"I didn't want these girls… who had big bosoms," he explains.
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Talking about foam-rubber bosoms brings it right up, as far as I'm concerned.
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During the slave trade our babies were snatched and sold from our very bosoms.
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"A mind-blank moment for me was when I got really big bosoms," Katherine says.
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It's actually boyish in nature at time when women had large bosoms and hourglass figures.
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Bosoms briefly enjoyed a renaissance after the collapse of the last imperial dynasty in 1911.
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Even as bosoms heave, you are aware of an icy intelligence making them do so.
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Critics sneer that they're all heaving bosoms and throbbing manhoods, unrealistic, poorly written and politically incorrect.
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She had a fabulous figure, fabulous waist and big bosoms, and she looked good in her clothes.
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Vicki KoestlerAlexandria, Va. Let us seek out some desolate shade and there Weep our sad bosoms empty.
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The new Tomb Raider movie may not rest its appeal on Lara's bosoms like so many others have.
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Bosoms were often bound (though not as savagely as feet, a bone-crushing practice intended to enhance the female form).
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These houses are kept close to the bosoms of multigenerational families and come on the market only once in a while.
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In the eveningswe walk through the old neighborhoods,past the frayed houses where magnoliascollapse their heavy bosoms againsteach roof's pitched elbows.
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But even among overweight women with small breasts and normal-weight women with large bosoms, the relationship to exercise was unchanged.
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Schoolteachers heard the boys giggling at the sweat shine of their bosoms; young roller-skaters found themselves stuck in softening asphalt.
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For hundreds of years, women have been pinning, binding, and attempting to lift up their bosoms in an attempt to look their best.
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Well, the VR thing — if you really want to buy stock in something, those kind of weird foam rubber bosoms that — Okay, all right.
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They hugged me and my jeep driver and pinned French tricolors on us and left us exhausted, with our bosoms covered with emblems and ribbons.
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Anticorruption and clean government are the people's heartfelt wish, The party's work style, the government's work style, society's work style, and clean air fill our bosoms.
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What kept me going, I suspect, were the sex scenes — all those heaving bosoms — that appeared every 25 pages or so, as reliable as mail delivery.
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The museum had closed an hour before, allowing Mr. Schreiber private communion with the heaving bosoms and coy smiles, the swathes of silk and froths of lace.
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" Day said she's thrilled to have grown up at a time when grandmothers were "a little chubby, had ample bosoms, smelled like Jergens lotion and were comfy to snuggle with.
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"[I] fought my way going to school and coming back," she explains in Jimmy McDonough's Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film.
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As Rey continues to follow Luke around the island, we see a giant creature standing upright with what appear to be very large testicles but are actually bosoms (or udders).
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On top of tits being the star of the comic, the main characters all have these double-bubble pompadour hairstyles that look like inflated bosoms on top of their foreheads.
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" ALLISON, Texas "If I saw warnings about dull dialogue, ungainly steps, heaving bosoms, senseless witticisms, overwrung hand-wringing, puny plots and such, I'd say thanks for saving me the price of a ticket.
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All of the trappings of the ridiculous '90s TV show appear to be in place in this big-screen adaptation — including plenty of sexy lifeguards running in slow motion, bosoms and pecs all abounce.
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The murmuring pines and the hemlocks, Bearded with moss, and in garments green, indistinct in the twilight, Stand like Druids of old, with voices sad and prophetic, Stand like harpers hoar, with beards that rest on their bosoms.
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I'd planned to take a quick spin around the deck and return to the comfortable bottom bunk in my cabin, but as we passed the bosoms of the verdant Mahale Mountains, the purple and pink sky stopped me in my tracks.
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The old feminist archetype — a rejection of all hair products, the swollen bellies and bosoms of the Venus de Willendorf, and oh my god I don't think they even wear high heels — was at odds with the gazelle-like stature we prefer for female celebrities.
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The Mel Brooks classic, starring Gene Wilder as the infamous Victor Frankenstein's grandson, a brain surgeon and "a marvelous addled mixture of young Tom Edison, Winnie-the-Pooh, and your average Playboy reader with a keen appreciation of beautiful bosoms," Vincent Canby wrote in The New York Times.
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It refers to that genre of writing, appearing in magazines and also novels, that is populist and sensational — think dusty Westerns with silent gunslingers casting long shadows in the afternoon sun, gritty detectives in trenchcoats with upturned collars, distraught women in crisis with heaving bosoms and flowing hair as they run after their abusive lovers.
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And as he instructed folks to go back to their home states to keep marching and fighting for what was right, something must've swelled in my mother's bosom, and the bosoms of two of her sisters, as they left their home, left the South, and found their way North, to New Jersey, where I was born.
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Elsewhere, other "vile bodies," as the British novelist Evelyn Waugh put it several decades earlier, describing another decadent set — young members of London society after World War I — sink into the bosoms of beehive-coiffed femmes fatales, grab the band's microphone, smooch in smoky corners, or fade into each other's arms as they give in to the undertow of oceans of booze in the night.
