127 Sentences With "berceuse" | Random Sentence Generator

There's a passionate, dissonant climax, and then a sublimely mystical return of the berceuse at the end.

This dreamy chapter of Messiaen's cycle "20 Ways of Looking at the Child Jesus" begins with a spacious, serene berceuse.

After a lovely account of the Berceuse in D flat, Mr. Pollini offered the Scherzo No. 1 in B minor, and here things were not altogether smooth.

Those two meaty offerings would have been enough, surely, but the program opened with Busoni's modest "Berceuse Élégiaque" as a showcase for a conducting student, Conner Gray Covington.

Yet this odd couple charmed, nowhere more so than in their encore, Ludwig Lebell's gentle "Berceuse Orientale," when the men — each uses just one hand for much of the piece — were served (and sipped from) Champagne flutes.

The second of two great septuagenarian pianists passing through New York this week brings with him an all-Chopin program, featuring two sets of nocturnes, a couple of ballades, a scherzo, a berceuse and the third of the composer's sonatas.

The two met in the mid-2000s while performing Stravinsky's "Les Noces," and have since become friends with the kind of mutual admiration that leads to new music: Mr. Adès arranged a Berceuse from his opera "The Exterminating Angel" for Mr. Gerstein, who gave its premiere last month in Vienna.

Berceuse élégiaque, Op. 42 is an orchestral work composed by Ferruccio Busoni in 1909."Berceuse élégiaque." The Oxford Dictionary of Music, 2nd ed. rev. Ed. Michael Kennedy.

48 ;Berceuse Allegretto moderato. The Berceuse, marking Dolly's first birthday, was a very early piece, composed in 1864 for Suzanne Garnier, the daughter of a family friend. In 1893 Fauré made some small amendments and changed its title from "La Chanson dans le jardin" to "Berceuse" – that is, a cradle song.Nectoux, p.

Rouse drew his initial inspiration for Berceuse Infinie from the Italian composer Ferruccio Busoni's piece Berceuse élégiaque. In the score's program notes, the composer wrote, "My work is intended as a largely tonal, contemplative piece lasting about thirteen minutes. The 'rocking motion' so typical of the lullaby is almost always present, and despite a few isolated more dramatic moments Berceuse Infinie is largely introspective and, I hope, consoling in tone." Rouse also arranged a wind ensemble version of Berceuse Infinie, which he dedicated to the memory of his late friend and fellow composer Steven Stucky.

First edition, 1880 Berceuse, Op. 16, is a short piece by Gabriel Fauré, written in or about 1879. In its original version it is for solo violin and piano. The composer later published a version for violin and orchestra, and the work has been arranged by others for various musical forces. This berceuse is not connected, except for its title, with the berceuse in Fauré's Dolly Suite.

Rouse, Christopher (2016). Berceuse Infinie: Program Note by the Composer. Retrieved January 13, 2018.

The popular Berceuse has been recorded by many tenors, including Tino Rossi, Capoul, John McCormack, Beniamino Gigli, Edmond Clément, Richard Crooks, Nicolai Gedda, Jussi Björling and Plácido Domingo, as well as by the cellist Pablo Casals.The Berceuse is ubiquitous in cello encore albums.

Piano version Ferrucio Busoni, Michele Campanella, Elegien (Nr 7. Berceuse) Indianisches Tagebuch, 1980, reissued by Warner 1991.

Frédéric Chopin's Berceuse, Op. 57, is a lullaby to be played on the piano. He composed it in 1843/44Grove Online as variations in D-flat major. Chopin originally called his work Variantes. Berceuse was first published in Paris in 1844 by Jean-Racine Meissonnier, dedicated to Élise Gavard, and appeared in London and Leipzig the following year.

38; Berceuse ("Lullaby"), op. 36; Le Bocage ("The wooded farmland"), op. 51; Danse mauresque ("Moorish dance"), op. 34; Fleur d'Aragon ("Flower of Aragon"), op.

Turandots Frauengemach, Intermezzo, No. 5. Die Nächtlichen, Walzer, No. 6. Erscheinung, Notturno, and No. 7. Berceuse (BV 252) only) :v John Ogdon, piano (No. 4.

It is a series of 16 variations on an ostinato ground bass. In an early sketch of the composition, the "variantes" were even assigned numbers. Chopin first began the work with the theme but wrote two measures of introduction later. At first the composer titled the work Variantes, but the title was altered for publication to the current Berceuse, "berceuse" literally meaning "Cradle song".

Torres' music, while not widely known today, has been played on several classical music compact discs. His Saeta number four was reviewed by Gramophone. His Berceuse was played at Adlington Hall, in Macclesfield, Cheshire, and was added to the CD of organ music by organist Anne Page. Esteban Elizondo-Iriarte also played Berceuse for his CD of organ music at played at St. Peter's church, in Bergara, Spain.

After Gauguin's departure, van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally he included them in his Les XX in Bruxelles exhibit.

V.A. 3053, (7 pages) :::Title: Berceuse pour le piano :::Dedication: Johan Wijsman ::3) Nos. 1-7: Leipzig: Breitkopf & Härtel, (1908/09), cat. no. EB 5214, plate nos. 26042-26046 (nos.

He is best known for his music for piano, particularly his Berceuse, Op. 65. His one act opera Le Poème du soir premiered successfully at the Opéra-Comique in Paris on 13 May 1925.

Dedication: Michael von Zadora ::::5) Die Nächtlichen. Walzer. Dedication: O'Neill Philipps ::::6) Erscheinung. (Notturno.) Dedication: Leo Kestenberg ::3) Staatsarchiv, Leipzig :::Title: Berceuse :::Dedication: Johan Wijsman :::Date: 5. Juni 1909. :::4 pages, unpaginated, unattached :Publications: ::1) Nos.

Subscription required. Accessed 30 September 2009. :::"the ideal balance between atmosphere and crackle" and "...the young Martin Jones, at his divinatory best..." :^ Elegien. 7 neue Klavierstücke (1907) BV 249 ::(includes ^ Berceuse (1909) BV 252 as no.

In its original form, for violin con sordino (or optionally cello) and piano, the Berceuse, marked Allegretto moderato, is in D major throughout its 112-bar duration. Nectoux comments that the melodic ideas are weak and "although the rhythmic structure of the accompaniment is certainly quite ingenious" it is "too insistently presented". Opening bars of Berceuse The playing time varies considerably: a 1966 recording by Jacques Dumont and Germaine Thyssens-Valentin plays for 4 minutes and 13 seconds.Charlin CD CL123, 2012 A 2006 recording by Yayoi Toda and Tatsuya Hayashi plays for 2 m.

" Days after working on this painting Van Gogh began painting the remaining Roulin family members, including the four-month-old baby, Marcelle. In addition to the mother-daughter works where Marcelle is visible, Van Gogh also created several La Berceuse works where Augustine rocked her unseen cradle by a string. Van Gogh labeled the group of work La Berceuse meaning "our lullaby or the woman rocking the cradle." The colour and setting were intended to set the scene of a lullaby, meant to give comfort to "lonely souls.

Julia Lang, born London 1921, was a film and radio actress and radio presenter. She is best known for the BBC radio programme Listen with Mother. The theme music for the programme was the Berceuse from Gabriel Fauré's Dolly Suite for piano duet, Op. 56. A recording was often used but in an Anglia Television interview in the 1990s Lang said that during her tenure, when she had finished reading the story, she had to get up (noiselessly), rush across to the piano in the studio and play the Berceuse live.

57 ("Appassionata") Joaquin Cassado: Hispania, for piano and orchestra (U.S. Premiere, Detroit, 1919) Emmanuel Chabrier: Bourrée fantasque; España (arr. Copeland); Habañera Frederic Chopin: Ballades no. 1 & 3; Etudes (selections); Mazurkas (selections); Waltzes (selections) Claude Debussy: Berceuse héroïque (U.

2018: Two Schubert Menuets (from "Fünf Menuette mit sechs Trios"), nº 3 and nº 5, arrangement for octet, Isabelle Faust & Friends. CD Harmonia Mundi. 2017: Berceuse (from "Five Little Pieces for Piano", ed. Billaudot), Mara Dobresco, piano. CD Paraty 107159.

