubbed over the opening credits of the movie, with some of its lyrics also included in early dialogue.
Hill Of Thieves won the Album of the Year award at the BBC Radio 2 Folk Awards in 2010 and received nominations for both Best Traditional Track and Folk Singer of the Year. The song "The Hill Of Thieves" has since been voted as one of the Top Ten original songs to have come out of Northern Ireland by listeners of BBC Radio Ulster in the Great Northern Songbook, and was performed by the Ulster Orchestra in the Ulster Hall in August 2012. "Jimmy Mó Mhile Stor" won Best Traditional Song at the 2010 Spiral Earth Awards.
Some Pākehā have been deeply involved in the revival of otherwise lost Māori arts. In the performance of traditional Māori musical instruments Richard Nunns has earned wide respect, as have the contributions made by many academics, for example, Dame Anne Salmond in the area of traditional rituals of encounter, or Mervyn McLean in the analysis of traditional song. Māori history has mainly been recorded by Pākehā authors such as Michael King, James Belich and Paul Moon. Traditionally Māori were reluctant to reveal their tribal knowledge to Europeans for fear of being mocked or considered barbaric, and also a belief in keeping tribal secrets.
Originally titled "Seventeen", the song was conceived by McCartney when driving home from a Beatles' concert in Southport, Lancashire as a modern take on the traditional song "As I Roved Out", a version of "Seventeen Come Sunday" that he had heard in Liverpool in 1960. According to Beatles biographer Mark Lewisohn, McCartney first worked out the chords and arrangement on an acoustic guitar at the family home of his Liverpool friend and fellow musician Rory Storm on the evening of 22 October 1962.Lewisohn, Mark. The Beatles: All These Years, Volume One – Tune In. Crown Archetype, 2013, , pp.
Bring Me Victory is an EP by the doom metal band My Dying Bride. "Bring Me Victory" is a song from My Dying Bride's previous album, For Lies I Sire; a video was made for the song and released on this EP. "Scarborough Fair", an English traditional song, has two additional verses incorporated into it written by Aaron Stainthorpe. "Failure" is a cover of a song written by Swans. The original version had long been a highly respected song among the members of the band.My Dying Bride Complete Recording New EP; Video Stills Available bravewords.com. 2009-08-07.
Some Long Road, by Procol Harum, is a live album released on May 5, 2014 by Union Square Records. It was a 10 track album, and consists of performances recorded during Procol Harum's 2012 and 2013 tours of Europe and the United States. The vast majority of cuts are live versions of songs previously on Procol Harum studio albums; however, following "Homburg," Gary Brooker sings one verse of "Goodnight, Irene," the traditional song made popular by Lead Belly in the 1950s. A second song, "Missing Person," is from Gary Brooker's solo 1985 album, Echoes in the Night.
His foreboding four-string tenor guitar playing (he has had several such guitars custom-made for him) is a hallmark of most Idaho albums, though later releases rely more heavily on piano, and their 2005 release, The Lone Gunman, often eschews traditional song structures for more instrumental experimentation. The band's 1998 album Alas featured vocals on a few songs by Melissa Auf der Maur. In December 2008 Idaho contributed their track "Santa Claus Is Weird" to an Indiecater Records festive compilation titled An Indiecater Christmas. Martin has also contributed music for U.S. television shows, films, and documentaries.
Shrine of Thirupaan Azhwar in Sri Azhagiya Manavala Perumal Temple, believed to be his birthplace. Govindāchārya 1902, pp. 137-138 Thiruppaan Alvar was born in Purthurmadhi year, Kaarthigai(Nov-Dec) month, on a Wednesday in the Rohini Nakshatra(star) in a small village of Alagapuri near Srirangam in the 8th or 9th century C.E. Paanars are a community of musicians and traditional song makers who are capable of moving their audiences to states of ecstasy and bliss. While later traditional legends treat the Tamil Paanar community as outcastes historically they have never been outcastes or untouchables as established by Palaniappan.
The band's music was made all the more unique by Michaels' virtuosity on organ, piano, harpsichord, clarinet, and recorder, which gave H. P. Lovecraft a much wider range of sounds and timbres than many of their contemporaries. In late 1967, the band recorded and released their debut album for Philips, H. P. Lovecraft. A cover of the traditional song "Wayfaring Stranger" was issued just ahead of the album as a single in September 1967, but it failed to chart. The album itself was released some weeks later and although it also failed to reach the U.S. charts, it sold reasonably well over time.
The album contains eight original songs written and composed by Nikola Micevski, Valentin Soklevski and Vesna Malinova. The songwriters took into account that their songs are specifically written to be performed by Gočeva, thus trying to make them fitting for her broad vocal range and adaptable musical performance, which can range different music genres. Two cover versions are also included on the album; the first one, "Te vidov i se zaljubiv" is a Macedonian traditional song and the second one, "Ako zgrešam neka izgoram", was originally sung by Pepi Baftiroski and written by Mile and Gjorgji Barbarovski.
The actors saw him, and Rice "watched him closely, and saw that here was a character unknown to the stage. He wrote several verses, changed the air somewhat, quickened it a good deal, made up exactly like Daddy and sang it to a Louisville audience. They were wild with delight..." According to Conner, the livery stable was owned by a white man named Crow, whose name the elderly slave adopted. A more likely explanation behind the origin of the character is that Rice had observed and absorbed African American traditional song and dance over many years.
Forgotten Kingdom is folk singer-songwriter Jim Causley's fifth studio album excluding his work with The Devil's Interval and Mawkin:Causley. Forgotten Kingdom is Causley's first album of entirely self-written material although does include references to traditional song throughout. It was intended to celebrate ten years since the release of Causley's debut album Fruits of the Earth in 2005 but the release was delayed due to poor health on the part of original producer Phil Beer. Production of the album was then completed by Show of Hands regular producer Mark Tucker at The Green Room studios in East Devon.
Approaching Vaughan at high speed, he was unaware that three trains were occupying the station, one of them broken down and directly on his line. Some claim that he ignored a flagman signalling to him, though this person may have been out of sight on a tight bend, or obscured by fog. All are agreed, however, that Jones managed to avert a potentially disastrous crash through his exceptional skill at slowing the engine and saving the lives of the passengers at the cost of his own. For this, he was immortalized in a traditional song, “The Ballad of Casey Jones”.
In 2002, Greek musician and singer Yorgos Dalaras invited her to participate in his live appearances in Plaka together with Gerasimos Andreatos and Melina Aslanidou. In 2003, she participated in a show about Asia Minor's musical tradition show with Dalaras, Glykeria, and the orchestra Estoudiantina. In 2004, when she participated in the opening ceremony of the Olympic Games in Athens, with the traditional song "Mes Stou Egeou Ta Nisia" ("Into the Islands of the Aegean"). In 2005, she participated in the Greek tragedy play "Oedipus Rex" in Epidaurus, as a member of the "Chorus" led by George Dalaras.
The US indie rock band The Hold Steady recorded "The Bear and the Maiden Fair" for season 3. Brienne and Jaime's captors (who include musician Gary Lightbody from Snow Patrol, in a cameo appearance) sing the song in episode 3 of that season ("Walk of Punishment"), and The Hold Steady's recording is played over the end credits. The recording was released on a seven-inch record on April 20, 2013. In the A Song of Ice and Fire novels, "The Bear and the Maiden Fair" is a traditional song popular among people of all social classes throughout Westeros.
The Festival of Pacific Arts, Pacific Arts Festival, or FESTPAC is a traveling festival hosted every four years, in the same year as the Summer Olympics, by a different country in Oceania (map). It was conceived by the Pacific Community (former "Secretariat of the Pacific Community") as a means to stem erosion of traditional cultural practices by sharing and exchanging culture at each festival. The major theme of the festival is traditional song and dance. The 2008 Festival of Pacific Arts was hosted by American Samoa from 20 July to 2 August 2008; it was the 10th Festival of Pacific Arts.
Liggins claimed to have written the tune around 1942, when playing piano in Los Angeles with a group called the California Rhythm Rascals. The tune was based around the traditional song "Shortnin' Bread". It was adopted by dancers performing a dance called the Texas Hop, and Liggins wrote words to fit the tune - "The honeydripper, he's a killer, the honeydripper ... he's a solid gold cat, he's the height of jive ... he's a riffer, the honeydripper." The term "honeydripper" was black slang for a "sweet" guy, and had already been adopted as a nickname by blues pianist Roosevelt Sykes.
Folk rock singer Tim Rose’s slower version of the song (recorded in 1966 and claimed to be Rose's arrangement of a wholly traditional song) inspired the first single by the Jimi Hendrix Experience. The ex-bassist for the Animals, Chas Chandler, who was now focusing on managing other acts, had also seen Rose performing the song at the Cafe Wha? in New York City and was looking for an artist to record a rock version of "Hey Joe". Chandler discovered Jimi Hendrix, who had also been playing at the Cafe Wha? in 1966 and performing an arrangement of "Hey Joe" inspired by Rose's rendition.
The only original composition, "The Long Voyage", was written by Zazou as an expression of gratitude to his record company for granting him complete artistic freedom on the project. The song was released as a single and featured several remixes, including one by Mad Professor and by Zazou himself. As lyrics no longer exist for the traditional song "Annukka Suaren Neito" for Sari Kaasinen of Varttina wrote lyrics based on the folk tale of the young girl Annukka who wants to marry a man who lives in the ocean. The song "Adventures in the Scandinavian Skin Trade" was remixed by William Orbit but never released.
Beside their own songs, the album featured cover version of blues songs "Cross Road Blues" and "Tobacco Road", and Serbian traditional song "Ukor" ("Blame"). The band had also released a compilation album Smak: Retrospektiva (Smak: A Retrospective) and re-released the album Dab in the Middle as The Pages of Our Time. After the Belgrade performances, the band had a meeting in Kragujevac, where they decided to continue working and started planning a comeback album. Nevertheless, Aranđelović went to Amsterdam where he stayed longer than the intended two months and Milanović and Ristovski did not appear at the band rehearsals, thus the lineup did not make a full-time comeback.
In addition, the tapes also contained three different versions of the traditional song "Fair and Tender Ladies". Reportedly, one of these versions of the song features Crosby singing lead vocals, while the other two feature Clark. Also included among the recordings is a track with the title "The Circle Song", but it is not known whether this refers to the Clark penned "Full Circle" or to another previously undocumented outtake—perhaps a cover of Joni Mitchell's "The Circle Game"? Although it was not included on the reunion album, the Byrds' recording of McGuinn and Levy's "My New Woman" was later released on the guitarist's 1973 solo album, Roger McGuinn.
A recruiting sergeant outside an inn, c1813 A recruiting sergeant is a British or American soldier of the rank of sergeant who is tasked to enlist recruits. The term originated in the British army of the eighteenth and nineteenth centuries. The playwright George Farquhar served as an infantry officer, and the characters in his play The Recruiting Officer (1706) are drawn from life. The unscrupulous methods used by some to trick the innocent have been the subject of several traditional songs composed by their victims as a warning to others, popular examples being the Irish traditional song Arthur McBride and the Scots Twa Recruiting Sergeants.
These records largely featured the band's laid-back acoustic musicianship and more traditional song structures. With their rootsy, eclectic stylings, particularly evident on the latter two albums, the band pioneered the hybrid Americana genre. Phil Lesh (left) performing with TelStar in 2008 As the band and its sound matured over thirty years of touring, playing, and recording, each member's stylistic contribution became more defined, consistent, and identifiable. Lesh, who was originally a classically trained trumpet player with an extensive background in music theory, did not tend to play traditional blues-based bass forms, but more melodic, symphonic and complex lines, often sounding like a second lead guitar.
He has recently released album Oirialla with his new band featuring mostly unpublished Music and Song of South Ulster. Gerry has also toured and recorded with the Irish Baroque Orchestra and is the compiler and publisher of “I have Travelled this Country” a book with CD ROM documenting Cathal McConnell’s Boys of the Lough formidable collection of traditional song. With Breton Guitarist Gilles le Bigot This Irish / Breton duo recorded a live album In Concert in DZ (Douarananez) and have toured together each year since 2006. Together they have toured in France, Germany, Switzerland, Russia, Canada and Australia In September 2013 Gerry joined The Irish Rovers.
No More Fish, No Fishermen is a song whose lyrics were composed by Canadian folklorist and singer Shelley Posen, about the demise of the Newfoundland fishery. Although it was written in 1996, it is often assumed to be a traditional song. The tune is based upon "Coal Not Dole" by Kay Sutcliffe and Paul Abrahams, who wrote the lyrics and melody respectively, about the death of the coal industry in northern England. "Coal Not Dole" was made popular by Coope Boyes and Simpson on their Funny Old World album, and is in turn based on the Victorian Christmas carol, "See, Amid The Winter's Snow".
The Wheel is the fifth album by American country band Asleep at the Wheel. Produced by Tommy Allsup at Sumet-Bernet Studios in Dallas, Texas, it was released on March 14, 1977 as the group's third album on Capitol Nashville. Unlike the band's previous releases, all of which included covers of songs originally recorded by popular country and jazz artists, The Wheel features entirely original material (save for one traditional song), most of which was written by band member LeRoy Preston. Following the release of Wheelin' and Dealin' the previous year, Asleep at the Wheel expanded to an 11-piece unit with the addition of second saxophonist Patrick "Taco" Ryan.
It was also customary for the storks at the location to chirp and sing the rhyme "Mo-da-ke-ke-ke-ke" which was most of the time heard by the Ifes and it was decided that the new settlement would be called Modakeke. Modakeke men are usually known as disciplined and highly trained warriors. People from Modakeke are called Modekeans . One unique thing about the people of Modakeke is that they have their own traditional song which goes sa abada ni elu fun Modakeke lo ti wa, sa abada sa abada sa abada sa bada, sa abada ni elu fun Modakeke lo to wa.