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Bosoms and Neglect listing IBDB.com The play had premiered in a limited engagement at the Goodman Theatre in Chicago, Illinois, that opened on March 1, 1979.Guare, John. "Introduction", Bosoms and Neglect, Dramatists Play Service Inc, 1999, , p.
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There are bosoms on which so many tears have been shed that I cannot bedew them with mine.
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Both characters surrounded by Apostles are having bosoms of prophets under their feet. There is Virgin Mary depicted standing and wearing a safety coat surrounded by six female saints from each side on the opposite side. Also those saints are having similar bosoms under their feet as on the south side.
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Bosoms and Neglect is a play by American playwright John Guare, first staged in 1979 at the Goodman Theatre in Chicago, Illinois.
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The Roggenmuhme ("rye aunt") is a female corn demon with fiery fingers. Her bosoms are filled with tar, and may end in tips of igneous iron. Her bosoms are also long, and as such must be thrown over her shoulders when she runs. The Roggenmuhme is completely black or white, and in her hand she has a birch or whip from which lightning sparks.
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They became enamored of blue ruin itself. The hug the "black Betty," that contains it, to their bosoms.--Mass. Spy, Oct. 31 [1827]: from the Berkshire American.
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May 12, 1962. 51. He said that people in the business often shorthanded "wholesome, pretty girls" as "broads", and "attractive" as "bosoms".Sex Detours 'Route 66', Senate Probers Reveal. In the Schenectady Gazette, May 12, 1962, p.
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Later writers about Guare have called Bosoms and Neglect a "finely balanced work which moves from wild comedy . . . to a beautifully modulated second act"C. W. E. Bigsby, Modern American drama, 1945-2000 (Cambridge University Press, 2000), , p.381. Excerpts available at Google Books.
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They were named after Bikini Atoll, the site of several nuclear weapons tests, for their supposed explosive effect on the viewer. Beside Christian Dior, some designers also launched the swimwear collection, such as Bob and Bill Meistrell of body glove and Robert and Jack O’Neill of the surf brand O’Neill. Many of these pre-bikinis had fancy names like Double Entendre, Honey Child (to maximize small bosoms), Shipshape (to minimize large bosoms), Diamond Lil (trimmed with rhinestones and lace), Swimming In Mink (trimmed with fur across the bodice) and Spearfisherman (heavy poplin with a rope belt for carrying a knife), Beau Catcher, Leading Lady, Pretty Foxy, Side Issue, Forecast, and Fabulous Fit.
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His reputation for moving an audience with his music was so powerful that writers noted "the sweetness of his melodies was such that hearts burst from their bosoms." Richard H. Hoppin, Medieval Music, p. 455. New York, W.W. Norton & Co., 1978. He is buried in the church of San Lorenzo in Florence.
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They play music on themselves, on each other, or with the jungle scenery. A kangaroo plays a tree, monkeys play a giraffe, and an elephant plays its trunk. A tree does a provocative fanny-slapping dance, gyrating its coconut bosoms, until one flies off and hits Bosko in the head. Bosko and three hyenas laugh.
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Her other Broadway credits include Bosoms and Neglect. In 2003 Kim received the 'Patricia Zipprodt Award for Innovative Costume Design' from the Fashion Institute of Technology. In 2005 she received the Distinguished Achievement Award for Costume Design from the United States Institute for Theatre Technology. Kim died on December 23, 2016 at the age of 99.
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Cossy Orjiakor (born October 16) is a Nigerian actress, singer, producer and video vixen. She came to limelight after featuring in a music video by Obesere. She is also controversially known for showing off her large bosoms at social events and music videos. In 2015, she produced her first film, Power girls, under her production company Playgirl pictures.
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Elliston sought the attention of others and pointed out the snakes they possessed within their own bosoms. His relatives placed him in an asylum, but his doctors decided his affliction did not demand confinement. After learning this, Herkimer returns to Elliston, who says his self-contemplation has nurtured the serpent. Rosina appears and suggests that he "forget [himself] in the idea of another".
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" Sneferu says: "Truly, I shall arrange such a rowing trip. Let me be brought 20 oars made of ebony, decorated with gold, their handles made of seqab-wood, covered with dja'am. Let me also be brought 20 virgin maidens with perfect bodies and well- developed bosoms, compassed with braided hairs. Let them be draped in nets after they have disrobed their clothes.
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Keeping in line with the ultra-feminine look dominated by Dior, it evolved into a dress with cinched waists and constructed bustlines, accessorized with earrings, bracelets, hats, scarves, sunglasses, hand bags and cover-ups.Daniel Delis Hill, As Seen in Vogue, page 63, Texas Tech University Press, 2007, Many of these pre-bikinis had fancy names like Double Entendre, Honey Child (to maximize small bosoms), Shipshape (to minimize large bosoms), Diamond Lil (trimmed with rhinestones and lace), Swimming In Mink (trimmed with fur across the bodice) and Spearfisherman (heavy poplin with a rope belt for carrying a knife), Beau Catcher, Leading Lady, Pretty Foxy, Side Issue, Forecast, and Fabulous Fit.William Oscar Johnson, "In The Swim", Sports Illustrated, 1989-02-07 According to Vogue the swimwear had become more of "state of dress, not undress" by the mid-1950s.
