He felt like all of his ideas had become trite and boring, his audial vision had deteriorated, and he began to despise the process.
|
|
In this case however, its scream was actually a weapon, since wombats have acute hearing and would rather flee than subject themselves to such audial assault.
|
|
The spine-tingling production on this version of the track feels like that magic moment when two people suddenly "get" each other and here Abra's despair turns into hope in audial Technicolor.
|
|
This is accompanied by a soundscape that forms a kind of audial tapestry, perhaps seeking to replicate both the native source of these materials and the public venues where his work would normally be shown.
|
|
It won't be nearly as accurate as if you hired a professional calibrater with their thousands of dollars of equipment or picked up a Spears & Munsil HD Benchmark and Calibration Blu-Ray, but you can definitely tweak things for a better-looking picture than what comes out of the box, and if you're seeking accuracy but can't afford the $30 Blu-Ray mentioned above you can use photos loaded via USB or the web, or the THX Tune-Up app for iOS or Android, which will guide you through a number of visual (and audial) tweaks you can make once your phone is connected to your TV set.
|
|
Recognition of sounds such as spoken numbers, letters, words and easily identifiable noises (such as doorbells and cats meowing) were all impacted. Visual short-term memory was unaffected, suggesting a dichotomy between visual and audial memory.
|
|
Meyer also contributed to the field of language. He contends that infants learn speech sounds through impersonation. At first, audial speech sounds are a reflex in the young. They hear a sound and react by shaping a comparable sound.
|
|
By the time children reach high school, memory strategies such as audial rehearsal, schema formation and semantic relatedness become more common; this presents an increased likelihood for memory errors, such as those seen in the Deese–Roediger–McDermott paradigm.
|
|
Whether this is true or not has never really been verified. This led to Euronymous' now (in)famous distinction of Abruptum as "The Audial Essence of Pure Black Evil". After IT left the band, Evil changed the band's musical style to more dark ambient/noise and dropped most of the metal sound.
|
|
IT then found a new member in "Evil". Around this time, IT reunited with All to form the side project, Vondur. Abruptum was signed to Euronymous's label Deathlike Silence Productions, on which they released two albums. Euronymous described them as "the audial essence of pure black evil", and IT considered Euronymous to be "a true ally".
|
|
In January, 2009 SimCraft launched the APEX Motion Racing Simulator at the Consumer Electronics Show in Las Vegas, Nevada. The APEX sc830 (later rebranded the APEX3) is a 3 DOF racing simulator with pitch, roll, and yaw motion; fabricated from tubular chromoly steel with powder coated finish. The sim is customized with various controls, visual, and audial technologies, adaptable to individual users.
|
|
An example of EDM with trap-inspired elements (Arabian Riches by Audial) EDM trap is a style of electronic dance music (EDM) that originated in the mid-2000s and early 2010s. It blends elements of trap music, an offshoot of Southern hip hop, with elements of EDM like build-ups, drops, and breakdowns. A variety of artists spurred trap's move into pop and EDM.
|
|
Tureng dictionary (name coined from the first syllables of the words Turkish and English) is a bilingual online Turkish English dictionary provided by Tureng Çeviri Ltd, a Turkish translation company. As of May 20, 2009, the site has more than 2.000.000 English and Turkish words and phrases, classified into categories by the field of usage with audial pronunciation in three different accents, British, American and Australian.
|
|
Live on Earth is the first live CD and DVD by Arjen Anthony Lucassen progressive metal project/supergroup Star One. It features songs from their debut album Space Metal, but also numerous songs from Lucassen's other project Ayreon. The album was recorded live on 5 October 2002 at Lucky & Co in Rijssen, Netherlands by Andreas Grotenhoff (audial mobile-Recording studio, Germany) and is the first live album Lucassen had ever recorded.
|
|
On Listening to Louis Chen's Zither (Traditional Chinese: 聽陳蕾士的琴箏) is a poem by the Hong Kong poet Wong Kwok Pun. In the poem, the poet uses synesthesia to describe his audial experiences. The poem has been included as an essential text in Hong Kong secondary school textbooks since the 1990s. Wong apologised to students in 2006, for many students consider the poem too difficult to be understood for examination in the HKCEE subject of Chinese Language.
|
|
Reminding people to blink or do blinking exercises is achieved via static reminders (such as eyeleo). Real- time feedback based blink reminders (such as VisionProtect) actively measure the blinking rate of the user and notify the user via visual/audial alert. The effectiveness of real-time feedback based blink reminder systems is proven in a study by Osamu Fukushima and Masao Saito. A 2017 randomized controlled trial evaluated macular carotenoid supplements (lutein, zeaxanthin, and mesozeaxanthin) in people with high screen time usage.
|
|
Low-tech implementations of random word often randomly shuffle a pile of index cards. For example, the "Oblique Strategies" created by Brian Eno and Peter Schmidt in 1975 is a set of 100 cards, each of which is a suggestion of a course of action or thinking to assist in creative situations, where standard logical solutions do not produce the desired result. High-tech implementations adopt computers, random number generators and internet resources. Simple random techniques are classified by modality of association (Verbal, Visual, Audial, Kinesthetic).
|
|
Saturnalia was released on March 4, 2008 on Sub Pop, a label both Dulli and Lanegan have worked with before. The duo's first tour commenced on February 14, 2008 in New York City and continued in March and April throughout Europe and the United States. The album was a big hit and Blast Magazine's Liz Raftery ended up praising the album calling it "an audial descent into the dark emotions that often lurk beneath the surface." The album's highest position was at number 7 in Belgium.