Songs written by Bob Crewe, MusicVF.com. Retrieved 12 September 2014 Slay and Crewe also wrote hits for Billy & Lillie, including "La Dee Dah" (covered in the UK by Jackie Dennis), and Freddy Cannon, for whom "Tallahassee Lassie" became a top ten hit in 1959. In 1961, Slay moved to Philadelphia to become A&R; Director for Swan Records, Cannon's record label. As well as producing many of Freddy Cannon's records, he also had a minor hit under his own name in late 1961, "Flying Circle", an instrumental adaptation of the traditional song "Hava Nagila", which reached #45 on the Billboard pop chart credited to Frank Slay and his Orchestra.
Having originally begun singing in Haida at 13, Williams-Davidson continues to immerse herself in the preservation and creation of Haida song and dance. In 1996, she joined the Rainbow Creek Dancers: a Haida dance group which performs traditional song and dance both in Haida Gwaii and around the world. She has been a member of the Haida Gwaii Singers society, a group that focuses on educating people on the rich musical traditions of the Haida, since 2000. In 2009, the group released the "Songs of Haida Gwaii Archival Anthology", a 7 CD box set featuring recordings dating back as far back as the early 1900s.
There he inadvertently proposed to her in a verbal slip-up over the wedding rings of which he had taken charge "for safe keeping" (out of the dubious care of Best Man, Barry). But he must have at least liked her, as he was never heard from again after that. Christmas Special. Foggy's real first name was revealed to be Walter (with the middle initial "C"); "Foggy" is a nickname, derived from the traditional song "The Foggy Foggy Dew"; perhaps also because, in his earlier episodes, he would occasionally "blank out" everything around him to help him concentrate, particularly when he was thinking up new ideas or finding solutions to problems.
"Abdel Kader" () is an Algerian traditional song made famous by the Algerian raï artist Khaled. It is mistakenly thought to be about the Emir `Abd al-Qādir al-Jazā'irī, a famous Algerian Muslim religious leader and freedom fighter who resisted the French conquest of Algeria, but it is actually about the 12th century Sufi saint Shaikh Abd al-Qadir al-Jilani (1077-1165 AD), the posthumous founder of the Qadiriyya Sufi Order. It is featured on his 1993 studio album N'ssi N'ssi. After his 1993 original album version, Khaled released a solo live version of "Abdel Kader" in his live album Hafla in 1998.Discogs.
His description was regarding the festivities prior to 1900, though he doubted the reality of Tom Bawcock, suggesting it was in fact "Beau Coc". He also went on to confirm that the origins of the festival dated back to pre-Christian times, though it is unclear at what time the stargazy pie became part of the festivities. Morton Nance went on to restore the traditional song sung on Tom Bawcock's Eve, played to the local tune "wedding March". A legend surrounding stargazy pie, along with the other unusual pies of Cornwall, is that they were the reason that the Devil never came to Cornwall.
In another account, a valravn is described as a peaceless soul in search of redemption that flies by night (but never day) and can only free itself from its animal countenance by consuming the blood of a child. This is reflected in a Danish traditional song that describes how, after refusing offers of riches, the Valravn makes an agreement with a maiden to take her to her betrothed after she promises the valravn her first born son. After the agreement, the valravn flies away. In time, the couple have a child and the Valravn returns, and asks the maiden if she has forgotten her promise.
The song was next published in 1939 in two Australian newspapers and then in 1946 as a traditional song "collected and arranged" by Reverend Dr. Percy Jones, a professor of music. The lyrics vary widely; "bare-bellied yoe" (yoe is a dialect word for ewe) is often "bare-bellied joe" or even "blue-bellied ewe". The last line in the verse about the "colonial experience" man "smelling like a whore" is often bowdlerised to "smelling like a sewer" or completely rewritten. The song has been recorded by many artists, notably by the American folk musician Burl Ives in 1958 on his album Australian Folk Songs.
The folk revival can be considered as a political re-invention of traditional song, a development encouraged by Left-leaning folk record labels and magazines such as Sing Out! and Broadside. The revival began in the 1930s and continued after World War II. Folk songs of this time gained popularity by using old hymns and songs but adapting the lyrics to fit the current social and political conditions.30s to 60s folk music revival 1996, p. 508 Archivists and artists such as Alan Lomax, Lead Belly and Woody Guthrie were crucial in popularising folk music, and the latter began to be known as the Lomax singers.
122 and 129. In the second revival, erotic folk song was much more accepted as part of the canon of traditional song, helped by the publication of books such as Gershon Legman's, The Horn Book: Studies in Erotic Folklore (1964) and Ed Cray's, The Erotic Muse: American Bawdy Songs, which printed many previously unpublished songs (1968).E. Cray, The Erotic Muse: American Bawdy Songs (Champaign, IL: University of Illinois Press, 1968) and G. Legman, The Horn Book: Studies in Erotic Folklore and Bibliography (New York: University Books, 1964). In England A. L. Lloyd was the key figure in introducing erotic songs to the canon, lecturing and publishing on the subject.
During his musical education he collaborated with his brother Assi in creating the Rahbani brothers. They took their new artistic direction to the Lebanese Radio in 1945. The delivery of a ‘Rahbanian’ song was not an easy task; however, it had faced up to the strong current of the traditional song and heritage, which dominated the entirety of the Eastern World since the beginning of the twentieth century, through Salma Hegazi and Abdou El-Hamoli. The two brothers went on to join the ranks of the Near East Radio, where they composed many artistic works as well as a series of sketches entitled “Sabeh and Makhoul”.
Early recordings released by mento artists were primarily intended for use on the island's sound systems, only later being released to the general public. Like most of the mento songwriters, Count Lasher is a storyteller and social-commentator as well as an entertainer. Colorful local dialect is also employed liberally throughout Lasher's work, with themes and issues easily recognizable to the island's inhabitants. The chorus in "Mango Time" presents a list of mango cultivars: More Jamaican idioms are to be found in Lasher's arrangement of traditional song "The Weed" (aka "Man Pyabba"), which tells of a hungry man encountering an old lady with a basket packed with different medicinal herbs.
The 1980s were marked by international success for Gott, including the filming of the musical In the Track of Bel Canto in Italy in 1981, with an accompanying German-Italian album, and a duet performance with Sofia Rotaru in the Soviet Union. In 1983, Gott was awarded the Gold Medal of Hermann Löns in Munich, Germany, for his role in the development of German traditional song. On 30 April 1985, he was awarded the title of National Artist for exceptional artistic contributions. In 1986, to mark 20 years with the company, he received Polydor's Golden Needle, previously only awarded to Leonard Bernstein and Herbert von Karajan.
"La Isla Bonita" featured the Ukrainian-gypsy group, Kolpakov Trio, incorporating the gypsy wedding song, "Lela Pala Tute". At the end of the song, Madonna marched ahead with a band of violin players to the front of the stage and then sat aside with her dancers for a solo performance from Kolpakov Trio, who performed the traditional song "Doli Doli". She returned to the stage for "You Must Love Me", the Academy Award winning song from, Evita. The act ended with "Get Stupid", a video interlude portraying global warming, famine and other global issues, while juxtaposing John McCain with Hitler and Barack Obama with Gandhi.
The EP, released in May 2010 on Rabble Rouser Records, comprised largely their own compositions with a rearrangement of one traditional song, and met with effusive reviews from The Guardian, Uncut, Q Magazine and MTV. Tracks from the EP were featured on BBC Radio 1, BBC Radio 2, BBC Radio 3 and BBC 6 Music with a Campfire Special session recorded for Rob da Bank's Radio 1 show in October 2010. Support slots on tours by The Unthanks and Bellowhead followed in 2009/10, with favourable reviews. In 2010 Jonny Kearney & Lucy Farrell were nominated for the BBC Radio 2 Folk Awards' Horizon award which is given to best emerging artists.
The track deviates from a traditional song structure and hook, instead featuring harsh cuts, synths and Madonna singing in a nasal tone. Minaj raps in the track, asking everybody to "go hard or go home", while Madonna shouts lyrics like, "I just wanna have fun tonight, I wanna blow up this house tonight", "alternating between pitch-shifted shrieks of 'Who do you think you are??' and the sing-songy title taunt." Regarding her profuse usage of the word "bitch" in the song (along with another song "Unapologetic Bitch" from Rebel Heart), Madonna defended her decision to Billboard, saying: > I think that's bullshit. The word police can fuck off.
Two of these, Irvine's "The Bonny Light Horseman" and a set of reels by Planxty, "Lord McDonald/The Chattering Magpie", were subsequently added to the CD version of After The Break.Planxty – After The Break CD, Tara Records Ltd, TARACD 3001, 1992. The remaining three tracks were: "General Monroe" – a traditional song re-arranged by Irvine (bouzouki, harmonica) in duet with Lunny (guitar); "First Slip/Hardyman The Fiddler A&B;/The Yellow Wattle" – a set of jigs by Planxty, including Matt Molloy; and "John of Dreams" – a ballad by Moore, which was later re-released on the CD version of The Iron Behind the Velvet.
"Whiskey in the Jar" (Roud 533) is an Irish traditional song set in the southern mountains of Ireland, often with specific mention of counties Cork and Kerry. The song, about a rapparee (highwayman) who is betrayed by his wife or lover, is one of the most widely performed traditional Irish songs and has been recorded by numerous artists since the 1950s. The song first gained wide exposure when the Irish folk band The Dubliners performed it internationally as a signature song, and recorded it on three albums in the 1960s. In the U.S., the song was popularized by The Highwaymen, who recorded it on their 1962 album Encore.
McGlynn has stated: "My interest in traditional song stemmed from my schooldays in Coláiste na Rinne (Ring College) in Dungarvan, and I also felt a need to explore and communicate my enthusiasm for medieval music, most particularly Irish medieval music, to the general public. The eclectic repertoire that characterises the music of Anúna was born in this way".The Journal of Music in Ireland : January/February edition 2002 McGlynn re-set and rearranged historical texts and reconstructions of medieval Irish music. These included the 12th century pieces "Dicant Nunc" and "Cormacus Scripsit", both of which come from Irish manuscripts and featured in the repertoire of An Uaithne.
In 1993, Dawud (David) Wharnsby and fellow Crackenthorpe's Teapot vocalist Heather Chappell began touring and performing as a duo, releasing an independent album (Off To Reap The Corn) containing renditions of traditional Canadian and Irish folk music. The recording also featured Wharnsby's original lyrical adaptation of the traditional song "The Black Velvet Band". His comical version "The Black Velvet Band as Never Before" is still sung in folk music circles. Dawud has released several internationally distributed albums since 1995, including Blue Walls and the Big Sky, Vacuous Waxing (with Canadian writer Bill Kocher), A Different Drum (with The Fletcher Valve Drummers) and Out Seeing The Fields.
Makedonsko Devojče 2 (in Macedonian Cyrillic: Македонско девојче 2, meaning in English: Macedonian Girl 2) is the eighth studio album by Macedonian singer Karolina Gočeva released on 25 February 2014. Avalon Production launched the album in Macedonia, while Croatian label Dallas Records released it throughout former Yugoslav countries in April 2015. The album consists of eight original songs written by Valentin Soklevski and Vesna Malinova; the arrangement and production were completed by Nikola Micevski and Dejan Momirovski. Except for those eight songs, two cover versions are also included, one of them being of a Macedonian traditional song and the other one of a record originally performed by Macedonian singer Pepi Baftiroski.
A contemporary of Marie Lloyd and Bessie Bellwood, Jenny Hill was born in Paddington, London, to Michael Thompson (1812/13–1881) a Marylebone cab driver. Her stage début was made at the age of six or seven, when she performed as the legs of the goose in the pantomime Mother Goose at the Aquarium Theatre in Westminster. In about 1860 she made her professional debut at Dr. Johnson's Concert Rooms, traditional "Song & Supper Rooms" in Fleet Street.Senelick, Laurence. "Hill, Jenny (1848–1896)", Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 26 March 2012 In 1862 her father apprenticed her to a publican in Bradford.
The track, which features additional percussion played by Miles Bould, and additional strings played by the Kraków Philharmonic Orchestra, is a showcase for the three widely varying violin styles of Kennedy, Kukurba and guest violinist Aboud Abdoul Aal. It is, along with "Lullaby for Kamila", not only one of the loveliest performances of Kennedy's recorded career, it is also one of the most gently affecting compositions committed to tape in any genre in recent memory. "Tribute to Maria Tănase" is a traditional song dedicated to the renowned Romanian singer of Romanian folk music Maria Tănase. "Time 4 Time" is a klezmer song composed by Bawoł, Kennedy, Kukurba, and Lato.
Retrieved January 6, 2009 It is marked by its leaning toward more traditional song structures while still featuring typical Buckethead guitar skills. "We Are One" was released as a single and also appeared on the soundtrack of Masters of Horror. "Three Fingers" was used for the soundtrack of the horror movie Saw II. The final track, "Nottingham Lace," was first made public via his home page and soon became a concert staple and one of his most popular songs. Buckethead also released two further solo albums in 2005, Kaleidoscalp and Inbred Mountain—the latter being the first album as a solo artist released on the label TDRS Music.
Simon relied on erroneous information from Jorge Milchberg of Los Incas about the collection of royalties for his arrangement of song. Simon wrongfully thought it to be a traditional song and thus not restricted by copyright law, but in reality it was written by Peruvian Daniel Alomía Robles. His son Armando Robles Godoy filed a successful lawsuit later that year in 1970, citing that he held the song's copyright in the United States since his father's 1933 filing. Simon wrote English lyrics to the instrumental recording by Los Incas, and the song later became a forerunner of Simon's world music era as a solo artist.