Chopin began the composition in the summer of 1843 at Nohant, where he stayed with George Sand. As the first manuscript was held by the singer Pauline Viardot, the composition may have been inspired by her little daughter, Louisette, who also spent the summer there while her mother was away giving concerts. The theme of the Berceuse echos a song that Chopin may have heard in his childhood, "Już miesiąć zeszedł, psy się uśpily" (The moon now has risen, the dogs are asleep). Chopin completed Berceuse in 1844, shortly before his Piano Sonata in B minor.

Caucasian Sketches, Suite No. 2, Op. 42 Iveria (1896) was written after the composer moved to Moscow. The suite contains an introduction and four sketches. The first sketch is the tantalizing, oppressive Lamentation of Princess Ketevana. It is followed by Berceuse (French for lullaby).

Scherzino ::4. Fantasia in modo antico ::5. Finnische Ballade ::6. Exeunt omnes [Everyone exits] :v Geoffrey Douglas Madge, piano :v Geoffrey Tozer, piano (No. 6, "Exeunt omnes" only) :v Wolf Harden, piano Elegien (1907) BV 249 ::(includes Berceuse (1909) 252 as No. 7) ::1.

38 It is performed in the film Bicentennial Man by Andrew and Little Miss."Soundtracks for Bicentennial Man", Internet Movie Database, accessed 5 November 2011 Although it was written as a piano duet, there have been numerous arrangements of the Berceuse for other instruments and ensembles. Examples include versions for piano and glockenspiel by Evelyn Glennie and for two guitars recorded by Julian Bream and John Williams.Bream, Julian and John Williams "Together", RCA Victor Gold Seal, 1993, OCLC 28391923 The Berceuse was also covered in the IDM group Boards of Canada on the second volume in their unreleased Old Tunes Saga, which was said to date back to 1995.

Armas Järnefelt with daughter Eva Edvard Armas Järnefelt (14 August 1869 - 23 June 1958), was a Finnish conductor and composer, who achieved some minor success with his orchestral works Berceuse and Praeludium. He spent much of his conducting career at the Royal Swedish Opera in Stockholm, Sweden.

The first performance of Berceuse élégiaque was in New York City on February 21, 1911, and was conducted by Gustav Mahler. Dedication “In memoriam Anna Busoni, n. Weiss, m. 3.Oct.MCMIX” Recordings Schoenberg Ensemble conducted Reinbert de Leeuw, 1993, Koch Schwann, Mahler arranged Schoenberg and Busoni.

Possibly Sir Daniel Fitzgerald Packenham Barton, the counsul general after whom the park in Geneva is named. This opera is remembered for Godard's most enduring composition,Upton and Borowski (1947) p. 182 the tender berceuse (lullaby) for tenor, "Oh! ne t'éveille pas encore" commonly known in English as Angels Guard Thee.

A commercial recording of the work was released on the Opening Day Recordings label in 1997. The Berceuse was the closing theme for the long- running BBC Light Programme (and later Home Service) radio programme for small children Listen with Mother (1950–1982).Greenfield, Edward. "Sir Thomas Beecham", The Gramophone June 1961, p.

He played a repertoire of Chopin pieces to a sold-out audience. In May 2012, Li officially signed with Universal Music Group and cooperated with Deutsche Grammophon once again. He then released recordings of Beethoven Piano Sonatas, Beethoven Emperor Concerto and Schumann Fantasie, The Art of Yundi, Chopin Prelude, and Chopin Ballades, Berceuse and Mazurkas.

In the United Kingdom it became famous as the play-out tune to the BBC radio programme Listen with Mother. The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse, and Le pas espagnol. The complete suite takes about fifteen minutes to perform.

"Ninon Vallin", The Gramophone, November 1929, p. 19 In the 1930s better-known performers recorded Fauré pieces, including Georges Thill ("En prière"),"Georges Thill", The Gramophone, December 1937, p. 18 and Jacques Thibaud and Alfred Cortot (Violin Sonata No. 1 and Berceuse)."Review", The Gramophone, July 1932, p. 11; and "Chamber Music", The Gramophone, December 1932, p.

The tempo is quasi berceuse, or "in the style of a lullaby". This section now has metered notation. The theme has tenuto accents at the beginning of each bar, emphasizing the shifting meter in this section. 3 sharps are added in the introduction, though there is an absence of any key signature and a distinct key is still avoided.

The New York Herald said of the event, "[Herbert's] style is infinitely more easy and graceful than that of most cello players". This warm reception quickly led to more solo engagements that year, including performances of his own Berceuse and Polonais. Herbert continued to appear as a cello soloist with major American orchestras into the 1910s.

At the start of each programme a short introduction on piano was played. The tune went to the rhythm of the words quarter to two, which of course was the time of the broadcast, and many children were helped in learning to tell the time by this ingenious device. A piece for piano duet, the Berceuse from Gabriel Fauré's Dolly Suite, Op. 56, was played at the conclusion of each broadcast and became synonymous with the programme. It was recorded for the programme by Eileen Browne and Roger Fiske, though Julia Lang in an Anglia Television interview in the 1990s said that during her tenure when she finished reading the story she had to get up (noiselessly), rush across to the piano in the studio and play the Berceuse live.

Berceuse Infinie (Infinite Lullaby) is an orchestral composition by the American composer Christopher Rouse. The work was commissioned by the Baltimore Symphony Orchestra and was completed on July 1, 2016. It was first performed by the Baltimore Symphony Orchestra under the direction of Marin Alsop at Joseph Meyerhoff Symphony Hall on November 30, 2017. The piece is dedicated to Marin Alsop.

David Cecil, Max: a biography Constable, London (1964) pg 10 He wrote the words to a song, Blue-Eyes, Berceuse, which was set to music by Lord Duppin.Bright-Eyes, Berceuse Words by J Beerbohn, Music by Lord Duppin, Chappell & Co, New Bond Street, London He had his linen sent from his London home to Paris to be washed.Johnson, Paul 'Languid in life, quick on the draw' – Paul Johnson on Max Beerbohm: A Kind of a Life The Independent 13 October 2002 As he lay dying in April 1906, "exhausted by a life of adventure and failure"David Cecil, Max: a biography Constable, London (1964) pg 254 Julius Beerbohm managed to maintain the strict standards of his dandyism. His brother Herbert Beerbohm Tree came to see him dressed in a reddish-brown suit that offended Julius's taste.

Americana for Piano Solo Barcarolle (op. 9) Berceuse for Piano Solo Boogie Woogie Etude Burlesque Capriccio in E-flat Major (op. 39) Capriccio in F-sharp Major (op. 5) Dutch Dance Gavotte in B Minor Gavotte in D Major Grand Valse Chromatique Indian Sacrifice Menuet in A Minor Menuet in Classic Style The Music Box The Music Box: Cracoviene Polish Natinoale Dans Poeme (op.

245-247 The dream sequence, in which the sleeping hero has a vision, had precedents in earlier French Baroque operas where it was called a sommeil.Bouissou, p. 501 Rameau produces a succession of arias, dances, trios for the Dreams and symphonies (sections of instrumental music) to evoke an hypnotic state, "at once an inducement to sleep, a berceuse and an impression of sleep."Girdlestone, pp.

It was first published by Jean-Racine Meissonnier of Paris in 1844 and was dedicated to Élise Gavard (1824–1900), saying on the title page: "Berceuse / pour le piano / dédié à / Mademoiselle Élise Gavard / par / F. CHOPIN." The first publication in England was by Wessel & Co. in London on 22 June 1845, and the first publication in Germany was by Breitkopf & Härtel in Leipzig in July 1845.

62 Its six movements take about fifteen minutes to perform.Morrison, pp. 8 and 13 The first is a Berceuse, or cradle-song. "Mi-a-ou", despite a title suggesting a cat, in fact represents the infant Dolly's attempts to pronounce the name of her brother Raoul; after "Le jardin de Dolly", the "Kitty Valse", again confounds its feline title, being a sketch of the family's pet dog.

Berceuse (BV 252) :::Complete :v Martin Jones, piano (LP; limited availability) :v Roland Pöntinen, piano :vGeoffrey Douglas Madge, piano :v Wolf Harden. piani :v Jeni Slotchiver, piano :v David Wilde, piano :v Bruce Wolosoff, piano :v Marc-André Hamelin, piano :v Sandro Ivo Bartoli, piano :::Selected :v Geoffrey Tozer, piano (No. 2. "All'Italia!" and No. 4. "Turandots Frauengemach" only) :v Alfred Brendel, piano (No. 3.

