I had never heard of Sycamore before, but was intrigued by the Audile.
|
|
At the shot, there is a short-lived bump in the handle and little audile noise.
|
|
To evaluate plausible methods for surveying frogs, including audile surveys, automated call recorders and broadcasting breeding calls during surveys.
|
|
The audile phenomena were so frequent and so various, that a conspectus of them is given in an appendix.
|
|
In Ramus this progression is not as prominent and we find a more clear-cut distinction between the visile and audile worlds.
|
|
The number of tree cores used in age structure analysis was 52 in Audile, 54 in Barkava, 37 in Pededze, 37 in Salenieki, 60 in Kinguru, 48 in Rauda, and only 13 in Mezotne.
|
|
The book may also be regarded as a way of describing four epochs of history: 1. Oral tribe culture 2. Manuscript cultureMcLuhan himself proposes to demonstrate that "manuscript culture is intensely audile-tactile compared to print culture; and that means that detached habits of observation are quite uncongenial to manuscript cultures, whether ancient Egyptian, Greek, or Chinese or medieval." 1962, p.28. 3.
|
|
ARLA was formed by Mann, vocal artist Juliana Snapper, filmmaker Vera Brunner-Sung, and choreographer Kristen Smiarowski. ARLA is a flexiable acronym for Audile Receptives Los Angeles or A Ripe Little Archive. The group came together to study scores and techniques of listening developed by composer Pauline Oliveros. ARLA led workshops, listening sessions, discussion groups and did several performances most notably at Occupy LA and the Getty Museum.
|
|
Antti Railo started as a vocalist in the Finnish power metal band Celesty starting in 2003. During his six years in the band, Celesty released three albums, Legacy of Hate in 2004, Mortal Mind Creation in 2006 and Vendetta in 2009. He left the band just after the release of the album in 2009. While in Celesty, he also cooperated with band Diecell recording with them a demo, Audile Assault in 2005 and an EP Thrashborne in 2005.
|
|
Some of this music was included on Music for Bondage Performance and Music for Bondage Performance 2, co-credited to Right Brain Audile. Director Ian Kerkhof would use a Merzbow track for his 1992 film La séquence des barres parallèles, and Akita composed original music for Kerhof's 1994 film The Dead Man 2: Return of the Dead Man. Kerkhof made the documentary Beyond Ultra Violence: Uneasy Listening by Merzbow in 1998. Akita also created music for Ilppo Pohjola's Asphalto (1998) and Routemaster (2000).
|
|
Donna Groom, of the Skyliners, guest stars on a duet with Ross on the medley arrangement of " It's Gonna Take a Miracle/ I'm On The Outside". The band show their instrumental abilities jamming on the uptempo "Move Across the River", "Stagger Lee", and "Having a Party" with solos from keyboardist Granati, saxophonist Chris Patarin and guitarists Faiella and McAbee. Five time Grammy winning producer/engineer Jay Dudt of Audile Images engineered the album for co-producers Granati and Ross's arrangements.
|
|
"RBA" is an acronym of Right Brain Audile, a name used by Akita for his soundtracks to bondage films produced by Right Brain, the term appears on the Music for Bondage Performance albums. Many of the track titles were taken from the identification written on the tapes or their brand names. HD by Denon; AXIA by Fujifilm (some of which are label "For CD"); Capsule Cologne and UD II-S by Maxell. "Matehnas" was made as raw material for the collaboration with H.N.A.S. member Christoph Heemann.
|
|