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Many people were offended by the story's lurid elements. The book may also have prompted new laws, such as New York's 1849 enactment of an anti-seduction law. The Monks of Monk Hall outraged some readers with its lingering descriptions of "heaving bosoms" but such descriptions also drew readers and increased book sales. A stage version was prepared but banned in Philadelphia for fear of riots.
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Bosoms and Neglect opened on Broadway at the Longacre Theatre on May 3, 1979, where it ran for 4 performances. Direction was by Mel Shapiro, scenery by John Wulp, and costumes by Willa Kim. The cast included Kate Reid (Henny), Paul Rudd (Scooper), and Marian Mercer (Deirdre). For her performance, Kate Reid was nominated for the Drama Desk Award for Outstanding Actress in a Play.
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Chinatsu is also flat chested and, when drunk, she feels inadequate about her bust and wishes she had larger breasts, backing up her feelings by grabbing either the larger bosoms of Aki or Haruo. ;Rumi, Yuki, Kiyoko, & Kyoko : Four other ginza girls and hostesses working at Club 9 at the beginning of the Manga. They are frequently seen in the background of scenes set at the club throughout.
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25) and The Independent, in "The Ten Best Drag Acts" (27 June 2006, p. 24) use Sidebottom. are two housewives from Northern England (or, more specifically, Lancashire) created and played by the comedian Les Dawson and the comic actor Roy Barraclough on television in the 1970s and 1980s. With a love of gossip, stoical pursing of lips and constantly heaved bosoms, Cissie and Ada became a hit with the British public.
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In Brown's own words she was considered "an extremely subversive influence" as a child, resulting in her expulsion from three boarding schools. Offences included organising a demonstration to protest against the school's policy of allowing a change of underwear only three times a week, referring to her headmistress's bosoms as "unidentified flying objects" in a journal entry, and writing a play about her school being blown up and a public lavatory being erected in its place.
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Clive Barnes, while reviewing Romeo and Juliet, wrote in The New York Times In 1979, he starred as Scooper in Bosoms and Neglect opposite Marian Mercer. In 1975, he played Brian Mallory in the short-lived television series Beacon Hill. In 1977, he portrayed John F. Kennedy in the NBC TV movie Johnny, We Hardly Knew Ye. He went on to appear in The Betsy, the 1978 film based on the Harold Robbins novel. Rudd married his second wife, Martha Bannerman, in 1983.
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The Nadans enjoyed special privileges under the Raja and claimed that they were superior to the climbers. The climbers of Travancore fared a little better than their Tirunelveli counterparts, but suffered severe social disabilities not found in Tirunelveli due to Travancore's rigid caste hierarchy. As Swami Vivekananda stated, the Keralite hierarchy was a lunatic asylum of castes. One example of the social disabilities was that Nadar climber women were not allowed to cover their bosoms to punctuate their low status.
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The Quranic passage in surat an-Nur, 31 is traditionally translated as saying that women "should draw their veils over their bosoms" (Abdullah Yusuf Ali's translation, The Holy Qur'an: Text, Translation and Commentary). It has been interpreted as a command for women to cover themselves, and is used in support of hijab. In Luxenberg's Syro-Aramaic reading, the verse instead commands women to "snap their belts around their waists." Luxenberg argues that this is a much more plausible reading than the Arabic one.
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Bodybuilding causes increased lean body mass and decreased body fat, which causes breast tissue reduction in female athletesFAQs: Bodybuilding After Breast Augmentation With Breast Implants, ImplantInfo.com whereas the current trend regarding the judges' search for "feminine" physique at competitions makes compensative breast augmentation with breast implants an increasingly popular procedure among female bodybuilders.They Need Bosoms, too - Women Weight Lifters , Cosmeticsurgery.com It is estimated that 80% of professional female bodybuilders get breast implants so they can show some cleavage in competitions.
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The action was simplified, the trigger guard and floor plate made of a flimsy looking one-piece stamping." Despite this initial reaction, O'Connor grudgingly went on to say, "Actually the post-1964 Model 70 is not a bad rifle in spite of the fact that rifle aficionados have never taken it to their bosoms the way they did its predecessor. It is a stronger action than the pre-1964. The head of the bolt encloses the head of the case.
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There were many performances in the interim years. In the world of urban Thatcherism The Neo Naturists were seen as unfashionable hippies. With an enthusiastic spirit of anarchy, they used this unfashionability to enact a challenge. They challenged the highly fashionable Blitz Kids of the early 1980s by creating performances which brought smudged body paint, nudity, cooking, fish fingers, pancakes, calor gas, modern hunter gatherer carrier bags, bosoms, patchouli, sweat and messy exuberance into the heart of the self-conscious New Romantic club scene.