Only once, shortly before the end, does the bass change. Zdzisław Jachimecki described the composition as follows: Jean-Jacques Eigeldinger sees the Berceuse as a "late lyrical piece", together with the Barcarolle, Op. 60, and the Nocturne, Op. 62, No. 1, all of them full of "pianistic figurations" reminiscent of his early "brilliant" style. Eigeldinger has suggested that Chopin's style in these pieces "approaches that of musical symbolism/impressionism".

The young couple had moved to Berlin in the fall of 1896 for the winter season of the Berliner Philharmonic. On one occasion, in early 1897, the solo cellist Simon van Beuge became indisposed and van Lier had to take over on the spot. The audience was impressed by his performance of Benjamin Godard's Berceuse de Jocelyn and requested an encore. Soon thereafter, van Lier obtained the position of solo- cellist.

Gérard Hekking Gérard Hekking (24 August 1879 – 5 June 1942) was a French cellist. Born in Nancy, he served as first cellist of the Concertgebouw Orchestra from 1903 until 1914.Campbell In 1912 Alphons Diepenbrock composed his Berceuse (Le Seigneur a dit à son enfant) for him and his wife, a soprano. Among the works premiered by Hekking were Fauré's First and Second Cello Sonatas, in 1917 and 1921 respectively.Nectoux,pp.

Ms. Acosta has recorded Ernesto Lecuona's Andalucia and Danzas-Afro-Cubanas for Orion Master Recordings and Piano Works of Carl Nielsen for Musical Heritage Society. In 2008, Orion Master Recordings released 'Malagueña: Piano Music from Cuba and the Philippines' on Marquis. In January 2015, Orion released on Naxos ClassicsOnline.com 'Piano Works of Carl Nielsen' that also includes live performances of three Debussy Preludes from Book 1 and Chopin Berceuse.

In August, Ma and his wife returned to Hong Kong and performed recitals there, and met Xian Xinghai for the second and last time. He also completed the Berceuse (搖籃曲) for violin. Later that year, he wrote his autobiography, entitled Chasing my childhood (童年追想曲), serialized and published in Shanghai. In early 1936, Ma organized a concert for his 13-year-old brother Ma Sihong.

He made over two dozen rolls for Ampico, mostly of a nonmodernist repertoire; the composers he performed most often were Chopin, Schumann, and Liszt. Two rolls contained his own compositions: Berceuse (Cradle Song) (ca. 1920–21) and Prélude tragique (1924).See Rollography Part of the Reproducing Piano Roll Foundation Ornstein never recorded, in any format, even a single example of his futurist pieces which had brought him fame.

The cantata is structured in five movements and scored for mezzo-soprano, tenor, mixed choir and piano. The first movement, "In a teeming multitude" (), is named Chorus (Хор), marked "Allegro" and set for choir. It has been described as a "jubilant" opening and a very Russian chorus of gratitude. The second movement, "At this peaceful cradle" (), is named Berceuse (Колыбельная), marked "Allegretto" and sung by the mezzo-soprano.

38 s.Erato CD set 5099907087554, 2011 In addition to Fauré's original and orchestral versions of the Berceuse, recordings have been made of arrangements for cello and guitar,Deutsche Grammophon CD 00028947764014, 2007 flute and harp,Capriccio CD C10765, 1996 flute and piano,Cryston CD OVCC-00014, 2005 flute, oboe and orchestra,Naxos CD 8.555977, 2002 solo guitar,Acqua Records CD AQ322, 2011 guitar and dulcimer,Classico CD CLASSCD117, 2004 oboe and harp,Audite CD 97.409, 1987 oboe and piano,Tudor CD TUDOR7067, 2009 panpipes and piano,Thorofon CD CTH2142, 1992 solo piano,Naxos CD 8.550216, 1989 saxophone and piano,Meister Music CD MM1073, 1999 viola and piano,Challenge Classics CD CC72165, 2006 and vocalise and harp.Centaur CD CRC2508, 2001 Another berceuse by Fauré is the first movement of his Dolly Suite; it was composed in 1864 and incorporated into the suite which he completed in the 1890s. The two berceuses are not thematically related to each other.

She also wrote the script for a series of on the lives of great composers called Adventures In Music. For Listen With Mother she recorded the traditional nursery rhymes with George Dixon in 1950, when the programme began. She was also responsible for choosing the wide variety of music that opened each programme. The closing music, the Berceuse from Faure's Dolly Suite for piano duet, was recorded by Eileen and Roger Fiske.

Helleu - Berceuse Madame Helleu, John Singer Sargent, c. 1889 On a trip to London with Jacques-Émile Blanche in 1885, Helleu met Whistler again and visited other prominent artists. His introduction to James Jacques Tissot, an accomplished society painter from France who made his career in England, proved a revelation. In Tissot, Helleu saw, for the first time, the possibilities of drypoint etching with a diamond point stylus directly on a copper plate.

The other five were Jean-Yves Daniel-Lesur, Henri Dutilleux, Jean Françaix, Jean Rivier and Henri Sauguet. In truth, only one of the movements was in the form of variations. Sauguet's Variations en forme de Berceuse pour Marguerite Long was based on the letters EAGG, which come from her name, although not in the order in which they occur there. Poulenc's Bucolique has become well known and has been recorded several times.

The tenor sings the chorale melody unadorned as a cantus firmus, but the oboes d'amore play with "the urgent surging of semi-quaver activity". Dürr sees the expression of "" (fight and victory of the Son of God) over "" (weak/sick flesh) of man. Gardiner compares it to a trio sonata movement. He terms the last aria "a berceuse of pure enchantment" and compares it to the "echo aria" from part IV of Bach's Christmas Oratorio.

On board the ship: the commandant has received a letter from René Duguay-Trouin which must only be opened at a certain point at sea. When the commandant has been lulled to sleep by a berceuse, the young people manage to get hold of the letter and only give it back to him when he agrees to allow René to wed Dora. With a new wedding contract signed, the situation ends to everyone’s satisfaction.

Rouse himself referred to the Requiem as his best composition. Major compositions of more recent vintage included his Concerto for Orchestra (2008), Odna Zhizn (2009), Symphony No. 3 (2011), Symphony No. 4 (2013), Thunderstuck (2013), Heimdall's Trumpet (a trumpet concerto—2012), Organ Concerto (2014), Symphony No. 5 (2015), Bassoon Concerto (2017), and Berceuse Infinie (2017). In late 2006, Rouse composed the wind ensemble piece Wolf Rounds, which premiered in Carnegie Hall March 29, 2007.

Sandro Ivo Bartoli. :Brilliant Classics 94223 (Brilliant Classics prod. page Accessed 23 July 2014.) ::Recorded in the Enrico Caruso Auditorium, Gran Teatro Giacomo Puccini, Torre del Lago, Lucca, Italy, 11 & 12 March 2011; released June 2011. :^ Fantasia contrappuntistica, edizione definitiva (1910), second edition published by Breitkopf & Härtel, 1916 BV 256 :^ Elegien. 7 neue Klavierstücke (1907) BV 249 ::(includes ^ Berceuse (1909) BV 252 as No. 7) ::Sandro Ivo Bartoli, piano Busoni: Piano Transcriptions.

The album was recorded in Canada and France, and was mixed in France. Famous singer- songwriter and guitarist Francis Cabrel participated in one of the tracks of the second album. In France, the album spawned three top three singles : "La berceuse du petit diable" (#3), "Darlin'" (#2), and later "La promesse" (#3) and "Avec tes yeux (Pretty Face)" (#3). The last two singles were released to support Voisine's live album Europe tour, but originally appears on this album.

This discrimination is most apparent in the fourth movement, Rêves d'enfant, which contains both the most conventional and most daring music in the entire suite. The harmonic support for this gently berceuse remains orthodox enough in its opening half. Towards the middle of the piece, textures become so fragmented and chromatically ornamented that their harmonic foundation remains elusive. Only at the end of each phrase does a triad played on the harp bring a brief stability.

Edvard Grieg composed the second movement of his Piano Concerto in D-flat. Frédéric Chopin's Nocturne in D-flat, Op. 27 and Berceuse, Op. 57 are in this key. Franz Liszt composed heavily in this key, with his most recognizable piece being the third movement of his piano composition Trois études de concert, dubbed "Un sospiro". Liszt took advantage of the piano's configuration of the key and used it to create an arpeggiating melody using alternating hands.