Post-rock originated in the release of Talk Talk's album Laughing Stock and US band Slint's Spiderland, both in 1991, which produced experimental work influenced by sources as varied as electronica, jazz, and minimalist classical music, often abandoning the traditional song format in favour of instrumental and ambient music."Post rock", All Music guides, retrieved 16 July 2009. The term was first used to describe the band Bark Psychosis and their album Hex (1994), but was soon employed for bands such as Stereolab, Laika, Disco Inferno and Pram and other acts in America and Canada. Scottish group Mogwai are one of the influential post-rock groups to arise at the turn of the 21st century.
Yet this album has his most traditional song selection yet: four jazz standards, a Beatles ballad and just two contemporary songs, both of which are pretty much Tin Pan Alley pastiches." Dave Gelly in his review for The Guardian stated, "deceptively sweet-sounding set which, once you cotton on to the pianist’s way of treating a few mainly well-known tunes, is absolutely absorbing. Instead of the usual jazz method of improvising on a tune over and over again, known as “playing choruses”, he plays the song with a few variations and then goes into a kind of free meditation on it." Will Layman of PopMatters added, "The repertoire here, then, creeps up on you.
Between 1792 and his death in 1796, the poet Robert Burns contributed (for little or no remuneration) over 100 songs to the work, including hallmark productions such as 'My Luve is like a Red Red Rose' and 'Is There for Honest Poverty'. Other 'librettists' in the original first volume include Allan Ramsay, Peter Pindar, Andrew Erskine, Earl Kellie, Richard Brinsley Sheridan, as well as traditional song. The first 'set' of the first volume of Original Scottish Airs begins with the song 'The Smiling Morn' (more commonly known as 'The Birks of Invermay'), a known favourite of the poet Robert Fergusson. The title page of the first 1793 edition runs: A Select Collection of Original Scottish Airs for the Voice.
Amidst the plethora of good young instrumental bands on the scene, Malinky stood out owing to their almost exclusive concentration on Scots traditional song, as well as Polwart's burgeoning songwriting talent. Within six months the band had won a 'Danny Award' for new talent at Glasgow's Celtic Connections festival and were signed to the leading Scottish independent folk imprint Greentrax Recordings, as well as kicking off their international career with a trip to the Festival Interceltique de Lorient in Brittany. The band's first album 'Last Leaves' was recorded in 1999 and released at Celtic Connections 2000, with Davy Steele as producer. The album was recorded at Pier House Studios in Granton, Edinburgh.
Cave was inspired to write "Where the Wild Roses Grow" after listening to the traditional song, "Down in the Willow Garden", a tale of a man courting a woman and killing her while they are out together. Cave arranged this tale as second of two B-sides, "The Ballad of Robert Moore & Betty Coltrane" / "The Willow Garden", released on the CD-Maxi single version. Although the song does not feature on a Minogue studio album, it can be found on her compilations Hits+, Greatest Hits 1987–1999, Ultimate Kylie, The Abbey Road Sessions and Step Back in Time: The Definitive Collection. Minogue performed a chorus of the song during her Showgirl and Homecoming tours.
The third album Rough Diamonds, which also featured musical and artistic contributions from Lindisfarne's Ray Jackson, and single 'Gentleman Soldier' (both 1975), were both produced by Fairport Convention stalwart Simon Nicol. The latter, which featured John Kirkpatrick on button accordion, was a new arrangement of a traditional song which borrowed the vocal four-part harmony break from 'Twist And Shout' for the introduction, and featured a Scottish accordion reel back to back with a mock-heavy rock guitar solo. Presenter John Peel placed it at No.3 in his favourite singles of the year, calling it 'one of the most joyous records I've heard in my life'. but like all previous attempts it failed to chart.
As well as Czech traditional song text, the work incorporates ideas from Molière's Le Médecin volant and the mime Jean-Gaspard Deburau.Milos Safranek Bohuslav Martinů - The Man and His Music 2013 1447493044 The work is an example of the extension of Martinů's operatic technique by using older theatrical traditions, here commedia dell'arte, but is the last of his operatic works to quote Czech folk melodies. It also looks forward to his 1954 opera Mirandolina with its commedia dell’arte elements, two decades later. The composer at first approached a few known writers, including Vítězslav Nezval, who had collaborated with Martinů on his opera The Voice of the Forest, but eventually he set about writing the libretto himself.
Post rock originated in the release of Talk Talk's album Laughing Stock and US band Slint's Spiderland, both in 1991, which produced experimental work influenced by sources as varied as electronica, jazz, and minimalist classical music, often abandoning the traditional song format in favour of instrumental and ambient music."Post rock", All Music guides, retrieved 16 July 2009. The term was first used to describe the band Bark Psychosis and their album Hex (1994), but was soon employed for bands such as Stereolab, Laika, Disco Inferno and Pram and other acts in America and Canada. Scottish group Mogwai were among some of the influential post-rock groups to arise at the turn of the 21st century.
Savage is a Canadian short film, directed by Lisa Jackson and released in 2009."Witnesses: Art and Canada’s Indian Residential Schools". Canadian Art, November 22, 2013. The film depicts a Cree woman (Skeena Reece) crying and singing a sad traditional song while a young girl (Ta'Kaiya Blaney) is transported to an Indian residential school (although the film is deliberately ambiguous about whether the woman is the child's mother, or the child herself reflecting on her past as an adult.) At the school, however, the conventional narrative of Indian residential schools is subverted when the children perform a hip hop–inspired group dance routine in class after the teacher leaves the room."Video: Lisa Jackson’s “Savage”".
Their music is characterized by the delicacy and transparency of chamber music, but also by its deeply natural, compelling force. In Egschiglen’s performances, tunes from Shamanist or Buddhist tradition, which are common in Central Asia, impress through their diversity of expression and their intricate arrangements. The musicians also experiment with balancing acts between diverse cultures: in the course of the years, Egschiglen participated in a number of cooperation projects with musicians from various cultural areas. Furthermore, in a relaxed attitude, they present the latest finds from their adopted home, Franconia: traditional song material from the Altmühl valley, arranged as a Mongolian khöömii / morin khuur crossover, which the band has released on their recent album Gereg.
The album balances traditional song structures on the "left side" with more free-form improvisation on the "right side", fitting somewhere between the experimental Discipline and the more commercially accessible Beat. Tony Levin had more input than on any other King Crimson album. The "other side" on the 2001 remaster consists of period-appropriate bonus tracks and an anchronistic 1989 a cappella recording (first published in the "Frame By Frame" box set) in which all four members supposedly sing in a barbershop quartet but is really Levin's voice overdubbed to create harmonization. The name of the album is based on the idea of perfect opposites and "three sides to every story", or his, hers, and an objective truth.
This site, built by a British family in the Great Rift Valley 30 miles away from Nairobi, commodified Maasai cultural expressions through historic reenactments of Maasai warriors in traditional song and dance, at a comfortably safe distance away from tourists. In these performances, Maasai culture is presented as ahistorical and static. There was a painstaking strive for satisfying the tourist "gaze" and provide a sense of authenticity, most notably through contrasts between civilized European and primitive African. This site was eventually closed by the Kenyan government because of the colonial nature of the presentation of Maasai culture was offensive to many Kenyans (because whites were producing images of blacks) and African-Americans.
Traditional song and dance are also an integral part of archery in Bhutan, known for lyrics that range from literary and sublime to provocative and burlesque. ;Zhungdra Zhungdra (Dzongkha: གཞུང་སྒྲ་; Wylie: gzhung-sgra; "center music") is one of the two dominant forms of Bhutanese folk music. It was developed in the 17th century, and is associated with the folk music of the central valleys of Paro, Thimphu, and Punakha, the heart of the Ngalop cultural area. Although considered secular, the lyrics of zhungdra songs often tell Buddhist allegories, such as Yak Legbi Lhadar, in which the singer tells of his former life as a yak slaughtered in connection with a non-Buddhist ritual in the Gasa District.
"Jamie Raeburn" is a traditional Scottish song about penal transportation. Jamie Raeburn is reputed to have been a baker in Glasgow before being sentenced for petty theft, although he was allegedly innocent, and then sent out to the colonies as punishment.JAMIE RAEBURN Traditional song According to the National Library of Scotland the lyrics to the song were probably published between 1840 -1850.The Word on the Street - Broadside ballads entitled 'O'Donnell Abu!' and 'Jamie Raeburn' In Robert Ford's 'Vagabond Songs and Ballads of Scotland: With Many Old and Familiar Melodies' (1901) he writes the following in relation to the song: : The above was long a popular street song all over Scotland and sold readily in penny sheet form.
The film, now lost, showed stylistic influences from the Italian neo-realists and was the first Korean film to employ synchronous sound. Yangsan Province (1955). With the success of this first film, Kim was able to direct his second feature, the historical costume drama Yangsan Province (also 1955), again using primitive equipment obtained from the U.S.I.S. Although Kim claimed to have based the film on a traditional song he learned from his mother, no exact source for the story has been found. It is suspected that the director made up the story himself, modeling it on traditional stories such as Chunhyangjeon, Lee Kyu- hwan's remake of which had recently become a major success, stimulating a rebirth in Korean cinema.
Music and dance are important facets of Dominica's culture. The annual independence celebrations show an outburst of traditional song and dance preceded since 1997 by weeks of Creole expressions such as "Creole in the Park" and the "World Creole Music Festival". Dominica gained prominence on the international music stage when in 1973, Gordon Henderson founded the group Exile One and an original musical genre that he coined "Cadence-lypso", which paved the way (for example BTS paved the way for k-pop )for modern Creole music. The 11th annual World Creole Music Festival was the first activity held there since its completion on 27 October 2007, part of the island's celebration of independence from Great Britain on 3 November.
Avocet is the 12th album by Scottish folk musician Bert Jansch, released in 1979 in UK. The album was first released by Ex Libris in Denmark in late 1978 with alternate album cover and one alternate track title, although no difference in recorded content. The title track "Avocet" was inspired by the traditional song "The Cuckoo". All tracks on the album are named after a sea bird or wading bird. On 5 February 2016, Earth Recordings reissued the album (remastered by Brian Pyle, with new sleeve art) in digital, CD, and vinyl formats; the latter available in an 'art edition' which included six lithograph prints of illustrations of each of the birds on the album, made by Hannah Alice.
She included in the album "", a traditional song that her mother taught her, also sung by the Goadec sisters. Another traditional theme is the subject of "" (Song of the girl who had nothing), inspired from a nursery rhyme designed to teach children the days of the week, the name of farm animals and the sound they make: everyday, the narrator goes to the fair and buys an animal. In Nolwenn Korbell's version, starting on Wednesday, the narrator buys something that cannot be bought: a husband, a son, a heart, a voice and a life. According to the author, "this song is a parable which demonstrates that what makes the salt of life is not negotiable".
It was officially launched in July 2005 at an indigenous expo attended by 500 people where Elders performed a traditional Aboriginal smoking ceremony to clear the area of evil spirits and a traditional song of prayer was given by Torres Strait Islander elders to protect visitors to the centre.Leonie Johnson Bless this centre Cultures run deep at spiritual opening Townsville Bulletin published 23 May 2005 p5 The Centre then opened for business in August of that year. Originally envisaged as a place of meeting for indigenous people to mix and teach their culture both to the younger generations and to other interested people. Planning and lobbying for the Cultural Centre had been ongoing since the 1960s.
"Moon over Tanjore," a song from the album, won the award for Best World Traditional Song, while Miroshnichenko's "Alien's Dream" was nominated for Best Instrumental Song. In late 2016, Roman Miroshnichenko joined the judging panel of the 16th Annual Independent Music Awards program, along with Tom Waits, Slayer, Sepultura, and others.IMA Artist Judges Since 2017, Roman Miroshnichenko is an international projects director of the annual World of Guitar festival, held in Kaluga, Russia.World Of Guitar festival In May 2017, at the festival's opening, Larry Coryell's last opera, based on Leo Tolstoy's novel Anna Karenina, was presented, featuring the Moscow Symphony along with Miroshnichenko, Serbian classical guitarist Nenad Stephanovich, and Slovenian opera soloists.
After their critically acclaimed second album Further (1995), Rachel Brook left Flying Saucer Attack to focus on her own project Movietone, rendering Flying Saucer Attack a solo project for remaining member Dave Pearce. After issuing the rarities compilation album Chorus (1995) to close "phase one" of the band, his first solo album under the Flying Saucer Attack name, New Lands, was a conscious attempt to start "phase two" of the band. Exploring new approaches such as sampling, and a more aggressive noise approach, almost disregarding "traditional song structure altogether" the album has retrospectively been referred to as bridging the gap between Further and Mirror. While recording Mirror, Pearce was suffering from depression.
Floodplain contains twelve compositions, some newly written for the quartet, such as "Tashweesh," a collaboration with the Ramallah Underground and the long piece by Serbian composer Aleksandra Vrebalov that concludes the album, "...hold me, neighbor, in this storm..." Other compositions are older pieces arranged for the quartet, such as "Nihavent Sitro," by Tanburi Cemil Bey; "Mugam Beyati Shiraz," arranged by Azeri composer Rahman Asadollahi from a song perhaps 700 years old; and "Lullaby," a traditional song from the descendants of slaves and Arab traders who inhabit Iran's southern coast. "Raga Mishra Bhairavi: Alap" is modeled after a recording of sarangi player Ram Narayan's interpretation of the alap of the popular raga Bhairavi.
In 2014, Reshetnyak took part in the fourth season of The Voice of Ukraine (Голос країни) but unfortunately, none of the coaches turned the chair. In the summer of the same year, she released her music video for the song "Znayu i veryu (Знаю и верю)". In 2015, she returned to The Voice of the Ukraine, where she made all coaches to turn their chairs in the blind editions, performing the Ukrainian traditional song "Kray miy ridnyy kray (Край мій рідний край)". Tatiana chose Potap as her coach and reached until the final show of the fifth season, where she got the second place losing to Anton Kopitin in the super-final.
