108 Sentences With "cradle song" | Random Sentence Generator

Illustrated "A Cradle Song" in William Blake's Songs of Innocence "A Cradle Song" is a poem written by William Blake in 1789, as part of his book Songs of Innocence.

February 13, 1953. Retrieved May 16, 2020. She would later appear in a number of television productions during the 1950s, including an adaptation of Cradle Song, opposite Judith Anderson."'Cradle Song' Is Called 'Stirring'; Maurice Evans Show Is Praised".

The "Northeastern Cradle Song" is from northern China, while "Yueguangguang" (月光光) is from southern China.

"Takeda Lullaby" ( or Takeda no komoriuta) is a popular Japanese cradle song. It originated in Takeda, Fushimi, Kyoto.

Blake was born in London on November 28, 1757. He died on August 12, 1827. "Cradle Song." Poets.org.

Cradle Song (Spanish title: Canción de cuna) is a 1953 Mexican film. It was directed by Fernando de Fuentes.

Northeastern Cradle Song () is a lullaby known widely in China, and is a folk song representative of Northeast China.

"A Cradle Song" is a poem by W. B. Yeats.COLLECTED POEMS OF W.B. YEATS 2008 William Butler Yeats. 25 A Cradle Song The angels are stooping Above your bed; They weary of trooping With the whimpering dead. God's laughing in Heaven To see you so good; The Sailing Seven Are gay with His mood.

Cradle Song is an album by cellist Julian Lloyd Webber. In the U.S., the album was released under the title Lullaby.

Shaw suffered and would die from heart disease. The Cradle Song was her last appearance on stage as a result of the illness.

Some of her well-known compositions include Cradle Song, Threnody, Canadian Fantasy, Ballade "A Winter's Tale" and her opera Return of the Native.

"Golden Slumbers" is based on the poem "Cradle Song" from the play Patient Grissel, a lullaby by the dramatist Thomas Dekker. The poem appears in Dekker's 1603 comedy Patient Grissel. McCartney saw sheet music for "Cradle Song" at his father's home in Liverpool, left on a piano by his stepsister Ruth. Unable to read music, he created his own music.

The Northeastern Cradle Song is a lullaby known to many people in China. It is a folk song representative of Northeast China. This cradle song is said to be originally sung in Pulandian, now part of Greater Dalian, at the time when Pulandian was called New Jin Prefecture (in ), located north of Jinzhou (in )). According to multiple people living in Dalian.

"Cossack Lullaby" is a cradle song which Russian writer and poet Mikhail Lermontov transcribed from a Terek Cossack woman's singing in Ossetia in the 19th century.

Chugoku Region Lullaby ( or chūgoku chihō no komoriuta) is a traditional folk song in Okayama Prefecture, Chugoku region, Japan, and is a well known Japanese cradle song.

Dormi, dormi, bel Bambin is an Italian Christmas carol. It is particularly popular in Corsica. The carol is supposed to be a cradle song of the Virgin Mary.

Canción de cuna ('Cradle Song', 1911), which has been called his "masterpiece", was popular across the Spanish-speaking world, and an English-language adaptation transferred to Broadway in 1927. Several of Martínez Sierra's plays were adapted into films, including Canción de cuna (as Cradle Song, dir. Mitchell Leisen, 1933). The deft handling of female characters in Martínez Sierra's works has been attributed to the collaboration of his wife, the writer María Lejárraga.

Johannes Brahms's "'" ("'Lullaby"; "Cradle Song"), Op. 49, No. 4, is a lied for voice and piano which was first published in 1868. It is one of the composer's most popular songs.

Melody Edo Lullaby ( or Edo komoriuta) is a traditional Japanese cradle song. It originated in Edo, was propagated to other areas, and is said to be the roots of the Japanese lullabies.

02 Apr. 2015. Some have even used Blake's poems in the creation of their music. In A Charm of Lullabies, Benjamin Britten sets "A Cradle Song" to music alongside four other poems.

Over 600 of his compositions were published, among the best known being "The Bonnie Lass of Bon Accord," "Cradle Song," "Bovaglie's Plaid," "The Music o' Spey," and "Hector the Hero." He made over 80 recordings.

The Regions of North Caucasus The drainage basin of the Terek River The Terek River "The Cossack Lullaby"() is a cradle song that Russian writer Mikhail Lermontov wrote in 1838 during his exile in Caucasus.

From the cover of the US edition of Cradle Song/Lullaby "Song for Baba" is a piece of music for cello and piano composed by Julian Lloyd Webber inspired by the birth of his son, David. It is the opening number on Lloyd Webber's 1995 album Cradle Song. It also appears on his 2003 album Made in England,"Song for Baba", AllMusic the 2011 album The Art of Julian Lloyd Webber and the 2012 album 101 Cello.101 Cello, Decca Classics Pamela Chowhan plays the piano part.

Retrieved 20 May 2018. was an English composer. He was born in Plymouth, the son of Frederic Nicholls Löhr (1844–1888), a composer of songsLöhr, Frederic N. (Frederic Nicholls) 1844–1888 WorldCat. Retrieved 20 May 2018. and piano works. F N Lohr's piano berceuse Cradle Song, an Idyll was written circa 1875 and dedicated to his twin sons, then four years old: "To my boys Victor and Hermann Frederic Lohr".Cradle Song score at IMSLP Hermann Löhr studied at the Royal Academy of Music, studying piano with Walter Cecil Macfarren and harmony and counterpoint with Frederick Corder.

Sarton won a scholarship to Vassar but felt drawn to the theater after seeing Eva Le Gallienne perform in The Cradle Song. She joined Le Gallienne's Civic Repertory Theatre in New York and spent a year working as an apprentice. However, Sarton continued to write poetry.

Cradle Song is a 1933 American pre-Code drama film directed by Mitchell Leisen, released by Paramount Pictures, and starring Dorothea Wieck and Evelyn Venable.Cradle Song notes, AllMovie.com; accessed July 24, 2015. It is based on the 1911 play of the same name by Gregorio Martínez Sierra.