The work received the chamber music prize of the Birmingham Chamber Music Society (BCMS), the "BCMS Composition Prize", in the society's 60th anniversary season. It was performed on 18 February 2012 by the Poggi String Quartet in the Adrian Boult Hall of the Birmingham Conservatoire, together with works of Schubert (Trout Quintet), Britten (Lachrymae) and the premiere of Berceuse by John McCabe, a commission of the BCMS. The review noted: "A totally accessible work depicting the mysterious East, very oriental – smiling music".

Caron- Legris married Mr. Legris in 1918, after which she taught music in Montreal and toured throughout Quebec as a recitalist. In the 1920s, she began to gain recognition as a composer of vocal songs and piano works in Quebec. Many of her pieces used folksong harmonizations. Her most well-known composition is the 1947 song "La Berceuse de Donalda" which was featured on both the radio and television version of the Canadian Broadcasting Corporation program Un Homme et son péché.

Swedish composer Svea Nordblad Welander used some of Vega's work as the text for her 1956 composition "Berceuse" for women's chorus. In Harry Turtledove's alternate history novel Ruled Britannia, in which the Spanish Armada was successful, Vega is depicted as a Spanish soldier- playwright on occupation duty in defeated England, who interacts with William Shakespeare. The novel's viewpoint narration alternates between the two playwrights. A 2010 Spanish-language film about de Vega, entitled Lope, is available with English subtitles as The Outlaw.

Elegies (), BV 249, by the Italian composer Ferruccio Busoni is a set of solo piano pieces which can be played as a cycle or separately. Initially published in 1908 with six pieces, it was subsequently expanded to seven by the addition of the Berceuse (BV 252).Kindermann, pp. 231-234. The set of seven takes just over 40 minutes to play.Duration is based on the following recordings: Geoffrey Douglas Madge, 41:07 (Philips 420 740-2); Jeni Slotchiver, 44:05 (Centaur CRC 2438).

Until 1928, he was musical director at a variety of London theatres. Ernest is today best known for his "Grasshopper's Dance", and the rest of his compositions have slipped into obscurity. He primarily composed dances and descriptive pieces for light orchestra: the waltzes "Queen of the North", "Pastorella", "La Gitana" and "Valse-Berceuse" amongst others, the march "Pennon and Plume", a barn dance "The Careless Cuckoos", the polka "Midnight Chimes", the descriptive piece "A Hunting Scene" and incidental music to A Kiss for Cinderella.

However, Busoni had not been to any rehearsals, and when he attended the first performance he was appalled. Johan Wijsman (the dedicatee of the Berceuse, BV 252), had made an unauthorised reduced version of Busoni's score for a 20-piece theatre orchestra. The producer had inserted music by other composers alongside Busoni's own, and the orchestra was out of tune. Busoni left in a rage after the second act and went to listen to Saint-Saëns' symphonic poem Le Rouet d'Omphale at another concert.

Located in one of the good wildlife areas of Quebec, the ZEC Collin is populated by moose, black bear and small hunted animal. Many rivers of the ZEC are full of pike, lake trouts, walleye, bass and brook fountain. In 2014 and 2015, the Collin ZEC will set up spawning grounds for brook trout in lakes Berceuse, Caché, Clair, Conscrit, Cornemuse, Desève, Froid, "de la Hauteur" and "du Milieu" (the Middle). This project was made possible through a grant from Fisheries and Oceans Canada.

Carmen Campagne (September 8, 1959 – July 4, 2018) was a Canadian singer and children's entertainer. She, along with Connie Kaldor, received a Juno Award at the 1989 Award ceremony in the category Best Children's Album for Lullaby Berceuse. A Fransaskois from Willow Bunch, Saskatchewan, she was a member of the folk music band Folle Avoine in the 1970s. Her brother Paul Campagne and sisters Suzanne Campagne, Michelle Campagne and Annette Campagne, her bandmates in Folle Avoine, have also continued in music with the folk band Hart-Rouge.

Joseph-Arthur Bernier (19 March 1877 – 28 April 1944) was a Canadian organist, pianist, composer, and music educator. Born in Lévis, Quebec, he was the senior member of a prominent family of musicians from Quebec City. He is the father of pianist Gabrielle Bernier, cellist Maurice Bernier, and composer and keyboardist Conrad Bernier, and the grandfather of musicians Françoys Bernier, Madeleine Bernier, and Pierre Bernier. His compositional output includes 4 masses, several motets, pieces for solo organ, a Berceuse for violin, a Pastorale for oboe, a Cantilène for cello, and a Mazurka for piano.

His winning composition, a dramatic symphony entitled Le Tasso, remains one of his most admired works. From that time until his death Godard wrote a large number of compositions. These include eight operas, among them: Jocelyn (the "Berceuse" from which remains Godard's best-known composition), performed in Paris in 1888; Dante, played at the Opéra-Comique two years later; and La Vivandière, left unfinished and completed by Paul Vidal (1863–1931). The last of these was heard at the Opéra-Comique in 1895, and has been played in England by the Carl Rosa Opera Company.

On September 18, 1901, she married William B. S. Richardson, M.D., and they made a home in Chicago. Birdie Blye (1921) In 1921, Blye spent three and a half months in California. On her way there, she gave recitals in Texas in Beaumont, Houston, and San Antonio. This was Blye's seventh season in San Antonio, where she has given recitals before leading musical organizations and colleges, and played twice with the Symphony Orchestra, under Arthur Claassen. Dinners and receptions were given in her honor, and Clara Madison dedicated her “Berceuse” to Blye.

For some years Fernández was a professor of music in the School of Music and Dance at the University of Arizona; in 2000 she was named interim head of the media arts department in the College of Fine Arts at that institution. She is currently the Dean of the Claire Trevor School of the Arts at the University of California, Irvine. A recording by Fernández of the Berceuse campesina by Alejandro García Caturla was included in the soundtrack of the film The Lost City at the request of its director, Andy García.

Nectoux, pp. 85–86 The Société presented Fauré's orchestrated version of the work on 24 April 1880, with Musin again the soloist and the orchestra conducted by Edouard Colonne. The Fauré specialist Jean-Michel Nectoux comments that although the composer "attached no importance to this conventional little piece", it was taken up by violinists "from international soloists to café serenaders with an enthusiasm that bordered on mania". Nectoux wrote in 2004 that he had found more than sixty recordings of the Berceuse, ranging from Eugène Ysaÿe's in 1912 to Yehudi Menuhin's in the 1970s.

The Cello Concerto in E major was created by the cellist Gaspar Cassadó, who took nine of Pyotr Ilyich Tchaikovsky's pieces from his Piano Pieces, Op. 72, and orchestrated them as, collectively, a concerto. The pieces Cassadó used were: Scene dansante (Invitation au trepak), Tendres Reproches, and Chant Elegiaque in the first movement; Meditation and Dialogue in the second; and Danse Characteristique, Berceuse, Passe Lointain, and Impromptu in the third. This concerto was a favorite of Cassadó's, but he never recorded it. No other recording of the work exists.

Lefevre worked with conductor and composer Gilles Bellemare to reconstruct and publicize the composition, and on December 10, 2013, 70 years after the last of Mathieu's three appearances on stage at Carnegie Hall in New York City, Lefevre appeared at Carnegie Hall and gave the New York premiere of Mathieu's previously lost Piano Concerto No.4. Among Mathieu's works for piano and violin are Fantaisie brésilienne, a sonata, a berceuse, and Complainte. Mathieu's vocal works include Le ciel est si bleu, Hymne du Bloc Populaire, Les Chères Mains (1946), and Quatre Mélodies (1948).

An alto aria, "" (It is well for you, you chosen souls, whom God has designated for his dwelling), conveys images of contentment by incorporating a lilting berceuse-like rhythm, with an obbligato melody played by muted violins and flutes in octaves and tenths. It is accompanied by a tonic pedal in the continuo. The aria is in adapted ternary form. The pastoral character suited the original text, "Wohl euch, ihr auserwählten Schafe" (It is well for you, you chosen sheep), which alludes to the bridegroom, a pastor or "shepherd of souls".

Patrick Saint-Denis (born 1975) is a Canadian composer based in Montreal. His works have been performed at music festivals in North America, Europe, and Asia. His composition, Les dits de Victoire, was awarded first prize in the SOCAN young composers competition in 2003 and the Jules Léger Prize for New Chamber Music in 2004. He also won the SOCAN competition in 2002 for his orchestral work, Le discours aux animaux and received honors for his Berceuse pour enfants perdus for chamber orchestra and female voice in 2003.