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While the fight over who had the 'most naked' women in Berlin was raging, Charell's staging of nudity moved into a wholly different direction: when the audience became tired and bored of a straightforward display of naked bodies ("Yes, we are all pretty tired of those flesh exhibitions. The audience is sated with thighs. Not to mention, how fed up we are of the mass display of female bosoms."),Berg, Marita, “ »Det Jeschäft ist richtig!« Die Revueoperetten des Erik Charell“, in: Musik-Konzepte, Heft 133/134.
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"...I came up against my first animals, a whole litter of King Charles spaniels... But my competition was not the spaniels, who were indeed adorable, but the enormous bosoms of the young lady who played Nell Gwyn. They were of such robust and luscious proportions and her dress so low cut that in our big scene, in which we fondled the puppies on a great bed, she leaned over them so far that the censors cut the scene out of the picture." Price, Vincent. The Book of Joe.
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His formula was characterized by a CBS executive as "broads, bosoms, and fun," resulting in such shows as The Beverly Hillbillies and Gilligan's Island, despised by the critics – and CBS chairman William S. Paley – but extremely popular with viewers. His former boss at ABC, Oliver E. Treyz, said that at programming, "Jim Aubrey was one of the most effective ever, from the standpoint of delivering what the public wanted and making money. He was the best program judge in the business." While Aubrey had a great feel for what would be successful with viewers, he had nothing but contempt for them.
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The naked breasts of the female figures on the $5 silver certificate reportedly caused some minor controversy when several Boston society ladies took offense to the design. Some bankers reportedly refused to accept the notes in transactions, and the term banned in Boston allegedly originates from the $5 silver certificate.A Guide Book of United States Paper Money: Complete Source for History, Grading, and Prices pg. 106 "The uncovered bosoms of certain of the figures in the scene caused several Boston society ladies to rally against the design and some banks to resist taking them - the origin of the term "banned in Boston.
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However, another brassiere design re-entered the market and grew popularity during the 1950s which even influenced the modern intimate design. Underwire bras were first introduced to the market in the 1930s, however, it was forced to quit the market because the steel supply was restricted in the 1940s for WWII. Underwire brassiere design re-entered the market as it helped to uplift the shapes of the breasts to form the trendy curvy silhouette with big busts in the 1950s. Made with nylon, elastic nylon net and steel underwires, the underwire bras helped to create fashionable high, pert bosoms.
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"Desultory Thoughts upon the Utility of Encouraging a Degree of Self-Complacency, Especially in Female Bosoms." was her first piece in which she manifested her feminist ideals. In it she laid the groundwork for future essays on women and girls: "I would, from the early dawn of reason address [my daughter] as a rational being" and "by all means guard [my daughters] against a low estimation of self." Like most women of her time – and even men who wanted to hide their identity – she used a pseudonym, "Constantia." Despite her publication efforts, the war had devastated John Stevens's merchant business.
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Dangerfield wrote of the suffragettes that "what they did had to be done", but he offered a highly gendered and dismissive analysis, accusing them of "asserting their masculinity", "disorder, arrogance, and outrage", and "pre-war lesbianism". They were "odious to men" and women too, "melodramatic" and "hysterical". He described Emmeline Pankhurst as a "fragile little woman, not more distinguished in her appearance than other pretty little women who have worn well". Suffragette actions were portrayed as "the swish of long skirts, the violent assault of feathered hats, the impenetrable, advancing phalanx of corseted bosoms".Dangerfield, George (2017) [1935].
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"Wyatt-Brown, p. 46 Published in 1889, Cliquot is the story of Neil Emory, who owns an unpredictable and dangerous horse named Cliquot, whom he cannot find a rider for, as the horse has already killed several previous riders. A mysterious jockey appears who wins the owner a fortune and then turns out to be a beautiful woman named Gwendoline Gwinn, the horse’s previous owner. The story is imbued with lust in the "bodice-ripping style", where "female bosoms heave with desire and heroes express their love in ways that an earlier generation would have found much too suggestive.
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The appearance of a penis in a movie in 1970 was still a novelty, and was reported on by the Associated Press after the movie was released and became a hit. Uschi Digard, who would also go on to make frequent appearances in Meyer's films, was cast as the naked muse of the Apache character. Shown in cut scenes usually wearing only an Apache headdress, this plot device was necessitated after the lead actress left the shoot early and there was 20 minutes of footage needed to complete the film.McDonough, Jimmy,Big Bosoms and Square Jaws 2004.
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Nonetheless, a verdict of not-guilty was rendered after less than an hour of jury deliberation, and the family and the lawyer of young Mercer were greeted by a cheering crowd while disembarking from the same Philadelphia-Camden ferry line on which the killing took place. Lippard employed the seduction aspect of the trial as a metaphor for the oppression of the helpless. The Monks of Monk Hall outraged some readers with its lingering descriptions of "heaving bosoms" but such descriptions also drew readers and he sold many books. A stage version was prepared but banned in Philadelphia for fear of riots.