The 32-line poem is divided into 8 stanzas of 4 lines each. Each stanza follows an "AABB" rhyme scheme. “A Cradle Song” follows a couplet structure where each pair of lines rhyme. This lends the poem a graceful sound and makes it easy to sing.

2018: Shane Bosher for Everything After. Best Play by a Māori Playwright: Albert Belz for Cradle Song and Jason Te Mete for Little Black Bitch. Best Play by a Pasifika Playwright: Suli Moa for Tales of A Princess. Best Play by a Woman Playwright: Angie Farrow for Before the Birds.

A 1936 biographical film of Brahms with Albert Florath as the composer, took its title from the opening lines of this song, Guten Abend, gute Nacht. Wendy Cope's poem "Brahms Cradle Song" refers to this song.Family Values by Wendy Cope – review, The Guardian, 23 April 2011, accessed 3 November 2018.

Born Pearl Miller to a Jewish family, she made her debut on Broadway in 1927, appearing in The Cradle Song. Two years later, she married her first husband, Harry Stein, whom she divorced in 1935. The union was childless. She appeared in more than 20 stage roles until Me and Molly in 1948.

In 1884, MacDowell married Marian Griswold Nevins, an American who had been one of his piano students in Frankfurt for three years. About the time that MacDowell composed a piano piece titled Cradle Song, Marian suffered an illness that resulted in her being unable to bear children.Gilman, Lawrence. Edward MacDowell: A Study.

In “A Cradle Song”, a mother sings to her child, asking the infant to stay asleep. The mother asks her child to sleep through the night. While she looks at her infant's face, the mother sees Jesus. When she sees the infant smiling, she sees Jesus smiling at her and the world.

Tiriel () is a 1985 opera with libretto and music by Russian/British composer Dmitri Smirnov partially based on Blake's text. The opera incorporates material from several of Blake's other poems; the "Introduction", "A Cradle Song" and "The Divine Image" from Songs of Innocence (1789), and "The Tyger" from Songs of Innocence and of Experience (1794).

A key theme in “A Cradle Song” is the mother's love for her child. The mother uses the word “sweet” ten times in the poem. She makes the infant seem angelic by the way she describes the child. The mother claims her child is “dovelike”, using the dove as a symbol for holiness and love.

A Cradle Song of 1915 is dedicated to his second daughter and the Lullaby of 1923 to the third, Colleen. His Phantasy Quartet of 1915 won the Cobbett Prize. He also made editions of others' works and published books of studies and exercises. The onset of Parkinson's disease forced his retirement from public performance in June 1948.

The film was the first Spanish motion picture to win the Academy Award for Best Foreign Language Film. Sesión continua (Double Feature), (1984, which also received an Academy Award nomination, and Asignatura aprobada (Course Completed, 1987) gave emphasis to sentimentality. Canción de cuna (Cradle Song, 1994), a film adaptation of the sentimental Gregorio Martinez Sierra play.

Errenzhuan, yangge, Jilin opera and stilts are popular forms of traditional entertainment in Northeast China. "Northeastern Cradle Song" is an example of the folk songs of this region. Because of its climatic conditions, Northeast China is the base for China's winter sports. Ice hockey and ice skating athletes often come from or were educated in Northeast China.

The album received high praise both abroad and domestically. A 2007 fan-oriented DVD titled Salvation, featuring exclusive material, scenes, in-studio clips, interviews, the uncut version of the "Jeremiad" music video and the performance of the never-before released "Cradle Song", increased the band's popularity. On January 22, 2008, the band's third studio album Oblivion Beckons was released.

With musical/production collaborator Sadia Sadia, he formed the world music fusion outfit Equa (Polygram Australia) which produced the eponymously-titlled ARIA nominated album Equa. Equa’s music has been sequenced to current affairs programmes, television programmes and films internationally, and their music forms the basis for two works by the Sydney Dance Company ("Cradle Song" and "Unwitting Sight").

Many popular marches are traditional and of unknown origin. Notable examples include Scotland the Brave, Highland Laddie, Bonnie Dundee and Cock of the North. Retreat marches are set in 3/4 time, such as The Green Hills of Tyrol and When the Battle's O'er. The bagpipe also make use of slow marches such as the Skye Boat Song and the Cradle Song.

In 1959, he served 30 days at an open-prison farm for possession of marijuana. The same year, he was in a car accident. Franciosa returned to TV to appear in Heaven Can Wait an adaptation of Here Comes Mr Jordan (1960), then in Cradle Song (1960). He supported Gina Lollobrigida in MGM's Go Naked in the World (1961), which lost money.

"I asked a thief to steal me a peach…", "I heard an Angel singing…", A Cradle Song (Blake, 1794) and Christian Forbearance (the draft of "A Poison Tree") The Notebook of William Blake (also known as the Rossetti Manuscript from its association with its former owner Dante Gabriel Rossetti) was used by William Blake as a commonplace book from (or 1793) to 1818.

In 1926, he had produced The Cradle Song in London, bringing it to New York the next year. He received the Spanish Order of Isabel the Catholic for his work. Fuente Ovejuna or The Sheep Well by Lope de Vega had its first performance in the Experimental Theatre at Vassar College, May 1, 1936. Underhill was responsible for the translation.

The tune of the song first became known in 1913 when it was published by W.H. Paling and Co as a piano-variations piece in Australia, called Swiss Cradle Song and credited to "Clement Scott". Some sources say that, after a tour of New Zealand, the British music critic and travel writer Clement Scott wrote the tune to the "Swiss Cradle Song".Scowcroft, Philip L. "A 206th Garland of British Composers", June 2001, MusicWeb International, accessed 1 May 2014 However, the family of an Australian, Albert Saunders, has long claimed that the "Clement Scott" who wrote the tune is a pseudonym for Saunders.Smyth, Terry. "Unsung hero", The Sunday Star-Times, 13 December 2009, accessed 1 May 2014New Zealand Folk Song Site In any event, the piece consisted of eight variations to the main 16-bar theme.

