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"arty-farty" Definitions
  1. trying too hard to be artistic or show an interest in the arts

6 Sentences With "arty farty"

How to use arty farty in a sentence? Find typical usage patterns (collocations)/phrases/context for "arty farty" and check conjugation/comparative form for "arty farty". Mastering all the usages of "arty farty" from sentence examples published by news publications.

My mum uses words like "arty farty" so when I think of "phonk" that's what I think of.
The decline was attributed to the construction of the nearby Tokyo Metro Fukutoshin Line, which has pushed up property values in the area, and the rise of the Internet. As of August 17, 2012, dancing has been banned in a number of popular clubs in Ni-chome, including Arty Farty, Annex, Arch, and Aisotope.
Since December 2015, Sónar is part of We are Europe, a cooperation project co- founded by the Creative Europe programme of the European Union, led by the French organization Arty Farty (Nuits sonores Festival) and gathering 8 major European events joining forces in order to promote, create and produce innovative cultural practices, defined by creative diversity and exchanges.
" The film was not as successful as other Poe pictures, which Sam Arkoff attributed to it being "too arty farty" and not scary enough. Corman later said, "I think that is a legitimate statement. The fault may have been mine. I was becoming more interested in the Poe films as expressions of the unconscious mind, rather than as pure horror films.
The album was recorded from August to September 1984 at Palladium Studios, Edinburgh and Rooster, West London. Raymonde alluded to it being rushed and unfinished, while Guthrie referred to it as "an abortion"Select, October 1990 and to the period in which it was made as "arty-farty pre-Raphaelite". Nonetheless, as Raymonde observed, "It seems to be the one that people like the best and it's probably sold the best".
In 1994 the orchestra and the Royal Shakespeare Company (RSC), resident at the Barbican Theatre, came under threat from a new managing director of the Barbican Centre, Baroness O'Cathain, an economist with no cultural background. O'Cathain, described by Morrison as "a Thatcherite free marketeer", dismissed the LSO and RSC as "arty-farty types", and opposed public subsidy. Such was the press and public reaction that she was obliged to seek a vote of confidence from the LSO and RSC; failing to gain it, she resigned, and was succeeded by John Tusa, whom Morrison calls "steeped in culture." The danger that the concert hall would become a conference centre was averted.

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