57 Sentences With "agone" | Random Sentence Generator

At first glance Massimo Cristaldi's photograph "e Agone Bagni" (2011) appears to depict an ancient castle with a view of the sea.

"On average this breed will deliver no more than ten puppies at a time," Dr. Erika Agone, the surgeon who performed the delivery, told ABC.

There are three main types of magic in Agone - Ascendancy, The Magical Arts and Invoking.

Alosa agone are common in the Mediterranean and the western Balkans. There are also landlocked populations found in Italy. The distribution of reproductive communities and the conservation status of Alosa agone in the central and eastern parts of the Mediterranean areas are poorly known.

Alosa agone is a species of ray-finned fish in the genus Alosa. It is an endangered species.

But a sennight agone, poor Joe Toogood vanished out of our sight, and we never seed him again.

The numbers of Alosa agone have declined due to barriers such as dams in their local areas.Bianco, P. G. (2002), The Status of the Twaite Shad, Alosa agone, in Italy and the Western Balkans. Marine Ecology, 23: pp. 51–64. These barriers prevent them from getting upstream to their spawning grounds and reproducing.

The name of this church is unrelated to the ‘agony’ of the martyr: in agone was the ancient name of Piazza Navona (piazza in agone), and meant instead, from the Greek, ‘in the site of the competitions’, because Piazza Navona was built on the site of an ancient Roman stadium of the Greek model, with one flat end, and was used for footraces. From ‘in agone’, the popular use and pronunciation changed the name into ‘Navona’, but other roads in the area kept the original name.As, for example, the Corsia Agonale, a short road that connects the piazza with the Palazzo Madama. Bernini's Fountain of the Four Rivers is situated in front of the church.

Unlike roleplaying games like Dungeons & Dragons 3rd Edition, where characters begin with little or no experience and gain it throughout the game, characters in Agone are meant to be of middle age and high rank. Most will hold offices of nobility or military status. Referred to as "The Inspired", they will have high scores and be fairly accomplished in their fields of expertise. Agone is more about intrigue than mere combat, and this is made clear from the very beginning, with the game focusing very much on a noire style of gameplay.

"Sede Vacante January 7, 1655—April 7, 1655", California State University Northridge Innocent's tomb is located in the Church of Sant'Agnese in Agone which he had built in 1652 adjacent to the family palace, the Palazzo Pamphili, in Rome.

Records for the record label. It was a wholly owned subsidiary of the TYO Group until Shikura purchased the remaining rights from the TYO Group on April 15, 2009. Shikura co-owns 5pb. with AGOne, an affiliate of Dwango Japan.

On 22 February 2014, Pope Francis made him Cardinal-Deacon of Sant'Agnese in Agone. Before the public criticism of his handling while bishop of cases of sexual abuse by priests, Müller was mentioned as papabile, that is, a possible candidate for the papacy.

Pope Pius IV made him a cardinal priest in the consistory of February 26, 1561. He received the red hat and the titular church of San Cesareo in Palatio on June 3, 1561. On November 10, 1561, he opted for the titular church of Sant'Agnese in Agone.

Albert LibertadJoseph Albert (known as Albert Libertad or Libertad)Libertad, Le Culte de la charogne. Anarchisme, un état de révolution permanente (1897–1908), Éditions Agone, 2006. (see also ). (24 November 1875 – 12 November 1908) was an individualist anarchist militant and writer from France who edited the influential anarchist publication L’Anarchie.

Via Maurizio Giglio, a street at the junction of Via Cassia and Via Trionfale, Rome. Via Maurizio Giglio, a street in Santa Marinella, Rome. A memorial plaque in Piazza Navona, near the church of Sant'Agnese in Agone, Rome. A memorial plaque in Largo della Gancia, in the Roman quarter of .

Penance and the spirit of penance were treated by Tertullian (De poenitentia), John Chrysostom ("De compunctione cordis", "De poenitentia") and Cyril of Jerusalem (d. 386) in his second catechetical instruction. That the life of the Christian is a warfare is amply illustrated in St. Augustine's (d. 430) "De agone christiano" and "Confessions".

Built for the conservation and veneration of the remains of Saint Agnes of Rome. Agnes' bones are now conserved in the church of Sant'Agnese fuori le mura in Rome, built over the catacomb. Her skull is preserved in a side chapel in the church of Sant'Agnese in Agone in Rome's Piazza Navona.