It is a series of 16 variations on an ostinato ground bass. In an early sketch of the composition, the "variantes" were even assigned numbers. Chopin first began the work with the theme but wrote two measures of introduction later. At first the composer titled the work Variantes, but the title was altered for publication to the current Berceuse, "berceuse" literally meaning "Cradle song".

Between the mid-1890s and the late 1950s Vaughan Williams set more than eighty poems for voice and piano accompaniment. The earliest to survive is "A Cradle Song", to Coleridge's words, from about 1894. The songs include many that have entered the repertory, such as "Linden Lea" (1902), "Silent Noon" (1904) and the song cycles Songs of Travel (1905 and 1907) and On Wenlock Edge.Fuller, pp.

His Lottery Ticket was exhibited at the Philadelphia Centennial Exhibition in 1876. Goodall typically painted small subject-pictures, such as The Daydream, The Cradle Song, Waiting for the Ferry-boat, and The Tired Lace-maker. A number of these were lithographed in a series entitled Walter Goodall's Rustic Sketches. Goodall also made drawings from pictures in the Vernon Gallery for engravings published in The Art Journal.

Ruby Reynolds-Lewis (13 November 1881 - 13 December 1964) was an Australian composer. Her work, "Foxhunt", was entered in the music event in the art competition at the 1924 Summer Olympics. She was the only Australian artist to compete in the Olympic arts competitions held from 1912 to 1948. Reynolds- Lewis dedicated her 1919 composition, "Cradle Song", to artist and musician George Hyde Pownall.

Many of Engel's songs are based on traditional Jewish folksongs. For example, his cradle song ("sleep, sleep my child"), is a variant of a traditional Yiddish lullaby. However, Engel often draws on sources other than Jewish traditional music, as well. Ahava Rahya, cited above, is based on an Arabic melody, and many of the tunes he composed in Palestine are based on Yemenite songs.

62 Its six movements take about fifteen minutes to perform.Morrison, pp. 8 and 13 The first is a Berceuse, or cradle-song. "Mi-a-ou", despite a title suggesting a cat, in fact represents the infant Dolly's attempts to pronounce the name of her brother Raoul; after "Le jardin de Dolly", the "Kitty Valse", again confounds its feline title, being a sketch of the family's pet dog.

She took part in a series of séances during which she claimed to have contacted the recently deceased Gounod. Becoming increasingly impoverished, in 1905 she returned to London, where she began an unsuccessful libel action to clear her name with Gounod's biographers. In 1908, as 'Grannie Weldon', she published Cradle Song, Pussie's Christmas Song and The Song of the Sparrow. Georgina Weldon's final years were spent in London and Brighton.

The opera was composed from 1983 until 1985 in Moscow, Russia. The libretto combines the text from Blake's early symbolic work "Tiriel" (c. 1789) with the addition of five of his poems: the "Introduction" and "The Divine Image" from the Songs of Innocence (1789), "The Tyger" and "A Divine Image" from the Songs of Experience (1789-1794), and "A Cradle Song" from his Note-book (Manuscript Rossetti, 1793).

She changed her surname to Vance and moved to Albuquerque, New Mexico, to find work as an actress. Vance performed in the very first show at the Albuquerque Little Theatre in 1930. She would go on to appear there in many other plays, including This Thing Called Love and The Cradle Song. The local theatre community helped pay her way to New York City to study under Eva Le Gallienne.

He made over two dozen rolls for Ampico, mostly of a nonmodernist repertoire; the composers he performed most often were Chopin, Schumann, and Liszt. Two rolls contained his own compositions: Berceuse (Cradle Song) (ca. 1920–21) and Prélude tragique (1924).See Rollography Part of the Reproducing Piano Roll Foundation Ornstein never recorded, in any format, even a single example of his futurist pieces which had brought him fame.

Bernhard Flies (about 1770 in Berlin - ?) was a German amateur composer and a doctor of medicine. Little is known about Flies. He composed some piano pieces and songs. He is best known for the romantic music to the lullaby Schlafe, mein Prinzchen, schlaf ein, (Sleep, my little prince, go to sleep) attributed to him, also known as Das Wiegenlied (the Cradle Song), from the theatre play "Esther" written by Friedrich Wilhelm Gotter (1746-1797).

In 1960, she played Madame Arkadina in Chekhov's The Seagull first at the Edinburgh Festival, and then at the Old Vic, with Tom Courtenay, Cyril Luckham and Tony Britton. That year she also performed in Cradle Song and Macbeth (both 1960) for TV. She had support roles in Cinderfella (1960) and Why Bother to Knock (1961). In 1961 she toured an evening in which she performed Macbeth, Medea and Tower.Smith, Cecil (12 November 1961).

Manuscript from the Robert Edric Archive, University of East AngliaRobert Edric (born 14 April 1956) is the pseudonym of Gary Edric Armitage, a British novelist born in Sheffield. Nick Rennison has suggested that Edric might be "the finest and most adventurous writer of historical fiction of his generation". His trilogy of detective novels, Cradle Song, Siren Song, and Swan Song, also known as the "Song Cycle," are set in the city of Hull.

It appears in the album The Strathspey King in two of the medleys, namely Bagpipe Marches and the Cradle Song medley. The music was recorded in Maybole, Ayrshire in 1963 by the School of Scottish Studies. It was included in a collection, Traditional Fiddle Music Of Cape Breton Volume 1: Mabou Coal Mines. It is in a historic recording from London made before July 1898, played on the bagpipes, possibly by the piper John MacKenzie Rogan or Henry Forsyth.

Lullaby by A lullaby (), or cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies they are used to pass down cultural knowledge or tradition. In addition, lullabies are often used for the developing of communication skills, indication of emotional intent, maintenance of infants' undivided attention, modulation of infants' arousal, and regulation of behavior.

A Christmas cantata or Nativity cantata is a cantata, music for voice or voices in several movements, for Christmas. The importance of the feast inspired many composers to write cantatas for the occasion, some designed to be performed in church services, others for concert or secular celebration. The Christmas story, telling of music of the angels and suggesting music of the shepherds and cradle song, invited musical treatment. The term is called ' in German, ' in French.