"Ballo in Fa Diesis Minore" is based on Ingmar Bergman The Seventh Seal in which a man defies the personification of Death (lyrics are taken from an inscription of a Danse Macabre depiction at Clusone, near Bergamo); the melody is inspired by "Schiarazula Marazula", a medieval northern Italian theme which accompanied exorcism rites and which was collected by Giorgio Mainerio in his Primo libro de' balli (1578). "Il ciliegio" ("The cherry tree") is based on the English traditional song "The Cherry Tree Carol". "Il poeta di corte", featuring launeddas parts by Luigi Lai, is partially based on "Canarios" by Aragonese Baroque composer Gaspar Sanz. "La lepre nella luna" ("The hare in the Moon") is inspired by a Buddhist legend of the Moon rabbit.
It alludes to the slogan "The family that prays together stays together", created by ad- writer Al Scalpone for the Family Rosary Crusade and popular in American and British rhetoric beginning in the 1940s. The album's arrangements were created by Marty Paich, who also arranged and conducted Spirit's eponymous debut album and their third album, Clear, as well as Model Shop (the soundtrack to a film of the same name, which was recorded after "Family" but not released until 2004). The album cover was shot at the Sunset Highland Motel, located at 6830 Sunset Boulevard in Hollywood, California, just across from Hollywood High School. "Jewish" is performed with Hebrew lyrics that are taken from the traditional song "Hine Ma Tov", based on King David's Psalm 133.
The only traditional song on the album, "A Sailor's Life", is seen as pivotal in the development of English folk rock music. Changes in the line-up of the band, due not only to its musical direction but also to external events, mark this album as a turning point in the band's history. 1969 was a prolific year for Fairport Convention; from What We Did on Our Holidays to Liege & Lief within twelve months represented a major development. The album also gave the band their first UK chart success, reaching number 12 in the UK album chart (the second highest position in the band's entire career), while the single release, "Si Tu Dois Partir", achieved number 21 in the UK singles chart.
It is about a girl he has never met in person and how he finds comfort by dreaming that they can be together in an alternate universe, but only temporarily. Finneas stated in an interview with Billboard that he loves pop tracks so much and doesn't put a ton of pressure on himself as an artist to always have to write "the most commercial feeling thing", and only wants to write songs that he would love to listen to. "Let's Fall in Love for the Night" starts with Finneas' "gentle whispered sweet nothings" vocals, then continues "into the heart of traditional song splendor". According to NME, Finneas' vocals within the song seem to be "flitting between falsetto flutters and something approaching a rap".
Before the album's releasing, James Taylor started to perform several new tracks from the upcoming album on his 2014 All Star Band tour. "Today Today Today", "You And I Again" and "Stretch of the Highway" were debuted at the May 30, 2014 show and played throughout the tour; the traditional song "Wild Mountain Thyme" also earned a regular place in the shows (it had been previously performed by James Taylor occasionally in concert). At Toronto's show on July 24, 2014, James Taylor performed "SnowTime" specially and explained that the song was written about Toronto. "Angels of Fenway", "Montana" and "Before This World / Jolly Springtime" were all performed during his shows in his spring and summer tour of 2015, to coincide with the album's release.
The home of the Irish Traditional Music Archive - Taisce Cheol Dúchais Éireann at 73 Merrion Square, Dublin 2, Ireland The Irish Traditional Music Archive – Taisce Cheol Dúchais Éireann (ITMA) is a national public archive, information centre, and resource centre intended to be of use to everyone with an interest in the contemporary art forms of Irish traditional song, instrumental music, and dance, and in their history. The Archive’s area of interest covers the performance traditions of the island of Ireland and the Irish diaspora – Irish-Britain, Irish-America, Irish-Australia, etc. – and those of all other performers of Irish traditional music throughout the world. In its attitude to the Irish and connected traditions, the Archive defines ‘traditional music’ in a broad and inclusive way.
According to PopMatters journalist Mike Joseph, Here, My Dears music was "largely midtempo funk, with elements of traditional soul, gospel, and doo-wop mixed together with a slight hint of disco". The title track opens the album, and in the album's liner notes David Ritz describes Gaye's tone in the song as "self-serving, self- justifying [and] self-pitying". "I Met a Little Girl" includes doo-wop drenched harmonies with its lyrics and music producing a "thick mixture" of sincerity and sarcasm. Considered the central melodic motif of the album, "When Did You Stop Loving Me, When Did I Stop Loving You" abandoned traditional song structure with a discursive mode, without a chorus, with its lyrics expressing "different feelings - tenderness, fear, anger, regret".
The traditional song inspired Ritchie Valens' rock and roll version "La Bamba" in 1958. Valens' "La Bamba" infused the traditional tune with a rock drive, in part provided by session musicians Earl Palmer and Carol Kaye, making the song popular with a much wider record audience and earning it (and Valens) a place in rock history (he was inducted posthumously into the Rock and Roll Hall of Fame in 2001). The musicians on that session were Buddy Clark: string bass, Ernie Freeman: piano, Carol Kaye: acoustic rhythm guitar, René Hall: Danelectro guitar (six-string baritone guitar), Earl Palmer: drums and claves, Ritchie Valens: vocals, lead guitar.Ritchie Valens, "Ritchie Valens in Come On. Let’s Go" Del-Fi Records, liner notes The song features a simple verse- chorus form.
Shortly after the final dinner on Friday night, Scouts assemble at Bravo How campfire circle at the foot of Pioneer Rock. The ceremony begins with the Pioneer historian giving a short history of the camp and the organization. After that, the Pioneers, assembled on the rock, lead the Scouts seated on the logs below in singing the traditional song, "Patsy Ory Ory Ay." When this is completed, the Pioneers slip away and form a ladder on either side of the trail leading to the main campfire circle. In a matter of minutes, the Scouts, Scouters, and parents who have come to watch the event form a column behind a number of Pioneer torchbearers who lead the way to the main campfire circle.
The release of El Agua De La Vida in 2004 was also met with critical acclaim, including in the Evening Standard. Salsa Celtica played in and on the soundtrack of the film Driving Lessons (2006), written and directed by Jeremy Brock, a coming-of-age story starring Rupert Grint, Laura Linney and Julie Walters. In November 2006 the band were nominated for 2007 BBC Radio 2 Folk Awards in the "Best Traditional Song" category for their rendition of the traditional English song "The Grey Cockerel" sung as "The Grey Gallito" by guest vocalist Eliza Carthy. Grupo Magnetico, Glastonbury Festival, 2019 Members of Salsa Celtica and Rumba Caliente formed an 11-piece Latin soul orchestra, Grupo Magnético, including Toby Shippey, Angelica Lopez and Ricardo Fernandez Pompa.
The band returned to the studio in 2011, teaming up once again with June Tabor and releasing Ragged Kingdom in September at a sell-out concert at London's Queen Elizabeth Hall. For at least some dates on the Ragged Kingdom tour, they are also joined on bass and guitar by Al Scott, who produced the album. On 8 February 2012 June Tabor and Oysterband won Best Traditional Song, Best Album and Best Group at the BBC Radio 2 Folk Awards for Ragged Kingdom, with Tabor also winning Folk Singer of the Year. Ray Cooper announced in December 2012 that he would leave the band at the end of the Ragged Kingdom tour in February 2013, to pursue a solo career.
The album was well received by critics and featured Thursday's Geoff Rickly doing guest vocals at the end of the song "Sunfalls and Watershine," which received a fair amount of play on college radio stations. This Day Forward signed to Equal Vision Records in late 2002 with new guitarist Brendan Ekstrom (formerly of 200 North) by which time they had already completed several US tours, and in the following year released In Response. This album strayed even farther from their initial sound, largely abandoning the screams and incorporating more traditional song structures as well as softer backup vocals by Taver. As a result, the band was predictably accused of selling out by some fans, though others still consider it their best and most original work.
Mbilia Bel's songs continued to dominate the Congolese music scene, among them "Mobali na ngai wana" ("This Husband of Mine"), composed by Tabu Ley and Roger Izeidi, an adaptation of a traditional song in Kikongo. In the song, M'bilia Bel praises her husband as being handsome and successful and stresses that even though he has the opportunity to choose from any of Kinshasa's beautiful women, he chose her. Other songs that dominated the charts during her reign in Afrisa included "Balle a terre", "Bameli soy", "Ba gerants ya Mabala", "Keyna", "Cadence Mudanda", "Bafosami", "Nakei Nairobi", "Ba jeux de Coin", "Paka Wewe", "Boya Ye", "Yamba Ngai", "ShaWuri Yako" "Beyanga", and "La Beaute D'une Femme". In 1987 Tabu Ley recruited another female artist to accompany M'bilia Bel.
The group in 2013 In 2007, Amaia Montero left the group and Xabi, Pablo, Álvaro and Haritz held an audition looking for a new vocalist. In July 2008 they presented Leire Martínez as the new vocalist and the new song "El Último Vals" as the first single of their new album A las cinco en el Astoria (At Five O'Clock At the Astoria). In 2009, they released Nuestra casa a la izquierda del tiempo (Our home on the left side of time), which consisted of re-recordings of their older songs with Martinez, the new vocalist, plus one traditional song. Their next studio album proper was Cometas por el cielo (Kites in the sky), released in 2011, with the first single sharing the name of the album.
The Irish Rovers is a group of Irish musicians which originated in Toronto, Canada. Formed in 1963 and named after the traditional song "The Irish Rover" they are best known for their international television series, contributing to the popularisation of Irish Music in North America, and for the songs "The Unicorn", "Drunken Sailor", "Wasn't That a Party", "The Orange and the Green", "Whiskey on a Sunday", "Lily the Pink" and "The Black Velvet Band". The primary voices heard in the group's early songs were Will Millar (tenor), Jimmy Ferguson (baritone), George Millar and Joe Millar, and in the last twenty years, also John Reynolds and Ian Millar. Wilcil McDowell's accordion has been a signature sound of the band throughout their more than fifty years.
The Puerto Rican Cuatro Project is a non-profit organization dedicated to fostering the traditions that surround the national instrument of Puerto Rico, by means of gathering, promoting and preserving its cultural memories of Puerto Rican musical traditions, folkloric stringed instruments and musicians. The Cuatro Project is also dedicated to promoting and preserving the Puerto Rican décima verse form and the traditional song as created by its greatest troubadours, living and past. Cumpiano, who is also a founding board member and president of the Association of Stringed Instrument Artisans (ASIA), has lectured about his skills at conventions of the Guild of American Luthiers (GAL). He has received the recognition of various institutes, among them the American Institute of Architects and the Smithsonian Institution.
The album includes recordings of contemporary, uptempo rock songs, but it also has a somewhat folky slant to it, in order to differentiate it from the musical style of Sonny & Cher's records. On the album, Cher covered three songs written and performed by Bob Dylan, "All I Really Want to Do", "Blowin' in the Wind", and "Don't Think Twice, It's All Right". The album contains the Bono-penned "Needles and Pins", which was a hit for the British band, The Searchers, in 1963. The album also included Ray Davies' "I Go to Sleep", which was later a hit in the UK for The Pretenders, and Cher's version of the traditional song, "See See Rider", arranged by Sonny Bono, Charles Greene, and Robert Stone.
Drink it down !" In Charles Samuel Elliot's 1870 collection of Yale College songsCharles Samuel Elliot - Songs of Yale: A New Collection of College Songs -1870 Page 40 the refrain goes: :Here's to good old Yale, :drink it down, drink it down, ... In the version cited by Jack London in The Strange Experience of a Misogynist the refrain goes: :"Here's to the good old whiskey, :For it makes you feel so frisky, :Drink it down ! Drink it down ! Drink it down !"" Elements of the traditional song were used in "Drink It Down", a 1936 song by Ralph Rainger and Leo Robin, first sung in the film Rhythm on the Range (1936) by Leonid Kinskey and Bing Crosby, accompanied by Bob Burns.
However the album fared much better in the UK, where it attracted glowing reviews and reached number 15. A number of tracks on Dr Byrds & Mr. Hyde, including the instrumental "Nashville West" and the traditional song "Old Blue", featured the sound of the Parsons and White designed StringBender (also known as the B-Bender), an invention that allowed White to duplicate the sound of a pedal steel guitar on his Fender Telecaster. The distinctive sound of the StringBender became characteristic of the Byrds' music during White's tenure. Following the release of Dr. Byrds & Mr. Hyde the band issued a version of Dylan's "Lay Lady Lay" as a single in May 1969, which failed to reverse the group's commercial fortunes in the U.S., reaching number 132.
In 1971, the then Steeleye Span line-up minus Maddy Prior contributed to two songs on Scottish folk musician Ray Fisher's album The Bonny Birdy; Martin Carthy and Ashley Hutchings were also involved in the selection and arrangement of some songs released on this album, whilst Ashley Hutchings wrote the sleeve notes. Furthermore, Martin Carthy and Peter Knight performed on four songs released on Roy Bailey's eponymous debut album in 1971. The name Steeleye Span comes from a character in the traditional song "Horkstow Grange" (which they did not actually record until they released an album by that name in 1998). The song gives an account of a fight between John "Steeleye" Span and John Bowlin, neither of whom is proven to have been a real person.
The song Hent-eon (foam path) describes the wish of a man from Lesconil to be buried in such a path so that he will be watched over by nature. This idea of a link between two worlds, between life and death, also appears in Daouzek huñvre, where seven lost spirits clothed in flesh walk in line on a foam path. Like in Me 'zalc'h ennon ur fulenn aour, Denez Prigent wrote all the lyrics, except those of the traditional song E ti Eliz Iza, on the bonus CD, and most of the musics, again using both traditional instruments and electronic sounds. The latter are more discreet than on the previous album; Irvi thus sounds less jungle and more new age.