It is mine--the little chamber, Mine alone. I had it from my forbears Years agone. Yet within its walls I see A most motley company, And they one and all claim me As their own. There's one who is a soldier Bluff and keen; Single-minded, heavy-fisted, Rude of mien.

The "twaite shad" are known to be very adaptive and variable as they form landlocked populations in Italy and its neighboring areas, including the western Balkans. They can modify their morphology and biology according to their environment. Therefore, Alosa agone, just like many Alosa species, can be either marine or freshwater fish.

Albert Libertad, editor of the French individualist anarchist journal L'AnarchieJoseph Albert, better known as Albert Libertad or Libertad,Libertad, Le Culte de la charogne. Anarchisme, un état de révolution permanente (1897–1908), Éditions Agone, 2006. (see also . was an individualist anarchist militant and writer from France who edited the influential anarchist publication L'Anarchie.

He received the red hat and the titular church of Sant'Agnese in Agone on 9 June 1570. The pope charged him with seeking the support of the Republic of Venice and Spain for war against the Ottoman Empire. He was also charged with some reforms of the Roman Curia. He died on 25 March 1571.

Albert Libertad, editor of the French individualist anarchist journal L'Anarchie Joseph Albert, better known as Albert Libertad or Libertad,Libertad, Le Culte de la charogne. Anarchisme, un état de révolution permanente (1897–1908), Éditions Agone, 2006. (see also . was an individualist anarchist militant and writer from France who edited the influential anarchist publication L'Anarchie.

He was created cardinal-priest in the fourteenth Consistory for the promotion of cardinals, held by Pope Clement VII in Marseille on 7 November 1533, shortly after the marriage of his niece, Catherine de' Medici, to Prince Henri, the future king. On 10 November Longwy was assigned the titular church of S. Agnese in Agone.

Multisim published five products for the game in English. Agone: an Epic Roleplaying Game in the Twilight Realms comprises the rules of the game plus one 'drama' or adventure. The Grey Papers details several 'domains' or liege-lands, and includes one drama. The King of Spring includes rules for playing in a domain, and one drama in three parts.

Chiesa Nuova station would have been located underneath the Piazza della Chiesa Nuova, which takes its name from the church of the same name. About to the east is the famous Piazza Navona. Along with the Chiesa Nuova, there are a number of churches in the immediate area, including the Santa Maria della Pace, Sant'Agnese in Agone, and San Salvatore in Lauro.

Paolo Gismondi (known also as Paolo Perugino) (1612 in Perugia – 1685) was an Italian painter of the Baroque period. He was a pupil of Giovanni Antonio Scaramuccia in Perugia, then of Pietro da Cortona in Rome. Under commission by Cardinal Barberini, he frescoed the church of Santa Agata ai Monti in Rome. He also painted for the sacristy of Sant'Agnese in Agone.

Pope John Paul II created him Cardinal-Deacon of Saint Agnes in Agone on 21 February 1998. He retired as president of the Administration of the Patrimony of the Apostolic See in November 1998 becoming President Emeritus of Administration of the Patrimony of the Apostolic See. On 1 March 2008 Antonetti was elevated to Cardinal-Priest. He died in Novara on 10 April 2013.

Besides the Vie de Suzanne de Foix (Agen, 1709), and his pastoral instructions, we have from his pen Le combat chrétien translated from Augustine of Hippo's De Agone Christiano and L'art de bien mourir translated from Bellarmine's De Arte Bene Moriendi, also Antiquités de l'Eglise de Marseille (Marseilles, 1747–51). All these writings were published by Jauffret under the title of Oeuvres de Belsunce (Metz, 1822).

According to Professor Anthony Blunt, the cathedral was not one of Vaccarini's successes. As a church architect, Vaccarini introduced into Sicily the church plans of the Renaissance which had passed Sicily by. However, many of his churches are based on the designs of churches he had seen in Rome. The church of S. Agata in Catania, for instance, is based on Sant'Agnese in Agone (Rome).