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The Quran instructs both Muslim men and women to dress in a modest way, but there is disagreement on how these instructions should be interpreted. The verses relating to dress use the terms khimār (head cover) and jilbāb (a dress or cloak) rather than ḥijāb. Of the more than 6,000 verses in the Quran, about half a dozen refer specifically to the way a woman should dress or walk in public.Bucar, Elizabeth, The Islamic Veil. Oxford, England: Oneworld Publications , 2012. The clearest verse on the requirement of modest dress is Surah 24:31, telling women to guard their private parts and draw their khimār over their bosoms.
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Her stage roles included Lady Macbeth in Macbeth, Katharina in The Taming of the Shrew, Henny in Bosoms and Neglect, and Martha in Who's Afraid of Virginia Woolf. Reid played the scheming and domineering mother of Natalie Wood's character in 1966's This Property is Condemned, although she was only seven years Wood's senior; her other film appearances included roles in The Andromeda Strain (1971), A Delicate Balance (1973), Equus (1977), Death Ship and Atlantic City (both 1980). She also played Ray Krebbs' aunt Lil Trotter on Dallas in the early 1980s, as well as appearing in episodes of Scarecrow and Mrs. King and Columbo.
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Birgit Nilsson provided the gala's most exhilarating tribute to Levine with a trumpet-like Valkyrie war-cry. Plácido Domingo and Samuel Ramey were comfortingly stellar in "Faust", Ramey for once being allowed to perform without baring his chest. Deborah Voigt, Bryn Terfel, Ruth Ann Swenson, Aprile Millo and Gabriela Beňačková were equally impressive in their celestial wattage. As far as clothing was concerned, the contributors most deserving of an award were Ileana Cotrubas for sporting a "gigantic Christmas bow", Mark Oswald for losing his tie and vest in Don Pasquale and "the various cleavage divas who lent new meaning to the concept of heaving bosoms".
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Marybelle S. Bigelow and Kay Kushino, Fashion in History: Western Dress, Prehistoric to Present, page 179, Burgess Publishing Company, 1979, During the Georgian era, pendants became popular as décolletage decoration. Anne of Austria, along with female members of her court, was known for wearing very tight bodices and corsets that forced breasts together to make deeper cleavage, very low necklines that exposed breasts almost in entirety above the areolae, and pendants lying on the cleavage to highlight it. After the French Revolution décolletage become larger at the front and reduced at the back. During the fashions of 1795–1820, many women wore dresses that bared necks, bosoms and shoulders.
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Publications advised women against "unmasking their beauties". 18th-century news correspondents wrote that "otherwise polite, genteel women looked like common prostitutes".Tracy E. Robey, There Was Never a Time When Western Society Wasn't Weird About Cleavage, Racked, 2017-12-21 During the French Enlightenment, there was a debate about whether female breasts were merely a sensual enticement or a natural gift to be offered from mother to child. Not all women in France wore the open-neck style without modifications; a self-portrait by Adélaïde Labille-Guiard (France, 1785) shows the painter in a fashionable décolleté dress while her pupils have their bosoms accessorized with gauzy handkerchiefs.
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Elizabeth Ewing, Fashion in Underwear: From Babylon to Bikini Briefs, page 61, Courier Corporation, 2010, Despite the contemporaneous popularity of décolletage dresses, complete exposure of breasts in portraits was limited to two groups of women; the scandalous (mistresses and prostitutes), and the pure (breastfeeding mothers and queens). In North America, the Gilded Age saw women adorning their cleavage with flowers attached to clothes and carefully placed jewelry.Greg King, A Season of Splendor: The Court of Mrs. Astor in Gilded Age New York, page 229, Wiley, 2009, During the Victorian period of the mid-to-late 19th century, social attitudes required women to cover their bosoms in public.
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The narrator tours the grounds of the hospital and is invited to dinner, where he is joined by twenty-five to thirty other people and a large, lavish spread of food. The other guests are dressed somewhat oddly: though their clothes are well made, they do not seem to fit the people very well. Most of them are female and are "bedecked with a profusion of jewelry, such as rings, bracelets and earrings, and wore their bosoms and arms shamefully bare". The table and the room are decorated with an excess of lit candles wherever it is possible to find a place for them.
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The New York Post's Donald Lyons called it a "triumph",Donald Lyons, "Don't Neglect a Guare Gem", The New York Post, December 16, 1998. while Vincent Canby in the Times thought "Mary Louise Wilson's performance as the old lady" was "viciously articulate", and he characterized the play as "a way station between the playwright's first major work, The House of Blue Leaves (1971), and his last hit, Six Degrees of Separation (1990)."Vincent Canby, "Bosoms and Neglect" (review), The New York Times, January 10, 1999, reprinted in The New York Times Theatre Reviews 1999-2000 (Taylor & Francis, 2002), , p.9. Excerpts available at Google Books.