St. Petersburg, ca. 1905 Julia Sedova as Columbine in Les millions d'Arlequin in her costume for the Polonaise of Act II. St. Petersburg, ca. 1905 While working on the score for Les Millions d'Arléquin, Drigo took daily walks through the St. Petersburg Summer Garden and along the banks of the Neva River, all the while thinking of his native Italy. During one such walk, Drigo composed the ballet's famous "Sérénade", which included a solo mandolin, and the Berceuse: Variation pour Columbine, which was written especially for the harpist Albert Zabel.

The other works are considered light pieces (Vignette: Fragrance, Lavender Time, Berceuse (For a Sleeping Sand Baby)) and competition/examination pieces (Tally-Ho!, Merry Thought). He also wrote songs and choral works.Sitsky, Martin: Australian Piano Music of the 20th Century His song "Australia Happy Isle", with lyrics by Jessie Street, won the Victorian sesquicentennial prize in 1934.Jessie Street: Timeline One of his best known works was Idyll for two pianos and orchestra, which was premiered in the Sydney Town Hall on 4 September 1943 with the Sydney Symphony Orchestra under Edgar Bainton, along with the premiere of Hutchens' Fantasy Concerto.

Fauré in the 1890s The Dolly Suite, Op. 56, is a collection of pieces for piano duet by Gabriel Fauré. It consists of six short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress, Emma Bardac. An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, been the subject of many recordings. The best- known section of the suite, the Berceuse, has been arranged for several combinations of instruments.

Maria Wodzińska, 1835 The great bulk of Frédéric Chopin's output consists of pieces for solo piano: his ballades, études, impromptus, mazurkas, nocturnes, polonaises, preludes, rondos, scherzos, sonatas and waltzes. There are also the two piano concertos, four other works for piano and orchestra, and a small amount of chamber music. However, Chopin also produced a number of other compositions, mostly for solo piano, but some for other forces. Some of these are well-known, such as the Barcarolle in F-sharp, the Fantaisie in F minor, the Berceuse in D-flat, and some of the 19 Polish songs.

Retrieved 20 May 2018. was an English composer. He was born in Plymouth, the son of Frederic Nicholls Löhr (1844–1888), a composer of songsLöhr, Frederic N. (Frederic Nicholls) 1844–1888 WorldCat. Retrieved 20 May 2018. and piano works. F N Lohr's piano berceuse Cradle Song, an Idyll was written circa 1875 and dedicated to his twin sons, then four years old: "To my boys Victor and Hermann Frederic Lohr".Cradle Song score at IMSLP Hermann Löhr studied at the Royal Academy of Music, studying piano with Walter Cecil Macfarren and harmony and counterpoint with Frederick Corder.

The influence of The Firebird has been felt beyond classical music. Stravinsky was an important influence on Frank Zappa, who used the melody from the Berceuse in his 1967 album Absolutely Free, in the Amnesia Vivace section of the "Duke of Prunes" suite (along with a melody from The Rite of Spring). Prog rock band Yes has regularly used the ballet's Finale as their "walk-on" music for concerts since 1971. During the 1980s and 1990s, the chord which opens the Infernal Dance became a widely used orchestra hit sample in music, specifically within new jack swing.

Four of Risher's pieces for piano trio - Andante Religioso, Berceuse, Mazurka, and From the West - were recorded by the Rawlins Piano Trio and released on Albany Records. A Mazurka Brilliante for violin and piano was recorded by Laura Kobayashi and Susan Keith Gray and released on Albany as well. Additionally, a short work entitled Boblink was recorded by members of the New York Philharmonic under Henry Hadley as part of an educational series of records published by Ginn & Company. Risher died in California, although the location is uncertain; it has been given variously as La Crescenta and Los Angeles.

Sketch of the triptych in a letter to Theo In January 1889, when Vincent had just finished the first repetitions of the Berceuse and the Sunflowers pendants, he told Theo: "I picture to myself these same canvases between those of the sunflowers, which would thus form torches or candelabra beside them, the same size, and so the whole would be composed of seven or nine canvases." A definite hint for the arrangement of the triptych is supplied by Van Gogh's sketch in a letter of July 1889. Later that year, Vincent selected both versions for his display at Les XX, 1890.

The Players Eight arrangements of Hans Andersen stories for Voice, Piano and Narrator between 1955-1960 Five out of One Pod, It’s Quite True!, Old Luk Oje, Punchinello, The Nightingale, The Princess of the Pea, The Snow Queen, The Swineherd Pianoforte Solo Nine works composed between 1918 and 1927 Berceuse, By Moonlight, Four Myths, Four Poems, Harlequin and Columbine (published), Heather, Nocturne (published), Piano Piece No 1, Sunrise. Chamber Music Piano Quartet - Piano, Violin, Viola, Cello - 1932 Piano Trio - Piano, Violin, Cello - 1936 All of Margaret Mores music currently resides in the archive of the Library of Birmingham.

Garban's transcriptions of music for piano solo or piano four hands included Maurice Ravel's string quartet, Introduction and Allegro, Rapsodie espagnole, Valses nobles et sentimentales, Ma mère l'Oye, Trio for piano, violin and cello, Kaddisch from Deux mélodies hébraïques, Le tombeau de Couperin, Berceuse sur le nom de Gabriel Fauré, and Boléro. He also transcribed a few scenes from the opera L'enfant et les sortilèges for piano or piano four hands. The four hand piano duet version of La valse frequently is performed. Other Garban transcriptions include L'apprenti sorcier by Paul Dukas and Saint-Saëns's Le carnaval des animaux for solo piano.

Her other orchestral works include Fantaisie, Choral et Fugue, Prélude et Fugue, Suite, and Berceuse dans le style ancien. As an educator, Delorme began teaching as a professor of music theory and solfège at the newly formed Conservatoire de musique du Québec à Montréal in 1943 through the invitation of Wilfrid Pelletier. She remained at that school through 1969, during which time she also taught at the Conservatoire de musique du Québec à Québec for a few years and at the Ursuline Convent in Trois-Rivières among other schools. She wrote a treatise on harmony in 1967 which earned the admiration of Boulanger, but remains unpublished.

About fifteen Lieder composed in France in 1917 after the lyrics by French poets were influenced by Impressionism, the most well known among them Berceuse triste (Tužna uspavanka). From his later period, significant are The Three songs for high voice (Tri pesme za visoki glas), the most remarkable being “A very hot day” from 1924 (“Vrlo topli dan”), composed upon German lyrics, and Haikai (Hai-kai), after the poetry of Japanese poet Matsuo Bashō, from 1942. These works merge impressionistic and expressionistic elements. A Field feast (Gozba na livadi), “a lyrical symphony for voice and orchestra” (1939) represents the first example of symphonic Lied in Serbian music.

Langford was often used by Hollywood as a score orchestrator, with Return of the Jedi, Superman II, The First Great Train Robbery, Clash of the Titans and Return to Oz to his name. In 1974 he released a demo album entitled The Amazing Music of the Electronic ARP Synthesizer. This contained several compositions of his own, plus cover versions, played entirely on the then new innovation, the ARP synth, of pieces as diverse as "Yellow Submarine", "Raindrops Keep Fallin' on My Head", "Cocktails for Two", "Light Cavalry Overture" and Mozart's Symphony No. 40. Later compositions include his Berceuse and Burlesque for bassoon and orchestra, performed on 1 February 2008 at Axminster.

McCuaig's parents lived at Mayfield, on the rural fringe of Newcastle. In 1915, when McCuaig was seven BHP established an iron and steel works at the nearby suburb of Port Waratah. His mother died the same year. BHP's iron and steel works are depicted in Berceuse de Newcastle, the poem which opens McCuaig's Selected Poems (1992): It's always sunset in the east With a roddle- toddle-toddle, When the night furnace is in blast With a roddle-toddle-toddle And all night long the rolling-mill Goes roddle-toddle-toddle McCuaig recalled in an interview with Peter Kirkpatrick he had taken elocution lessons in Newcastle from a woman called Beatrice Welch.