The soundtrack was released in 1984 as Legend and won the band a BAFTA award for Best Original Television Music, the first Irish band to win it. In 2003, Clannad revealed that there were other pieces recorded for the third series of Robin of Sherwood that were not included on Legend, yet the master recordings have yet to be found. Clannad in 1982 at the Leeds Folk Festival In 1985, Clannad released Macalla (Irish for Echo) which was recorded in Switzerland, England, and Ireland. It contained all original material except one traditional song and yielded the group a hit single "In a Lifetime", a duet with U2 singer Bono which begins with Máire being heard teaching Gaelic to Bono during the introduction.
Sakanaction was created as a dance album, where a pop song structure was applied to dance music, in order for the band express Yamaguchi's love of club music. In order to do this, the band placed emphasis on the music over the lyrics, with Yamaguchi attempting to add lyrics that fit well with the music without altering the imagery created by the instrumental and melody. Though Yamaguchi had previously written lyrics in a haiku-like style, attempting to create strong imagery in a compact space, he found the lyrical process for Sakanaction very different. By creating wordplay without affecting the melody or music, he found the process more like writing children's songs, such as "Akatombo" (1965) or the traditional song "Kagome Kagome".
"Good Shepherd" is a traditional song, best known as recorded by Jefferson Airplane on their 1969 album Volunteers. It was arranged and sung by the group's lead guitarist Jorma Kaukonen, who described their interpretation of it as psychedelic folk-rock. Called by nearly a dozen different names and with varying words, melodies and purpose but common themes, the song's history reflects many of the evolutionary changes and cross-currents of American music. It begins early in the 19th century with a backwoods preacher who wrote hymns, persists through that century, manifests itself in a 1930s gospel blues recording done in a prison by a blind inmate convicted of murder, and sees use in the 1950s as a folk song, before attaining its realization by Jefferson Airplane.
Kirya (an ancient Hebrew nickname for Jerusalem) was Ofra Haza's 1992 follow- up to the internationally successful Shaday (1988) and Desert Wind (1989). Building on her successful blend of European pop and traditional Middle Eastern sounds, the album was a logical next step for Haza. Musically, it applied the sensibilities of pop producer Don Was to traditional song writing and instrumentation; lyrically, it delivered powerful themes of longing, joy, and the plight of the downtrodden in several languages, much like Haza's earlier work. Along with producer Was, Haza was joined by other Western musicians, including a featured duet with Iggy Pop on "Daw Da Hiya", a song about a girl sentenced to death for becoming pregnant out of wedlock while the man responsible remains free.
In 1905 under a new owner, Captain Ansel Snow, Effie M. Morrissey began fishing out of Digby, Nova Scotia. In 1912, the Montreal journalist and photographer Frederick William Wallace sailed on the vessel as a member of Snow's crew.Photographs and documentation of this voyage are contained in M. Brook Taylor, A Camera on the Banks (2006) Wallace's July 1921 article for National Geographic, "Life on the Grand Banks" also contains photographs of the vessel, though it was not named. His epic poem about his time aboard Effie M. Morrissey, "The Log of the Record Run," was widely read and adopted by east coast fishermen with such authentic results that the folklorist Helen Creighton mistakenly believed it to be a very old traditional song.
Shortly after the final dinner on Friday night, Scouts assemble at Bravo How campfire circle at the foot of Pioneer Rock. The ceremony begins with the Pioneer historian giving a short history of the camp and the organization. After that, the Pioneers, assembled on the rock, lead the Scouts seated on the logs below in singing the traditional song, "Patsy Ory Ory Ay." When this is completed, the Pioneers slip away and form a ladder on either side of the trail leading to the main campfire circle. In a matter of minutes, the Scouts, Scouters, and parents who have come to watch the event form a column behind a number of Pioneer torchbearers who lead the way to the main campfire circle.
"Stronger Than Dirt" was originally recorded by the Memphis, Tennessee group Tommy Burk and the Counts in 1965 under the pseudonym A. Jacks & the Cleansers, as the phrase "Stronger than dirt" was the slogan for Ajax brand household cleaning powder. "Come On Up" is a song by the Young Rascals from their 1966 debut album, while "Shot Down" is by the Sonics, from their 1966 album Boom. "Mariconda's a Friend of Mine" is a traditional song with a new arrangement written by the Mummies. Finally, "Sooprize Package for Mr. Mineo" is a 1991 song by the South San Francisco garage rock band Supercharger, who were contemporaries of the Mummies; the Mummies were fans of Supercharger and toured Europe with them in 1993.
Its lyrics were written based around a conversation Enya and the Ryans had about Faulkner on a day surrounding his death and his favourite music. The track marks a departure from Enya's musical style in that it is her first song to use a steady drum track and her second song ever to include a prominent guitar solo, performed here by Pat Farrell, the first being "I Want Tomorrow" on Enya's first studio album from 1987. "Oíche Chiúin (Chrorale)" is the album's second traditional song, and is Enya's first since A Day Without Rain that is sung in Irish, her first language. It is the Irish version of the Christmas carol "Silent Night", a favourite of Enya's since she first learned it with her school choir.
All songs written by Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson, except where noted. #"Sally Free And Easy" (Cyril Tawney) – 3:55 #"The Cherry Tree Carol" (traditional, arranged by Jansch, Renbourn, Thompson, Cox, McShee) – 2:57 #"The Snows" – 3:43 #"High Germany" (traditional, arranged by Jansch, Renbourn, Thompson, Cox, McShee) – 3:15 #"People On The Highway" – 4:46 #"Willy O' Winsbury" (traditional, arranged by Jansch, Renbourn, Thompson, Cox, McShee) – 6:50 #"No Love Is Sorrow" – 2:41 #"Jump Baby Jump" – 3:10 #"Lady Of Carlisle" (traditional, arranged by Jansch, Renbourn, Thompson, Cox, McShee) – 4:41 "The Snows" is listed as a Pentangle composition but is actually a traditional song, previously recorded by both Archie Fisher and Anne Briggs.
In June 2014, Larkin Poe performed at the Glastonbury Festival, which resulted in them being named "best discovery of Glastonbury" by The Observer. In April 2016, the sisters released their second album Reskinned and performed their song "Trouble in Mind" on Conan. They also appeared on Steven Tyler's album We're All Somebody from Somewhere, which was released in July of the same year. In February 2017, Larkin Poe performed as part of the backing band at the MusiCares tribute to Tom Petty in Los Angeles, accompanying such artists as Jackson Browne and Don Henley. Larkin Poe's cover of the traditional song "John the Revelator" was used as the Series 3 episode 13 ending music for the Fox TV show Lucifer.
In 1933, RKO Pictures released Merian C. Cooper's classic "giant monster" film King Kong. The trend thrived best in India, where the influence of the country's traditional song-and-dance drama made the musical the basic form of most sound films (Cook, 1990); virtually unnoticed by the Western world for decades, this Indian popular cinema would nevertheless become the world's most prolific. (See also Bollywood.) At this time, American gangster films like Little Caesar and Wellman's The Public Enemy (both 1931) became popular. Dialogue now took precedence over "slapstick" in Hollywood comedies: the fast-paced, witty banter of The Front Page (1931) or It Happened One Night (1934), the sexual double entrendres of Mae West (She Done Him Wrong, 1933) or the often subversively anarchic nonsense talk of the Marx Brothers (Duck Soup, 1933).
Laurey ostensibly does not care that Curly is with a new girl, though it is obvious she is hurt, especially as shown by the slow restatement of the final lines at the end. The song, like many of its era and like many others by Rodgers and Hammerstein, follows some variant of the Verse + AABA structure, a traditional song layout from the Tin Pan Alley era. Also true to form, the economically constructed melody spans only a ninth. The sequence-driven B section ("Never have I wept into my tea," etc.) is exemplary of Rodgers' writing, and similar progressions can be found in songs such as "I Cain't Say No." In the intro verse, Laurey sings about what she does after a romance, to prove that she is not upset.
Debretts House of Commons and the Judicial Bench 1881 He entered Parliament for Argyllshire in 1878, a seat he held until 1885. A number of Campbell's constituents became disenchanted with him, adopting a parody of a traditional song about the Campbell family: "But their aim, and their claim, which are one and the same,/Are founded in falsehoods of sand, you know./The Campbells are cunning, oho, oho .."Quoted in Lucinda Hawksley (2013) The Mystery of Princess Louise: Queen Victoria's Rebellious Daughter One consequence of Campbell's unpopularity was that his brother, the Marquess of Lorne, Queen Victoria's son-in-law, who had previously been MP for Argyllshire and was seeking to return to politics after a spell as Governor-General of Canada, felt compelled to find a seat outside Scotland.
Right or Wrong is the third studio album by American country music artist George Strait, released on March, 1983 by MCA Records. Right or Wrong topped Billboard's (North America) Top Country albums chart, and peaked at #163 on the Billboard 200 albums chart. The singles "You Look So Good in Love" (which was Strait's first song to have a music video), "Right or Wrong" and "Let's Fall to Pieces Together" all topped the Hot Country Singles chart. There were three cover songs on the album: 1) "Right or Wrong", a traditional song dating back to the 1920s which was previously most associated with the Emmett Miller and Bob Wills versions; 2) the Hank Williams song "I'm Satisfied with You"; and 3) the Merle Haggard song, "Our Paths May Never Cross".
In 2000, the band were invited to perform at Denmark's prestigious Tønder Festival and the UK's Cambridge Folk Festival. In early 2001, Edinburgh-born Jon Bews, formerly of Bùrach, replaced Patterson on fiddle, and later that year Tyrone button box and whistle player Leo McCann was asked to join to expand the band's largely string-driven sound. McCann toured with the band for the first time on the Scottish Folk Festival tour of Germany in January 2002, where the band honed the material for their second album on Greentrax, 3 Ravens. Launched on their return visit to Cambridge Folk Festival in August 2002, the band's recording of the traditional song 'Billy Taylor' set to Polwart's tune attracted the attention of BBC Radio 2's Mike Harding and significant airplay boosted the band's profile considerably.
On the night of the final Rachel performed 7th in the running order, following Austria and preceding the United Kingdom. "Le chant de Mallory" was a distinctive song with unusual lyrics and the sound of a traditional song handed down through generations. As with all the 1964 entries, only an audio recording of Rachel's performance is known to survive as the video master of the contest is believed to have been lost in a fire at the Danish TV archive during the 1970s. Each national jury awarded 5-3-1 to their top three songs, and at the close "Le chant de Mallory" had picked up 14 points (5 from Monaco, 3 from Austria and Portugal, and 1 from Luxembourg, Spain and Yugoslavia), placing France joint 4th (with Luxembourg) of the 16 entries.
The poem was put to music when the poet met Luke Kelly of the well-known Irish band The Dubliners in a pub in Dublin called The Bailey. It was set to the music of the traditional song "The Dawning of the Day" (Fáinne Geal an Lae). An Irish-language song with this name (Fáinne Geal an Lae) was published by Edward Walsh (1805–1850) in 1847 in Irish Popular Songs, and later translated into English as The Dawning of the Day, published by Patrick Weston Joyce in 1873. Given the similarity in themes and the use of the phrase "dawning of the day" in both On Raglan Road and the traditional tune, it is quite likely that Kavanagh from the beginning imagined the pairing of verse and tune.
He described the title track, about a divorced woman moving on with her life, a "different than anything I've done in the past", while calling "Stones" the "most traditional" song, and noting the presence of "story songs" throughout. He also noted that the album was almost titled Stones, but was renamed in order to avoid confusion with his debut album Sticks and Stones. Erlewine wrote in Allmusic that Strong "ranks among his smoothest albums, a record dominated by ballads and where up- tempo songs are as polished as the slow ones." Peter Cooper of The Tennessean thought that the album had better-written songs than its predecessors, highlighting "Paint Me a Birmingham" and "Sawdust on Her Halo" in particular, but criticizing the application of Auto-Tune to Lawrence's singing voice.
That same year, Iyeoka made a cover of U2′s hit song "Desire" for a compilation of U2 covers called In The Name Of Love: Africa Celebrates U2. The album featured Grammy Award-winning/nominated African artists, including Angelique Kidjo, Les Nubians, Sierra Leone's Refugee All Stars, Vieux Farka Touré, Vusi Mahlasela and the Soweto Gospel Choir, with proceeds benefiting the Global Fund. In 2009, Iyeoka decided to transform her sound and songwriting approach and began working with producer David Franz (in collaboration with her original producer, Francis Phan) to create more traditional song forms. Iyeoka released two EPs that year: This Time Around and Run Into the Rain. The new music infused more pop, R&B;, dance, and hip hop into the mix, creating an “electronic soul” sound.
The album featured the traditional song "James Connolly" which Dempsey had become known for singing at recent protests to water charges introduced by the Irish government. Other songs on the album included one written for his great aunt Jennie Shanahan who fought in the 1916 rising along with a song to commemorate an ancestor of his friend, Love/Hate actor John Connors, who also fought in the rebellion. The album was initially only made available to buy at live concerts with a limited run of 2016 copies only being produced. No Force on Earth also includes a song about the 1967–1975 Wave Hill walk-off in Australia, when 200 Gurindji workers staged a walk-off and strike from Wave Hill cattle station for better working conditions and the return of their land.
In 1989, they went on a brief European tour and were cited Best Choir in the international festivals in Loreto, Italy and Nancy, France. A year later, Navarro took a 3-year leave due to the pressure of work from the University of the Philippines (UP), and the Asian Institute of Liturgy and Music (AILM). Eudenice Palaruan, Navarro's friend and replacement as the conductor, began North American and Guam concert tours, a national tour, and a concert with Lea Salonga in Manila. Navarro's determination to eschew the lure of European tilts and steer his group toward a niche in the recording arena paid off in 1996 when the GC snared a couple of Katha awards: for Best rendition of a Traditional song "Lagi kitang Naaalala" and for Best Traditional Music Album for "Lahi".