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The French designer Coco Chanel launched her first post-war collection at her rue Cambon showroom in Paris on 5 February 1954. For the show she approached Marie-Hélène de Rothschild to ask her friends whether they would appear on the catwalk; Chanel had decided to use "personalities", women "with bosoms and hips – with a real shape – they must have elegance", rather than the sylphlike and anonymous models she had use pre-war whose function was to bring attention to the clothes rather than themselves,Cosgrave, 2012, p. 129. following Chanel's precept that just as a watch told the time, a model should "tell the dress".Haedrich, 1972, p. 195.
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Clawson may have been aware of the church's situation in Georgia prior to his arrival. By at least 1876, Standing's letters were periodically published in the Deseret Evening News. One published on April 30, 1878 provides insight into his experiences in the post-Reconstruction South; > A person traveling among the Southern people realizes that though they have > been whipped by the North, yet there is a feeling of enmity existing in > their bosoms, which only needs a little breeze to inflame their passions to > deeds of carnage and strife.Standing, Joseph "The Work in the South, Haywood > Valley Georgia", Deseret Evening News, April 30, 1878.
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Born in Akron, Ohio, she graduated from the University of Michigan, then spent several seasons working in summer stock. She made her Broadway debut in the chorus of the short-lived musical, Greenwillow in 1960. She drew critical notice for her performance in New Faces of 1962, and won the Tony Award for Best Featured Actress in a Musical, the Drama Desk Award for Outstanding Performance, and the Theatre World Award for her performance as Marge MacDougall in Promises, Promises (1968). Additional theatre credits include Hay Fever and the short- lived 1978 revival of Stop the World – I Want to Get Off with Sammy Davis, Jr. In 1979, she starred as Deirdre in Bosoms and Neglect.
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James Christopher of The Times described it as "profoundly awful", stating that it is an "instantly forgettable lads' mag farce" and an "appalling waste of a perfectly decent title". Allan Hunter of the Daily Express called it "badly written and hastily executed" and "takes all the easy options of bad taste, bosoms and body fluids". Anthony Quinn, writing in The Independent, gave the film 1 star out of 5, describing it as woeful and stating Horne and Corden had "overstretched their appeal" and looked in danger of becoming today's Hale and Pace. Peter Bradshaw of The Guardian described the film as "mostly pretty awful, but there are one or two crass laughs".
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Wulp won a Tony Award for Best Revival for his production of Dracula in 1978, which starred Frank Langella, with set designs by Edward Gorey, and opened at the Martin Beck Theatre on October 20, 1977. He received a Tony Award nomination and also won the Drama Desk Award for Outstanding Set Design for the 1979 production of The Crucifer of Blood. Wulp later went on to win an Outer Circle Critics Award and a Los Angeles Drama Critics Circle Award when the play was performed at the Royal Haymarket Theatre in London and at the Ahmanson Theater in Los Angeles. His other Broadway credits include Passione, Bosoms and Neglect, and Gorey Stories.
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The contemplation of the scenery around us produced peculiar sensations in our bosoms; and subsequently the visions of the past being opened to my understanding by the Spirit of the Almighty, I discovered that the person whose skeleton was before us was a white Lamanite, a large, thick-set man, and a man of God. His name was Zelph. He was a warrior and chieftain under the great prophet Onandagus, who was known from the Hill Cumorah, or eastern sea to the Rocky mountains. The curse was taken from Zelph, or, at least, in part- one of his thigh bones was broken by a stone flung from a sling, while in battle, years before his death.
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For Broadway, Shapiro co-wrote the book (with Guare) and directed the 1971 musical adaptation of Two Gentlemen of Verona and directed the 1978 revival of Stop the World - I Want to Get Off with Sammy Davis Jr. as well as John Guare's 1979 play Bosoms and Neglect. He has staged works at Lincoln Center, including Václav Havel's The Increased Difficulty of Concentration, which won an Obie Award for Best Foreign Play and Shakespeare's Richard III. His relationship with Joseph Papp spanned six years at the New York Shakespeare Festival Public Theater. Among his productions there are Guare's Rich and Famous, Marco Polo Sings a Solo, and John Ford Noonan's Older People.
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Artistically, PCC's most distinctive trait is its collection of large (often termed "amazon sized"), well-proportioned females (many of which sport oversized bosoms coupled with detailed musculature development). The strip started out as a video game gag comic, but quickly changed focus into a strongly plot driven comic due to "running out of video game material". The artist has often said that he's trying to create an animated film appearance, and has noted that the primary story arc is a part of a script he is developing for a feature-length film. Often weaving in subtexts of real-world events and issues such as religion and politics into the frequently text-heavy stories, PCC continues to have a strong fanbase on the web.
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His artwork is most notable for depicting African-American life during the Harlem Renaissance, as well as racial conflicts/obstacles, perceptions of racism, and African folklore. His paintings have been described by some critics as primitive and demeaning for depicting xenophobic stereotypes of African Americans by exaggerating bosoms, lips, and nostrils and portraying the mass consumption of watermelon and other foods associated with black racism, such as in The Watermelon Race. Other art historians find some of the earliest indications of black empowerment in Hayden's work for his ownership and embracement of defining stereotypes that he regurgitated at critics through their exaggerated impact. A great number of his paintings following his years in Paris were associated with the Harlem Renaissance and black urban life in the city.