1-5), 26052 (no.6), 26282 (no.7), (52 pages) :::Title: Elegien. Sieben neue Klavierstücke :::Note: includes Berceuse (BV 252) as no.7, dedicated to Johan Wysman :::Reprints: Leipzig: VEB Breitkopf & Härtel, [1949 ff.]; Wiesbaden: Breitkopf & Härtel, [1966] ::4) No. 2: Leipzig: Breitkopf & Härtel, 1908, Cat. no. V.A. 2907, (15 pages) :::Title: Zwei Klavierstücke aus den Elegien. All' Italia! In modo napolitano :::Note: According to the Breitkopf & Härtel catalog this publication appeared in 1909. ::5) No. 4: Leipzig: Breitkopf & Härtel, 1908, Cat. no. V.A. 2908, (7 pages) :::Title: Zwei Klavierstücke aus den Elegien. Turandots Frauengemach. Intermezzo :::Note: According to the Breitkopf & Härtel catalog this publication appeared in 1909.

Subscription required. Accessed 4 June 2009. :::"It's not simply that she can control huge masses of sound or weld long strings of notes into a solid structure; she also has an extraordinary ability to give each polyphonic voice its own rhythmic character in a way that opens up the music's textures, a gift that pays special dividends in the Busoni." :^ Zehn Variationen über ein Präludium von Chopin Op. 22 second version (1922) BV 213a :^ Fantasia nach J.S. Bach (1909) BV 253 :^ Berceuse (1909) BV 252 :+ Liszt: Totentanz (Danse macabre), solo piano version (1860–65) S.525 :+ Liszt: La lugubre gondola II (1882) S.200 ::J.

She also received several Gemini Awards, including one for Lifetime Achievement, the Order of Merit from the Canadian Association of Radio Broadcasters, was named a Chevalier in the National Order of Quebec in 1992, and was named Woman of the Century by the Salon de la femme de Montréal in 1990. Bertrand wrote the lyrics for the Celine Dion song "Berceuse", which was included on the D'Elles album. In 2003, she received the Prix Condorcet, which is awarded annually to a public figure who has contributed to secularity and freedom of conscience in Quebec. Bertrand supported the Parti Québécois' proposed Charter of Values, arguing that accommodating religious minorities could lead to the erosion of women's rights.

At three and a half, she accompanied a singer at a Paris performance of a Mozart berceuse, receiving a toy stuffed cat as compensation. In 1911, at the Salle des Agriculteurs in Paris, she played Liszt, Chopin, and Mozart and received her first press reviews. From twelve to fifteen years of age, she performed in a number of different cities, including Paris, where Camille Saint-Saëns is said to have remarked of her, "I have just heard the best pianist in the world." At age fifteen, she was sent to study in Paris. She had lessons from Vincent d’Indy in harmony and fugue, studied piano with Alfred Cortot, and learned harmony from Nadia Boulanger.

In 1785, Agathe de Rambaud was chosen by Queen Marie Antoinette to be the berceuse des enfants de France, the official nurse, of her second son Louis-Charles, Duke of Normandy, who became the Dauphin at the death of his elder brother Louis-Joseph, Dauphin of France in 1789. Of her relationship with Louis-Charles, Alain Decaux wrote: > Madame de Rambaud was officially in charge of the care of the Dauphin from > the day of his birth until 10 August 1792, in other words for seven years. > During these seven years, she never left him, she cradled him, took care of > him, dressed him, comforted him, scolded him. Ten times, a hundred times, > more than Marie Antoinette, she was a true mother for him.

But most importantly, right next to it, van Gogh has replicated Leonardo's leaning image of the apostle John, van Gogh's favorite.See Naifeh & Smith, 2011 Finally, van Gogh has enframed a female serving figure within vases of flowers, a motif he would return to months later with his Berceuse triptych.Van Uitert, Evert, Vincent van Gogh and Paul Gauguin in competition: Vincent’s original contribution, in Simiolus: Netherlands Quarterly for the History of Art, Vol. 11, No. 2 (1980), pp. 81-106 And lastly, all the empty chairs, which can be immediately recognizable from Vincent’s Chair, also his Bedroom in Arles, and he'd just bought twelve to furnish the Yellow House literally hours before beginning his final Symbolist's Last Supper Café Terrace at NightSee www.vangoghletters.

In the 20th century, further examples include: Agustín Barrios's Julia Florida; the second movement of Villa-Lobos's Trio No. 2 (1915) (which contains a Berceuse-Barcarolla); the first movement of Francis Poulenc's Napoli suite for solo piano (1925); George Gershwin's Dance of the Waves (1937, unpublished); Ned Rorem's three Barcarolles for piano, composed in Morocco (1949); the first movement of Nikolai Myaskovsky's Piano Sonata no. 8, op. 83 (1949); "The Kings' Barcarolle" from Leonard Bernstein's Candide (1956); and Juan María Solare's neoclassical Barcarola for piano (recording included in the album Sombras blancas). Bob Dylan’s song "I’ve Made Up My Mind To Give Myself To You" from his 2020 album Rough and Rowdy Ways uses Offenbach’s "Barcarolle" as a riff.Bob Dylan Still Bristles on ‘Rough and Rowdy Ways’.

It contains Basque, Baroque and far Eastern influences, and shows Ravel's growing technical skill, dealing with the difficulties of balancing the percussive piano with the sustained sound of the violin and cello, "blending the two disparate elements in a musical language that is unmistakably his own," in the words of the commentator Keith Anderson.Anderson (1994), p. 5 Ravel's four chamber works composed after the First World War are the Sonata for Violin and Cello (1920–22), the "Berceuse sur le nom de Gabriel Fauré" for violin and piano (1922), the chamber original of Tzigane for violin and piano (1924) and finally the Violin Sonata (1923–27). The two middle works are respectively an affectionate tribute to Ravel's teacher,Phillips, p.

Alain Vanzo, "elegant and involved", was blessed with exactly the right type of voice for Wilhelm, and his versions of the student's showpiece arias were in no way inferior to those recorded by even the most revered tenors of Mignon's heyday. The veteran Nicola Zaccaria, finally, mined every last nugget of gold from the part of Mignon's father, "a gift of a part for a warm bass". Zaccaria's age meant that his top notes were poorly focused, and he mishandled Lothario's Berceuse, but he came across as invariably endearing. For the rest, no-one was likely to mistake the Ambrosian Singers for Francophones, but the orchestra sounded as though they would have been at home in the pit of the Palais Garnier.

It is not unusual to find melodies or scores from other composers within the music of Frank Zappa. Absolutely Free is full of musical references to other compositions and artists, including Igor Stravinsky. For example, "Amnesia Vivace" begins with a collage of quotations from Stravinsky ballets: first, the band plays the "Ritual Action of the Ancestors" from The Rite of Spring, Part II; then harpsichord and chattering voices evoke the pounding Dance of the Adolescents in Part I, over which sax and Zappa's voice start quoting the bassoon melody at the very opening of the Rite and continue into the lyrical Berceuse (also for bassoon) at the end of Stravinsky's The Firebird. The opening sequence of Petrouchka is quoted in the middle section of "Status Back Baby".

Turandots Frauengemach, Intermezzo) Nuit de Noël. Esquisse (Christmas. Sketch) (1908) BV 251 :v Geoffrey Douglas Madge, piano :v Marc- André Hamelin, piano Berceuse (1909) BV 252 :v Martin Jones, piano (LP; limited availability) :v J. Y. Song, piano :v Geoffrey Tozer, piano :v Geoffrey Douglas Madge, piano :v Jeni Slotchiver, piano :v David Wilde, piano :v Bruce Wolosoff, piano Fantasy after J. S. Bach (1909) BV 253 :v J. Y. Song, piano :v John Ogdon, piano :v Geoffrey Tozer, piano :v Geoffrey Douglas Madge, piano :v Marc-André Hamelin, piano :v Marc-André Hamelin, piano :v Wolf Harden, piano :v Jan Michiels, piano :v Carlo Grante, piano An die Jugend (To Youth) (1909) BV 254 ::1. Preludietto, Fughetta & Esercizio ::2.

Chummy MacGregor also composed a series of songs with Charles Ives: "The Cage", "Berceuse", "Evidence", "Disclosure", "Down East", "Allegro", "The Camp Meeting", and "The Circus Band". His composition "Moon Dreams" was recorded by Martha Tilton on April 6, 1942 at the first session for Capitol Records (then still being called Liberty Records) which was co-founded by Johnny Mercer, the co-writer of the song, and it was released as "Moondreams" on Capitol single 138 and Glenn Miller and the Army Air Force Band recorded the song in October 1944 and it was released as V-Disc, No. 201A. Herbie Mann, Hal McIntyre, Meredith D'Ambrosio, Gil Goldstein, Flavio Ambrosetti, Franz Koglmann, and Charlie Shoemake have also recorded the song. His composition "Moon Dreams" was also featured in the 1988 motion picture 36 Fillette.

