They just seemed like smudgy Xeroxes of the Bond I'd first seen in the theater.
|
|
It was also the era of cheap reproductions with Xeroxes, and a lot of artists experimented with making art [that way].
|
|
On May 24, the public is invited to make unusual xeroxes with the Brazilian artist Paulo Bruscky at the Americas Society.
|
|
When I went, the glass cubicle was covered with xeroxes, offering translation services, free poetry, and gardening (with a large photocopied leaf illustrating the service).
|
|
Maybe you think of "running off" mimeos or Xeroxes, but when the paper starts getting printed, or "running off," it's said to GO TO PRESS.
|
|
There is a huge leap from the late 1980s into the 21st century and then we are in the thick of FOIA requests and sloppy xeroxes.
|
|
Since this was television, where copycats usually are blurry Xeroxes, they copied only the most superficial things about the show, which has happened to many a series.
|
|
You started out at like a small ... I started at ABC News in Washington getting out Frank Reynold's ham sandwiches, making coffee and passing our Xeroxes of the rundown.
|
|
Since this was television, where copycats usually take the form of blurry Xeroxes, they copied only the most superficial elements of the show, which has happened to many a series throughout TV history.
|
|
A show at Bishop Gallery in Bedford Stuyvesant called Our Friend, Jean, of drawings, color Xeroxes, and ephemera left behind, given to, or swapped with a few of the people who knew him then, offers a tiny but intimate window into Basquiat's life prior to his extraordinary fame.
|
|
And then I started mixing photos, xeroxes, film, transfers on plexiglas, inks and papers, to shuffle cards and keep creative, because one thing that really I try to avoid is to dry out on the page—to get back at it the next day with nothing more to say and force it.
|
|
Thirunagar 3rd stop is an excellent place to buy all kinds of stationery items. Xeroxes also can be taken here especially in bulk orders at a reasonable price.
|
|
Copy That received a mixture of reviews from critics upon its release. Stephen Thomas Erlewine of Allmusic gave the album only 2.5 out of 5 stars. Erlewine questioned Evans's originality as an artist on most of the song selections. "Copy That is a clever title for a covers album, but it also raises the question of whether these new cover versions are mere Xeroxes of the original," he commented.
|
|
The McLoughlin Gallery was an art gallery established in 2010 by Joan McLoughlin that presented contemporary art from mid-career and emerging artists. The gallery was located at 49 Geary Street, Suite 200 San Francisco, California, United States. The McLoughlin gallery was the third largest space at 49 Geary. Artists at the gallery worked with a variety of different, and sometimes non-traditional, materials including: resins, plastics, Xeroxes, glitter, wood panel, acrylic and found objects.
|
|
Rafael Kayanan stated in a 2007 interview that he "grew up with Filipino Komiks masters like Alcala, Coching, and Redondo mixed in with Kirby, Sy Barry's The Phantom, Kubert's Tarzan, and Hal Foster's Prince Valiant. From there I discovered Barry Windsor-Smith, Starlin, Adams, Wrightson, and Gulacy in the 70's. I copied and then drew my own stories on the backs of old xeroxes my mom would bring home from work." He has illustrated for every major comic book publisher.
|
|
For anyone else, Going Back is a heartfelt but pointless exercise in ersatz soul."Graeme Thomson, Uncut, November 2010. Terry Staunton of Record Collector was even more negative, defining the album as a set "of 60s soul covers of baffling irrelevance" and wondering, "what possible use could anyone have for weedy-voiced faded Xeroxes of songs readily available in their wondrously uplifting original form?" Ross Bennett of Mojo gave the album 3 stars out of 5 and wrote: "all are faithful reproductions of the originals.
|
|
In it, he puts forward the anti-psychiatric idea that what we call "schizophrenia" isn't a real disease at all, but instead a tool our society uses to deal with people who display socially unacceptable beliefs and behaviour. Inspired by the evangelical tracts of Jack T. Chick, Brown left Xeroxes of these strips at bus stops and phone booths around Toronto so its message would reach a wider audience. It first appeared in Underwater #4, and is also reprinted in the collection The Little Man. Brown's Louis Riel book was inspired by the alleged mental instability of Riel, and Brown's own anarchist politics, and he began his research for the book in 1998.
|
|
In Buffalo, Moore met a group of artists working with appropriated imagery, which inspired him to begin using mechanical and chemical processes to incorporate multiple negatives, paintings, drawings, and xeroxes into complex montage images outside of strict documentary practice. This method of recombination, in the era before Photoshop, created images of “convulsive beauty” and were the subject of Moore’s first solo exhibition in New York at Lieberman and Saul Gallery in 1986, following his first solo show at Real Art Ways in Hartford, CT in 1985. Moore continued this method of montaging imagery for the next 7 years, expanding his practice into experimental short films. During this time, Moore collaborated on short films with others including the artists Lee Breuer and David Byrne. His film “Nosferatu” 1989 was nationally broadcast on MTV and PBS’s New Television series.
|
|