His masterpiece is the marble relief of the Death of Saint Cecilia,Relief started by Giuseppe Peroni (1626-63). in the church of Sant'Agnese in Agone, Piazza Navona. Here it can be contrasted with the relief by Algardi's pupil Ercole Ferrata, of the Stoning of Santa Emerenziana. Raggi was instrumental in completing illusionistic stucco decoration accompanying Giovanni Battista Gaulli's ceiling fresco as other stucco figures in the Church of the Gesù.

Innocent X made him Prefect of the Apostolic Signatura on 23 March 1685. He became Cardinal Legate of Bologna in 1690, cardinal protodeacon in 1693, as well as archpriest of the basilica of Santa Maria Maggiore and of San Giovanni in Laterano. In 1704 he was made librarian of the Biblioteca Apostolica Vaticana and archivist of the Archivio Segreto Vaticano. He died in 1730 and is buried at Sant'Agnese in Agone.

He used as models various religious buildings in Rome—especially Francesco Borromini's Church Sant'Agnese in Agone in Piazza Navona. While the church is characterized by a discreet use of decorative elements, the entire structure conveys a palatial impression. In addition to Fischer von Erlach and Bernhard Michael Mandl, who created the dome murals, the following sculptors and stonemasons also contributed: Wolf Weißkirchner, Mathias Wilhelm Weißkirchner, Sebastian Stumpfegger, Andreas Götzinger, and Lorenz Dräxl.

The date of the play is not known with certainty, and its early performance history is largely a blank. The title page of the 1638 quarto states that the work was "sundry times acted at the Red Bull and other theaters, with general and good applause." Okes' dedication of the play to the guild of shoemakers also mentions the play's popularity, and states that "some twenty years agone, it was in the fashion." This suggests a date c.

In 1683 de Rossi worked for Camillo Pamphilj in Valmontone, a little town not far from Rome. Here he planned the new main church, the Collegiata, or Church of Saint Mary, inspired by the church of Sant'Agnese in Agone by Borromini (Rome) and the Church of the Assunta in Ariccia, by Bernini. In 1685 de' Rossi decorated on behalf of Cardinal Raimondo Capizucchi the chapel of San Paolo in the church of Santa Maria in Campitelli.

Despite soon attracting his own commissions, he stayed in close contact with Ferrata and collaborated with him. In 1660 Cafà signed his first independent contract with Prince Camillo Pamphilj for the relief of the Martyrdom of Saint Eustace in Sant'Agnese in Agone. In 1662 he became a member of the Accademia di San Luca and was even elected its principal in 1667, but declined the honor. Reportedly, he was a close friend of the painter Giovanni Battista Gaulli.

Ultimately, with Bernini's persuasive support and likely strong guidance thereafter, Oliva awarded the prestigious commission to the mere 22-year-old Gaulli. This choice may have been somewhat controversial, since Gaulli's naked figures recently frescoed in the pendentives for Sant'Agnese in Agone had offended some eyes, and, as had happened to Michelangelo's Sistine chapel altar frescoes, had required repainting to impose painted clothes.F. Haskell p. 80. left Gaulli decorated the entire dome including lantern and pendentives, central vault, window recesses, and transepts' ceilings.

Sant'Agnese from Piazza Navona Sant'Agnese in Agone (also called Sant'Agnese in Piazza Navona) is a 17th-century Baroque church in Rome, Italy. It faces onto the Piazza Navona, one of the main urban spaces in the historic centre of the city and the site where the Early Christian Saint Agnes was martyred in the ancient Stadium of Domitian. Construction began in 1652 under the architects Girolamo Rainaldi and his son Carlo Rainaldi. After numerous quarrels, the other main architect involved was Francesco Borromini.

The world and all of its creatures were created by the four Muses. The Masque, the fifth Muse created by the first four, now tries to gain control of the world and everyone in it. Agone is set several millennia after the Masque was created, the Muses little more than a vague memory to most, and Harmundia is split into several kingdoms. The Muses have long ago split into various kinds of phenomena in order to hide from the Masque.

However, the prevailing preference was for Rainaldi's more staid and conservative design. Borromini's limited contributions included the stucco decoration of the salone (the main room) and design of the Gallery, located at first floor level between the rest of the palace and the church of St. Agnese next door. The Gallery extends through the width of the block with a large Serliana window at either end. Palazzo Pamphilj on the left, with Sant'Agnese in Agone church on right, and Fontana del Moro in foreground.