Jacquette, now Jacquet, dressed all in white, reluctantly goes to marry the young and beautiful Bianca, but implores Perpignac to relieve her of the wedding night duty … In the end, Bianca, who is loved by the chamberlain of the duke of Parme, gives in to the charms of this chevalier Pomponio, and the Béarnaise Jacquette returns to Béarn with Perpignac. The music of the second act was received more warmly than the first, with Maugé’s couplets "Très souvent à la devanture" encored, along with Vauthier’s madrigal "Chacun, madame, à votre aspect" and Granier’s song "C'est du vin de Gascogne" and Mily Mayer’s couplets "Pour un détail, une nuance". Also noted was a berceuse "Fais nono, mon bel enfantoux !". Noel E & Stoullig E. Les Annales du Théâtre et de la Musique, 11eme edition, 1885.

Another notable track from the album was "Question de paix" with lyrics by Donald Bilodeau and music by Johanne Lefebvre and Yves Frulla. Also singing "Dans un spoutnik" by Daniel Bélanger, "Berceuse pour maman" by Pat McCarthy, "Partir pour les étoiles" by Donald Bilodeau and music by French composer Moria Némo, even penning a song of his own "Stop! (Je suis amoureux)" His first commercial single is the bilingual French/English single "Si jeune" featuring Karl Wolf and produced by Wolf and written by Jordan Kaahn, where Jacob sings the French lyrics and Karl Wolf the English lyrics in addition to another collaboration with Karl Wolf in "Dis-moi si tu vois". In 2012, Jacob recorded his version of "All The Way" in both French and English, the former with Claudia Bouvette from Mixmania2 and the latter with Nadja.

Roland Pöntinen. :CPO 999 -2 ::Recorded 20–23 September 1999. :^ Sonatina (No. 1) (1910) BV 257 :^ Sonatina seconda (1912) BV 259 :^ Sonatina (No. 3) "ad usum infantis" (1915) BV 268 :^ Sonatina (No. 4) "in diem nativitatis Christi" (1917) BV 274 :^ Sonatina brevis (No. 5) "in signo Joannis Sebastiani Magni" (1918) BV 280 :^ Sonatina No. 6 (Sonatina super Carmen]) (1920) BV 284 :^ Indianisches Tagebuch, Erstes Buch (1915) BV 267 :^ Toccata (1921) BV 287 ::Roland Pöntinen, piano Busoni: Piano Works (Vol. 2). Roland Pöntinen. :CPO 999 853-2 ::Recorded Kammermusikstudio des Südwestrundfunk, Stuttgart, 15–18 October 2001; 17 January 2002. :^ Sieben Elegien (1907) BV 249 ::(includes ^ Berceuse (1909) BV 252 as no. 7) :^ Perpetuum mobile (1922) BV 293 :^ Sieben kurze Stücke (1923) BV 296 :^ Prélude et Etude en Arpèges (1923) BV 297 ::Roland Pöntinen, piano Busoni The Visionary.

''''' ("Children's Games") Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871.Curtiss, Mina. Bizet and His World. Vienna House, New York, 1958, p. 311. The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows: # ' – reverie (The swing) # ' – impromptu (The spinning top) # ' – berceuse (The doll) # ' – scherzo (Wooden horses) # ' – fantasie (Battledore and shuttlecock) # ' – marche (Trumpet and drum) # ' – rondino (Soap bubbles) # ' – esquisse (Puss in the corner) # ' – nocturne (Blind man's buff) # ' – caprice (Leap-frog) # ' – duo (Little husband, little wife) # ' – galop (The ball) Originally there were ten numbers, with the seventh and eighth added after the first group; is adapted from a march at the start of act 5 of his opera Ivan IV. Bizet sold the work in both piano and orchestra form to Durand in September 1871 for 600 francs.

Opus numbers and composition dates are shown where known and Promenade concert dates where relevant: Gavotte Humoristique Op. 6, Dreaming (Op. 7), Serenade Op. 15 (Proms premiere 26 September 1895), Petits Morceaux Op. 16 Nos. 1–5 (Triste, Joyeuse, Le Plaisir, Le Bonheur, L'innocence), Twelve Easy Exercises for Cello Op. 18, Minuet Op. 19 No. 3, Chant D'amour, Gondoliera Op. 20 Book 1 No. 2, Souvenir or Reverie Op. 20 Book 1 No. 3, Légende Op. 20 Book 2 No. 1, Berceuse Op. 20 Book 2 No. 3 (Proms premiere 16 September 1897 with Squire playing cello), Danse Rustique Op. 20 Book 2 No. 5, Chansonette Op. 22 (Proms premiere 10 September 1897 with Squire playing cello), Tarantella in D minor Op. 23, Bourrée Op. 24, Meditation in C Op. 25, Humoresque Op. 26, Six Morceaux Melodiques Nos. 1–6 (Canzonetta, Danse Orientale, Elegie, Madrigal, Idylle, Harlequinade).

A new villain, the unlucky Mafia boss Vito "Lucky" Cortizone, based on the character Vito Corleone from The Godfather movies, was introduced in Spirou à New-York, while Spirou à Moscou (1990) sees Spirou and Fantasio pay their first visit to the USSR, just as it was about to collapse (the country was dissolved in 1991). In Machine qui rêve (1998), Tome and Janry tried to once again renew the series with a more mature storyline (wounded hero, love relationships, etc.), coupled with a more realistic graphic style. This sudden shift into a darker tone shocked many readers, although its seeds were apparent in previous Spirou albums and in other series by the same authors (Soda, Berceuse assassine). While many considered the change in tone to be courageous and laudable, there was some concern that Spirou lost much of its point when presented as a "realistic" character.

For the release of her new French-language album, Dion taped a two-hour television special about D'elles which was broadcast on 21 May 2007 on TVA in Canada. It was hosted by Quebec television icon Julie Snyder and featured Dion and the female authors who wrote the song lyrics for the album. Dion performed: "Et s'il n'en restait qu'une (je serais celle-là)", "Immensité", "Je cherche l'ombre", "Berceuse", "La diva", "Le temps qui compte" and "On s'est aimé à cause". The recording sessions for "Femme comme chacune", "Lettre de George Sand à Alfred de Musset" and "Si J'étais quelqu'un" were also shown. The television special was watched by 1,614,000 viewers and became the number-one-rated show for the week of 21 to 27 May with 82% share of the audience. On 9 June 2007, another television special was broadcast, this time in France on TF1.

Born in Rome, he studied at the Accademia Nazionale di Santa Cecilia, studying piano with Francesco Baiardi, conducting with Giacomo Sentaccuoli and composition with Ottorino Respighi. Around the end of the First World War Francesco came to England and in 1920 he married Maria Stierli, with whom he had a daughter, Maeve, and a son, Niso. “On 21 September 1920 he played Mendelssohn's First Concerto, and on 9 October of the same year the Busoni transcription of Liszt's Rhapsodie espagnole, a week later making his recital debut at the Wigmore Hall; that programme contained favourite pieces he was still playing 20 years later - Bach's Italian Concerto, Beethoven's 'Waldstein' Sonata, Chopin's Cjt minor Scherzo, Berceuse, Fantasy- Impromptu and Al> Polonaise, and the three of Liszt's Paganini Etudes - Capriccio, La chasse, …[and] La campanella.” At the first night of the 1921 Prom season Francesco contributed with the Weber Konzertstück.

Gareth Walters' Divertimento for String Orchestra was his first work to appear on record, in 1970, although he had composed it in 1960. Played by the English Chamber Orchestra, and conducted by David Atherton, the piece has subsequently been recorded on three other occasions: in 2002 by the Royal Ballet Sinfonia for ASV, in 2003 by the Manitoba Chamber Orchestra for CBC, and most recently in 2007 by the Orquestra de Cambra Terrassa in Barcelona. Other works that have been recorded are Sinfonia Breve (1964), Elegy – a poem for string orchestra (1969), Overture: Primavera (1962), Gwent Suite (1959), Little Suite for Harp (recorded on a ‘Classics for Pleasure’ LP and re-issued on CD in 1998), Capriccio for guitar (1980), Two Harpsichord Suites and Two Elizabethan Suites (both of the latter appearing on a KPM LP in 1969). Berceuse for harp, Cân y galon, Little Suite for Flute and Harp, Poésies du soir and Violin Sonata were all recorded by Toccata Classics in 2008.