In addition to its literal English translation, it has also appeared as "Christ was born on Christmas Day" in two different translations by John Mason Neale in 1853 (who based his version on the 1582 Swedish song collection Piae Cantiones) and Elizabeth Poston in 1965. In Germany, the melody is used for the traditional song "Joseph, lieber Joseph mein" ("Joseph dearest, Joseph mine"), originally sung as a lullaby by the Virgin Mary in a 16th-century mystery play in Leipzig (and doubtfully credited to Johannes Galliculus).Joseph, lieber Joseph mein, Hymns and Carols of Christmas, accessed 27 November 2010 The Lutheran poet and composer Johann Walter wrote one of his finest motets using this song. Sir David Willcocks' arrangement in Carols for Choirs 2 titles the work "Resonemus laudibus".
Originally, it was as a session musician that Swarbrick was called in by Joe Boyd, the manager of rising folk rock group Fairport Convention, in 1969, to undertake some overdubs on the Richard Thompson-penned track "Cajun Woman". Fairport had decided to play a traditional song "A Sailor's Life", which Swarbrick had previously recorded with Carthy in 1969, and he was asked to contribute violin to the session. The result was an eleven-minute mini-epic that appeared on the 1969 album Unhalfbricking and which marked out a new direction for the band. Swarbrick as a member of Fairport Convention, appearing on the Dutch television show TopPop in 1972 Subsequently, Swarbrick was asked to join the group and was the first fiddler on the folk scene to electrify the violin.
She attended her pre-school at Tabika Perkep, Balai Polis Kampung Awah, Temerloh where she first showcased her early singing talent at the age of six when she sang "Sirih Pinang", a Malay traditional song, at her kindergarten's certificate-receiving event. She later attended primary school at Sekolah Rendah Kebangsaan Clifford and followed up her secondary education at Sekolah Menengah Kebangsaan Clifford, Kuala Lipis, Pahang. In 1991, when she was 12 years old, she won one of her earliest singing competitions, with the song "Bahtera Merdeka" at the Merdeka Day Singing Contest, a local patriotic song competition. During her schooling years, she was active in sports, especially in netball and this was evident when she participated in two different sports events – netball and 5x80 meter relay during the Fiesta Media Idola 2006 in Kuantan.
During 2003–2010 Wilson released a series of six two-track CD singles under his own name, each one featuring a cover version and an original Steven Wilson song (or in one case a Wilson arrangement of a traditional song). It featured songs by Canadian singer Alanis Morissette, Swedish pop group ABBA, UK rock band The Cure, Scottish songwriter Momus, Prince, and Scottish singer/songwriter Donovan. Separate from the Cover Versions series, Wilson has also contributed a cover version of the Cardiacs song "Stoneage Dinosaurs". The song was featured on Leader of the Starry Skies: A Tribute to Tim Smith, Songbook 1, which is a fundraising compilation album released in December 2010 to benefit the hospitalised Cardiacs leader Tim Smith, whom Wilson has cited as a major inspiration spiritually, if not necessarily in style.
Blake's early releases are fragmented electronic works influenced by UK dance and bass styles (such as 2-step and the stark dubstep of Burial and Digital Mystikz), as well as '90s trip hop and American R&B; artists such as Stevie Wonder, Sly Stone, and D'Angelo. On his acclaimed trio of 2010 EPs (The Bells Sketch, CMYK and Klavierwerke), Blake's own voice is obscured or processed in favor of vocal samples from '90s R&B;, prominent sub-bass frequencies, and minimal, jittery rhythms. During this period, Blake's work was tagged by journalists as "post-dubstep", alluding to his movement beyond the style's characteristics. By the time of his 2011 debut album, Blake's vocals and piano had become more prominent while traditional song structures became increasingly apparent, reflecting the influence of gospel, soul and ambient music.
Dave Cousins of the band Strawbs wrote his song "Josephine, for Better or for Worse" in honour of Josephine and Dominic Behan. This song has been recorded several times; the best-known version is on the album Dragonfly by Strawbs in 1970. Bob Dylan's 1963 song "With God on our Side" uses the melody and narrative framework of Behan's "The Patriot Game", as well as being influenced by its theme. The melody, as Behan admitted during a correspondence in The Guardian with Michael Grosvenor Myer, was actually derived and adapted from a version of the traditional song known as "The Nightingale", "The Grenadier and the Lady", "The Month of May", though had been significantly changed in both tempo and mood to serve the narrative of the song the Patriot Game.
Their first album was Raiz released in 1992, two of the singles were originally by other artists, "Codjeta" by Kaká Barbosa and "Nha Codé" by Pedro Cardoso, it was their only release on Lusafrica. Their second album was Barro e Voz in 1997 and features a traditional song "Nha Nobo", another song was "A Mar" ("The Sea"), later with the remix done by DJ Soul Slinger, the track appeared in the album Onda Sonora: Red Hot + Lisbon in 1998. One of the songs were in the 2000 album Cabo Verde en Serenata which features coladeira, morna and funaná traditional songs. One single "Valsa Azul" was released on September 26, 2000 as part of Unwired: Africa, a benefit compilation album, proceeds went to Amnesty International, another was "Tchapeu di padja" which is originated from a poem by Jorge Barbosa.
Recording sessions for the album began on October 7, 1968, with nine songs intended for the album being recorded during that month. Among these songs were "Nashville West", an instrumental written by Parsons and White during their tenure with the country rock group of the same name, and "Your Gentle Way of Loving Me", a song that Parsons and Gib Guilbeau had previously released as a single in 1967. Another song recorded during these sessions was McGuinn's "King Apathy III", a comment on political apathy and a championing of the rural idyll as an antidote to the excesses of the L.A. rock scene. The October recording sessions also saw the band attempting the traditional song "Old Blue", which McGuinn had originally learned from watching Bob Gibson and Bob Camp at Chicago's Gate of Horn club back in April 1961.
"Have Yourself a Merry Little Christmas" (Ralph Blane, Hugh Martin) features a downtempo, "jazz-like" solo piano performance by Chris Martin of Coldplay. Tracks exclusive to the album include Vanessa Carlton's piano-driven rendition of the traditional song "Greensleeves" as well as Bright Eyes' cover of "Blue Christmas" (Bill Hayes, Jay Johnson); others include Sense Field's version of John Lennon and Yoko Ono's "Happy Xmas (War Is Over)" and "What a Year for a New Year" by Dan Wilson, lead singer of the rock band Semisonic. Jimmy Eat World's "12/23/95", described by The Austin Chronicle Christopher Gray as "serious emo" and The New York Times Kelefa Sanneh as a "gentle ballad of apology", previously appeared on the band's 1999 album Clarity. The song title and date refer to Little Christmas Eve, the traditional day on which Norwegians decorate Christmas trees.
Bushmen representatives argued that Skotnes could not speak about or for people she "did not understand" and while some consultative protocols were followed with "official groups that were just forming", the general consensus was that these were inadequate. After Miscast there have been various exhibitions at the South African Museum and South African National Gallery with a general focus on Bushmen rock art and paintings. One of the exhibitions ended with a Bushman healing ceremony that included the lighting of a sacred peace pipe and traditional song and dance. These exhibitions also utilised strategies such as quotes from Bushmen individuals and a replica cave with its interior coated by a giant photograph of a real cave to "allow the viewer to experience something approximating what the Bushmen might have felt originally" and as an answer to the deficiencies of past Bushmen displays.
When Columbia Records took over the band's contract and re-released the album, they included "Coo Coo" and "The Last Time", and put "featuring Janis Joplin" on the cover. The debut album spawned four minor hits with the singles "Down on Me", a traditional song arranged by Joplin, "Bye Bye Baby", "Call On Me" and "Coo Coo", on all of which Joplin sang lead vocals. Two songs from the second of Big Brother's two sets at Monterey, which they played on Sunday, were filmed (their first set, which was on Saturday, was not filmed, though it was audio-recorded). Some sources, including a Joplin biography by Ellis Amburn, claim that she was dressed in thrift store hippie clothes or second- hand Victorian clothes during the band's Saturday set, but still photographs do not appear to have survived.
For the JBR album Steven recorded the traditional song The North Country Maid with session singer Rachel Davies, a song he would revisit on the debut album in an alternative version. While recording the debut Owl Service album later that year two female singers (Jo Lepine and Diana Collier) joined the band on a permanent basis. The debut album, A Garland of Song, was released on Collins' own Hobby-Horse micro-label in July 2007 as a handmade CD-r limited to 100 copies. Collins arranged, recorded and mixed the album himself at home, also providing almost all of the instrumentation - this model was how the collective operated until its demise; Collins selecting and arranging the songs, recording everything at home, and then bringing in singers and, on rare occasions, extra instrumental players to complete the tracks.
Child labour is pervasive across many ASM contexts, and integrated approaches are needed to target its root causes. Due to its hazardous nature to children's safety, health (physical and mental) and moral development, mining is considered one of the "worst forms" of child labour as defined by the ILO. There are at least one million child miners across the world, although the number is probably much higher due to the difficulty of collecting data. Pact's Watoto Inje ya Mungoti (Children out of Mining) project in the Democratic Republic of Congo has helped to achieve a more than 90% reduction in child labor at targeted mines, using novel approaches including various community governance committees, awareness- raising and positive parenting skills training, peer exchanges, traditional song and dance, sport, children's interactive forums and traditional signage and radio media strategies.
Johnny Cash made one of the most notable covers of "Ain't No Grave" in 2003, released on a posthumous album in 2010 Many notable artists have performed the song. The slower, black gospel melody was used by Tharpe into the 1960s, and covered by folksinger Rolf Cahn, and gospel artist Liz McComb. In 1967, the song was featured in the film Cool Hand Luke while Luke (Paul Newman) is digging a grave, performed by Harry Dean Stanton. The lines "Meet me, Jesus, meet me / Won't you meet me in the middle of the air / And if my wings should fail me, Lord / Won't you provide me with another pair" in some recorded versions (including the one by Johnny Cash) are shared with some recorded versions of the traditional song "In My Time of Dying" (including those by Bob Dylan and by Led Zeppelin).
Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the cantes de ida y vuelta. Flamenco developed into its definitive form during its Golden Age (1869-1910). Beginning in 1910, cante flamenco was popularized by the opera flamenca which included the lighter forms of flamenco such as fandangos and cantes de ida y vuelta. In order to preserve the "authentic" cante jondo (deep song), Manuel de Falla and Federico García Lorca, organized the Concurso de Cante Jondo in Granada in 1922.
It was originally slated to appear on Dylan's second album (and later appeared on test pressings made for a preliminary version of the LP), but when Dylan reconfigured The Freewheelin' Bob Dylan, he omitted "Rocks And Gravel" from the final album sequence. The remaining songs on Live at The Gaslight 1962 show off the young Dylan’s already-broad knowledge of traditional folk songs. These include, among others, “The Cuckoo”, which was recorded as early as the 1920’s by western North Carolina banjo musician Clarence Ashley; “Moonshiner”, a traditional song that had also been performed by Irish folksters The Clancy Brothers (playing together with Pete Seeger) as well as by Appalachian folk singer Roscoe Holcomb; and “Barbara Allen” LINK, described by music historian Dave Marsh as “the most widespread folk song in the English language.”Wilentz, S., & Marcus, G., Editors (2005).
Lyrically, whereas the other band formed from The Broadways' break- up, The Lawrence Arms, favour more introspective lyrics, Dan Hanaway's lyrics for The Honor System retain his socio-political perspective: covering issues including, but not limited to, police corruption ("Nails", "The Blaming Game"), criticism of the media ("The Blaming Game", "Losing Connection", "Hz"), anti-capitalism/corporatism ("Fool's Gold", "Muffled By Concrete", "Replacement Parts", "Moving Day"), the encroachment of development over the natural environment and human life ("Muffled by Concrete", "Conquistadors"), war ("Clockwork"), prisons and the prison-industrial complex ("The Rise and Run"), etc. Musically, the band built upon The Broadways' melodic punk rock, dual guitars, and non-traditional song structures – incorporating better production, more developed instrumentation, and an increasingly heavy sound, the latter particularly after McGuire's replacement by Wiseman. Hanaway's vocals show a continued evolution from their rougher sound on his earlier works.
The anthem was given official status by the Isle of Man's legislature, Tynwald, on 22 January 2003, with God Save the Queen being designated as the Royal Anthem. The National Anthem is used on official and ceremonial occasions and in schools; the Royal Anthem is normally reserved for use additionally on those occasions when the Sovereign, members of the Royal Family, or the Lieutenant Governor are present. The traditional song "" ("Isle of Man") had up to that point vied to be an equal unofficial national anthem, and had been re-popularized by a 1997 Bee Gees recording of it released as a single. In March 2015, the anthem was mistakenly played instead of the national anthem of El Salvador at a friendly football match between El Salvador and Argentina at FedExField in Landover, Maryland, United States.
"'" (Italian, "Song of the Verbena"), officially "'" ("And while Siena sleeps") and also known simply as "la Verbena", is a traditional song from the city of Siena, Italy. Its common title and lyrics refer to the verbena plant, which, according to local folklore, grew within the Piazza del Campo thanks to the presence of the Bottini di Siena, a series of underground tunnels used to provision the city with water in the mediaeval period. Today, "la Verbena" has become a hymn to the city of Siena, and is popularly sung at sporting events like those of the Palio di Siena and of the local Robur Siena football club. On 12–13 March 2020, a viral tweet circulated that showed a video of residents, who were under generalised quarantine due to the COVID-19 pandemic, singing "la Verbena" together from their windows.