After a smooth start, the construction of the church slowed because the Archconfraternity was in financial trouble. After Vignola's death in 1573, the church was finished by his son Giacinto Barozzi, according to a payment made by the Archconfraternity. When it was consecrated in 1583 it had a temporary roof. The facade attributed to Borromini and later attached to the oval church prefigured the facade of the church of Sant'Agnese in Agone in attempting to reconciled a front with five bats to two towers.

An oft- repeated, but false, anecdote tells that one of the Bernini's river gods defers his gaze in disapproval of the facade of Sant'Agnese in Agone (designed by the talented, but less politically successful, rival Francesco Borromini), impossible because the fountain was built several years before the façade of the church was completed. Bernini was also the artist of the statue of the Moor in La Fontana del Moro in Piazza Navona (1653). Bernini's Triton Fountain is depicted musically in the second section of Ottorino Respighi's Fountains of Rome.

The design of St. Peter's Basilica, and in particular its dome, has greatly influenced church architecture in Western Christendom. Within Rome, the huge domed church of Sant'Andrea della Valle was designed by Giacomo della Porta before the completion of St Peter's Basilica, and subsequently worked on by Carlo Maderno. This was followed by the domes of San Carlo ai Catinari, Sant'Agnese in Agone, and many others. Christopher Wren's dome at St Paul's Cathedral (London, England), the domes of Karlskirche (Vienna, Austria), St. Nicholas Church (Prague, Czech Republic), and the Pantheon (Paris, France) all pay homage to St Peter's Basilica.

He restored frescoes by Ciro Ferri and Baciccia in the cupola di Sant'Agnese in Agone; and frescoes by Raphael at the Chigi Chapel in Santa Maria del Popolo. He also frescoed several rooms of the Palaces Quirinale, Doria, Massimo, Lancillotti, Torlonia, Chigi, Del Drago; and also retouched the decorations of the cupola of the Basilica of St Peter's, and the facade of the Duomo of Orvieto. In Orvieto he also provided scenography for the theater, working alongside Cesare Fracassini. Working alongside V. Baldini, he also contributed scenography for theaters in Bologna, Perugia, Ancona, Rome, and Ferrara.

Marc Jean-Bernard's Recital programs reflect his philosophical conception of music and project his conception of the social mission of the classical performer. Tour recitals and recordings have been always dedicated to the insight of the musical thinking of specific composers. According to this goal, Marc Jean-Bernard's discography is focused on complete works or cycles, fully documented by commentaries. Joaquín RODRIGO L’Oeuvre Complète pour Guitare (2 CD Dante/Lys D 005/6) Fantasia para un Gentilhombre (Dante/Lys 022) Leo BROUWER Works for Solo Guitar (Pierre Vérany/Agone V 0006) Mario CASTELNUOVO-TEDESCO Complete Works for Solo Guitar,Vol.

Cafà's work is something new in Roman baroque sculpture. It incorporates lessons learned from Bernini, in particular his Memorial to Maria Raggi (1647) and the Ecstasy of St Theresa (ca. 1652) as well as the use of a polychrome marble background at the relic balconies in the pillars of the crossing of Saint Peter's (1630s). In addition, Cafà pulls together recently finished or contemporary solutions from within the workshop of Ercole Ferrata of which he himself was an essential part, in particular the Statue of St. Catherine for Siena Cathedral, St. Agnes on a Pyre and the concave shaped relief Martyrdom of Sant'Emerenziana (both in Sant'Agnese in Agone).

He collaborated with Cortona and completed for him the extensive frescoed ceilings and other internal decorations begun in the Pitti Palace, Florence (1659–65). His independent masterpiece is considered an extensive series of scriptural frescoes in the church of Basilica di Santa Maria Maggiore (Bergamo). Also well known is his an altarpiece of St Ambrose Healing the Sick in the church of Sant'Ambrogio della Massima in Rome. In 1670, he began the painting of the cupola of Sant'Agnese in Agone in central Rome, in a style recalling of Lanfranco's work in the dome of Sant'Andrea della Valle; but died before it was completed in 1693 by his successor Sebastiano Corbellini.