Hope Holway. Despite the Great Depression, the group managed to raise money to build a theater which was christened with a performance of The Cradle Song in February 1932. Two years later, the group incorporated as Tulsa Little Theatre. Struggling through the next few years, the theater survived a threatened bank foreclosure in 1935 after a number of donors stepped in, and in 1940 the theater paid off its mortgage. During World War II, it produced shows for military camps and veterans’ hospitals.

Furthermore, Pali influenced Burmese language in structure, because of literal translations of Pali text called nissaya (). The earliest works of Burmese literature date from the Bagan dynasty. They include proses recording monarchical merit acts and poetic works, the earliest of which was Yakhaing minthami eigyin (Cradle Song of the Princess of Arakan), dated to 1455. During the Bagan and Inwa dynasties, two primary types of literature flourished, mawgun () and eigyin, () and pyo (), religious works generally derived from the Jataka tales.

In the 1940s Forbes used the name Julian Dallas, appearing in Night Boat to Dublin (1946), Mrs. Fitzherbert (1947), But Not in Vain (1948), This Was a Woman (1948) and The Reluctant Widow (1950). He also appeared on the stage as Julian Dallas, spending a year with the Liverpool Old Vic, and in London under the direction of John Gielgud in The Cradle Song, among other plays. Following his few British productions, he moved to the U.S. and quickly found film work.

Brahms based the music of his "Wiegenlied" partially on "S'Is Anderscht", a duet by published in the 1840s. The cradle song was dedicated to Brahms's friend, Bertha Faber, on the occasion of the birth of her second son.Opus 49, Fünf Lieder für eine Singstimme und Klavier at Brahms-Institut (Lübeck) website. Brahms had been in love with her in her youth and constructed the melody of the "" to suggest, as a hidden counter-melody, a song she used to sing to him.

Sadia is a founding member of the multimedia world fusion project Equa with Stephen W. Tayler. Signed to Polygram (Australia) in 1996, producing the eponymously titled ARIA nominated album 'EQUA' in the same year. The Sydney Dance Company has two works in their permanent repertoire, 'Unwitting Sight' (1998) and 'Cradle Song' (2001) choreographed by Wakako Asano to music by Equa. In 1996, Sadia also worked on the TUC 'Respect:Unite Against Racism' campaign, producing the single 'Respect' featuring dozens of international recording artists.

Spike Hughes 1933. Challenge Records Though most were not released in America at the time, they have come to be regarded as classics and are still available on CD.Spike Hughes: All His Jazz Compositions Some of his jazz pieces show the influence of Irish folk melodies and his father Herbert Hughes (Donegal Cradle SongColeman Hawkins & Spike Hughes & His Negro Orchestra. Donegal Cradle Song). Others are clearly inspired by the work of Duke Ellington (A Harlem Symphony,Spike Hughes and his Dance Orchestra.

Nimisha Pandey is a Content Developer and Curator across the media of television and the web. Born in Haryana and raised in New Delhi, she graduated from the Film and Television Institute of India, Pune in 2004. She majored in Television Direction. She was the youngest person to receive the National Award for her short film “Cradle Song” in 2005. She went on make a documentary called “Nice Girls” that received the Best Documentary Award at the Digital Film Festival, New Delhi in 2006.

The origin of the words is obscure. An early appearance was on 2 March 1882, in the "Childrens' Corner" section of the anti-masonic journal The Christian Cynosure. Under the heading "Luther's Cradle Song", an anonymous author contributed the first two verses, writing: A near-identical article appeared in the November 1883 issue of The Sailors' Magazine and Seamen's Friend. Another early version was published in Little Pilgrim Songs, a book of Christian music for young children whose preface is dated 10 November 1883.

The mid-20th century critic James Agate said that he had proved the quality of Stuart's music: he took a Stuart song, halved the tempo, supplied German words – and serious musicians accepted without demur his assertion that it was a recently discovered cradle song by Brahms.Lamb, p. 66 In 2003 the critic Rodney Milnes called Stuart "the most gifted composer of musical comedy in Britain between Sullivan and Vivian Ellis". A 1941 biographical film entitled You Will Remember about Stuart starred Robert Morley as Stuart.

Trevor Harvey was born in 1911 in Freshwater, Isle of Wight. He was a conductor, critic, and broadcaster. From 1935 to 1942 he worked as assistant chorus master at the BBC (in 1941 he conducted the BBC Singers and John Ireland performing Spring, the Sweet Spring, A Cradle Song, Variations on Cadet Rousselle, When May is in His Prime, Fain Would I Change That Note, A New Year Carol; the same Ireland dedicated The Holy Boy: A Carol of the Nativity to Harvey). From 1946 he was a free‐lance conductor.

Born as Mary Elise Dodd in Los Angeles, California to Rev. Neal Dodd (September 6, 1879 — May 26, 1966) and Lila Elsie Dodd (née Weaver; September 12, 1889 — March 28, 1949), her father was a priest of the Anglo- Catholic Episcopal Church. Dodd began her career on the Los Angeles stage in 1939, debuting in a revival of the play The Cradle Song with the Westwood Theatre Guild. Her performance in The Penguin (1940), at the Call Board Theatre in Hollywood, was reviewed as demonstrating unusual eccentric comedy gifts.

In 1837, Alexandr Pushkin had a duel with Georges d'Anthes and two days later died. Mikhail Lermontov, who had adored Pushkin, wrote a poem entitled the Death of the Poet and lamented that he fell as a victim of the aristocracy surrounding the Czar. He was immediately exiled to the Caucasus.Смерть поэта/Death of the Poet, with link to its readingThe Bicentennial of Mikhail Lermontov's Birth (in Japanese) While in Caucasus, he heard an old Terek Cossack woman sing a cradle song, which he transcribed as the Cossack Lullaby.