"'" (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days. The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; but no original source or date has been confirmed for the simple melody or the poetic text. The tune is often called "'Sicilian Mariners Hymn" or similar titles, referring to the seafarers' nightly invocation of Mary as their maternal protector: The editor identified the article's author in his obituary: Our Lady, Star of the Sea. The tune has been notably reused for the German Christmas carol "O du fröhliche" (O, how joyful), the English recessional hymn "Lord, Dismiss Us With Thy Blessing", and the first half of the American civil rights anthem "We Shall Overcome".
Although the festival only takes place once a year, the magnificent floats are on display year-round at the Gion Festival Float Museum in Kuma Town, Hita City. # Yoshihiro Gaku Traditional Performing Art: Dance performed along with traditional song and music in Musashi Town in Kunisaki Peninsula # Manufacturing Process of Sulfur "Flowers" at Myoban Hot Spring: Thatched huts at Myoban Hot Spring are used to produce yu-no-hana or sulfur “flowers” which are crystals that develop naturally on the ground around the springs. The manufacturing and collection process of the sulfur flowers has remained largely unchanged since the Edo period and thus the manufacturing process itself is designated as an ethno-cultural asset. The crystals are used as the main component of bath salts sold in Myoban, which are a popular souvenir that is used to help heal skin conditions.
In a 1934 article, Anne Geddes Gilchrist suggested that the performer whose tune Ross heard, played the song with extreme rubato, causing Ross to mistake the time signature of the piece for common time (4/4) rather than 3/4. Gilchrist asserted that adjusting the rhythm of the piece as she proposed produced a tune more typical of Irish folk music. In 1974, Hugh Shields found a long-forgotten traditional song which was very similar to Gilchrist's modified version of the melody. The song, "Aislean an Oigfear" (recte "Aisling an Óigfhir", "The Young Man's Dream"), had been transcribed by Edward Bunting in 1792 based on a performance by harper Donnchadh Ó Hámsaigh (Denis Hempson) at the Belfast Harp Festival, and the tune would later become well known far outside of Ireland as The Last Rose of Summer.
Starting in the 19th century, academics and amateur scholars, taking note of the musical traditions being lost, initiated various efforts to preserve the music of the people. One such effort was the collection by Francis James Child in the late 19th century of the texts of over three hundred ballads in the English and Scots traditions (called the Child Ballads), some of which predated the 16th century. Contemporaneously with Child, the Reverend Sabine Baring-Gould and later Cecil Sharp worked to preserve a great body of English rural traditional song, music and dance, under the aegis of what became and remains the English Folk Dance and Song Society (EFDSS). Sharp campaigned with some success to have English traditional songs (in his own heavily edited and expurgated versions) to be taught to school children in hopes of reviving and prolonging the popularity of those songs.
However, this idea was discarded and ultimately the song "Ballad of Easy Rider" gave the new Byrds' album its title. The B-side of the Byrds' single was the traditional song "Oil in My Lamp", although there are copies of the single known to exist with the Goffin-King song "Wasn't Born to Follow" on the B-side instead. The Byrds' recording of "Wasn't Born to Follow" first appeared on their 1968 album, The Notorious Byrd Brothers, but since it had been featured prominently in Easy Rider, Columbia Records saw fit to include the song on some copies of "Ballad of Easy Rider". CBS Records in the United Kingdom went a step further by reissuing "Wasn't Born to Follow" as the A-side of a single in September 1969, in the hopes that it might provide the Byrds with a fluke hit (although it failed to chart).
One year later the album Os Filhos da nação was edited by Polygram, reached the gold record and took the band to stages from the North to the South of Portugal that year and the following one during two tours with more than 100 concerts. This album includes hits like "Os Filhos da nação", Senhora Maria do Olival or Aljubarrota (released the first time on Sem Rumo), Quando eu era pequenino, which is a both Portuguese and Brazilian traditional song . In 2003, FC Porto staff (as both players and technical staff, including the former FC Porto coach José Mourinho) recorded the song "Filhos do Dragão", which is the Quinta do Bill's hit "Filhos da Nação" with adapted lyrics, and became a major hit among the team supporters . Middle way, they were the support band of Bryan Adams' concert in José Alvalade Stadium, with enthusiastic encore request from the crowd.
He also described how Herbert Hughes collected the tune and then he, Colum, had kept the last verse of a traditional song and written a couple of verses to fit the music.Irish Times, 22 April 1970 One verse was not included in the first publication: Colum soon realised that he had not put in the poem the fact that the woman had died before the marriage, and so he wrote the verse that begins: "The people were saying, that no two were e'er wed, but one had a sorrow that never was said ..." and sent it on to Hughes, too late for publication in that particular collection. This extra verse was published in other collections, along with the other three verses. The lyrics were also published in Colum's collection Wild Earth: And Other Poems (1916), though the traditional origin of the final verse is not mentioned there.
According to Joseph Murrell's The Book of Golden Discs (1978), "Mungomania" was possibly the most startling and unpredictable pop phenomenon to hit Britain since The Beatles. Mungo Jerry made their first trip to the United States in September 1970. On their return Mike Cole was fired and replaced by John Godfrey, who played bass on their second UK maxi- single, "Baby Jump", which also topped the UK chart in March 1971. The third UK single, another maxi, "Lady Rose", also in 1971, was also set to become another UK No. 1, but the record was temporarily withdrawn from sale and all existing copies were destroyed, as ordered by the Public Prosecutor's Office after complaints about the inclusion of the traditional song "Have A Whiff on Me", to which Dorset had added some of his own lyrics, on the grounds that it advocated the use of cocaine.
The song is about an exile from Aird Uí Chumhaing who looks across at his native coastline from the Mull of Kintre in Scotland and dreams of finding a boat that will carry him back to his childhood home, where he longs to live out the rest of his days. The sixth track is another medley of reels: "Paddy's Return" learned from the Tulla Céilí Band, "Willy Coleman's", written by Willy Coleman who came from County Sligo, and "Up in the Air", written by Burke and Ó Domhnaill. The seventh track also consists of three reels: "Lucy's Fling" was written by Lucy Farr, "S'iomadh Rud A Chunnaic Mi", a piece of mouth music in Scottish Gaelic, was learned from Finlay MacNeill, and "Some Say the Devil is Dead", a traditional tune. "Is Fada Liom Uaim Í" is another traditional song that Ó Domhnaill learned from his aunt Neilí.
Harold DeMuir wrote for "Trouser Press Record Guide, 4th Ed." that "The full-length 'Cataract' resonates with rueful Americana on such tracks as 'Whiskey XXX', "Hell's Soup Kitchen" and 'Long Black Veil' (not the traditional song), marking The Walkabouts as a distinctive band with loads of potential.". In The Walkabouts entry of "The Trouser Press Guide to 90's Rock: The All-New Fifth Edition of The Trouser Press Record Guide" Scott Schinder wrote "Cataract and the six-song Rag & Bone (combined as Rag & Bone Plus Cataract, a single CD bearing the EP's original artwork) are more distinctive, mining a richly shadowy strain of Americana.". In a review for the Backlash magazine Ransom Edison wrote "... Compared to The Walkabouts' debut album, last year's 'See Beautiful Rattlesnake Gardens,' 'Cataract' is a more refined and consistent effort, pushing the folk influence even further yet exploring a greater variety of musical approaches. ...".
Lucio Battisti, the young author of music, still without his distinctive thick curly hair in a 1967 photo The song's composition probably dates back to the beginning of autumn of 1966. The song had a long gestation, and remained incomplete for a long time before it was finished. According to the testimony of musicologist Salvatore Galeazzo Biamonte, the song was composed with the precise will to overcome the classical schemes of the traditional song: At the time, Battisti still had to discover his own talent as a singer, and he was not fully affirmed even as a song author; for this reason, the song remained for some time within a repertoire that Battisti presented to bands and singers, looking for someone who would sing them. At first, during 1966, Battisti and Mogol proposed the song to Gianni Pettenati, but he was not entirely convinced and therefore refused to sing it.
Harte felt that the traditional singer, unlike the latter type of vocalist, had absolutely no responsibility to entertain or please the crowd that might be listening, because the singer's real purpose is simply to perform the song, the act of the performance being a justification in itself. He appeared at many American festivals including The Blarney Star in New York, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and Irish Fest in Milwaukee and for seventeen years he was a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins in the Appalachian mountains of West Virginia where he often performed with Mick Moloney. He was also in demand as a teacher and gave many talks about traditional song including a lecture entitled "My name is Napoleon Bonaparte – the significance of Napoleon Bonaparte in the Irish Song Tradition" at the Willy Clancy Summer school on 12 July 2001.
Es verjüngt sich nach unten for right hand piano solo (1983) is based on the relationship between tempo and density. In Lex inertiae no.2 for solo viola (1989), the left hand has little to do while the right hand concentrates on various techniques. De lussen van Favery (1990) is Hoenderdos’ response to poetry by Hans Favery that he specifically asked her to set to music. Instead of creating a traditional song cycle to Favery’s words, she created a woodwind quintet, framed as nine short movements. Maart ‘98 (1998), for string quartet, relies heavily on uncoordinated glissandi of varying speeds, leaving the ear unsure whether a subtly coloured and delicate twine is taking form or steadily unravelling. Juli ‘06 (2006), scored for unaccompanied soprano voice, is inspired by a poem written by Hoenderdos’ partner Bas Geerts, in reaction to rhetoric from the White House, specifically President George Bush’s 2003 State of the Union speech. It incorporates a mix of languages and is challenging to perform.
This album marks a change in guitar tuning for the second time, now using C# standard on a majority of the tracks (drop B tuning being used on Ruin) and an alternate tuning similar to C# standard, but with the low C# tuned to G#. This tuning is featured on the tracks Early Grave and Borrowed Time. Also, they use a 7 string baritone (ESP LTD SC-607B Stephen Carpenter Signature) on the track Dead March, which is tuned to drop A. Stylistically, the band considered Hollow Crown as a natural progression from its predecessor. Hollow Crown album displays a significant increase in clean vocals from Sam Carter, as well as a change in his harsh vocals, from the lower register on Ruin to more high-pitched screams. Also in this album, there is a further departure from the band's mathcore roots, utilising more traditional song structures, simplified riffs and more melodic musicianship, as well as a fair usage of keyboards and drum programming.
If their nomination is approved, they become a squire at a ceremony near the beginning of their week of camp. During the week, they must complete a work vigil, and an overnight vigil which consists of sleeping out alone one night in the woods, and also learning the words to "Hail Tamaracouta", a traditional song among other tasks. Squires are easily recognized by the purple ring of indelible mystery ink (referred to as squire juice) painted on the face in a circle passing between the eyes and the hairline, between ears and eyes, and circling through the uppermost part of the chin. Squires must present themselves for "ringing" each morning at a very specific time; being late one day earns the squire a purple dot on the nose and two days earns them a purple chinstrap followed by one of many other decorations such as a second inner ring, a fully purple nose or any design of the ringer's discretion.
Lacking any country songs of his own, McGuinn delved into his pre-Byrds folk song repertoire instead, contributing Woody Guthrie's "Pretty Boy Floyd", a romanticized portrayal of the real-life folk hero and outlaw. The March 12, 1968 recording session that produced "Pretty Boy Floyd" saw McGuinn attempting to play the song's banjo accompaniment, but feeling dissatisfied with his efforts he finally ceded the part to session player John Hartford. The Byrds also recorded a Kelley original, "All I Have Are Memories", Tim Hardin's "You Got a Reputation", and the traditional song, "Pretty Polly", but none of these songs were selected for the final Sweetheart of the Rodeo album. Parsons also brought three of his songs to the recording sessions: "Lazy Days", "One Hundred Years from Now" and "Hickory Wind", the latter of which had been written by Parsons and former International Submarine Band member, Bob Buchanan, during an early 1968 train ride from Florida to Los Angeles.
Examples include Bob Dylan's "Masters of War" (which contains the lines "I hope that you die / And your death'll come soon") and "What's Going On" by Marvin Gaye. Ron Eyerman and Andrew Jamison, in Music and Social Movements: Mobilizing Tradition in the Twentieth Century (1998), take issue with what they consider Denisoff's reductive approach to the history and function of song (and particularly traditional song) in social movements. They point out that Denisoff had paid little attention to the song tunes of protest music, considered them strictly subordinate to the texts, a means to the message. It is true that in the highly text-oriented western European song tradition, tunes can be subordinate, interchangeable, and even limited in number (as in Portuguese fado, which only has 64 tunes), nevertheless, Eyerman and Jamison point out that some of the most effective protest songs gain power through their appropriation of tunes that are bearers of strong cultural traditions.
"She Moves Through the Fair" is a traditional Irish song, the melody of which had been used by Simple Minds for "Belfast Child" in 1989. "Women of Ireland", although credited as a traditional song, is not: the main theme is a melody written by Irish composer Seán Ó Riada as a musical setting of the poem "Mná na hÉireann", written by Peadar Ó Doirnín; Oldfield's rendition also includes an interpolation of the fourth movement (Sarabande) of George Frideric Handel's Keyboard suite in D minor, popularised by its use by Stanley Kubrick in his 1975 film Barry Lyndon, where Ó Riada's tune also appears (Oldfield's "Women of Ireland" was reportedly inspired by the coupling of both pieces in the film). "Dark Island" is a Scottish instrumental and song; the original music was written by Iain Maclachlan as Dr. Mackay's Farewell to Creagorry in 1958. Later used as the theme to a 1962 BBC TV series and re-titled for the series.