The Concert (or The Perils of Everybody) is a ballet made by Jerome Robbins, subsequently New York City Ballet's ballet master, to Chopin's: :Polonaise in A major "Military", Op. 40, No. 1 :Berceuse in D flat major, Op. 57 :Prelude in F minor, Op. 28, No. 18 :Prelude in B flat minor, Op. 28, No. 16 :Waltz in E minor, Op. posth. :Prelude in A major, Op. 28, No. 7 :Prelude in E minor, Op. 28, No. 4 :Mazurka in G major, KK IIa/2 :Ballade No. 3 in A flat major, Op. 47 The décor was by Saul Steinberg, the costumes by Irene Sharaff and the lighting by Ronald Bates. The premiere took place at City Center of Music and Drama, New York, on Tuesday, 6 March 1956. Robbins made three subsequent ballets to Chopin's music: Dances at a Gathering (1969), In the Night (1970), and Other Dances (1976), made for Mikhail Baryshnikov and Natalia Makarova.

Jeni Slotchiver. :Centaur Records CRC 2438 ::Recorded The Academy of Arts & Letters, New York, 6 and 7 September 1994. :^ Red Indian Diary, Book 1 (1915) BV 267 :^ Elegien. 7 neue Klavierstücke (1907) BV 249 ::(includes ^ Berceuse (1909) BV 252 as no. 7) :^ Chaconne from Partita No. 2 in D minor for violin (Bach, BWV 1004), tr. for piano (1893) BV B 24 ::Jeni Slotchiver, piano Busoni The Visionary II. Jeni Slotchiver. :Centaur Records CRC 2681 ::Recorded The Academy of Arts & Letters, New York, 26, 28 and 29 September 2002. :^ Sonatina (No. 1) (1910) BV 257 :^ Sonatina seconda (1912) BV 259 :^ Sonatina (No. 3) "ad usum infantis" (1915) BV 268 :^ Sonatina (No. 4) "in diem nativitatis Christi" (1917) BV 274 :^ Sonatina brevis (No. 5) "in signo Joannis Sebastiani Magni" (1918) BV 280 :^ Sonatina No. 6 (Sonatina super Carmen]) (1920) BV 284 :^ Toccata (1921) BV 287 ::Jeni Slotchiver, piano Liszt & Busoni: '...and that is death' J. Y. Song.

After graduating from Harvard, he remained based in the Boston area for the rest of his life, combining his career as a composer with teaching at Harvard, MIT, Tufts, Wellesley and Boston University, and for a while running a small publishing company for composers of new music as well as organizing concerts of their works with John Harbison. March 1990 saw the world premiere at Symphony Hall, Boston of Sur's most famous work, Slavery Documents, an oratorio for 80 voices with a libretto by the composer. Sur's last works were Berceuse, a lullaby for violin and piano, which premiered at the Library of Congress in February 1999, and an a cappella setting of Shakespeare's Sonnet 97, which premiered at Boston's Jordan Hall in May 1999, three weeks before his death from cancer at the age of 64.New York Times (29 May 1999) In 2008, John Harbison, who described his friend as having "a unique ear for the incantatory power of percussion instruments",Harbison (2011) composed Cortège for six percussionists: In memoriam Donald Sur as a tribute to him.

Late Piano Music. Marc-André Hamelin. :Hyperion CDA67951/3 ::Recorded Henry Wood Hall, Trinity Church Square, London, UK, 15–17 April 2011 and 15, 16 and 24 August 2012; released November 2013. :CD 1: :^ Elegien. 7 neue Klavierstücke (1907) BV 249 ::(includes ^ Berceuse (1909) BV 252 as No. 7) :^ Nuit de Noël. Esquisse pour le piano (1908) BV 251 :^ Fantasia nach Johann Sebastian Bach (1909) BV 253 :^ Bach: Canonic Variations and Fugue from the "Musical Offering", BWV 1079, transcribed for piano by Busoni BV B 40 :^ Giga, Bolero e Variazione: Studie nach Mozart from An die Jugend (1909) BV 254 ::Marc- André Hamelin, piano :CD 2: :^ Sonatina (no. 1) (1910) BV 257 :^ Sonatina seconda (1912) BV 259 :^ Sonatina (no. 3) "ad usum infantis" (1915) BV 268 :^ Sonatina (no. 4) "in diem nativitatis Christi MCMXVII" (1917) BV 274 :^ Sonatina brevis (no. 5), "In Signo Joannis Sebastiani Magni" (1918) BV 280 :^ Kammer-Fantasie über Carmen (Chamber Fantasy after Carmen) (Sonatina no. 6) (1920) BV 284 :^ Klavierskizze: Indiansiches Erntelied (ed. 1911, Antony Beaumont) (score held by Henselt Library , unlisted in BV catalog) :^ Indianisches Tagebuch.

Bizet's other mature orchestral work, the overture Patrie, is similarly dismissed: "an awful warning of the danger of confusing art with patriotism".Dean (1965), pp. 141–45 The musicologist Hugh Macdonald argues that Bizet's best orchestral music is found in the suites that he derived from the 12-movement Jeux d’enfants for piano four-hands (1871) and the musique de scène for Daudet’s play L’Arlésienne (1872): Jeux resulted in the Petite suite of 1873, which has five movements (Marche—Berceuse—Impromptu—Duo—Galop), while the musique de scène resulted in two suites, one from the year of the premiere compiled by Bizet (Prélude—Menuet—Adagietto—Carillon) and the other from 1879 compiled posthumously by Guiraud (Pastorale—Intermezzo—Menuet—Farandole). According to Macdonald, in all three Bizet demonstrates a maturity of style that, had he lived longer, might have been the basis for future great orchestral works. Bizet’s piano works have not entered the concert pianist’s repertoire and are generally too difficult for amateurs to attempt. The exception is the above- described Jeux d’enfants duet suite; here Bizet avoids the virtuoso passages that so dominate his solo music.

Around Christmas 1910 he began suffering from a sore throat, which persisted. On 21 February 1911, with a temperature of 40 °C (104 °F), Mahler insisted on fulfilling an engagement at Carnegie Hall, with a program of mainly new Italian music, including the world premiere of Busoni's Berceuse élégiaque. This was Mahler's last concert.Lebrecht, p. 217Blaukopf, p. 233 After weeks confined to bed he was diagnosed with bacterial endocarditis, a disease to which sufferers from defective heart valves were particularly prone and could be fatal. Mahler did not give up hope; he talked of resuming the concert season, and took a keen interest when one of Alma's compositions was sung at a public recital by the soprano Frances Alda, on 3 March.Carr, p. 214 On 8 April the Mahler family and a permanent nurse left New York on board SS Amerika bound for Europe. They reached Paris ten days later, where Mahler entered a clinic at Neuilly, but there was no improvement; on 11 May he was taken by train to the Löw sanatorium in Vienna, where he developed pneumonia and entered a coma.

In 1917, Hugo Leichtentritt suggested that the Second Violin Sonata Op. 36a (BV 244), completed in 1900, "stands on the border-line between the first and second epochs of Busoni",Leichtentritt (1917), p. 76. although van Dieren asserts that in conversation Busoni "made no such claims for any work written before 1910. This means that he dated his work as an independent composer from the piano pieces An die Jugend ... and the Berceuse in its original version for piano." (These works were actually written in 1909.)van Dieren (1935), p. 52. The Kindermann Busoni Verzeichnis lists over 200 compositions in the period to 1900, which are met with very rarely in the contemporary repertoire or in recording, mostly featuring piano, either as solo instrument or accompanying others, but also including some works for chamber ensemble and some for orchestra, amongst them two large-scale suites and a violin concerto.Roberge (1991), pp. 8–63 Antony Beaumont notes that Busoni wrote virtually no chamber music after 1898 and no songs between 1886 and 1918, commenting that this was "part of the process of freeing himself from his Leipzig background ... [evoking] worlds of middle-class respectability in which he was not at home, and [in which] the shadows of Schumann, Brahms and Wolf loomed too large."Beaumont (1985), p. 42.