As of 1913, Marie Elisabeth was the author of Einzugsmarsch for orchestra, Fackeltanz for piano as well as several other piano compositions. She also wrote a "pretty" Cradle Song for violin and piano, and, in 1892, she produced a Romanze in F major for clarinet and piano which had been influenced by Brahms' teachings.View the following urls for more: At her residence in Berchtesgaden, Marie Elisabeth received a regular circle of artists and encouraged talented singers by financing their education. Marie Elisabeth died on 22 February 1923 in Obersendling.

Chugoku Region Lullaby is a traditional folk song in the city of Ibara, Okayama Prefecture, Chugoku region, Japan, and is a well known Japanese cradle song. It is best known by the arrangement by Kosaku Yamada that was made in 1938.Chugoku Chiho no komoriuta (Its story, lyrics and music score) An instrumental version, played on a harp, historically marked the end of transmission at night on RCC, broadcasting to Hiroshima Prefecture. Up until 1987, a violin version was used on Sanyo Broadcasting, in Okayama and Kagawa, also signalling the end of daily programming.

When an American University professor wrote to Villa-Lobos requesting an analysis of Chôros No. 4, the composer responded: "My works are meant to be played, not analysed" . The work is in three parts, subdivided into nine sections. The first part comprises subsections 1–6, the second part is an undivided, slow "cradle song" (subsection seven), and the last part consists of subsections 8 and 9. The third, concluding part is contrasted to everything that precedes it, and is closer to jazz or Cuban music than to anything Brazilian .

Besides hymns, the book contains songs, especially the Cradle Song, Part 1 No. 50 ("Sleep, baby, sleep, what ails my dear"), the Anniversary Marriage Song, Part 2 No. 17 ("Lord, living here are we"), the Perambulation Song, Part 2 No. 24 ("Lord, it hath pleased Thee to say"), the Song for Lovers, Part 3 No. 20 ("Come, sweet heart, come, let us prove"), the Song for the Happily Married, Part 3 No. 21 ("Since they in singing take delight") and the Song for a Shepherd, Part 3 No. 41 ("Renowned men their herds to keep").

Andrew Earles of The A.V. Club rated the album a "B", finding Patton's vocals uncharacteristically subtle. Earles felt that the album's best songs were "Cradle Song," "Omaha Dance," and "Antelope Ceremony", but felt negatively about "War Song" and "Red Fox". Pitchfork's Jason Crock gave the album a rating of 5.9 out of 10, calling it an "odd, headstrong little record". Crock felt that the group were respectfully faithful to the musical culture within which they were working, but described the resultant sound as resembling a film score more than a live band.

The four hymns Bach inserted in the Magnificat for the Christmas vespers had a tradition in Leipzig. A setting by Bach's predecessor Kuhnau in a Christmas cantata is extant. They can be connected to scenic display of the Christmas story, representing the annunciation to the shepherds, first by one angel (A, B), then by the multitude (C), finally a cradle song (Kindleinwiegen, D). In Bach's autograph, the four movements are grouped at the back of the volume. They are written in older musical styles than most of the Magnificat movements.

Kent Taylor (born Louis William Weiss; May 11, 1907 – April 11, 1987) was an American actor of film and television. Taylor appeared in more than 110 films, the bulk of them B-movies in the 1930s and 1940s, although he also had roles in more prestigious studio releases, including Merrily We Go to Hell (1932), I'm No Angel (1933), Cradle Song (1933), Death Takes a Holiday (1934), Payment on Demand (1951), and Track the Man Down (1955). He had the lead role in Half Past Midnight in 1948, among a few others.

Beginning in 1956, Harrington made sporadic television appearances, including 2 in Hallmark Hall of Fame presentations of The Cradle Song, Ford Star Jubilee, NBC Experiment in Television and Great Performances. On daytime television, Harrington was the second actress to play Katherine 'Kate' Martin on All My Children, a role she played from early February until August of 1970. Then Harrington moved on to the role of Marion Conway (#2) on Guiding Light from 1971 to 1972. Harrington died in New York City from complications of a stroke suffered the previous year.

French, Clark, and Riggs agreed, and had the structure dismantled and moved to its current location. After an extensive renovation, the newly christened Berkshire Playhouse opened on June 4, 1928, with a production of "The Cradle Song" with Eva Le Gallienne. Actors who have starred in productions at the Berkshire Playhouse include James Cagney, Lionel Barrymore, Lillian Gish, Katharine Hepburn, and Buster Keaton. Notable producing directors have included Billy Miles, Joan White, Robert Paine Grose, George Tabori, Arthur Penn, Josephine Abady, Julianne Boyd, Bill Gibson, Richard Dunlap, and Arthur Storch.

The poem is in the metre 11 - 11 - 11- 11, and is often sung to the tune of the popular Christmas carol Away in a Manger called Cradle Song. The song is sung by Mary Bennett (played by Marsha Hunt) in the 1940 version of Pride and Prejudice. It is also mentioned in Chapter IX of MacKinlay Kantor's Pulitzer Prize-winning novel "Andersonville" (1955). In the town of New Cumnock in East Ayrshire there is a bridge across Afton Water on the A76 upon which there is a plaque commemorating Robert Burns and this great poem.

Moise became known as a film director in 1933. She told a newspaper that year, "I don't want to be hard-boiled, but it would be convenient right now if I could be." Her film credits included work as assistant to Cecil B. DeMille on This Day and Age (1933), as associate director on Cradle Song (1933), and as a dialogue coach on My Marriage (1936), High Noon (1952), and The Girl in the Red Velvet Swing (1955). She helped performers including Buster Crabbe, Akim Tamiroff, Simone Simon, and Claire Trevor improve their voices or change accents.

On September 15, 2008, Thomas told Billboard.com that he's "probably about 80 percent done" with his second solo record, tentatively titled Cradle Songs at the time. Thomas characterized the album as "the usual mish-mosh of styles, but hopefully just holding true to a bunch of good songs." with the article also mentioning that the record will nonetheless feature several tracks that "take a more global, rhythmic direction after working with South American and African percussionists." Thomas explained one such experiment: On February 25, 2009, it was announced via Fox News that the album's then-supposed title was Cradle Song.