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By the efforts of the Armenian community of Paris, Cardinal Krikor Bedros Aghajanian and the Papal representative to Syria and Lebanon Remi Leprert, many parts of Kessab inhabited by Armenians were separated from Turkey and placed within the Syrian boundaries. The result of the annexation of the Sanjak of Alexandretta proved disastrous for the Armenians of Kessab: Mount Casius was attached to the Turkish side including their farms, properties, laurel tree forests and the grazing lands located in the mountain's bosoms and valleys that once used to belong to the native Armenians. Besides, with this annexation, the Armenians of the town were also deprived from their traditional and historical Barlum Monastery, where the inhabitants used to celebrate the feast of Surp Asdvadzadzin (feast of Virgin Mary) during August of each year.
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" The Sydney Morning Herald's Lenny Ann Low also praised the cast and their performances, stating "Lush with straining bosoms, knowing looks and segments bringing Morland's wild dreams and fantasies to life, Northanger Abbey is well cast. Felicity Jones catches Morland's mix of youthful naivety, heart-whole feelings and mindful beliefs perfectly and J.J. Feild, as the dishy but sensible Tilney, grows in appeal as this feature-length drama builds to a climax." Low's colleague, Joyce Morgan later selected Northanger Abbey as one of the week's best television programmes. However, Ruth Ritchie, writing for the same newspaper, stated that the makers of the adaptation tried "desperately to create an air of mystery about the dastardly deeds at Northanger Abbey," but the audience knew it was about as scary as "a ninja turtle.
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She personally transmitted his orders to military units and their commanders. As she was the only woman, and none other than the Serdar’s daughter, she was well-loved by the soldiers, especially for her daring, honor and courage. She took part in the Battle of Mojkovac, in which the Montenegrin army defended the retreat of the Serbian army, moving towards northern Albania. Having survived the battle, she left a detailed account of the moments of heroism and tragedy: “If it were not for that bloody Christmas at Mojkovac, there would not have been Easter in Kajmakchalan. Had it not been for the Montenegrin eagles, those young men, who scorned death and closed the doors of Mojkovac with their own bosoms and stopped the enemy army from reaching the Serbian rear, perhaps the fate of the Serbs would have been sealed for good…” She died in Belgrade in 1970.
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The breast tax was supposedly forced by the landowning Brahmin king on lower caste Hindu women, which was to be paid if they wanted to cover their breasts and was further assessed in proportion to the size of their breasts. This was seen as a sign of respect towards the upper caste and the lower castes including Nadar and Ezhava women had to pay the "breast tax" Dr Sheeba KM, Professor of gender ecology and Dalit studies says the very purpose of the breast tax was to maintain the caste hierarchy. The law resulted from Travancore's tradition, in which the breast was bared as a symbol of respect to higher-status people. For example, the Nair women were not allowed to cover their bosoms while in front of the Namboodiri Brahmins or entering the temples, while the Brahmins bared their breasts only to the images of the deities.
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Brantley, Ben. "Theater Review; A Lone Woman in the Forest? Is This a Neil Simon Play?", The New York Times, November 7, 1997 in the original Broadway production of Neil Simon's Proposals in 1997–98, Sally Bowles in the 1998 Broadway revival of Cabaret (from November 21, 2000 to January 18, 2001),"Cabaret, 1998 (see replacement cast)", InternetBroadwayDatabase, accessed July 30, 2012 and call girl Cora in the 1999 Broadway revival of The Iceman Cometh, opposite Kevin Spacey.Brantley, Ben. "Theater Review; Bottoms Up To Illusions" The New York Times, April 9, 1999 She also has appeared in My Favorite Year with Tim Curry, John Guare's Bosoms and Neglect, and Smell of the Kill, with Kristen Johnston. She won the Tony Award and the Drama Desk Award for Best Featured Actress in a Play in 2002 for her role as Brooke Ashton in the Broadway revival of Noises Off.
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In 2008, Bert Newton justified the broadcast explanation: "It's technically very difficult to keep a show on air with Mr. Packer on the phone, yelling at you." Although the same bumper and announcement interrupted the show during every broadcast across Australia, it occurred in different parts of the programme depending on the area it was airing in, due to time differences: In the eastern states, the station simply started airing an episode of Cheers after a scheduled commercial break, but in other areas, the last part of the show broadcast was of Mulray giving a monologue about "bosoms" or the aforementioned clip of a child grabbing a kangaroo's scrotum. The show was cancelled before it was scheduled to air in Perth, and thus its Nine Network affiliate showed a brief message mentioning that the special wouldn't be aired before beginning an episode of Cheers. Despite Packer's objections to the series' content, it was popular among viewers.