Mausoleum of Petar II Petrović-Njegoš, in Lovćen An official flag of Montenegro, based on the royal standard of King Nicholas I, was adopted on 12 July 2004 by the Montenegrin legislature. This royal flag was red with a silver border, a silver coat of arms, and the initials НІ, in Cyrillic script (corresponding to NI in Latin script), representing King Nicholas I. On the current flag, the border and arms are in gold and the royal cipher in the centre of the arms has been replaced with a golden lion. The national day of 13 July marks the date in 1878 when the Congress of Berlin recognized Montenegro as the 27th independent state in the world and the start of one of the first popular uprisings in Europe against the Axis Powers on 13 July 1941 in Montenegro. In 2004, the Montenegrin legislature selected a popular Montenegrin traditional song, "Oh, Bright Dawn of May", as the national anthem.
This is a dedicated recording of fiddle pibroch. It includes: bagpipe pibroch "MacDougall's Gathering – Cruinneachaidh MacDhughail" on viola with cello and bronze age trumpet drones; bagpipe pibroch "MaGrigor's Search" as a medley of pibroch and song theme variants with Allan MacDonald dueting on bagpipes; harp and fiddle pibrochs "Lament for the Bishop of Argyll – Cumha Easbuig Earraghaidheal", and "Lament for the Earl of Wigton – Cumha larla Wigton" arranged as a baroque flute duet with Chris Norman; fiddle pibrochs "Bodaich nam Briogais – The Carles with the Breekes" and "Marsail Lochinalie"; 19th-century pibroch "Dargai" with Alan Jackson dueting on gut-strung harp; new Rideout fiddle pibroch composition "The Selchie" and traditional song "Ion-do, ion-da" arranged for cello with Allan MacDonald singing canntaireachd on both. Rideout performs the early harp and fiddle pibroch "The Battle of Harlaw" and the related bagpipe pibroch "The Battle of the Birds" on the John Purser produced album Harlaw 1411–2011.
A brief extract was performed by the Beatles in a joking manner during their Get Back sessions, in early 1969, at a point in the proceedings when they were warming up in the studio by playing old rock and roll and skiffle songs that they had known and played in their teenage years. They adopt heavy scouse accents for the performance. Though the performance was obviously tongue-in-cheek, a truncated version of it was included on the 1970 album drawn from those sessions, Let It Be, appearing as the last track on the LP's first side, immediately after the title song. The version they performed was spelled "Maggie Mae" on the track listing and all four Beatles were credited as arrangers of the traditional song, thus allowing them to collect the writers' share of the publishing income for this public domain song. At 39 seconds long, it is the second-shortest song released on an official Beatles album (the shortest being "Her Majesty", at 23 seconds).
After the Nikah is complete, the bride and groom enter the wedding hall and the traditional song "Ahesta Boro", which literally translates to "Walk Slowly" in Persian, is played. After food is served, there are a number of traditions that take place, one of which is known as "Aina mosaf" where the bride and groom are covered with a decorative shawl under which they are given a passage to read from the Quran together followed by a decorated mirror to view themselves for the first time as a married couple. In the past decades, this would have been the first time that the bride and groom would have seen each other's faces due to their marriage having been arranged. The shawl is then lifted and the bride and groom feed each other “Maaleda” also spelled "Malida", an Afghan dessert made from bread crumbs, followed by intertwining their arms and offering each other a sip of a beverage, usually the juice of a fruit.
Three additional songs were recorded by Newton-John, but were discarded during the album creation process: "The Biggest Clown", "It's So Hard to Say Goodbye" and "Would You Follow Me". The first was released on "If Not for You" single, the second was released on the "Love Song" promo single and later on the 48 Original Tracks compilation album and the third was released on some pressings of "Banks of the Ohio" single and also on 48 Original Tracks. The album features covers of Kris Kristofferson ("Me and Bobby McGee" and "Help Me Make It Through the Night"), Bread ("If"), The Band ("In a Station"), Lesley Duncan ("Love Song" and "Lullaby"), Bob Dylan ("If Not for You"), Brotherhood of Man ("Where Are You Going to My Love"), Gordon Lightfoot ("If You Could Read My Mind") and Tom Rush ("No Regrets"). "Banks of the Ohio" is a traditional song that had an arrangement made by Farrar and Welch.
" Benjamin Bland from Drowned in Sound said, "In a not dissimilar fashion to 2014's collaboration with Sunn O))), ATGCLVLSSCAP unhurriedly glides through its run time (a breezy seventy-nine minutes) without ever feeling ponderous. Building up so many layers of gorgeous sound over its initial hour that its transformation into more traditional song craft near its conclusion feels more like the beginning than the end. Despite its hefty length, then, ATGCLVLSSCAP works as a triumphant departure from the confines of the temporal." Jedd Beaudoin of PopMatters said, "Ulver creates its own world with this album, exists on its own terms and asks us to consider embracing something that is outside the norm but well within the human experience and worth the journey of transformation it takes us on. Ulver has once more created a record that will live far beyond this time and will be spoken of in the most reverent of tones and that’s as it should be.
The album blended psychedelic and folk rock influences and was marked by the haunting, eerie ambiance of the band's music, which itself was often inspired by the literary works of horror writer H. P. Lovecraft, after whom the band had named themselves. Although most of the album comprises interpretations of traditional and contemporary folk songs, it also features the self-penned compositions "That's How Much I Love You, Baby (More or Less)", "The Time Machine", and arguably the band's best known song, "The White Ship". The traditional song "Wayfaring Stranger" was released as a single just ahead of the album in September 1967 and "The White Ship" was issued shortly after the album appeared, although neither single reached the charts. Like its attendant singles, H. P. Lovecraft was also somewhat commercially unsuccessful and failed to reach the Billboard Top LPs chart or the UK Albums Chart, although it did sell reasonably well over time.
Her repertoire covers everything from Burns to ballads to the best of contemporary songwriting, drawing from the rich Scottish tradition passed from musician to musician through the ages. She has toured in Europe, North America, Africa and the Far East and her solo albums, Kerelaw, Clearsong, Strong Women and Hamely Fare have gained international acclaim. A passionate and articulate advocate for traditional music, she has played a leading role in the fight for recognition, status and improved funding for Scotland's traditional arts. "..she can lay fair claim to being chiefly responsible for the seriousness with which her branch of the arts is now taken ..." The Herald (Glasgow) Honours bestowed on her for her work include Doctorates from the Universities of St Andrews (2000) and Dundee (2006)) and the Royal Scottish Academy of Music & Drama (2007), The Heritage Society of Scotland's award for her outstanding contribution to Scotland's culture, the UK-wide Association of Speakers Clubs Speaker of the Year 2001 and the coveted Herald Archangel for her Edinburgh International Festival's series of traditional song programmes "Work, Sex and Drink".
For a period in the 1960s and 1970s, the song's uncompromising lyrics were appreciated for their directness and militancy by many young people radicalized by the student rebellions of 1968, and the song was often sung at folk music societies. In particular, a 1970 recording by Steeleye Span became very popular. The album's sleeve notes read: :It is strange that a song as powerful and as singable as this should be so rare, yet it has only once been collected, from a man in Bishop Auckland, County Durham, in 1949. Seghill and Seaton Delaval (presumably the Delaval mentioned in the song) are adjacent mining villages about six miles north of Newcastle upon Tyne, but it is difficult to date the song due to the innumerable mining strikes which have occurred. It is, however, interesting as much as it illustrates the violent hatred felt by the “union” men towards the blacklegs. Ashley Hutchings: “This is the most modern traditional song on the album, possibly dating from the early part of the 20th Century, and is sometimes sung by singers from Northumberland.
They recorded their debut full-length album, Where the Light Gets In with Primal Scream/House of Love producer Pat Collier. Released in May 2008, the album retained Sennen's exhilarating sound but applied it to a more traditional song-based format, and the result was a record met with universal approval - "A piece of work that is most succinctly and accurately described as beautiful". Soon followed nationwide shows, festivals, and live radio sessions, and in October 2008 the band set off on a tour of Europe's major cities with dEUS. Starting to reach a new audience in Europe, Japan and Taiwan, Sennen spent their time writing and recording the album, Age of Denial. During recording (December 2009 - again with Pat Collier), the Destroy Us EP was released and further critical acclaim ensued - as XFM’s X-Posure’s Hot One and The Sunday Times hottest download. Sennen's cover version of New Order’s "Bizarre Love Triangle" picked up radio play and was used in the US TV drama One Tree Hill.
Seeger's father was musicologist Charles Seeger Together with MacColl, Seeger founded The Critics Group, a "master class" for young singers performing traditional songs or to compose new songs using traditional song structures (or, as MacColl called them, "the techniques of folk creation"). The Critics Group evolved into a performance ensemble seeking to perform satirical songs in a mixture of theatre, comedy and song, which eventually created a series of annual productions called "The Festival of Fools" (named for a traditional British Isles event in which greater freedom of expression was allowed for the subjects of the king than was permitted during most of the year). Seeger and MacColl performed and recorded as a duo and as solo artists; MacColl wrote "The First Time Ever I Saw Your Face" in Seeger's honour (and did so during a long-distance phone call between the two, while Seeger was performing in America and MacColl was barred from traveling to the US with her due to his radical political views). None of the couple's numerous albums use any electric or electronic instrumentation.
As a whole, the band cite that they are influenced by many artists from a diverse range of genres, including Radiohead, Queens of the Stone Age, Daft Punk, Aphex Twin, The Smiths, The Mars Volta, At The Drive-In, Incubus, Prince, The Drones, Silverchair, Jack White, Jimi Hendrix, Grizzly Bear, Dinosaur Jr, Battles, Joy Division, Elliott Smith, Jeff Buckley, David Bowie, Talking Heads, Tom Waits, Pavement, The Reels, Roxy Music, Air, Vangelis, and Sergei Prokofiev.Thomas Rawle (Papa vs Pretty member) Papa vs Pretty's musical style and sound has drawn wide-ranging comparisons to many different artists and genres throughout its evolution. Evolving dramatically since their conception, their earlier musical output has been described as much more experimental, indie and electronic sounding, applying a "deconstructuralist ethic... to traditional song structures," and creating "impulsive and spontaneous compositions". Their second EP, Papa Vs. Pretty, evoked comparisons to early Muse, Coldplay, Nine Inch Nails and R.E.M., and Silverchair. 2010's Heavy Harm EP saw the band shift towards a more guitar- focused and raw stripped-back melody-centric approach, described as "frantic guitar rock", with a grunge and classic rock inspired sound mixed with elements of Okkervil River style folk rock.
On Adelphi Has to Fly, which is produced by Stu Hanna from Megson, Lucy Ward is accompanied by Sam Pegg, Belinda O'Hooley and Heidi Tidow from O'Hooley & Tidow and by Debbie and Stu Hanna. The songs on the album include: "Stitch in Time" by Mike Waterson; "Maids When You're Young", a traditional song which was popularised by The Dubliners; Child ballad "The Two Sisters"; and "Death (Rock Me to Sleep)", based on a poem said to have been written by Anne Boleyn,Sources differ on whether George or Anne Boleyn wrote "O Death Rock Me Asleep" but the consensus is that Anne wrote it – see Fatal conspiracies: O Death Rock Me Asleep (Me and Mine website about the life and times of Anne Boleyn). set to a tune by Lucy Ward. "Alice in the Bacon Box", a song written by Ward in the style of a traditional folk song, tells the story of Derbyshire hermit Alice Grace (1867–1927) from Little Eaton who, on being evicted from her cottage, lived in a box previously used for storing bacon, which had been given to her by the local butcher.
The two had met in early 1980, with an initial live performance together in May 1982 under the name Six Hip Princes,According to Sudden, "A local music paper reviewed the show and wrote, 'There were only four of them, they weren't hip and they certainly weren't princes...' Well, some people are hard to please." but it was not until 1984, after Sudden had already issued two solo releases, that the duo adopted the name Jacobites (after the rebel movement to restore the Stuart line to the British thrones) and completed the lineup by adding Nikki's brother Epic Soundtracks, also formerly of the Swell Maps, and bassist Mark Lemon. The Jacobites were a more traditional, song-oriented outfit than the Swell Maps had been. Sudden and Kusworth were both strongly influenced by The Faces, Bob Dylan, glam rock, and, most vitally, The Rolling Stones. Band- member Sudden called the Stones "the best band there has ever been" and was working on a Ronnie Wood bio at the time of his death, combined with their velvet-and-scarves style of dressing and their girls-and-drugs style of living, made for a natural comparison with Mick Jagger and Keith Richards.
Guest star Aisha Tyler appears in this episode as the mother of Jake Puckerman. Recurring guest stars include Kurt's father Burt Hummel (O'Malley), Will's ex-wife Terri Schuester (Gilsig), former glee club member Rory Flanagan (McGinty), football coach Shannon Beiste (Jones), glee club members Joe Hart (Samuel Larsen), Marley Rose (Benoist), Jake Puckerman (Artist), Kitty Wilde (Becca Tobin) and Ryder Lynn (Blake Jenner), cheerleader Becky Jackson (Potter), Puck's mother (Gina Hecht) and Marley's mother, whose first name is revealed to be Millie in this episode (Trisha Rae Stahl). This episode includes six songs, all of which were released on the soundtrack album Glee: The Music, The Christmas Album, Volume 3 on December 11, 2012. The songs are José Feliciano's "Feliz Navidad" performed by McHale, the Irving Berlin classic "White Christmas" performed by Criss and Colfer, the traditional song "Hanukkah, Oh Hanukkah" performed by Artist and Salling, Bobby Helms' "Jingle Bell Rock" performed by Overstreet, the traditional carol "The First Noël" performed by Benoist, and "Have Yourself a Merry Little Christmas", originally from the MGM film Meet Me in St. Louis, performed by Benoist, Salling, Artist, Overstreet, Morris, Criss, Colfer, and the glee club members.

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