With Valsinha (A Little Waltz), the album's eighth song, Buarque again teamed up with Vinicius de Moraes to compose a delicate love song of courtship with deep stylistic roots in Portuguese folk traditional music. The ninth track, Minha História (My Story), a translation of 4/3/1943, an Italian song written by Lucio Dalla the same year, provides a thematic interlude in the album's narrative with a tale of a poor Brazilian boy christened "Jesus" by his unmarried mother. The last and tenth track, Acalanto (Lullaby), wraps up the album with a gentle cradle song tinged with sadness.

Other popular songs by Hawes were "Cradle Song," "Greeting", and "Nannie's Sailor Lad", as well as "God shall be magnified" and "The song of the world". She filled engagements as a musical lecturer throughout the US. In 1878, she was publicly invited by a number of Bostonians to repeat a lecture series consisting of "Nature's Music", "National Music, Hymns and Ballads", "The Influence of Music", and "Liszt." She also lectured on Hungarian music, Hebrew music, Scandinavian music, Easter music, carols, bells, and cradle songs. Hawes taught piano-forte and harmony, was a prolific and successful composer, a poet, and a critic.

The second song, composed first, is a cradle song or lullaby, setting a poem "Die ihr schwebet" ("Ye who float") which Emanuel Geibel paraphrased after a song by Lope de Vega from his Cantarcillo de la Virgen. Geibel's poem appeared first, without a title, in his Spanisches Liederbuch (Spanish song book), in the first section Geistliche Lieder (Sacred songs) as number 4. The poem begins with a woman addressing the holy angels ("heil'gen Engel") hovering around palms in night and wind, to silence the trees because her child is sleeping. It becomes evident that the speaker is Mary, the mother of Jesus.

A Talent to Amuse: a Biography of Noël Coward, p. 77, Heinemann (1969, revised 1974) She stayed in New York after travelling there for the Broadway production of The Vortex, becoming Artistic Director for Eva la Galliene's Civic Repertory Theatre,Port, Raymond. "Gladys Calthrop". Biographies, Matt & Andrej Koymasky website, accessed 29 May 2011 for whom she directed John Gabriel Borkman on Broadway in 1926. Her designs for Broadway included The Cradle Song (1927), This Year of Grace (1928), Bitter Sweet (1929), Autumn Crocus (1932), Private Lives (1931), Design for Living (1933), Conversation Piece (1934), Point Valaine (1935), Tonight at 8.30 (1936), Excursion (1937), Dear Octopus (1939) and Set to Music (1939).

The 2017 two-CD reissue by Omnivore combines the LP sides as tracks 1–19 on one CD and adds the following: CD one: Bonus tracks 20. "The Grey Monk" (alternate take)3:20 21. "Brothels of Paris"3:47 CD two: Blake Songs # "A Cradle Song"5:04 # "The Divine Image"2:49 # "Spring"4:21 # "Nurse's Song"6:02 # "Infant Joy"2:22 # "A Dream"3:11 # "On Another Sorrow"3:51 # "Holy Thursday"4:32 # "The Fly"0:52 # "The School Boy"3:55 # "The Voice of the Ancient Bard"1:16 CD two: Mantras 12. "Padmasambhava Mantra"12:03 13.

Richard Waring and Ethel Barrymore in the Broadway production of The Corn Is Green (1940) Richard Waring was born Richard Stephens in Chalfont St Peter, Buckinghamshire in 1911, the son of Thomas E. Stephens, a painter, whose portrait of U.S. President Dwight D. Eisenhower hangs in the Smithsonian Gallery of Presidents. He later adopted Waring, his mother's (Evelyn M. Stephens) maiden name, as his stage name. Waring was the brother of Peter John Stephens, a playwright and author. Waring began his career in 1931 with Eva Le Gallienne's Civic Repertory Theater in New York City in minor roles in Romeo and Juliet, Camille, and Cradle Song.

In 1917, Herbert received the Liverpool scholarship and attended the Royal College of Music in London. She studied with Irish composer, Charles Stanford, and when World War I ended she stayed near London, taught at Wycombe Abbey School for girls, gave private lessons, performed recitals, and continued developing her musical abilities. In the early 1920s she met Roger Quilter, who viewed her works favourably and recommended them to the publisher Augener, who even signed the contract as a witness. Augener published the songs "Beauty", "Cradle Song", "Loveliest of Trees", "Renouncement", and "When Death to Either Shall Come" in 1923, and "Autumn", "Most Holy Night", and "Have you seen but a white lily grow" in 1926.

The Anti- Defamation League stated that: "KSS transformed itself from a mainly Harrisburg group to a network of seven regional crews that had members from every major city in the state and associates in New Jersey, Maryland and New York." The KSS has organized several white power concerts in Pennsylvania, featuring bands such as: Blue Eyed Devils, Max Resist, Youngland, Grom, Cradle Song, Teardown, Those Opposed, Vinland Warriors, Grand Belial's Key and Fear Rains Down. > KSS began to capitalize on its growing prominence by conducting a series of > concerts, first in Harrisburg, and then in a series of venues across the > state. In late September 2003, Hammerskin Nation allowed KSS to help > coordinate Hammerfest, which was held in Pennsylvania.

While in Berlin, she and friends discussed the benefits of teaching where students were cross-trained in both piano and voice, which would be advantageous to both. Such study would prevent pianists from losing the melodic focus and being overly technical and singers would gain technique rather than focusing solely on performance. As early as 1885, she was publishing songs and collaborating with poets for lyrics, including such works as "Cradle Song", "A Million Little Diamonds", "Only Thine Own Mine Art", "The Quest" and "She Kisses with her Eyes". Smith gained a reputation as a songwriter by the early 1890s and many of her works were translated into German during this period.

By Christmas of 1883, "Luther's Cradle Song" was already being performed as a recitation as part of a Sunday School celebration in a church in Nashville. The early popularity of the hymn may also be reflected in a report (published in 1885, but covering the year 1884) from an American mission in Maharashtra, India, stating that "[t]he hymns and cradle songs learned in the school, are often sung at home. One woman said that 'Hush my dear,' and 'Mother mine,' were heard all day in their alley, and now more lately, Luther's cradle hymn, 'Away in a manger, no cot for his bed,' has a place with them and is a favorite."; emphasis added.