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Perhaps Gersten's most significant contribution to the American theater was his realization that a non-profit theater could produce commercially. In what he has described as a ‘eureka moment’ he found a way to free the New York Shakespeare Festival and later the Lincoln Center Theater from dependency on commercial producers when moving a show to Broadway. Through this innovative approach to underwriting production, beginning with moving Two Gentlemen of Verona to Broadway in 1971, (and particularly with the success of A Chorus Line), the fortunes of the New York Shakespeare Festival grew enormously. Gersten's approach would change the course of non-profit institutions nationally and especially in New York City. In 1978, Gersten and Papp went their separate ways when Gersten insisted that the NYSF produce Michael Bennett’s Ballroom. Papp fired Gersten, whereupon Gersten went on to independently produce Ballroom (as well as John Guare’s Bosoms and Neglect) on Broadway later that year.
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In many of the stories related in the Mahabharata, apsaras appear in important supporting roles. The epic contains several lists of the principal Apsaras, which lists are not always identical. Here is one such list, together with a description of how the celestial dancers appeared to the residents and guests at the court of the gods: > Ghritachi and Menaka and Rambha and Purvachitti and Swayamprabha and Urvashi > and Misrakeshi and Dandagauri and Varuthini and Gopali and Sahajanya and > Kumbhayoni and Prajagara and Chitrasena and Chitralekha and Saha and > Madhuraswana, these and others by thousands, possessed of eyes like lotus > leaves, who were employed in enticing the hearts of persons practising rigid > austerities, danced there. And possessing slim waists and fair large hips, > they began to perform various evolutions, shaking their deep bosoms, and > casting their glances around, and exhibiting other attractive attitudes > capable of stealing the hearts and resolutions and minds of the > spectators.
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The character was loosely based on the television cook Fanny Cradock. Described by Took and Feldman as "fashion reporter, TV cook, agony aunt, pain in the neck", Daphne Whitethigh (Marsden) is a hoarse-voiced pundit, "whose advice on the placing of the bosom or the way to prepare Hippo in its shell is an absolute must for all those trendy moderns who want to look and feel frightful". Among her helpful cooking tips are that although rhinoceros is not very appetising you do get marvellous crackling; her recipes for yak include yak à l'orange, yak in its jacket, and coupe yak. She advises followers of female fashion that bosoms are still out, but may be on the way back (Horne says he will keep a light burning in the window) and her other useful pointers include how to use cold cream to remove those baboon claw marks from one's hip, and how to avoid crow's feet round the eyes: refrain from sleeping in trees.
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In the Preface to the work, Shelley explained his purpose for its composition: > The Poem which I now present to the world is an attempt from which I > scarcely dare to expect success, and in which a writer of established fame > might fail without disgrace. It is an experiment on the temper of the public > mind, as to how far a thirst for a happier condition of moral and political > society survives, among the enlightened and refined, the tempests which have > shaken the age in which we live. I have sought to enlist the harmony of > metrical language, the ethereal combinations of the fancy, the rapid and > subtle transitions of human passion, all those elements which essentially > compose a Poem, in the cause of a liberal and comprehensive morality; and in > the view of kindling within the bosoms of my readers a virtuous enthusiasm > for those doctrines of liberty and justice, that faith and hope in something > good, which neither violence nor misrepresentation nor prejudice can ever > totally extinguish among mankind.
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In 19th century Travancore, baring of one's chest to higher status people was considered a sign of respect by both males and females. Thus, those of the lower status castes, such as the Nadar climbers and Ezhavas, had to bare their chest in the presence of members of the higher- ranked Nair caste, who in turn had to do so in the presence of the still higher ranked Nambudiri Brahmins. The Brahmins, being at the pinnacle of the Hindu ritual ranking system known as varna, bared their chest only in the presence of a deity Lower-caste women who wore clothes that covered their breasts had to pay a punitive breast tax to the state. Higher-class women covered both breasts and shoulders with a piece of material known as the upper-cloth unless in the presence of people of a still higher-ranked community, whereas Nadar climber women were not allowed to cover their bosoms, as most of the non-Brahmin women , to punctuate their low status.
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Because of the maid by her side, this Titian painting, like others of the subject, is also considered to be Judith with the Head of Holofernes. Unlike Salome who goes nameless in the Christian bible, Judith is a Judeo-Christian mythical patriot whose story is perhaps less psychological and as she was a widow, may not be particularly girlish nor innocent in representations. In Moreau's version (illustration) the figure of Salome is emblematic of the femme fatale, a fashionable trope of fin-de-siecle decadence. In his 1884 novel À rebours, Frenchman Joris-Karl Huysmans describes the depiction of Salome in Moreau's painting: > No longer was she merely the dancing-girl who extorts a cry of lust and > concupiscence from an old man by the lascivious contortions of her body; who > breaks the will, masters the mind of a King by the spectacle of her > quivering bosoms, heaving belly and tossing thighs; she was now revealed in > a sense as the symbolic incarnation of world-old Vice, the goddess of > immortal Hysteria, the Curse of Beauty supreme above all other beauties by > the cataleptic spasm that stirs her flesh and steels her muscles, – a > monstrous Beast of the Apocalypse, indifferent, irresponsible, insensible, > poisoning.
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