Borromini was one of several architects involved in the building of the church of Sant’Agnese in Agone in Rome. Not only were some of his design intentions changed by succeeding architects but the net result is a building which reflects, rather unhappily, a mix of different approaches. The decision to rebuild of the church was taken in 1652 as part of Pope Innocent X’s project to enhance the Piazza Navona, the urban space onto which his family palace, the Palazzo Pamphili, faced. The first plans for a Greek Cross church were drawn up by Girolamo Rainaldi and his son Carlo Rainaldi, who relocated the main entrance from the Via di Santa Maria dell'Anima to the Piazza Navona.

Palazzo Doria Pamphilj, facade facing the via del Corso Gabriele Valvassori (21 August 1683 - 7 April 1761) was an Italian architect of the late-Baroque period, mainly active in his native city of Rome. In 1711-1717, he helped design the small church of San Giuseppe alle Fornaci near Foligno and as an assistant to Filippo Barigioni, he helped the enlargement of the facilities at the thermal baths of Nocera Umbra . In Rome, he was patronized by the Pamphilj family, helping design the main altar (1720) in the church of Sant'Agnese in Agone, which stands adjacent to the original family palace in Rome. In the 1730s, he helped in the designs of the Palazzo Doria-Pamphili.

Lux Éditeur is a Québécoise publishing house, based in Montréal, specialising in the history of the Americas and left-libertarian politics.Site of Lux Éditeur Its works are distributed by Harmonia Mundi in Europe and Flammarion in Canada. Founded in 1995 under the name Comeau & Nadeau by historians Robert Comeau and Jean-François Nadeau, it took the name Lux Éditeur in 2002, after the departure of Jean-François Nadeau, who became literary editor of Devoir. Since then, Lux has become part of the independent publishing scene in Québec, and part of the French market since the end of the 1990s, especially since the emergence of publishes such as Agone, La Fabrique, Les Prairies ordinaires, Syllepse, Éditions Amsterdam and Éditions Aden.

In Rome he obtained possession of St. Leonard's Church, which he afterwards exchanged for that of Sant'Agnese in Agone, September 18, 1598, and later he secured for the institute the church of San Lorenzo in Lucina (June 11, 1606) which was made over to him by a papal bull of Pope Paul V, (which was, however, annulled by the bull "Susceptum" of Pope Pius X, November 9, 1906). St Francis Caracciolo was the author of "Le sette stazioni sopra la Passione di N.S. Gesù Christo" (The Seven Stations of the Passion of Our Lord, Rome, 1710). He loved the poor. Like Saint Thomas Aquinas, a relative on his mother's side, his purity was angelic, according to the Catholic Encyclopedia.

By 1708, he had moved to Rome where he joined the large studio of Camillo Rusconi, where he worked for over twenty years. Among his first commission was the execution in bassorilievo (relief) of the Glory of San Francesco for a Jesuit church of Madrid; however, the bassorilievo in stucco, likely originally a design by Rusconi, was never sculpted in marble. Like Rusconi, Maini always modelled his projects in stucco first. Maini collaborated in the decoration of the spandrels of the cupola of the Santi Luca e Martina. He worked in Sant'Agnese in Agone, where he executed the papal funerary monument to Innocent X (1729), likely based on Rusconi’s designs. For St. Peter’s Basilica, Maini carved large marble statues of St Francis of Paola (1732; designed by Pietro Bianchi) and St Philip Neri (c. 1735).

Today, a room in the Oratorio dei Filippini, known as the Sala Borromini, functions similarly to a town hall as meetings and debates are held there. The Ortario dei Filippini features a library called Biblioteca Vallicelliana which is distinguished by a staircase with a depiction of a Bellonian priest. In the staircase leading up to the library one can admire the full scale plaster models of Alessandro Algardi's reliefs of The Encounter of Attila and Pope Leo (the finished marble is in St. Peter's Basilica) and The Miracle of Saint Agnes (executed by Algardi's assistants Ercole Ferrata and Domenico Guidi; the marble version, destined to become the main altarpiece in Sant'Agnese in Agone was never made). The shape of the music hall inside Oratorio dei Filippini lends itself to acoustics and the distribution of sound.