Her best known published works are: Songs of the Child World, Lilts and Lyrics, and The Lost Princess Bo-Peep, in collaboration with the composer, Jessie Gaynor (1863–1921). Her best-known lyrics are probably the words to the lullaby entitled "The Slumber Boat" (later also known as "The American Cradle Song"), published in 1898, which she wrote for her own children: > Baby's boat the silver moon/Sailing in the sky, > Sailing o'er the sea of sleep,/While the clouds go by. [Refrain:] Sail > baby, sail,/Out upon that sea Only don't forget to sail/Back again to me. > Baby's fishing for a dream,/Fishing near and far, > His line a silver moonbeam is,/His bait a silver star.

The company presented its inaugural season in 1931, consisting of the three plays This Thing Called Love by Edwin J. Burke, Cradle Song by Gregorio Martínez Sierra, and Rain by John Colton. Notable performers during the first season included Mel Dinelli, later a successful writer of suspense films, and future I Love Lucy star Vivian Vance. In 1932, ALT staged The Trial of Mary Dugan as a benefit to raise money for Vance to study in New York, helping her begin a successful career on Broadway and television. In 1936, ALT moved into its present home located at 224 San Pasquale SW, just south of the historic Old Town section of Albuquerque.

Silver began acting as a teenager, working on the London stage by 1902. She appeared in Peter Pan (1904), The Lion and the Mouse (1907), Diana of Dobson's (1908), An Englishman's Home (1909), The Speckled Band (1910), George Bernard Shaw's Fanny's First Play (1911), A Midsummer Night's Dream (1913), The Sister-in-Law (1916), Betty at Bay (1918), The Mayor of Casterbridge (1926), and the title role in Thomas Hardy's Tess of the d'Urbervilles. Later roles included parts in The Cathedral (1930), The Cradle Song (1931), Barnet's Folly (1935) The Unveiling (1938), and A Trip to Scarborough (1944). Silver was in several silent films, including The Pleydell Mystery (1916), The Labour Leader (1917), The Little Welsh Girl (1920), and Judge Not (1920).

Ferguson is most known for his English translations of German texts including Ottfried's Schubert Fantasies (1914); three 1903 duets based on German folk songs by Ralph Vaughan Williams, "Adieu", "Think of Me", and "Cousin Michael"; and Charles Macpherson's "The Shepherds' Cradle Song" (1912) based on "Der Hirten Wiegenlied" of Karl Neuner (1814). Arthur Foxton Ferguson in costume with unknown woman c. 1910 Ferguson collaborated regularly with Lucy Broadwood, Ernest Walker, Ralph Vaughan Williams, and Sir Henry Walford Davies. Working with Broadwood and the English Folk Dance and Song Society, of which he was a decade long member, Foxton Ferguson collected folk songs from 1905 to 1909 including "May Day Carol" (second version) from Southill, Bedfordshire which he noted from the singing of Mr Charles Baldock in 1905.

Later, Verdú said that her role in Lovers marked a turning point in her screen career and has brought about a maturity as a performer. Thereafter, she worked with such directors as José Luis Garci in Cradle Song (Canción de cuna); Bigas Luna in Golden Balls (Huevos de Oro); again with Trueba in the Oscar-nominated Belle Époque; Emilio Martínez-Lázaro in Carreteras Secundarias; Carlos Saura in Goya in Bordeaux (Goya en Burdeos); and Gonzalo Suárez in El Portero and Oviedo Express. On the international stage, her career hit a highpoint when she starred in Y tu mamá también by Alfonso Cuarón, followed by Pan's Labyrinth by Guillermo del Toro. Verdú was subsequently invited to be a part of the Academy in Hollywood.

He entered the film industry in the 1920s, beginning in the art and costume departments. He directed his first film in 1933 with Cradle Song and became known for his keen sense of aesthetics in the glossy Hollywood melodramas and screwball comedies he turned out. His best known films include Alberto Casella's adaptation of Death Takes a Holiday and Murder at the Vanities, a musical mystery story (both 1934), as well as Midnight (1939) and Hold Back the Dawn (1941), both scripted by Billy Wilder. Easy Living (1937), written by Preston Sturges and starring Jean Arthur, was another hit for the director, who also directed Remember the Night (1940), the last film written by Sturges before he started directing his scripts as well.

Gabriel's Vineyard Songs (1892), the earliest known publication of the third verse The third stanza, "Be near me, Lord Jesus", is absent from the known early sources. Its first known appearance was in Gabriel's Vineyard Songs (1892), where it was set to a melody by Charles H. Gabriel (simply marked "C"). Gabriel credited the entire text to Luther and gave it the title "Cradle Song". Decades later, a story was published attributing the third verse to John T. MacFarland: Since this story dates the composition of the stanza to 1904–1908, over a decade after its first known appearance, Hill judges that "the 1892 publication [of Gabriel's Vineyard Songs] renders the Bishop's story suspect, and additional evidence must be found before McFarland can be safely credited with the writing of the third stanza".

Sharpe's compositions date mainly from between the two World Wars. He wrote a number of original pieces for cello and piano, a number of arrangements for cello and piano, some original and arranged songs in ballad style and two pieces for light orchestra. His original cello and piano pieces (with dates where known) are: Midsummer Song (1921), Gavotte in G minor (1927), The Angelus (1927), Chansonette (1928), An Old Time Dance (1928), Le Soir (1928), Five Little Solos for Cello and Piano (1928), Romance in A (1929), Valse Capricieuse (1933), An Old World Love Song (1933), Cradle Song (1939), Humoresque Rumbaesque (1939), Petite Valse Lyrique (1950), Nocturne (1951), Pavane, The Vesper Bell (from an old Breton folk tune) and Five Little Songs. His cello and piano arrangements are of music by J. S. Bach and Thomas Arne.