|
|
2001, two-channel video installation In Sleep Walking, Xing examines the effect of dislocation and how the mind can blur the distinctions between the past and the present, reality and fiction. The video weaves together images from different Western cityscapes accompanied by a soundtrack composed with Chinese traditional instruments and sounds of daily life in Chinese cities. The work implies a sense of loss and displacement, and evokes contending memories. Xing reconstructs reality, creating vigorous images infused with her visions of European Old Master paintings, the realities of these cities, and personal audial and visual memories.
|
|
In the forests of the Wildlands, the sailors are befriended by Halasaa, one of the mute, telepathic Tree People, who is the last guardian of the powers of Becoming; therefore, the power to heal, which is the only one of the Nine Chantments not dependent on audial speech. The Tree People send Halasaa away from their community of Spiridrell as punishment for befriending the outsiders, who have perpetrated genocide against them in the past. He escorts the outsiders, at their request, to the ancient, abandoned city of Spareth, where they meet Samis once more. In the ancient, apparently high-tech city, they enter a tower, where Samis finds them again.
|
|
In the classic HPP paradigm, infants are allowed to freely turn their heads and are seated between two speakers with mounted lights. The light of either the right or left speaker then flashes as that speaker provides some type of audial or linguistic input stimulus to the infant. Reliable orientation to a given side is taken to be an indication of a preference for the input associated with that side's speaker. This paradigm has since become increasingly important in the study of infant speech perception, especially for input at levels higher than syllable chunks, though with some modifications, including using the listening times instead of the side preference as the relevant dependent measure.
|
|
USgamer Jeremy Parish wrote that the game's challenges were in distinguishing the interactive objects from the environment and then figuring out the function of those interactive objects. For example, a ball resembling a dandelion releases its spores when circled, but the player has to follow the floating spores to realize that other villagers use the spores as a vehicle. The game communicates with visual and audial cues, and uses few of the standard controller buttons: two buttons slow or accelerate the Long Mover, and the triggers make it wiggle for a boost. The Long Mover changes in color based on the direction it faces and the DualShock 4's light bar matches the color.
|
|
The commander of the syntagma theoretically fought at the head of the extreme far-right file. According to Aelian, a syntagma was accompanied by five additional individuals to the rear: a herald (to act as a messenger), a trumpeter (to sound out commands), an ensign (to hold the unit's standard), an additional officer (called ouragos), and a servant. This array of both audial and visual communication methods helped to make sure that even in the dust and din of battle orders could still be received and given. Six syntagmata formed a taxis of 1,500 men commanded by a strategos, a variable number of taxeis formed a phalanx under a phalangiarch. On his Asian campaign, Alexander, had a phalanx of 6 veteran taxeis, numbering 9,000 men.
|
|
After an initial interview in 1997,Getting Closer to God with Little Fyodor and Babushka interview excerpt Little Fyodor also began a column based on his radio show, "A Few of the Interesting Characters I've Discovered Under the Floorboards", in Denver-based fringe magazine CyberPsychos AOD. After a live appearance by Little Fyodor and Babushka at the Death Equinox '97 convention, attendees were so enthusiastic about the performance that they requested having them play every year. Little Fyodor became the con's Audial Terror Guest of Honor in '98 as a result, and they continued to play every year. Rev. Ivan Stang of the Church of the SubGenius witnessed their '98 performance and asked them to play at the next X-Day gathering.
|
|
In a certain manner, he is a formalist whose > roots go back to the early days of experimental film in the beginning of the > last century, but at the same time he is a filmmaker who reacts to the > present and its themes and who puts together his material out of the > congestion on offer.” Sassi's works are characterised by creative integration of simple, and sometimes random, audial and visual elements detected in the surrounding world. In a series of experimental films called “Domestic Studies in Cosmology” a new planet is discovered at the bottom of a paper coffee cup (“Void”, 2004), a seagull circling around a pier creates a new galaxy (“Bird”, 2004) and a black hole is found pulsating in a kitchen sink (“Schwarzschild Radius”, 2004).
|
|
At these shows, the band began its use of visual effects and gradually stopped covering R&B.; Word of these shows quickly spread in the London underground culture and soon the band became very well-attended and developed a cult following. On 23 December 1966, the first of the "International Times" associated gigs to be held at the UFO Club was performed. Mainstream interest about the counter-culture was increasing and a very small portion of their 20 January 1967 show at the UFO Club was broadcast as part of Granada TV's documentary entitled It's So Far Out, It's Straight Down, which constitutes the first audial or visual record of the band live. Pink Floyd were among the 30 bands that played The 14 Hour Technicolour Dream benefit gig organised for the "International Times" legal defence fund and held at the Alexandra Palace in London on the eve of 30 April 1967.
|
|
It is, however, in these original uses of paper as medium for advertisement and prayer that the Chinese paper lantern first found its light. Before books were ever written on paper (wood or bamboo blocks were the preferred material for general knowledge and record-keeping at the time), the hopes and dreams of Chinese Buddhists were signified in the light of paper lanterns, often decorated with the stylized characters which communicated those thoughts to those who could not bear audial witness to their formation. To these Buddhist monks of the early Han Dynasty, roughly one hundred and fifty years before the epoch defining deaths of Caesar Augustus and Jesus of Nazareth, the glow of candlelight within the paper walls of the lantern became a miniature version of the bonfires, lit with the walls of their fortress abbeys on ceremonial occasions, which, in turn, symbolized the light of their pious thoughts, emanating outward to illuminate the ignorance of the unenlightened world.
|
|