The Fountain of the Four Rivers Fontana dei Quattro Fiumi (Fountain of the Four Rivers) is a fountain in the Piazza Navona in Rome, Italy. It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor. The base of the fountain is a basin from the centre of which travertine rocks rise to support four river gods and above them, a copy of an Egyptian obelisk surmounted with the Pamphili family emblem of a dove with an olive twig. Collectively, they represent four major rivers of the four continents through which papal authority had spread: the Nile representing Africa, the Danube representing Europe, the Ganges representing Asia, and the Río de la Plata representing the Americas.

Jay Goldberg is an American lawyer and author based in New York City. A magna cum laude graduate of Harvard Law School, he is best known for his representation of high-profile clients and cases, including President Donald Trump throughout his divorces and several real estate transactions. Goldberg began his career in New York working for District Attorney Frank Hogan and was appointed acting United States Attorney for the Northwestern District of Indiana, by appointment of then Attorney General Robert F. Kennedy. Goldberg has represented Bono, Mick Jagger, Waylon Jennings, Willie Nelson, Miles Davis, The Rolling Stones, Sean Combs, Johnny Cash, Lynyrd Skynyrd, industrialist Dr. Armand Hammer, investor Carl Icahn, Congressman Charlie Rangel, Bess Meyerson, the Hells Angels, Howard Stern Wack Packer Elegant Elliot Offen, and key figures associated with the American Mafia including Matty "The Horse" Ianniello, Joe "Scarface" Agone, Vincent "Jimmy Blue Eyes", and Frank Tieri.

This concert, at the Dom, was a centrepiece of the city's commemoration and an act of remembrance and reconciliation. In 2009 the choir travelled to perform in Bach's own Church, the Thomaskirche in Leipzig, and in October 2011 they toured to Rome, performing in both La Chiesa di Sant'Agnese in Agone, and The Venerable English College (colloquially referred to as English College, Rome), founded in 1579 by William Allen. Carols by Candlelight concerts routinely occur in December each year, which from 2001 - 2012 included a performance by the choir's junior section, formed and led by Nigel Perrin and sponsored by the CBBC for more than a decade, ‘to sow a seed for what may be to come in the future’. The City of Bath Bach Junior Choir enabled children from 8–15 years to sing together and learn basic musical techniques and at its height it had some 50 or more singers.

Palazzo Pamphilj, by the architects Girolamo Rainaldi and Francesco Borromini, is located in the heart of Rione Parione, south of the church of Sant'Agnese in Agone in Piazza Navona, the Pamphili neighborhood of Rome, named for this reason Isola de' Pamphili. From 1652, on Saturdays and Sundays in August, the piazza was turned into a lake to celebrate the Pamphili family, a festival that was suppressed in 1866. Today, the palace functions as the Brazilian Embassy in Rome. The tomb of Innocent X is located in Sant'Agnese. In 1634 the Pamphilj bought the baronial palace in Valmontone, a town near Palestrina, outside (Rome): Camillo Pamphili was determined to create a sort of new “ideal city”, so the palace and the main church were rebuilt and decorated by important baroque artists, like the architect Mattia de Rossi (who rose to prominence under the mentorship of Bernini), and the painters Pier Francesco Mola, Gaspard Dughet, Guglielmo Cortese, Francesco Cozza and Mattia Preti.

Angel with a Cross, Ponte Sant'Angelo, Rome A native of Pellio Inferiore, near Como, Ferrata initially apprenticed with Alessandro Algardi, and became one of his prime assistants. When his mentor died, Ferrata and another pupil, Domenico Guidi, completed Algardi's unfinished Vision of Saint Nicholas at San Nicola da Tolentino; ultimately, the innovative arrangement of two independent but interactive groups derives from the original design by Algardi. While Ferrata's initial work still owes much to Algardi, Ferrata distanced himself from the classical serenity found in the work of his mentor and Francois Duquesnoy, and moved towards the expressive emotionalism of Gian Lorenzo Bernini. He is best known for two works in Sant'Agnese in Agone in Rome, the Bernini-inspired The Death of St. AgnesLa Scultura Italiana - Ercole Ferrata (1660–64) as well as the marble relief Stoning of St EmerenzianaWeb Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1100-1850) (1660). The latter has a restraint influenced by his mentor, Algardi, although the superior half was completed by one of his pupils, Leonardo Retti in 1689-1709.