CD 1 # Masters in this Hall (Words: William Morris; Music: French Traditional) # The Sans Day Carol (Cornish Traditional) # God Rest You Merry Gentlemen (Traditional) # This Endris Night (Anon 16th century) # M Charpentier's Christmas Stomp (instrumental) (1. French Trad 2. M Charpentier) # Let an Anthem of Praise (Words: Caleb Ashworth; Music: Traditional) # The Oxen (Prior/ Lewin/ Watts/ Mizraki/ Banks/ Davis/ Badley) # Balthazar (Prior/ Lewin/ Watts/ Mizraki/ Banks/ Davis/ Badley) # Round of the Animals (Prior/ Mizraki) # Melima (Prior/ Lewin/ Watts/ Mizraki/ Banks/ Davis/ Badley) CD 2 # It Came Upon the Midnight Clear (Tune: Traditional, Words by EH Sears (18th century)) # On Christmas Night (Sussex Carol) (Traditional) # Watts' Cradle Song (Words: Isaac Watts; tune: US early 19th century) # Vals Musette (instrumental) (Andre Verchuren Traditional) # Entre Le Boeuf (sung in French) (Traditional) # M Charpentier's Christmas Swing (instrumental) (1. French Traditional 2.

As students with common interests, Lidhom, Bäck and Blomdahl began to meet together, eventually more regularly, and it came about that their gatherings fell on Mondays. Additional students, and then instructors, began to drop in; they held critiques and discussions of music, as well as performances of contemporary works. Hilding Rosenberg, who was to be Lidholm's composition teacher for two years, was especially important in leading studies into Hindemith, Stravinsky and other modern composers. Thus evolved what was later to be called the Måndagsgrupp. Under Rosenberg, Lidholm began to achieve a higher compositional output than previously, including: incidental music to a play of Georg Büchner, Leonce och Lena, from which the song Rosettas visa was published separately; Madonnas vaggvisa (“The Madonna’s Cradle Song”) for voice and piano; and På kungens slott (“At the King’s Castle”), a collection of children's piano pieces.

David Durand (July 27, 1920 – July 25, 1998) was an American actor. He appeared in the films Get Your Man, Tropic Madness, Innocents of Paris, Song of Love, Ladies Love Brutes, The Jazz Cinderella, Bad Sister, The Spy, Rich Man's Folly, Probation, Forbidden Company, Silver Dollar, The Great Jasper, Son of the Border, The Life of Jimmy Dolan, Jennie Gerhardt, Cradle Song, As the Earth Turns, Viva Villa!, Hat, Coat, and Glove, Wednesday's Child, Little Men, The Band Plays On, Wells Fargo, Scouts to the Rescue, Off the Record, Streets of New York, Boys' Reformatory, Golden Gloves, The Tulsa Kid, Harmon of Michigan, Kid Dynamite, Keep 'Em Slugging, Mr. Muggs Steps Out, Million Dollar Kid and Follow the Leader, among others. Durand served in the United States Army during World War II. He died on July 25, 1998, in Bridgeview, Illinois at age 77.

Unlike other stage actresses of her generation, she did relatively little Shakespeare, preferring the more modern dramatists such as Henrik Ibsen and new plays adapted from the novels of Henry James and Thomas Hardy among others. In the course of her stage career, Hiller won popular and critical acclaim in both London and New York. She excelled at rather plain but strong willed characters. After touring Britain as Viola in Twelfth Night (1943) she returned to the West End to be directed by John Gielgud as Sister Joanna in The Cradle Song (Apollo, 1944). The string of notable successes continued as Princess Charlotte in The First Gentleman (Savoy, 1945) opposite Robert Morley as the Prince Regent, Pegeen in Playboy of the Western World (Bristol Old Vic, 1946) and Tess of the d'Urbervilles (Bristol Old Vic, 1946, transferring to the Piccadilly Theatre in the West End in 1947), which was adapted for the stage by her husband.

Having played half the forthcoming album to Entertainment Weekly, it was reported that many of the lyrics on Cradle Song center around troubled relationships, and three more song titles were revealed: "Meltdown" (described as "INXS-esque power pop" that stood out as "a possible first single"), "Fire on the Mountain" (an "epic, tribal drum-driven" track inspired by Dave Eggers' book "What Is the What: The Autobiography of Valentino Achak Deng") and the melancholic country-leaning "Getting Late" (suggested as the "set's likely closer" and what Thomas described as "a little ditty about death." in the vein of Tom Petty and Willie Nelson.) The proper magazine article added that "Someday" is a power ballad with a tinkling piano introduction reminiscent of 1980s band Damn Yankees. On March 4, 2009, Thomas clarified on the message board of his official web-site that the album's title will be one word: "cradlesong". He announced that the lead single for this album had been chosen and a director is being sought after for the video. Thomas also announced that, at the time, he had mixed eleven songs so far and had recorded a total of twenty-seven.

Fiorella Faltoyano took dramatic studies, and in 1967 debuted in Nati Mistral's theater company. Almost at the same time she appeared in the film Club de solteros. She attained popularity as an actress on the television programs ', ', Estudio 1, and ', and as presenter of the show ', in the version created by in 1974–75. In 1977 she achieved her greatest film success as a protagonist of Unfinished Business by José Luis Garci, with whom she continued working in Solos en la madrugada (1978) – again with José Sacristán – and in Cradle Song (1994). She shot other films, among them La colmena (1982) and Después del sueño (1992) by Mario Camus, ¡Biba la banda! (Ricardo Palacios, 1987), La sombra del ciprés es alargada (Luis Alcoriza, 1990), and La sal de la vida (Eugenio Martín, 1996). At the same time she strengthened her television career, participating in ' (1982), ' (1991), ' (1995), ' (1994–95), Cuéntame cómo pasó (2003–04), ' (2005), Hospital Central (2006), ' (2010), and Amar en tiempos revueltos (2011). In the theater she starred in The Odd Couple (2001–02), The Children's Hour (2004–07), Agnes of God (2007–09), and Galdosiana (2009–10), plays in which she shared billing and production work with the actress through her company Nueva Comedia.